Mature romance, yet balanced with the eternal youth residing in the feeling of falling in love.
"Second to Last Love" is processing the topic 'getting old in South Korea' in a playful, sometimes profound, sometimes tender way. 'Old' means having exceeded 40. An 'Ahjumma' can be a swear word for a South Korean woman. Also ´Ahjussi´ for a man. In German it would probably be comparable if the casual 'Du' among around +/- 30 year old people suddenly became a 'Sie' - then you know: now I've fallen out of the '+/- same age'...In South Korea, a large percentage of life revolves around looking good and looking young. Marriage is also a big topic - wedding photos are always placed accordingly large and dominant in the house or apartment. The family ultimately forms the meaning of life, so to speak, if you follow in the footsteps of tradition. In case you stick to this standard - look good, marry well and take care of an honorable family - then everything is fine. Just one step to the right or left of the path creates social turbulence. Women (and men too) must be prepared and able to stand this. The issue will come up more or less confrontationally on every occasion.
This South Korean peculiarity is the starting point for many a KDrama. In "Second to Last Love" as well. However, this story chooses its own fine style and an almost progressive approach to it. Age and age differences in partnership are brought up again and again in several respects. Likewise, married vs. unmarried. Not only the conservative, but also somewhat more free-spirited perspectives and opinions are interspersed in a refreshingly good mood.
While the female protagonist is a career woman and single, the male protagonist lives as the head of a patchwork family. His wife died long ago, as did her fiancé. (Not that they didn't want a partner...) They've both been living their particular single life-style for decades by now and have gotten used to it. They no longer expect anything to change. This is where the KDrama comes in and tweaks a few dramaturgical adjustments in order to shake them both up and question their lives, their life plans, their longings and decisions. They may be 'old' in the eyes of society, but their lives are far from over. And THAT is the key point! There is still time and space for new decisions, for change, even for a second love in the last half of their life. Apart from aging, "Second to Last Love" is also about taking responsibility for one's own life and one's own decisions, including new ones. Despite all the depth, which it doesn't shy away from, the KDrama also has a touch of humor overall.
The protagonists´ 'grown-up' relationship is so delightfully mature and refreshingly grounded. Kim Hee-ae and Ji Jin-hee embody this adult maturity successfully balanced with the magic of eternal youth that resides in the feeling of falling in love. Their rapprochement, their feelings for each other and their attitude towards the other form a pleasant contrast to the more enthusiastic youthful forms that the protagonists are also confronted with...
The story is embedded in a picturesque, idyllic landscape and also allows a look behind the curtains of KDrama industry. The plot and its difficult issues - 'aging' and 'taking responsibility' - are rounded off by a few secondary plots within the patchwork family and work colleagues. A bit of intrigue should not be missing either. Last but not least, and above all, there is the romance, which despite the obstacle-filled terrain unerringly and sensitively paves the way between the two protagonists...
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- It's fun, dark and full of mystery. Plus has an amazing story that twists and turns. Keeps you on the EDGE your seat and wanting answers! So many moments I was like WHAT? WHO?
-It breaks the mold of usual K-dramas, it is definitely mature (adult) and not afraid of doing so! Despite explicit scenes it maintains a high level of quality throughout.
- The acting! I have so much respect for the actresses for taking on such challenging roles. They were phenomenal.
- The cinematography! Wow, the mood lighting, camera angles that draw you in, beautiful sets and locations. All were so wonderfully styled, you can't hep but find yourself immersed in the world of mistress.
- The FASHION. The designers and stylist did an amazing job at giving each actress their own unique style. Personally I loved what the character of Han jung won wore.
- The sound? I know a weird one but the shows maintains this high clarity of sound throughout, like tapping of heels, typing on phones. It all comes together to almost be asmr? I can't really describe why but it just works!
Now the only, ONLY thing I would change..... is the music. While the overall scoring generally goes well with the scenes, there can be moments where it can seem "too much" or out of place. While the soundtrack is great it's just the selection of scenes with certain music that just sometimes is off putting? But this can be unnoticeable and I don't think it affects the overall quality of the show.
