Reviews

Yes but no...but why not.

Ok it's low budget, we got it. I saw better end of studies projects. It seems to be shot with a smartphone and two ringlights. The sound is the worst ever heard (you can almost make it into a game: subbed? Not subbed? Do you hear the film crew behind?).
The script was written on a corner of the table.
Do you want clichés ? You have it. The rich, somewhat rebellious hunk, the poor guy who succeeded through hard work. The mother who puts pressure. The nasty ex girlfriend really nasty. The best friend in love but ultimately too much ...
The editing is random.
Sometimes I was "WTF?" or "oh wait, really?". Sometimes I laughed (when it was not funny).
The acting is cringey (especially for supporting roles).
At least, the end is not tragic if not really happy (and we applaud this detail!).

BUT, curiously, despite all these faults, I enjoyed the series. I think it owes a lot to the two main players. They are cute, they have good chemistry and seemed to get along really well. They are doing well and we get attached to their character. There are some skinship too which is emphazised.
AND it's BL Chinese.
So you liked Addicted? Don't expect to see a replica. But we can salute the sincere effort of the whole team to have tried to produce something despite all the restrictions. I know they had a lot of problems producing this series so I want to support them.
Fighting, China! You can do it ! Produce a good BL.
Soon.
Perhaps.

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I had a lot of mix feelings while watching this show. Going in, I was totally unaware of what I was getting into. I hadn’t read its synopsis, reviews, related comments and mostly flicked past the screencaps in the feeds. So in the first half as I realized what the drama was about, it hit me personally because of multiple reasons. I wanted it to be more raw and painful at times and at others, it got so real that I had to press pause and take a break from my own thoughts.

Then, somewhere in between Just Between Lovers took a turn down the typical K-Drama alley. It became overly melodramatic and sappy. In order to create a tragic hero, they piled every problem possible in the world on his beautiful shoulders and there was only so much I could buy before I started giving it the side-eye. Physical health  problems gave precedence to mental. I won’t say that it romanticized mental illness but it did gloss over it all. PTSD does not randomly vanish like this.

However, despite all this, one thing that was very clear to me at the end of it all was how much I enjoyed this show throughout. I was even more relieved than disappointed because of all the tropes it chose to follow because they provided the much needed escapism we look for in dramas. Even though, it dealt with heavy issues it didn’t drown in it. There was always a comedic gesture, a heartwarming moment and a swoon-worthy interaction between the leads to balance things out.

I think this drama had one of the best K-Drama romances ever. This was exactly the kind of relationship I fall for. It was a beautiful slow burn, where two people grow individually and together. They go through obstacles, they have their highs and lows and they become stronger through them- both in harmony and independently. And, it was all absolutely beautiful to watch. I’ve never been this starved for skinship between the leads and when it finally happened, it was so sweet and intimate that it was worth the wait.

Both the main leads were very dear to me. Gang Doo was simply an angel. I don’t think people like him exist in this world anymore but it would be a huge relief if they did. Moon Soo, even though some of her actions at the end were questionable was undeniably a sweetheart. There were some side characters I was lowkey annoyed with (Think: Second Male Lead, Second Female lead (though she had her moments) and the female lead’s parents) because of how much they victimized themselves even when other people had it far worse. But at the same time, I also adored a lot of other characters. Like basically everyone related to Gang Doo; his grandmother, his Doona, his brother figure and his team leader. You know what they say, good people are surrounded by good people.

As far as the acting goes, I won’t say it was exceptionally outstanding or that I was floored by it. Their inexperience and freshness shined through however, this worked out in their favor. Because the way the two portrayed their characters was so sincere and natural that it didn’t fail to capture the audience and touch hearts.

One of the best things about the show is the OST. I really recommend watching this show in a print that has the songs subbed while they play in the background. The lyrics are so meaningful to the plot and the play timing is perfect. So when you know what the songs are saying at a particular moment, it gives all the more depth and insight to the story. And it’s simply gorgeous.

