Usually, if the story really sucks I can at least count on the cast, but not in this case. Park Shi Hoo and Song Ji Hyo not only lacked chemistry, but their characters were more annoying than sympathetic, which made them hard to root for. Shi Hoo plays the narcissistic Phillip who spent way too much time whining, or trying to "act cute". There were a few moments where I thought I might start to like his character, but it never lasted for long. I liked Song Ji Hyo as Eul Soon even less. She was so frustratingly stubborn that I eventually lost complete interest in her character. I blame bad writing and a bad performance for that. Since the story literally revolves around these two characters, if you don't like them there's literally no reason to watch!
The only character that I cared about at all was Lee Gi Kwang as Sung Joong. He and his character deserved better.
The rest of the characters are stereotypical and forgettable, so there's a lot of overacting from the supporting cast. Sometimes they tried too hard for laughs, and sometimes they played up villainous and scary moments so much that the attempts at horror and suspense felt more like campy comedy. Then there are random twists in the story that should have made the characters seem more complex, but it just made the story more of a hot mess.
How much of a hot mess? Expect to try to follow multiple ghost stories, murder mysteries that defy logic, a washed-up boy band, an obsessed stalker, and a cursed fate romance that is light on the actual romance and heavy on the series of unfortunate events. All of the major questions do manage to get answered in the end, but that doesn't mean the story made any coherent sense. It's my fault for not dropping it. Sometimes you just gotta let go, of destructive relationships and bad dramas alike.
Overall, I feel pretty comfortable telling people to skip this one. If you want a romcom with ghosts watch "Master's Sun", or "Oh My Ghostess". If you want a romance about a writer that involves ghosts watch "Chicago Typewriter". Want a drama about a jinxed or ill-fated couple? Watch "Lucky Romance" or "Another Miss Oh". I normally don't recommend other dramas in a review this much, but that's how strongly I feel about avoiding this one! I'm starting to think a ghost must have possessed me and made me finish. That's the only logical reason for not dropping this like everyone else.
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A strong production. A bold story that comes across without make-up by Korean standards
If you're looking for a KDrama of the usual type, then you won't find it in "Children of Nobody". Here you are dealing with an impressive psychological thriller with lasting influence that comes across without make-up by Korean standards. This is about child abuse. The powerful here are not the economic giants, but the parents in their sacred halls. Not funny. The story wants to stir you up and it does. In the original, the title is actually "Red Moon, Blue Sun" and alludes to modern South Korean poetry that has been quoted several times. In connection with the crimes against children, poetry seems downright paradoxical.If "Children of Nobody" at the time didn't make spectacular waves in the ratings, it's not because it wasn't done convincingly, but because there are a large number of unreported families in South Korea for whom physical abuse and the "stick of love" are still taken for granted. Sooner or later, these viewers would have to take a good look at their own noses. The topic is treated in a differentiated manner from a wide variety of perspectives.
----------------------------------------- SIDE NOTE: --- child abuse vs free, upright citizens ---
If people are broken mentally and physically from an early age, how are they supposed to learn to live as upright citizens? The road to free, responsible citizens still seems a long way off. 20/30 years ago in South Korea - without high technology, ubiquitous internet and social media - many people in their personal world largely only knew people for whom these practices of physical abuse were also a matter of course. The children and young people of today and the young parents of tomorrow, on the other hand, grew up in a time when they could learn a lot more about alternative living environments, value systems and educational concepts through the media. The field of consciousness is expanding. Conflicts with traditional structures arise. New perspectives are given space. In the exchange via social media, resistance and support can form, discussions are held and new values and self-images spread. Change becomes possible.
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KDramas increasingly provide positive models of how things must become different in the future. In its own way, it tries to straighten things out in the context of child abuse that many take for granted.
Therfore "Children of Nobody" is a strong production. A bold story. A commitment to a future with free, responsible citizens - precisely because they are ruthlessly confronting with where society (in South Korea) actually stands.
Fantastic actors. Captivating story. Highly valuable.