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A well executed, beautifully depicted crime drama sprinkled with romance, humor, humanity
I started this drama based on a comment of a YouTuber when it was first released and am continually looking forward to each new episode release!Superb Storytelling:
This drama has been such a delight to watch as it is very well detailed and thought out. I truly feel like I am immersed in this faraway ancient time and learning with them the clues to every case as they unfold. It also draws out so many emotions of the human heart! Most of the characters are just not black and white one dimensional cookie cutters.
The director did a fine jobs taking us through each case, leaving little crumbs, weaving details from previous cases to current cases. Creating whole characters with backstories. We are left empathizing with characters and seeing that there is no black and white when it comes to the human heart. And while doing so, we also share in the FL’s own personal journey - it’s not just a game of winners versus losers.
**Please note that this drama is more of a "real" vs "fairytale" feel. There is a disturbing scene involving children even though nothing is scene that some viewers may want to avoid**
Scenery, set, costuming, and music:
How can I put it it? It’s been such a delight to see, to smell, to hear and experience the atmospheres and moods created. The costumes are exquisite and feel realistic as if they were of the time. For example, a very wealthy character (the most wealthy in the city) wore bright luxurious sheen purple outfits - not a color easily obtained in ancient times. The poorer common wore more muted colors with coarser, looser woven materials with hand sewn patches, hair dos are more realistic looking as well.
A lot of extra details help create the mood (visual language - borrowed from a fellow watcher). For example, there is a scene where people are preparing and celebrating the new year. Not only are the streets decked out for our eyes to see, but we can also feel and smell, and even taste the vibrant atmosphere. We see the skills in candy making and get a bit of a taste of it through our actors. Also displayed are noodle pulling, deep frying pulled dough, puppetry, dragons, drums, lanterns, performers doing some amazing shows. Children captivated by the shadow puppet show. Bustling crowds. At the Qi family household, we see a plethora of dishes served and the joy and warmth of a family gathering followed by an opera show. They didn’t need to go into such details but they chose to and it elevated the drama watching experience.
Music -
Oh my goodness, I didn’t pay attention at the beginning because it was so subtle I didn’t notice. However, as I continued to watch I discover how well the music and sound effects merged in with the story and enhanced the necessary moods. The fading in and out of the sounds and music were perfectly executed and timed even to specific words spoken and needed attention paid. The instruments used sounded wonderful. I can tell someone carefully and lovingly paid attention to every detail.
Acting -
Most of the actors, except the ML, are new faces to me but I’m sure they’ve been around for a while because their performances were superb. Subtle expressions, postures, actions, motions, gestures created interesting characters and interactions.
The Main Lead (Qi Meng Li) is the youngest son (2 very capable elder brothers) of a wealthy and powerful governor. He is like a naive foolish kid, raised with a silver spoon in a warm and loving family, without a care in the world, and sheltered all his life. He sets out to explore and experience the romanticized world that he’s been reading in his novels. The actor does a fine job portraying his character (even to our and the FL’s annoyance). However, we also see him grow and slowly mature as he interacts with the world and our FL and those around her.
The female lead - she is a very resolute and determined person with a very painful background that oppresses her but she works very hard to overcome it on her terms with her wits and smarts. Although she is a very upright person, she is also realistic, level minded, humble but not a doormat, smart but not condescending, no pretense. She’s a character admired by many and the actress is just great and conveying all this. The makeup is just right and not over the top ridiculous. Her determination sis admirable yet I don’t feel like a modern day female centric view is shoved in my face. It would be out of place like some other costume dramas I’ve watched. Also, the actress looks more mature which I thinks suits the character since she has faced so much hardships, suffering, and oppression.