So ultimately, Just Between Lovers is a show about healing, friendship, love, serenity and brilliant dialogues. Even though it develops slowly and maximizes emotion, it’s never boring. There are some tears here and there but with that comes so much more hope and so much more warmth.

Definitely recommend.
Enjoy!

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just want to point out the differences

I'm going to keep this short and sweet. I wrote an in-depth review on GOODBYE MY PRINCESS previously, so here I just want to point out the differences in this "Director's Cut" edition and the originally aired edition of the drama. The main thing you are probably wondering is if there are "3 extra episodes" and the answer is NO NOT REALLY. Sorry to disappoint.
The reason there are "3 episodes" MORE in the Director's Cut and the original drama is that the first two episodes and the final 2-3 episodes have more scenes added in. Most especially in EP #1 & EP #2? Meaning, so many "cut scenes" were added back in, that is added up to approx 120-130 minutes of cut footage which extended the show by 3 episodes.
The MAJORITY of the show has absolutely zero changes. If there were any "extras" in the middle episodes they were so subtle, I didn't notice them. I wish we had more scenes with our leads extended in the middle of the show and after the Oblivion Falls shenanigans, but no such luck.
All that to say, I really did like the additions that were added in the beginning and in the end. They would have been MUCH appreciated if they had originally aired.

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I started The Good Wife to alleviate the painful wait for the new episodes of Doctors (oh, the irony). And 2 episodes in, I was absolutely engaged! The Good Wife is not a typical drama. It has a mature tone and deals with mature issues. When a normal Korean drama deals with cheating on your spouse, they make it all cheesy and overly dramatic. I just love how they handled the cheating in this drama. It was so realistic and you completely understood where each character came from.

The female lead was amazing. She was so calm and dignified and yet, there is a subtle change occurring within her throughout, simmering beneath the diplomatic surface. It never explodes or exposes itself completely. You cannot hold that change to one single moment. You can't point at one moment and say "there she is finally!" But you can feel the change constantly, scene after scene. Until it has become a part of her completely.

I love her character. It is so deep and yet we can all relate to it somewhere. The rest of the cast is equally amazing. Nana's character was brilliant. She was so unique in her style and I loved her screen-time, especially with Hye Kyung. I didn't know much about Nana before I started this show (except that she wins the title of "most beautiful face" a lot). But I really look forward to seeing her in more roles (and different ones). I didn't know much about Jun Do Yeon either (except that she was paid A LOT for this drama). But I she was so good here, I ended up checking out a couple of her movies (and loving them!).

The guys were awesome. Jung Won was sooo sexayyy. Like MY GOD. He's like a bad boy who grew up like some really fine wine. I'll be crushing on him for a while. The romance was unexpectedly awesome. The drama is full of sexual tension and I am not complaining.

Tae Joon was another complex character who was a delight to watch. The whole time you are wondering WHO THE HELL IS HE? WHAT IS HE THINKING? This guy had me really confused with his sometimes-bad-sometimes-good character. But then I realized the catch. This is how he is supposed to be. This is how we all are. There is no black or white. There are good sides to us and there are dark sides. And that is exactly how he was. He was a scary man but he was a gentle father. He was trying to do something right using wrong methods. He loved his wife but he succumbed to temptation. A lot. He was human.

The music was perfect for the drama and this drama can definitely be watched again for the complexities and the surprisingly swoon-worthy romance that takes it's own sweet time to build.

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Fan Service at its Best

First, let me warn you by saying don't look for these to strictly adhere to continuity. It's really fan-centric one-shots meant as a gift by the actors and producers. For example Byeong-In is in one episode as the captain of police at the same time Cheoljong is looking at the Queen's Dictionary which has notations about voting and gold/dirt spoons, which occurred later. In another segment, Hwan is sporting the sunglasses he first wears in episode 20 whereas all but the prequel seem to indicate the stories taking place right before or immediately after the banquet.