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Being a single mother in South Korea can be quite hopeless, that´s where this story is coming from
Yes, you should watch it.As the title suggests, "Mother" deals with the archetypal theme of 'motherhood'. When is a mother a (good) mother? Once a mother = always a mother? Who can become a mother? Who has to be, no matter what? ... So far "Mother" isn't necessarily specific to Korea in terms of its story. (Actually the original is Japanese). But "Mother" is also (and most importantly) about the stigma of single mothers - and for South Korea that is outstandingly detrimental. From this point of view, this KDrama becomes immediately socially critical: if the position of the single mother in South Korea weren't so hopeless, then the whole story wouldn't have developed the emotional drive that it has.
In this context, "Mother" also confronts the viewers with two other socially sensitive issues in their manifold entanglements: child abuse and vigilantism. It is a dramatic fact around the world on the subject of child abuse that dealing with domestic violence is legally difficult. If you go the official route, you can only intervene when it is already too late. In the case of "Mother", essentially almost all mothers featured are to some extend criminals before the law (of one kind or another).
The hearty fare in terms of its sensitive content is, however, in a digestible way illuminated with all the proven stylistic devices of KDrama. The subject is dark and exhausting, but there is still room for light, color, joy and heartwarming in the presentation. Despite all the traumatization, the abused child is primarily a ray of hope (isn´t poetic freedom just wonderful!). It's no surprise that up-and-coming actress Heo Yool was named "Best New Actress" at the 2018 BaekSang Arts Awards... Her play ist simply amazing! (And not just hers...)
"Mother" aired on South Korean television during weekdays at 9:30 p.m. Regarding the scenes about child abuse, the age rating here has been set at 16, as opposed to the more usual 13 years. The KDrama "Mother" was released in 2018. It may be simple coincidence or even correlation: the KDrama just happened to present a burning topic of society at the time: In 2019 there was a change in law, which means that at least abortion now is legally possible for all women in the first 14 weeks without punishment.
-------------------- Side note: --- Orphanage and Single Motherhood in South Korea ---
If you are unmarried and happen to get pregnant, in South Korea you will have a hard time, still today. Exclusion, hostility, mobbing, unemployment, pressure from all sides are not uncommon.
If you are the child of a single mother, trauma of some sort is almost certain - mobbing, devaluation, child abuse, orphanage and/or adoption, you name it.
Noticeably, the 'orphanage' often plays a role for one of the protagonists in KDrama. That's not because it's such a stirring story hook, but because it's a current influence in the lives of many children (and now adults) of South Korean descent. Since the 1950s, the number of officially and unofficially adopted South Korean children, mainly from abroad, is estimated at 150,000 to 200,000. Another global leading position for South Korea... At first there were many war-orphans among them, otherwise there were also children from poor families. But since the 1980s, the main causes have been that the mothers are single parents. Desperate women - for whatever reason single with a child - often have no choice (to give themselves and the child a promising chance in life) than to give the child away - thus giving them a new chance with the option of being adopted to a solid family sooner or later...
For the children in the orphanage, the parents are not necessarily dead. However, their mothers gave up their parenthood at the door for a good reason: because society with its traditional value system does not accept a concept beyond ´traditional´ family. Single parents are not welcome. However, since abortions were also undesirable - i.e. forbidden for ages, unmarried pregnant women always found themselves in great distress... It was only in 2019 that the ban on abortions - that had been in force up to that point - was declared unconstitutional, so that pregnant women are now at least up to the 14th week without specifying abortion without punishment, in the case of rape up to the 24th week.
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Raging comedic banter, battle and romance. I highly recommend!
