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This review may contain spoilers
BRACE YOURSELVES, LONG REVIEW COMING!It’s kinda hard for me to rate and review this drama as a -one thing- because the -mini drama- doesn't follow one story line so, I’m rating them and reviewing them individually. The general rate it’s basically an average I did with the rates I gave to each story, but if you don't wanna read the entire review just pick the story you want to read or if you don't want to do that either and just want to know if this is worth watching, then, yes it is worth watching. If you like love stories in general you'll definitely enjoy this hehe...
So, let's go!
NO SPOILER
*1st story* -Seung Yeon and WooJin-
Overall rating--- 7.0
Rewatch value--- 5.0
A kinda heartbreaking story about a couple that has to face death and loss in their relationship, this story also has a sci-fi-time-traveling plus that makes it interesting and different. The story can make you cry and laugh and make you sit at the edge of your chair because you basically don’t know what’s gonna happen later, so you suffer with the characters. It has a pretty good acting of both sides and a satisfying ending, the chemistry between them was ok, I didn’t feel an awesome connection but it was good enough to make me root for them.
*2nd story* -Goo Hara and Kim Young Kwang-
Overall rating--- 10
Rewatch value--- 10
Oh my...! I’m so glad I watched this, seriously. The chemistry was like BOOM! I totally felt the sparks when they were together. Ok, the story goes like this: This shy and ordinary girl who works in a convenience store, one day realizes that she has terminal cancer and makes this list of things she wants to do before dying, and in the path of fulfilling these wishes, she meets (in a very odd and funny way) this crazy-problematic guy who is gonna become our hero, so the rest... You have to watch it. The story is clever and funny and the reason is that the characters are the strong point of the drama. They are so loveable and enjoyable, because they are real and they have flaws and craziness and energy and chemistry, and problems, and scars and fears and so on... I liked that this drama took a serious and sad topic like this one and turned it into a light and easy-to-watch thing. This could have been a perfect 16 episodes drama :)
*3rd story* -Kang Ji Young and Bae Su Bin-
Overall rating--- 7.0
Rewatch value--- 6.0
This drama tells us an innocent lovestory, I’d say a one side lovestory, but probably you won’t agree with me, anyway, after you watch it you can describe it as you think it actually is. The acting was pretty good of both sides, and the drama has a plus that I can’t tell you but it’s basically the soul of the story, in other words the writer of this drama is genius srsly. Hehe, although it takes a little to take off but it's worth watching 'till the end.
*4th story* -Jung Nicole and Lee Kwang Soo-
Overall rating--- 9.0
Rewatch value--- 7.0
I don’t have much to say about this one, although I really enjoyed it. The story follows the journey our main characters have to follow to solve a riddle that will lead them to an inheritance. The story has 2 kinds of love. One is the father-daughter’s love and the other one is the love between our couple. The acting was GREAT! I loved Jung Nicole and Lee Kwang Soo’s acting sooo much! And also the chemistry was awesome.
*5th story* -Park Gyuri and Ji Chang Wook-
Overall rating--- 10
Rewatch value--- 10
Please watch this story!!!
This one was probably my favorite one, although I didn’t like her character that much, actually I found her kind of annoying sometimes, but still...
Her character is the perfect Oh HaNi (Playful Kiss)- If you know what I mean-, a crazy, prideless stalker girl, but still cute. She works for a travelling agency in Jeju Island, so you can imagine how beautiful the scenery is.
His character is super enjoyable, he’s kinda jerky, he’s kinda cute and funny and DAMN! This man is beautiful, it should be illegal being this mesmerizing, srsly. He’s an angel, actually he’s her guardian angel and that’s what makes this story awesome. The way these two meet and how they develop the angel-human relationship was pretty well written, performed and directed.This is the only one story of the series that has a second male lead and an actual love triangle. I was really sad when this ended because this SHOULD be a 16-20 episodes drama. Who do I have to talk with to make this a drama? Please drama gods!! Come on!