I’ll spend some time mentioning the actor of the second male lead (He Peng) because his acting is just amazing. He plays a smart, gentle, educated scholar who earns his position as a magistrate of Linfen (a smaller town) purely on his own merits. His heart is to serve the country and the people and he stands his course even when it doesn’t benefit his career. However, he also has to tread carefully because his one backer is powerful not does not share his view of justice and compassion for the commoners . He is also under a LOT a lot of pressure from others and is a cautious character not always certain what to do when it comes to actions for his own future because he’s constantly considering all the factors. So he holds back a lot. This actor is amazing at portraying this character. I actually fell in love with his character and even wished he could be with our FL.
I appreciate story doesn’t dwell on milking unnecessary emotions from us. Yes, we feel for the different characters but in no way does it drag on and on.
Ok, if you’ve kept up this far, just go and watch it already. I don’t tend to write a review, especially while airing, unless it really left a strong positive impression on me.
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Though sometimes one may see it advertised as such, Saikou no Rikon cannot be called a true "romantic comedy". It watches more like a slice-of-life, centering around two couples (whose respective relationships may or may not be crumbling). The comedic aspect hits as often as it misses, despite passable delivery from involved actors and actresses. Emotionally rich and intense scenes outweigh these in sheer remarkability; in fact, the levity issues are approached with at times (such as the occasion divorce is brought up for one of the couples) actually leaves the whole product feeling a little inconsistent. Am I watching a zany Japanese relationship lark or this heavy treatise? Because some elements did not wholly jive (at least for me), those thoughts popped up frequently over the course of the series.
Where the drama excels must be dialogue, which is razor-sharp and surprisingly natural. These characters speak like real people, even showing pop cultural awareness. An engaging way speech is used is also in the way characters loose their frustrations to others; they tend to tell strangers and service-providers in these long-winded monologues, unable to vent to anyone closer. What it lacks in stunning backdrops and visual candy, Saikou no Rikon makes up for in thoughtful camera work. With a sharp focus on the inner workings of married life in mind, shots often adopt voyeuristic qualities. For instance, we might see an argument from a fly-on-the-wall perspective in the kitchen, overlooking the entirety of a small apartment made for two.
Eita headlines a solid cast, swinging all his powerful versatility behind the (initially) repellent Hamasaki Mitsuo. This is a character that embodies everything wrong in a husband, from his incredible pettiness to the selfish way he views most everything. The first time he tells his wife something between them was her "personal problem," even threw me back into some bad memories of my own. However, Hamasaki exhibits incredible personal growth throughout Saikou no Rikon (with Eita totally inhabiting the role). Ono Machiko, as his polar opposite and somehow wife Yuka, has a fantastic showing also. Whenever Yuka showed weakness or had something big to say, Ono-san knocked it out of the park. Her role, despite early episodes showing her through her husband's perspective, is lovable and sympathetic; women will definitely identify with her best.
Ayano Go and Maki Yoko portray strange duo Ryo and Akari, whose tale most interests at first glance yet slowly is overcome by that of the main couple. Both are fine actors and do beautifully in their scenes. Unfortunately, paired with the "that's just how things are" attitude the characters take to one another and themselves, the too-fast wrap to their story leaves the entire relationship a little hard to watch and slightly unsatisfying to finish (unlike that of the main couple).
If Saikou no Rikon is a hero wielding dialogue as its best weapon, music will be its Achilles Heel. Having just come down from a marathon of the series, I can scarcely remember any specific tracks. There was at least one quirky instrumental number, but the only truly memorable song is ending theme "Yin Yang" provided by the amazing Kuwata Keisuke. Despite not being a song to my taste, it suits the drama exceedingly well. And that wild ending sequence that accompanies it? Positively awesome.
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The female lead is annoying to a point where I stopped feeling any empathy around her at all. A lot of people hate loud and excessive FLs and while that is a thing of taste (not mine, because I love screaming FLs, I even like most of Hwang Jung-eum characters), this is not the reason why the FL here is so annoying. Is mostly because the writing makes her unlikeable, the reasoning behind her every move is motivated by selfish reasons only. She is supposed to be this empowering and admirable woman but in fact she's a lying, unreasonable woman who is never hold responsible for her own mess.
