You can't bring a sword to a gun fight.
Like many wuxia fans, I consider Jin Yong / Gum Yoong (Cantonese) the greatest wuxia writer of all time. Side Story of Fox Volant 飛狐外傳 is one of his early works. It was written shortly after The Flying Fox of Snowy Mountain 雪山飞狐, which is both a prequel and a sequel. Unlike many versions that combine both novels, Side Story of Fox Volant is adapted as a stand-alone story. Despite some meaningful changes, this adaptation captures the essence of the original story, the spirit of martial heroes or daxia/大侠 and the vagaries of jianghu/江湖.The drama is action packed with fast paced, intense, starkly violent and brilliantly choreographed combat sequences that will satisfy any hard core wuxia buff. Slow motion is used sparingly for maximum brutal impact. No one has magic qigong or special powers. The main fighters - Hu Yidao, Miao Renfeng, Hu Fei and Tian Guinong are swordsman with distinct combat styles and battle advantages. When they clash it is very muscular and lethally up close. The nimble Yuan Ziyi's weapon of choice is a whip, which minimizes close encounters to compensate for the physical disadvantage of being a woman. With each episode I think the action has to be as good as it gets but to my surprise and delight, the production keeps delivering into the final wulin arc. The wulin arc in terms of both plot design and action is the best I have seen. While Miao Renfeng and Hu Fei's martial teamwork in episode 22 may be the best of the best, the ending battle encounters are inventive, exhilarating and savagely satisfying. The action scenes are this drama's strongest point and are worthy of multiple thrilling re-watches.
I am not a fan of the trend of whitewashing characters, especially Jin Yong's characters. Jin Yong is the master of multi-faceted characters. His heroes are flawed. His villains have redeeming features. Nobody is perfect in the Jin Yong universe. So when writers have the audacity to tweak his characters, they usually muck it up. When it comes to earlier, less refined works like this, I don't mind so much as there is room for improvement. While this version does a good job with Yuan Ziyi, Hu Fei is disappointingly adapted beyond recognition. The attempt to make Tian Guinong and Nan Lan empathetic is nauseating and boring. This is one of the four don'ts Jin Yong specifically warned against in the preface to the latest edition of the novel.
This is one of the author's darker, more cynical works. Most of the characters love too well but not wisely - Hu Fei, Miao Renfeng, Cheng Lingsu, Ma Chunhua, and Nan Lan. The heart wants what the heart wants, consequences be damned. Nan Lan and Ma Chunhua are selfish and don't care who they hurt in the process while Cheng Lingsu, Hu Fei and Miao Renfeng are noble idiots. They all pay a terrible price for following their hearts. Yuan Ziyi is the only exception; she dares only to hate but not to love.
Yuan Ziyi is one of Jin Yong's most under appreciated and saddest heroines. She is the only heroine who is not an extension of the hero; she is on her own independent path to salvation. Born from an act of violence, she is consumed by self loathing; doomed by unkind karma to seek justice and then live a life of atonement for the sins of her father. In the context of her beliefs, if she breaks her solemn oath she will only prolong her bad karma. In the novel, she acts out and does very controversial things. These actions drown out her piteous backstory and make her a widely disliked character. This adaptation deftly writes out those events, enabling us to see her in a more empathetic light. Her shifu should have been left offscreen as her pressure obscures Ziyi's own resolve to keep her vow. I always feel terribly sorry for Ziyi; she never had free will. She is alive but she does not live. I am not sure that chanting sutras into oblivion is a better fate than death, which is final liberation from all suffering. I don't love Liang Jie's acting but her Ziyi impressed me. The slightest shadow of regret in her eyes in a stone cold face and her ability to convey so much beyond her words moved me to tears several times.
Even though Cheng Lingsu is a clever character, I never found her relatable because her entire reason for existence is Hu Fei. But to my surprise, I like Xing Fei's warm and personable rendition of Lingsu. Her Lingsu is devoted to Hu Fei without coming across as a doormat and she gets him out of many tight spots with her quick thinking. The complex entanglement between the three of them is well portrayed. Hu Fei's chemistry with Ziyi is tangibly different from his dynamics with Lingsu, making it immediately obvious who he loves and who loves him. He is much more of one heart with Ziyi and they instinctively act in unison with little need for communication or explanation. Whereas Lingsu is constantly reining Hu Fei in and giving him instructions that are at odds with his natural instincts. When he can't help disobeying, he appears reckless and unintelligent. This character flaw arguably contributes to what happens to Lingsu at the end. There are better ways to show that Hu Fei is less in sync with Lingsu without throwing his character under the bus.
Lin Yushen's Miao Renfeng steals the show in this drama. Criticism that his Miao Renfeng is too much like his Yang Xiao in Heaven Sword is fair but he is so cool and he pulls off the character's inner conflicts and emotions so well that I don't mind. This performance anchors the drama for he is the martial hero of this story, His code of honor demands that he does the right thing even when it is the wrong thing for himself and those he loves. I wouldn't object if they call this the Legend of Miao Renfeng because of this compelling portrayal of what it means to be a daxia. Even though he is movingly handsome when he is suffering, the story wallows in Miao Renfeng's betrayal and loss for too long. The tawdry Nan Lan/Tian Guinong arc is a boring extended digression. The opportunity missed is that Hu Fei and Miao Renfeng do not get enough scenes together. They have remarkable combined chemistry and their joint fight scene is the one of the drama's best.
As for the titular character Hu Fei 胡斐, (which is a homonym for fox volant or flying fox), I always loved his character design. Far from being infallible, he is a work in progress - young and smart with tons of potential but a bit hot headed and too idealistic. He is the people's hero; the guy who demands justice for the underdog regardless of the cost to himself. His best traits, this strong sense of righteousneous and his willingness to fight the unfair fight is dumbed down to recklessness and even stupidity in this adaptation. He is written off as a bull in the China shop whose hot headedness could wreck the Red Flower Society's mission to save wulin. He doesn't accomplish much on his own and without Ziyi and Lingsu, he'd have died many times. It does not help that despite his phenomenal acting, Qin Junjie looks a bit too mature to play an 18 year old.
