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Casino-gangster-crime atmosphere with an exotic ambiance. International style. Takes its time.
"Big Bet" was inspired by the legendary persona of a South Korean casino manager who made it to the top of the multi-billion dollar casino world in the Philippines... until he was framed for murder."Big Bet" is another KDrama that has been divided into two halves in streaming provider style. (Unfortunately, this is kind of becoming the new KDrama fad and I'm already bored to express my anger about it.)
Oh yes, and I'll say it in advance: if you're interested in the series because of Son Suk-ku, you'll have to stick with it for quite a few episodes - he doesn't appear until the end of the first season...
The Disney production deliberately presents itself internationally. Nevertheless, one gets some atmospheric, socio-historical milieu impressions from South Korea - especially from the 1970s and 1980s, because the story is repeatedly enriched by flashbacks. (In fact, the first season is almost one great flashback - with flashbacks within that flashback, so to speak.) While the first season is designed primarily as a character study of Cha Mu-sik, the second season arguably has the real crime thriller behind it. Topic: Murdered South Koreans in the Philippines and the associated dynamic between the South Korean-born, now renowned casino manager, who has now become a murder suspect, and the investigator Oh Seung-Hoon, who was sent to the Philippines from South Korea. So the actual "big bet" only really becomes an issue in the second season.
So what does the first season have to offer?
Plenty of impressions of Mu-sik's childhood days, youth (wonderful: Lee Kyu-hyung as a youthful Mu-sik - although eventually Lee Kyu-hyung has meanwhile left his youth behind him...) and of his first professional steps into Casino world as young adult. The protagonist has his own charm and amazing talents and so we experience Mu-sik, although he radiates some sort of unapproachable aura, as an authentic and fascinating man with plenty of heart and mind, with a quick grasp, good intuition, radical consequence and entrepreneurial charisma.
"Big Bet" is a Korean-American production. It is international in its self-image and presents itself as such. It is made by men and it is about men. About smoking men. Sweating men in suits. Men with tattoos, too. The man with the most screen time is “Oldboy” Choi Min-sik (from the acclaimed 2003 K-Movie). He plays his role effortlessly as a 30-year-old and almost 60-year-old alike (thanks to modern filming and image processing technology). For "Big Bet" he is back in top form after a decade-long break. All in all, in this KDrama we slide into a (conservative) world of men and gangsters. Their wives, if there are any, are at home with children and really don't know anything about anything. Exceptions are the wealthy, and due to her wealth influential CEO Ko (with a rather quick appearance but comparatively lasting impression: Lee Hye-young) and the young, by Korean standards sexually quite explicit, self-determined hotel employee Kim So-jung.
In the flashbacks, as I mentioned before, there is South Korea at times. Nonetheless, "Big Bet" is principally based in the Philippines. Filming there took about 3 months. This promises exotic local hue, although the focus is on the casino and hotel world - which in turn could somehow be anywhere. No expenses were spared with the casting either. Even the supporting roles were selected with care.
In short: "Big Bet" (Season 1) is a solid and ambitious character study of Mu-sik. His Story is told in a sophisticated way and staged well worth seeing. However, the series isn't really a KDrama-like KDrama. Anyone who likes a casino-gangster-crime atmosphere with an exotic ambiance will get their money's worth here. However, the story takes it´s time. It remains to be seen what the second half will come up with. I certainly have high expectation that "Big Bet" will even improve, now that Oh Seung-Hoon intrudes into Mu-sik's world with his investigations and thus will add further dynamic.
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Why only 6 episodes?? TT^TT
When I open netflix this morning after sessions of insomnia, I was shocked to find Yanxi Palace on my screen. I was so happy, I thought the original Yanxi Palace has been available on netflix as I rewatch that series quite often. Looking it closer, eh it has additional title; Princess Adventures.So it's about Imperial Princess Zhaohua! We all know from the original drama, we didn't get to see Wei Yingluo and Emperor's two adorable daughters, so maybe this series was making up for it. I was elated and happy.
The story introduces Zhaohua as a strong-headed character. She's the most favored princess in the kingdom, loved by her aniang, ahma, and taihou. She has coming of age and ready to marry. She already has this fiance, a Mongolian qinwang who has betrothed to her for five years and stayed within the Palace to familiarize with her.
Since the original Yanxi Palace, I was full with the expectations of intrigue, politics, and heavy plot, therefore to start with some engagement story at the beginning was quite upsetting for me. Moreover, Zhaohua's character was very different than the cool-headed and calculating Yingluo. But since I'm curious and just wished to see more of Emperor and Yingluo's interactions, I continue.