Sorry for the long review... If someone actually reads this, thank you and I hope this has been helpful to you
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script sat in the sun too long
Overall: The number of times I screamed "what is going on?" might have been a record. I was both bored and confused. Beautiful location and great actors were wasted with this nonsense plot. Watched on iQIYI.Content Warnings: suicidal ideation played as comedy, dub con kissing, held against will, manipulation, slap, drugging
What I Liked
- beautiful ocean side location/beach town
- cute intro but on the long side (3 minutes)
- Boun & Prem!!! It was fun to see actors from several different BL series together in this series
- the end of the boxing match was bizarre but cute
- the dads discussing love is love
- the outro with the behind the scenes footage
Room For Improvement
- too many couples, there were (I think) 4 and maybe one or two love triangles. This was just too many for six episodes.
- boring, 1/3 of episode 3 was getting down from a mountain, 5 full minutes of cleaning in episode 4
- confusing, there were several times where I just did not understand what on earth was going on, things just happened and we didn't get enough explanation. The most clear plot was the two boxers and they had about a minute per episode of screen time.
- nonsense things i.e. what was the dad's "plan"?, who leaves their (expensive) adult stuff lying all over a bedroom?, Arthid's elaborate plan instead of just...talking to him?
- some choppiness
- the comedy fell flat for me, the comedy sound effects didn't help
- that suicidal ideation was played as comedy
- the two trans/effeminate male characters played as slapstick comedy characters
- the red/orange hair and glasses weren't my favorite style (would have preferred tattoos/lip ring/etc) but I didn't take off points for it
- subtitle errors, but I didn't deduct points for them
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However, despite being known as an excellent kid explorer, Dora wasn’t the brightest bulb in the closet. Every episode went something quite like this; Dora would stand in front of, say, an apple tree and the treasure that she sought after would be an apple. So in order to find that apple, Dora would first cluelessly look to one side then the other, then she’d look all over all the while conveniently missing the tree located right behind her. After a good ten minutes of looking, when Dora still wouldn’t find the darned apple, the creators of the show would decide to give her a hint.
The hint went something like this: “Dora, if you look exactly behind yourself, you’ll find something. Now, we are not telling what it is, since this is only a hint but I think you should look behind you and see what you find.” For further help, a huge green arrow would point towards the apple on the tree. That was when Dora would finally have a light bulb moment and discover the goal of her expedition. Feeling mighty proud of her feat, she would then ask the viewers whether they too were able to find the apple or not.
Even as a child, I was about ready to combust at this point, for I had found the mighty apple the moment the tree came into the view. However, despite all its flaws it was still one of my favorite cartoons because it made me feel so clever. I was smarter than Dora. The world was a good place. What could possibly go wrong?
Except, when the same Dora-style execution is done in Contemporary Crime Shows, things do actually go wrong. This is exactly one of the reasons why people love “Stranger” so much. Stranger doesn’t come with the usual BS. It doesn’t assume that its viewers are mentally impaired baboons who can’t put two and two together. It actually respects the audience by considering them smart enough to follow the plot. There is no spoon feeding here, nor does a big ass green arrow point towards every idiotic discovery ever made. Instead, it’s a drama with an intelligent script that demands your full attention.
Every scene and every character has a reason for existing. With brilliant direction and almost no plot-holes the drama not only succeeds in captivating the audience, rather it also gives them space to really think about all that is happening.
For a lot of actors a “cold and emotionless” role is the gateway for slacking. They leave all their acting skills in the backseat and decide that posing like a cringey af model throughout the show is the way to go. Jo Seung Woo with his “Prosecutor Hwang Shi Mwok” explains that kids, it is indeed not the way to go.
For a character that is supposed to be expressionless and indifferent to everything and anything, Seung Woo sure did put out the acting of the century. While his face remains carefully blank at all times, there are slight nuances in his expression that highlight the emotional development Shi Mwok experiences throughout the episodes. A slight twitch of the brow to show frustration, relaxation of the facial muscles to show ease and the gorgeous, beautiful and rare smile to show happiness. Simply put, Shi Mwok is a delight to watch. Without showing, he still shows so much that by the first half of the drama, the viewers have already formed a deep connection with him.
