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1Makes you feel more lonely than you already are - in the best way possible.
This is everything I want from a romantic comedy short story. Simple plot that is connected to all the characters, great acting, amazing chemistry, bop of a soundtrack and aesthetics shots.To My Star is proof that you do not need complex, over the top, dramatic, and ridiculous sub-plots to make a good show. It's obvious the writer and director had a clear vision of what they wanted to show, and they focused on making it as high of a quality as possible. And they succeeded! All the subplots connect and affect all the characters, so you don't feel like watching different shows depending on who is the focus of certain scenes. Things hinted at the beginning are addressed by the end, and no loose ends are left.
Characters wise - pure perfection. There was not one character that felt redundant. They all were fun, unique and felt like real people. The chemistry between the leads was amazing, but it's worth talking about the awesome synergy between the supporting cast. Not one scene felt boring, and I truly enjoyed every second of the show.
From the opening scene I knew, To My Star will be a feast for my eyes, and I was not wrong. The show was just beautiful. Lately I am tired of the "shaky camera" and cuts and changes of frames and angles every few seconds. The still shots were a blessing. I could truly appreciate the scenes and what was happening in the story when I was not being distracted by random cuts.
The soundtrack. I mean - I need to google all the songs. I never care for the OST. As long as it's not distracting, I rarely even remember or care for even one song. Here though I am truly speechless at how good it was.
With all the love I give and all the praises, why not 10? We all have our own pet peeves, sadly this one hit some of mine... One being "crying without tears" and the other: random, poorly delivered English lines (acting wise, not language wise - clarifying so no one will get pressed again). But these are minor problems that most people will not even notice.
Overall, definitely one of my favorite BLs. Definitely one of my favorite rom-coms overall. I just love the simple and chill vibe it had, the wholesome feels and the great production value taking into consideration how small of a project it was compared to mainstream dramas. The acting was just gold, the chemistry made me feel lonely and in need of a relationship, the OST made me want to dance, and the aesthetic scenes made me take too many screenshots.
Make yourself happy - watch To My Star.
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This drama had a great premise, good cast, diverse characters, and great OSTs. So what exactly is the problem?
How did it manage to fail despite all of the positive factors I just mentioned?
Bad scriptwriting for the two main characters.
This show started off just fine (for some it might've been childish or cringy because of the main lead played by Ahn Jae Hyun) but despite that, the show was actually pretty decent. It gave spotlight on many diverse characters which brings me to a certain topic I'd like to discuss: How great the LGBT representation in this drama is. They portrayed the issues of gay people very smoothly without making it over the top or forced. The character played by Cha In Ha was written in a very natural manner, it felt very realistic and down to earth. Those are some of the positive things about this drama.
The other point I would like to mention is how each character is suffering from some sort of trauma. The four siblings sharing painful events that made them into who they are today. Also very nicely done.
Now I would like to focus on the negative aspects.
This drama focuses way too much on the cliché ''Main lead v.s Second lead'' trope which I thought would be left behind in 2019 for good. Sadly that was not the case and it ended up as a mediocre show at best.
Too many unnecessary scenes due to bad writing, not knowing how to make the main couple interesting enough and making them do stupid stuff every two minutes or so resulting in those two going back and forth between each other. Also, too many underdeveloped characters, what was the point of the rich runaway girl? the psychiatrist? how about the three brothers and their individual love stories? everything was shoved aside for the main couple and second lead which had absolutely zero chemistry at the end of the day, all that because of irresponsible (on the toilet) writing.
I think the screenwriter gave up midway through just to eat his sandwich on time for film break. Not sure what they were thinking when they made the main couple argue 24/7 without any reason at all, Like, he could've breathed in a wrong way and she would break up with him for the tenth time this week????
The humor in this drama swifts from occasionally funny to cringeworthy real fast, so watch out for that.
Also, I've seen a lot of people comment on the acting in this drama and I agree somewhat that the two main leads tend to overexaggerate a lot or simply fail at delivering a certain scene correctly. But please keep in that that those characters are purposely written that way and the actors have no choice but to act stupidly in a very animated manner because of the nature of their characters. You should blame the writers for that instead. I think the actors did a decent job, it is supposed to be a comedy after all. A character shitting his pants in the very first episode cant be taken seriously anyway.
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Overall this drama is okay if you are looking for something short and easy to watch. Funny with a decent portrayal of different characters. Sometimes braindead but the side characters are worth your time.
Don't try to watch this if you are a fan of mature or well-written romance. If you don't like childish characters and very questionable decision making, this might not be the right drama for you.