The story was simple, with enough twists and strong plot for a short, side story of 6-episodes drama. It's actually quite brilliant and well-managed. The cinematography, costume, make-up, color tone (some people hate the color tone of this drama but I love the aesthetics of it and how it's affected the expression and mood tone of the plot) all are very good production, the same quality as the first.
The acting, especially Zhao Hua's was exceptionally good. Her expressions were amazing, convincing the person she had inside her.
I didn't notice there were only 6 episodes, I thought the rest just hasn't been uploaded, but then I realized they only introduce a handful characters throughout the story except the ones we've had from the original cast.
In the end, all characters didn't disappoint and deliver all the expectations I carried from the original Yanxi Palace. For those of you who haven't watch it, go watch the parent series! They provide you with a lot of satisfying b*tchslapping.
I didn't give them a high score on the music because they use the same one from the original series, so just re-production.
I desperately want more TT^TT I especially like the qinwang.
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From the setting of some kind of a demon possession being the reason for the existence of undead people, this drama could have been a fresh take on the zombie genre. Well, since the drama had been permanently taken off-air we would never know how the drama plot could have unfold.
Casting-wise and writing-wise, if one could try to judge from the initial two episode, it does appear that there's a lot of care and detail done to get people to become interested in the drama plot. For one, this is an interesting take on King Taejong as compared to quite a number of dramas that did feature him in the past and there was a lot to be curious about regarding the troupe that ended up coming in contact with the third prince as well as the mystery surrounding this Azazel entity. And drama already was dealing with a situation of dead people coming to life in ancient Joseon. THAT itself was already a fictional setting... so I don't really get to uproar over the 'historical inaccuracies' especially when there are ALOT of other sageuk dramas that already made various interpretations of historical figures that may or may not be accurate anyway. As in there are plenty of sageuk dramas that depicted the same historical figures as BOTH evil and good on different dramas to fit a certain narrative so why now only that people making such a fuss about this for Joseon Exorcist? Why don't they do that for the other sageuk dramas that do this? It's ridiculous, to be honest!
Regardless, even if the writing of the drama was really problematic, considering the drama only just started there shouldn't be much problem to just ask the writer to make adjustments/rewrites to their writing and refilm the rest of the drama. If other productions can do that like with Delayed Justice and River where the Moon Rises where they paused airing and recast and refilm the scenes to remove appearances of problematic actors, the same should be possible for this drama. Banning this drama without allowing the production to make amendments to the drama to fix the problematic scenes/plot was an overreaction. What about all the works that has already been poured into this and Jang Dongyoon even got hurt! It was unfair to everyone who have worked so hard to make this drama only to have almost the entirety of the production scrapped.
While it was understandable that everyone would be wary about how some chinese people trying to claim certain aspects from kdramas as theirs, I hope people wouldn't be too rash in trying to cancel everything recklessly.
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SAD BOYS
When I saw the title it should have been a clear indication and warning that the characters are going to be really really blue.From the onset it was clear that this is from a small production - with just a few sets and very limited movement - just 2 guys who are mostly sitting (oh of course that couple of scenes where they were supoosed to be making love) and verbalizing scenes about their college past and the frustrations they currently encounter in life. There wasnt any big reveal or event, just two guys finding love with each other.
The thing that I liked most is that even though the series is too short, the story itself can be a throve of a much richer, better told story - if or should they want to make a full blown series out of it. The fact that this is a youtube production with obviously a chump change for budget, it still didnt feel cheap like a vlogger making a skit for youtube or tiktok - it feels like an honest to goodness genuine series.
One thing I hated is the insistence of amateur BL writers to put a despicable female character as a villain to a boy-to-boy love story. That was so unnecessary and i am willing to give this series a solid 9 if they didnt include that character.
The ending which obviosuly angered a lot of watchers, is actually ok for me. The seesawing of their relationship is understandable given the fact that even though both are adult men, they are both experienceing this kind of love for the first time - and the harsh reality is that not everyone can and will be able to accept this kind of relationship. It felt like although JaeMin wanted things to work between them, the sad truth is there are other things that he has to prioritize given his current financial situation. When he asked Na Mi if he will take responsibility if he loses this potential job, i didnt know why he didnt just answer yes! Do i prefer a happy ending? Yes i do, but the sad reality is not everyone gets their happy ending - and if they are really meant to be together both are young enough to maybe cross path again in the future when they are both in a better position.
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The writing is a bit sketchy in the initial episodes, with extra servings of trauma and some odd lapses in logic. However, the child actors are terrific (why hello, future stars!), and they morph into equally terrific adult actors. The male characters are particularly nuanced, as we watch two generations struggle to drag themselves and their country out of dire poverty. It isn’t always pretty, and I appreciated the show’s willingness to give all of its characters dark edges, especially since it’s equally willing to give them all moments of insight and grace. The female characters initially tend towards angelic but dim or shrewish and evil, but they also become more complex as the show progresses.
