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Thanks for the miracle
Before you even start this drama, don't try to find an explanation for all this supernatural stuff, just let yourself be carried away by the strength of their chemistry. This drama really gives meaning to the word "love".The time between Mitsuri and Koichi is limited after the latter's accident. As a "living corpse", his future is uncertain and despite all that this implies, Mitsuru tries to remain as calm and rational as possible.
The contrast between the cheerful Koichi and the composed Mitsuru is one of the strengths of this story. It is clear why they fell in love with each other long before this event occurred that puts their story in perspective.
The drama will carry a sense of delicacy, discretion and melancholy throughout the episodes. Their relationship is one that doesn't need to be expressive to know that they love each other, their eye contact gives you butterflies, a feeling of sadness and happiness at the same time.
You will fall in love with Mitsuru's monologues which are poignant, sad, loving, he has such resilience. You will appreciate the message behind each dialogue, dialogues that make us accept grief, the grief of love, the grief of loss. When a simple conversation gives us hope, hope that there will be a tomorrow, hope that we will not be forgotten as long as our memory has a place in the heart of the beloved.
As a bonus, the OSTs are powerful, soft, catchy and accompany each scene very well.
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Welcome Home, Mone!
This drama is the 104th NHK Asadora series in the network’s long line of serialised dramas that air a 15-minute episode every weekday morning. It is my second ever Asadora, following Oshin back in the 1990s.Okaeri Mone translates as welcome home Mone, which refers to the titular character of Nagaura Momone. The premise focuses on Mone’s journey of growth, healing and love where she struggles to overcome the burden of a traumatic past before eventually determining her path in life and finally realising her aspirations of being a weather forecaster. Set in 2014 and spanning some seven years up to the present day, Mone’s story begins from her hometown of Kesennuma Bay in Miyagi Prefecture as she travels to the coastal city of Tome and subsequently Tokyo, before completing a full circle by returning to her home.
Based on the original screenplay written by Adachi Naoko (Code Blue 3) and directed by Masae Ichiki (Yae no Sakura, Idaten) and Tomohiro Kuwano (Amachan, Idaten). Takagi Masakatsu (Mirai, Wolf Children) serves as composer while the theme song Nanairo is performed by the popular alt-rock band, BUMP OF CHICKEN. Principal photography took place in Kesennuma Bay, Tome City, Sendai and Tokyo.
As far as the production quality and technical execution are concerned, I have absolutely no complaints. The exotic filming locales comprising the rustic fishing village, expansive mountainous forest reserves, gorgeous coastline are utterly breathtaking to witness, which is credit to the wonderful cinematography. I love the upbeat and inspiring theme song, Nanairo, that accompanies the title sequence during every episode.
The same goes for the quality of the screenplay which manages to convey the weekly story arcs of the main plot in a cohesive and coherent manner. There are many themes explored, as is typical in a long running Asadora. There is no shortage of the rainbows and sunshine involving heartwarming moments of family bonding and camaraderie among friends. We also see the infusion of bittersweet moments relating to tragedy, loss and trauma arising mainly from the 2011 Tohoku Earthquake and Tsunami which sadly impacted Kesennuma Bay, the setting of the drama. Perhaps the only reservation I have is on the subplot concerning the sibling relationship and the interactions between the childhood friends where some tension and angst are present, which I felt was somewhat needlessly stretched.
The character design of the main as well as supporting characters is generally well developed to imbue them with the necessary depth and realism that allows an attachment as well as connection to be formed with viewers. This certainly was the case for me and none more so than the eponymous main character of Mone, along with her parents, grandfather, the doctor friend and her colleagues at the Weather Experts in particular.
It’s worth mentioning the inclusion of technical aspects pertaining to weather forecasting and analysis of meteorological data which plays a major part of the premise of the drama. In addition to that, the aquaculture practices in the form of oyster cultivation and farming is featured in detail due to the involvement of Mone’s family in oyster harvesting and supply. I appreciate the fact that the technicalities of these real-life activities are showcased in a straightforward and uncomplicated fashion which integrate seamlessly into the storytelling.