Now, about the (various) male leads... This is tricky, because is more of a "the best of the worst" type of situation. The ML is probably the lesser evil from the three (there's a fourth one, but he's not exactly a candidate and if he were, he would be the best one easily). He is a bit creepy and annoying, but relatable at times and you can feel some empathy towards him considering he really does suffer a lot in this. The other two candidates, one is pure evil and the fact that he does terrible things in the name of "I SAW HER FIRST SO I SHOULD GET HER!!!" is villain-like and yet it's never portrayed as That Bad. The other one is not exactly evil, just a bit bland, and ironically the writers seem to have forgotten about him by the end.
The only joy I found in this came from the two kids and the bar owner and the mom. But that's like 7% of this mess. It's really not worth it.
If you're looking for romance, AVOID THIS ONE.
(It doesn't have even two whole episodes of that)
If you're looking for a strong lead character who is a single hard working mom, AVOID THIS ONE.
(She is really the worst)
If you're looking for a great story about the korean movie industry, AVOID THIS ONE.
(They forget about the movie by episode 6 or something and unfortunately this topic is never touched in any substantial form)
If you're looking for comedy, for the love of GOD, AVOID THIS ONE.
(I don't remember laughing at all in this, there isn't a single hint of comedy)
If you're looking for a frustrating show with frustracting people and poorly written characters and situations, THIS IS YOUR DRAMA.
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An intense binge worthy drama!
I am so in love with this drama. I saw everyone praising it so I casually started it out of curiosity. I was just thinking about giving it a try for the hype. But now I am actually joining the crowd. I feel like praising everything about this drama.
Reset is an intense story that revolves around a few characters binded by a time loop. What I am happy about is that despite it being a time loop drama where certain things will keep on repeating it was executed in such a nice way that I couldn't even think of skipping anything. No matter how many times they repeat it, a right balance of new things came out that was interesting.
So the story starts with a university student named Li Shiqing (Zhao Jin Mai). She was on a bus and on her way to somewhere when the bus gets into an accident and she dies. But she wakes up the next second and just considers it as a bad dream but woah! this is the best part. Things seem to get repeated and she seems to die because of the same accident again and again. Once she realizes about this horrible time loop, her first instinct is to escape, she uses a boy sitting beside her who is Xiao Heyun (Bai Jing Ting), a game developer to get out of the bus but unexpectedly he enters into the same time loop with her. Oh my god! Just the first episode and I was hooked up. I couldn't wait to see how they would continue this story.
Afterwards there are just crazy things happening. They both try struggling in all ways possible to change this destinied accident. Not even a single second is irrelevant or like filler in the drama. Everything is there for a reason. Even the expressions of each actor and how should they react in a particular scene is so perfect.
Their bond. Like two people who are in a mess of time, fighting together and just like two teammates going through life and death together. You can observe how slowly and reasonably their bond develops. Romance is not the visible center of the drama but it's just present through those little moments between them. You can see the care in their eyes and just the will to accompany her/him in the trouble till the end.
I love how almost every character has their own story and stuff. It's short like 15 episodes of 45 minutes each but they do justice to every character present.
Favorite line — "Human is iron and rice is steel. You can only save the world when you are full"
So, in the end, I recommend this to everyone. To even those viewers who are like me and who hesitate to watch time loops… this was a great watch. A well organized plot, high quality production with actors who know their characters well. It's amazingly set with an interesting story which kept me on the edge of my seat and I was like always looking forward to watch more and more. Meanwhile I will be off to dig up some good behind the scenes videos to enjoy more of this :D
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First let me start off by saying Etsushi Toyokawa as the handsome, deaf-mute artist Sakaki Kohji will stir your heart. A wonderfully emotive actor, I just love performers who can express a million feelings with only their eyes and this guy totally nails it. It’s not possible to look at him and not be moved. I thought the female lead went a little overboard with all the ‘aegyo’, but thankfully she toned it down a bit toward the second act. Once things took a more dramatic turn in the latter part of the drama I could see that she had some good acting chops, but unfortunately the material she had to work with was a disservice to her character. Supporting cast were like pestilence, especially Shiori and Ken, but in some scenarios Hikaru too. I was too annoyed by them to care about how they deliver. I just wanted them to go away.