Keeping a 60 episode show engaging is no easy task, and Giant does it with sophistication, style and humanity. It has plenty of “big” moments, but it never forgets that even the most ordinary activities can be dramatic. It finds poetry in mud flats and rock piles, and in the rough-edged men fighting to build a nation from them at any cost.
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Siwan gave justice to his character as well as the other actors. I watched the movie with unexplainable emotion. The plot was perfectly done and and the scenes were magnanimously executed. This Movie would really test your emotions like what happened to me because I love movies that do have a theme of REVENGE and this movie satisfied me in so many ways.
Recommending it again and again to somebody would be an honor for me... this movie deserved a 10/10 rating... WOOOOO!!!!
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This review may contain spoilers
I. LOVE. THIS. DRAMA. SO. MUCH! Truth be told, I really debated and fought myself against giving this drama a 10. I mean the production values aren't great and it definitely has a high goofiness/quirky factor that some people might not get past, and for any other drama with those negatives, I wouldn't normally go above an 8. But no matter how much I tried to reason with myself, when it came down to it, I just think this drama is everything I ever wanted and everything I didn't even realize I wanted. Every time I thought I'd only give it an 8 or at best a 9, I found myself cheering or laughing out loud or crying soulful tears (yes, you will need a tissue box, maybe not even a box, but at least a few in your pocket), and then I knew I just had to give it a 10. It gets a 10 not because it is perfect TV, but because it was perfect to me. And, yes, I am an unapologetic and rabid Lee Min Ki fan, but you can see in my ratings of his movies that just because I love him to pieces, doesn’t mean I will automatically rate everything he does as a 10 with a 100 hearts after it. I try to be objective, even when it comes to my Min Ki :).
[Note: I will not be using the annoyingly bad English name of Evasive Inquiry Agency when referring to this drama but rather the more apt Mixed Up Investigative Agency (MUIA).]
First things first, if you are planning to watch this drama, be forewarned that it doesn't get truly great until episode 8 (some people might even say 10). Sure, it's loads of fun and entertaining and even exciting and the mysteries are all good enough to keep you going, but it really doesn't enter into the realm of greatness until then when you really start to see the heart and some surprisingly good acting. Up until then it's like the difference between how your chest feels when you are taking an exhilarating ride on a rollercoaster vs. how your chest feels when you realize you are in love. Sure your heart pounds in both instances, and both are lots of fun, but only love is profound and has memories that will last a lifetime.
Ok, so that out of the way, here are 12 reasons why MUIA is so darn perfect:
1. It's unique. One of the things that always tickles me the most and is most likely to land a drama near the top of my faves list is uniqueness, which, as much as I love Kdramas, is not always one of their strong points. I've seen many Kdramas where I've got the whole thing figured out within about 3 to 4 eps and the rest is just seeing where the details differ from the other 15 dramas just like it. You cannot say that about MUIA.
2. It's a true ensemble. Even in other so-called ensemble dramas usually 1 couple stands just a little taller than the rest of the cast, but not in this case. All 4 main characters are equally important to the point where you truly cannot say that any 2 are the stars. It is a true ensemble.
3. There is romance, but it's not really important. What's important in MUIA is friendship and a sense of family that comes not from blood but from loyalty and love and being there for each other in their time of need.
4. Speaking of family -- no meddling parents! Yeah! Meddling parents suck and are a staple of Kdramas that make me sick. So a show always gets bonus points from me when they aren't there!
5. Without being spoilery, another awesome thing about this drama is that it doesn't fall prey to crazy makjang machinations or hand of god reversals even where the story has left the door wide open for them. It is organic and moves where it should rather than being totally contrived for some kind of shock effect. I'm not saying it's totally realistic (because there are some silly and decidedly unrealistic moments), but it doesn't feel manipulated.
6. Conversely, some things that would normally NOT get fixed or reversed quickly do so in a timely manner. And expectations are frequently subverted. If you think something is going a certain way based on your prior knowledge of Kdramas, well, you are probably wrong.
7. The characters are not stock types and therefore feel like living, breathing people that you WILL start to care about. And I’ll just say it right here – Jung Hee Kyung (played by Ye Ji Won) is PURE AWESOME! I often find Kdrama female characters annoying or downright insipid or if they are of the evil type, well, then, pure evil balls of hatred. Not so with Hee Kyung. Yes, she is flawed, very much so. And she definitely has her annoying moments. But she is such an amazingly nuanced and multi-faceted character. She is a fully 3-D person that fits no character type I’ve seen before, similar to several, maybe but definitely not with all of her layers. I love her to death. She is one of my all-time favorite Kdrama characters, not just women, but characters. I love her warts and all (for those non-native English speakers, I mean that I even love her bad qualities).