A lot of people thought that the whole “brain surgery” plot-line was unnecessary, however, I think it was wholly essential in order for Shi Mwok to become who he was. He was a prosecutor who was able to observe every crime scene with a cold detachment that is unachievable for a normal person. And the show facilitated the fact by backing it up with a genuine reason instead of feeding the viewers some bogus and over-dramatic crap.For all those people who have seen God’s Gift, I know that Seung Woo shocked your pants off. The utter versatility of the actor cannot be described in words. He was a completely different person in this show, simply unrecognizable and for that, he has all of my respect.
I think one of the most endearing characters in the show was our female lead Han Yeo Jin. Bae Do Na held her own in terms of acting and the amount of chill that her character had was unlimited. She was such a genuinely cool person. Relentless, strong and quirky. Even though she won against bad people numerous of times, there was never any pomposity in her, for to her, even the wins felt like failures because they were against her own people. You can see how her heart hurt at the name of injustice and how fully determined she was to stand against it. No matter the consequences. She was the kind of fearless cop that is every ordinary citizen’s dream and every corrupt person in power’s nightmare.
So considering how exquisite these two were individually, it’s no surprise that they were unbeatable together. Lieutenant Han and Prosecutor Hwang: The ultimate dynamic duo that made the baddies shiver in their boots. The chemistry between them was excellent; easily topping many romances. They were the kind of comrades that can lean on each other in time of need, rely on the other in time of action and above all, understand each other all the time. As weird Shi Mwok was, Lieutenant Han just seemed to get him and he in turn respected and shared his secrets with her.
With best friends like these, who needs romance?
All of the other side characters came with their own quirks. They had their own story, their own motives behind actions that appeared to be ruthless and their own flaws and weaknesses. Nobody was completely good or completely bad; rather they were all wholly mortal.
Like other crime shows, the show did not make use of convenient plot-lines or shock value. There weren’t any WTF moments or nerve-wracking cliff hangers, rather there was a constant under-current of gravity that kept the viewers rooted to their spot.
This is the kind of drama that will warm your heart, fill you with sadness at the world’s corruption and leave you with the sweet hope that not all people are wicked, that there is still some good left and that little bit of goodness might just be able to overcome the evil.
I know that I should just end this review here but I need to be completely honest. As as you can clearly see, I have nothing but good things to say about this show. However, it doesn't mean that I am going to give it a perfect rating like many others because despite all of its beauty there were times where I wanted something more. I wanted to know why Mwok Shi was so relentless on eradicating all corruption. If he couldn't feel anything, where did all his righteousness sprout from? I wanted to know more about Lieutenant Han's background. Why was she always so alone?
Even though the whole drama came with a certain amount of simplicity and subtle intelligence, the last few episodes did at moments take on a fairy-tale touch. The conclusion was everything that you could've wanted, it was the perfect ending. However, considering the somber tone of the show, personally I expected something more gritty and raw.
So while this was one of the more amazing shows I have watched, I will not claim that "This was the best Korean drama ever made".
That being said, with some of the best dialogues and a spot-less execution, this drama is definitely not one to be missed. Which is why I wholeheartedly recommend it to every crime/thriller fan out there.Enjoy!
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Raging comedic banter, battle and romance. I highly recommend!
Cho Yeo Hwa (Lee Ha Nee), lives as a dutiful widow by day and by night she's running across rooftops fighting criminals for the poor secretly. One night, she got into a chaotic fight, she landed in the arms of a palace guard, Park Soo Ho (Lee Jong-won). Unbeknownst to both, there’s a secret in the past left to be unfold. As Yeo Hwa continues living her lifestyle, Soo Ho keeps running into her, wanting to know who she really is… will she be able to keep her disguise?This drama is consistently entertaining! While I expected the show to be as fun as it was, I didn’t expect to be immediately connected with our characters and their motivations. I love Yeo Hwa, her mother-in-law and her quirky friend, too. That she's widowed due to a tragic past, controlled by her mother-in-law and almost 100% locked inside her house, it all sounds depressing, but the storytelling is so so fresh. Also it's interesting to see like how our male lead, Soo Ho with his role to serve justice but he's bind by a lot of rules, while he sees this mysterious person just do it each night.