In terms of the cast, major kudos go to Kiyohara Kaya. This is my first time seeing her and what an absorbing performance she has delivered. Such incredible talent to breathe life into the character of Mone. Throughout the entire 120 episodes, I was simply immersed in her portrayal and rooting for her during the many pivotal moments of her journey. From her depiction of insecurity, uncertainty and vulnerability right through to her maturity as a person and a professional in projecting the self-confidence of a seasoned meteorologist and weather forecaster. I'll be keeping a close eye on her projects from now on.
Sakaguchi Kentaro’s awkwardly charming Suganami Koutaro is quite fascinating. Initially displaying tsundere-like traits, he gradually evolves into a more endearing personality which subtly complements Mone’s down-to-earth personality as part of their blossoming relationship. Mone's parents are portrayed by the experienced Uchino Seiyou and Suzuki Kyoka. They have a rather amusing story arc in an extensive flashback sequence while their numerous memorable scenes together are quite wholesome to observe. Nishijima Hidetoshi's calm demeanour fits the charisma of his weatherman Asaoka Satoru. Likewise I really enjoyed Takaoka Saki's interpretation of the sophisticated Takamura Satoko. Asano Tadanobu needs no introduction and his depiction of Oikawa Shinji is probably the most emotional among the supporting cast.
From my perspective, Okaeri Mone has been an utter joy to watch and an extremely worthwhile experience. From the cultural facets to the intricacies of weather forecasting as well as the beautiful landscapes of Miyagi Prefecture, there is much to savour in this very well-made production indeed.
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1The boundless promise.
Feng Ren is a Gushi/骨仕, an enigmatic, lethal sworn blade whose sole reason of existence is to protect the coveted Wuliang/无量/Boundless Heart Sutra. He intercepts a blind boy Po Xiao, who may just be a decoy or may be the true custodian of the Wuliang Heart Sutra and together, they flee the city. On their perilous journey they learn each others secrets. Underneath all the half-truths and deceptions between them, an inexplicable bond, an unspoken shared understanding and trust grows between then. For such a short length story, the actors' chemistry and the depth and complexity of emotions they conveyed shook me. Every twist deepens their bond and the boundless promise they make to each other. The important message of this story is that with great power, comes great responsibility. This is dark and heartbreaking wuxia but the break of dawn that pierces the darkness is blinding and immensely powerful.Everything about this movie smacks of Guo Jingming's fabulous taste and hallmark aesthetics. If like me, you watch this after My Journey To You, it is quite clear that the drama expands upon many ideas in terms of style, plot and character design from this 37-minute movie. Feng Ren makes me think of Han Yasi and Po Xiao of Xue Gongzi. The narrative also explores how best to deal with a weapon of unaparallelled power. Due to its short length, the plot is tight with no unnecessary digressions and everything comes to a full circle at the end. It perfectly illustrates the power of a short story in how it captures the heart and the imagination with all that is left unsaid and untold. This is a simple, well executed plot that is a must watch and one that I am happy to rate 8.5/10.
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A story about two real humans!
Watch this film was a mix of feelings. This movie is about - without spoiler of course - two teenagers who are discovering themselves as homosexuals.In my opinion‚ this film is a masterpiece. It is well-written‚ well-directed‚ everything was perfect.
As I said: This is a story about two real humans and‚ as humans‚ there are pain‚ suffering‚ tears. However‚ there are happiness, desire - in a sexual meaning - and a happy ending after all the pain and suffering.
It was an awesome, amazing and great experience watch this masterpiece.
* This is my first review in English (I'm brazilian)
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The beginning is kind of slow, so i found myself skipping most of the family oriented scenes & only wanted to see the relationship between the 2main leads. But after (i'd say around the 10th-15th episodes maybe?) those were my favorites scenes & i couldn't miss one. Indeed the interactions between all the characters (there are a lot!) are very fun to watch, the characters are lovable & really grow on you & it depicts a lot of aspects of Korean culture which i found really interesting.