Cho Yeo Hwa (Lee Ha Nee), lives as a dutiful widow by day and by night she's running across rooftops fighting criminals for the poor secretly. One night, she got into a chaotic fight, she landed in the arms of a palace guard, Park Soo Ho (Lee Jong-won). Unbeknownst to both, there’s a secret in the past left to be unfold. As Yeo Hwa continues living her lifestyle, Soo Ho keeps running into her, wanting to know who she really is… will she be able to keep her disguise?This drama is consistently entertaining! While I expected the show to be as fun as it was, I didn’t expect to be immediately connected with our characters and their motivations. I love Yeo Hwa, her mother-in-law and her quirky friend, too. That she's widowed due to a tragic past, controlled by her mother-in-law and almost 100% locked inside her house, it all sounds depressing, but the storytelling is so so fresh. Also it's interesting to see like how our male lead, Soo Ho with his role to serve justice but he's bind by a lot of rules, while he sees this mysterious person just do it each night.
The intro and the epilogue scenes are A+! Each episode is meaningful with steady pacing. Interesting twists happened here and there. There's a whole lot of wuxia-style fight scenes; flying to the roof, hitting people by acorns, and I enjoyed a lot. The action scenes are funny, also the little gestures, sound effect, visual effect, they're all worked together perfectly. The romance is fun, low-stake, and heart-fluttering! Every romantic scene counts. Not much complicated intrigue until the last few episodes, where it was resolved but falters flat. Though so, the whole experience of my watching is truly entertaining!
-Feb 2024, Yovita
Find me on Instagram: @kdramajudge
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There's simply no comparison. The movie is just a better overall production, even counting the fact that movies tend to have a higher budget. It's best to think of them as being in two different universes-having similar characters, a similar setup, but completely different characterizations, different plot, different tone, different extrapolation. I suspect that a lot of people rate the series higher because it ends happily, where the movie is tragic. As a gay man, I totally understand the bias against LGBT movies with tragic endings; there's simply too many of them. But still, the movie's better.
But I'm not dismissing this series. The series comes into it's own about halfway when it spends time with new characters and explores themes of it's own.
Overall, you won't regret watching it. I wish I had time for a rewatch as my own comparisons to the movie spoiled the beginning for me. Looking forward to Season 2 instead!
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Which is the main couple?
The very first thing that I believe every watchers think of the same way, the main couple supposed to got more screentime. Due to lot of second couple scene (tbh, I skipped a lot), I started to confuse and feeling like Xu Qing You and Mo Ling Ze is not the main couple. What I like the most from this series is that was no dumb FL that appeared in most c-drama (well, XQY is dumb in another way, lol), the FL is fashionable here (I don't think she re-put on the same outfit) and for sure the mature relationship.This series is not coming in the vibes I expected for, I don't really can relate it to the title. But, at least, it's 'so so' and still watchable for me. For the casting and acting skills, I don't think there're any problem, they looked great--well built chemistry and suit on all their own characters. Although I don't really remember the songs played in the drama, but I like that sexy opening song! :D lol.
The two essences of this story:
"What's the point of enduring in a toxic relationship?"
"We can't 'form' people, because they are ALIVE!"
P.S: I put the rewatchable value amounted at 5, but actually I'm not type of watcher who rewatching any, so it means it's 5:5 according on your own taste.
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This review may contain spoilers
This is a feminist movie. What kind of image does it conjure up for you?I can tell you that this isn't a story about a confident, "girl crush" woman. Rather, it follows the story of an ordinary woman and the gender based microaggressions she faces.
This movie isn't an easy watch precisely because it's so real (similar to Misaeng). You could only hope that all of those events don't happen to the same person in real life though.
I knew about the general plot before watching the movie but it still really hit me hard. At the start, I thought it was really fast-paced because it just threw you into the movie. But as the movie progressed, I got used to it and was able to connect with it more.
However, I think reading the book would help you understand the movie better. There was a few scenes that didn't feel resolved in the movie, but I think were explored in the book.
I was also confused if Kim Ji Young's behavior was supposed to be more metaphorical or literal. After reading some reviews of the book, I think I understand what it's trying to say. There was one review in particular that said she didn't have a voice in this society so she had to adopt other personas / mimic other people in her life to say something.
