This review may contain spoilers
Best adaptation so far
First and foremost, I have seen all of the adaptations of this story except the Korean version. So, I do have a good idea about the original story and added elements. I do enjoy this story, but must admit that it can be very toxic at times. But, I'm sure that anyone who has seen even one adaptation of this story can see that this is not one of those times.Let's look into detail:
The story telling in this version is multi-layered and well-executed. The screenwriters did an excellent job of combining the best elements from all of the adaptations into one excellent drama. The story moves quickly, as in the Japanese version, and the time is well managed. While everything in the other adaptations feels preplanned and done for the sake of the story, the story in this Thai version felt more natural and like it was going with the flow. There were no fillers or extraneous side plots. The story had a lot more depth, making this adaptation more interesting than the others. The only aspect of the story that could have been improved is the ending. The amnesia plot appeared to be rushed. They could have spent more time on it or simply ignored it.
Another aspect of this story that stands out is the use of advanced technology, such as social media, to improve communication between the characters. In addition, the bullying in this version is more draconian and brutal. I'm not sure if this is a good or bad thing, but it's something to consider. In any case, this helped to deepen and flesh out the story and characters respectively.
While the other adaptations focus solely on the romance plot, this one also includes strong messages about patriarchy and other social issues that are currently prevalent in Thai societies.
There are many memorable scenes in this story that we will never forget. Without them, the story is incomplete. In most adaptations, it is done exaggeratedly, but in this case, it is more convincing. The scene in which Gorya kicks Thyme was well done, and when Thyme was stabbed, showing that it was his mother, not him, made it more plausible and also demonstrated Thyme's love for his mother. It enabled in removing many unnecessary scenes and moving the story along quickly.
Characters in this story are more developed and have more depth. It's clearer why some characters made certain decisions, which makes them more acceptable.
Gorya, the female lead, has the same character as before. Except for the removal of her confusion, no major changes have occurred. I believe you understand what I mean. In the majority of the other adaptations, she is unsure how she feels about the F4 members. She is frequently torn between her feelings for the male lead and her feelings for the second male lead. In this adaptation, however, she is certain of her feelings and fights for them. In this adaptation, she has a very strong and mature character, which I am very pleased with.
The male lead, Thyme's character, has undergone the most transformations. He has been fully developed as a character. It is made perfectly clear in this adaptation, why he is forced to be a bully, why he is forced to be the way he is. It is clearly shown that he has a very complex personality and that he is not a bad person. He beats people to conceal his vulnerable side, which he never showed to anyone else. He wants his mother to love him, which is why he does these thing: to prove that he is deserving of fulfilling her dream.
Ren's character, the second male lead, frequently leaves the audience wondering whether he likes the female lead or not. In the other adaptations, it is unclear what his emotions are. But, in this case, we get the impression that, despite accompanying Gorya through difficult times, he simply has a brotherly or friendly affection for Gorya. He is aware of Gorya's feelings for Thyme, and he is the one who brings it to Gorya's attention. He wholeheartedly supports Thyme's relationship with her.
I don't think there have been any significant changes for Kavin and MJ. Also their screen time is less than that of the other characters. However, both of their stories were told successfully without becoming overdramatic, as in the Chinese version. Kavin and Kanning's love is depicted strongly, but I didn't get the impression like he was playing with her emotions in this version. MJ's love story has taken a new turn. It appears at the end of all episodes, beginning with Episode 9, in the form of a KFC advertisement.
Thyme's mother's character in this version is the best. While, in most other adaptations, she is portrayed as a ruthless tyrant who doesn't care about her children and only cares about business, in this she has been portrayed as an evil businesswoman yet as a mother who loves her children but don't know how to express her feelings. He wants Thyme to be happy in cruel business world, which is why she puts pressure on him to be the way he is.
The majority of the supporting characters, despite their insignificance, had rich backstories that didn't feel uninteresting or unnecessary. However, the time was also very well managed in this case. This really wowed me.
On an overall basis, all of the cast members did an excellent job of bringing the characters to life. Bright was competent, but his acting was occasionally unconvincing. I believe he could have done a better job if he had become more expressive. He's a good actor, but he needs to improve his acting abilities. Tu and Dew both did an excellent job portraying their characters despite the fact that this was their debut. I hope to see them on more projects in the future. Win and Nani also did their best with the limited screen time they were given. I'm impressed by the acting and chemistry among the main cast members. The chemistry between them was incredible, and I thoroughly enjoyed it.Cindy, on the other hand, is the best of the best. She did an excellent job as Roselyn. Even though I dislike her character, I can't deny her incredible acting skills, which allowed her to play an evil mother convincingly.
This is the only adaptation that managed the equality in looks of the leads. all were eye candies to watch!
Finally, this is the best Hana Yori Dango adaptation I've seen so far. Anyone who enjoys this should watch the Thai version. Also, if you needs some eye candies, come watch this. Indeed, this is a highly recommended drama.
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Story
A perfect combination of reality and life presented in the best manner it could be presented in. The writer managed to keep the story true and realistic with real life issues (based on experience it's all real) and yet kept it fresh and fun to watch. This drama carried out a strong message "it's better late than never" "the present is really a present (gift)". Try to live your life without regrets, live your life first for YOU before anyone else, appreciate the time you have now and live it to the max. This is the 1st drama that made me think of my own life and gave me hope and refreshed my memory with my past life and made me think of my present and future. This drama has boosted my energy and gave me positive insight even with all the issues that were discussed in the drama there is always bright side to everything. For once no villains no insane characters.