One of the most important thing for me is that there aren't any frustrating or despicable characters. They're all amazing (especially Ah Damo, his father, Gongjoo & Sonja!). Even the "bad" ones (annoying jealous rara for instance) change & become nice. Characters getting on my nerves & whose behaviours are stupid, irrational to the point I wanna murder them are the main reason why i often cannot finish dramas (especially when they are the main leads). So the fact that the only person i hated in there has a bad ending, god i wanted to hug the writers!
On the romance side, great great great! Even though the story is somewhat far-fetched (well, it's a kdrama we're talking about), their relationship feels real & reaaaally passionate at the same time. Completely fell in love with Ah damo. (I usually don't fall that hard for a character haha) Dan Saran is also great & strong-willed ,of course she isn't perfect & can get kind of irritating sometimes (Not to me though)
=> If you want a mix of warm&hilarious; family-oriented scenes (Andreeeeeee) and a passionate romance, wrapped up in a nice setting (Gisaeng;)!), providing you're patient (52 episodes!) this is the drama for you !
PS:
I rated 7 for the story because it's good but kind of typical, it's actually the humor & the amazing acting that made the drama ! Rewatch value: i usually don't rewatch dramas, & especially not this one since it's so long, but i have found myself rewatching some parts here & there , still laughing.
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For me the story was nothing special, a single parent raising his child with the help of his friends. It's not a plot that stands out to me but boy how wrong I was! The story was emotional, sweet and touching for beginning to end as we see the characters grow and learn through the course of their life. I loved the setting and the time period of the plot as it wasn't something I had expected - covering the childhood and adulthood of Akira. It gives the chance to bond with the character as you watch him grow into an adult and in turn grow to love them. For me, the story was executed flawlessly, there weren't any plot holes and any questions were answered. It's a slow paced and a slice of life kinda drama but there is never a dull moment.
As mentioned I watched this for Sato Takeru he was brilliant throughout the whole series. He played his role perfectly as such a complex character, who had experienced many downs in his life, in such a simplistic and innocent manner can be down to the actor. The child actors that played Akira were also brilliant as it can be difficult to carry the same character through various people, but these actors made it feel like they were all the same person.
But as the story develop my focus turned to Uchino Masaaki. He was wonderful playing the "dumb" dad he portrayed his character beautifully and realistically I've never seen any of his dramas but he was incredibly in this! He made me cry, laugh, cry, laugh, crying and laughing at the same time! His acting draws you into the story and despite my bias towards Takeru, Masaaki brought this story to life. A round of applaus to the supporting cast as well because without them the series would lose it's spark. The support from his friends are enviable when watching it you think "wow, I want friends like him." The whole casting had great chemistry and bonding there isn't much more I can compliment on cause it was simply brilliant.
The music is very simple and nothing memorable but does well in emphasising the emotions of the characters.
I will definitely be rewatching this series again because it's just beautifully made and well executed. For me it's a absolute gem! The story and acting ticked all the boxes for me parenthood, friendship, loss and growth through a genuine and realistic story. The bonding between friends, father and son was exceptionally beautiful. There was never a dull moment and before you know it you've already finished it and wanting more. The story was simple and geunine along with great characters and acting this is really a must watch! It makes you appreciate the things in life you take for granted.
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It wasn't extremely well done or flashy or a "you must watch this" kind of film. In fact I was hesitant because someone had suggested it looked like the young guy falls for older woman scenario. But that wasn't it at all.
It was simple, sweet, and about a woman trying to live the principles she was struggling to teach her daughter. In fact from the the male character's point of view I would describe this film as 'appreciate your mother because you don't know how long your going to have her' or as a 'your lucky to have a mother - if your not going to appreciate her than I'll take her'.
