This review may contain spoilers
Not what I expected...
I was excited to hear about this sequel starring the daughter of Ying Luo and non-biological son of Fu Heng, but now that I've finished, it was rather disappointing.It started off strong, with beautiful costume/production/music and the plot was developing smoothly. They used the same OST and BGM from the parent story, Story of Yanxi Palace, so I liked the nostalgic feel to it. Especially the dramatic BGM that was added at certain moments.
However, as there were only 6 episodes, the pacing was rather fast? I couldn't catch up. Prince Chaoyong didn't have as much screen time as Fu Kang'an, but he started off not liking Zhao Hua and then in episode 2 or 3, he suddenly started loving her? One minute Zhao Hua didn't like Fu Kang'an and later, she did. Then, when he betrayed her and she disappeared, it got even more confusing. I didn't get what was going on. I'm guessing they didn't have the time to explain it so they rushed it at the end when Zhao Hua and Prince Chaoyong got married and the truth was revealed as the plot twist. I suppose it was satisfying to find out Zhao Hua got her revenge on Princess Siwan, Fu Kang'an, and Prince Chaoyong, but I wish they showed the process more instead of just throwing it out there at the end with a few words.
I feel like with the limited 6 episodes, the falling in love and later betrayal of Fu Kang'an wasn't as heartfelt to me as a viewer. Everything happened so fast. There wasn't enough time for me to take in each character and how they slowly grew to have feelings for another. The plot twist revealed at the last minute of the last episode also didn't land well for me. I wish they explained it more?
The plot twist for how Fu Kang'an was not the Emperor's son was greatly executed though! I was shocked and loved how they revealed it through Wei Ying Luo's speculations. :) My favorite scene of the drama. I just love it when Wei Ying Luo has the upper hand and reveals it. Really reminded me of the parent story. I loved seeing the old cast too, it was nice that they didn't replace them and got them all back to act their parts. Wei Ying Luo's scenes were the most satisfying parts to watch- especially when she went to Fuca House after Zhao Hua disappears.
Overall, super fast-paced, historical romance but it was nice to see the old cast if you loved the parent story. Plot was alright, used up all the cliches for the romance and was rushed in my opinion for 6 episodes. Some scenes could have been better explained. Give it a try if you miss Wei Ying Luo and you're curious about her daughter, Zhao Hua, who is more like her mother than others believe.
The actors seem to do a good job overall but the plot got me confused and was the problem for me. Production was top-notch like the original story with its beautiful sets and costumes.
"Everybody says I'm not like my mother. They're wrong."
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Thanks for the miracle
Before you even start this drama, don't try to find an explanation for all this supernatural stuff, just let yourself be carried away by the strength of their chemistry. This drama really gives meaning to the word "love".The time between Mitsuri and Koichi is limited after the latter's accident. As a "living corpse", his future is uncertain and despite all that this implies, Mitsuru tries to remain as calm and rational as possible.
The contrast between the cheerful Koichi and the composed Mitsuru is one of the strengths of this story. It is clear why they fell in love with each other long before this event occurred that puts their story in perspective.
The drama will carry a sense of delicacy, discretion and melancholy throughout the episodes. Their relationship is one that doesn't need to be expressive to know that they love each other, their eye contact gives you butterflies, a feeling of sadness and happiness at the same time.
You will fall in love with Mitsuru's monologues which are poignant, sad, loving, he has such resilience. You will appreciate the message behind each dialogue, dialogues that make us accept grief, the grief of love, the grief of loss. When a simple conversation gives us hope, hope that there will be a tomorrow, hope that we will not be forgotten as long as our memory has a place in the heart of the beloved.
As a bonus, the OSTs are powerful, soft, catchy and accompany each scene very well.
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This review may contain spoilers
and so the monster was me
This film I believe is intended to be watched without spoiling or going into what it is about in depth. Take in all the promotional on the surface and you will get the full viewing experience. I say this because of the promotional materials that lead you in one direction, take it in that direction at first and then go in depth.. which is what I did. So spoilers.I definitely did not get what I bargained for when I decided to watch this movie. I watched the trailer, read the synopsis, saw the poster, and thought I would get a good scare out of this one. The ratings and reviews are well enough that I thought it would be perplexing, a psychological horror.
The first two-thirds of the movies had me, but in the back of my mind, the answer to the allure and mysterious tones was pretty simple and clear. To put it simply, this movie isn't a slasher or a horror. It is a coming of age queer film beneath two layers.
There are three acts to this movie after the initial setup. With the synopsis, firstly you have a story of a single mother who cares deeply for her child, a devoted and misunderstood teacher, and two kids that have the answers to the overall premise of the film. Minato is the child of the single-mother and is being abused as school, by either a teacher, or something else is at play.... so that is what I thought. I thought there could be anything, even a fifth element that added supernatural. This film was anything but, it was so real and thought-provoking, and in the end I found so many details that clearly show what was really going on the whole entire time.
The third act shows the perspective of Minato, and slowly it shows that instead of an abused boy, you find a boy that is scared of his blossoming but very real feelings for a student of his that was shown to be connected to this mystery within the school. There was no abusive teacher or secret being held by the higher ups, there was a boy who was scared of his feelings, and enough to think of himself as a monster. So in the end he made a lie. This film weaves together several elements to knit it into one final conclusion. Instead of going on about that I'll point out a few details that show how brilliant this film really is.