Acting aside, this love story just completely captures you away. I enjoyed watching the unique challenges the male lead's deafness introduced to his life and relationships. The Japanese, as per usual, are masters in depicting regular everyday life in all its sweet mundanity. No flash of wealth, no chauffeur driven chæbols. Just an ordinary slice of life about two young people trying to figure stuff out.
Kohji and Hiroko’s chemistry is apparent from the start. They steam up the screen with every glance, every touch, every intimate embrace; and there's just something wistful & nostalgic about the exchange of love letters written by your lover's hand. I enjoyed the music - repetitive though it was, but certainly fitting and beautifully sung.
For a while there I couldn’t believe I was watching a Japanese drama, because for sure the Japanese just don’t do romance this good, do they? And an older one at that. When I found out the same writer who wrote Orange Days wrote Aishiteiru that pretty much explained it. The sweet sentimentalism, the pure headiness of falling in love, the slow build up of passion, it’s all there. Though this time around it’s the guy who has the disability, their love evokes those same warm, wonderful feelings Orange Days did. I was on cloud nine.
Sadly by ep 9 this setup starts to unravel. It’s not possible for Asians to give us a simple love story without all the nonsensical drama … can they? One hopes, but the sick feeling that blossoms in the pit of your stomach tells you something’s up, and sure enough the usual tiresome drama cliches start to rear their ugly heads. By ep 10 an otherwise well developed script takes a most illogical and drastic turn. Things go from bad to WTF in a minute, and by the final episode the show is irrevocably ruined. I was stunned.
It made it really difficult for me to decide on a rating because the first 8 eps and the last 4 eps, esp the final 3, felt like 2 entirely different dramas. And to add insult to injury the terribly ambiguous, unsatisfying ending left me feeling let down and bitter. Mostly, I felt really bad for Kohji. The guy got a raw deal. I wanted something better for him. He didn’t deserve all that crap. If I were to rate this drama based on the first 8 episodes it easily nets a 10. Not because it’s a masterpiece of any kind, but because the emotions resonate so well & so deeply. In the end my 9 rating here is also a reflection of this fact. Eps 9 - 12 get a 1 because ‘pathetic’ is truly an appropriate label for ensuing events that were totally unnecessary and foolish.
So here’s what I recommend, chingus. Go ahead and watch this show in its entirety at your own risk. But if you need to have or prefer to have a happy or relatively satisfying conclusion to a drama you’re about to invest 12 hrs of your life in, stop after the 8th episode. Arassoyo? Save yourself the grief and just create your own ending. I sure wish I had. Trust me, you’ll thank me later.
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A simple, wholesome tale beautifully told
This Show is tropey. There! I said it so let’s move on. :)There is not a great deal of innovation regarding the setting or the narrative but there is an undeniable charm to this tale. The ensemble cast is well populated by the standard clichés. Hard working farmers, nosy neighbours, cute kids roaming free around the village. Of course, there are dramas within the village and without, but they are mostly storm in a teacup just to add a bit of spice to the proceeding and give us a bit of the backstory.
The main focus of the show is the love line between the city vet who was tricked by his grandfather to take over the rural animal hospital for a few weeks and the young policewoman who is super helpful and the focal point of village life. Needless to say, their interactions and chemistry drives the show.
As I mentioned before, the story is quite simple and tropey, so it was fortuitous that show was only 12x30 mins episodes long. With such a short runtime, it motors along and doesn't drag. Nothing is left to fester for long and resolution is always around the corner. All the swoony moments are turbo charged.
Acting wise, it is more than acceptable. The ML is a bit stiff and reserved, it could be due to his storyline and a lack of acting experience. He does warm up a great deal later on. The FL was just so sweet and wholesome. You really want to give her a hug and make sure she has a happy ending because she deserves it. She also have an infectious smile.
