Hilarious and comedic, but well written and chaotic.
Story: When I first started this my plan was, because it was a sitcom, I wasn’t going to take it seriously, it was just for a laugh. However they created such an amazing plot with a couple that had great communication and were so sweet. If I had to describe this show in 2 words it would be “chaotic” yet “meaningful”. Every character brought something new and funny to the series, and I fell in love with each one, especially Om. The final episode was a good closure too in preparation for a season 2. I’m sad that there is only 6 episodes but I’m so happy with what we got, and wouldn’t change a thing about this series other than the flashing lights at the beginning because I felt like I was gonna have a seizure. Other than that it was the perfect balance between funny and serious.Cast: Yoon (Nott)- He’s so handsome and, for a rookie actor, did such a good job as the role of Nott. He was funny but portrayed emotions well, and I really enjoyed every scene he was in and his great advice at the end of each episode.
—Talay (Pun)- I fell in love with Talay from My Engineer, and fell even more in this series. He’s also incredibly handsome, and is a natural when it comes to acting. He was by far the best character in the series and I really hope to see him in even more dramas.
—Poppy (Porpla)- I loved his character in WhyRU and I now have so much respect for him as he played the feminine Porpla, dressing in drag and being incredibly flamboyant. He was the funniest character and definitely brought the main humour to the show. I can’t think of anyone who could have done as well as he did.
—Peerawich and Scott (Om and Arm)- Om was seriously the best friend you wish you could have, even when you thought he was just silly and messing around, he was smart and intuitive while being hilarious and amazing. He was my favourite character and the supportive friend we all need! Arm I had mixed feelings over his character because while he did help the couple progress and knew when to back off, he seemed incredibly desperate due to his attraction to Nott. However they were both awesome and I liked them a lot in the end.
Music: The music was great, I really enjoyed the opening and OST, and the constant sound effects really helped the setting. I also loved the constant references through the music such as the WhyRU music which made it even better.
Rewatch value: That’s definitely a 10, I will be rewatching this very soon and probably a few times so I can have another laugh.
Overall: If you like more serious dramas I would probably avoid this, but if you like sitcoms and cheesy slapstick comedy with a healthy relationship then definitely check this out, you won’t regret it! I’ll also say if you liked the drama Diary of Tootsies then you will love this!
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This review may contain spoilers
If I have to describe the Terror Live in one sentence I would say: One room, an anchor, a terrorist, a live broadcast and lots of thrills.I have been waiting for this ever since it first came out and I can say that I am quite satisfied. The story of this film is located in one room, the radio station, this may seem so little for a thriller to happen but I take that as a positive point because the non-diversity of locations forced the focus on the plot and dialogues instead which is a great thing. The Terror Live builds a great tension and thrilling moments that it may even feel suffocating in a good way.
The film starts out very fast without the meaningless time-filler introductions; it was engaging ever since the first minutes and it kept drawing the attention until the very end. This film doesn’t contain any dull moment and you can never think that it became boring because the order of displaying events was quite well-done in a way that will make you anxious about what will happen next. Also, the messages delivered in this film concerning the government, mass media and terrorists as well as the questions it asks about their involvement are well-crafted. And no, this is nothing like any terror anything you’ve seen before since it doesn’t follow a stereotypical pattern at all.
The acting was marvelous. Ha Jung Woo proves, once again, what great of an actor he is. I always praise him in my reviews not because I am biased with him as a fan girl (although I do find him quite charming) but it’s due to his absorbing acting skills that keep getting better and better after each film he makes. And man does thriller roles suit him so well! I am complimenting the acting because if some pretty face idol who doesn’t know how to act did this type of role then everything would have went downhill that’s why choosing great actors is one the most important elements of making a successful film.
The characters were intriguing and very well-done as a whole. There’s no hero in this film because our male lead is almost an anti-hero instead of the opposite side. The anchor had the greatest character developments ever where he started as a sloppy carefree radio host then he became a serious anchor and at the end…Well, it’s a spoiler.
The cinematography is catching and pretty similar to recent Korean thrillers visuals with only little CGI used in the process. And I don’t think a second rewatch of a tight suspense film is a good idea.
Watch if:
-You’re in the mood for a great suspense thriller.
-You like the Korean way of making thrillers.
-You like Ha Jung Woo or want to discover him.
Do not watch if:
-You dislike thrillers and suspenseful stories.
The Terror Live is one of the better Korean thrillers made in recent years, if you want to watch this film then make sure to prepare yourself for an astounding ride.
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Dead men tell no tales.
Pledge of Allegiance is a dark and murky Ming Dynasty suspense thriller in the vein of the renown Brotherhood of the Blades franchise. Produced by Lu Yang and written by the same writer, the Jinyiwei/锦衣卫 or brocade-clad guards of this drama are grey characters whose true allegiance is to their brotherhood and their personal values and priorities and not to some overarching sense of morality or righteousness on a grand scale. This drama is set in a time of opaque and wild, conspiracy laden history and has an elaborate plot with manifold twists. This is likely to lose casual watchers, especially those without a basic understanding of the historical context. [A detailed discussion of the history can be found in the Discussion section of the drama page.]This drama is set during the chaotic battle for the throne that followed the demise of Zhu Yuanzhang, the founding Hongwu Emperor of Ming dynasty. A succession crisis plagued the last five years of his long reign when the crown prince Zhu Biao died unexpectedly. Zhu Yuanzhang had chosen Zhu Biao to succeed him over his most capable and some claim his favorite fourth son Zhu Di or Prince Yan because Zhu Biao was the son of his legitimate wife. Conflict arose after Zhu Biao's death when he chose Zhu Biao's son Zhu Yunwen to be his successor. Zhu Yunwen was also the son of a consort and not of Zhu Biao's legitimate wife. Thus his claim to the throne was no less legitimate than Prince Yan's notwithstanding his grandfather's endorsement. The young Jianwen Emperor's tenuous hold on the throne was further shaken when he unwisely sought to temper the military might of his prince uncles, exiling and killing many of them. Prince Yan who secured the Northern border needed little further excuse to revolt. The silent power struggle that began with Zhu Biao's death broke out into open civil war almost from the moment of Jianwen's ascent. At the time, the capital was in the south at Yingtian (present Nanjing). Prince Yan for all intents and purposes was already in control of the northern capital Beiping (Beijing) where he defended the nation from the Mongols. He was aided by his elite border spies, the Yebushou/夜不收 or night scouts. They are pitted against the Jinyiwei who are the emperor's secret police but like many bureaucracies and the court at the time, there were divided loyalties at every level. While likely consistent with history, this aspect of unclear and shifting loyalties makes most of the character motivations in this drama especially difficult to follow.