Despite good pacing, the plot digresses into too many dull sub-plots and arcs. This is an issue with the original work, which this adaptation already cleans up considerably. The Nan Lan and Poison Valley disciple arcs are the least interesting and Hu Fei deserves to be less peripheral in the reveal of the conspiracy behind Hu Yidao's death. The wulin arc brings the story to a climax, one that exceeds that of the novel on some fronts but is a let down in other aspects. Good characters die in wuxias, it is par for the course. But their deaths must be worthy and not gratuitous. What I dislike most about the ending is that it unnecessarily sacrifices a knight errant after they capture the king. It is a futile sacrifice because you can't bring a sword to a gun fight. Sadly, the advent of guns heralds the demise of jianghu and martial heroes.
This is a good adaptation overall that is limited by original works that lack the finesse of Jin Yong's subsequent masterpieces. The novel is already too dark and unbalanced. It is not necessary to outdo Jin Yong in how incredibly cruel he is to Hu Fei. Despite its darkness, the novel still ends on a note of optimism because Hu Fei's journey continues. But in the drama Hu Fei seems to be left to live largely in the past with two women, one too old and too icky for him and another so young it would be too icky. Thus to me this is at best an 8.0 in terms of storytelling that I bump up to an 8.5 for the not to be missed fight scenes. Nonetheless, this wuxia takes you on a stirring and addictive journey that is well worth it - as long as you do not need a Disney ending.
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Sweet xianxia with seven beautiful interconnected lives
The drama tells the love story between the God of War and a Fairy and their seven lives together. Due to accidentally entangling each other with a love thread, the main leads are tasked to go through seven love tribulations together in order to repair the male lead's primordial spirit. But with each passing tribulation, secrets of the past begin to surface and a long forgotten truth is finally revealed.POSITIVE:
- The story has tons and I mean TONS of parallels in between all lives and tribulations that the main leads experience. Everything is woven together to perfection. All the characters have meaningful roles in each tribulation, all little details like a simple hairpin are connected through all tribulations and this is very, very difficult to do so I'm absolutely blown away how it was all put together. And there are NO plot holes.
- I was sceptical at first as seven lives seemed like it might get repetitive and boring but there are not the typical 3 lives xianxia style. All lives are connected but at the same time move the plot forward in a very clever way. Each life is very different, with different settings and length of episodes. Some of the lives only FL remembers her present self, others only ML, and we also have lives where they both remember so it gives a unique experience in each one.
- I absolutely loved, loved, loved ML performance in the drama. He really brought all of his characters to life, when he was happy, I was happy, when he was in pain, I was in pain, when he was crying, I was crying. Even when I felt the script was lacking in certain scenes his brilliant performance really moved me and made up for it. I've only seen his other drama with Lusi and I have to say he has now become one of my favourite actors.
- Beautiful costumes and settings (they are done by the same production team as LBFAD).
- Secondary couple has an interesting plot twist so it's quite unique to watch.
- Happy ending for everyone (well except the bad guys lol).
NEGATIVE:
- Doesn't have that addictive factor where you totally obsess over the drama. Like there was something missing, perhaps the lack of emotional impact I was looking for.
- FL acting is very lacking. I rarely discuss acting but unfortunately this one was very obviously bad in comparison to the brilliant job that the ML actor did. I felt the FL actress was specifically bad in delivering scenes where she was supposed to be scared, distressed and in extreme pain. She was making all the facial expressions, I could see the tears but somehow there was no real emotion behind it especially compared to the ML.
- It has a slow start and the 2nd tribulation (the first human one) is the longest one so it feels very dragged out.
- The ending is quite.. well boring. Lots of unnecessary talks and excessive weird effects (almost like they ran out of budget). Without spoiling it, I feel there is a very interesting plot line relating to the tribulations that's very unique and would have made an epic final however it was brushed off and instead we were given a very typical xianxia ending.
- SML has a very typical "I'm obsessively in love with the FL" syndrome at the beginning but he gets very much redeemed in my eyes. He does get a lot of screen time and very much feels like a main character so that might be positive or negative depending how much you like his character. In general the actor did a great job and I didn't mind his scenes however in certain episodes he got more screen time than the male lead which I didn't like.
- Editing feels choppy and weird at times.
- Effects and CGI in the last episodes are a bit weird.
OVERALL:
The drama is a sweet xianxia with beautiful interconnecting themes and parallels, lots of interesting characters and some character's growth. The main focus is the love story between the leads so it's a nice comfort drama to watch. Great rewatch value because of the mystery and all parallels.
GUIDE:
Read my short episodes guide (with minor spoilers) about the 7 tribulations:
https://kisskh.at/discussions/the-seventh-generation/110999-all-tribulation-lives-brief-info-with-minor-spoilers
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First, our 2 main leads stay in line character throughout the drama. Their character grow, but in a more subtle way which is what I love most about them. Their coming back together is convincing because we get see little by little what made them separate in the first place, and we see how each one of them resolve the issues they had, and how it brings them back, only to be there for each other, and for no other reason. It feels organic and you're with them all the way, and they stay true to their character that you have come to love. In the end, you feel that it's a healthy relationship where both are equal and working together to make it work this time
Second, the comedy stays throughout the drama, up until the last episode. Each episode has a few funny scenes involving our male lead who can be adorably petty. He might be petty, but it was never done in a dramatic or serious way, but mostly in a comedic way. It's actually amazing for a korean drama since most rom-com turn melo half way through which annoys me in a way that I'm like "I didn't sign up for this". So basically this drama gives you what it promises in that sense.