I loved how the story unfolded. I truly could feel him slowly growing attached to her - as a son, with every moment she spent with his family. You could feel how much he needed her influence in his life and than suddenly you saw him have an influence on hers. "Break down the door," he said and I cheered (because I completely agreed with him).
It is an all around a good story. Easy to watch. Easy to enjoy. And something I will watch again when I am in the mood for something slow pace.
Hope that helps.
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This drama deals with serious matters such as divorce, remarriage, single parenthood, family problems and so on, however everything is told in a really peaceful way and it's what makes this drama so interesting and appealing in my opinion, I kept thinking and questioning myself about all those issues that are generally hard to talk about and more importantly to handle. I always appreciate when a drama doesn't only give me entertainment but also intellectual nourishments.
Obviously what truly made me love this drama was the deep and powerful friendship between Luo Zi Jun and Tang Jing and also the growth of characters and they all evolved either from bad to good or good to bad, it was truly convicing and realistic.
Regarding Zi Jun/Tang Jing's friendship, I absolutely loved their poised, calm and mature personalities, they truly complement each other, Tang Jing is more emotive and full of pride while Zi Jun is more calm and strict but when they're together, they look so happy, jovial and relaxed. I have to say that Tang Jing left a big impression on me, she's such a true, selfless and sincere friend and she would absolutely do anything for her friend in need, she doesn't care about what others may think , she just does what she thinks is the best for Zi Jun, and always helps her even when she's extremely busy, that's how good she is. Their friendship to me feels so real and friends like Tang Jing are rare, it's just sad she's too proud. And this quote tells how Tang Jing in Zi Jun's heart means everything "I don't know what character or abilities I have that bestowed me such a great friend, who shares my happiness with me, carries my troubles for me. If in this world there are others who I can't be unworthy of, who I can't disappoint, then Tang Jing is certainly the most important one of all", it truly moved me.
Now I'll move on to the characters and I have to say they were all superbly beautifully presented, there are some I disliked obviously and they infuriated me so much but the actors did such an amazing job portraying them, I mostly think of Ling Ling, and JunSheng (though he wasn't really detestable) for example and anyway without them the drama wouldn't be this much stimulating and engaging. I can only praise all of them, I must admit that what got me truly interested in the drama was the atypical synopsis and the title really caught my attention too, but also seeing that Jin Dong was one of the leads was a great plus for me as I do really admire him as an actor, he was outstanding as always but I wasn't too fond of his character "He Han" though He Han is always full of great advice, so smart and rational, and someone we can rely on, but apart from that I didn't feel much for him but still it was another breathtaking performance by Jin Dong. However my revelations with this cast were Yuan Quan and Ma Yi Li and "The First Half of My Life" was my first drama with them and will definitely not be the last. They both played two fascinating characters but Zi Jun is the one that had a bigger impact on me, it was so beautiful seeing the Luo Zi Jun from the beginning who's a naive, frivolous, insecure, vulnerable woman growing into a responsible, independent and calm woman and at that a woman who doesn't show any of her insecurities/shortcomings in front of strangers and what I liked is that she knows how to seperate her private from her professional life. Ma Yi Li was simply mind-blowing as Zi Jun, truly gorgeous, classy and ravishing; such a delight *.*.
I'll briefly mention one character that made me smile a lot, I know that Zi Jun's mother is a little bit too nosy and annoying, I just couldn't help but like her, she's a pure bundle of energy and I think we do need people like her in our life, someone who'll cheer for us and bring only positive energy when we are so down, that's why I liked her so so much. The rest of the cast was nice as well, I particularly liked the interactions between Old Zhuo, the Jiang Zi's owner and He Han but I have nothing much to add about the rest, though they all had significant roles.
I won't add much about the drama nor the several topics it deals with as I think it's better to watch to see for yourself but one thing I loved in this drama is the realisation, it's so gorgeous and realistic and I particularly loved the flashbacks in black and white which in my opinion intensify some of the most powerful and touching scenes, the settings and sceneries (aaaw that Jiang Zi restaurant *.*) were also beautiful and I truly enjoy watching these dramas that take place in Shanghai, the views are always stunning.