Segment 1 - SY and CJ meeting for the first time as adults. More So Yong centric than Cheoljong. At least they did manage to flesh out her character just a little bit. The prequel is beautifully shot with CJ romanticized and looking like Prince Charming from a storybook to the Nth degree. It has a dreamy quality to it.

Segment 2 - An absolute hilarious acknowledgement of the fans' comments about the similarity in looks and build of Prince YP and Byeong-In.

Segment 3 - Focused on the flirtations of the Royal Chef and Lady Choi

Segment 4 - KDramas are known for several tropes, one of which is the jealous lover. Didn't fit into the narrative of Mr. Queen too much, though they did manage to fit in one small scene towards the end, so the producers created this one-shot that is jealous KDrama lover overload. Very, very funny and really showcases the comedic timing of Kim Jung Hyun.

Segment 5 - Card game gone extreme between the Kim powerhouse siblings with poor So Yong's father caught in the middle.

Segment 6 - The most enigmatic one. This segment had some moments of comedy, but it had a strange undercurrent of wistfulness and melancholy as well which is tied into the wishes each character makes upon seeing their first meteor shower.

Overall, it was just fun watching. The comedic elements were ramped up and more campy than usual. The segments were definitely poking fun at the characters and storylines while at the same time trying to give fans elements that they couldn't necessarily incorporate into the main drama.

Looking back, I also feel that it supports my reincarnation theory. Prequel hints at the idea of destiny, middle segment answers the question of where the love and attraction is stemming from, and the last gives us the promise of reunion for the soulmates.

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To sum this drama up, it's a sweet, simple romance filled with lots of unrequited love.  While it neither intense nor original, it was still very delightful to watch. Surprisingly, the unrequited love was not unbearable to watch (unless you were seriously rooting for the second lead).  More importantly, the pacing was really good.  The drama hardly dragged, which has been a common occurrence for dramas coming out of Taiwan as of late.  It's hard to find one with a plot that hasn't been stretched thin.  The cast was pretty great.  Some of the supporting characters were a little flat, but the second couple was pretty well developed and entertaining to watch (not to mention stole the show).  I loved the soundtrack. Overall, a solid well balanced drama that I haven't seen coming out from Taiwan in awhile.

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It´s comparably less makjang, but more morals – and Schubert's Serenade, again and again

"Summer Scent" is one of those early classical KDramas, marking the emergence of the South Korean TVdrama genre as an export hit with all its quality features. In the early 2000s the Hallyu, the Korean Wave started creating a stir, first in Asia and at last throughout the rest of the world.

Typically, the narration is so richly peppered with sometimes malicious, sometimes tragic twists - ´makjang´ at its best - that for some the emotionalism might be almost unbearable, if you are not ready open up for the deepest dramas of heart and soul. KDrama is in that context also a master of nasty, often enough quite malicious twists and turns. However, "Summer Scent" is comparably less makjang, but more morals. Nevertheless, with their decisions the protagonists truely can put a strain on your nerves. You should to be prepared to sympathy, suffering and compassion - even if you might struggle at times. This KDrama, too, with its twists and turns rocks the boat until the very end...

The plot juggles a heart transplant with the idea of cell memory. The whole story is poetically told, memorably filmed in front of a summery backdrop and played with a lot of heart. On top of that, the soundtrack eats its way mercilessly into the hearts of the audience: Schubert's Serenade, sometimes in German, sometimes in Korean, sometimes instrumental, but: the serenade again and again...

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As a fan of mystery/crime dramas i have to say this is one of the best i've ever seen. It's a mixture of CSI meets Criminal Minds. The story is pretty great and the cast is exceptional. Each character have such different personalities that it was fun watching them play off of each other while also coming together as one while eating bananas. They also have the BEST GUEST STARS EVER. The drama is well written with both comedy and seriousness. Kimura Takuya did such an amazing job bringing his character to life. His sadistic laugh and awkward social timing is pure genius.

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A melancholically beautiful, heartbreaking and heartwarming tearjerker! + Underrated!