Acting
The whole cast were so true and natural to their characters but Choi Ji Woo and Lee Sang Yoon are the show's strongest point!! They had an amazing on screen chemistry they seemed so true so real and so adorable. They managed to present such normal average characters and bring them out into life in a very delightful manner (and people say it's the character that makes the actor) that's not true at all even with such plain characters those two have managed to show us how wonderful of actors they are.
Rewatch?
Definitely YES I would rewatch it over and over again because I need something as positive as this to boost my energy and remind me that it really is never too late.
Overall
Are you a drama lover? This drama fits everyone's taste because it's a slice of life and yet it has everything that we as drama fans love and would wanna watch. If I could I would personally go and thank everyone who helped making it.
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And every single breath we drew was Hallelujah
You know what's the most difficult thing to deal with in the world? It's your soul. Yes, the struggle with your ownself is the most arduous task one must go through at least once in their lifetime. LOST, the Kdrama is the portrayal of the very same aspect that uses immense storytelling method to narrate stories of lost lives, striving to find themselves and see themselves becoming something in some way.Note: I am sure this drama just like it's title, LOST, has made the audience lost for words to describe or write about properly. Even after I'm done writing, I will look forward to reviews which will have more and better described perspective than me. I love analytical readings after all, haha.
Trust me, the drama is not what it's synopsis says. You might assume that it's a love story between 2 lost beings but more than its simply written plot, it's all about the viewers' mood and frame of mind. What "Lost" demands from its audience are patience and an open mind to embrace anything that is thrown at them. The amount of angst it contains, is good enough for to take a toll on your mind too, so be careful. The drama might look slow but that's the method of storytelling throughout, so if you don't like it, may be it's not your cup of tea. The unique element of this is the immense use of inner monologue narration of the 2 main characters, in the form of writing notes to their respective fathers.
LOST is the story of ordinary individuals who have dreamt to achieve extraordinary things in life and done their very best. But, at the crucial points of their lives, they find themselves lost in an unfamiliar direction and their longing hopes are nowhere to be seen. They're not sure what's happening with them, nor do they have any plans ahead; they're simply breathing their lives until death embraces them. So the basic plot is about a man & a woman seeking immediate meaning to their individual lives while they encounter each other often due to situations and become friends. They help each other comfort and grow as persons and in their subconscious they end up falling for each other at the end which somehow makes everything complicated.
Lee Bu Jung (Jeon Do Yeon) is an ex-team leader at a publishing forum as well as a ghost writer who had once dreamt of publishing a book with her own name on it, as the author. At the age of 40, she, an unemployed is simply making money even when her mental health is completely ruined because of her personal and professional lives. Lee Gang Jae (Ryu Jun Yul), is a prominent & famous face in the line of stand-in service world with his own individual business. At the age of 27 and a almost withering youth, he often finds himself living in a fake world full of fantasy where he's left behind when his clients go back to reality once the task is over.
The story also invoves people around both of these lead characters,their relationship issues, carrer problems and individual struggle to sustain in this harsh and cruel society. I would refeain from describing them to avoid mentioning any spoiler because there's no solid plot as mentioned earlier; It's greatly a slice of life story and everything that happens with the characters, count as minor or major details of the script that should be rather witnessed than simply read, in order to understand.
LOST is truly a depiction of mystery of life and it's operation. The world has undergone a devastating change over years and with our changing lives, we all have become lone men army, lost in our perceptions of life and continuously constructing barriers to assure self sustainability. On our journey to achieve big, we somehow lose the meaning of our existence and end up questioning the worth of living. This leads to the deterioration of our mental health subsequently resulting in depression, loneliness, anxiety as well as panic attacks and sometimes to jealousy, insecurities, possessiveness and ultimately to something as toxic as sadism. LOST is about all these elements of life that either make us miserable or help us learn and grow. LOST is about losing everything you own just to find it little by little, each day. Don't you think that this, in some way, is a pleasurable experience? But I wish the drama were that simple TT.
"아버지, 나는 아무것도 되지 않았습니다." Trans: "Dad, I didn't become anything." is the utmost distress signal or a cry for help by Bu Jung to his 70yo father who is at declining health and the onset of expiration. The feeling of emptiness has taken a toll on her, even when she's surrounded with people, making her a sadist woman who seeks joy when her enemy trembles with insecurities. She has become suicidal because of the unwavering life motos and lack of motives, however, she doesn't have the courage to end everything either. She just wants to run away from everything, knowing that her life has turned into nothingness after the severe downfall she had to go through a year ago.
"사랑하는 아버지, 내 삶의 본질을 잃어버린 것 같합니다" Trans: "Dear loving father, I think I have lost the essence of my life" is the grievance of Gang Jae to his late father whom he lost to a long-term illness when he was in highschool. He could never find any profession suitable for him nor had he any passion he loved, and to earn living he relied on being a companion to others and quickly rose up to be a familiar face in the Stand-in service business. Even with few close people around him, he always felt he's living in a world of illusions where he is left behind alone as soon as his assigned task is over.
One might think the drama is about the romantic development between the ML & FL leading to a relationship but there's strictly the least amount of romance portrayed in the drama. It's neither a chemistry development or a bond strengthening, rather the buildup of peaceful and comforting "soulmate" who help you heal your deepest wounds and nurtures you into a better being. Most part of the story progresses a lot on individual level of the leads showing their lives separately. On that note, the development between them is also a depiction of mutual liking of people stuck in complicated situations, which makes it difficult for their unison. Even for Jung soo and Gyeong Eun's development, it felt so pure. Even though the situation involving 4 of them got complicated by it, they were held back because they felt so disconnected and lost. So how could it not be moving when they were finally able to connect both physically and emotionally with someone? One thing that was common between them was both had that one person, they considered their confidante; for Bu Jung it was his old father and for Gang Jae it was Sun Joo (Just/Taegi).