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Excellent Acting and Production
This is the true story of the mother of China's First Emperor, Qin Shi Huang. How close this story to the real events happened more than 2,000 years ago is anybody's guess. However, many of the main characters in the story were actual people during that time. Since this is a true story, the "real romance" parts are limited. So if you are a romance buff, you may likely be disappointed.This drama depicted the arduous journey Hao Lan had gone to survive the various palace politics, scheming, back stabbing, both in the Zhao palace (where she was from) and Qin palace (where she was married to). She helped her son become the King of Qin, who ultimately became the First Emperor of China, unifying the various kingdoms.
The cinematography of this drama is epic, the acting is excellent, and the story is exciting. One can tell that the director and his crew put in a lot of effort into making this drama. Every detail was taken care of. Everything was done close to perfection.
I love the color palette of the scenes, especially the costumes, the interior designs and decors, and the gardens. I find myself binge watching a lot. However, having said that, I find the palace politics overwhelming, and at times, I could get pretty exhausted.
This is a serious, no nonsense drama. It can get quite dry for some people who are not into history. For me, I love history and I am especially intrigued by Chinese history.
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This movie is very quiet but it works quite well for it. Throughout the entire movie, probably only about 4 songs are played. Three of which are instrumentals and the fourth an extremely calming, beautiful song called Gafsa sung by Natacha Atlas. Music would only be played if a scene needed to be over emphasized. This only happened a select few times in the movie but when music would play it would do exactly that. It would evoke a whole new kind of feeling from a scene.
As for the dialogue, it was also very quiet. In the entire movie, the extras had more dialogue than the two main characters. The main male character, Taesuk did not have a single line while the main female character, Sunhwa, had two.
The plot and dialogue alone may not have been anything amazing, but the idea of the movie appeared not to be focused on a gripped story. Instead, it felt more focused on extracting emotions from the audience and allowed the audience silence to think and interpret the movie without distractions of constant dialogue, music, and plot changes. Its beauty lies in its simplicity.
For people that are into solid plots, surprising twists, complex dialogues, and romance, I would not recommend this movie. But for the people that can appreciate a calming, simplistic movie with realistic themes this would be for them.
This is my all time favorite movie and is the only thing on this site that I'm okay with giving a 10 on rewatch value because no matter how many times I watch it I never get sick of it
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An intriguing drama that captivates from start to finish!
I chanced upon “The Glory” (雁回时) airing in WeTV when I came home from a trip more than a week ago. The summaries I’ve read intrigued me, so I started it and I was hooked! I was binge-watching episodes during my free time such that I quickly caught up to the latest happenings.The story is about Zhuang Han Yan, who was sent away as a baby due to some supposedly prophetic words from a Taoist master, saying that she is the barefoot ghost (赤脚鬼) and her birth caused her grandfather’s death. She was raised by his father’s friend and his wife in Danzhou, both of whom mistreated her. Due to some turn of events, she was able to break free from them and come back to the capital, falling unconscious at the gates of the Zhuang residence in the cold winter. Her sudden return threw the entire family into an uproar, and she also caught the attention of Fu Yun Xi, the Vice Minister of the Court of Judicial Review, with whom she has a marriage agreement that was decided by their parents. These led to a series of events that unfolded one after the other, with secrets being exposed and the truths eventually coming to light.
STORY / PLOT 📚:
“The Glory” is a drama that encompasses many themes. It is a story about one woman’s quest for a family that had been denied from her when she was born. It’s about her quest for justice/revenge and her goal to break free from the “barefoot ghost” reputation that had followed her from birth. It focuses on the mother-daughter relationship, friendship, the sometimes complex family dynamics, and even romance, albeit the romance is slow-burn and somewhat subdued (more on that later). Then there are the political and investigative aspects in the case of the fallen Pei Da Fu, the powerful eunuch who, during his lifetime, had amassed a fortune and had many cronies in court, the most prominent of whom is the so-called adopted son.
As I watch each episode, I can feel the excitement and anticipation since there is no boring moment. It’s like when one episode ends, I’m drawn to continue, and before I realized it, I’ve been watching for hours and I’m way past my bedtime. Indeed, the twists and turns kept me on the edge of my seat. There are also a myriad of other emotions and reactions such as happiness, surprise, tenderness, sadness, intrigue, anger, and indignation. There are some emotional and touching scenes where I cried a bucket, e.g., between Zhuang Han Yan and her mother Ruan Xi Wen, between Zhuang Han Yan and Ah Zhi. Other relationships also tugged at the heartstrings such as Zhuang Han Yan and Chai Jing’s friendship, the push and pull between Zhuang Han Yan and Fu Yun Xi, the father and daughter dynamics of Fu Yun Xi and Ah Zhi, among others.