The intro and the epilogue scenes are A+! Each episode is meaningful with steady pacing. Interesting twists happened here and there. There's a whole lot of wuxia-style fight scenes; flying to the roof, hitting people by acorns, and I enjoyed a lot. The action scenes are funny, also the little gestures, sound effect, visual effect, they're all worked together perfectly. The romance is fun, low-stake, and heart-fluttering! Every romantic scene counts. Not much complicated intrigue until the last few episodes, where it was resolved but falters flat. Though so, the whole experience of my watching is truly entertaining!
-Feb 2024, Yovita
Find me on Instagram: @kdramajudge
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This review may contain spoilers
Good stuff. Complex. Powerful at times. Yet you better don´t set the primary focus on the romance.
No idea why the international title is what it is... so beware! If you're expecting a love story here, you'll get one, but certainly not in the way you thought it would. With their motifs and soft focus, the posters for the KDrama also promise more heartbreak of the shallow kind than the story does justice to.
The original title "The most beautiful moment in life - the moment when life becomes a flower" describes the moment in which life (not love) acquires meaning, beauty, direction, form and can blossom. And here we are closer to the topic. The two protagonists have been in love with each other since their student days in the 90s. Yes. But it has grown through their attitude to life, the meaning they give to their own lives, through their principles and quite specifically through the class struggle, the union struggle, the demonstrations for more democracy. By boldly standing up for what they believe in, life is transformed into a (bright, fragrant, inspiring) flower.
To reduce life and its beauty to love would not be enough. But love is definitely part of it - just like water or the sun - to let these flowers (which can/want to be a person's life) grow. This flower reveals its inherent beauty in the creative expression of what is important to you, what you stand for, what you believe in.
In that sense, Yoon Ji-soo's seedling came to life after she met Han Yaeh-hyun during his pro-democracy and workers' rights protests. Ji-soo's enthusiasm for Yaeh-hyun's cause didn't go unnoticed for him either.
-------------- SIDE NOTE: --- Early unionists, political protest and rebellion against injustice ---
We are learning about South Korean democracy movement when it was still in its infancy. During the decades of the dictatorship, conservative politicians skillfully exploited the fear of the communist north and consistently interpreted or pursued any commitment to workers' rights as a communist threat. Strikes and demonstrations were always uncompromisingly dispersed and participants and leaders sentenced to prison terms. Even recently, in the last 5 years, trade unionists, fighting for workers' rights, have been and continue to be arrested for "offences against public order". In the case of convictions of corporate bosses/Jaebeol, a pardon usually follows quickly. Unionists, however, always have to serve their long sentences. Recently, for example, the KCTU chairman Han Sang-gyun was sentenced to three years in prison during an organized mass rally for workers' rights (2016) and Jang Ok-gi from the construction workers' union was imprisoned for a protest march for higher pensions for non-permanent construction workers (2017).
---------------
So the context of this love story is quite serious. And the KDrama cleverly wraps and links this 'seriousness' around the love plot of the two protagonists. The story is told in time leaps between then and now. It tells how Ji-soo's father (head of the district attorney's office) opposes the young love, it tells about Yaeh-hyun's father's unsuccessful struggle for worker´s rights, about Jaebeol Jang Sang, into whose family Yaeh-hyun marries, and about the unscrupulous intrigues of father and daughter, as well as the elite family of lawyers that Ji-soo married into. It tells of the intolerable arrogance of the wealthy towards the lower-income classes, which continues in the form of bullying among their children. It tells of courageous class struggle and rebellion against injustice. It tells of the almost hopeless struggle for one's own rights in the face of powerful opponents. And that it's never too late to let the flower of your life bloom.
So, should you watch it? Yes, it´s good stuff. Complex. Powerful at times. But don´t set the primary focus on the romance. Otherwise you might be a bit disappointed.