I must say, I was hesitant to conclude that this film involves two boys that like eachtother, but by the end and looking into the screenplay and its intent, I realize that was the point. Minato was just as scared as his feelings and it brings the question as to why it is seems as sexual when it is innocent love between two people that are the same gender. There is an innocence with Minato and him coming to terms with his feelings for Yori, and it's heartbreaking to witness how scared he really is of them.
You can see this through dialogue, and specifically with scenes where Minato says he is shifting into a monster, and where he is in the MRI scanner, truly scared that it will read his mind and his mom will be aware of his developing feelings. Why is he so scared thought? Yori is why he is scared, he is constantly tormented for his behaviors that don't suggest he likes a girl, he is abused by his father and told he has a pigs brain. Yori's father would rather he act out and be bad, than be an obedient child who is good at school. There is this whole spectrum of what a boy acts like and what they shouldn't.
What got to me was the part where the two boys find a safe space together, and I started thinking about their feelings for eachtoerh when Yori got too close to Minato. Although in the end Minato never wanted Yori to go anywhere, and what was cool are the little details. Minato goes back to the empty safe haven and texts Yori, where Yori says he won't go back because he wants to touch Minato, in the ways where he patted his hair or hugged him, but Minato says he wouldn't mind. I love how the ending doesn't have them fear, and instead they get past the gates of the railroad and are happy and free... there's just a lot to talk about with this one.
it seems that this topic is a taboo and that's why I didn't see it at first, but that is the point behind this film. To have you question why it is seen that way, and why you view an innocent feeling and curiosity as sexual or not normal. There is no romanization between them, the director and screenplay had the intent to share a story of two boys that grew to love eachother and coming to accept in regardless of the heteronormative society they were placed in. Any opposition to that shows the point of the film again and societies failure to accept it.
Below I'l several links that goes over all the details of this film I couldn't go over.
https://www.reddit.com/r/TrueFilm/comments/1761z26/little_details_in_koreedas_monsterkaibutsu_2023/?rdt=39846
https://x.com/wyvernhood/status/1745418419368055276?s=46&t=hWWeyWA1Y9kwJqIT_KVSaw
https://x.com/korokketto/status/1745376701188825596?s=46&t=hWWeyWA1Y9kwJqIT_KVSaw
https://x.com/haeinfleur/status/1744727092586246244?s=46&t=hWWeyWA1Y9kwJqIT_KVSaw
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A drama where just 10 stars are not enough.
Warm sunshine on a winter morning, or a cup of coffee on a rainy day- we all know how comfortable it feels like right? These are the only ways to describe this phenomenal piece of work named Meet Yourself.If I have to name one thing that I would watch every single day of my life without getting bored, it will be this drama. A slow-paced drama that doesn't feel slow but leaves you wanting to watch even more of it- sounds a bit exaggerated? But no, that is exactly what this drama is. 40 episodes that are about 45 minutes long each and I still want to watch about 40 more episodes of these sweet characters just going on with their lives, doing the most mundane things. I'm confident to say that I won't skip a second of it, just like I haven’t while watching the whole drama.
I won't name a favourite character because you know what? Every character shone. From our main leads whom we saw from episode 1-40 to Xie Qiang who was only seen in the last few episodes- everyone absolutely nailed their character. I smiled when they smiled, cried when they cried and laughed when they laughed.
The OST- every single song made me feel so much and was perfectly fit for the moment, the playlist is going to stay saved in my Spotify forever.Whenever "Days" played in the background it became hard for me to concentrate on the drama, it's such a soulful song that makes you think, hope and believe that everything will be fine, just take everyday as it is.And every time I hear "Saddle Of My Heart", it makes me pray and hope for a love like the one described in the song, the love that I felt between XZY and XHD.
This drama made me feel like I was there, I was also a part of the tiny, gorgeous, peaceful village of Yunnan. I iust know that nothing will ever top this drama for me, this will forever be in a league of it’s own. I will be recommending this masterpiece to everyone for the rest of my life.
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Home is a feeling, and this felt like home
This will go down as one of my favourite feel good dramas because of how much I loved every single thing about this show, from the actors to the characters they played, to the writing. I felt compelled to write this review, because I hope & want more people to watch this show, and shower their love for this gem.The writing was definitely the winning aspect of the show, which was perfectly complemented by actors who brought the script to life. Whoever that casted for this show needs a raise because replacing any of the actors would not make this show what it is. The acting was A1 and the entire cast had explosive chemistry together. I believed in their world, and wanted to be a part of it so bad. Their interactions together (right from the main leads to the supporting cast) felt real, organic and fun. Watching them made me feel like I was third wheeling because it looked so intimate. Conversations would sometimes start at point A and end at point Z, making me grin. The fun was well balanced with the heart, in the way the characters looked out for each other, loved each other & supported each other. I connected with them, & rooted for them each step of the way like they were real people that I cared about.