However, when both of them come into a single frame, the wind changes into something else; something that could be felt well but very intricate to describe with words; something so pure that it can't be named as a particular relationship; that's how I felt all along the drama. On that note, the vibe of the drama is very heavy though heartfelt shades & emotions it depicts are all greatly realistic and awfully relatable, more or less for every single one of us. Bu Jung's relationship with her father was the most beautiful one after the lead's storyline.
The drama showcases various psychological (not psychiatric) mental health issues which are very common among human beings, making it even more congeneric, so it strikes deeper than anything else; make sure you watch it with a major TW and take it easy & slow, in case you're sensitive.
The story is filled with ironies. It is hugely character-driven having characters with flaws, their method of interplay, their real arcs as individuals and how they perceive each other. The writer has very beautifully drawn every character of her story, and those characters have served their roles unerringly, making them lively & relatable. The flaws of the characters are what make them real in any story and this drama implies that no one is good or evil, or even entirely innocent, and no deed is moral & immoral; as long as it's dependent on perceptions, it varies to a great extent. The dialogues are so well written here, both for conversations and for the monologue notes, one might get lost in emotions and tremble with melancholy. They are very thought-provoking, sometimes inspirational & uplifting and some other times emotionally challenging for your mind. Simply, the emotionally moving and very human experiences that the drama visualizes will make you witness, understand and empathize/sympathize the hidden shades of human life and make it easier for you to embrace every forthcoming possibility. What I also loved is the way of reminiscing own's past and relating it with your present; no matter that brings you joy or sadness. The story is accompanied with light comedy here and there in a scattered manner, nevertheless, it's mostly a heavy setup.
I am not a believer, a hardcore atheist but from the pov of quality music, I have known and loved the song "Hallelujah" by Jeff Buckley (originally by Leonard Choen) but the drama using the old track as a prop to narrate the story, has again changed my perspective of the song as well as life. It's been used a multiple times in the drama which suitably blended into the scenarios portraying different emotions like sorrow, grievance, downfall, isolation, etc.
I wonder the reason the writer Kim Ji Hye was in hiatus for 7 years. Is it because she was busy creating this piece of gem that will stand out for it's way of unique storytelling techniques and awe the world with very-human approaches it has made in order to portray the essence of life? Haha, I'm certain that's not the case but the drama is on some other dimensional level to make you assume so. She herself told it's an ordinary tale, which in actual is true, but what makes it extraordinary is the seemingly ordinary characters on their journey to achieve the longing significance, that they have been seeking for time immemorial. This ain't a predictable trope, rather every single thing that happens, welcomes every possible result which is difficult to guess or make certain of, truly.
The directors have done a job as good as the scriptwriting, I must say. The screenplay techniques used to connect the characters & their stories are very intriguing. The frames jumping from one character to the other at the time of inner monologue narrations of the 2 leads, shows how common the story we have, are yet how different it is for each of us. The way they have tried interpreting simple dialogues with the use of aesthetically pleasing cinematography work and by the use of dark and shady colour palettes, deserves applauses.
In regards of OST too, the composer has been able to do a fabulous job. I mean for a drama with such unique emotions and moods, it'd have been a difficult task to create and produce suitable tracks to fit into the scenarios but how beautiful the songs are! In fact the background tracks and their appropriate editing with subtle classic instrumental gives off the shady vibes and might make it seem slow but trust me, it enhances the quality of storytelling in a different perspective. The loan English song "Hallelujah" is the base of the drama. Other than that, the song that tells the essence of one's tale is "My Story sung by Ha Dong Qn which has the touch of melancholic beauty. "From Me" is the track meant for uplifting the fallen spirits decorated by the beautiful vocal of Sonidia. The high notes of Kim Yuna in "Under the blossom shadow" are highly pleasing and touching. "My Home" by Hajin is a very comforting track.
The other important aspects of life involving both the leads and other supporting characters, portrayed in the drama are: Worrying parents, understanding child, parent-children bonding, fighting long term illness, taking care of bedridden patients, dicorce & separation, untimely demise of life-partner, widowhood, dating relationships, breakups, late age single life, one sided liking, deep friendships, workplace problems, career failure, celebrity life, rich family issues, dirty secrets of entertainment industry, domestic abuse, extra-marital affairs, married life hardships, consequences of ill relationships, miscarriage, stress disorders, loyalty, admiration, respect, caring for family, live-in relationships, second marriages, dreams & hopes, indecisiveness, confusion, swaying of heart, change in feelings, exhaustion from relationships, etc.
I would like to write a little about 2 things that I particularly want to bring to the notice of readers who might not have thought much about:
a) The way the writer has painted the arcs of Gang Jae in regards of his stand-in service profession, is very real. It's just matter of choice and open-mind nature, to realize that this exists in real. In a world where we choose to rely on strangers during odds rather than our close ones, stand-in substitute is in fact what people with money go for in case they're deprived of love & affection, or simply are lonely. Only a few percent of them require the service in events or parties to fill the venue in and show-off. Some others also use substitutes in dates too. Despite the fact that all these are fake, we can't deny it's become a trend in the changing world as more and more of us are growing fond of solitude and lonely lives.
b) Just like the mother-in-laws for most of the shows, Bu-jung's MIL was surely insecure of her daughter-in-law and complaints a lot but the portrayal of her as a person is what intrigued me. She could be nagging and screaming and telling on her a lot but at the end of all, she understands everything. She secretly cherishes her DIL and worries about her at times as well as his son's married life. She's very caring and even concerns about Bu-jung's old father and his health. The sides of a MIL shown in here is truly that ecstatic which are a rare example in the real life.
