This movie is very quiet but it works quite well for it. Throughout the entire movie, probably only about 4 songs are played. Three of which are instrumentals and the fourth an extremely calming, beautiful song called Gafsa sung by Natacha Atlas. Music would only be played if a scene needed to be over emphasized. This only happened a select few times in the movie but when music would play it would do exactly that. It would evoke a whole new kind of feeling from a scene.
As for the dialogue, it was also very quiet. In the entire movie, the extras had more dialogue than the two main characters. The main male character, Taesuk did not have a single line while the main female character, Sunhwa, had two.
The plot and dialogue alone may not have been anything amazing, but the idea of the movie appeared not to be focused on a gripped story. Instead, it felt more focused on extracting emotions from the audience and allowed the audience silence to think and interpret the movie without distractions of constant dialogue, music, and plot changes. Its beauty lies in its simplicity.
For people that are into solid plots, surprising twists, complex dialogues, and romance, I would not recommend this movie. But for the people that can appreciate a calming, simplistic movie with realistic themes this would be for them.
This is my all time favorite movie and is the only thing on this site that I'm okay with giving a 10 on rewatch value because no matter how many times I watch it I never get sick of it
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Powerful plot. Solid & unique. Four-dimensional. An enrichment on the KDrama crime thriller market
A solid thriller, laid out across time and space. The fourth dimension has a hand in the investigation. There's a bit of magic involved too.You can expect an suspenseful, opaque story with edgy characters - in particular a cheeky, blustering, stroppy anti-hero as male protagonist. As a writer he is ambitious but probably rather untalented. However, he is also someone who doesn't easily give in and doesn't like to be fooled. And there is this delicate, gifted, mysterious stranger crossing his path…
The criminal act and the perpetrator as such may seem rather familiar, sort of. But pretty much everything knitted around this crime is off the beaten track! With strong characters and powerful plot. An enrichment on the KDrama crime thriller market! With time and space becoming relative...
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As many reviewers pointed out before me: the title of this show is really misleading. This is most definitely NOT a Cinderella story and the difference in social status plays no significant role in the story. The story itself is interesting and complex and all four main characters go through a real development during the series. It's really refreshing to see a story about an intelligent, career-driven woman who (usually) has no problem balancing her work and personal life. Also, she is a scientist (a lab worker of some kind) which is a field not often enough associated with women.
I only wish they would give more space to the character of Yoko. That's my only regret.
ACTING/CAST 10/10
Flawless, but I would expect nothing less from this cast. Oguri Shun is especially hilarious as socially awkward, short-tempered Hyuga Toru and he has great chemistry with adorable Ishihara Satomi who makes her character extremely relatable.
MUSIC 7.5/10
OST is nothing extra special, though several tracks are great. I usually don't like when one song is 'overused' in the show, but I didn't mind with 'Hikari E' . It's an amazing, catchy song that goes well with the mood of the show.
REWATCH VALUE 10/10
I've already rewatched all my favorite parts...oh so many times and I suspect I will rewatch the whole show in the future (also many times).
OVERALL 10/10
WHAT KIND OF FEELS THIS SHOW GAVE ME
This show made me literally giddy with joy. And I mean all the episodes, not just the ending. Despite the fact that some plot points were quite predictible, it never bore me. The Special was superb and it gave a great closure to the series (which is kinda rare in the world of dramas...). I admit I am not praying for the second season. Second seasons are usually worse than the first ones and I am afraid they would ruin this perfect show.
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However, here on MDL, this drama officially goes by its best and most appropriate title "Doctors". If you're looking for a straightforward, romanticized show about what it really means to be a Doctor, this is the show. If you want lots of action, lots of drama, and lots of clichés, you're in the wrong place. While it starts very fast, this is ultimately a very dry, low-key show that bucks typical drama conventions in favor of telling a "more realistic" story. Does that make it less interesting than other popular dramas? Perhaps. But it doesn't make it valueless. There's a lot to like here.
STORY
You're not going to find a kdrama story quite like this one very easily. While it's a romance, they don't drag the will-they-or-won't-they all the way until end. While there's a love triangle, it's a very sharply angled isosceles: one of three arms of the triangle is really short and it's clear from the beginning that it has no chance. While it's a drama, it has no mustache-twirling villains, only complex characters that make serious mistakes and end up hurting others simply because they struggle to face the reality of their wrongdoing.
These things aren't necessarily going to work for everyone, but for this reviewer, they all combine into an enjoyable and, most of all, refreshing experience. The flip side of this is that often times the plot seems to lack teeth; it doesn't grab you and hold on, forcing your heart to come with it. While the first few episodes are action-packed and energetic, the show mellows out immensely toward the latter half, eventually getting to the point where the directing felt almost lazy. This show is largely a leisurely stroll, which can be very pleasant but simply is not the experience we're set up for in the first quarter.
The main romantic pairing quickly becomes the driving force of the show and remains such for the entire 20 episode run. However, it's not your typical kdrama relationship full of peaks and valleys and Noble Idiocy. It's clear the writers wanted to tell a more sensible and realistic romance story, for better or for worse. The combination of almost complete focus on this one relationship while simultaneously making that relationship feel very "normal" definitely results in an end product that lacks dramatic punch and hurts the secondary plot threads. Those secondary threads, however, are delivered with the same understated feeling as the main plot. If you want "larger than life" storytelling, you're not going to get it here at all.