If you are looking to watch a drama for those 2 reasons, then I'd recommend it. Its totally for you!
IF you are looking for a story about how a man turned millionaire overnight, or about details on smart business decisions, if you are looking for interesting 2nd leads that don't turn cliché and show growth and dignity, if you are looking for camaraderie or even bromance, well you won't be finding any of those things here. The bromance was sorta a let down but that wasn't the focus of the story ;)
Overall I really enjoyed the drama for the 2 reasons mentioned above even when everything else went crazy at one point (those are what FFW button is made for :P).
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It has the overused tropes that most kdramas always has; college setting, hate to love, opposite attract. But it's developed really well!
The acting was good
Tbh PJC's acting was kinda robotic at some parts, but i think it was part of his character so it doesn't bother me much. Main leads chemistry was amazing.
The pacing wasn't rushed like most kbl does. The cinematography were well done
Music was good, my favorite would be Romantic Devil by Coldin.
I don't usually rewatch dramas. But this one is an exception. There's not much episode, so i could finish it in one sitting.
Overall -
If you like to watch some light hearted romance with overused tropes, i recommend you this
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This review may contain spoilers
This was a real surprise
When I first watched Ep 1, I could barely get through it - it just seemed so ridiculous, slapstick, and annoying. But a friend urged me to go back to it, and I'm so glad I did.When you first watch, the laugh track and sound effects will be annoying. If you're not Thai, some of the laughs appear to be in the wrong places, but remember, a lot of wordplay is missed in translation. But soon you stop noticing the track, and it is toned down after the first episode.
This is a classic enemies to lovers trope, but there are some original spins on it. The series appears at first glance to be episodic and without progress in the relationship, but it's there. It moves at a different pace for Diao than it does for Rak, whose feelings are fairly clear by the middle of the series, overtly revealed in a powerful moment - you'll know it when you see it. And by the end things start moving so fast that it's quite surprising, but never feels rushed or unearned. There are many, many moments that you'll really feel. Yes, there are the way-too-long stares (a LOT of these), but somehow they work (and when you're watching the full-episode version, you're getting both ends of a segment break, so that makes these even longer). But by the last quarter of the series, the way Rak looks at Diao could make a block of ice burst into flame.
I've seen commentary and reviews deriding the seme/uke dynamic between Rak and Diao, but there's a point being missed. First, Rak holds "power" at work because he's the boss, but Diao does at home because he's Rak's landlord. Rak is older and much more mature than Diao, but Diao isn't a classic uke at all - this is highlighted by the opening scene, with him showering and showing off his ripped body, usually the preserve of a seme. He's smart and capable, strong-willed, and can walk without tripping and chop vegetables without cutting himself. In fact, it's Rak that ends up having the physical mishaps and Diao has to take care of him.
This is highlighted in contrast by the fujoshi, who throughout the series is writing a BL about Rak and Diao - and in her story, the guys are an extremly classic seme-uke duo, and their interaction in her scenes, which are adapted from observing the "real" Rak & Diao are far more overtly romantic and tropey. And as such, they lack the electricity of the real interaction, and the power struggle and heavy ribbing are smelted down into stock BL cliches. This is a critique of the seme-uke duality, and underscores how pigeonholing characters into these boxes removes a dynamism in their interaction which has so much more heat when there's an equal give-and-take. Normally all the teasing is done by the seme, which makes the uke sulk. When Rak teases Diao, Diao hits back just as hard, and occassionally even wins the exchange.
As an example, there's a scene where Diao is going on a date, and he wants Rak to stop him. The fujoshi sees it, and in her version Diao wants Rak to give him a reason to not go, and Rak says "because I love you." and Diao responds "that's all I wanted to hear" and they embrace. The "real" scene is wrenching and the desolation and longing are visceral.
The main pair are the usual heteronormative types that are ubiquitous in almost all BL - but neither show any interest in women at all. Diao expresses an interest in the idea of finding a woman, but is never interested in any actual women, and when he realizes who he loves, he accepts it without any of the common "but we're both guys!" And their chemistry is insane.
The two leads are excellent. They both have great comic timing, but are also capable of subtle emotion and speaking without saying anything - Diao is especially good at a glance that is not OTT, but clearly says "f&*% you." Both of them are easy to look at, espcially Rak, who is absolutely gorgeous, and the wardrobe is outstanding - their outfits are often wow moments, although there are a couple that won't age well, like Rak's fluorescent blue plaid suit. Rak tends toward a masculine wardrobe, and Diao is high fashion, with beautiful color combination.
I would never have expected it, but this is one of my all-time favorite series, and I can't recommend it highly enough - but give it time if you decide to watch it. You may not like it much at first, but I guarantee it's not as silly as it first seems.
Story: 9 - the episodes are tightly written and almost all of them are self-contained, and yet part of an overall arc. Things that happen don't disappear never to be referred to again - in fact, there are things that happen in the first episode that are very important towards the end. The balance between the characters is handled with great skill, and nobody behaves like an idiot just for the sake of the plot (although there is immaturity, but that's not the same thing).
Acting : 9 - excellent with surprising range, especially Win as Diao, which is a tough role. He's impulsive and immature, often almost obnoxious and often ridiculous, but fundamentally sweet, and when he's sad it hits you, and his drunkenness is the most realistic I've seen in a BL.
Music: 9 - some of the best I've encountered in BL. It doens't just support the story, it elevates scenes and gives them quite a bit of extra power.
Rewatch: 10 - I've seen each ep three times - once raw, once with fan subs, and again with the offical subs. There are scenes I've watched a dozen times.
Overall: 9.5 - I'd have to put this in my top handful of BLs. It's not the most profound thing you'll see, but it's a real pleasure to watch, and it's a lot smarter than it first appears.