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Acting/Cast: The acting done by the cast was better than I've seen in most dramas. To say it was good is an understatement, there was such genuine emotion in each scene and it all felt very real. L and Yoon So Hee did such a great job with their characters and their relationship. The only thing that actually bugged me was about Taks character. At first, I really wasn't into Tak. I wasn't sure how he could turn into a complete jerk, even through such stress. It did frustrate me, but it was nice to see an imperfect character get knocked back to his senses.
Music: I'm really not trying to overdo this review with more compliments than it deserves, but the OST in this mini series was so note worthy. The soundtrack was so great to listen to, and it fit the band and the vibe of the show very well. I especially liked the last song, One More Time, I felt that song was absolutely perfect to finish the drama off.
Re-watch Value: I don't re-watch dramas a lot, especially ones with complex stories. I'd rather re-watch shows where all you have to do is laugh and smile. As good as this was, I might just save it as a memory, I don't think I'll re-watch it all by myself. With a friend however, I can totally do that.
Overall: I wanted to give this drama a 9.5 for how I felt about it after just watching it, but after some thinking, I gave it a 9 for everything I said above. With the ratings and the other review, you might think on skipping this one, but I'm here to say that this is a mini series worth watching. It's a 4 hour long ride, so if you feel like it's not you're thing early on, give it a chance to prove itself.
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Story: Right or Wrong gives us a lovely storyline that does not actually start with a love line but a main "get to know the life of the characters" plotline. Soon though, it picks up the pace and gives you a lot more than you expected. The story gives you some drama, a lot of funny remarks or conversations (at least I sometimes found them quite funny) but mostly it gives you loveliness...RoW is lovely from beginning to end and when you start you don't wanna stop because the characters grow on you rather quickly. Also it gives us a little unusual storyline for BL series and movies, so that's something new and fresh.
Cast: The cast was a little bit awkward at first but after getting to know the characters better, you start loving them and the awkwardness disappears. The acting is good enough, for me to forget that they are actors and for me to want to know what they will act in next. Also the cast managed to give their own flavour to the characters.
Music: The music was great. I love the ending song!!
Rewatch: Oh yes, definitely. Probably right now ^.^
Overall: Overall the story did not disappoint at all and was interesting and refreshing especially for a BL series. The characters were lovely, the cast did a great job, the music is noticeable and nice to listen to and I definitely love this as much as Obsessed. Well, the expectations for the rest of HIStory 2 are rising...
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This review may contain spoilers
The epilogue or continuation to ep 36 and the ending to the series.
If you have watched 36 eps of Word of Honor, then do watch this as it wraps up the series and answers the questions you may have after ep 36. This small episode shows what happened to Wen Kexing and Zhou Zishu after we last saw them in the armory. We also get to see Gao Xiao Lian's family. A happy end to the series and for WKX and ZZS. Nice to see them be together and retire from jianghu to teach the future disciples of the rebuilt four season's manor.Ep 36 leaves off with Gao Xiao Lian calling everyone to a meal and here we see Deng Kuan (her husband) come to collect their son for the meal with mother. We see the disciple practicing 18 steps of Qiuming that only WKX knows so he is learning from WKX. ZZS turns up to instruct him and then WKX shows up to disagree with his teaching methods as he tends to do. Deng Kuan then whisks away his confused son, saying that the two of them have been fighting like this their entire lives and says that they are now immortals. In 36 we are shown that Chengling has rebuilt the manor near the ice mountains. So, all of them live nearby. Great that their family of three is still together.
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As typical as this set up may sound, it's so well done and enjoyable to watch it doesn't matter. I've actually never seen a movie premise like this. Well that's not true. A few years back there was an American movie about a ghost writer helping an author to pen a book but it was done poorly and there is no comparison.
Remember that they are writing an adult comic. There are a lot of sexual references but it's done very tongue in cheek as the female writer is faking 99% of her sexual experience. Most of the graphic sexual images are in fact, in graphic (comic book) form.