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Eerie Yet Cunning Story
For me Somebody was a delightful watch. The slow pacing, the story, the characters and the whole overall aesthetic was very fun. People are complaining how they didn't understand why ML was doing whatever he was doing. Psychopaths never have any logical reason anyways for their doings and this is why I loved it. Because I always eat up any psycho thrillers. Somebody was just another level of distinctive art where each and everything was pure art. The cinematography reminded me so much of how usually Korean movies are. It's not everyone's cup of tea and that's totally fine.Was this review helpful to you?
i absolutely loved the fact that this drama was sort of... risqué. It doesn't try to conceal the truth about relationships and talks about couples sleeping together as it is; a normal thing. This is something i have NEVER even come close to seeing in a Korean drama. The acting was really good. Also, the character's were all pretty realistic too. There wasn't any "crazy" psycho girl that you want to punch in the face, like a lot of dramas these days. I really, really loved this drama and i can't wait to watch it again. This is definitely one of my favourites.
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This review may contain spoilers
Lazy ending
This is usually my favorite kind of plot: a female lead transported into a novel or the past, so I was genuinely excited, especially since the male lead is quite talented. Unfortunately, while the story had potential, it was painfully slow. I kept watching, hoping it would pick up, but it never did. Nothing about the drama felt exciting, which is disappointing because this type of plot has huge potential to be genuinely funny...and it wasn’t.The ending didn’t help either. I could predict it from miles away, since this isn’t the first Chinese drama to use the “writing the story” loophole to get around the transmigration ban ( wink a dream within a dream which did this way better ). The conclusion felt extremely lazy : “how he comes into her world is a story for another time” just sounds like the writers didn’t know how to end their own script.
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Story: Right or Wrong gives us a lovely storyline that does not actually start with a love line but a main "get to know the life of the characters" plotline. Soon though, it picks up the pace and gives you a lot more than you expected. The story gives you some drama, a lot of funny remarks or conversations (at least I sometimes found them quite funny) but mostly it gives you loveliness...RoW is lovely from beginning to end and when you start you don't wanna stop because the characters grow on you rather quickly. Also it gives us a little unusual storyline for BL series and movies, so that's something new and fresh.
Cast: The cast was a little bit awkward at first but after getting to know the characters better, you start loving them and the awkwardness disappears. The acting is good enough, for me to forget that they are actors and for me to want to know what they will act in next. Also the cast managed to give their own flavour to the characters.
Music: The music was great. I love the ending song!!
Rewatch: Oh yes, definitely. Probably right now ^.^
Overall: Overall the story did not disappoint at all and was interesting and refreshing especially for a BL series. The characters were lovely, the cast did a great job, the music is noticeable and nice to listen to and I definitely love this as much as Obsessed. Well, the expectations for the rest of HIStory 2 are rising...
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This review may contain spoilers
The epilogue or continuation to ep 36 and the ending to the series.
If you have watched 36 eps of Word of Honor, then do watch this as it wraps up the series and answers the questions you may have after ep 36. This small episode shows what happened to Wen Kexing and Zhou Zishu after we last saw them in the armory. We also get to see Gao Xiao Lian's family. A happy end to the series and for WKX and ZZS. Nice to see them be together and retire from jianghu to teach the future disciples of the rebuilt four season's manor.Ep 36 leaves off with Gao Xiao Lian calling everyone to a meal and here we see Deng Kuan (her husband) come to collect their son for the meal with mother. We see the disciple practicing 18 steps of Qiuming that only WKX knows so he is learning from WKX. ZZS turns up to instruct him and then WKX shows up to disagree with his teaching methods as he tends to do. Deng Kuan then whisks away his confused son, saying that the two of them have been fighting like this their entire lives and says that they are now immortals. In 36 we are shown that Chengling has rebuilt the manor near the ice mountains. So, all of them live nearby. Great that their family of three is still together.