This series needs to be higher rated! The series is beautiful in terms of story and values despite its melancholic approach. It's a heart-breaking yet heart-warming series that teach us the values of life and grief. What's more, it makes us believe in eternal love even though the time of the couple is painfully short.
In terms of character development, the series shows a complete picture how love develops a person silently yet does not change that person. Koichi is still Koichi, Micchan is still Micchan but they become better versions of themselves - love and being loved.
Regarding casting, Komiya Rio and Inoue Sora excellently and vividly depict Koichi and Micchan. It's not exaggerating to say withouth Rio and Sora, the series wouldn't have been that successful and tearjerking. Chemistry overflowers and very good acting skills.
The director/ screen writer also did their best in telling us a story that is not just heartbreaking but heartfelt.
Please don't miss it!

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Another Satisfying Youth Drama

Story reminds me of "Go Ahead" (which is one of my favorite dramas by the way). The main plots are similar wherein two people have that non-blood related sibling relationship. But this is lighter and shorter than Go Ahead, and also has less heartbreaking issues/stories so if you liked Go Ahead, When We Were Young, With You, then this would also be a satisfying watch. Transitions of the characters emotions was well planned, and nothing seemed hasted, or dragged.

Since it's a lighter drama, and I personally like re-watching heart wrenching ones, then this has a lower rewatch value than the similar dramas I previously mentioned.

Hope to see more of the actors, they were good even if they are newbies

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Well, the description for this says it all so I won't repeat it.

STORY: This story isn't about BL, really. It's about broken families of two boys who became friends but moved away and met again later in life and rediscover their feelings towards each other. This story is so great but you probably will not like the ending. It made me sad for quite a while. While it is not a tragic in the sense of someone dying, but a realistic choice that one of the guys had to make, to put his family before himself. That's life.

ACTING/CAST: The boys were young and the older versions still young, but I felt they did a good job. They are cute together.

MUSIC: Since one is a musician, this show had some real good songs. The love song Mew sings was translated (yay!) and the lyrics melt the heart.

REWATCH VALUE: I could not watch this a second time without having a friend with me.

OVERALL: This movie has many warm and fuzzy spots as well as some soul-crushing sad spots, but I believe it was worth the ride. Don't pass this one up because of the ending. You would be missing out on a good story.

TL;DR: A great story about love, loss, family, love rediscovered, and love sacrificed. Worth the trip. Bring tissue for the tears.

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Thanks for the miracle

Before you even start this drama, don't try to find an explanation for all this supernatural stuff, just let yourself be carried away by the strength of their chemistry. This drama really gives meaning to the word "love".

The time between Mitsuri and Koichi is limited after the latter's accident. As a "living corpse", his future is uncertain and despite all that this implies, Mitsuru tries to remain as calm and rational as possible.

The contrast between the cheerful Koichi and the composed Mitsuru is one of the strengths of this story. It is clear why they fell in love with each other long before this event occurred that puts their story in perspective.

The drama will carry a sense of delicacy, discretion and melancholy throughout the episodes. Their relationship is one that doesn't need to be expressive to know that they love each other, their eye contact gives you butterflies, a feeling of sadness and happiness at the same time.

You will fall in love with Mitsuru's monologues which are poignant, sad, loving, he has such resilience. You will appreciate the message behind each dialogue, dialogues that make us accept grief, the grief of love, the grief of loss. When a simple conversation gives us hope, hope that there will be a tomorrow, hope that we will not be forgotten as long as our memory has a place in the heart of the beloved.

As a bonus, the OSTs are powerful, soft, catchy and accompany each scene very well.

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and so the monster was me

This film I believe is intended to be watched without spoiling or going into what it is about in depth. Take in all the promotional on the surface and you will get the full viewing experience. I say this because of the promotional materials that lead you in one direction, take it in that direction at first and then go in depth.. which is what I did. So spoilers.