Li Wu is a thief and a consummate liar. He steals the identity of a sergeant and sneaks into the mansion of Wang Kegong, who had just been transferred back to the capital with a secret edict. He has life threatening encounters with Shu Tang an assassin and Lu Zheng, a young detective who is literally willing to kill a sergeant to create a vacancy for himself to assume that position. They get caught up in a race to secure the Yuming Lock, which contains a secret that could change the course of history. Though they have different masters and at times conflicting agendas, they share a decade old traumatic childhood past. Whether by chance or destiny, they are reunited to solve the mystery of what really happened one fateful day ten years ago. But the links to the past get more tenuous and secrets that can turn friend into foe are revealed. As the body count grows, the solution slips further out of grasp as dead men tell no tales.
The main roles are complex and the cast delivers all-round riveting performances. In this kind of battle for the throne story there are no real villains; everyone is quite dark and have their own agendas. Zhang Yunlong is particularly convincing as thief with an inconvenient conscience and a knack for turning dire situations around. He had so many balls in the air at the same time that I could barely keep up with his lies and his promises. Chen Ruoxuan's portrayal of Lu Zheng as such a smart and yet naive and (wilfully?) obtuse character is nuanced and empathetic. It is no wonder Li Wu, Lu Yulin and even Zhang Junqing feel compelled to protect him. I enjoyed Li Wu's bromance with Lu Zheng as much as I did his romance with Shu Tang. Chen Ruoxuan and Zhang Yunlong have such good chemistry that they are masters of the art of the unspoken; how it is possible to have an innate understanding and trust that is beyond words and even actions. The stage is nicely set for this recurring theme in the telling of the fable of the Tan Hua flower spirit in episode 3. This underlies many interactions between main characters including the Mu sisters. This aspect of reading the subtext is very well conceived, it challenges both the characters and viewers to hear the truth behind the lies and to "hear" what is left unsaid. Sun Yi is a gorgeous and terrific actress and this time, she has a meaty role although her character is not always consistently written and her relationship with the colonel is not well fleshed out. As such, it is Ma Yujie's daringly articulated Zhang Junqing steals the show as the most fascinating and strongest female character of this drama.
This drama is not that action heavy but the sequences are fast moving and very well choreographed although they lack the intensity and raw ferocity of Brotherhood of Blades. I am quite relieved at the shorter and less stressful combat scenes as they are still packed with shocking and bloody twists. Just don't look too deeply at the logic defying ability of many characters to survive body piercing stabs in close vicinity to vital organs.
The plot design is serpentine and deliberately messy. This is probably meant to reflect the opacity, duplicity and chaos that prevailed at the time. Many character motivations are never fully revealed which gives rise to a sense of lazy writing; that at times characters become inconsistent for the sake of delivering yet another twist. There were a few too many twists that detract from the main plot. The final episodes in particular appear to have suffered from heavy cuts. This could be because the main conspiracy that is designed to be weaved into significant historical events may have gone too far in distorting history. This results in an ending that is satisfactory overall but leaves a few open sub-plots and unanswered questions. I love these plot heavy historical suspense thrillers and think this is a high quality, compellingly acted production overall. However, the story could have been told in a much less confusing way so I can objectively only rate this an 8.0/10.0. That said, my personal enjoyment level is at 8.5.
I will include below my personal speculation on how I think the story ends and some other ending comments that are inevitably spoiler heavy. Do not read it until you have finished watching.
WARNING: ENDING SPOILERS AHEAD
The past:
In terms of what happened in that prison years ago, I came to the conclusion that Li Yan, Song Heming, Wang Kegong,, Mu Jinggao and possibly even Lu Yulin were all loyal to the deceased crown prince Zhu Biao. The compassionate and peace loving Zhu Biao did not wish such evil weapons to ever be used so he hid them and left the riddle of the location with Mu Jinggao, the firearms maker. Li Yan was the go between but was framed for murdering the crown prince by an evil Jinyiwei. He revealed the riddle and gave up Mu Jinggao to Song Heming to save his son Li Feng, who was sent to his good friend Minister Yuan. Li Yan probably implicated Mu Jinggao because he not only knew where the firearms were stashed but also how to make them. True to his word, Song Heming arrested Li Wu as Li Feng's substitute. Unfortunately Lu Zheng messed everything up by letting Li Wu and the Mu daughter go. Lu Yulin had to sacrifice Song Heming in order to save Lu Zheng. This is a consistent theme where they sacrifice themselves/each other to keep the secret buried but try to save each other's bloodline. The other possibility is Lu Yulin was working for Prince Yan and killed Song Heming for the Yuming Lock. But his motives changed after he grew to love Lu Zheng and then protecting him became his only objective. In either case, between Lu Yulin and Wang Kegong, they kept the Yuming Lock and the key to how to unlock it hidden for ten years, giving it to no one. The evil Jinyiwei who framed Li Yan and set this all in motion was of course the real Li Dongfang, a bastard son keen to earn merit from his father Prince Yan. That is why he tracked down both Mu sisters and tried to use them to try to find the weapons. He also hoped that if Mu Jinggao were still alive he would come back for his daughters. I don't believe Mu Jinggao ever was a Yebushou because if that were the case, Prince Yan would not only have the weapons, he would know how to make them. I also doubt he is still alive as if he were, he would have surfaced or been found. It seems implausible that Lu Yulin who was just a mid-level Jinyiwei at the time could have saved such a high profile rebel under intense scrutiny.