8. This show has some deeply philosophical dialogue beneath all the fun. So watch out or it might really get you thinking!
9. Even the peripheral characters are treated as real people and you actually find yourself caring about them. This is a fully-populated world of real human beings, not just a set for our main characters to prance around in. (On that note, make sure you watch the end skit after episode 14. It was just the BEST thing ever! For that matter, watch all the end skits. They are pure gold!)
10. Acting! The main actors in this drama, despite some of the over-the-top quirkiness (mostly reserved for Lee Min Ki, a man who has made over-the-top quirkiness an art form all its own, even in photos, and yet still manages to also be a killer actor in serious moments when he needs to be), have some really special moments of greatness. Especially, again, Ye Ji Won, but definitely also Ryu Seung Soo and Lee Min Ki and even in a couple rare instances Lee Eun Song, when she was allowed to break her intentionally robotic character.
11. The soundtrack was fantastic. I think that a soundtrack can do 3 things in a drama: it can just sit there and do nothing to add or detract to the drama to the point where you can’t even remember if there was music; it can be overbearing and annoying or totally inappropriate and ruin the mood like a poop in pool; or it can add to every moment of the drama making it that much better. And, of course, that’s what MUIA’s soundtrack did. When a moment was funny, the music added to the funny, like using the MacGyver theme song during one scene and practically making me fall out of my chair). When a moment was exciting, the music was exciting (which normally meant adding to the funny by using intentionally overly dramatic music). When a moment was melodramatic, the music perfectly fit that mood too, or in a couple of particularly perfect beats, the total lack of music was what moved me the most. They used a huge range of music (theme songs from shows, American, Korean, classical), and each to outstanding effect. Well done, music director!
12. And finally, the best thing about MUIA, PLOT….and details, details, details. I’d say my single biggest complaint about Kdramas (but clearly not a big enough one to make me stop watching since I’ve now seen 116 in less than 2 years) is how they often start off with nicely nuanced and seemingly thoughtful plots and then start dropping balls all over the place about half way through. My understanding is that this is normally due to the live shoot system that most dramas end up in towards the end of their run and because sometimes scripts are being written while shooting is going on (everything I ever needed to know about Kdramas I learned from King of Dramas, hee ;)).
However, MUIA doesn’t drop balls, threads, or any other bits. It is as tightly plotted as any Kdrama I’ve seen – actually, it might be the most tightly plotted one I’ve seen. Everything that happens has a purpose and there are neat clues and details EVERYWHERE. In fact, all the clues are what gives this such a high re-watch value because I can’t wait to go look for them again! I never felt like the show was looping around to the same old plot over and over again (see most Kdramas) or that it was dropping characters and threads like hot potatoes just to suit the main plot (see nearly every TV show ever). It never did either of these things, and even when you might think it did, it will prove you wrong – just you wait and see!
When I was looking into this drama, I saw that it had really poor ratings when it broadcast. It was on KBS2, not one of the 3 main channels, but the ratings were still really poor. And not many non-Korean Kdrama watchers have seen it either because it isn’t on Dfever or Viki. Therefore, I have officially dubbed MUIA: THE WORLD’S MOST UNDERRATED KDRAMA! I think of it as the Firefly of South Korean television, a truly great show unappreciated in its time. So, I have written this review with the hope that my fellow Mydramalist-ers will give this drama a shot and in time, like Firefly, MUIA will get at least a little of the love and appreciation it deserves!
And if all that isn’t enough – IT’S GOT LEE MIN KI IN IT!!!!!!!!!!!!!
(Please note that I added a little bit more to this on 3/8, the day after I originally posted it.)
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This review may contain spoilers
Cold Guys Falls Hard for Heartbroken Guy
This show will not be for everyone. If you want real BDSM, it isn't here. If you don't like animals in entertainment, wave goodbye. If you hate fake tattoos, see ya later. If you want the 2nd couple to have a story, another pass because one of the partners in the source material is still under 18, and they probably didn't want to deal will the complaining.I have a bias for cold man/normal guy would can be a BAMF, when need be. I find both Yoon and Ton attractive, and like their chemistry together. Both Yoon and Ton have emotional baggage - Kamol was raised as an orphan, and Kim is still in love with his ex from high school. That ex has moved on and has a boyfriend he is in love with, causing Ton extra heartache.