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As typical as this set up may sound, it's so well done and enjoyable to watch it doesn't matter. I've actually never seen a movie premise like this. Well that's not true. A few years back there was an American movie about a ghost writer helping an author to pen a book but it was done poorly and there is no comparison.
Remember that they are writing an adult comic. There are a lot of sexual references but it's done very tongue in cheek as the female writer is faking 99% of her sexual experience. Most of the graphic sexual images are in fact, in graphic (comic book) form.
Watching Jung Bae get wise to her act...I loved it! Dae Rim is such a character and Jung Bae finds her tough to take at first. But when he begins to draw...it's her face that appears on paper. As the two leads gravitate toward each other and their feelings grow...it's so cute!
Lee Sun Gyun and Choi Gang Hee make a great pair. Able to be comedic and have you believe when they are sincere.
I recommend this movie highly.
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Better than I expected
It is probably the most satisfying liveaction I’ve ever watched. I usually avoid Liveactions as 9 out of 10 LA are so poorly done, and cringey. Part of the reason why I enjoyed this chinese adaption is bc I didn’t read the original manga, but still as a normal sports drama, it exceeded my expectations.STORY
Brilliant!
Previously I watched Chinese adaptation of Prince of Tennis, which was just so-so imo, so I didn’t have high expectations for Hikaru, either. Besides, when I saw posters of Hikaru, they were like some trashy posters for typical bad dramas..
But then I saw so many positive reviews on Douban and here on MDL, so I gave it a try... I am surprised and got hooked. I went into this totally blind so everything was a surprise. I laughed watching those funny moments, and cried so hard while watching sad scenes.
ACTING
Splendid!
Most of them are new faces, I have seen ML in NiF 2 but I haven’t seen other main actors. Some supporting characters are from My Huckleberry Friends, so I am quite familiar with them.
All of them are brilliant. From main character like Shi Guang to minor character like Wu Di, all of them impressed me.
Director’s cameo as Lazy Monk was a pleasant surprise as well.
BROMANCE/FRIENDSHIP
Do you know what’s the best thing about this drama?
Of course, it is bromance and friendship.Friends motivating each other, helping each other out, and the best thing is bringing them out of their darkest moments.
Bromance? This is the best part of drama..
My favorite two characters are Chu Ying and Hong He. Ofc I loved Shi Guang.
MUSIC
I noticed that some songs are quite good, but I haven’t fully listened to them. But ending song was nice.
So here are some SPOILERS...( If you haven’t watched, pls don’t read)
I have some small complaints;
1.Hong He quitting Go?
It is a little disappointing, with many obstacles he has gone through to become a professional player. He just quitted like that? And from his dad’s expressions, I can tell that his dad wants him to continue playing..
It is quite a relief that Shi Guang said he will continue persuading Hong He
So the drama should have given a proper solution to Hong He’s problem before ending
2.Episode 34
I have already cried my eyes out in Ep 32 and 33, but Ep 34 was super hard to watch. Shi Guang was like I’ll forget everything about Go bc Chu Ying left.
I expected this but this arc was longer than I expected.
These problems are very small... so small that these didn’t change my opinion about this drama.
I would say it deserves high ratings and it is definitely worth watching.
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This review may contain spoilers
It's a really good movie, but the movie was a bit depressing in the middle, but that's actually quite realistic in the world. Where there is not trust in both, the relationship won't maintain, relationship exist because of trust, "I believe in you", this is actually a powerful sentence that could made people a good day and feel not alone.Just some of my thoughts, people in old times might have more courage than most of the people now. Back then, like this movie, they actually quite hard to connect to each other so they will express the true feeling to the person to make sure they see them again. Unlike now, I know I will see the person through social media or reality every day so I hide my feeling and waiting for her to find it out...
It is really a beautiful movie with a perfect song list.
And I was waiting for the ending that Mi-Soo and Hyun-Woo open back the bakery...