The ending:
With the help of Boss Shen, Li Wu is in control of the game changing weapons and thus has a seat at the table in terms of the outcome of the power struggle. But he is just a common thief; like all commoners throughout Chinese history 民以食为天/mín yǐ shí wéi tiān - as long as there is food on the table it doesn't matter who the emperor is. Like Zhu Biao, he only cares that his beloved capital and "his people" don't suffer the vagaries of war. So he decides that no one should have the weapons. Yet he made promises and owes debts to both sides of the conflict so he engineers a compromise outcome. As promised (in exchange for Li Dongfang and hostage Bai Mingshan), he and Lu Zheng open the city gates to Prince Yan's forces but he smuggles the weapons away after taking control of the river fleet. In history, a traitor delivered control of the imperial river fleet to Prince Yan while another opened the city gates to his forces - see why the final episodes got cut quite a bit?. To Li Wu, it was clear Prince Yan would ultimately prevail and this was the least bloodthirsty way to cede to the inevitable.
At the same time, Li Wu owed Yuan Zhongdao for a number of things including Lu Zheng's life. He probably made good by smuggling the emperor, his consort and son out of the country. That is probably what Shu Tang went away to do - she was getting them safely out of the capital. She never really sided with Prince Yan she was just repaying her debt to Li Dongfang. Once he was dead, she can act in her own best conscience and she would be helping her sister who gave her life to fake the emperor's death. She may also have wanted to see if her father is still alive or to ensure that the technique of making these weapons is destroyed. In history, the palace was burned when Prince Yan entered the city. He produced three charred corpses allegedly of the Jianwen emperor, his consort and their son and declared himself emperor. That is why I already guessed Zhang Junqing would die with Yuan Zhongdao and I expected Mei Dou to be the third corpse but I am glad they didn't go there or that got cut. It is wild history that Jianwen Emperor survived the fire and escaped to Southeast Asia or further south in China. Zhu Di is said to have sent Zheng He off on his expeditions across Southeast Asia to hunt him down. This part of the conclusion obviously suffered heavy cuts as it indulges in speculative history.
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Went from a 10 to a 8 ( Time skips ruined it )
everything about this show is so good.. it's my favorite show of 2022 and all the 3 couples are sooo good but Dome and Vee have stolen my heart.. I love them so much ... the connection they share without barely ever speaking is so powerful.. they cinematography of the show reminds me in part to I Told Sunset About You. I really hope more people catch on to this and see the gem of a show this is.. cause it's so stunning and timeless. I don't endorse cheating plots but something about Dome and Vee I can't stop speaking about them enough. I look forward to seeing their journey for the rest of the season.Update : the time skips ruined the show.... dome and vee got significantly less screen time in the second half of the series and it went downhill from there.
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It adressed some really important issues in a very respectful way
I am usually not a fan of series where characters travel forwards in time, so I wasn’t going to watch it at first. But then I saw some scenes about Army and Joe and those go me hooked, so I decided to give the show a try. And before I knew it, I was not very patiently waiting for new episodes each week.The series is amazing! I really like that the cast was given mature roles instead of just making it a high school series. I feel like the topics addressed in the series can be better portrayed with some maturity from the characters. Even if there are a lot of comedic scenes, the series takes a very healthy and open-minded approach to relationships, intimacy, kinks, and sexuality. I really want to point out that seeing an asexual person and them expressing their lack of need for intimacy was really refreshing to see, especially as asexuality is often ignored (I was wrong on this - the character in question is actually a side, check the comments for more info). The fact that Alex is a gynecologist also helps to open topics such as STDs and safe sex.
We get to meet a lot of side characters that each have their own very detailed story, but I didn’t find it overwhelming, as they all connect in the end. Alex had quite a few photo mysteries to solve, not all of which were love problems. I don’t want to give any spoilers, so I am not going to say who ended with who when that is not already obvious.
Army & Joe – Fluke and Thor did an amazing job portraying their characters emotions, I could sense when Joe was uncomfortable just by glancing at him. The two characters are quite different but I think that’s what makes them a good match for one another.
Jedi & Rose – I really love their dynamics. It was not really what I expected and the episode dedicated to solving their problems was really interesting. The plot twists were brilliant!
See-ew – I was really interested in what would happen with See-ew once we got to see his future photo as it looked very bad for him. I also like how his kink was not just something that others could make fun off.
Kat – I really appreciated how they approached her picture story. The trauma she experienced was not taken lightly, not by her nor the others around her. It was refreshing to see, as many series and movies just ignore the amount of damage such an experience can leave.
Nim & Molly & Bew – these three ladies were an interesting bunch. Nim and Molly dated in high school but broke up, so Nim then started dating Bew. I think we saw a lot more growth for two of them, but marking the third one as just plain selfish would be too simple. There is complexity behind her decision that might seem very self-centered and damaging at first.
Alex – he showed a lot of growth and understanding for what was happening and what has happened in the past. He fully accepted his responsibility for the hurt he had caused to those around him. He did try his best to correct his wrongdoings, but he never denied his responsibility. And that is something that I really appreciate, no matter how much I wanted to hate him at some point. Not all mistakes can be fixed, and that is something we need to learn and accept.
Jean – she was a badass character! I enjoyed her high school self, her activism and the way she clearly expressed what she wants. Her story is probably the one that hurt the most, I was upset for guessing right what happened. I like how supportive she is to those around her, friends or not.
As for the ending, it wasn’t bad, but it wasn’t what I was hoping for. I do understand why they decided to end it as they did though. I was not really happy with how they handled Jean's story towards the end of the series, which did bring my rating down.
I know a lot of people are / were bothered by the reason why Alex is solving all this mysteries and trying to make things better. I do agree that the whole idea that his main end goal is to be able to climax again is just ridiculous. But to be honest, it completely slipped my mind most of the time. Only when it was brought up by the characters did I actually remember it. So while it was not my favorite end goal, it wasn't that bothersome.
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"In this vast universe, all mortals' lives move in parallel lines, alone and ahead.
When somehow the lines meet, the moment of encounter, even if it was fleeting, is a miracle."TLDR: A Balloon's Landing was both beautifully written and beautifully executed. Definitely worth a watch, hell a rewatch even. Also, Guava is the best gps in the history of humanity.