Kamol is from the underworld, and his main enemy is Danai. Unlike most mafia dramas where the lead is the godfather, Kamol has a godfather, Evan, a Russian-Thai gangster who primarily lives in Russia. The are fights and shootouts in this series, but it isn't high budget like Kinn Porsche.
This is a simple BL and I enjoyed it very much. Many people on MDL didn't care for it, but I form my own opinions of the shows that I watch. I did walk in with a bias toward this type of couple, so I think each individual viewer will need to decide if they like it or if they don't.
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The story is about forgiveness and understanding. The two characters meet under unique circumstances and initially don't seem to get along. Yet, there's something each of them holds that can help the other. The lead female is a psychology major and the male lead is a criminal. Of course, she can help him in the obvious way: make him reflect on his mistakes and change his ways to lead a new life. But that would make for a simple and plot, so there's something more... There's something he doesn't know he can help her with until she shares her story. The misunderstandings they have of each other clear up and he wants to do whatever he can to help her as well. The way each character develops is what keeps you watching.
The acting is great! The cast members each do an excellent job portraying their characters - esp Dong Won and Na Young. They will have you bawling by the end of it but you will love it - especially if you like tear-jerkers.
I watched this movie when I first started watching Korean dramas back in 2007 an I've re-watched it over a couple times and still don't mind re-watching it with people who haven't seen it. It's a movie that does NOT lose it's re-watch value.
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Arthdal Chronicles Part 3: The Prelude to All Legends
39 people found this review helpful
외대한 나라 - 아스달의 시작
I recommend this drama who like epic fantasy or high fantasy. This might not be on the same level as lotr but still they are doing a great job! I loved this drama and this part 3 in particular.Turned out this being the 3rd part of the first season! And 2 more seasons ahead :) that’s great because the biggest fault for this drama was being too grand but too short.
This part 3 turned out to be amazing. It had many epic scenes, lots of action from the protagonists. The story is very full. They did great work with world building and showing the epic-ness :) it was quite better than the other two parts even.
Characters are very great here. There are many and it maybe hard to remember them all for some people but they are all interesting. I especially love women in this drama as they are strong and cool. And the secondary characters also are very memorable.
Music: well Ailee’s powerful voice always gives goosebumps.
There are some bad sides to this drama and it’s mostly again because of time. Some storylines and some characters disappear as soon as they appear. Before I told this would have been solved if they had more episodes but as there are more seasons ahead I can’t say that anymore. The only excuse will be that worldbuilding is hard, they wanted to create something grand and put in as much as they could. And well actually they are doing a great job at it. Like 90 percent.
I can’t wait for next season!
I need more epic-ness before they return!
I don’t usually rewatch dramas but I feel like rewatching this one.
Score is 9.5 and 0.5 is a bonus for epic scenes. So 10 :)
나 모리의 미아 너이들에게 주문을 곤다. 이 드라마를 보아라. Lol
I really like the epic way of talking :)
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Japan's answer to Satoshi Kon's Perfect Blue
Most people know Japanese dramas for being formulaic, repetitive, full of tropes etc. and that is because of the vast amount of high school and job oriented shows they release each season. Little did they know there is one aspect Japan excels a lot, and that is when their creativity takes over and start to think outside the box. They are by far the most innovative when it comes to script and ideas. This risk would sometimes result in some pretentious crap, but when struck gold, it would be a masterpiece that would stand the test of time. Masterpieces that makeup Japan's rich film history, but it's not only in movies as it happens in their dramas as well."Dakara Watashi wa Oshimashita" is the modern example of that. A story with a moving theme portrayed in an unusual setting. An underground idol who is desperate to improve and an office lady who seeks likes from her social media friends. Both are looking for that elusive attention, or should I say connection. The human connection theme is well portrayed and explored. It's not just a simple handshake, but a sincere thought of support to someone. Different people have different reasons for being a fan. To some, it's physical attraction, but for Endo Ai meeting Hana is the most significant turning point in her life.
The plot is timely and original. In today's world where the number of idol fans is on its peak, I think it's safe to say that this story will hit home on so many levels. The drama is well layered and also very raw. They show you all the good and the bad things about idol culture, from fun chants, idol festivals to unfair wage practices in idol industry. I also love how they didn't stereotype idol otakus. They portray them as ordinary people with regular jobs. It's too detailed and well researched with so many references about idol culture. It's been years since that anime movie "Perfect Blue" which many considered as a masterpiece for its time but mostly known for giving negative connotation towards idol otakus or idol culture in general. Now that 22 years later, Yoshiko Morisita counters that with her own masterpiece of a drama. For me "Dakara Watashi wa Oshimashita" is Japan's answer to Satoshi Kon's "Perfect Blue".