All in all, a lovely watch and perfect for binging. It is very sweet and romantic without being overly artificial. It is swoon worthy and uplifting if you are feeling down. This show is not about manufactured angst, high dramas or convoluted plots so don't expect any. It will bring you moments of simple joy and contentment. That is good enough for me. :)
Highly recommended.
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The Best Kdrama I Have Ever Watched!
I have wanted plenty of Kdramas, but none have pulled me in quite so much as this one. I have a thing for fantasy, romance, and historical pieces, so this fit the bill for me right of the get go.I'd never watched a Kdrama that wasn't fully released, so this was a first. I waited with anticipation for the next updates, and I truly cried during the ending.
Shin Hae Sun is the best actress I have ever watched, and that is not just for a South Korean actress. She is my favorite actress overall. I feel like, without her, this Kdrama would've massively flopped. She is now my queen, and I feel like I've fallen in love. Everything she acts in is impeccable.
The music was really fun here, and you immediately recognize the funny, romantic, and tearful scenes.
The story wasn't that easy to follow regarding the politics, during the first watchthrough. But the second and third time I followed it perfectly.
I spent weeks attempting to get over this Kdrama, therefore, I had to write my very first review. Watch it, it is truly amazing.
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This review may contain spoilers
That was bad.
I think everyone here was in the same boat, wondering why on earth we were watching this, and yet we did. For me, it was about the discussion section, which was far more entertaining than the series. This wasn't the worst BL I've ever seen, but it was the most boring and pointless.I'll start with negatives and end on positives, if I can think of any.
- There was no plot. None. Nothing happened the entire season. Well, one thing happened, but I'm putting it under positives.
- Even given there was no plot, the writing was truly terrible. Nothing really made sense. Like Kit and Mark practicing to be apart for almost the entire season. If there was a reason why anyone was watching this, I imagine it was MarKit, and we got almost none of them. There's an episode where a third of the runtime is taken up by a discussion about putting on a play. Not an actual play, but discussing the details of a production, like how the props would be done, and who would play which characters. Much of the rest of the episode was people texting each other. Riveting.
- The main character, Wayu, is the most useless person imaginable. He doesn't do anything, can't do anything, and he has no agency. He's everything wrong with the seme-uke dynamic.
- The romances were so tame that most viewers have likely had racier relationships in primary school. They are nauseatingly saccharine and totally passionless. The only moment of heat the entire season was when Pok attacked Tong in the shower.
- Sandee was criminally underused. Bank was easily the best actor in this, and by the end of the series even he'd given up.
- Big, who plays Pha, never once took off his shirt, and that bod needs to be shared. You'd think laying in a hospital bed for an entire season that someone would give him a sponge bath at some point. Speaking of which, why would you bother to have a character that does absolutely nothing but lie in a hospital bed for an entire season? Although I'm not complaining because his death, funeral, and tombstone are 95% of what's good about this series.
Positives:
- Bank as Sandee. The way he can pack malice into a subtle look, or mischief, loneliness, or all of the above made for a character that much of the audience was cheering on, and he was the villain out to destroy everyone. Sadly, he failed.
- There were things in here that were so bad that they were good. Kit and Wayu go to see Pha at the hospital. and as they arrive, his crying mother is exiting the room, and she says "he's gone! (i.e. dead)". So the boys go in and have a conversation with Pha, who has either resurrected, or he had been asleep and his mother just assumed he was dead and didn't bother to check. It's a good thing they're Christians and didn't have him cremated prematurely.
When he did kick the bucket, his funeral involved plopping onto a lawn a tiny casket that might possibly fit a small child, which suggests they had Pha dismembered and stuffed into it. I guess Pha's mother was on a budget and decided to forego gravediggers. She also didn't attend the funeral. That along with her apparent indifference to whether or not he was dead at any given moment created the impression she didn't much care for him.
In a later episode, it appears that wild animals dragged off the coffin as they are wont to do (which is why you need grave diggers), and in its place was the most hysterically funny tombstone you will ever see. That sounds exaggerated, I know. But it was. I couldn't tell if it was a novelty cake or made of styrofoam, except whatever production assistant made it accidentally ran over it with his car and tried to tape it together or something.