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This movie is about a novel writer, Tianyu, going on a journey to locate the Bay of Vanishing Whales where he believes, and has been told in a letter years ago, that he can find a paradise. Does it sound slightly odd to go looking for a paradise and put your whole faith into a letter? Probably, but once you discover the reason behind this, it no longer sounds as odd. Many of us have moments in our lives where we feel completely lost and emotionally detached from everything (and in what he was suffering from, depersonalisation is common), not so much different from a balloon drifting aimlessly and looking for a place to land, yearning to call something home. And all I can say without giving away any spoilers is that, Tianyu is the same and have been feeling this way for quite a long, long time due to his past. Both that letter and the 'paradise' is what tugs at him, becoming his sole focus and (although a bit flimsy) connection to the ground and life itself.
He meets A Xiang in this same journey, perhaps exactly when he needed someone the most. A Xiang who initially started out as the seemingly not-so-reliable tour guide he never asked for, ends up becoming the person who helps him find his landing and feel like he belongs somewhere. These two are opposite in nature yet fit together like puzzle pieces, as differently shaped as these pieces might be (as in different pasts, goals, personalities and perspectives) they still belong to the same jigsaw puzzle; once they meet, they're bound to click in place. Perfectly. Because some people are just meant to be and they're definitely one of them.
Storytelling-wise, it was an experience for sure! almost made me feel as if I'm on a journey with Tianyu rather than just watching this. One of the things I absolutely adore about this movie is that it shows, not just tells. The characters won't grab the camera, look you dead in the eye and say, "I currently feel [insert] emotion, I am [insert] type of person, we are doing [insert] thing." They let their actions speak, their expressions speak, even the shared glances and comforting silences between them speak for itself. All of that makes each scene feel so alive because they actually seem like real people going through real situations, and the entire cast portrayed their characters so naturally which only made it even more believable. Plus, the seamless integration of weighty themes with a touch of humor felt perfectly balanced, it didn't undermine the very sensitive topics it dealt with imo.
It also played gently with the old-time romantic idea of destiny, but without making it the focal point or trying to convince everyone that their entire lives are predetermined, instead it showed that change is possible, that relationships evolve, and that love doesn't need grand declarations to be profound. Honestly, what I saw and felt in this movie was simply love that felt like home, it wasn't the steamy kind, it was simple, quiet, but undeniable love and it goes without saying that both types of love can be beautiful on the screen. Love comes in many shades, there's too many people in this world to expect everyone to love and express their love the exact same way. I wouldn't call the relationship in this movie 'subtle romance' either when it mainly just didn't have any breathless make-out scenes or bed-breaking bedroom encounters that'll make their neighbours think there's an earthquake, since it doesn't really fit my definition of subtle when it had enough intimacy that didn't make it even slightest bit of ambiguous to me. They are 'only friends' the same way historical gay couples are friendship goals to historians and they are about as 'straight' as Sappho’s poems about women. There was no love triangle, no unrequited love, just mutual love for life and for each other with the best gps dog (Guava) in the world making a cameo.
Along with that, the cinematography was gorgeous. The beauty of this film lies not only in the characters and their journey but also in how it's all wrapped in the atmosphere of the movie. I especially loved how there wasn't constant background music, sometimes it can be an overkill and there's some scenes that require silence or at least a quieter background so the characters' expressions and dialogues can do all the work. The cinematography, colour grading, and musical score was all perfect. Every element of A Balloon’s Landing worked in harmony, watching it felt like curling up in a warm blanket when it's really cold and listening to the soft sound of the fireplace. Just perfect.
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All in all, there's a paradise, but it's not by the Bay of Whales, it’s in this movie.
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This review may contain spoilers
Richly layered. Excellently staged.
"Melancholia" is silently impressive. If you're just looking for a sweet romance, you'll be disappointed. Still, the story is a tribute to love. It's also about school, education, South Korean madness about education and the market around it, the arrogance of the top 10 percent of society, as well as bullying and intrigues for optimal certificates. Altogether it´s ambitious in several respects."Melancholia" is about the love for mathematics. Mathematics is for the protagonists what notes are for music lovers or colors for artists: a way to capture and express the beauty behind the beauty of life and the aesthetics of life on this planet. In "Melancholia" there are two people (and actually two more) who recognize this beauty with their mathematical 'sense organ', feel it deeply, understand it, and want to delve even deeper - thus see and meet each other and understand how they feel inside.
"Melancholia" refers to "Melancholia I" - one of the three master engravings by Albrecht Dürer - mentor and student look at it together in the context of the story and communicate about it, understand it, and doing so get closer. The Dürer artwork is an allegorical composition peppered with geometric elements and symbols. There are a wide variety of interpretations in the professional world. The two protagonists in the KDrama are inspired by this and enthusiastically help interpret. In connection with "Melancholia I" by Dürer, his sentence "But I don't know what beauty is" has also been handed down. This creative crisis, through which every creative person (whether mathematician, artist, etc.) has to go through at some point, is processed in the KDrama in its own way - in the first half the male protagonist and in the second half the female protagonist is struck by this question. Individually both are thrown off track and have temporarily lost sight of their joyful creative power. They inevitably stand in the face of melancholy - to some extent a dark, black tunnel, that opens up the passage to a new, luminous dimension of their creative power.
With regard to the student, the first half of "Melancholia" focuses on a variation of Weltschmerz, which is at the same time an expression of suffering from the beauty of the world. The protagonist can't help but see this perfection of aesthetics in everything everywhere. And yet he is alone in this. He cannot convey his perception, cannot share his experience with his fellow human beings. That's way too high for the others. Family, friends and even some teachers cannot relate or really understand what he is about. Some of his classmates may misunderstand him as a show-off and envy his genius. In fact, he suffers from the loneliness in which he is stuck. Not the beauty of the world. Yet all this changes after he meets a mentor who in the face of his 'brilliance' isn't (like many others) out for her own gain. Rather, she recognizes his rare ability of perception and gives it a grounded direction. She did not promote the genius, but the human being, who should not exploit his talent, yet learn to enjoy it. The mere experience that he is not alone with his way leads him out of his suffering. This is how he finds his place in the world and no longer has to withdraw and hide from it.