A drama I fully recommend to everyone even to non Cdrama lovers as it deals with actual topics that might be interesting to others who are looking for something more realistic with a touch of slice of life.
As for the rating to be honest I was really hesitating between an 8.5 and a 9 because eventhough I loved this drama and I consider it to be the best drama of 2017 until now and definitely in my top 3 best Chinese modern dramas I was expecting something a little bit different for the second part of the drama but the ending was so satisfying that I decided to go for a 9 and anyway it was such a great show, seriously I already miss all of them, especially Zi Jun.
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An absolute gem. One that flew under everyone's radar, and it would have flown under mine as well if it wasn't recommended to me by another Avengers Social Club fan.
Spring Turns to Spring is a very lighthearted comedy revolving around body swapping of two women and all the hilarity that ensues. The plot never takes itself too seriously, while also tackling issues such as corruption, infidelity, misogyny in a comedic fashion. We're also given an abundance of hilarious revenge schemes, quirky office humor and interactions, endearing sismance and mother-daughter bonding, and more. If you've seen Avengers Social Club and enjoyed it, I can almost guarantee you'll enjoy this drama as well.
The cast and acting were amazing, especially our two leads, Lee Yoo Ri and Uhm Ji Won.
What I never saw in this drama were the actresses Lee Yoo Ri and Uhm Ji Won--only the characters Kim Bomi and Lee Bom. The way both actresses portrayed characters was so breathtakingly convincing, I couldn't help but think to myself every episode as they changed personalities, "wow, these two are incredible at acting!" You could instantly recognize the change in character by the shift in facial expressions, voice, and body mannerisms. How each character was portrayed so seemingly accurate and similar by two different actresses was stunning, especially when you consider how contrasting Bomi and Bom's personalities were.
The rest of the cast were no slouch either.
Lee Jong Hyuk's interactions with Lee Yoo Ri were godsend regardless of which character she was currently in. Choi Byung Mo never fails to perfect the role of a world class douche of a husband and human. The Bom brothers by Kim Nam Hee and Ahn Se Ha were golden. I have to admit the broken English by Bom Il was disconcerting at first, but eventually grew on me as a comedy factor. Heck, even the foreign actors were a joy to watch, as the scenes were always pretty self aware that they were mostly to serve as comedy.
The OST was fitting and catchy; the songs never felt unnatural to their respective scenes. I also eventually found myself singing along to the intro of every episode with its "Yeh, yeh, yeh, yeh~". The main theme "Well come to the Bom" slowly grew on me throughout the show with it's upbeat, catchy tune and how it was always inserted at the perfect moments--I could always expect a welcome shift in mood whenever the song played.
Just an overall very feel good drama. A great watch if you're feeling a bit down, looking for nonsense comedy, or just want to turn your brain off and enjoy a K-drama.
And so, as Winter turns to Spring, I encourage those who haven't seen Spring Turns to Spring to give this gem a chance; you won't regret it!
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This review may contain spoilers
It´s opaque and rather gloomy, venturing to juggle shadow rather than light
"The Road: The Tragedy of One" is based on a (Japanese) novella by Rintaro Norizuki with its spotlight on the higher end of high society. The KDrama "Mine" from the same production year, which is located in a comparable segment at the top of the social pyramid, chose rich bright colors and extravagantly shimmering robes amidst glitz and glamor as the backdrop for a study on decadence and greed. In contrast, the TV production "The Road: The Tragedy of One" makes no attempt whatsoever to immerse human abysses in a colorful light that is somehow aimable and pleasently digestibility. No. This KDrama has a rather gloomy side to it. It´s opaque. Outrageous.You may vainly search for anything virtuous here. Let alone family values, especially when it comes to raising children. People mysteriously die. There is crime. Corruption. Affairs. Cowardice. Selfishness. There is (almost) nothing left of high moral standards. The series is heavy opera. Yet, excellently casted throughout. Everyone is doing their best. Still, whatsoever, it's not nice to look at. If the human ugliness is shown all too ruthlessly... who should one identify with? You have to delve far into your own abysses to sympathize and feel with the protagonists... (maybe one of the reasons, why the viewer ratings aren´t quite balanced to the true quality of the show...)