On a random side note: at one point, about halfway through the story, we're teased with a possible side romance with one of the nurses, but that plotline goes literally nowhere and is completely dropped by the end of the show. This kind of sloppy handling of the material makes me wonder how much of the script was being rewritten during filming. It is possible, though, that it was simply a matter of a needed actor/actress suddenly becoming unavailable.
ACTING/CAST
Definitely the strong point of the show and possibly the only reason it's as popular as it is. The four leads all do a great job. PSH is as good as ever, which is kind of surprising since she's never done a role quite like this one. You'd think she'd have some yips or letdowns for her first time branching out into a new character type, but nope. She's lovely and wonderful, and her portrayal (like most of this show) is especially strong in the early episodes.
Kim Rae Won, who plays the first male lead Hong Ji Hong, is one of the most charming actors I've yet to discover in kdrama. A great voice, interesting face, and lovely smile, he performs the first lead here perfectly. I can't imagine another actor playing this odd and unique role, a character who values self-control and communication above all. Imagine that, in a kdrama! Compared to the usual selfish and emotionally infantile male leads we often get in typical romances, the Hong Ji Hong character is a most welcome change.
Yoon Gyun Sang seems to be very popular, even if he perpetually looks like he's had an allergic reaction to something. Although I didn't like him much at all, at first, he won me over by the end. A good performance to go with yet another unusual character. if you ever wanted to know what it's like to be on the losing end of a love triangle IN REAL LIFE, his story is basically that. It's worth seeing.
Last but not least, we have Lee Sung Kyung. Although her character is the trope-iest one (mostly just your typical Mean Girl trope, but with a more sympathetic twist), it really doesn't matter too much because.... well, I'll be honest, Ms. Lee is ridiculously attractive. Seriously. She's surrounded by beautiful women and even among them she stands out. I'd love to see her in a role where she can smile more.
All that being said, the supporting cast here is strong enough on their own to make the show worth trying. My two Honorable Mentions for the Supporting Cast go to:
1. Baek Sung Hyun as Yeong Kook, who I dubbed "Dr. Glasses". He starts as a very odd and (somewhat) forgettable character, but when the writers found an interesting hook for his character, Sung Hyun took it and ran with it. Sung Hyun seems to be particularly skilled at delivering subtext with his eyes.
2. Of course, I have to mention my new crush (I get one almost every show), Pyo Ye Jin, who plays a character I affectionately referred to as "Nurse Cutie Pie". Although her role is very minor, her portrayal was stellar. You'll never tire of her smile. The writers gave one big scene to her character early on and, after she utterly blew it away with her adorableness, they wisely gave her at least one speaking scene in every episode after that. Ye Jin is 24 years young and would be great in a starring role in the future. I may soon watch my first ever Family drama because of her.
MUSIC
Strong but standard kdrama fare here. Lots and lots of vocal themes, so there won't be too much repeating. In fact, they re-use themes here at just the right pace; enough to get the songs in your head, but not so much that they start to annoy you. Special mention to the tracks "It's Love" and "No Way", which are the best of the best here. If music is a deciding factor for you, just listen to those two tracks to get a good sense of the quality of "Doctors" in this category.
REWATCH VALUE
Unfortunately, there's no getting around the fact that there is absolutely very little RWV here, especially the closer you get to the climax. While most kdramas try and build toward a climax that is exciting and satisfying that you want to see over and over, this one does the opposite. Early episodes are full of exciting character moments, culminating in perhaps the most rewatchable scene of the whole show involving a rooftop, a helicopter, and the best romantic character reunion ever.
However, toward the latter quarter of the show, almost every episode can be described thusly: "two or more characters chat about plot with each other, then someone gets a phone call, they answer it, then it cuts to another scene where there is more chat about plot, and then someone gets a phone call, they answer it, and they cut to a new scene where they chat about plot, and then YOU GUESSED IT, someone gets another freaking phone call and the cycle starts over."
All of that does not make for a high RWV score, as it's bad enough to sit through the first time.
BOTTOM LINE
Despite being better than most kdrama in many areas, this only gets a solid 8/10 from me, and no more. It has too many issues to justify anything higher, despite how strong it is in other areas. However, on the flip side of that, it's way too good to be lower than 7.5. If you're looking for a solid 2016 drama with a great cast that delivers lessons about communication, professionalism, and relationships, you won't go wrong here. Just don't expect the plot to blow you away.
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You can't bring a sword to a gun fight.
Like many wuxia fans, I consider Jin Yong / Gum Yoong (Cantonese) the greatest wuxia writer of all time. Side Story of Fox Volant 飛狐外傳 is one of his early works. It was written shortly after The Flying Fox of Snowy Mountain 雪山飞狐, which is both a prequel and a sequel. Unlike many versions that combine both novels, Side Story of Fox Volant is adapted as a stand-alone story. Despite some meaningful changes, this adaptation captures the essence of the original story, the spirit of martial heroes or daxia/大侠 and the vagaries of jianghu/江湖.The drama is action packed with fast paced, intense, starkly violent and brilliantly choreographed combat sequences that will satisfy any hard core wuxia buff. Slow motion is used sparingly for maximum brutal impact. No one has magic qigong or special powers. The main fighters - Hu Yidao, Miao Renfeng, Hu Fei and Tian Guinong are swordsman with distinct combat styles and battle advantages. When they clash it is very muscular and lethally up close. The nimble Yuan Ziyi's weapon of choice is a whip, which minimizes close encounters to compensate for the physical disadvantage of being a woman. With each episode I think the action has to be as good as it gets but to my surprise and delight, the production keeps delivering into the final wulin arc. The wulin arc in terms of both plot design and action is the best I have seen. While Miao Renfeng and Hu Fei's martial teamwork in episode 22 may be the best of the best, the ending battle encounters are inventive, exhilarating and savagely satisfying. The action scenes are this drama's strongest point and are worthy of multiple thrilling re-watches.