However, "Melancholia" also shows the mentor as she herself is stuck in an aloof, depressive phase. The motive is the same: also lonely, isolated, trapped in her feelings that she cannot share with a world that cannot understand her. And this time it is her student who can remind and encourage her to step outside and back into the world.
"Melancholia" is a hymn to higher mathematics, with which the beauty of life finds an abstract form(el) - but also to art, which tries to aesthetically translate the formulas and mathematical knowledge into new colors and new forms.
"Melancholia" is a homage to the love between two kindred spirits who recognize each other in their kinship and can't help but love each other (selflessly and unconditionally).
But "Melancholia" is also one of many stories in the shade of a brutal South Korean education industry that unscrupulously rides on the hopes, fears and worries of parents and students and repeatedly bears the bitter fruits of bullying, abuse, meanness, despair and fraud produces. In this context, a variation of it is once again told in an exciting, at the same time moving and excellently staged manner.
Finally , this story of the two main protagonists is both a new edition and a contemporary free reinterpretation of the relationship between of two historical mathematicians: the Tamil Srinivasa Ramanujan and the British Godfrey Harold Hardy. The KDrama refers to the extraordinary, intuitive mathematical skills of the historically real Tamil math genius, who was professionally recognized and promoted by the British Hardy. In 1913 Ramanujan came to England under the wing of his mentor and subsequently became known for several important discoveries. It is said that when asked what his own greatest contribution to mathematics was, Hardy said without hesitation that it was (his mentoring for) Ramanujan. He described their relationship as his only romantic experience in life. And with that he refers first and foremost to the very special form of eroticism of their shared, highly concentrated, soaring flights of intellect. Anyone who has never had this experience of a shared 'Eureka' will probably struggle with the romance aspect of this KDrama. Everyone else might experience it differently... .
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TRIGGER WARNING!
An excerpt from Desmond Tutu's book goes like, "If you are neutral in situations of injustice, you have chosen the side of the oppressor. If an elephant has its foot on the tail of a mouse, and you say that you are neutral, the mouse will not appreciate your neutrality." Courage could be as fierce as fire, but bullying is as weak as smoke. For some, it could be a foregone past which they might forget as a flowing wind, but the it hunts down the victim for the rest of their lives. The consequences of such cases can be as serious as a war and it's been evidenced. The drama depicts this through the tale of a revenge game.Adapted from an animated movie of 2011 of the same title by the same author, "KING OF PIGS (돼지의 왕) [2022]" is a revenge cum chase thriller drama. Produced by 'Studio Dragon' & 'Hidden Sequence', the drama was distributed by TVING as an original OTT content.
The story follows a series of mysterious murder cases, that connects to one single person namely Hwang Kyung Min (Kim Dong Wook), who was a victim of heart-wrenching, continuous school bullying incident, 20 years ago. As the police attempts to track down the culprit and assemble pieces from the past, the circuitous involvement of one of their own people, detective Jung Jong Suk (Kim Sung Kyu), comes to surface, who was also the victim of the same. Kang Jin Ah (Chae Jung An) is a quick and intelligent detective who is a part of the investigative team. While the thrilling quest and chase for a criminal furthers, the unfolding of truth takes us, into the depths of school violence, the roles of different people in it and their outcomes.
There are many other familiar faces in the supporting roles as well but remarkable praises should be credited to all the child actors, playing the teenage counterparts of the current characters, all invoved in the school violence case. Special mentions for Lee Chan Yoo, Shim Hyin Seo and Choi Hyun Jin, playing Kyung Min, Jong suk and Kim Cheol, respectively.
Plot development was amazing. The Story straightaway starts with a death and gradually leads to subsequent investigation and then to another series of killings. This enables the furtherance of investigation and facts about these events start surfacing in fragments. The pilot episode served its job of captivating the attention of the viewers, and the further evolution is engaging. I don’t think there was any episode which didn’t have me awe, the performance, the characters, the stories and everything else was so masterfully drawn, that it makes you keep going. There were also many instances which I found triggering and had to pause or put on hold, so that I could recover, but thankfully I was able to bear them. There are several peak moments in the drama, from both the past and present, the former enraged and saddened me to extents whereas the latter made me relieved and angry. Coming to the ending sequences, it was magnificently plotted and excellently executed, leading to satisfactory outcomes. In simple words, the way it ended was very good and in fact, atypical and rare of the Kdrama trends; I am beyond convinced. In a way, I wish it were longer than 12 episodes but on the other hand I was relieved the trauma was over.
Tak Jae Young jakkanim debut as a young and budding writer through this drama, and though the drama is adapted, we must not assume that his job had been easy. Book to live action adaptions being the most difficult task, we could tell that an animation film to drama adoption would have been less unchallenging, however, they are still different. I wish jakkanim all the best for his future endeavours.
As one of the most talked directors, Kim Dae Jin PDnim has been active for over a decade and half, "Kill Me, Heal Me" being the most acclaimed. In my opinion, this drama is his second best though it was released on a web platform and poorly marketed, otherwise would have gained more attention. Oweing to his skills, the execution, screenplay management, scenario establishment, flow of story, connecting plots, revelations and flashbacks between past & present have been well handled. Tbe cinematography with dark hue was a great fit and exhibited visual pleasure through the acts. The sound and screen editing are of high values as well. The pacing is perfect.
What I liked…
# The plot development is compelling and intriguing, for it uses unique methods of revealing and unfolding truth, of the past, through detailed investigation in the present by relating to the foregone story that took place 20 years ago. The storytelling method with two perspectives, of Kyung Min and of Jong Suk, the differential narratives, and the monologues are what make it an interesting & engaging as well as a nail-biting watch.
# Kim Cheol, the character, is something that all of us unaskingly fell in love with, no? His existence itself adds to the value of this show as a whole; his rise in the class, from a mere slacker to the king of pigs and then his downfall finally leading to a forever memorable (for the characters of the drama) god, is a journey that I will never forget. The way his story was told, especially through the acts of Kyung Min, was gripping and enthralling. He is the real hero of this drama.