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Idiosyncratic SK interpretation of a sequel to 'Sleeping Beauty' from the Prince´s perspective :-)
I would like to see the KDrama "Yong Pal" as an idiosyncratic South Korean interpretation of a sequel to 'Sleeping Beauty' in the modern zeitgeist, which is told from the point of view of the prince - what had actually happened after the two had celebrated their wedding at the time? ..."Yong Pal" gives its own makjang-infused answer several centuries after the Brothers Grimm :-)Obviously, the story also has a critical focus on recent health care topics. Basically, the Hanshin Hospital takes center stage. This belongs to a Jaebeol conglomerate. Yong Pal is employed here as a talented young intern. But Yong Pal also works illegally as a doctor. Provided the price is right, he treats those who need medical care below the official radar of the health care system. Yong Pal gets promoted as exclusive doctor for the discreet care of the VIPs, too. On the 12th floor, the very rich and most influential patients stay within a separate department of the Hanshin Hospital, where, in addition to plenty of luxury and discretion, only the best medical care is guaranteed. Towards the end, Yong Pal also works as a doctor in a simple, small, rural clinic. Thus, in the course of the KDrama the protagonist's field of activity (and challenges with ethics, or rather the lack of it) covers the broad spectrum and the current focal points of the topics in health care (i.e. in South Korea).
In the beginning, Yong Pal is clearly at the center of the story, captivating the audience. The focus shifts after he meets coma patient Han Yeo-jin and helps her to regain consciousness, strength and her rightful legacy as Jaebeol of the Hanshin Group. From then on, everything revolves more around Yeo-jin and her vendetta. This isn't less impressive, especially with Kim Tae-hee's intense acting. However it is different. The second part thus offers pure Korean-style Makjang: more drama is always possible. As a result, storytelling takes another lane. (Many viewers obviously don't seem to have been very happy with that. Makjang fans, however, will definitely get their money's worth.) The transition between the first and second parts is moderated by a transition, which is filled with the blossoming romance between the two protagonists. From then on, however, there is hardly any room for a love-life in the protagonist's bitter fight for inheritance and revenge, in which she is ready to take any means. (You may want to take that against the KDrama as well.)
All in all, "Yong Pal" is a moving story that is grippingly exciting at the beginning and furthermore tells of a makjang-charged revenge. Love story included. Due to the success of the series at the time of broadcasting, actually two more episodes were added.
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This review will probably be my longest up to date. Bear with me because I have to put this film in its right temporal and spatial frameworks before talking about the film itself. If you’re not interested in history, you can skip the first two paragraphs and get to the film’s specific review.
I am history lover so it’s a given that I studied Japanese history way before I started watching Japanese classics and that knowledge in history helped me a lot when I started exploring the golden Japanese cinema. Seppuku is set at the beginning of the Edo era (17th century), an age of peace that lasted for more than 250 years in Japan where the Samurai class gradually lost the “warrior” side of their positions since there weren’t any wars to fight. As Tokugawa (the general who established his shogunate in Edo) gained complete control over Japan; many Samurai who fought the Sekigahara battle and others were left without clans to serve and were called “Ronin” meaning masterless Samurai. They were usually viewed as bandits whether intentionally or unintentionally, they lived in poverty but they didn’t lose their “samurai nobility” that’s still a higher rank than the peasants’ class. They also never gave up on their honorable ethics and beliefs.
In that era, many Ronin’s started to visit clans to request a “Seppuku” in their clans’ yard, meaning a ritual suicide where the Samurai has to literally disembowel himself using his Shinto (the Samurai in that era has a long Sword Katana and a smaller one Shinto that he always carry around with him, they’re considered as big part of his Samurai honor). The Harakiri (ritual suicide) is in fact an honorable death for a Samurai so it was dishonorable for clans to reject such a noble request from Ronins but they also didn’t want to let them kill themselves on their property so they either hired them as their clans’ Samurai (but that didn’t happen a lot since it’s an era of peace so the clans didn’t need many Samurai considering the fact that there’s no war) or they just gave them money and sent them away. As other Ronin heard about the story, they started to frequently visit clans in order to request a Seppuku but they never actually meant to kill themselves, they just wanted to take the money and leave. And that’s what’s called “Harakiri fraud” which is a cowardly, shameful act from a Samurai even if he’s a Ronin.