Story: 1 - There isn't one.
Acting: 5 - I hate to criticize actors, but none of them except Bank (Sandee) put in a good performance. I think it was probably terrible directing, because I've seen some of these guys do good work elsewhere. But here the directions seems to have been "keep your face and voice as blank as possible, pause for ten seconds between every phrase you speak, and always move unnecessarily slowly."
Music: 1 - you will want to smash things listening to that same two bars of music over and over for 12 episodes.
Rewatch Value: 1 - forget the gun to the head - you'd have to threaten to nuke a country to get me to watch this again. Except the funeral scene. That I could watch again.
Overall: 3. The suggested was 2, but a score that low would have to be for something aggressively awful, instead of passively awful like this series.
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This review may contain spoilers
I, like most people, began watching because of the high ratings (9.1 atm) and the intriguing synopsis. MC in a comic book trying to fight against her fate? Sign me up! The first few episodes did pretty well in setting up the story and world-building. You have Dan Oh who is headstrong and determined to change her fight as a sick girl who has a crush on Baek Kyung, Baek Kyung who treats Dan Oh like trash, Haru who tries to help Dan Oh change her fate, Joo Da who is your typical helpless female lead in the comic, Nam Joo who is your typical rich male lead in the comic, and Do Hwa who is your typical sweet second-male lead. However, towards the middle of the story, Dan Oh's goal switches and she turns into the cliche girl whose life now centers around romance and being with Haru. Scenes become repetitive as characters lose their memories, scenes successfully manage to be changed only with slight tweaks, and Dan Oh continuously suffers from her sickness without being able to do anything about it. You're up to the last four episodes and you're thinking, what's progressed between Dan Oh and achieving her sickness goal? NOTHING! The only progress there has been in Dan Oh's life is in the romance department between her and Haru. And of course, the last four episodes rush everything and almost nothing is explained or satisfyingly resolved in the end. Who is the writer? Why do shadows exist in the first place? Why don't the characters just get skipped to the next important scene automatically? How do the changed scenes affect the writer's planning in real life? What's the point of this whole drama if the characters will face the same problem in the other works the author writes? What happens to the characters after a story is completed? Why does Haru sleep in school? Is he homeless? Where's his parents? Why don't we know anything about him after 30 episodes other than that he likes Dan Oh? Dan Oh's best friend is Ju Da's bully, yet why does Dan Oh never do anything about it?Pros:
- Unique concept (even though a lot of potential is wasted)
- Charming and complex characters (especially Do Hwa and shadow Ju Da)
- Superb acting despite messy storyline (major props to Baek Kyung's actor)
- Great character developments (Baek Kyung)
- Mix of historical drama background
Cons:
- Turns into your typical romance story with a high school girl infatuated with a guy and prioritizing him over her own life
- Undeveloped characters (looking at you, Haru)
- Sends bad messages (romance vs. life, no free will, can't change your fate, bullying)
- TONS of plotholes
- Not a lot of questions answered
- Repetitive scenes
- Terrible and rushed ending
All in all, if you're looking for a romance drama with a bit of a "forbidden love" twist and angst in it, this is for you. Just don't look too deep into the whole character-being-unable-to-change-her-fate concept. If you're planning on watching it because the synopsis sounds interesting, brace yourself for the disappointment. The rushed ending leaving millions of questions unanswered will crush you.
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The art direction, acting and incredible sets are as breathtaking as the massive scope of the series.
The show is good but they left out all the juicy details from the novel,
I love the opening ost, and Qu chu xiao super cute, i am glad to see him main role,
The production is beautiful, the dialog economical and exceptionally well-delivered,
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Coming to characters, Healer. God I love healer. I love how he's jumping around buildings and coming up with these exciting plans. I love what he does for a living and I love his little high-tech shack. I love that he's a loner. I've only watched Ji Chang Wook in Empress Ki other than this drama but I must say he is always a delight to watch.