I definitely did not get what I bargained for when I decided to watch this movie. I watched the trailer, read the synopsis, saw the poster, and thought I would get a good scare out of this one. The ratings and reviews are well enough that I thought it would be perplexing, a psychological horror.

The first two-thirds of the movies had me, but in the back of my mind, the answer to the allure and mysterious tones was pretty simple and clear. To put it simply, this movie isn't a slasher or a horror. It is a coming of age queer film beneath two layers.

There are three acts to this movie after the initial setup. With the synopsis, firstly you have a story of a single mother who cares deeply for her child, a devoted and misunderstood teacher, and two kids that have the answers to the overall premise of the film. Minato is the child of the single-mother and is being abused as school, by either a teacher, or something else is at play.... so that is what I thought. I thought there could be anything, even a fifth element that added supernatural. This film was anything but, it was so real and thought-provoking, and in the end I found so many details that clearly show what was really going on the whole entire time.

The third act shows the perspective of Minato, and slowly it shows that instead of an abused boy, you find a boy that is scared of his blossoming but very real feelings for a student of his that was shown to be connected to this mystery within the school. There was no abusive teacher or secret being held by the higher ups, there was a boy who was scared of his feelings, and enough to think of himself as a monster. So in the end he made a lie. This film weaves together several elements to knit it into one final conclusion. Instead of going on about that I'll point out a few details that show how brilliant this film really is.

I must say, I was hesitant to conclude that this film involves two boys that like eachtother, but by the end and looking into the screenplay and its intent, I realize that was the point. Minato was just as scared as his feelings and it brings the question as to why it is seems as sexual when it is innocent love between two people that are the same gender. There is an innocence with Minato and him coming to terms with his feelings for Yori, and it's heartbreaking to witness how scared he really is of them.

You can see this through dialogue, and specifically with scenes where Minato says he is shifting into a monster, and where he is in the MRI scanner, truly scared that it will read his mind and his mom will be aware of his developing feelings. Why is he so scared thought? Yori is why he is scared, he is constantly tormented for his behaviors that don't suggest he likes a girl, he is abused by his father and told he has a pigs brain. Yori's father would rather he act out and be bad, than be an obedient child who is good at school. There is this whole spectrum of what a boy acts like and what they shouldn't.

What got to me was the part where the two boys find a safe space together, and I started thinking about their feelings for eachtoerh when Yori got too close to Minato. Although in the end Minato never wanted Yori to go anywhere, and what was cool are the little details. Minato goes back to the empty safe haven and texts Yori, where Yori says he won't go back because he wants to touch Minato, in the ways where he patted his hair or hugged him, but Minato says he wouldn't mind. I love how the ending doesn't have them fear, and instead they get past the gates of the railroad and are happy and free... there's just a lot to talk about with this one.

it seems that this topic is a taboo and that's why I didn't see it at first, but that is the point behind this film. To have you question why it is seen that way, and why you view an innocent feeling and curiosity as sexual or not normal. There is no romanization between them, the director and screenplay had the intent to share a story of two boys that grew to love eachother and coming to accept in regardless of the heteronormative society they were placed in. Any opposition to that shows the point of the film again and societies failure to accept it.


Below I'l several links that goes over all the details of this film I couldn't go over.


https://www.reddit.com/r/TrueFilm/comments/1761z26/little_details_in_koreedas_monsterkaibutsu_2023/?rdt=39846

https://x.com/wyvernhood/status/1745418419368055276?s=46&t=hWWeyWA1Y9kwJqIT_KVSaw

https://x.com/korokketto/status/1745376701188825596?s=46&t=hWWeyWA1Y9kwJqIT_KVSaw

https://x.com/haeinfleur/status/1744727092586246244?s=46&t=hWWeyWA1Y9kwJqIT_KVSaw

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Lee Hye-young and her role operate as backbone and heartbeat of this KDrama

"Kill Heel" is set in the milieu of teleshopping. The pace is leisurely, calm. The light is dimmed sort of. The focus is on 3 women. Their heels are dizzyingly high.