The history stops there although the clan that’s mentioned in this film (The Iyi clan) is a real clan that’s known as a very important figure in modern Japanese history. Now, let’s talk about the film itself; one clan (the Iyi clan) decided to stop these Harakiri frauds and made the Samurai who asked to commit seppuku kill himself so that other Ronin won’t dare show up in front of their clan. That’s how the story starts but through flashbacks, we get the overall story of that man, where he came from and why he came. His circumstances, his situation and his life were all told using flashbacks that were amazingly illustrated in order to produce spectacular turns of events.
Seppuku is a human Samurai film that deals with old Japanese codes of honor and ethical Samurai principles. Kobayashi wanted to introduce a somewhat anti-samurai film that deals with the shortcomings of some Samurai beliefs by using quotes such as “After all, this thing we call samurai honor is ultimately nothing but a façade” (said by Tsugumo Hanshiro) but then he comes back to insist on the codes of dignity. Unlike many Kurosawa films’ I saw where he always idolizes the Samurai figure. Don’t get me wrong, Kurosawa’s films are my favorites but what I meant to say is that Kobayashi and Kurosawa’s adaptations of Samurai stories are quite different even if they’re comparable, to each his own genius ideas of making masterpieces.
The film contained the sword fighting but it wasn’t the main focus of this film. The developments were surprising and quite intriguing to follow; in this film you get a taste of suspense, psychology, action, tragedy, revenge and even family. Although the film insists on the Samurai element more than anything else, it also focuses on family relationships, interactions and sacrifices as well as human and more specifically Samurai emotions.
If I keep talking then I won’t stop praising this film’s screenwriting by Shinobu Hashimoto and the original novel by Yasuhiko Takiguchi. I appreciated every angle of the story and the way it revealed facts at the most unexpected time. This is not a film that’s set to kill a Samurai through a ritual suicide or show the audience how a Samurai disembowel himself; it’s a film that describes the human emotions and feelings behind that act. However, I do understand if some people found the development a bit slow. As for me, my eyes were glued to the big screen the whole time without a single move or sound. Yes, it had that kind of impact on me.
The acting, oh my! what on earth can I say about that acting? I am not biased or someone who talks with full subjectivity so when I say that Nakadai was marvelous in this, I am not talking with a fangirl’s emotions, I am speaking with full objectivity about a Japanese legend. For me or anyone who knows classic Japan, Nakadai Tatsuya is a legendary star in the Japanese cinema and one hell of a charismatic astounding actor who can grab your intention in a split of a second. Like many of his other roles, Nakadai was amazing in this; his portrayal of Tsugumo Hanshiro’s character was flawless. Enough said or I won’t stop talking about that man’s incredible acting skills.
Other actors were also amazing; I was moved by their acting skills. It’s the golden Japanese era of cinema so it’s a given that only high-class acting exists. The characters were very well written and their relationships were fascinating to follow, I was moved by many characters’ developments in Seppuku.
Now let me talk about that breathtaking cinematography. I like to focus on cinematography while watching films and even though this was produced in 1962 (black and white); I was charmed by the back sceneries and great settings. Kobayachi did an awesome job with those mesmerizing takes that I will never forget.
I have to mention the soundtrack which I believe it’s the best music composure I ever heard in any Japanese classic.
Watch this if:
-You like Japanese classics or want to discover them.
-You enjoy Samurai films but keep in mind that this isn’t an action film.
-You love films with human stories.
-You like Masaki Kobayashi because this is his finest work.
-You like Nakadai Tatsuya because this is one of his best performances.
Do not watch if:
-You dislike Japanese classics.
-You dislike Samurai films.
To end my super long review, I will mention that Harakiri is a crafted masterpiece by Kobayashi and an eternal gem of the Japanese classic cinema that’s bound to take you through a great journey of amazing events and astonishing acting skills.
I will leave you with two quotes by Tsugumo Hanshiro:
“What befalls others today may be your own fate tomorrow.”
“The suspicious mind conjures its own demons.”
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