# Kim Dong Wook as Hwang Kyung Min, has, once again, left me baffled with his skills, no doubt he is one of the best in terms of acting. He, in both sane and insane state, performed so smoothly and comfortably that it helped me to survive the traumatic events in the drama. His emotions, his angst, his eyes, his expressions, his dialogue delivery and everything he did was so on point, it’s like his act felt the only hope left, for the world he lived in. Kim Sung Kyu and Kang Jin Ah also did very well, for they are already good actors.
# The young actors have great importance in the drama as they and their story of the past share about 45% of the screentime the approx. 600 minutes show. Again, special mention must be credited to Choi Hyun Jin who played Kim Cheol, for he delivered a justified and splendid performance, and I don’t think anyone else could have match him. Other than the ones playing Kyung Min & Jong Suk, the actors playing young bullies also did a good job portraying their parts and it felt real and engrossing.
# The song sung by Lee Ji Hyun (Kim Pu Reum), Park Sung Jin (Hwang Man Ik)’s niece in the 8th episode (the only song of the rdama) was melancholic, touchy and enraging at the same time. It was a call for help, to rescue the souls of the ones who has to go through the unfortunate and heartbreaking days, spending their time in school with fear and trauma, dismay and terror of which also follow them for the rest of their lives.
# Kdramas based on school bullying or having the elements in it has been very common, being placed in over hundreds of shows over the last 2 decades, but this stands out for many reasons. First and foremost, this is solely based on school violence, as it tells a foregone story of 3 victims of several bullying incidents that took place over years. Secondly, the present day events, that has caused headache to the cops, roots back to the past incident only, resulting in an extremely brutal revenge game. The show attempts to dissect the entire scenario by performig RCA (root cause analysis) and shows to a great deal, the consequences, the bullying cases can inflict for both the victims and the perpetrators.
# I loved the way the title of the show has been justified throughout, from the beginning to the end, through the storytelling and the acts by the characters. The immensely dark story with portrayal of real bullying cases could be hugely triggering but it is truly thought-provoking and, in a way, demands reforms in laws and awareness in society. Provided that it is based on a real story, makes it a sad thing but I feel, everyone needs to witness it in order to be made aware and learnt.
What I didn’t like…
# The character arch for adult Jong Suk is very roughly done and not llikable. I mean obviously, for the story, he has his parts of flaws, but as an audience watching a story, I could not get used to many a things that he attempted to do. It did not indicate his insanity to me, rather some technical drawbacks which could have been avoided.
# The investigative methods felt absurd sometimes, particularly after the 7th episode, there is little to no contribution by the other members of the team. It was only Jin Ah and Jong Suk who were doing everything, that too independently; plus the state of mind in which Jong Suk was, he should not have been a part of the investigation to begin with, also provided that he was somehow related to the incident.
# I wanted moreeeeeeee.
Final Remarks… “THE KING OF PIGS” is a solid and extremely heavy watch, and a treat for whoever is into such dark genres with a cogent story and plausible plot development. Screenwriting, direction, performance and the overall outcomes are praiseworthy and all the efforts have been reflected through the mighty values and well paid off. This actually deserves more attention since not many were watching when it was on air. If you are planning to start it, make sure you are mentally prepared to receive what it offers, and watching in small doses might make it easier. MUST RECCOMENDED!
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'Finding Happiness Again'
The New Beginning.Not having some great story, relatively some or to be honest many plot holes doesn't mean that drama wasn't good, there's nothing like perfection. Having some cons is a good thing from my perspective. So now let's talk about drama. Fluffy, comedy, sweet, light with mild romance (Don't expect too much even romance is in main genres) ... it's the full package fluff drama but it also gives some messages which make us think about ourselves our life and the decision we made.
The story wasn't perfect but the execution was done well, kind of predictable still a fun and interesting journey. Really like the character development wasn't just about only one character but about every... the journey of learning something and it was for everyone that at the end you can see not phenomenal but at least a good change indeed!
Talking about the cast and acting... for me everyone was perfect for their respective roles and characters really liked Bahn Ha-Ni's both version the younger and the present one it's always great to see two different sides of the same character though I can't say they both are same haha.. the ML was definitely chocolate boy, adorable, liked the chemistry between them but still I won't say we get much romance here.
So overall it was a good show indeed won't say very good, coz I didn't get answers for some of my questions and had some plot holes but it's really good and light show indeed!
“We all do things we desperately wish we could undo. Those regrets just become part of who we are, along with everything else. To spend time trying to change that, well, it's like chasing clouds.”
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This review may contain spoilers
From Belittled Concubine's Daughter to Respected Marquis's Wife
As a historical Cdrama lover, The Sword and the Brocade was certainly a delightful watch, giving an insight and story that is both informational and enjoyable. Set in the Ming Dynasty, viewers follow the journey of Luo Shiyi Niang, as she gains respect from the people around her as she rises from a concubine's daughter to the wife of a powerful marquis. As a 45 episode drama with 45 minutes per episode, I thoroughly enjoyed most of the drama, especially the progression and improvement of many characters' personalities.This is definitely not a low-budget drama, with colorful and intricate clothing, realistic Ming dynasty props, and nice sets. Shiyi Niang's clothing showed off her sunshiney personality and simplicity, showing off pastel colors of many shades to viewers. And rather than clothing that looked too royal and fancy, Shiyi Niang's clothing fit her personality perfectly.
Story-8.5:
If you enjoyed The Story of Minglan, you will most likely love this drama as well. The drama doesn't have a very spectacular plotline, but rather shows how the many characters in the drama changed as they experienced more of life, and the very inspirational outcomes from various circumstances.
Born in the rather influential Luo family, Luo Shiyi Niang (Luo= last name, Shiyi= 11, Niang= character given to all Luo girls) is not given upmost care from the family, with the exception of her concubine-ranked mother. In ancient China, children born of the main wife were considered the legitimate children, while concubine-born children were illegitimate. As a young girl, Shiyi Niang only experienced true familial love from her mother, who later dies in a tragic and mysterious way. Determined to find the murderer and avenge her mother, Shiyi Niang can only marry Xu Lingyi, the powerful marquis of the Xu manor, who was the husband of her eldest sister, Yuan Niang, before she died.