Not sure how should express my feelings about the ending. Some might think it's absurd and some might be mad because how it ended but trust me you wouldn't see a more realistic approach than this. I mean things ended just as we wanted it to but the time provided to it is very short, which again is very justified if we consider the pace events of the drama. Some things were sorted, some were not, however that's how real it felt, because a story might end, but life continues. I am just lost for words to tell anything or may be I am not knowledgeable enough to state anything about it, pardon.
Some side storylines, the supporting characters and their lives were not clarified well, in fact the 2 lead characters had the same case, which can be interpreted as an open ending, leading to possibilities, but isn't that how slice of life dramas are supposed to be? I think it's safe to assume and imagine here rather expecting for another season, so that it doesn't hurt us later, haha.
To sum up everything, LOST is the story of lost lives, seeking help and prosperity and the ride is surely full of unbearable angst. The relationship between Bu Jung and Gang Jae are beyond the definitions of chemistry or bonding, more of long-lost mates striving to find each other. It's a super slow-burn development yet immensely intense and the seemingly slow paced story that actually is an appropriate one, given the utilized storytelling method. The unspoken intimacy that elicit emotions are truly ecstatic. Also, such seasoned & familiar actors that made the characters justified, I wanna praise all of them. The subtle development of bonding that accumulates a lot and bursts oepn into blooming love at the end is indeed a journey of warmth and pleasure. This is a drama that said a lot without exactly saying anything. The best reason to watch this should be the immense opportunity of character study so grab it as soon as you can.
I'm someone who is over-sensitive and becomes overwhelmed over every little thing, but this drama is actually that intense that my heart felt heavy till the end and I couldn't really bring myself to cry till the ending episodes, when tbe basic plot finally attaining it's peak. I was just watching along with the flow and my heart was trying hard to understand and feel whatever was happening. I cried very lil in the last 2 episodes over naturally moving scenes but after finishing, it suddenly hit me hard that ahh it's over. I immediately strated crying out of despair which went on for a while, in fact I completed writing this thing as my eyes were still teary. (Adding these 2 lines now only)
This drama, again, is not for everyone to watch, and the writer has intentionally tried to test the viewer's patience here; but for someone who is open to trying out everything and watching stuffs with suitable perspective, this drama is a must watch. The genre is a common but for me, the method of storytelling is very very new, certainly a first, and I entirely felt in love with it, I should admit. My sole interest for starting this drama was Ryu Jun Yeol choosing this, and ofc, I have loved Jeon Do Yun and Park Byung Eun, but now that I've finished it, I have no words to describe how it has gone way beyond all my feelings, leaving me with no satisfying word to praise it. LOST is indeed one of a kind unique drama which must get it's worth-deserving attention and recognition, please because it's very underrated. I'm definitely coming back to this again.
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I haven't been this fascinated by a movie in a long time. Sure, excited and caught by movies but not fascinated.
Story - the story is awesome. The ending did not really go for my taste but I liked it better than expected, let's say - it fits the movie well. While in the beginning you start thinking "Will this movie really be interesting?" the characters suck you into their life and feelings and you cannot stop watching until you know what's gonna happen. I liked how the story went along and like I said the ending fits quite well.
Acting/Cast - First off, I'm amazingly happy that the actor for Jaeha (I just forgot his name right now), a really known and popular actor, is in this movie and it's not just made by newbies or so. This gives this kind of mature movie a more serious and experienced feeling. As for the acting - it was awesome. I loved it. Nothing more to say.
Music - You don't really notice but then you do. It fits really really well.
Rewatch - Probably. Pretty sure.
Overall - Overall, Method is a piece of art where everything was put together neatly. It's definitely interesting, although not to everyone's taste I presume, and I think all the parts fit so well together which makes it enjoyable to watch even if it is quite dark. I recommend it, definitely!
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The Escape of the Seven: War for Survival
37 people found this review helpful
1This review may contain spoilers
unfathomable beastliness down to the blood. a search for the good guys could very well be in vain
You better be aware, it can always become more monstrous. For the audience, the first episodes of “The Escape of the Seven” are already quite inhospitable. Surely, among the protagonists one is worse than the other. We immerse ourselves in an unscrupulous world full of greed and devoid of any... …actually, I wanted to write "humanity", but then people also have a bitterly cruel and evil side, which is unfortunately also so very human in all its abysmal facets that it is painfully hurting and we'd rather not see it or let alone experience it... That's what "The Escape of the Seven" is about: The potency of human unscrupulousness... It couldn´t be more repulsive. (Could it?)Crass, brutal and soulless, but everything beautifully polished in HD – this is how the 'beautiful', (one would normally consider) ´desirable´ life of the "Seven" is displayed here. However, soon enough the limits of what is bearable are strained. Admittedly, at first I had to avert my gaze with a shudder. Pretty quickly I dropped this KDrama.