Before I thought all idol groups are the same, but watching this drama, I realized underground idol groups are a bit different. The drama did a great job in showing the appeal of these type of idol groups. You are not just an average fan who fangirl/fanboy in front of tv. You also go to their events and interact with them. It feels you are helping them to get better like you are also part of the process. Unlike other idol groups who have years of training to master their craft, their fans only appreciate the final product.
Though the writing in this drama is its strongest asset, it's those damn visual what takes it on another level. The cinematography is perfect. It's very poetic. I love the use of colors, especially whenever neon lights are present. I dare to say this is what they called cinematic storytelling, which you can't separate visual style to visual language. Sound design is also excellent, and with the help of brilliant editing makes such scenes very compelling. Not just powerful scenes, but it also has a fair share of scenes that will deliver goosebumps. Music used during those scenes fits perfectly. It underlines the mood and evokes characters emotion.
Speaking of characters, even if the drama achieved excellence in writing, cinematography, and music, the drama would have failed without good actors aboard. The good thing is this drama has good and capable actors. Sakurai Yuki and Shiraishi Sei's acting is on point, and should I say they have cute chemistry as well? That chemistry is a huge reason why these characters are well portrayed.
A fresh concept, brilliant writing, strong theme with excellent execution, this drama have it all. Its a toss-up between "Saka no Tochu no Ie" and this drama for my best Japanese drama this year.
https://www.youtube.com/watch?v=o-8Pt2B66RE
It's recommended to watch this MV after you see the drama. It has additional scenes that makes the ending more beautiful.
Check my Blog for other reviews & other JDramas stuffs. (｡◕‿‿◕｡)
https://thatjapanesedramaguy.blogspot.com/
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This review may contain spoilers
There are times, I think, when nothing beats a KDrama from the early 2000s
"Spring Day" is a love story told in a triangle. So drama in drama feels right at home here. And "Spring Day" has a lot more to offer in the proven makjang-mix to really heat up the story. If the merry-go-round isn't going straight forward, than simply because it's going backwards.Three is one too many. Being well aware of the consequences and where the story must lead towards, it is nevertheless the path that paves the series pleasure of cathartic ups and downs. You can get really upset about this and that. The rhythms of the soundtrack whip your emotions through the most varied of situations. The assorted mix of (by now long) proven actors give the protagonists their three dimensional profile. None of those characters is really grippy, smooth or edgeless, though. Whether brotherly relationship, romance or parental relationship, it´s all full of sometimes touching, sometimes pathetic ambivalences – sometimes hurting, sometimes soothing and hurting at the same time. In short, the KDrama presents quite some space for compassion and catharsis.
There are times, I think, when nothing beats a KDrama from the early 2000s. I couldn't have timed my ´Spring Day´ better (in Spring 2023). After a flood of stories about contemporary scheming, autocratic backroom politics, bullying among students and misogyny, "Spring Day" feels like an island in many ways. The world is not safe there, on the contrary. Makjang rocks the turbulence upwards. Nevertheless, there are 'only' personal destinies and family tragedies here that do not have the social impact of some current series topics. We get thrown around in an ambivalent emotional swell between 'soothing' and 'hurting'. In the end the story is told to the end. The ending may or may not please, but it has its ending. (A lot of recent KDrama with current underlying social issues tend to deep down leave a thorn after the end of the story, as the social swamp that fueled the story remains a given reality and lingers on…)
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By the way:
With "Spring Day" in 2005, Go Hyun-jung marks her comeback after a War-of-Roses divorce with a Jaebeol of the Samsung Dynasty. So in 2003 she actually had just finished her own Makjang drama personally. Eventually, she was able to free herself from the obviously tormenting clutches of her husband and his dominant, oppressive family, who (so it is said) permanently devalued her because of her humble origins, simply making use of her beauty for bearing pretty children. Yet the price for liberation was high. Above all, she had to leave her children behind and give up visitation and custody rights. Although she was able to re-establish her life somehow against all (by her husband´s family deliberately implemented) odds , she (so it is said) still is not allowed to see her children to this day.
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It's good, but...
Given the limited budget, this is extremely well-made, with obvious passion invested by everyone involved, which I've come to expect from this group. The cinematography and directing are wonderful with fantastic performances pulled out of talented actors, the music selections ar great, and the German subtitles are first rate, so I hear.It's great to see Art Pakpoom in a leading role again, and Michael Kiettisak puts in another top-tier performance - he may be the most underrated actor in BL - I'm still haunted by his horrifying abuse victim in Call It What You Want.