Shiyi Niang and Xu Lingyi's marriage is a perfect example of a normal marriage in ancient China, where parents would decide the spouse of their children. This couple started out without any love at all, but through various circumstances, romance started to bloom. The drama explores love from family, lovers and friends, as well as life in ancient China.
It should also be noted that a harem of a few concubines and children was perfectly normal in ancient China. Some viewers may be uncomfortable with this significant detail, but this picture of an influential official's harem frames ancient Chinese polygamy quite well. (I'm not implying that this is acceptable now, just that it was normal in ancient China, and we can also learn some history from it.)
My story rating dropped from a 9.5 to an eventual 8.5 after a few parts of the drama. Some parts were rather unnecessary, while other parts would have been much better off with more explanation (especially the ending, which felt very rushed). I have to admit that I started to get bored at times, but fortunately, the plot managed to keep the drama rolling.
Acting/Cast-9.0:
First, please allow me to say that the main reason I gave this drama such a high rating overall (9.0) is being of the character development. The Sword and the Brocade has one of the best character developments I have seen in dramas. Shiyi Niang is such an influential and motivational figure. Although she is concubine-born, she managed to win over the hearts of the entire Xu family, who were all cold and distant to her at first. Adding on to this trait, she also displays kindness and care towards her family, friends and anyone in need, and is willing to sacrifice if necessary. She is definitely not the whiny female lead, or a woman in ancient China who has to depend on her powerful husband to live well. She starts a, we'll call it an embroidery educational system, and she is quite good at teaching the young girls embroidery, being amazing at embroidery herself. (which is an essential talent for women in ancient China) As always, Tan Songyun slayed her role, perfectly pulling off this headstrong but caring female lead, who used her wits and kindness to gain the affection of her husband and respect of her new family members.
Wallace Chung did not disappoint as well. He kept the image of a powerful and intelligent marquis throughout the drama, one traumatized by the death of a few of his family members when he was quite young. This event also changed him to the cold man seen in the beginning of the drama, who only cared about filial-piety and protecting the nation. After Shiyi Niang's arrival, though, his change was clear and evident. He began displaying signs of affection towards not only her, but other family members as well. He began to understand the hardships of others, and also the importance of family (which, Shiyi Niang saw importance in as well).
There is a rather significant age gap between both the actors (Actress Tan Songyun and actor Zhong Hanliang) and the main leads in the drama, the gaps being 16 years and most likely 10 years respectively. I have noticed a disturbance in viewers after this discovery, but this gap did not bother me from enjoying the drama at all. Seven Tan and Wallace Chung had acceptable chemistry. Shiyi Niang and Xu Lingyi are a cute couple. Not so-cute-I-could-look-at-them-at-day cute, but they were a nice couple. There were a few intimate scenes, which were conducted fairly well.
Some of the other characters who won me over were Shiyi Niang's sisters, her Fifth Sister-in-Law, Hu Po, and so many others. Almost of all of the characters had amazing character development (excluding the antagonists, of course). It was normal for sisters to fight over the most trivial things, as the atmosphere in families were highly competitive, but Shiyi Niang stayed back, while her other concubine-born sisters gained more of the main wife's favor. One of her sisters was most deserving of my scorn, but I took the hate back as the drama started to near the end. Most of these actors and actresses did a wonderful job playing the roles of people living in ancient China, managing to make everyone's stories and goals realistic but also pretty relatable. The antagonists were fine, wanting to gain from greed and influence from others.
How did Shiyi Niang even manage to gain the respect of so many people and also establish such successful and stable relationships? These results can be attributed to a tiny bit of luck, but mostly her high EQ and patience that helped her in the long run. Even Xu Lingyi's mother, who disliked her greatly at first, eventually took to her as her own daughter. Shiyi Niang's personality is one that all of us can learn and benefit from.
Music-8.0:
The Sword and Brocade does not have a very memorable soundtrack, but it had nice songs nonetheless. I especially enjoyed he song sung by Seven Tan. Who knew that she has such a sweet and gentle voice! Fortunately though, my ears did not receive any complaints of the bgm or OSTs not matching with what was going on eith the drama, making the music a nice add-in.
Overall-8.5:
Overall, a great drama, and a great perception of Ming Dynasty life as well! Not only was the story intriguing, but the character developments are so rare and motivational, showing us how patience and kindness will pay off in the end. Greed will get us nowhere, and the antagonists got what they deserved in the end. From a girl who no one took much importance in to an influential wife of a powerful marquis, Shiyi Niang managed to achieve many things she never thought she would achieve, as well as help many people in the nation.
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Apple+ hit the trend with best intentions.
The reasons I had anticipations for this mini drama were:1. It's Apple+
2. The amazing cast
3. The storyline
The fears I had:
1. It's a debut for Apple+
2. The drama is only 6 episodes
3. The director's debut in drama
And overcoming all my expectations as well as doubts, Dr. Brain has been able to present itself as a series of quality and it's an absolute treat, I want to aasure y'all that.
Dr. Brain (브레인) is adapted from the webtoon with the same title writhen by Artist Hong Jac Ga (홍자가).
Dr. Brain is basically a sci-fi plus investigative mystery thriller keeping Koh Se Won (Lee Sun Kyun) at the center of the story. He's a brain scientist who has been working on syncing two brains for a long to establish communication through memories. Born with peculiar brain characteristics he has had a horrible past yet manages to make family and do excellently well in his career. One day his world breaks apart as his family falls victim to terrific accidents in a short span of time, but being an emotional man, he rather invests even more time in his research. And oweing to his inventions he now start accessing memories of his wife as well as the people around her to get to the root of everything. He puts the best of his efforts to combine the fragmented memories together in order to draw a complete figure. And while doing all these, he gets to unveil the conspiracies and the biggest culprits who have made him miserable.