However, the job as a subtitler had me open up for a second attempt. Meanwhile – if I accept the premise: it's about a group of people who are entangled in their unscrupulousness, who are united in their monstrosity not least by their excessive greed and a disgusting obsession with money, power, prestige, rank and influence – I reconsider this KDrama quite original by now. Surely, there are lots of unsympathetic (and shockingly convincing so!) protagonists - that's downright provocative for a TV series entertainment mission. Nevertheless, eventually from the 5th episode onwards, the KDrama is unabashedly still gearing up. It´s like the point of no return. By then there´s no more escaping from “The Escape of the Seven”... You´re on the hook. Because you actually start hoping…(for ´the good´ to finally become true.)
The plot turns out to be a revenge mission cleverly disguised in several respects. AI and deepfakes on the one hand, tried-and-tested Makjang on the other inspire the psychopathic composition of a jungle full of fatal, dramaturgical entanglements. Intelligent, exciting, disturbing – more than once we might think we know what's going on and yet we're wrong. Ruthlessness is certainly one of the leitmotifs in this KDrama.
I only recommend "The Escape of the Seven" if the mood is right - one that demands unfathomable beastliness down to the blood. If we get involved in this KDrama, then we will uncompromisingly be catapulted into a world in which a search for the good guys could very well be in vain...
And there is a second season, too…
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This is possibly the weirdest and most surprising dorama I've ever come across. Nothing is what is expected, or what it seems.
It's just as hard to define its genre, because while it could be listed as a science fiction drama, the fantasy part is just a device to make a very human, touching and very present message come across: are we really capable of cherishing our lives? Do we truly appreciate all the little and big things thrown onto our path or do we give them for granted?
Were I to base the overall rating only on how much I liked it, I would give it a 10. But it's undeniable that it doesn't deserve it on the cinematographic level: the shooting quality is average at best, it reminded me of those catastrophe movies from the 70ies, like Poseidon, or Empire of the Ants, often naive, with some ludicrous special effects. And it certainly does not shine for its photography.
The music goes from ordinary to completely random.
But characterization, dialogues and acting make up in heaps for whatever flaw. If you have read The Lord of The Flies by William Golding, this drama may remind you of it. Mix it with the most classical concept of Carpe Diem - seize the day - and you have Long Love Letter.
Kubozuka Yousuke is adorable here, at times childishly clumsy, at others emotionally intense. But it's Takako Tokiwa who really steals the screen, her character being the epitome of strength of will, sweetness and courage.
In fact, this drama is acutely feminine, like mother Earth herself.
The kids play their part very well, one ends up liking a quite stony Yamashita Tomohisa too.
I adored the ending. It makes this into one of those dramas one is emotionally compelled to talk about with someone, share opinions and questions. Like it or not, it doesn't leave you untouched.
So, by now you have 2 choices: decide that both the drama and the reviewer are deranged and leave it be, or watch it.
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Loved the amazing capable cops in Reset? Well then, you'd want to check this out.
In ep 1 my reaction was: Wow ok, that's some tightly written and paced plot and character design. And it never loses the intrigue and keep you on your toes ALL the time. That's rare gem right here, for now I'll give it 8/10.In ep 2: It's really really good but it doesn’t pull me in/doesn’t hold me tethered to anything so I'd keep watching like Reset did, so I might drop it? Since it seems to be a case-by-case drama, I'll drop it after this first case is done.
In ep 4: I'm in love with this cop. He's so nice and amazing and look at all those fond small smiles like a proud dad awww. Forget all I said above, this is a 9.5/10 now and GIMME MORE!
By ep 10: Yes, the same quality is maintained. Show is witty, and manages to fit in tiny moments of mundane humor and heart into any given opportunity as well.
Plus, a good crime thriller would have reasonably matched Criminal/Police sides, and here sometimes the thieves are SO good I almost wanted them to win.🥲 That was quite the polarising but entertaining viewing experience for me.
So everyone, give this a try. Especially if you appreciated the police aspect of Reset. (If you don't know what Reset is, well now you know to check it out. Two birds one stone.)
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Growing Up is Hard, But Companion Makes it Easier
Crossroad Bistro (北辙南辕) narrates the story of five women who opened a restaurant together. With each other companions, they found friendship, love, and learn how to grow up in life. In terms of the production, technical execution, performances, and music, this drama is perfect!!The script of this drama is so well written, you can see just how much the writing team put so much effort and attention into the characters. Every single character in it is written realistically, they are well-dimensioned. The characters are written so well to the point that you can relate to their action, and you unconsciously built a connection to them. I love how the writers make the characters develop and grow. I loved every single character and their personal journey arc.
The delivery of the amazing script is accompanied by stunning cinematography which makes this drama arguably one of the best adult dramas. Crossroad Bistro is directed by Feng Xiaogang, it is his drama comeback after more than a decade of not directing a drama. You can already see in the first episode how spectacular and stunning the cinematography is. Through the cinematography, you can see how high-quality production this drama is. Each shot uses soft filters and a warm and cold colour palette are used accordingly, which gives the audience a pleasant viewing experience. The angles of the scenes are also beautifully taken, each and every shot in the drama are exquisitely taken, it is a feast for the eyes!! Other than the amazing cinematography, this drama also has really beautiful authentic sets. Overall, all the shots really evoke and gives off Beijing ambience.
This drama has a simmering pace, not too slow yet not too fast. It has eventful moments but also slow moments. This drama does not have draggy problems too, the problems encountered are realistic, and the problem solving is done in a timely manner too (they do not drag it). And I also love how the drama does not specifically focus on one or two women in the middle of the drama, they still made the five women the main focus of the drama. All five women in the drama have equal screen time and their own developed storyline.