Kitagawa Eriko clearly surpassed herself with this drama, giving us a peek into a mother and daughter's heartwarming journey, a journey of unrequited love & a journey of friendship. The writing was sensitive in the subtle way that the writer didn't feel the need for the characters' relationships to be defined or confined by terms. They were all special to each other without having the need for their relationship to be spelled out. Aoi/Gon and Sora/Hikaru did not need to be partners for their relationship to be any more complete. You can see there was unrequited love there, but it wasn't presented in a heart-breaking profound way. It was what it was (and I loved that they were all self aware of each other), & you can see that they would still continue to love each other regardless. Sora and Aoi, despite not being real mother/daughter were probably more intimate than any mother/daughter. All the characters were friends, yet they were more than that, and I love that the finale did not give us an answer to this. They may or may not be any more. It’s like a puzzle where every piece forms a crucial part for it to be complete. It’s the same thing with this drama. Each character came together to make this what it was & they would continue to exist in each other's world. They are all inseparable regardless of how their relationship to each other changes.
There was no major dramatic moment or climax or decision that the characters had to make, and this is where the writing shone so much in keeping you engaged with the characters' emotional states. The world of Uchi No Musume felt small sometimes with just these small group of characters interacting with each other, yet it was huge & limitless at the same time, thanks to how progressive & real it was. Don't ask me to describe the plot of this show because I don't know how to.
I love that the show represented characters of different age groups (right from college students Sora/Hikaru to old man Shinchiro) & subverted society's expectations of how they were to behave or be. And the show never told us that, it showed us that in the way the characters interacted with each other & in the representation of the turmoils they faced. Aoi despite being a 40 year old was ditzy. Sora despite being an otaku was not socially awkward. Irino who looked to be image conscious turned out to be a sincere & mature guy. Gon who seemed mature but was somewhat a manchild looking for love. Shinchiro despite being 70+ had romantic relationships & was technologically advanced. Sally acknowledging that she had toxic parents & was looking for the stability that calm 70+ Shinchiro offered. Wataru who did not have romantic relationships because he was waiting for his school friend (the show mocked this trope).
The ending OST was beautiful & while I don't know what it means, it always uplifted me each time it played with the credits rolling. The styling was on point (keeping the characters in mind). I love how all of them dressed comfortably most of the time. That felt real. The set design was extremely beautiful, esp Aoi's room which had clouds on the wall, and stars on the ceiling. I want a room like that so so bad. I love how Aoi's big white, expensive house was contrasted with Odaya's design that felt cheap and warm yet claustrophic. Interesting how most of the cast interactions happened there, in that little space, making it look all the more intimate.
I don't know what else to say except that it's been a long time since I watched a show that had me so attached to the characters, and their world that leaving this makes me feel sad. They will always be a part of me, and many years to come, I will be thinking of what they are up to. These were not just characters. For me, they were real people that exist somewhere in this universe.
S2 please, writer san!
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Welcome Home, Mone!
This drama is the 104th NHK Asadora series in the network’s long line of serialised dramas that air a 15-minute episode every weekday morning. It is my second ever Asadora, following Oshin back in the 1990s.Okaeri Mone translates as welcome home Mone, which refers to the titular character of Nagaura Momone. The premise focuses on Mone’s journey of growth, healing and love where she struggles to overcome the burden of a traumatic past before eventually determining her path in life and finally realising her aspirations of being a weather forecaster. Set in 2014 and spanning some seven years up to the present day, Mone’s story begins from her hometown of Kesennuma Bay in Miyagi Prefecture as she travels to the coastal city of Tome and subsequently Tokyo, before completing a full circle by returning to her home.
Based on the original screenplay written by Adachi Naoko (Code Blue 3) and directed by Masae Ichiki (Yae no Sakura, Idaten) and Tomohiro Kuwano (Amachan, Idaten). Takagi Masakatsu (Mirai, Wolf Children) serves as composer while the theme song Nanairo is performed by the popular alt-rock band, BUMP OF CHICKEN. Principal photography took place in Kesennuma Bay, Tome City, Sendai and Tokyo.
As far as the production quality and technical execution are concerned, I have absolutely no complaints. The exotic filming locales comprising the rustic fishing village, expansive mountainous forest reserves, gorgeous coastline are utterly breathtaking to witness, which is credit to the wonderful cinematography. I love the upbeat and inspiring theme song, Nanairo, that accompanies the title sequence during every episode.
The same goes for the quality of the screenplay which manages to convey the weekly story arcs of the main plot in a cohesive and coherent manner. There are many themes explored, as is typical in a long running Asadora. There is no shortage of the rainbows and sunshine involving heartwarming moments of family bonding and camaraderie among friends. We also see the infusion of bittersweet moments relating to tragedy, loss and trauma arising mainly from the 2011 Tohoku Earthquake and Tsunami which sadly impacted Kesennuma Bay, the setting of the drama. Perhaps the only reservation I have is on the subplot concerning the sibling relationship and the interactions between the childhood friends where some tension and angst are present, which I felt was somewhat needlessly stretched.
The character design of the main as well as supporting characters is generally well developed to imbue them with the necessary depth and realism that allows an attachment as well as connection to be formed with viewers. This certainly was the case for me and none more so than the eponymous main character of Mone, along with her parents, grandfather, the doctor friend and her colleagues at the Weather Experts in particular.