I must say, the plot development is absolutely wow in here. For a 6 episode mini-drama, it is very important that each and every part should impress the audience, which was successfully achieved by the drama. I personally wasn't much intrigued by the 1st episode (except the neuroscience research stuffs, since I am a post-grad guy in zoology) but the 2nd one got me awestruck, ngl. The suspense buildup throughout the series is indeed marvelous and the progression is well executed. The way everything unfolds bit by bit using the pieces memories from various different persons is really very intriguing as the story progresses. The revelations have been made at appropriate timings and the pacing of the entire show couldn't be more perfect.
I can't help but praise so much about the acting area of the drama. Not just that the drama has several master actors, also we saw their acting graphs rising to some other level than before. Ahhhhhhhh! The feelings of witnessing their plays is something unexplainable. Apart from Lee Sun Kyun at the top, we also have here: Park Hee Soon (Lee Kang Mu) as a private investigator, Lee Yoo Young (Jung Jae Yi) as Sewon's wife, Lee Jae Won (Hong Nam Il) as Sewon's colleague and Seo Ji Hye as Lieutenant Cho.
We also have amazing actors like Uhm Tae Goo and Kim Joo Hun as guest actors. Among other seemingly minor yet important characters are: Moon Seung Keun as Dr. Myung and Jo Bok Rae as Sergeant Park. I am particularly held back by Seung Keun ahjussi's acting in last 2 episodes. His pronunciations and dialogue delivery made my eyes to bawl out.
Kim Jee Woon PDnim is a very familiar face when it comes to Korean movies and he's proved his worth long back. However, Dr. Brain is his directorial debut in Kdramas and this is the fact that made me doubt about the results. But to my surprise and utter satisfaction, he has done so so so well that I can't help but applaud for him. If you see the storyline is almost like a movie's but still 6 hours is too long for making a movie. And he's successfully proved his experience despite that.
Cinematography is an aspect that's been taken care of very well. The camera movements as well as capture angles perfectly showcase the scenarios involving the puzzles put forth by the entanglement of various sets of memories inside Koh Se Won's brain, his interaction with multiple consciousnesses and his visions. The CGI is also very nice for the hallucinations, imaginations and dreams that Sewon was having as side effects. The sound production too is perfectly done to suit the moods and vibes of the drama.
Scripts involving brain and neuroscience is nothing new for Kdramas and moreover this is fiction. The theories of brain sync, put forth here doesn't make sense at all, at least for the year 2021 but the execution is so very good that it almost feels real, even to biologists like me, haha. I guess that's the magic of science fictions. Who knows these theories might become possible after a century or two.
Despite the mixed feelings, I honestly wanted the drama to do well. And for a matter of fact, my biggest fear was how the entire world is now immensely interested in investing in Kdramas. It's some sort of insecurity that I have developed recently which make me afraid about the originality of Kdramas, which is slowly becoming diluted by mediocre Netflix series. But Dr. Brain has come to my rescue as a beam of hope and I wish it continues to prosper and burn even brighter in the future.
Overally, Dr. Brain is thrilling, enraging, captivating and intriguing at the same time and in my opinion, it is a must watch. Please please please don't pass it down thinking it's apple+ debut in Korea. It's an amazing show as it is.
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Surprisingly engaging. Entirely bingeable!!
I started watching this fully expecting it to be silly and nonsensical and a good distraction - and it was - but interestingly - it was quite a bit more… and I actually enjoyed it.The overall story is not new and seemed like a “mush-mash” of other fluffy historicals. But even though the FL was typically over the top and antics-oriented - the drama managed to convey a FL character that was independent and open-minded. The values portrayed were female empowering and I liked that.
It has a reverse harem theme but not in a gratuitous way. The FL openly admires the male form - and female as well - she can admire a beautiful woman without malice. She is Portrayed as comfortable with her own emotions and wishes and demanding equality in her relationship. At first she could be viewed as silly but we do get a sense of her pure and honest heart. She is practical and direct in her admiration.
The MLS are both wonderful and our FL has good chemistry with both. I loved that this was a love triangle but - not really. Instead it actually came across as our our FL just exploring her options to figure out who she connected better with physically and from the heart. She had enough chances to check out who really made her heart race! She also treats both MLs sincerely and wholeheartedly. Once she figures it out she commits to her choice and all parties respect and support that. So no toxic love triangle.
Our course all is that aside — this was a visual feast when it comes to MLs. Enough shirtless scenes of these two gorgeous men who emoted strength as well as tenderness just like I like my leading characters.
If you are okay with a bit of silliness with a not so perfect story nir production - this is a fun quick watch with a twist at the end that might mean another season —— and I would not mind giving a second season a try if that’s the case.
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The idea of putting together the trinity, in a setting that somewhat reminded me of 'Friends' was genius(ok well maybe not genius but the fanservice is totally appreciated) - it was a break from GMMtV's usual Friday night BL schedule - even without the BL elements.
The plot was kind of forced and silly - six guys with the same name living in one house. Each one has their own phobia and will overcome it with the help of each other. This is a family drama with each one having their own backstory and a time to shine, although i feel like Singto's screentime was less than the others.
The acting and the production is outstanding, their house (production design) is also great, i especially love seeing the full glory of the house during the end credits. The pacing is perfect.
What i love the most is just seeing all of them together. Their chemistry is fantastic, its like watching real friends in real life.
What i hate is the fact that it is shorter than the average Thai dramas, and with only eight episodes i am left wanting more! Also i feel like i may have enjoyed this drama simply because im already a fan of all these 6 actors, but if it maybe a different stort if this was seen by someone who doesnt know them at all.
Still, im thankful for this series and will be rewatching.
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no guitars pulled out in a college/campus thai bl???
the low reviews don't make sense to me since this was better than a lotttt of college thai bls i've watched (i've probably watched all of them) storywise it might've not been a great start cus it seemed too typical but I did not care since I started it not expecting much anyways...howeverrrrrr the more it went on the better it got...i really liked the main couple's relationship development they were adorable and the side couples' stories were also good....all of the actors had good chemistry and the acting was surprisingly good....it was just generally less cringe than ur average thai bl.....production wise it was not the best but it wasn't bad...overall if ur looking for something nonserious yet still enjoyable to watch u should watch thisWas this review helpful to you?
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