Watching Jung Bae get wise to her act...I loved it! Dae Rim is such a character and Jung Bae finds her tough to take at first. But when he begins to draw...it's her face that appears on paper. As the two leads gravitate toward each other and their feelings grow...it's so cute!
Lee Sun Gyun and Choi Gang Hee make a great pair. Able to be comedic and have you believe when they are sincere.
I recommend this movie highly.
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This review may contain spoilers
It's a really good movie, but the movie was a bit depressing in the middle, but that's actually quite realistic in the world. Where there is not trust in both, the relationship won't maintain, relationship exist because of trust, "I believe in you", this is actually a powerful sentence that could made people a good day and feel not alone.Just some of my thoughts, people in old times might have more courage than most of the people now. Back then, like this movie, they actually quite hard to connect to each other so they will express the true feeling to the person to make sure they see them again. Unlike now, I know I will see the person through social media or reality every day so I hide my feeling and waiting for her to find it out...
It is really a beautiful movie with a perfect song list.
And I was waiting for the ending that Mi-Soo and Hyun-Woo open back the bakery...
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I came into this drama for the cast alone, but I got much more than I was expecting. If you are expecting a great romance, you may be disappointed. There are some romantic feelings, but it is not the main point. The quartet of flawed but likable individuals find friendship and support at a time when they all have a deep need for it. As a hardcore romantic, I thoroughly enjoyed the friendship and didn't feel any lack due to the barely there romance.
The best things about this drama:
1) the acting- the casting could not have been more perfect. Each actor seemed fitted to the role, bringing out the best in their character.
2) the characters- perfectly imperfect, and quirky. Their interactions with each other made each episode special.
3) the witty banter- I applaud the writer. So very clever. This truly made the drama a joy to watch.
4) the music- brilliant!
Quartet may not be everyone's cup of tea, but for me, this is the best drama of the year.
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Hope I didn't give away too much here.
First of all, I wont call myself a saeguk fanatic, since I don't think I watch that much dramas of this genre, though I definitely do enjoy them and Korea's history.
Story:
Plot is interesting, satisfying amount of action and nerve-wrecking moments.
I definitely say that the content is like 80-90% political, with the remaining parts for romance, just to spice up and bring some colors to the political issues here.
I like how they focuses on the political history of Joseon with its neighboring countries instead of the usual domestic politics among the clans.
So I wont recommend it if you are looking for a more romantic saeguk drama like The Princess' Man or The Moon Embraces The Sun.
Acting/Cast:
I started this because of Seo In Guk, but that definitely isn't the main reason why i completed this.
- Seo In Guk
I do feel awkward at first seeing him acting in a historical drama, since this is his first.
I even thought that his voice isn't suited for a prince especially when he give out commands, which usually goes well with deeper voices.
But he improved over time, and before I knew it, I was too into his character, GwangHae, to even remember it's InGuk who's acting.
Definitely a good actor indeed.
- Shin Sung Rok
He's just PERFECT at playing the bad character. No words needed to describe it.
- Jo Yoon Hee
Not a fan of her acting. Keep feeling that there's something missing in the way she acts in some of her scenes.
- Others
I always feel that saeguk drama actors/actresses are the best. Most of them portray the characters clearly, which makes you hate or love them to the core.
Kim GyuRi's acting is worth mentioning, love the way she successfully acted the Kim GwiIn character that makes me dislike her, but at the same time feeling that she is pitiful and likable as well.
Music:
I'm addicted to it now, putting it on replay, so that should mean its nice ;)
I'm a huge ballad/emotional drama songs. They definitely have the good ones, the ones that when you listen to, you cant help but to replay scenes of the drama like an mv in your head. And it makes you emo afterwards (or maybe its just me XD)
Though I wish there are more songs instead of only 3 being repeated in 23 episodes.
Re-watch Value:
Since its hugely political, i don't think it is worth re-watching.
Unless one don't mind listening to the usual long political conversations in saeguk dramas :P
For InGuk fans out there like me, maybe it wont be so bad to re-watch it just to stare at how hot he is as a prince~~
Hope this helps :)
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