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1Last Twilight but Our First Twilight
"Last Twilight" emerges as an exceptional masterpiece, leaving an inerasible impact on us viewers. The year-long wait for this series was undoubtedly worth it, as it took time to craft its brilliance. My admiration for JimmySea, immersed by "Vice Versa," only deepened with "Last Twilight." Upon experiencing the series, I was left astounded. Jimmy and Sea surpassed my expectations for BL dramas, showcasing a well-developed chemistry not only on screen but also in real life. Sea's portrayal of a person with a visual disability demonstrated remarkable improvement, adding depth and authenticity to the narrative."Last Twilight" arrived at the perfect moment amidst a sea of hit-or-miss series. It concluded my 2023 on a high note and ushered in my 2024, infusing the transition with a renewed sense of optimism and possibility. What more is there to say? To truly understand the magic in "Last Twilight," one must embark on the journey themselves, engaging in its allure and experiencing its wonders firsthand.
Struggling under substantial debt, Mhok (Jimmy), a technical college student, seeks a well-paying job and lands a position as a caregiver for Day (Sea), a badminton player grappling with partial blindness caused by infectious keratitis. Mhok, in contrast to other candidates, shows no signs of pity for Day. As they spend more time together, a profound connection forms between them. However, when Day receives the news that he has approximately 180 days left until complete vision loss, the challenges ahead will test their bond's strength.
"And now here is my secret: It is only with the heart that one can see rightly; what is essential is invisible to the eye." - Day (A reference from the Little Prince)
Read more here from LauLastWonderland. This is an excellent review to clear up the misconception, especially with the last few episodes. (Spoilers ahead) https://kisskh.at/profile/LauLastWonderland/review/336399
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Phenomenal and addicting! So good!
I normally only leave reviews for shows that really impresses me. I can only say wow! It's rare to see a story with strong leads that stay strong all throughout the series--when I say strong I mean leads who aren't foolishly blinded because of "love" and are strong all on their own regardless of the other person(s). They are independent and can make their own decisions. I love that there aren't any of those annoying drawn-out misunderstandings that historical dramas usually have.Both characters of ML and FL are very likeable and loveable all on their own, with their own individual quirks which makes their coupling even better. Also, for once the main girl has a good family--no family drama which is really refreshing for me. The FL is strong, fierce, smart, has good martial arts, has influence and confident which is uncommon for historical dramas. The ML is equally great. I also especially love that they incorporated comedy appropriately into the show. I laughed so much almost every episode and there were a lot of "aww!" scenes. This is a very fun and wholesome show.
Both Neo and Gabrielle did such a phenomenal job displaying their character and roles. The storyline is unique and refreshing; misunderstandings are resolved without viewers having to pull their hair out from frustrations. I'm currently on episode 36 of 40 and will be sad once the series is over. I already know this show is worth a re-watch!
**EDIT: I have now completed the series--all 40 episodes. I am so sad that this show is over, but really enjoyed watching it. I have already re-watched twice. A very addicting show and also quite uplifting and wholesome. This is a great show to watch, especially for those who hate angst-filled dramas because this drama is not--it's more light and fluffy. ♥
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This review may contain spoilers
Most of the die-hard fans of this drama will hate me for this, but "Nice Guy" honestly isn't anything new in the world of revenge dramas. You have your typical hodgepodge of birth secrets, revenge stories, murders and amnesia- not just once, but twice. There are gaping plot holes, crazy scenarios and messed up character motivations, but if you abandon all reasoning and logical thinking, this drama can be one of the best you've seen.Story: I liked the idea that Ma-Ru at the beginning was a much darker character than we've seen in other revenge dramas. He wasn't afraid to use people and was okay with being used himself. What made him interesting was watching his transition from a shell of a human to someone who had something to lose. I also loved Eun-Gi's character in the beginning, she was passionate yet cold, bitchy but kind, and was an amazing mix of all these opposite traits. I didn't particularly like her personality transformation in the second half of the drama because I felt like the writers only changed her to fit the plot and she became a puppet to the rest of the show's whims, but she swung back in my favor later.
Actors: Let's face it. "Nice Guy" would not have been as popular if Song Joong-Ki hadn't played the main lead. Because he is an A-list actor, it drew in a crowd, since he is a good actor, this drama kept its crowd. That being said, Joong-Ki is the actor that holds this drama together. I'm not saying that Moon Chae-won and Park Si-Yeon were bad- they were actually surprisingly good in their roles- it's just that Joong-Ki stole the show.
Music: Nice and dramatic, it was used well to tie together certain scenes in the show.
Rewatch Value: Since this show was one of the more unpredictable ones, the second time around will not be as good, but it will be alright.
Overall: I feel like "Nice Guy" should come with a big neon sign that says: "All ye who enter, abandon all logic here". Because honestly, the only way you will enjoy this drama is if you don't think about it too much and just go with it.
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Once in a year healing warm pure romance Korean drama that we all wait for.
YES! YES! YES! You read it right. "You Are My Spring" comes under the category of slow-paced, pure romance dramas, that the Korean Drama Industry makes sure to present us with, every year at least once. And, it's not just warm, it contains plenty of healing factors which are necessary in a relationship because opening up to each other and growing up while tending to each other's wounds, is the most important thing.As a drama, I feel, it has done a very amazing job in justifying the genre, giving off the warm romance vibes and making me cry a loads and healing my heart. Only disappointing thing about this drama is how miserably the writer failed while attempting to blend a secondary murder mystery storyline to such pure romance genre. But since the 2 storylines went seprate ways for most of the later parts, I am gonna ignore it while reviewing the drama. Although 2 different storylines with the least relevance is a major drawback for any story, I think it's fine in this case because, the thriller part is only 10-15% of the entire story, hence avoidable. This is definitely going to my top 10 romance drama list.