I am not a fan of the trend of whitewashing characters, especially Jin Yong's characters. Jin Yong is the master of multi-faceted characters. His heroes are flawed. His villains have redeeming features. Nobody is perfect in the Jin Yong universe. So when writers have the audacity to tweak his characters, they usually muck it up. When it comes to earlier, less refined works like this, I don't mind so much as there is room for improvement. While this version does a good job with Yuan Ziyi, Hu Fei is disappointingly adapted beyond recognition. The attempt to make Tian Guinong and Nan Lan empathetic is nauseating and boring. This is one of the four don'ts Jin Yong specifically warned against in the preface to the latest edition of the novel.
This is one of the author's darker, more cynical works. Most of the characters love too well but not wisely - Hu Fei, Miao Renfeng, Cheng Lingsu, Ma Chunhua, and Nan Lan. The heart wants what the heart wants, consequences be damned. Nan Lan and Ma Chunhua are selfish and don't care who they hurt in the process while Cheng Lingsu, Hu Fei and Miao Renfeng are noble idiots. They all pay a terrible price for following their hearts. Yuan Ziyi is the only exception; she dares only to hate but not to love.
Yuan Ziyi is one of Jin Yong's most under appreciated and saddest heroines. She is the only heroine who is not an extension of the hero; she is on her own independent path to salvation. Born from an act of violence, she is consumed by self loathing; doomed by unkind karma to seek justice and then live a life of atonement for the sins of her father. In the context of her beliefs, if she breaks her solemn oath she will only prolong her bad karma. In the novel, she acts out and does very controversial things. These actions drown out her piteous backstory and make her a widely disliked character. This adaptation deftly writes out those events, enabling us to see her in a more empathetic light. Her shifu should have been left offscreen as her pressure obscures Ziyi's own resolve to keep her vow. I always feel terribly sorry for Ziyi; she never had free will. She is alive but she does not live. I am not sure that chanting sutras into oblivion is a better fate than death, which is final liberation from all suffering. I don't love Liang Jie's acting but her Ziyi impressed me. The slightest shadow of regret in her eyes in a stone cold face and her ability to convey so much beyond her words moved me to tears several times.
Even though Cheng Lingsu is a clever character, I never found her relatable because her entire reason for existence is Hu Fei. But to my surprise, I like Xing Fei's warm and personable rendition of Lingsu. Her Lingsu is devoted to Hu Fei without coming across as a doormat and she gets him out of many tight spots with her quick thinking. The complex entanglement between the three of them is well portrayed. Hu Fei's chemistry with Ziyi is tangibly different from his dynamics with Lingsu, making it immediately obvious who he loves and who loves him. He is much more of one heart with Ziyi and they instinctively act in unison with little need for communication or explanation. Whereas Lingsu is constantly reining Hu Fei in and giving him instructions that are at odds with his natural instincts. When he can't help disobeying, he appears reckless and unintelligent. This character flaw arguably contributes to what happens to Lingsu at the end. There are better ways to show that Hu Fei is less in sync with Lingsu without throwing his character under the bus.
Lin Yushen's Miao Renfeng steals the show in this drama. Criticism that his Miao Renfeng is too much like his Yang Xiao in Heaven Sword is fair but he is so cool and he pulls off the character's inner conflicts and emotions so well that I don't mind. This performance anchors the drama for he is the martial hero of this story, His code of honor demands that he does the right thing even when it is the wrong thing for himself and those he loves. I wouldn't object if they call this the Legend of Miao Renfeng because of this compelling portrayal of what it means to be a daxia. Even though he is movingly handsome when he is suffering, the story wallows in Miao Renfeng's betrayal and loss for too long. The tawdry Nan Lan/Tian Guinong arc is a boring extended digression. The opportunity missed is that Hu Fei and Miao Renfeng do not get enough scenes together. They have remarkable combined chemistry and their joint fight scene is the one of the drama's best.
As for the titular character Hu Fei 胡斐, (which is a homonym for fox volant or flying fox), I always loved his character design. Far from being infallible, he is a work in progress - young and smart with tons of potential but a bit hot headed and too idealistic. He is the people's hero; the guy who demands justice for the underdog regardless of the cost to himself. His best traits, this strong sense of righteousneous and his willingness to fight the unfair fight is dumbed down to recklessness and even stupidity in this adaptation. He is written off as a bull in the China shop whose hot headedness could wreck the Red Flower Society's mission to save wulin. He doesn't accomplish much on his own and without Ziyi and Lingsu, he'd have died many times. It does not help that despite his phenomenal acting, Qin Junjie looks a bit too mature to play an 18 year old.
Despite good pacing, the plot digresses into too many dull sub-plots and arcs. This is an issue with the original work, which this adaptation already cleans up considerably. The Nan Lan and Poison Valley disciple arcs are the least interesting and Hu Fei deserves to be less peripheral in the reveal of the conspiracy behind Hu Yidao's death. The wulin arc brings the story to a climax, one that exceeds that of the novel on some fronts but is a let down in other aspects. Good characters die in wuxias, it is par for the course. But their deaths must be worthy and not gratuitous. What I dislike most about the ending is that it unnecessarily sacrifices a knight errant after they capture the king. It is a futile sacrifice because you can't bring a sword to a gun fight. Sadly, the advent of guns heralds the demise of jianghu and martial heroes.