It’s worth mentioning the inclusion of technical aspects pertaining to weather forecasting and analysis of meteorological data which plays a major part of the premise of the drama. In addition to that, the aquaculture practices in the form of oyster cultivation and farming is featured in detail due to the involvement of Mone’s family in oyster harvesting and supply. I appreciate the fact that the technicalities of these real-life activities are showcased in a straightforward and uncomplicated fashion which integrate seamlessly into the storytelling.
In terms of the cast, major kudos go to Kiyohara Kaya. This is my first time seeing her and what an absorbing performance she has delivered. Such incredible talent to breathe life into the character of Mone. Throughout the entire 120 episodes, I was simply immersed in her portrayal and rooting for her during the many pivotal moments of her journey. From her depiction of insecurity, uncertainty and vulnerability right through to her maturity as a person and a professional in projecting the self-confidence of a seasoned meteorologist and weather forecaster. I'll be keeping a close eye on her projects from now on.
Sakaguchi Kentaro’s awkwardly charming Suganami Koutaro is quite fascinating. Initially displaying tsundere-like traits, he gradually evolves into a more endearing personality which subtly complements Mone’s down-to-earth personality as part of their blossoming relationship. Mone's parents are portrayed by the experienced Uchino Seiyou and Suzuki Kyoka. They have a rather amusing story arc in an extensive flashback sequence while their numerous memorable scenes together are quite wholesome to observe. Nishijima Hidetoshi's calm demeanour fits the charisma of his weatherman Asaoka Satoru. Likewise I really enjoyed Takaoka Saki's interpretation of the sophisticated Takamura Satoko. Asano Tadanobu needs no introduction and his depiction of Oikawa Shinji is probably the most emotional among the supporting cast.
From my perspective, Okaeri Mone has been an utter joy to watch and an extremely worthwhile experience. From the cultural facets to the intricacies of weather forecasting as well as the beautiful landscapes of Miyagi Prefecture, there is much to savour in this very well-made production indeed.
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I've never resonated with anything else alike
I had watched Lee Do-Hyun in '18 Again' which drew me to 'Youth of May' and it left a deep impression on me unlike any other drama has done. The relationships between the characters and their families deeply resonated with me and left me feeling bitter sweet and happy throughout. I'm glad I had the chance to experience this story and watch as these actors and actresses poured their hearts out into the development of it. This has become a fan favorite of mine now and I look forward to what the cast will put out in the future. This will always be a production work I'll remember. As a side note I without a single regret purchased all the songs that comprise the soundtrack of 'Youth of May' on iTunes, do give them a listen.Was this review helpful to you?
When you play the game of thrones, you win or you die.
Qin Dynasty Epic, the fourth and final installment of the highly regarded Qin Dynasty series, is about how Yin Zheng fulfilled "Heaven's Mandate" to unify the Warring States (475-221 BC) and became the first emperor of China at age 38 in 221 BC. Such a monumental task was not achieved without the vision and dedication of many great talents from brilliant tacticians, crafty spies, talented engineers and powerful generals. These characters that made it all possible and how they were pitted against wily and determined opponents from six rival kingdoms is magnificently and vividly brought to life in this stunning production.The production values are very high and there is extraordinary, game of thrones worthy battle footage against some truly breathless backdrops that convey the epic vastness and splendor of the empire. In-depth research and meticulous attention to detail are evident in the costumes, the weapons, the sets and the authentic portrayal of military strategies, diplomacy, espionage, the economics of funding prolonged warfare, the evolution of a common script, immigration and the consequent racial frictions and the conflict between meritocracy and legacy. These themes are seamlessly woven into the visual storytelling in a way that you cannot miss the natural, impenetrable mountain fortress that is Hangu Pass and the Qin life size battle map that further reinforces the topological and geographical advantages of the Qin state.
This is a historical drama but if you are not familiar with Qin history, then be warned that there are mild spoilers in the paragraphs ahead.
Duan Yihong's delicious portrayal of Lv Buwei, venal merchant turned kingmaker and indisputably one of history's great adventurers anchors well over half the drama. His economic reforms and policies paved the way for the eventual unification of the Warring States well before Ying Zheng's conquests began. This is the best written and best acted role in the drama that literally steals the show. This wonderfully grey character that was so inspired by a vision bigger than himself that he actively recruited and promoted the best talent even against his own nature and interest, notably in the case of Li Si. Their scheming both as rivals and allies and mutual respect despite their differences is one of the most complex and riveting portrayals in this drama. I find Li Si the character insufferable and while Li Naiwen's acting is good, it is not quite on par with that of Duan Yihong. Even though I think the drama ends at the right place, it is a pity we don't get to see the irony that Li Si whose life work was Qin's unification may have brought about Qin's rapid downfall with his cruel interference in Ying Zheng's succession. I love that this drama properly credits both Lv Buwei and Li Si with many of the lasting reforms made during Ying Zheng's reign; indeed many (not all) were well underway while he was still a powerless boy king.