STORY & PLOT:
The drama majorly involves 2 people, Kang Da Jung (Seo Hyun Jin), a manager at a 5 star hotel and Joo Young Do (Kim Dong Wook), a reputed psychiatrist doing multiple jobs. They meet each other as neighbours in the Gugu Building after renting different floors (3rd and 2nd respectively). Shortly after it, both of them find themselves connected to a criminal who supposedly has had encounters with both the lead characters in a shelter home when all 3 were children.
Both Kang Da Jung and Joo Young Do have their own stories of traumatic childhood. Kang Da Jung, a witness of her alcoholic abusive father beating her mother every other night, has the scars from the past days when she had to live under a scary roof protecting her younger brother. It's been long she feld with her mother and brother silently over the night but she still has that knief stuck in her neck. Joo Young Do, the second child and a potential donor to his terminally ill older brother, was always made to feel responsible about his brother's well-being even as a kid. Upon the older's demise he was left out from his mother's love and later developed a bad heart for which he got transplanted.
Kang Da Jung, who inherits her mother's trait of picking up wrong men to date, has failed in relationship several times where as Joo Young Do, who got married to an actress to help her get better, still avoids dating in the fear of ruining someone's life bcs of his heart conditions. They keep bumping into each other after moving to the Gugu Building and also encounter each other at unusual places because of the murder case. Young Do as a psychiatrist can see through Da Jung and secretly wishes to help her out. Da Jung on the other hand finds Young Do interesting but recent events make her avoid bonding with strangers. So the drama is all about them becoming closer, helping each other to sort out their pasts, healing each other's scar and most importantly, falling in love with each other in the mean time.
The plot development of the primary story, i. e. the romance is very niceeeeee. I am soooo very happy with the story. The slow-paced, quite and gradual progression of the romance in an adult relationship is like once in hundred moment in Korean Drama World and we must realize, You are My Spring is one of them. Not just the lead couple, there are several several short yet detailed storylines for the side characters, be it about their dating life or families or work places. And I am happy those side storylines also have great relevance with the major storyline because all of the side characters revolve around each other as in live close or work together or are deeply bonded.
The primary plot of romance between the leads is accompanied by a secondary murder mystery plot where one of the main characters with connection only with the 2 protagonists is drawn. This part and this character is very unnecessary, I feel. This secondary plot could have been easily wrapped up within 6 or 7 episodes so that the story would have continued only with the romance part because all we saw about the thriller parts were hardly 10 mins per episode. Anyways, I am not gonna talk much about this part since it's totally essence less in the story.
CAST & ACTING:
I can't help but give the production 10 out of 10 because of this amazing cast. There are few unfamiliar faces here as well along with some moderately popular actors but all of them did a very good job at their respective roles assigned to them. Given that the characters are fairly drawn, all of them have succeeded in justifying whatever they were provided with and what could be more satisfying than that?
Seo Hyun Jin as Kang Da Jung is one of the most suitable choice as she has done similar files in "Another Miss Oh" and "Temperature of Love". Her expressions are always on point, no matter what the situation is, and I have always loved her acting. Seeing Kim Dong Wook in his post 2015 dramas has been a lil kinda feeling for me because of the way he's changed from a cute lil kid in Coffee Prince (2009) to a well grown adult now T T. He never fails to mesmerize with his cuteness and acting.
I have loved Yoon Park all along but here his character and the secondary plot provided to it are really unnecessary, so I am not gonna say much. Anyways, he looked extra handsome in this, I must admit. Nam Gyu Ri as Ahn Ga Young, a depressed actress, did justify her role. I have loved her dialogue delivery style and her character is lovable. Kim Ye Won as Park Eun Ha, Da Jung's friend and the owner of the ground floor coffee shop is straightforward and cares a lot for Da Jung. Ga Young, Eun Ha and Da Jung's trio friendship chemistry is worth falling for. The other trio was of Young Do and his 2 best friends, Seo Ha Neul (1st floor Vet), Chunk Seung Won (variety show PD). These guys were so cute together and loved the way they have been maintaining this long-term friendship.
Another character is Moon Mi Ran, Da Jung's mother played by one of my fav ahjumma Oh Hyun Kyung, which I loved so much. Whatever she went through in the past and how she overcame that plus raised her 2 kids and also how she's living her life in the drama, everything is very well portrayed.
Among others, Park Chul Do (Eun Ha's twin brother), Kang Tae Jung (Da Jung's younger brother), Oh Mi Kyung (Young Do's assistant), Park Ho (the asst. Detective), Heo Yu Kyung (Da Jung's colleague), Min Ah Ri (cafe part-timer), Ko Jin Bok (chief Detective), Patrick (Kpop idol and Ga Young's boyfriend) and Han Jin Ho (Ga Young's trainer) are some notable characters. Even with small screentimes, these characters bloomed very well in their own ways.
DIRECTION & SCREENWRITING:
Direction is very good as well. Given the story is extensively relevant to the past events of the 3 main characters, the production had a lot to do on their plate and I feel that's been well executed. The sound editing of first 5 or 6 episodes kind of gave off the feelings of this drama being a thriller genre. It was dark and intense enough to make the audience anxious about what might happen next.
The writer with less experience has done a good job in drawing the plotline of the entire drama which is possible when you are aware of numerous shades of relationships and the most important thing in the process of love. The intensive romance by the means of healing the other's heart is the best kind of romance which has been very beautifully written in the story. Also, it's quite rare for Kdramas to draw subtle yet meaningful storylines for the side or supporting characters but if you see, this drama delivers them very well. Not just one or two, all the slide storylines were cute and made me feel good.
The only DRAWBACK of this drama is the secondary thriller plot. I think to make the story extra interesting as well as to fill the quota of 16 episode drama trend, the writer added the character of Yoon Park as well as it's storyline. There's no definite second lead syndrome here anyways so that way, they should have limited the thriller part to first few episodes and tried to wrap that up asap. But they dragged it till the end which could have been i interesting if it were related to the lead couples to a great extent. It rather was a whole different story with the 2 lead having nothing to do with. Yoon Park was seen with the 2 leads separately only in few scenes and also the mystery part is given hardly 10 mins in each episode following the 4th. So in my opinion, this secondary plot could have been easily avoided even so the drama had to end with 14 episodes. May be the writer wanted to make it lile "When The Camellia Blooms" but it became a waste.