This is a good adaptation overall that is limited by original works that lack the finesse of Jin Yong's subsequent masterpieces. The novel is already too dark and unbalanced. It is not necessary to outdo Jin Yong in how incredibly cruel he is to Hu Fei. Despite its darkness, the novel still ends on a note of optimism because Hu Fei's journey continues. But in the drama Hu Fei seems to be left to live largely in the past with two women, one too old and too icky for him and another so young it would be too icky. Thus to me this is at best an 8.0 in terms of storytelling that I bump up to an 8.5 for the not to be missed fight scenes. Nonetheless, this wuxia takes you on a stirring and addictive journey that is well worth it - as long as you do not need a Disney ending.
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YESSS
this show reminded me of 2521 so much that i thought the ending would be bad, but personally the ending wasnt a bad ending since they didnt breakup which i find most important, but they didnt serve yk with that ending, but anyways this show would definitely be a good show to binge if thats what youre looking for, whilst watching it i wouldve wished someone told me it was a good ending so i didnt have to be so scared watching them fight or anything, i think 2521 left us with trust issues lmao, i definitely recommend this show btwWas this review helpful to you?
It has the overused tropes that most kdramas always has; college setting, hate to love, opposite attract. But it's developed really well!
The acting was good
Tbh PJC's acting was kinda robotic at some parts, but i think it was part of his character so it doesn't bother me much. Main leads chemistry was amazing.
The pacing wasn't rushed like most kbl does. The cinematography were well done
Music was good, my favorite would be Romantic Devil by Coldin.
I don't usually rewatch dramas. But this one is an exception. There's not much episode, so i could finish it in one sitting.
Overall -
If you like to watch some light hearted romance with overused tropes, i recommend you this
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This was a real surprise
When I first watched Ep 1, I could barely get through it - it just seemed so ridiculous, slapstick, and annoying. But a friend urged me to go back to it, and I'm so glad I did.When you first watch, the laugh track and sound effects will be annoying. If you're not Thai, some of the laughs appear to be in the wrong places, but remember, a lot of wordplay is missed in translation. But soon you stop noticing the track, and it is toned down after the first episode.
This is a classic enemies to lovers trope, but there are some original spins on it. The series appears at first glance to be episodic and without progress in the relationship, but it's there. It moves at a different pace for Diao than it does for Rak, whose feelings are fairly clear by the middle of the series, overtly revealed in a powerful moment - you'll know it when you see it. And by the end things start moving so fast that it's quite surprising, but never feels rushed or unearned. There are many, many moments that you'll really feel. Yes, there are the way-too-long stares (a LOT of these), but somehow they work (and when you're watching the full-episode version, you're getting both ends of a segment break, so that makes these even longer). But by the last quarter of the series, the way Rak looks at Diao could make a block of ice burst into flame.
I've seen commentary and reviews deriding the seme/uke dynamic between Rak and Diao, but there's a point being missed. First, Rak holds "power" at work because he's the boss, but Diao does at home because he's Rak's landlord. Rak is older and much more mature than Diao, but Diao isn't a classic uke at all - this is highlighted by the opening scene, with him showering and showing off his ripped body, usually the preserve of a seme. He's smart and capable, strong-willed, and can walk without tripping and chop vegetables without cutting himself. In fact, it's Rak that ends up having the physical mishaps and Diao has to take care of him.
This is highlighted in contrast by the fujoshi, who throughout the series is writing a BL about Rak and Diao - and in her story, the guys are an extremly classic seme-uke duo, and their interaction in her scenes, which are adapted from observing the "real" Rak & Diao are far more overtly romantic and tropey. And as such, they lack the electricity of the real interaction, and the power struggle and heavy ribbing are smelted down into stock BL cliches. This is a critique of the seme-uke duality, and underscores how pigeonholing characters into these boxes removes a dynamism in their interaction which has so much more heat when there's an equal give-and-take. Normally all the teasing is done by the seme, which makes the uke sulk. When Rak teases Diao, Diao hits back just as hard, and occassionally even wins the exchange.
As an example, there's a scene where Diao is going on a date, and he wants Rak to stop him. The fujoshi sees it, and in her version Diao wants Rak to give him a reason to not go, and Rak says "because I love you." and Diao responds "that's all I wanted to hear" and they embrace. The "real" scene is wrenching and the desolation and longing are visceral.
The main pair are the usual heteronormative types that are ubiquitous in almost all BL - but neither show any interest in women at all. Diao expresses an interest in the idea of finding a woman, but is never interested in any actual women, and when he realizes who he loves, he accepts it without any of the common "but we're both guys!" And their chemistry is insane.
The two leads are excellent. They both have great comic timing, but are also capable of subtle emotion and speaking without saying anything - Diao is especially good at a glance that is not OTT, but clearly says "f&*% you." Both of them are easy to look at, espcially Rak, who is absolutely gorgeous, and the wardrobe is outstanding - their outfits are often wow moments, although there are a couple that won't age well, like Rak's fluorescent blue plaid suit. Rak tends toward a masculine wardrobe, and Diao is high fashion, with beautiful color combination.