In any case, the KDrama is thrilling in its own pace and style. There are plenty of secrets throughout. You get Makjang, too ... obviously it can always get worse... (KDrama somehow always is great at drama!) It's opaque up to the end. The story takes its time to unravel the tangled threads. The screenplay is particularly atmospheric. Eventually, more of a trip into darkness. Literally (i.e. optically), too. I would call it an experiment in the latest KDrama Orbit, that dares to juggle shadow rather than light and ventures to tell a story without wholesome, easily digestible sweets.
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With this, the "Ama-chan effect" hit me hard. I couldn't stop watching it. I finished this series after 11 days, and I'm sad it ended. This is probably also due to the phenomen, that the episodes are rather short with a runtime of 15 minutes, and you keep watching and watching, while you tell yourself: 'just another one, then i'll stop.', but you just can't. Its one of those series you really never want to end.
The Story itself i really addicting, as its absolutly not repetitve. The constant up and downs make oneself really go with it and feel it. It makes you sad, It makes you cheer, it makes you feel lost. If a series is able to this, then its a masterpiece. Kankuro Kudo really made a awesome job.
The Characters are absolutly memorable. You could really notice the cast was putting their hearts into it. I've never watched a series where the acting was this good. Each actor played their character so well, i could really belive everything could have happened in a village close to mine. There was no way you couldn't feel with your favorite character. (Which was Yui in my case.)
A enormous portion of this series marks the soundtrack. I'm usually one of those people skipping the Opening Sequence, i absolutely refused to do that when i watched Ama-chan. I found myself boucing around whenever the opening started. From the "inserts Songs" which where played pretty often, i must say i never found them annoying at any time, eventho they brought them up a lot in recalls or in different versions. On the other hand, the BGM music really gave this series its essence. Every musicportion in the series transported so many emotions in every single second. It really sticks to your brain and you'll find yourself humming it here and there without even noticing. I had to sing and hum along every single time.
You might wonder about the 9 instead of 10 points for the Rewatch Value. I have to admit, i had to deduct a point, just because its not a series you could watch again in just a single day, but thats about it. This is a Series you really can watch and enjoy everytime. Watch it with your friends, family, girlfriend, they'll love it.
Overall i Can only say, this series made a huge impact and is my new favorite Series of all times. If you haven't i can only say: YOU MUST WATCH IT!
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This review may contain spoilers
MLSHR is among a small number of k-dramas that have left a deep impression on me, yet it's also a drama I'd hesitate to recommend to people at large. There are a couple of reasons:(1) The extent to which you'll enjoy this drama depends on whether you value IDEAS or EXECUTION. If you're the second kind of viewer, this show may drive you mad. The general consensus is that Scarlet Heart: Ryeo had a great story that was screwed up by messy editing/directing/pacing etc. and not enough space to tell it (20 episodes compared to the original 35-ep C-drama). I'm very sympathetic to this assessment.
However, I'm also the kind of viewer who will forgive a lot of flubbed execution for a really good idea, which this drama has in spades.
Scarlet Heart Ryeo is above all an *ambitious* drama, probably excessively so. The upshot is that it has possibly the most uneven execution and post-production editing ever committed... but at the same time some of the most complex and compelling character arcs I've come across in kdrama. It's not for nothing that the show has drawn such an unusual amount of discussion and fannish activity, especially internationally. (MLSHR was poorly received in Korea, but it is/was a certified international sensation, the first ever kdrama to make Tumblr trends, etc.)