The most slanderous and malicious accusation in Sima Qian's Shiji (史记 or Records of the Grand Historian) is that Ying Zheng was in fact Lv Buwei's son; that his former concubine Zhao Ji was already pregnant when she married Ying Yiren. Current historians are rightly skeptical as that would have been a 12 month pregnancy but the drama raises the question head on and leaves room for viewers to decide for themselves. It is likely no accident however, that they cast two actors that bear a strong resemblance to each other as Ying Yiren and Ying Zheng; both in terms of stature and elongated, elegant facial features and in sharp contrast to both Zhao Ji and Lv Buwei's more common rounded features. The desire to put both actors side by side results in the drama's biggest judgement error of having a 40 year old man play the 13-year old Ying Zheng. This is a tall ask of any actor and Zhang Luyi did the best he could but it isn't until well over halfway through the drama that the character's age catches up with that of the actor. In a misguided attempt to make Ying Zheng more relatable, we suffer through some unfathomable cringe dialogues as the obviously middle aged Zhang Luyi plays an adolescent Ying Zheng who is bullied, questions his legitimacy, experiences infatuation and grapples with his mommy issues.
In an attempt to appeal to broad audiences, the drama over-indulges in the salacious Lao Ai/Zhao Ji arc. Zhao Ji is mercilessly portrayed as the wanton, shallow, selfish, reckless and easily manipulated harlot who likely turned Ying Zheng into a misogynist whose women were all anonymous. And while Lao Ai's allegedly majestic physical attributes can never be disproven, he definitely had a peanut sized brain and his attempted coup was puny and nowhere near the scale the drama suggests. Although scandal holds timeless appeal, I am here to watch the first emperor of China, not the first gigolo of China. The time would have been better spent building up characters who become prominent after Lv Buwei's exit and indeed the immediate next 1-2 episodes feel like one hand clapping.
I must mention that Zhang Lu Yi redeems himself with his characterization of the mature Ying Zheng. I was riveted by how he howled like his heart was torn from him when he "fulfilled" Zhao Yan's abominable request only to be overcome with remorse and cowardice when faced with the real thing years later. His portrayal of Ying Zheng's encounter with Jing Ke is also exceptional. That said, I have mixed feelings about how this larger than life figure was written, it somewhat diminishes him. While I like that they humanized him and gave him a benevolent side that is at odds with countless other depictions, I wish they went with a bolder, more controversial interpretation by balancing that out with some vices and a more ruthless, darker side as well. I didn't need to see him cook scholars but even how he dealt with Lao Ai's kids was just glossed over, not to mention his legendary harem and his intense superstition. The real Ying Zheng is probably turning in his undisturbed tomb at this millenial, tree hugging, touchy feely characterization that robs him of the requisite ruthlessness to do great and hard things.
While there are many epic battle scenes the unification wars were fought just as much behind the scenes as on the front lines as all warfare is based on deception. By the time Yin Zheng took over, the six kingdoms appeared to be largely sitting ducks but nonetheless, they put up a really good fight. While the conquest of the remaining kingdoms after Zhao (especially Chu) feels a bit rushed, all the important moments are there. I really felt for the vanquished in this show, was moved by their desperate causes and teared up at their inevitable defeats. The sense of loss experienced by the de-throned young Zhao king with his mother and uncle as regent could have well have been the young Ying Zheng. Under resourced, out smarted, undermined by their own and with the odds against them, Li Mu, Prince Fei and Prince Dan still fought bravely and valiantly. But when you play the game of thrones, you win or you die.
One of my favourite Cantonese expressions is 七国咁乱 which roughly means as chaotic as the warring states. I always find making sense of that messy, turbulent period of Chinese history so mind boggling that I cannot praise enough the clean, smart way this drama's narrative navigates the multitude of important events and characters that lead to the unification of China under Qin and the reforms and contributions that lasted thousands of years. Yes, there are some flaws, some missed opportunities and digressions that do not detract much from this sumptuous and enveloping historical drama that makes this a very solid 9.0 for me.
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So I rated this movie so high because I really wasn't expecting to like it, but by the end I was bawling like a baby, and any film that can do that is a good one in my books.
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The beginning is kind of slow, so i found myself skipping most of the family oriented scenes & only wanted to see the relationship between the 2main leads. But after (i'd say around the 10th-15th episodes maybe?) those were my favorites scenes & i couldn't miss one. Indeed the interactions between all the characters (there are a lot!) are very fun to watch, the characters are lovable & really grow on you & it depicts a lot of aspects of Korean culture which i found really interesting.
One of the most important thing for me is that there aren't any frustrating or despicable characters. They're all amazing (especially Ah Damo, his father, Gongjoo & Sonja!). Even the "bad" ones (annoying jealous rara for instance) change & become nice. Characters getting on my nerves & whose behaviours are stupid, irrational to the point I wanna murder them are the main reason why i often cannot finish dramas (especially when they are the main leads). So the fact that the only person i hated in there has a bad ending, god i wanted to hug the writers!
On the romance side, great great great! Even though the story is somewhat far-fetched (well, it's a kdrama we're talking about), their relationship feels real & reaaaally passionate at the same time. Completely fell in love with Ah damo. (I usually don't fall that hard for a character haha) Dan Saran is also great & strong-willed ,of course she isn't perfect & can get kind of irritating sometimes (Not to me though)
=> If you want a mix of warm&hilarious; family-oriented scenes (Andreeeeeee) and a passionate romance, wrapped up in a nice setting (Gisaeng;)!), providing you're patient (52 episodes!) this is the drama for you !