I would never have expected it, but this is one of my all-time favorite series, and I can't recommend it highly enough - but give it time if you decide to watch it. You may not like it much at first, but I guarantee it's not as silly as it first seems.
Story: 9 - the episodes are tightly written and almost all of them are self-contained, and yet part of an overall arc. Things that happen don't disappear never to be referred to again - in fact, there are things that happen in the first episode that are very important towards the end. The balance between the characters is handled with great skill, and nobody behaves like an idiot just for the sake of the plot (although there is immaturity, but that's not the same thing).
Acting : 9 - excellent with surprising range, especially Win as Diao, which is a tough role. He's impulsive and immature, often almost obnoxious and often ridiculous, but fundamentally sweet, and when he's sad it hits you, and his drunkenness is the most realistic I've seen in a BL.
Music: 9 - some of the best I've encountered in BL. It doens't just support the story, it elevates scenes and gives them quite a bit of extra power.
Rewatch: 10 - I've seen each ep three times - once raw, once with fan subs, and again with the offical subs. There are scenes I've watched a dozen times.
Overall: 9.5 - I'd have to put this in my top handful of BLs. It's not the most profound thing you'll see, but it's a real pleasure to watch, and it's a lot smarter than it first appears.
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Complementing couple; Faithful Love; Outstanding Production
Don't sleep on this drama! Perfectly all I wanted in 1 drama. I want to rave how good this is in the hopes more people will give this drama a watch.Unlike the trailer or the opening theme or the ending theme.. this drama is NOT frivolous or cheesy or over-the-top comedy. It has drama but not melodramatic, the romance between the leads naturally developed and tug at your heart strings..sometimes cute and sweet but always very believable. Theres silly antics and some good humour too.
The direction is spot on. Because all the scenes come out beautifully. What makes this drama special is because you dont expect it to move you BUT it does. All the emotional scenes are well crafted and well acted out. I become FL and ML's champion, I root for them, I care for them. I'm with them every step of the way and truly invested.
The cinematography is gorgeous. Their wedding scenes was grand and beautiful. Many backdrops at the manor was picturesque.
The true star of the drama is how beautiful the writer wrote Xi Ruo and Hong Bin's love. Almost tongue in cheek because Xi Ruo is the 'sweet liar'. Yet she comes clean and confess to ML before the wedding. Unlike other contract or fake marriages, both leads are a picture of happiness during the wedding because there is already affection and attraction. Even as XR still harbors secrets, HB isnt oblivious or stupid but gives time and space to XR.
I love when HB said to XR " To believe you or not, is up to me. But to trust me or not, is up to you". And from the moment he took her hand in marriage he has always chose to trust her. He exemplifies how a husband should be: trust, respect, cherish, protect and love his wife. Throw in his puppy face..thats a bonus.
So all the antagonists, all the hard moments, as watchers they dont become frustrating because XR and HB never falter. Time and time again we even get surprised by the neat plot.
Hong Bin and Xi Ruo is such a complementing couple and they truly give off lovers, husband wife vibes. Kudos to the leads and their acting as well as Director Cheng that helmed this amazing production.
I hope other dramas can learn from this drama. Lovers who only have eyes for each other, hearts never waver and whose relationship is built on communication and trust. And emphasized background is not important and the meaning of family. Perfect Perfect Perfect all around. The stamp of humour just makes it more fun. Its now time to rewatch again.
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1Is there A REASON not TO WATCH IT????
First of all, talking about the story of this drama, it is nothing special, you might have already come across this kind of story trope - but what makes it so special is - we all know it is Lin Pei Yu's novel based drama. Her writings may not be unique(my opinion....no offense LOL) but the way she portrays the story makes it more interesting and gives you a feeling that this is the first time that you have come across something like this. Aslo, the character development.......oh! tell me about it......I can talk about it the whole day hahahaha. Each and every character is given its own importance. She defines every character to be so adorable.So yeah, If you like Lin Pei Yu's previous works(We Best Love 1 & 2, My Tooth Your Love, Few of HIStory series) then have no second thoughts, watch it you will definitely love it!!!
Now, coming to the acting. I feel that the actors have done a good job but I felt like they can do even better. According to me, the actor who portrayed Ai Di's character slayed it!!! He stood out the most because his character is the most mature character I have come across even though he was just 18. OMG!! he understands when to make a move and when to not....so mature.
Also, at one point of time I thought the story is not progressing at all but at another point of time I felt that the story is just going fast paced. Yeah! The stability and the balance in the flow of the episodes is not well maintained(acc to me). If you are binge watching it you might not feel this way tho. But I have no complaints nevertheless.
I felt that the leads(main leads and the second leads) have great chemistry and the team tried their best to portray it. But my only concern is that the chemistry could have much more better. Still a big kudos to the team and actors for giving us this enjoyable show.
You can just understand the gist of the story if you watch the trailer. Maybe not the entire story but you can know the genre and the elements like what you can expect from this drama. Even if you think few elements are not your type like the Memory Loss stuff or the Time Skip stuff, I still suggest you watch this drama because this drama is more that what you think it is...So Give it a shot!!
PS - Have no Second Thoughts. It is worth your time. Go WATCH It!!!!
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The casting for this movie was perfect. Kang Ha Neul and Park Seo Joon just work SO WELL together. As reluctant police academy students, they were the best of bros and I was 100% here for it. Ki Joon and Hee Yeol's brain-brawn dynamic made for a wild ride, and I can't think of anyone else that would have delivered like these two did. They played off of each other, and after hearing that they ad-libbed quite a bit during the movie I was sold -- that friendship did not seem like acting at all. The bromance was so strong in this.