At first, the story leaves the audience feeling a bit lost. Just one thing is obvious: the competition in the production company is extremely tough. But over time, the three protagonists get more profile and the story heads in it´s direction.

The driving force that really makes the KDrama worth seeing is, above all, veteran Lee Hye-young, who has experienced a real revival in recent years. Here, in the ambivalent character of Gi Mo-ran, she gave another marvellous performance! In my eyes she (and her role) operate as backbone and heartbeat of this KDrama

It's about intrigues, struggle for survival, hurt feelings and old traumas. The relationship dynamics between the 3 women intelligently intertwine and dissolve in a subtle but unexpected way.

"Kill Heel" has a very unique look and feel to it and comes along with a peculiar pull effect. There is suspense, but at the same time the suspense isn't setting the tone. Sometimes something seemingly builds up, but then everything is completely different again. And after 14 episodes it's over. What a pity, actually...

------ SIDE NOTE: ---Teleshopping---
I wasn't really aware of the impact of teleshopping until now. In Europe within homeshopping Germany is the leader, when it comes to sales figures through teleshopping (compared to online-shopping) . In South Korea, teleshopping accounts for almost 50 percent of home shopping. Similar to sales parties in private circles (Tupper & co.), teleshopping thrives on impulse purchases and customer loyalty, which are promoted by a harmonious, interactive, relaxed sense of community. Within the virtual television community, it is the presenters who foster this intimacy with their virtual customers. Women in particular buy in teleshops.

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Epic and action are by a humorous ribbon tied together in a touching, gripping way. Go for it!

Set in a jaunty kaleidoscope of relationships, friendships, brothers in arms, blood ties, loyalty, heroism and heartbreak, the time of King Yeongjo, Crown Prince Sado and King Jeongjo is epicly (for a 2011 series production) portrayed.

"Warrior Baek Dong Soo" is full of fun, martial arts and of course: drama. There is politics, too, yes, butteh KDrama is definitely more on the drama and action side. I benevolently ignored some daring storytelling details and the selectively very optimistic choreographic freedom in the heroic staging. "Warrior Baek Dong Soo" balances between history and entertainment, between epic scope and personal tragedy, between deep, dramatic emotionality and airy, playful, humorous, good mood. The KDrama finds a rousing swell, in which the emotional waves are allowed to splash from all directions - with a story that sails between historically memorable facts, legendary heroes, steep (but by no means absurd) hypotheses, and colorful dramaturgical freedom. It offers great entertainment thanks to an exceptionally strong presence of all actors - whether young or old.

Baek Dong-soo himself is wonderfully portrayed by Yoo Jin-goo (young) and Ji Chang-wook (adult) in the sense of a largely impulsive jester who wears his heart on his sleeve. On the other hand, there is the introverted, somehow tragic, always serious and withdrawn Yeo Woon (Yoo Seung-ho as an adult and Park Gun-woo as a boy). The demanding life of the young warriors is sweetened by the unique charms of Hwang Jin-joo (cheeky, tomboyish: Yoon So-yi) and Yoo Ji-sun (stoic, reserved: Shin Hyun-bin). The by now veteran acting legend Choi Min-su as assassin lord in gothic style gives his very personal flavor throughout the 29-episodes long ride through time. And quite a few more there are.

In this KDrama it is rather the dramatic love story and love triangle of the older generation that pushes itself emotionally to the fore than that of the younger generation. This is probably due to the fact that Baek Dong-soo's generation is more dominated by humor and a cheeky mouth that wants to take on fate, while the older generation is dominated by the decades-long heavy burden of overwhelming life experience.