The story, however, prevents these ingredients from reaching their full potential. It perhaps tries to do too much - social commentary, messaging about how short life is, wanting to be a '90s Gregg Araki film, horror, adventure, romance, comedy...
So while I appreciate how well-done this is, the big question is, did I enjoy watching it? Not really. It's very violent, it's a bit all-over-the-place as a genre, and commentary about the corruption in society and the human condition are either extremely unsubtle (like who gets to go to the bunker - that was hammer-over-the-head commentary), or undermined by the contrasting trio of antagonists. Because the villains were all psychopaths, they contributed no meaning. If we're looking at different choices in how to spend the last two weeks of your life, basically good people versus people who want to violently murder as many people as possible before they die says nothing. There is nothing about them identify with, you can have no sympathy for them, they have no point to make, they're just evil and must be destroyed.
Why not have people who are so greedy that they steal and accumulate wealth, or so desire power that they try to rule everyone else? Or even if they had wanted to have sex with as many people as possible before the worlds ends, that would be relatable, for sure if everyone looks like the cast.
So as a result, the series gets bogged down in with a large amount of screentime being chewed up by horrible people who have nothing to do but have surprisingly graphic and sweaty sex (probably the most realistic sex scene ever in a BL) and kill people, which they do, a lot (unfortunately the killing, not the sex).
In addition, instead of examining how impending doom might affect the course of romance, the main pair fall into a depressingly conventional seme-uke pattern, where Art acts like a Victorian twelve-year-old, when even a Victorian twelve-year-old would throw up her hands, say 'f$%& propriety', and want to bang Golf and his brother 24/7 if the world were ending. But Art acts like a kiss on the cheek in a completely abandoned world is scandalous. Art has no agency and is helpless and useless, requiring Golf to do everything for him.
Everything is too predictable, and you end up stressed out knowing characters you don't want to die are going to die, stupid decisions to be made are telegraphed - decisions that are inexplicably out of character, which is lazy writing.
And to get it out of the way, there was an incredible amount of criticism of the faulty astrophysics - if the moon were on a collision course with the Earth, the Earth's gravity would break it up, and there would be horrendous natural disasters, so this is too unrealistic. THAT'S the line you're going to draw in the sand? There are BLs where one of the main pair is dead, or a vampire, nobody sweats after running a mile through Bangkok in the afteroon while wearing a wool suit, every male student at the school is gay and rich, you can turn a straight guy gay if you trip and have him catch you - but not having earthquakes and tsunamis in a project that likely had a 5-figure budget is unacceptable? Anyway, the moon crashing into the earth is symbolic and metaphorical - it doesn't need to be realistic.
So do I recommend this? Yes, unless you don't like gore. All the positives I mentioned at the top make it worth your time - this isn't a rehashed plot, it's not full of tropes and cliches, and you get to watch very attractive people who can both act and look great with their shirts off. If that seemed like a lot of criticism, it's because I think this could have been one of the best BLs of all time instead of merely good. While the characters are largely more appealing, this doesn't quite have the polished genius of Call It What You Want.
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A different kind of pandemic
Much like how we’re all wearing our face masks to curb covid-infections these days, the folks in Dark Hole are doing the same but for a different outbreak - the kind that turns human beings into mindless zombies/ monsters/ mutants, though with varying effects for each person. So what makes this drama different from other similar stories and should you really be watching it? Let’s find out...What is it about?
On the surface, it’s another zombie/ monster apocalypse story that draws parallels with the likes of Kingdom, Sweet Home, Rampant, Train to Busan, and even Joseon Exorcist. I haven’t seen #Alive and Peninsula but based on the synopsis and trailers, they appear to share a very similar premise).
But where Dark Hole differs from the rest lie in 3 aspects:
- The original source of the infection is extra-terrestrial
- The method of transmission is via a rather ominous black smoke (as well as bites/ scratches, apparently)
- The intended purpose of all this, which I won’t spoil here (to be honest, I’m not completely sure myself)
It’s an inventive spin on a well-loved and long-established genre. South Koreans sure love their zombies.
The Plot
Far-fetched with seemingly endless sub-plots and countless characters. As far as apocalypse stories are concerned, this one infuses far more elements than I’ve noticed in other dramas. It’s set in modern-day South Korea in the small town of Muji. The scope of the story covers the entire town and in addition to the overarching mystery, we have mini character arcs, of which there are plenty. The notable action takes place at 5 main locations - the forest where the titular chasm lies, the local high school, the hypermarket, the municipal hospital, and one more which I won’t reveal to keep the suspense alive.