Midnight Runners was a great example of what a buddy-cop movie should be (though if you want a super serious police procedural, this isn't it). It balanced Ki Joon and Hee Yeol's light, easygoing antics with the gross (and tbh, kind of scary) villains. Also, it was INFURIATING, and I do mean infuriating at one part. I mean, ignoring a very real, serious issue just because protocol had to be followed?? I was about to tear my hair out. It was so, so frustrating.
Midnight Runners' only issue is that the action doesn't really pick up until around the second half of the movie. The beginning is more of a buildup of Ki Joon and Hee Yeol's dynamic, which I'm not complaining about, but the actual conflict doesn't really begin until about an hour into the movie.
Overall, Midnight Runners was a solid film. It's not anything heavy, and I can definitely think of worse ways to spend 1hr 50min. Even if cop movies aren't really your thing, the bromance and the way the two leads build off of each other is worth watching.
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Phenomenal and addicting! So good!
I normally only leave reviews for shows that really impresses me. I can only say wow! It's rare to see a story with strong leads that stay strong all throughout the series--when I say strong I mean leads who aren't foolishly blinded because of "love" and are strong all on their own regardless of the other person(s). They are independent and can make their own decisions. I love that there aren't any of those annoying drawn-out misunderstandings that historical dramas usually have.Both characters of ML and FL are very likeable and loveable all on their own, with their own individual quirks which makes their coupling even better. Also, for once the main girl has a good family--no family drama which is really refreshing for me. The FL is strong, fierce, smart, has good martial arts, has influence and confident which is uncommon for historical dramas. The ML is equally great. I also especially love that they incorporated comedy appropriately into the show. I laughed so much almost every episode and there were a lot of "aww!" scenes. This is a very fun and wholesome show.
Both Neo and Gabrielle did such a phenomenal job displaying their character and roles. The storyline is unique and refreshing; misunderstandings are resolved without viewers having to pull their hair out from frustrations. I'm currently on episode 36 of 40 and will be sad once the series is over. I already know this show is worth a re-watch!
**EDIT: I have now completed the series--all 40 episodes. I am so sad that this show is over, but really enjoyed watching it. I have already re-watched twice. A very addicting show and also quite uplifting and wholesome. This is a great show to watch, especially for those who hate angst-filled dramas because this drama is not--it's more light and fluffy. ♥
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This review may contain spoilers
Most of the die-hard fans of this drama will hate me for this, but "Nice Guy" honestly isn't anything new in the world of revenge dramas. You have your typical hodgepodge of birth secrets, revenge stories, murders and amnesia- not just once, but twice. There are gaping plot holes, crazy scenarios and messed up character motivations, but if you abandon all reasoning and logical thinking, this drama can be one of the best you've seen.Story: I liked the idea that Ma-Ru at the beginning was a much darker character than we've seen in other revenge dramas. He wasn't afraid to use people and was okay with being used himself. What made him interesting was watching his transition from a shell of a human to someone who had something to lose. I also loved Eun-Gi's character in the beginning, she was passionate yet cold, bitchy but kind, and was an amazing mix of all these opposite traits. I didn't particularly like her personality transformation in the second half of the drama because I felt like the writers only changed her to fit the plot and she became a puppet to the rest of the show's whims, but she swung back in my favor later.
Actors: Let's face it. "Nice Guy" would not have been as popular if Song Joong-Ki hadn't played the main lead. Because he is an A-list actor, it drew in a crowd, since he is a good actor, this drama kept its crowd. That being said, Joong-Ki is the actor that holds this drama together. I'm not saying that Moon Chae-won and Park Si-Yeon were bad- they were actually surprisingly good in their roles- it's just that Joong-Ki stole the show.
Music: Nice and dramatic, it was used well to tie together certain scenes in the show.
Rewatch Value: Since this show was one of the more unpredictable ones, the second time around will not be as good, but it will be alright.
Overall: I feel like "Nice Guy" should come with a big neon sign that says: "All ye who enter, abandon all logic here". Because honestly, the only way you will enjoy this drama is if you don't think about it too much and just go with it.
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Once in a year healing warm pure romance Korean drama that we all wait for.
YES! YES! YES! You read it right. "You Are My Spring" comes under the category of slow-paced, pure romance dramas, that the Korean Drama Industry makes sure to present us with, every year at least once. And, it's not just warm, it contains plenty of healing factors which are necessary in a relationship because opening up to each other and growing up while tending to each other's wounds, is the most important thing.As a drama, I feel, it has done a very amazing job in justifying the genre, giving off the warm romance vibes and making me cry a loads and healing my heart. Only disappointing thing about this drama is how miserably the writer failed while attempting to blend a secondary murder mystery storyline to such pure romance genre. But since the 2 storylines went seprate ways for most of the later parts, I am gonna ignore it while reviewing the drama. Although 2 different storylines with the least relevance is a major drawback for any story, I think it's fine in this case because, the thriller part is only 10-15% of the entire story, hence avoidable. This is definitely going to my top 10 romance drama list.