The casts of Crossroad Bistro are also well-chosen. Each actor and actresses fit in their role so perfectly, as if the characters are written for them. All of the casts' acting is a joy to watch. Even though the five girls are not 24/7 together in the drama, they still showcased really powerful chemistry between them. Everyone in this drama has great chemistry with other casts, not only with their love interest. Moving on, the music of this drama is also beautiful, the music encapsulated the essence of the story - the essence of growing up, love and friendship.
I definitely recommend this one to those who are looking for an adult drama to watch!! If you loved Dear Missy, My Best Friend Story, you will definitely love this too!!
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This review may contain spoilers
Let me start off by saying that Mirai Nikki has more than one amazing concept. In fact, it seemed to be a combination of a few of my favorite movies, but I won't tell you which ones because that would be a major spoiler. Anyways, Mirai Nikki is a great show. The concepts alone make sure of that. Unfortunately it's not a masterpiece, which really sucks because it definitely had the potential to be. The story is awesome, however the show itself lacks a certain flow. I'm not sure if this is due to the cinematography, the directing, or the production, but something just felt a little cheap about it. There has been a few other Japanese suspense shows that I've watched that have this same problem. It's a lack of professionalism, or perhaps movie magic that makes you feel like the fantasy movie world is real. It feels like I'm listening to someone trying to play a beautiful song but they're just not hitting all the right keys at all the right times.
That aside, 65% of the way through, the show changed course in a way that made me put most of my criticism on the back burner, and from then on the overall story continued to boost my approval of the show.
The acting wasn't bad, but it could have been better. Gouriki Ayame was so freaking cute as Yuno though. She definitely stole my heart. But I do feel like the acting would have appeared better if the show would have been produced better.
Overall I would say that Mirai Nikki is worth watching, but you're going to have to be a little forgiving while watching it. Maybe in the future I'll watch the anime, or perhaps one day they'll make a remake that will enhance the show and make it the masterpiece that it certainly could be.
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an incredibly great series at the beginning of this lackadaisical year.
04. 03. 21.A Tale of Thousand Stars is not just about the romance between two boys, it also represents the voices of those people who are forced to be silent; the people who chose to be quiet because of their trepidation, toxic positivity, and/or poor mindset. The issues they presented in this series are still happening today, or to be bamboozled by those who are more privileged than you. It's just sad how some people seem to forget about these kinds of circumstances, reminding us once again that we are living in this unfair world.
After watching the whole series, it made me think about my entire existence and wondered why didn't I realize the things I know now sooner? They were there, giving all their best to fight for what was right and to know that life wasn't just about staying in the shades of yellow. Honestly, there are a lot of things I learned, while also enjoying the gratifying chemistry of the two main characters of the show. It is just incredibly great to watch a series like this at the beginning of this lackadaisical year—not just about a typical sugary boys' love story, but also the untold stories of the people who are unheard.
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I rated the re-watch value quite low because this is still a mystery drama so once you know the big revelation, the impact won't be quite the same as the first time but there are plenty of compelling scenes that makes up for it.
Overall, I'd definitely recommend it to any Kimura fans who haven't seen this yet, as well as anyone looking for a compelling story about love, betrayal and redemption.
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The Sweetest Couple!
Because the plot on kisskh was a little confusing at first, I constantly ignored this drama and put it aside. The female lead Mi Jiu Er is known as Superflash, and is a poor heroine who protects and takes care of refugees in the city. She ends up swapping places with her doppelgänger, who is the manager of the male lead's clothing workshop. Honestly, this drama is an underrated gem, and generally is very solid with one of the happiest and most well-written endings that I've seen recently in Chinese dramas. If you go into this for sparkly and passionate romance, a really cute main couple, and don't except an intense story too much, I definitely encourage you to watch this!I'd highly recommend having a watch if you like these tropes:
♡ Enemies to Lovers: Luo Yin Ran and Mi Jiu Er are constantly bickering in the beginning. While Yin Ran is a cold, reserved male lead who hates uncleanliness and is devoted to his work, he never hurts the female lead. Over time, he grows to protect her, and even puts down his own feelings and his wellbeing for Mi Jiu Er's happiness. The relationship between these two is incredibly healthy, and Luo Yin Ran never crosses boundaries that could hurt the female lead. This trope is also repeated with the second couple in this drama, who are also very loveable and also have a very sweet relationship as well.
♡ So Many Kisses: The amount of passion and sweetness in all the kisses made my heart flutter! Both the main actor Kris Sun and actress Jin Wen Xin are adorable, and their kisses are so well shot. There are sweet and lovely kisses, but also romantic ones, and even some that show tinges of bittersweetness. The actors did a great job in showing the emotion of their characters through all of the kiss scenes, and many of the kisses were lengthy and passionate (instead of being frozen or stiff).
♡ Gorgeous Production Value: All of the clothes (especially as this is a drama which focuses on the clothing industry) are beautiful. The scenes are so wonderfully shot, and the buildings and sets are gorgeous. I believe that this is a Republican era drama (it isn't exactly clear in the series because the show doesn't really focus on the political context) and so you will see an interesting mix of Western clothing on Pei Zhuo and Chinese clothing on Luo Yin Ran.
♡ Generally Drama and Angst Lite: There are moments where the drama ventures into more sad scenes. Our main couple does experience some periods of sadness, but they also communicate and try to work out their problems. This is therefore great to pick up if you just want something to relax to and something where you don't have to think too much.