The historical hook of "Warrior Baek Dong Soo" is (as the title suggests) Baek Dong-soo, who went down in history as a heroic swordsman legend. He was one of three authors of the 'Muye Dobo Tongji' (= Illustrated Manual of Martial Arts), which is now officially classified World Heritage. This four-volume work summarizes the common weapon techniques of the Joseon period. (The book gained its extraordinary importance as a rare, valuable historical source on military affairs and Joseon martial arts, since older works fell victim to the destructive Qing invasions from the north.) However, swordsman Back Dong-soo first of all became legendary because he repeatedly saved King Jeongjo from being assassinated. And this juxtaposition of swordsmen serving the king versus assassins serving a however motivated client, originally inspired the 2010 KDrama comic entitled Honorable Back-Dong-soo.

The KDrama "Warrior Baek Dong Soo" thus also contrasts swordsmen and assassins - in terms of their ethics, their loyalty, their code, their mission, their training, their emotional world. This ambivalent and tragic dynamic makes the 29 episodes going and the time spent watching it worthwhile. They are so similar and yet they are worlds apart. One has to protect, the other has to kill. And yet, he who kills also protects. And yet, he who protects also kills. Both are henchmen. Both give everything. Risk everything. They're simply on different sides. Depending on the situation, the act of the swordsman is considered correct and honorable, while that of the assassin is considered a crime and vile. In my opinion, the KDrama reveals one of its strongest moments in the emotional explosiveness of the fatal bond between the first swordsman and the leading assassin lord (each of their own generation). They are so close emotionally and yet they live in different worlds: One in the light open, the other in secret. In tried and tested KDrama manner, the 'bad guys' (assassins) once again - despite the concentrated ambivalence of their characters - play their way taciturnly, but effectively into the hearts of the audience.
 
The framework for the plot is in beautiful continuity provided by sword fights and political intrigues. The flesh is made of fatal, ambivalent, intense relationship ties and feuds between the protagonists. History sets the direction. Epic and action are by a humorous ribbon tied together in a touching, gripping way. Go for it!







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Historical SIDE NOTE: --- Yangban of Joseon in the 18th century between conservative thinking and reformist, modern impulses. ---

The historical background of KDrama is shaped by three memorable decendants of the Joseon Dynasty. King Yeongjo, who holds the record-breaking 52-year reign on the throne, Crown Prince Sado, who went down in history as a tragic, possibly greatly misunderstood figure, and his son, who contributed to peace and prosperity as King Jeongjo. In addition to the serious efforts of the two kings for stability and progress, there are the divided camps among the nobles who fight by all means for their supremacy in political and social affairs.

Between 1674 and 1689 the Namin (Easterners) steered the administration of the country in their interests, followed by the Seoin (Westerners), who then entangled their position of power in disputes: the Noron representing the old, strict, conservative neo-Confucian doctrine and the Soron fighting for a new, modern, reformist, practice-oriented doctrine (Sirhak). It was probably King Yeongju's merit that despite the massive differences, the balance of power between the camps was well balanced for a long time. However, the price he had to pay for reasonably stable living conditions in the empire was his son, Crown Prince Sado, who favoured modern teaching and thus provoked the Noron. At least that is how one historical theory interprets the dramatic events surrounding Sado, who is said to have died locked in a box. The KDrama follows this theory (and not the annals, that present Sado as falling into insanity that could no longer be curbed, or a third theory that suspects a massive father-son conflict as the cause).

So, in line with the theory, which sees Sado as a progressive, reformist spirit, who wants to liberate his country from the supremacy of the Qing, "Warrior Baek Dong Soo" tells the story of the loyal followers of the ruling family, who are skilled in martial arts, and how King Jeongjo wants to live up to his father's modern visions. In doing so, with an open attitude the young king, too, always chose a balance and thus continued the proven political strategy of his grandfather, who in doing was able to stay alive more than half a century. In this way, King Jeongjo succeeded in the 24 years of his reign between 1776 and 1800 in building the Hwaseong Fortress as the center of his reign, in advancing education and science, in optimizing national defense and in creating the Royal National Library of Gyujanggak. However, he could never be sure of his life... at least seven assassination attempts alone during his first year in power are historically recorded. ... A striking reflection of the massive resistance against the attempted modernization of thinking in Yangban circles.

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