STORY & PLOT:
The drama majorly involves 2 people, Kang Da Jung (Seo Hyun Jin), a manager at a 5 star hotel and Joo Young Do (Kim Dong Wook), a reputed psychiatrist doing multiple jobs. They meet each other as neighbours in the Gugu Building after renting different floors (3rd and 2nd respectively). Shortly after it, both of them find themselves connected to a criminal who supposedly has had encounters with both the lead characters in a shelter home when all 3 were children.
Both Kang Da Jung and Joo Young Do have their own stories of traumatic childhood. Kang Da Jung, a witness of her alcoholic abusive father beating her mother every other night, has the scars from the past days when she had to live under a scary roof protecting her younger brother. It's been long she feld with her mother and brother silently over the night but she still has that knief stuck in her neck. Joo Young Do, the second child and a potential donor to his terminally ill older brother, was always made to feel responsible about his brother's well-being even as a kid. Upon the older's demise he was left out from his mother's love and later developed a bad heart for which he got transplanted.
Kang Da Jung, who inherits her mother's trait of picking up wrong men to date, has failed in relationship several times where as Joo Young Do, who got married to an actress to help her get better, still avoids dating in the fear of ruining someone's life bcs of his heart conditions. They keep bumping into each other after moving to the Gugu Building and also encounter each other at unusual places because of the murder case. Young Do as a psychiatrist can see through Da Jung and secretly wishes to help her out. Da Jung on the other hand finds Young Do interesting but recent events make her avoid bonding with strangers. So the drama is all about them becoming closer, helping each other to sort out their pasts, healing each other's scar and most importantly, falling in love with each other in the mean time.
The plot development of the primary story, i. e. the romance is very niceeeeee. I am soooo very happy with the story. The slow-paced, quite and gradual progression of the romance in an adult relationship is like once in hundred moment in Korean Drama World and we must realize, You are My Spring is one of them. Not just the lead couple, there are several several short yet detailed storylines for the side characters, be it about their dating life or families or work places. And I am happy those side storylines also have great relevance with the major storyline because all of the side characters revolve around each other as in live close or work together or are deeply bonded.
The primary plot of romance between the leads is accompanied by a secondary murder mystery plot where one of the main characters with connection only with the 2 protagonists is drawn. This part and this character is very unnecessary, I feel. This secondary plot could have been easily wrapped up within 6 or 7 episodes so that the story would have continued only with the romance part because all we saw about the thriller parts were hardly 10 mins per episode. Anyways, I am not gonna talk much about this part since it's totally essence less in the story.
CAST & ACTING:
I can't help but give the production 10 out of 10 because of this amazing cast. There are few unfamiliar faces here as well along with some moderately popular actors but all of them did a very good job at their respective roles assigned to them. Given that the characters are fairly drawn, all of them have succeeded in justifying whatever they were provided with and what could be more satisfying than that?
Seo Hyun Jin as Kang Da Jung is one of the most suitable choice as she has done similar files in "Another Miss Oh" and "Temperature of Love". Her expressions are always on point, no matter what the situation is, and I have always loved her acting. Seeing Kim Dong Wook in his post 2015 dramas has been a lil kinda feeling for me because of the way he's changed from a cute lil kid in Coffee Prince (2009) to a well grown adult now T T. He never fails to mesmerize with his cuteness and acting.
I have loved Yoon Park all along but here his character and the secondary plot provided to it are really unnecessary, so I am not gonna say much. Anyways, he looked extra handsome in this, I must admit. Nam Gyu Ri as Ahn Ga Young, a depressed actress, did justify her role. I have loved her dialogue delivery style and her character is lovable. Kim Ye Won as Park Eun Ha, Da Jung's friend and the owner of the ground floor coffee shop is straightforward and cares a lot for Da Jung. Ga Young, Eun Ha and Da Jung's trio friendship chemistry is worth falling for. The other trio was of Young Do and his 2 best friends, Seo Ha Neul (1st floor Vet), Chunk Seung Won (variety show PD). These guys were so cute together and loved the way they have been maintaining this long-term friendship.
Another character is Moon Mi Ran, Da Jung's mother played by one of my fav ahjumma Oh Hyun Kyung, which I loved so much. Whatever she went through in the past and how she overcame that plus raised her 2 kids and also how she's living her life in the drama, everything is very well portrayed.
Among others, Park Chul Do (Eun Ha's twin brother), Kang Tae Jung (Da Jung's younger brother), Oh Mi Kyung (Young Do's assistant), Park Ho (the asst. Detective), Heo Yu Kyung (Da Jung's colleague), Min Ah Ri (cafe part-timer), Ko Jin Bok (chief Detective), Patrick (Kpop idol and Ga Young's boyfriend) and Han Jin Ho (Ga Young's trainer) are some notable characters. Even with small screentimes, these characters bloomed very well in their own ways.
DIRECTION & SCREENWRITING:
Direction is very good as well. Given the story is extensively relevant to the past events of the 3 main characters, the production had a lot to do on their plate and I feel that's been well executed. The sound editing of first 5 or 6 episodes kind of gave off the feelings of this drama being a thriller genre. It was dark and intense enough to make the audience anxious about what might happen next.
The writer with less experience has done a good job in drawing the plotline of the entire drama which is possible when you are aware of numerous shades of relationships and the most important thing in the process of love. The intensive romance by the means of healing the other's heart is the best kind of romance which has been very beautifully written in the story. Also, it's quite rare for Kdramas to draw subtle yet meaningful storylines for the side or supporting characters but if you see, this drama delivers them very well. Not just one or two, all the slide storylines were cute and made me feel good.