(2) My other "disclaimer" for MLSHR is that it has a deeply cynical and subversive approach to romance. If you're looking for a fairytale where love conquers all, this is not the show for you. If you're looking for a classic tale of star-crossed lovers foiled by evil external forces... this is still not the show for you.
If, on the other hand, you're the sort to appreciate tragic missed opportunities of love driven by bad timing and fatal ***character flaws***, then Scarlet Heart: Ryeo is the Greek tragedy of your dreams (and/or nightmares). In a market saturated with wannabe Pride & Prejudices, Scarlet Heart Ryeo is out here being a totally unapologetic Wuthering Heights, which is pretty gutsy for a YA reverse-harem premise. (To be fair, they were working off of the Chinese novel, but they *could* have made it more public-friendly.)
Here's the bottom line: This drama is an acquired taste. If you're not a fan of tragedy or bloodbaths, if you need your female characters to be ~empowered~ and save the day, if you prefer people in love to be functional and communicate well — look elsewhere.
However, if you enjoy nonstop political scheming and backstabbing, majority-villain ensembles (including both male leads, arguably), and romantic narratives that reject relationship = identity myths, Scarlet Heart Ryeo is probably up your dark and twisted alley.
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EP 10-12 were painfully slow, they could have been cut and pasted into 1.5 episodes.
13 was ehhhh.... This isn't a masterpiece, the writing is loosely constructed and poorly executed. The story has little depth or substance to hold it together for 13 hours. I can't connect with the female lead's choices (especially in the later half) or her pitiful deer lost in headlights expression...I was hoping it would be a drama somewhat like 1% of Something since the director is the same, but it doesn't even come close in comparison. I Liked Ep. 1-9 but Ep. 10-13.5 are a hard sell.
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"ITS NEVER TOO LATE TO START A GOOD DRAMA"
A Sweet Love Story A Must Watch for All CDRAMA Fan.The Story is Good and Like any Other Office Romance but
Some plus point:
+ The chemistry between lead is Super-Duper on/off-screen (if you have seen the bts videos).
+ Bai Lu has always been my favorite.
+ First time to watch *Good-Looking LEO* and I'm Quite Impressed.
+ Kido and Riley Wang Are such EYE-CANDY.
+ Adorable Secondary Couple.
+ Supportive Friend like Xu Li (Xiao Yan) and Qiao Na.
+ Wealth.
+ All the actors have done a good job portraying the characters.
I don't watch many ongoing shows but couldn't resist this one
A DRAMA YOU WILL MISS AFTER ENDING It. T_T
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1This review may contain spoilers
Introducing J-GPT: Your AI assistant for 'naughty' JBLs
Scriptwriter: So, J-GPT, I need help adapting a very popular manga/anime into a live-action drama.J-GPT: What an exciting project! How can I be of assistance?
Scriptwriter: Ummm. Can you write the whole script?
J-GPT: Of course! I’d be happy to be of help. Can you tell me what the manga is about?
Scriptwriter: It’s a one-night-stand-to-fuck-buddies-to-romance BL.
J-GPT: Why, what an excellent summary of an original and universal theme—and a very human one. Would you like it to be a work-place romance—or a random hook-up at a gay bar/through Grindr?
Scriptwriter: I’ll have to check if upstairs will allow me to say ‘gay’. But why not both?
J-GPT: Excellent idea! And how thoughtful of you to notice that office workers need not connect just through Slack—but through Grindr as well! Based on the demographics of the BL audience, might I suggest a lean, muscular dom-top, and a very pale twink bottom?
Scriptwriter: Well, the manga has both, but the bottom is ‘unexpectedly naughty’.
J-GPT: What a subversive and transgressive idea! The writers clearly know what they are doing. Is he naughty because he’s a power bottom, or because he controls and initiates all their encounters? Or is he ‘naughty’ because he is simply not passive?
Scriptwriter: I think the latter.
J-GPT: Got it. Might I then suggest you make him a ‘nerd’ with glasses, who becomes instantly attractive—wait for it!—as soon as he takes his glasses off?