OSTs:
There are plenty of OSTs along with more than one versions of few tracks. "In Ruin" by Raiden is an slow yet intense track. "Because its You" by SURL is a beautiful softcore healing track that's been well used in the drama. "Still Wonder" by Ha Hyun Sang is a jolly song that makes your heart flutter.
"A Butterfly Flew Away" is a feel good song with beautiful lyrics sung by Kim Min Seok and gives off the oldschool Kdrama OST vibes. Another OST of the same vibes is "Dear My Spring" which is both healing and sad at the same time. Our dear Onew has sung this.
"Falling Flowers" by Yang Da Il is a heart-wrenching sad track that was used while showing the childhood stories of the 3 leads which made me cry every time I listened to it. In fact, the drama starts with this song. "Cliché" by Kwon Soon Kwan and "Me So Bad" by YOARI are 2 happy-go-lucky tracks. Notably, "Falling Flower" has a Da Jung Version sung by uri yepoo noona Seo Hyun Jin.
The instrumentals of the above mentioned OSTs plus the background scores are all well utilized. First few episodes were a bit confusing because they used thriller sound devices which later shifted to warm romance vibes.
DESCRIPTION:
Well, you might think I am overreacting by saying the same thing again and again but this drama is actually very good. It's totally my type of healing romance Kdrama, something that I always wait for. The way Da Jung and Young Do went from becoming strangers to acquaintance neighbours to friends to finally lovers is such a beautiful course events to witness throughout the journey. Their way of accompanying each other, extending hands to each other, listening to each other, trying their best to understand each other, tending to each other's wounds as well as healing every lil corner of each other's heart, are very warm and a wholesome feeling. They gave their 100% in building trust between them by means of hit & trial method. They did crazy things together in a snow evening. They believed each other during the times of odd. All these things are parts of a warm and healing love story which seemingly disinterests a huge no of audience but that's their fault of having no taste, ngl.
The relationship of a mother and daughter between Mi Ran and Da Jung are notable. They didn't only look like friends by looks, they actually lived their lives as friends. Da Jung relied a lot on her mother as a kid even when they were poor and had to go through domestic abuse. Now that she's a grown lady, her mother has become a companion in her life, giving shoulder to all her pains and celebrating on her even days. In fact, Kang Tae Jung is also close with her mother and sister and them as family grew stronger given they had a shared past of darkness which they have overcome and been living together.
Friendship is another device that's nicely utilized in the drama. Starting from the all guys trio of Young Do, Ha Neul and Seung Won that showed the essence of long term friendship, then Da Jung, Eun Ha and Ga Young, the all girl trio that showed how people befriend strangers at different stages and various situations.
Brother-sister relationship, idol/actor dating life, after effects of long-term dating and breakup, professional life in Police Station, Hotels and Hospitals, bonding between employee and employer, etc are some other notable relationships portrayed in the drama. And, as I have already mentioned, the arcs of all the side characters are very well done. That's what also wins points for this drama.
The thriller plot ended right before the finale so it was kinda relieved and I love the ending as well, just like a warm pure romance drama should end. I was actually afraid things between Da Jung, Young Do and Da Jung's mother will turn somewhat typical family drama in the last 2 episode but thankfully it didn't happen. The level to which my heart has been healed by this drama, by crying, laughing and smiling wide is unexplainable. I am very happy about that.
Last thing I would like to add is how some people are complaining that there is no chemistry between the leads at all. Let me tell you that, the kind of romance and chemistry we see in pure romance are all almost the same whereas this drama seem to have tried a different approach. In real, every other relationship is different, in fact the definition of love, dating and romance are different for different couples. Nobody needs to kiss, hug and be clingy all the times or even to keep saying cheesy stuffs to express love and prove chemistry. Morever, friendship between a couple should be the most important factor in a relationship so even if they act more like friends than couples, it's totally fine. Let's go beyond norms. Let's not set boundary for a beautiful thing like by forcing our own definition on others. Let's be open-minded and let people live their lives however they wish to.
CONCLUSION:
Overally this drama is a very nice. I already said I am not gonna judge or even think about the thriller secondary storyline but it anyways a part of the story that'll forever remain a demerit for the drama. Iwould have given 9.0/10 if it weren't for that particular thing but since it's already there I am going with 8.5/10.
I feel a lot of people, like literally a huge no of people are missing out by not watching this. I wonder why this ain't popular but again, thw answer is clear that it's not everyone's cup of tea. However, I wish more and more people start recognizing and appreciating such genre of warm pure romance, even so it's a gradual process.
I am definitely coming back to this drama again, whenever I feel like and I am the setting the rewatch value at 8/10. This drama truly is healing and warm. GO WATCH THIS PLEASE.
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It follows four main couples, whose relationships are considered... "questionable..." I suppose by Korean standards: Living together without being married, a huge age difference, homosexuality, and (?) deciding to be married after only dating a few months.
The amount of screen time goes mainly to the first couple, who live together and yet aren't married. The conversations between this couple is realistic and relatable, with laugh-out-loud scenarios or serious and loving relationships that the actors have no trouble in showing the viewer. It was real, it was lovable, it was raw, it was sexual... it was beautiful.
The second couple I found the most entertaining; a thirty-three year old woman is dating a twenty-one year old starving artist who lounges around all day eating ramen obnoxiously. Of course, there's going to be some crazy moments with pillow fights and petty jealousy, but it also showcased some amazing character growth, especially in Young Joon. The couple works together in a sort of symbiotic way, and you can see how much they care for each other. Plus is just hilarious watching Young Joon. That guy's a riot. I image the actors are thinking: "Sigh, the things I do for my career." Because they nailed it.