The only DRAWBACK of this drama is the secondary thriller plot. I think to make the story extra interesting as well as to fill the quota of 16 episode drama trend, the writer added the character of Yoon Park as well as it's storyline. There's no definite second lead syndrome here anyways so that way, they should have limited the thriller part to first few episodes and tried to wrap that up asap. But they dragged it till the end which could have been i interesting if it were related to the lead couples to a great extent. It rather was a whole different story with the 2 lead having nothing to do with. Yoon Park was seen with the 2 leads separately only in few scenes and also the mystery part is given hardly 10 mins in each episode following the 4th. So in my opinion, this secondary plot could have been easily avoided even so the drama had to end with 14 episodes. May be the writer wanted to make it lile "When The Camellia Blooms" but it became a waste.
OSTs:
There are plenty of OSTs along with more than one versions of few tracks. "In Ruin" by Raiden is an slow yet intense track. "Because its You" by SURL is a beautiful softcore healing track that's been well used in the drama. "Still Wonder" by Ha Hyun Sang is a jolly song that makes your heart flutter.
"A Butterfly Flew Away" is a feel good song with beautiful lyrics sung by Kim Min Seok and gives off the oldschool Kdrama OST vibes. Another OST of the same vibes is "Dear My Spring" which is both healing and sad at the same time. Our dear Onew has sung this.
"Falling Flowers" by Yang Da Il is a heart-wrenching sad track that was used while showing the childhood stories of the 3 leads which made me cry every time I listened to it. In fact, the drama starts with this song. "Cliché" by Kwon Soon Kwan and "Me So Bad" by YOARI are 2 happy-go-lucky tracks. Notably, "Falling Flower" has a Da Jung Version sung by uri yepoo noona Seo Hyun Jin.
The instrumentals of the above mentioned OSTs plus the background scores are all well utilized. First few episodes were a bit confusing because they used thriller sound devices which later shifted to warm romance vibes.
DESCRIPTION:
Well, you might think I am overreacting by saying the same thing again and again but this drama is actually very good. It's totally my type of healing romance Kdrama, something that I always wait for. The way Da Jung and Young Do went from becoming strangers to acquaintance neighbours to friends to finally lovers is such a beautiful course events to witness throughout the journey. Their way of accompanying each other, extending hands to each other, listening to each other, trying their best to understand each other, tending to each other's wounds as well as healing every lil corner of each other's heart, are very warm and a wholesome feeling. They gave their 100% in building trust between them by means of hit & trial method. They did crazy things together in a snow evening. They believed each other during the times of odd. All these things are parts of a warm and healing love story which seemingly disinterests a huge no of audience but that's their fault of having no taste, ngl.
The relationship of a mother and daughter between Mi Ran and Da Jung are notable. They didn't only look like friends by looks, they actually lived their lives as friends. Da Jung relied a lot on her mother as a kid even when they were poor and had to go through domestic abuse. Now that she's a grown lady, her mother has become a companion in her life, giving shoulder to all her pains and celebrating on her even days. In fact, Kang Tae Jung is also close with her mother and sister and them as family grew stronger given they had a shared past of darkness which they have overcome and been living together.
Friendship is another device that's nicely utilized in the drama. Starting from the all guys trio of Young Do, Ha Neul and Seung Won that showed the essence of long term friendship, then Da Jung, Eun Ha and Ga Young, the all girl trio that showed how people befriend strangers at different stages and various situations.
Brother-sister relationship, idol/actor dating life, after effects of long-term dating and breakup, professional life in Police Station, Hotels and Hospitals, bonding between employee and employer, etc are some other notable relationships portrayed in the drama. And, as I have already mentioned, the arcs of all the side characters are very well done. That's what also wins points for this drama.
The thriller plot ended right before the finale so it was kinda relieved and I love the ending as well, just like a warm pure romance drama should end. I was actually afraid things between Da Jung, Young Do and Da Jung's mother will turn somewhat typical family drama in the last 2 episode but thankfully it didn't happen. The level to which my heart has been healed by this drama, by crying, laughing and smiling wide is unexplainable. I am very happy about that.
Last thing I would like to add is how some people are complaining that there is no chemistry between the leads at all. Let me tell you that, the kind of romance and chemistry we see in pure romance are all almost the same whereas this drama seem to have tried a different approach. In real, every other relationship is different, in fact the definition of love, dating and romance are different for different couples. Nobody needs to kiss, hug and be clingy all the times or even to keep saying cheesy stuffs to express love and prove chemistry. Morever, friendship between a couple should be the most important factor in a relationship so even if they act more like friends than couples, it's totally fine. Let's go beyond norms. Let's not set boundary for a beautiful thing like by forcing our own definition on others. Let's be open-minded and let people live their lives however they wish to.
CONCLUSION:
Overally this drama is a very nice. I already said I am not gonna judge or even think about the thriller secondary storyline but it anyways a part of the story that'll forever remain a demerit for the drama. Iwould have given 9.0/10 if it weren't for that particular thing but since it's already there I am going with 8.5/10.
I feel a lot of people, like literally a huge no of people are missing out by not watching this. I wonder why this ain't popular but again, thw answer is clear that it's not everyone's cup of tea. However, I wish more and more people start recognizing and appreciating such genre of warm pure romance, even so it's a gradual process.
I am definitely coming back to this drama again, whenever I feel like and I am the setting the rewatch value at 8/10. This drama truly is healing and warm. GO WATCH THIS PLEASE.
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