As I mentioned above, the romance between Zhuang Han Yan and Fu Yun Xi is slow-burn. There are definitely sweet moments and affectionate gestures between them. Some are subtle/indirect, such as longing glances and lending support behind the scenes, while others are more obvious, such as holding hands, intercepting marriage proposals, jumping in to save her from a raging horse, the hugs and the few sweet kisses, etc. More explicit displays of their affection is very much welcome, but I'm still happy with how the drama portrayed their relationship's progress. They started out with distrust and suspicion as they schemed and pushed their own agenda, developed respect and admiration for each other, vacillated between doubt and trust, and finally learned to trust and love each other.
As for the ending, I'm satisfied with how they executed it. Everything tied up nicely, and even if there is a question or two, they’re minor and does not affect my enjoyment of the drama. What Zhuang Han Yan said towards the end is a fitting wrap-up for this series: “Any place full of love can be my home.” (有情之地, 处处皆可为家) ❤️🏠
ACTING / CAST 🎭:
Chen Du Ling’s star shines very brightly here. She gave an outstanding performance as Zhuang Han Yan 👏. She conveyed different kinds of emotions through her facial expressions, eyes, mannerisms, and tone of voice (kudos to the voice actor too). Zhuang Han Yan is an emotionally scarred woman who has experienced a lot of pain and trauma during her young life. All these molded her into the kind of woman she is – smart, savvy, independent, strong but with a soft spot, kind and compassionate but not a doormat, and does not easily trust others.
Xin Yun Lai was able to portray the serious, stoic and somewhat mysterious Fu Yun Xi quite convincingly, though I would prefer more facial expressions in some instances. But one could argue that his character is supposed to be that way. I like how he poured his heart out when he confessed his emotions and love to Zhuang Han Yan in one of the latter episodes.
As for the couple’s chemistry, it’s palpable and they truly make a good pair. I can feel the tension from their first meeting. There is this push and pull in their relationship especially when they were getting to know each other, which adds to the tension (see above on their relationship’s growth). They are well matched, both in looks, wits and temperament.
Wen Zheng Rong is a seasoned actress who has appeared in many dramas. She gave an excellent performance as Ruan Xi Wen, Zhuang Han Yan’s long-suffering mother. She showed those raw and pent-up emotions brilliantly. At first, I was mad at her, and then I came to sympathize with her as I learned of what she went through all those years.
Yu En Tai nailed his role as the manipulative, self-serving and duplicitous Zhuang Shi Yang. Some think his acting is exaggerated and overly dramatic, such that it’s distracting and annoying. But I think that’s what makes his portrayal so effective. By the last few episodes, I was strongly rooting for justice to be served.
Jinna Fu was able to capture the essence of Chai Jing. She is Zhuang Han Yan's loyal and trusted friend, her support during her difficult days in Danzhou and even when she arrived at the capital. She is skilled in martial arts and protects her whenever she can. Their friendship is precious.
I couldn’t write this review without giving kudos to the talented and adorable Huang Bo Si, who played Fu Ling Zhi / Ah Zhi, Fu Yun Xi’s daughter with his first wife. Ah Zhi is such a sweet and loving child. She is so innocent, smart, and yet also mature for her age. She never fails to touch me with her favorite line, “When we miss our mothers, I can hug you, and you can also hug me” (我们想母亲的时候，我可以抱一抱你，你也可以抱一抱我.) 🥰. This kid has potential, and I look forward to seeing her in other dramas.
The other supporting cast gave great performances as well, such as: Wang Yan as the 2nd wife Zhou Ru Yin, He Hong Shan as the competitive Zhuang Yu Shan, Li Sheng as Noble Consort Miao, and Song Pei Ze and Chen Kang as Fu Yun Xi’s reliable right-hand men Mu Feng and Mu Yan, respectively. They add depth, excitement and some humor to the drama.
OTHER THOUGHTS 🔮:
I’m satisfied with the overall production and costume design. The costumes look good, and the color combinations are nice.
The soundtrack is excellent and fits the drama so well. Hats off to the team who chose the songs 👒! The ending theme song, “Blade” (刃), is Zhuang Han Yan’s anthem. The song is written for her! It sums up her journey fittingly. “Flame” (焰) is Zhuang Han Yan and Fu Yun Xi’s theme song, while “Cut” (剪) is a tribute to Zhuang Han Yan and Ruan Xi Wen’s relationship.
FINAL VERDICT ⭐️: “The Glory” is one of those dramas that left a lasting impression on me. It’s worth my time and attention, and I highly recommend it!