PS:
I rated 7 for the story because it's good but kind of typical, it's actually the humor & the amazing acting that made the drama ! Rewatch value: i usually don't rewatch dramas, & especially not this one since it's so long, but i have found myself rewatching some parts here & there , still laughing.
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This review may contain spoilers
Very humane. Tangible. Touching, yet not maudlin. Sad, yes. But unpretentiously radiating, too.
"The Most Beautiful Goodbye" is a KDrama that consists of only 4 episodes. However, they have it all and are completely sufficient to leave their mark in the sand. We are confronted with the limits of healthcare system - when medicine no longer has a solution to offer and people are left with themselves and what they are: mortal beings. In ruthless directness, the viewers are confronted with what many people (all over the world) might at some point face in one way or another.The family here is not particularly rich and not particularly poor. The individual protagonists are not particularly successful and have not particularly failed. Everyone lives their (South Korean) life as best they can. Not very happy and not very unhappy. With a tendency not to not be so happy. But they are actually not really unhappy either. In fact, everything could be quite nice, but everyone is just too busy with themselves. The WE becomes self-evident and rather annoying... until the day the finitude of being was knocking on the door...
However, hello-wake-up does not imply everyone starts reinventing themselves, overcoming their weaknesses and becoming better people. It does, however, force them to reflect on what they have and what they have forgotten (to love) (consciously) despite everything being taken for granted. In stumbling everyone is searching for an expression of their own feelings. At least they try to be a little bit more alert about what is going on in their life.
Very humane. Tangible. Touching, yet not maudlin. Pretty close to life. People are clumsy, speechless and helpless, as akward as it gets. It is a lesson in compassion, triggering your own experiences, when it comes to similarily unprepared being confronted with any form of (unwanted as it is) final farewell.
Sad, yes. But unpretentiously radiating, too.
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1This review may contain spoilers
To the Marriage of True Minds....and the Comedy of Wits
The tone of Perfect Match is a mix of comedy with heartwarming moments. Its use of exaggerated humor is typical of satire that aims to make a statement about social problems. From the first day of its release, the labels of "misogynistic" male leads and words such as "sociopath" as in one review were tagged on Perfect Match. The negative comments were to the extreme that either these viewers misunderstood the satirical tone of the drama or were too quick to judge without watching more than a few episodes. Be aware that there are negative reviews that were posted after only 4 episodes were released and deceptively marked as 36 episodes watched. Allow me to clear up some incorrect information in the reviews:None of the ML cheated on their wives
None of the ML deliberately did anything to hurt his wife or any of the sisters.
Perfect Match tells the story of a widow, Madam Li, who desires perfect matches for her five daughters. The overall tone of the drama makes it interesting so even if one couple might not be as great for you, the drama will still hold your interest. Each couple has its time as the main couple in the drama. The drama has great pacing as it moves its focus from one daugther to the next.
The drama begins with the sisters and Madam Li moving into Bianjing. The second sister, Fuhui is already married at the start of the drama. Her match appears as an immature character, Fan Lianghan, who she describes as too soft-hearted to the point he gives away his money to women who cry to him about their woes. At first, he appears to be ridiculously immature, but his character gains some maturity in a manner he retains his role as comic relief while showing some maturity and wisdom...in rare times :) After the first few episodes, I came to find him adorable, to be honest. I like him!
The focus of the first 10 episodes is on the third sister Kang Ning and her perfect match Chai An. This match is my favorite! Both Chai An and Kang Ning are brilliant strategists and it was entertaining to see them outsmart each other. I was disappointed when I saw less of them after ep 10 when the other stories became the focus. However, I was happy to see them in each sister's story.
Others prefer the next couple. The eldest daughter, Shouhua, is matched with a top-ranking scholar, Du Yang Xi. I didn't enjoy the eldest sister's CP much because the chemistry was bland. However, some have stated it was their favorite, so it is a matter of preference. Du Yang Xi's backstory was interesting, and the introduction of Shen Huishao as magistrate in the court scenes made for a nice transition into the fourth sister's CP.
By the 20th episode, the drama switches its focus to the fourth sister, Haode, and her perfect match, Shen Huishao. Her character growth is interesting as she becomes educated in the laws to help her husband solve cases. But what makes it even more interesting, is the way Haode melts the barriers Shen Huishao set up against falling in love and taking a wife.
The drama's next focus is the youngest and 5th daughter, Leshan, around ep 28. Her "perfect match" is Yang Xian. I have mixed feelings about her story. With her personality, it was not surprising to see Leshan fight back against the bullies in the Yang family. I admire her spirit and courage but her aggressive behavior toward Yang Xian made me uncomfortable in the early part of their story. I knew it was temporary as this drama tends to exaggerate for humor. But it was too much and I didn't find it funny after a while. I found myself feeling bad for Yang Xian. I appreciated her intelligence in standing up to the Yang family for both herself and her husband. It was for this reason, Yang Xian fell in love with her more every day. But even more lovely, was watching Madam Li give Yang Xian the motherly love he lacked in his own home.