Dear authors: do you want to get your reader shipping like crazy? Follow this screenwriter's lead when it comes to Takuya, the Japanese traveller, and Joon Jae, the hermit. These two had the sexual tension from the moment Takuya put a single foot in the threshold of Joon Jae's home. Hilarious angles lead to misunderstandings I didn't mind all that much, feeling that second hand embarrassment. This couple probably had it the worst in this series, with only two minutes or so per episode of screen time, but the relationship is developed, and by far my favorite couple. These boys... watching Takuya made me listen to some of Cross Gene's music, and it's really very good. Both of the guys playing these roommates may not be gay themselves, but they made me believe it, with a full course of Awwws and sexual tension.
The fourth couple had next to no screen time through the entire series, and are easily the most underdeveloped couple living in this apartment. I will admit, the competitions between the girl and Man Goo over who was more feminine (who had bigger boobs, longer legs, more successful boyfriend...) were absolutely hilarious, but the relationship between the engaged couple themselves was a rare thing. Which I didn't really mind... I wasn't paying much attention to them, anyway. What little time these actors had to develop their characters, I'll give them some credit there.
The music was very beautiful, and connected in lyrics or tune to the mood of the drama. And luckily, the name and artists of the songs are put on screen for you, so you don't have to look it up!
Overall, this is a wonderful, hilarious, real, and emotional drama that tackles almost any kind of relationship hurdle it comes across, from jobs and careers to confused sexuality and identity. Its a real, relatable drama with relatable characters, and the moments that each of the couples spent interacting with the other couples... (I love Joon Jae and Takuya being so much taller than Oh Do... HEHE) It's a must-watch.
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STORY
PCBM's story is completely unique and one of a kind. It centers two men who die wrongfully but are sent back to life in different bodies to conclude any unfinished business they might have. Help their loved ones with their problems, give them closure and help them move on, but most importantly they are sent back to get to know theirselves better, understand their mistakes, and try to right them. This is exactly the show's main premise. We need to look at our lives in a not one-dimensional way. Life isn't about just working, no matter how pure our intentions are, people might get hurt because of our ignorance. Life isn't about being in the background because we believe our loved ones don't deserve us. We are perfect the way we are. PCBM gives several messages about life decisions, family, friendship, work place attidute and problems, marriage and more.
This drama was literally a gem, not because of its uncommon story, not because it blends several genres together in the best way possible, but because superficially is the funniest show ever, but if someone decides to scratch the surface and dig deeper the show assesses life itself and sends tons of messages and meanings that were all truly wonderful and heartwarming. Beware that this is not your average romcom -thank god-, this is deep, it is serious, it is emotional, it is heartbreaking but still it is safe to say that the comedy is executed perfectly.
Furthrermore, another thing that deserves mentioning is the fact that this drama broke the 16-episode drama usual plan. You know how everything is amazing in the beginning, and slowly everything falls into place around episode 10 and the last 4-5 episodes are just filler ones, pulling and dragging the story around. PCBM, not only broke this stupid rule, not only it was the only 'comedy' that had actual plot twists but it managed to never be boring, always have a purpose and be interesting until the very last minute.
ACTING
It was widely argued that the acting here was bad, either i missed something, or .... 'people' missed something, or were just dead set on hating. The acting here was impeccable, coming from an amazing ensemble cast. I have learned from my stay in kdramaland that it is unrealistic to ask the actors to have great chemistry when the dramas are so small in lenght. They don't have the time to develop a chemistry and when it is there (rarely) i am thankful and grateful. The actors here not only managed to have great chemistry in their possible romantic connections, but literally EVERYONE had excellent chemistry with everyone in their respective relationships. This is possibly the most unique thing about this drama. The cast clicked so perfectly together, it was completely unrealistic!
I'll start with my favourite, Oh Yeon Seo. Her character was difficult to pull off, and very fundemental for the show to make sense. She needed to act manly, tough, and still stay femine, not look stupid, look badass and emotional. The woman was IMPECCABLE, a standing ovation from me, she was shivering in everything she did. No words are enough. In many ways she was the show.
And when i thought she was going to overshadow everyone, Rain came to the picture. His quixotic talent to slip through different emotions in a matter of seconds shocked me. He could go from crying to laughing in a split second without ever looking fake or his emotions forced. First actor in kdramaland that pulled that off, and he was completely up there with OYS for what -if i may- could call THE BEST DUO EVER in kdramaland.
Lee Min Jung, Lee Ha Nui, Lee Tae Hwan, literally everyone was exquisite in their role, no words are enough to describe this awesomeness, that nobody should overlook.
RECOMMEND/REWATCH
Overall, this show might not be for everyone, since it is completely different from your usual kdrama. The humor is different, the romance is present but not the way people want it, the plot is completely innovative and might not be accepted by everyone. In my book innovation=win, but from what i've gathered from my stay in kdramaland, kdrama fans like their chiche stories. So, if you are ready for something completely different than what you are used to, ready to laugh and cry at the same time (i'm not exaggerating), you should definately give this a chance. This is a marvelous show not to be missed. Definately rewatch-worthy, first show ever that triggered so many emotions simultaneously.
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This review may contain spoilers
I always feel like somebody's watching me.
I struggle to contain my anger at the monumental disappointment this drama turned into because it could have been a huge hit. I am so irritated I need to get it off my chest with a spoiler heavy review, something I really dislike doing. I think I figured out the confusing ending that I explain below. Do not read this if you don't want to be spoiled.The story is a very simple, poignant enchanted fairy tale. Fu Jiuyun (Zheng Yecheng) is an immortal who falls for a mortal with an indomitable spirit in a magical painting his shifu left him and stalks her across ten incarnations over a thousand years. In her incarnation as Yanyan, a Li princess, she is destined to marry her childhood sweetheart and live a happy life. Jiuyun cannot stay away from her and in the guise of a dissipated genius artist Gongziqi gifts her a magical painting of a peach blossom tree and a magical song that she performs for her mother's birthday celebration. Note that the painting and song are key in the ending interpretation. The dance is truly captivating and if nothing else, just watch that. At this point I was addicted and fully invested in both leads.