Park Min Young. I must admit that the only reason I ever hesitated to watch this drama, it was because of Park Min Young. I've watched many of her dramas and I've generally not cared much for her roles. But it was Kim Nana in City Hunter that ticked me off. God I hate Nana. She's a bodyguard who needs a bunch of bodyguards. In fact, I think it would be better if someone locked her up somewhere far, far away until everyone's done with whatever they're trying to do. She seriously messes things up and then goes around acting cute about it. So, yeah, basically I was weary that Park Min Young is going to play a role like Nana here. But I guess 2015 is the year of Reinvention for Korean actresses (with Park Shin Hye also winning hearts for her performance in Pinocchio). Park Min Young not only did a wonderful job in this drama, her character Cha Yeong Shin was a delight to watch. There were a few times in this drama where I held my breath because I was afraid that Yeong Shin would make a terrible choice that would create a havoc and make me hate her. But she was so awesome at those points that it really made me love her character overall.
The rest of the cast was great too. My favorites were definitely ajjumma and Yeong Shin's family (her dad and the rest of the criminal staff). I really held my breath there towards the end when I had a feeling Ajjumma is going to die. My Eun Shi Kyung feels were returning to me, I was all set to cry. I'll never forget that moment of relief when I realized she will escape. Thank you writers for not killing her off. I wish they had shown an emotional reunion of mother and daughter though. The ending was just a little rushed. Or maybe it's just me never wanting Healer to end. lol.
The music was great. I have the whole album on my phone. My personal favorites are Eternal Love and When You Hold Me Tight. I like that song by Ji Chang Wook too, although I've only heard it a few times.
Overall it's a masterpiece and even though the ratings in Korea weren't all that great I'm so glad it's getting it's due on MDL (9.2 avg yay!) and other internet portals. It's doing well in China too, with Ji Chang Wook being one of the most searched Korean actors there these days. I guess a good story would always find it's worth one way or the other.
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Refreshing and Must Watch 2025
I found this drama to be different from the others. When it premiered on December 28, 2024, I was so excited, and sure enough, from the very first episode, it had me laughing out loud. Dylan, as Xu Qi An, nailed the role, and I believe this role was made for him. Some scenes where they were laughing felt so natural and real, almost as if they weren’t acting at all. Every day, I eagerly look forward to each new episode of this drama.As the episodes progress, the storyline becomes increasingly intricate and thrilling. The CGI, along with several scenes set in the mountains and deserts, showcases breathtakingly real landscapes, not CGI, and they’re stunning. This drama truly has outstanding visuals, making it feel like watching a movie. The opening song is also a perfect match, even though it’s the first time a Chinese drama in the Wuxia genre uses a rap-style opening song.
All the cast members are incredible, giving their absolute best. I’m thrilled that Dylan took on a different role and expanded his acting range. He is so natural in the comedy scenes too.
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This review may contain spoilers
Yes but no...but why not.
Ok it's low budget, we got it. I saw better end of studies projects. It seems to be shot with a smartphone and two ringlights. The sound is the worst ever heard (you can almost make it into a game: subbed? Not subbed? Do you hear the film crew behind?).The script was written on a corner of the table.
Do you want clichés ? You have it. The rich, somewhat rebellious hunk, the poor guy who succeeded through hard work. The mother who puts pressure. The nasty ex girlfriend really nasty. The best friend in love but ultimately too much ...
The editing is random.
Sometimes I was "WTF?" or "oh wait, really?". Sometimes I laughed (when it was not funny).
The acting is cringey (especially for supporting roles).
At least, the end is not tragic if not really happy (and we applaud this detail!).
BUT, curiously, despite all these faults, I enjoyed the series. I think it owes a lot to the two main players. They are cute, they have good chemistry and seemed to get along really well. They are doing well and we get attached to their character. There are some skinship too which is emphazised.
AND it's BL Chinese.
So you liked Addicted? Don't expect to see a replica. But we can salute the sincere effort of the whole team to have tried to produce something despite all the restrictions. I know they had a lot of problems producing this series so I want to support them.
Fighting, China! You can do it ! Produce a good BL.
Soon.
Perhaps.
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