Perfect Match is entertaining. I enjoyed the lively family dynamics of Madam Li and her daughters. Their devotion and love for each other is heartwarming. Each of the sisters has unique strengths and characteristics. Madam Li as the mother is depicted as an ambitious mother exaggeratedly at times but at other times there is no doubt that her deepest desire is not for the wealth and status she wants for her daughters but rather for their happiness. The perfect match for her daughters would be a man who would cherish them.
But Perfect Match is not only about the marriages of Madam Li's five daughters. There is an underlying theme of gender and societal expectations. It portrays the treatment of women in the Song Dynasty. Madame Li as a widow lost property and status when her husband died. The court cases address some of the prejudices against women at the time. Each daughter's story depicts the challenges of defying predestined futures. The romance endures misunderstandings and conflicting circumstances. The use of humor and the battle of wits makes this drama a warm bundle of charm.
Perfect Match has a happy ending. However, the final episode would have been better if they had not added more problems to Leshan and Yang Xian's reunion that dragged into episode 36. I hoped they would have given us more of the couples' married life. I especially wanted to see more of Chai An and Kang Ning. I wanted much more than just flashbacks of each couple. But even with my disappointments, I will rewatch Perfect Match. It is still a 10 for me because I came to love the characters and found myself rewatching episodes while I waited for more to air. The plot was interesting and the family dynamic and tone of the drama is unique. The overall feel to Perfect Match will leave you feeling warm and fuzzy. I will miss watching these characters daily.
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"Don't judge the book by its cover"
First let me start this review with a mini rantThe only concern I see people having with this drama is that they said it normalize pedophilia. My defense on that matter is you would only consider a person a pedophile if he/she is occasionally attracted to children which in this case she's not because she was not attracted to him because he's a child. I know most will not agree with that argument but let's say you are correct and she's a pedophile. Does this drama normalize that psychiatric disorder? BIG NO. She's attracted to him but didn't take advantage in fact she was despised the whole time, the school, students and the society. The drama won't make you feel they are romanticizing that idea. As for the matter that it might affect the thinking of underage viewers. Do those kids have parents to guide them? Then what about stories like Robin Hood, mistress protagonist, serial killer etc. are those stories being normalize just because they were made? If you are inclined to call it a trash just by reading the synopsis then I am sorry but with that kind of logic I just couldn't help but think you are DUMB.
Chugakusei Nikki portrays the forbidden love between Hijiri, a middle school teacher and Akira, one of her students. The drama follows their story for the course of several years. There will be time skip in the middle of the drama, 3 years to be exact, when Akira is 18 years of age. The characters are well written, Hijiri was portrayed really well as an inexperienced teacher, adult yet not matured, and also Akira as rebellious and confused teenager. Side characters are interesting too especially Haraguchi and Shotaro, it's also interesting to see their love story develops. Their love is somewhat similar yet different. The plot is sensitive but the drama handled it tastefully, it is nowhere near as creepy as you might think. This show is also grounded to reality in that every emotion these characters portray is very relatable. What I also like is the pacing it's very balanced which makes every episode engaging. The drama also knows how to play with our emotions. The director is just so good on how to build tension and also how to end every episode. Expect roller coaster of emotions, it's highs is wonderfully high and it's lows is absolutely devastating, there's even couple of scenes where I was on the edge of my seat and to think this drama is not a thriller.
~ A good rain chooses the right time to fall and so it falls ~
~ When it comes to spring, the rain is certainly falling ~
~ It follows the wind and secretly enters the night ~
~ While the wind is blowing, the rain continues to fall until night ~
~ And moistens everything softly, without any sound ~
~ Silently, almost making no sounds at all, it makes everything wet ~
This poem in episode 1 summarizes the whole drama. It is a metaphor to the kind of love between Hijiri and Akira, a pure love similar to dramas such as Sekachu, Endless love series, Koizora, Be with you, Heavenly Forest etc. Pure love genre if you would know is what popularizes Asian drama. It basically portrays a couple that faced many obstacles. Pure love in sense that even after so many years they still long for each other. We haven't seen this genre for quite some time and I already see upcoming dramas with similar genre. This drama will trigger another pure love era.
Cinematography is just captivating. I love how they capture the green landscape on camera, the shot during sunset, falling rain drops, fireworks and that weird fish eye effect they always use. Those are not just gorgeous shots but also serve as a symbol to what these characters feel. That's beauty about Japanese drama, it is full of symbolism and just like what I always said, great cinematography is similar to great painting, it is not just beautiful but also captivates you, will make you move closer and examine the painting and not just say "oh this painting is beautiful". Music in this drama is just perfect, it underlines the mood and helps showing the emotions of each characters. It is a really great piece of background music. With great drama comes great ending song and "Prologue" by Uru is just like that. It's not just a great melody because if you read the lyrics it will make sense why they choose it as the ending song.