An ambitious neighboring prince makes a deal with demon forces, invades her kingdom, massacres her family and enslaves her people. A devastated Yanyan vows vengeance and embarks on a quest to obtain a magical lamp that can absorb the demon forces and free her people. She assumes the appearance of her maid Ah Man (note the name) and calls herself Qinchuan. This is where they replace the actress Jiang Yiyi with the more well known Zhao Lusi. First mistake - it was not just confusing throughout but I had to get over the first actress whom I liked and get invested in the female lead all over again. The switch worked at first because Lusi is a really funny actress and her antics with Jiuyun, Xiao Bai and Er Meng were entertaining. However, the couple's interactions fell short of the seamless transition from humor to intimacy that was so well done in Under the Power. As a result, Jiuyun initially comes across one of those oily old dudes that misbehaves with young girls. While their chemistry eventually "clicked", Lusi's initial indifference made Jiuyun's overtures seem unwelcome to the point of harassment.
Just when their romance takes off, the show separates them and shifts into the revenge plot. This is where Qinchuan becomes all bravado and no brain - she has no credible plan and has to be rescued multiple times. She works with Er Meng and Xiao Bai; Jiuyun only bails her out from afar. The show peaks too early with the take-down of most of the bad guys and then digresses further into the super boring second couple. I suggest skipping all of their scenes in the middle. They could have easily cut 6-10 episodes to avoid the fatal loss of momentum in the storytelling. Then Jiuyun decides to help Qinchuan fulfill her mission even though it means a certain end for him. He is the wick of the lamp that once lit, eventually burns out.
Once the tone shifts away from largely comedic, Lusi struggles to get into the moment in action and emotional scenes. She is not versatile and is mostly just excellent at comedy. Her performance was flat through most of the second part of the show and only saved by some of the steamier romantic scenes with Jiuyun. By then, I had enough and just wanted it to end. Zheng Yecheng's performance on the other hand was consistently stellar - he really carried the show. Apart from being smoking hot (I can watch him all day), his interpretation of the hard core romantic good guy that disguises himself as a world weary, cynical, indifferent and dissipated immortal was spot on. His eyes shine with unshed tears at all the right moments and as he protects Qin Chuan from the truth of what she asks of him.
The ending is confusing and to me it is quite sad in a Butterfly Lovers kind of way (major spoiler):
Qinchuan realizes that Jiuyun is not coming back ; even Meishan admits that his soul has scattered. She completes her ritual with the lamp - she had already bonded with it earlier on. She wakes up as child Yanyan who dreams an old man (her shifu?) tells her that she gets a fresh start. I think the lamp takes them all back in time for a do over. She grows up and intuitively makes way for Zichen to fall in love with Xuanzhu. Her maid is no longer Ah Man but a Xiao Cui. She has more sad dreams where Jiuyun tells her that she will soon forget him. As the time loop starts to replay her mother's birthday she forgets how to play the song Jiuyun/Gongziqi wrote for her and the pipa disappears into the painting. In this new life, Yanyan will marry Er Meng and their kingdoms will be at peace. She never becomes Qinchuan so eventually Qinchuan and Jiuyun's relationship also gets erased or never happens. Jiuyun snatches the last bits of her memory of Qinchuan and escapes into the magic painting with Qinchuan and the pipa. It is the only place where they can be together but they may be just shadows or memories of who they were. I initially thought she was sucked into the lamp where Jiuyun creates an alternative world for her but if that were the case, he wouldn't have to put her into the painting. This is where they should have used both actresses to make it more clear by leaving Yanyan behind while Qinchuan goes into the painting with Jiuyun. It makes me feel a bit better to imagine that Qinchuan and Jiuyun cultivate together in the painting and after thousands of years both become immortals that live happily ever after. The novel ending is different, more straightforward and much happier - essentially Jiuyun eventually reappears and they are together.
Despite the poor execution and confusing ending, it is still a beautiful fairy tale with some gorgeous scenes and amazing moments that is worth watching. Best be liberal with the fast forward button through the middle parts. My low rating reflects the poor execution that prevented this from being an unforgettable and addictive love story.
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"ITS NEVER TOO LATE TO START A GOOD DRAMA"
A Sweet Love Story A Must Watch for All CDRAMA Fan.The Story is Good and Like any Other Office Romance but
Some plus point:
+ The chemistry between lead is Super-Duper on/off-screen (if you have seen the bts videos).
+ Bai Lu has always been my favorite.
+ First time to watch *Good-Looking LEO* and I'm Quite Impressed.
+ Kido and Riley Wang Are such EYE-CANDY.
+ Adorable Secondary Couple.
+ Supportive Friend like Xu Li (Xiao Yan) and Qiao Na.
+ Wealth.
+ All the actors have done a good job portraying the characters.
I don't watch many ongoing shows but couldn't resist this one
A DRAMA YOU WILL MISS AFTER ENDING It. T_T
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EP 10-12 were painfully slow, they could have been cut and pasted into 1.5 episodes.
13 was ehhhh.... This isn't a masterpiece, the writing is loosely constructed and poorly executed. The story has little depth or substance to hold it together for 13 hours. I can't connect with the female lead's choices (especially in the later half) or her pitiful deer lost in headlights expression...I was hoping it would be a drama somewhat like 1% of Something since the director is the same, but it doesn't even come close in comparison. I Liked Ep. 1-9 but Ep. 10-13.5 are a hard sell.
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