Speaking of story arcs, we have plotlines relating to a female police detective with a tragic past who is in pursuit of a serial killer who caused said tragedy; a “disgraced” former police constable with a sad family tragedy of his own which inadvertently resulted in his expulsion from the police force; a scorned female shaman who rediscovers her spiritual powers including the gift of precognition; a high school senior who is a victim of conspiratorial cover up pertaining to her father’s fatal accident, in addition to being bullied by her schoolmates led by a high school dropout who constantly harasses her. It doesn’t end there. Many more secondary characters with their respective mini arcs are featured throughout. The one thing most of them have in common, is their respective tragic backstories.
This drama is certainly not uneventful - the many characters and side stories make sure of that. The screenwriter is trying to interweave all these stories into the main plot but I think somewhere along the way, the overarching story very nearly got completely overshadowed. After a rather promising start with much potential, I found myself getting a little restless around the halfway mark. Having introduced the new characters into the story, their side stories eventually fizzle out without the slightest connotation of how they are connected to the situation at present.
For the most part, the script and characters are adequately written, with the main issue being that too many elements are included. Even for a 12-episode drama, it does feel a little dragged out with too many unnecessary sub-plots and characters. 8 to 10 episodes would have sufficed and probably 3 or 4 characters and their story arcs should have been left out. In the end they amounted to nothing anyway and I found myself hard-pressed to develop much, if any, emotional attachments to.
The Production
Dark Hole is an OCN production and billed as the fifth entry to its Dramatic Cinema Project, which is an initiative by the broadcast network to showcase the essence of well-made genres via productions that combine the format of movies and dramas. I think what this basically means is dramas that are the crème de la crème of OCN productions. I’m not exactly sure if this drama is deserving of that billing but for context, the first four entries to this project are Trap, Hell is Other People, Team Bulldog and Search.
The first ever drama directed by Kim Bong Joo, the screenplay is written by Jung Yi Do. Those familiar with his works would be aware that highly rated dramas Save Me and Strangers from Hell were written by him.
In general this is a decent production with regards to the technical aspects. The down-to-earth action sequences appear realistic while the use of visual effects in particular for “that thing” is appropriately utilized. The production design and use of multiple filming locations are seemingly well rendered. However, there isn’t much of a soundtrack or musical score of note to write home about. The stock music and sound effects used are serviceable for their intended purposes.
The Acting
One of the main reasons I watched Dark Hole, aside from the fact that I love this genre and to ease my bitter disappointment from seeing Joseon Exorcist being cancelled, is Kim Ok Bin. It’s my first time seeing her drama in its entirety. Having caught glimpses of her in The Villainess and other productions, I’m aware of her reputation and credentials as well as recognition of her previous efforts for which she has received a great many acting honours. For this drama, being the FL Detective Lee Hwa Sun of the Seoul Regional Investigation Unit, I have absolutely no complaints with her performance. Understated, nuanced, and charismatic, she is good value for her portrayal and I’m a new fan.
Lee Joon Hyuk is an interesting choice for the role of ML Yoo Tae Han, although at times his character feels more like a supporting role than the lead. I’m more used to seeing him in suits after Stranger 1 and 2, but he was convincing as a decorated soldier in Designated Survivor as well. He gives a satisfactory portrayal of his role here, where he does carry the persona of a likeable character who would be great in a leadership role during times of crisis.
The rest of the cast, including the child actors, give a decent account of themselves. Special mention goes to Oh Yu Jin who plays the schoolgirl Han Dong Rim. My first time seeing this 21 year-old actress, I thought she did a remarkable job in projecting the chilling aura of mystery and eeriness surrounding her troubled and complicated character, which is one of the few in the show that I truly relished.
Overall
In my humble opinion, Dark Hole is not the best in the genre. But if you’re a fan of zombie apocalypse stories or any of the cast or even an OCN follower, this drama might appeal to you despite its flaws. It doesn’t end in a cliffhanger and I doubt there would be a sequel or continuation to the story, therefore providing viewers with a closure where everything is neatly wrapped up.
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I knew most of the original story lines that the episodes were adapted from and the changes they made gave me a very unique experience to be able to actually see the similarities and differences between cultures and time periods. I'm not kidding the original versions were stories set from the 60's to 80's. With this remake most were set in the early 90's, which was pointed out many times that the 90's were twenty years ago. I think I actually cringed and sympathized with my parents now knowing how they felt while watching the original series hahaha! Especially when they used music from that time and you knew you heard it on the radio.
I thought this group of actors portrayed each character wonderfully. In fact there were actual moments, looks and quips that were executed so well that I could even visualize the original actor in that moment.
I think anyone who was a fan of the original will definitely appreciate this remake.
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