The acting is just brilliant but other than the acting, the casting needs more praise. They just casted right people for the roles, Arimura Kasumi for example, she has this cute, inexperienced image and if you watch the drama having that image made her portrayal of hijiri so effective. They also cast a rookie for the role of Akira, it a nice decision by them as it requires a certain rawness to the character. It doesn't mean Okada Kenshi is not a great actor though. He is indeed fantastic as he provides the intensity and angst to the role. They won't call him a super rookie is he is not. The side characters are also well casted, if you follow Japanese drama long enough you would be familiar with Yoshida you and Natsukawa Yui, they were both underrated actresses. Their characters played an important role to the story and they played them really well. Aside from Akira, it's the portrayal of those characters made this drama so much better.
Final episode will be tomorrow but I decided to make this review because what ever happen this drama will go down as one of the best Japanese drama I've ever seen and definitely my best Japanese drama this year. End game won't decide the rating this drama should get in my opinion because just like they said the journey is more important the than destination. More than just a drama but also an experience.
Edit
I've just watched the last episode and I don't want to spoil anything but it is indeed one of the best Jdrama ever!!!
Best Student-Teacher Romance Drama List
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So, Bo Jin Yan is criminal psychologist who solves difficult cases with help of his newly hired assistant, Jian Yao. At first like almost in every drama they concentrate on seperate cases. And like in most of crime dramas, there was something bigger in the background but I still say this is one of the most unique crime dramas ever.
Very professional, high-quality writing. Just as you have decided you have conclusion how a scene is going to end writers make a turn and will make you go like 'whaaaaaaat?!' I enjoyed the emotional rollercoaster of being surprised and not knowing what happens next. I'm sucker for good mystery/crime drama and this is the best I have watched for a long time! Ending episode threw me off the course and I was staring my computer screen mouth open :D
Leads had great chemistry and I enjoyed every awkward moment they had because of Jin Yan's serious character. I'm always drooling for handsome lone wolfs and it was adorable that IQ genius was struggling with romance.
Side roles were important and well written into plotline but I wish they would have had more depth into Zi Yu's character. He was the only side role I was excitedly waiting for to appear in every scene.
I liked how this drama didn't totally evolve to concentrate on romance element because most of dramas make that mistake. Instead they concentrated on Jin Yan's character and especially how he sees things inside his mind analysing criminal's mind.
Music was actually pretty good! I'm not a fan of chinese music, especially ballads but I fell in love with ending song~
So if you enjoy crime dramas with mysterious and exciting cases, adorable characters and little bit of romance, this is totally made for you!
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This definitely isn't my first time liking either of the leads in a drama, but I feel like this is both of them at their absolute best. Seo In Guk and Jung So Min also have legendary chemistry here, ranging from entertaining banter, to intimate and genuine, to emotional rollercoaster. They both really get to showcase their range in these roles and create truly memorable characters who I couldn't help but care about and root for, even if their relationship was extremely complicated and messy. That's what I loved most about this drama and its characters, nothing is all good or bad, and nothing is as predictable as it may initially seem. These characters make frustrating decisions and take scream at the screen inducing actions, and instead of that making me mad it just made them all feel more human.
It also helps that the entire cast is impressive. Park Sung Woong big brother role and Jang Young Nam also have amazing chemistry and give really great performances. I loved Moo Young rivalries with various characters. I especially loved the moments when Jin Kang and Jin Gook hid darkness and depth behind their smiles and teasing. The whole cast really played well off of each other. Some roles end up being more significant than others but there's not a single weak link in the cast, which helped to make some of the more melodramatic moments feel more realistic and made me more invested in everything that was going on, even during moments when I was confused. Eventually, all the elements of the story do come together, so any confusion I had was always temporary, and just kept me more interested in what was going to happen next.
Would I watch this drama again? Without hesitation. Although the suspense of not knowing what's going on would be gone, just watching how all the pieces fit is entertaining to me. I also feel like this is the kind of drama where I might pick up on something during a second viewing that I missed the first time. I really wasn't ready for this drama to be over, even though it ended in a way that seemed inevitable and was well done. I still miss the characters enough to want to see them again, especially the sensitive yet slightly sexy and sociopathy Moo Young. I crushed so hard on Seo In Guk watching this it was almost shameful. That's another automatic reason to want to watch this again. I will probably watch the original version too, but I can't imagine me liking this version any less after viewing it... it's too good.
I should also mention the music which to me fit the show perfectly. There was even a moment when I was holding back tears but as soon as "Star" played, Seo In Guk and Jung So Min's duet, the floodgates opened and I couldn't hold the tears back any longer. The harmonies got me right in the feels and now it's among my KDrama OST favorites. I had no idea it was even them singing the song at first so that's just another reason to love them together.
Overall this is easily one of my new favorite dramas ever, so of course, I would recommend it to anyone and everyone. The story is a pretty dark one, but it's not without light moments and scenes that made me smile and swoon. This isn't exactly a sweet romance, but there are plenty of moments to satisfy romance fans. There may not be much action for crime thriller fans, but I think the suspense around characters and the story makes up for that. If you are the type of person who prefers stories about happy people living happily ever after, then you may want to skip this one, but I think you're missing out.
Now that there are no more episodes left, I feel the smile leaving my eyes : ( but since it is Thanksgiving I will just be thankful that I got to watch what I'd easily call the best drama of the year!
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