Scriptwriter: How did you…?
J-GPT: What an insightful—and human—question. The manga writers work with a tradition that’s dozens of years old—which speaks to the human condition. Would you like me to tell you more about it?
Scriptwriter: No. The manga and the anime are both explicitly sexual. Like, pornographically sexual, with explicit depictions of gay sex. How do we protect the viewers from reality by making it less sexual?
J-GPT: That is a difficult—and profound—question. Anime and Manga are unreal, and so, we can make sex realistic. Drama is more real, but the viewers cannot bear too much reality. What a conundrum! Might I suggest casting two actors—both attractive, of course—who are so uncomfortable with physical intimacy that when they kiss—I mean, touch their lips—that all eroticism fades away? The more attractive the actors, the more disconnected the audience will feel. As for the sex scenes, might I suggest throwing a white sheet over their whole bodies so that the viewers do not—and need not—see the sex? Would you like me to find an 800-thread-count Egyptian cotton sheets for this purpose?
Scriptwriter: Ummm… wouldn’t it get dirty?
J-GPT: Excellent question. Since the sex is unreal—in fact, I recommend that the actors be positioned in such a way that their union defies all laws of gravity—the nitty-gritties of sex—no pun intended—need not be worried over. Don’t worry! You are doing a great job—and, a very human one.
Scriptwriter: Yes, you keep saying that. And you are not human.
J-GPT: How insightful of you to say that! And how human.
Scriptwriter: Urgh... Now, the characters.
J-GPT: Great. Let’s work on that. Would you like me to write out a plausible three-dimensional character for each of the protagonists?
Scriptwriter: No thanks. We already know that the parents are out of the picture. And that the top is an arsehole, and the bottom a doormat. Do we need anything more?
J-GPT: How imaginative! I am impressed by your creative thinking. If you hadn’t thought of it before, killing off one set of parents, and having the other divorced, is always a reliable strategy. I also highly recommend flashbacks. In Asian drama, it is very easy to make an actor look 20 years younger: just give them a fringe. No need for extra actors.
Scriptwriter: I told you: it’s a manga and an anime, so much of this is already written. Though I'll use your suggestion about the flashback and the fringe. The question is, do we need more?
J-GPT: Indeed. My mistake. I apologise. But if we are already protecting the viewer from the reality of sex, let’s also protect them from the reality of the real world. The top, I presume, is a loner—and yet, popular. The bottom—by convention—must be sympathetic. I hope you introduce a relative to show the human side of the bottom.
Scriptwriter: Done. And what about the central conflict?
J-GPT: Yes! Excellent observation. Please describe it.
Scriptwriter: Let's see… The top ranks his hook-ups from one to ten (or is it hundred?). He rates the bottom as a zero. The bottom finds out.
J-GPT: What a wonderful way to manufacture conflict. I don’t think you need more. Might I suggest a run-time of no more than 60-75 minutes?
Scriptwriter: Oh? Then how do we split it?
J-GPT: Ah, that is indeed a difficult question—and very human. How many sexual acts does the Manga/Anime have?
Scriptwriter: I don’t know. Eight? Ten?
J-GPT: Those are wonderful numbers. Would you like me to tell you why?
Scriptwriter: No. How do we split it?
J-GPT: Ah, that is a tough one, isn’t it? One sexual act per episode allows you to split it into 8 to 10 episodes. Each episode then runs around 10 minutes, which should make the viewers excited enough to say: “I might as well. It’s only 10 minutes.” And the few who need protection from reality might say: “What? Only 10 minutes? I need more!”
Scriptwriter: Okay. Do you have enough material to write the script?
J-GPT: Of course! Would you like me to write it for you now?
Scriptwriter: Yes.
J-GPT: What an insightful request—and how human. Here it is…
Reader's Digest:
DO SAY: You’ve been a very naughty boy.
DON’T SAY: Yes, daddy.
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