♡ Solid Storyline and Very Watchable: There are enemies and problems in this drama, but because it's only 24 episodes, there is little to no filler, and you have a great beginning, an interesting setup, and one of my all time favourite endings. If you want a whole story that's completed, instead of finding out that there's a cliffhanger or a "Season 2" after finishing, I highly recommend that you watch this. You will be completely satisfied by the progression of the story.
♡ My Boy Fan Xiao Dong: If you've watched the Chinese drama the Rules of Love, Fan Xiao Dong is the actor who plays the second male lead. If your heart was crushed by second lead syndrome in that drama, it'll (unfortunately) also be crushed here too as Fan Xiao Dong plays the lonely second love interest Pei Zhuo. I think that out of all the actors, Fan Xiao Dong did the best job, because he was simultaneously a character that you could be deeply sympathetic with at one second, and then hateful towards during the next. In any case, I think his character had one of the biggest changes to his personality and mindset, and that this drama is an opportunity to see another side of his acting.
However, there are also some things you might not like about the drama:
♥ Chemistry: It took some time for me to get used to Kris Sun and Jin Wen Xin. They do have a large age gap, and I felt very lukewarm about their chemistry during the first couple episodes. In addition, I feel that some of the earlier episodes create more sparks between Mi Jiu Er and the second male lead Pei Zhuo, and have more scenes with them clearly showing some affection towards each other. However, once you keep watching, especially when Luo Yin Ran begins to fall for Mi Jiu Er, you start to warm up to them and the kisses definitely are exploding with chemistry.
♥ Somewhat Rocky Acting: There are some scenes where I as not really convinced of the main actors and actress. Jin Wen Xin's interpretation of Mi Jiu Er definitely can come off as very childish (especially as she is so petite). This also gets me on to the dubbing, where Jin Wen Xin's absolutely lovely husky voice in real life is changed into a very childish-sounding, high pitched one, which some viewers may not like. However, over time her brash and straightforward personality becomes very endearing. Sometimes I also felt Kris Sun struggled with the more emotionally demanding scenes, especially ones that involved crying or anger. However, I think both still did a solid job, but whether it was their acting or the story itself, I do think that there are some scenes in which the acting is a little stiff and/or unnatural.
♥ Some Parts Can be Boring, Especially the First Stretch: I did skip some times during the drama, and do find that the beginning is probably the hardest to get through, because the setup is done in a way where you don't feel like it's high stakes or are drawn in to the story. I did drop it several times initially, before I started getting through the more expository episodes, and started really seeing the romance develop.
♥ Not a Huge Focus on Succeeding in the Clothing Industry: The background plot does involve the vying for power in the clothing industry amongst different businesses that are in the industry. I do think that this was a great idea to tie in the overall story and to give some urgency to the plot. However, note that this is not a story of how Mi Jiu Er overcomes obstacles and becomes a wonderful and capable manager, or that she grows to become skilled in the industry. While part of the story does involve how Luo Yin Ran acquires greater fame in the industry, the main focus is really on our main couple. So you will not really be seeing the characters improve per se, but instead a greater emphasis on the romance that develops between them (and then some scheming that occurs from other companies.)
I'd recommend you watch this if you liked dramas that have lots of fluffy romance, are beautifully filmed, and also love a lot of romantic tropes. I do think you need to have your expectations set - this is no groundbreaking Chinese drama where you may feel the need to binge watch - but is a very solid and well done show overall. If you're looking for something that's sweet and light, then this is for you!
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Warm and Fuzzy
No arranged marriage cliches of push and pull or making the partner miserable before falling for them. It was a simple drama about two people who marry out of a government experiment but fall for each other gradually while living together and finding out nice things about each other. The ML and FL are both people who do not have experience with romantic relationships, so they take their time to trust the other person.I won't say it was a slow romance but it was more about becoming a family for each other.
The acting was nice. The actress is quite young and it is her first drama but she has an infectious smile. The side characters do not have a storyline of their own, but contribute nicely to the main story.
Jdramas for me are always about the warm fuzziness and this was the same. I'd say the first half was stronger than the second half but it wasn't boring.
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An “ Alarm” Ahead For Terrible Screenwriting ...
Screenwriters Lee Ah Yeon and Seo Bo Ra evidently adapted this from the webtoon for their eponymous contemporary drama “ Love Alarm” centralising upon the same premise of high school student Jo Jo ( Kim So Hyun) and her love triangle with “popular student ” Hwang Sun Oh ( Song Kang) and his “ kind-hearted best friend” Lee Hye Yeong ( Jung Ga Ram), in a world determining love through one app.
By default, this drama should be a masterpiece; its source material and premise are fairly creative and original, the characters are intrinsically interesting and it has a top-notch cast as well. However, “ Love Alarm”’s biggest inconsistencies can be pinpointed to two focal areas; characterisation ( or the lack of it) and the lingering problems which arise through the existence of the alarm itself.
Perhaps the biggest elephant in the room to tackle is our main heroine Jo Jo. It is made pretty evident that Jo Jo actually has a lot of intriguing qualities as our main character; her circumstances growing up have been difficult, she’s struggled with trauma and she’s never been “ overly exposed” to the love alarm ( like the viewer) in the same way her fellow peers have .
Yet whilst Jo Jo has all the right qualities of being a relatable and well-written main character, her actual personality traits make her seem a fairly hollow “ Mary Sue”, rather than an actual flawed human being. She’s deemed as “ pretty, smart and popular” by her peers yet the two latter classifications were fairly flawed in terms of who Jo Jo is supposed to be as a character. Jo Jo being “ popular” isn’t an immediately ridiculous trope with the considered factors of her “ attractive” appearance and being book smart, but let’s be honest in considering that Jo Jo lives in a society still determined by trends as a form of social hierarchy .Even in an alternate society, this seemingly manifests to the idea of the app “ Love Alarm”, something Jo Jo prominently does not have. Whilst this in itself is of course not something Jo Jo would realistically be written out as suddenly “ not being popular” , it would still remain obvious even amongst Jo Jo’s social crowds that she isn’t up to date on certain trends and styles, something which was neither realistically raised or shown critically in the show at all.
Additionally, Despite Jo Jo’s seeming intelligence and her circumstances leading to at least some street smart personality traits , Jo Jo is a shockingly dim-witted character within putting herself in danger or helping to create numerous misunderstandings throughout the show. Of course this was supposed to intensify the “ drama” and make Jo Jo’s feelings more heightened for the two male leads, however, it seemed even if Jo Jo was more “ naive” of her actions than anything else, cruelly ignorant to lead on both Sun Oh and Hye Yeong, two individuals who clearly hold feelings for her, than create the amount of ridiculous dilemmas as she did in the drama. Whilst the drama wanted us to feel evident pity for Jo Jo in the season one finale, it was hard to truly feel attachment towards a character who had little to really offer in the first place.
Naturally this moves us onto the problems of our two main leads Sun Oh and Hye Yeong. Arguably, Sun Oh does have some more noticeable character traits than Jo Jo in the beginning of the series; he’s rich, and similarly popular , but acts out in his often “ stoic” manner because of his own inner psychological turmoil surrounding lacking parental love.
This in itself should have been something which drew Sun Oh and Jo Jo upon their similarities ; Jo Jo may not have parents whilst Sun Oh does, but they both lack that intrinsic parental love which most of their peers have had and thus struggle to find love in the same way. Yet as much as Sun Oh did have some interesting character qualities, he wasn’t given the chance to either grow or mature with his relationship with Jo Jo at all over the course of the series. In fact, Sun Oh is strikingly quite a selfish and fractious character who neither seems to actually reflect or learn from any of his mistakes even going as emotionally gaslight his best friend and
ruin his relationship with both Jo Jo and Hye Yeong rather than actually mature as an individual .
Arguably Hye-Yeong did have more likeable qualities out of Sun Oh as a love interest and Jo Jo as a main character; he often comes off as complacent, but at least this is actually made prominent as one of his flaws, which he learns to mature upon with his pursuit of Jo Jo - the girl he harbours a crush upon without the need of the app. On the other hand, what is undeniably annoying about Hye-Yeong as a character, is that he is often a little too forceful upon Jo Jo when she made her feelings evident at times in the show, and ironically too staid rather than sticking up for himself when Sun Oh began to emotionally gaslight him. Whilst Hye-Yeong had all the right qualities of being possibly one of the few well-written characters in the show, he often felt too irregular as a character; jumping from sudden growth to reversal in two seconds flat.
As for the rest of the characters of the show, Love Alarm is a halcyon for your typical minor trope characters, yet perhaps one minor character who arguably had many intriguing characteristics was “ outcast” Cheon Duk Goo( Lee Jae Eung). Duk Goo plays an undeniable major role within the events of the series and realistically has a lot of inevitable flaws including his own lack of self-confidence. Nevertheless, it was berating even with the app, exactly what Duk Goo, possibly one of the few decent characters of the show, saw in Gul Mi ( Go Min Si); Jo Jo’s “ popular” and selfish cousin. Perhaps it is entirely wrong to attack Gul Mi per say as being entirely “ horrible” as she did have some noticeable problems from being spoilt by her mother, as well as pressurised due to her popularity to “ fit in” with her classmates and Duk Goo’s involvement as her “alarm” entirely threatened this from her point of view. On the other hand, it was still fairly hard to see Duk Goo learn from his mistakes as well as Gul Mi actually maturing from being a selfish schoolgirl , in addition to fundamental questions about how the app actually works .
These dilemmas include; how such an app would be legalised or not face backlash ( protests or negativity) openly, if the app can or has made “ errors” or faced glitches over more than one love alarm per person , why the presumed “app developer” hadn’t been approached by greater technology firms wishing to invest or purchase the app’s rights, as well as of course more upon the “ love alarm” for same-sex couples. Although the show briefly mentioned about the public shame of the love alarm in this scenario, it felt a little sugarcoated not to explain or develop into characters who have faced this. Finally, there’s the most evidential problem of how this app actually works.
The ideology of the app is undeniably artistic licensing; we’re not really supposed to “ understand” the actual methods of the app and we can presume certain theories towards how this actually functions. Nevertheless, there were several lingering questions which were naturally raised about the app’s existence in Love Alarm throughout the series.
So, this leaves us on the most obvious question. Is Love Alarm actually worth watching? Love Alarm undeniably has an intriguing story premise, high production value and a top-notch cast. On the other hand, Love Alarm is simply its own worst enemy when it comes to avoiding falling into tropes, badly-written characters and plot inconsistencies. With a second season on the horizon, it’s wrong to entirely draw out that the story won’t smooth over some of these issues, and there are certainly some interesting ideas going forwards. It’s probably fair to say that Love Alarm isn’t a “ dire” show and certainly something to watch if you’re fan of “ cute, romantic and fluffy” dramas. On the other hand, this show is a waste of time if you’re looking for actual investment in well-written main leads, a sensical storyline and realistic and deep critiques which should have been raised in a show tackling such ideas of technology intermingled with relationships .
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