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1Jing Boran is the Hottest Officer in Uniform
He is a man who cooks, does house chores, and protects the country. What more do we want of a man? The writer gives the viewers a perfect man who loves quietly, hurts quietly, never complains, never seeks glory, is courageous and always wants to help and protect. This is a lovely series which can be boring for some for its slow, everyday life story, but lovely for many for its quiet romance, a romance many can relate to - no fanfare, just love and devotion (if such elements still exist). It is the romance story of a special force police officer.“Road Home”’s Chinese title, “Gui Lu” (means return road), is coined from both the main characters’ names. This is a story with beautiful scenes of the canyons and touching moments, spanning from high school in 2008 to the present time 2020.
Lu Chen aka Lu Yanchen (Jing Boran) is a special force police officer working under the explosive unit. He fell in love with Gui Xiao (Tan Songyun) in high school but they separated when they both sought different career paths. Years later they meet and fall in love again, this time for real. Knowing how dangerous Lu Chen’s work is, Gui Xiao embraces him wholeheartedly because she loves him. For once in Chinese drama, Lu Chen is not the type that says, “I leave you for your own good because I love you so much.” Lu Chen is delighted that Gui Xiao wants to marry him, knowing that there may not be a tomorrow.
Lu Chen is a very serious person. He is strict, doesn’t crack jokes, doesn’t laugh, and has few words. Most of the sentences he speaks are one-word sentences. For him, actions speak louder than words. He also has a complicated family story that torments him since childhood. Jing Boran has perfected his role. With a face that is not pretty but handsome beyond words, and a physique perfect for a tough law enforcement officer, Jing Boran tells the story through his facial expressions that say a thousand words which cannot be spoken. In reality, Jing Boran has a rather similar family story like the one in the drama. Perhaps he can feel the pains of the character better than the others can.
I love to watch how Lu Chen uses his coat to wrap around Gui Xiao from behind and gently holds her. These types of hugs are the most soothing, sensual and romantic; the warmth emanates through the screen, making the viewers soaked in peace, love and security. This is Jing Boran's amazing power and charisma; immersing in his embrace is so reassuring and warm.
Gui Xiao comes from a wealthy but broken family just like Lu Chen’s family. She is independent but when in front of Lu Chen, she becomes a little girl, totally dependent on him. With a face that passes easily as a teenager, Tan Songyun’s juvenile Gui Xiao is very believable and as an adult, her character becomes mature and continues to grow to be even more understanding and loving.
Official Sound Tracks
Two OSTs impress me the most - Youth is Well (青春无恙) and The Dust Maiden (灰姑娘). The former is touching with beautiful lyrics and tune that stays in one's mind. The latter is an old folk song that Lu Chen sings for Gui Xiao. The lyrics are appropriately expressing his feelings for her, and the tune is lively and cute.
My Verdict
This is a down-to-earth type of everyday life romance story. It portrays the life of a police officer on the front line, his love life, family and his sacrifices. There are quite a few episodes spent on just the natural and beautiful scenery of the north-west desert at the border. The pace is rather slow - there’s a lot of looking and waiting, but every second is precious to watch because the story is being told on the characters’ faces. There are no flowery speeches; the dialogs are rather common like things people would say everyday going about their life. All the characters are lovable, and there are no antagonists, though Lu Chen's father was initially thought to be one.
The story reminds the viewers of the sacrifices a country’s protective forces have to make, putting their personal safety on the line to ensure the safety of others. Their valor is admirable. Though the main character is a law enforcement officer, there are limited action scenes as the focus is on the romance development. Throughout, there are a lot of flashbacks, giving viewers the backstory of their romance.
The writer works hard to show the viewers how much the couple is in love with each other. There are a lot of kissing and intimacy scenes. One of the scenes even shows Gui Xiao staring at Lu Chen's naked body when he comes out from the shower. I wish she had gone up to hug him, or better still, gone into the shower with him. But this is a Chinese drama, and it has to pass censorship. Just some wishful thinking. The allusion that she is staring at his nakedness is rare in Chinese dramas.
This is a great drama for viewers who prefer a slow pace story with nothing much happening, for romance buffs who love a mature and quiet romance, or for anyone who just wants to look at Jing Boran.
Don’t miss it. Great Watch!
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This review may contain spoilers
Aaaaaabsolute Disarseter
This, I imagine, is what the first draft of the script for "A Perfect Match" looked like:Scene 1.
[A wet dream.]
[Morning wood.]
[Lingering shots of Xiao Nan showering. Ummmm…. Aaaaaaaaabs.]
[Lather. Rinse. Repeat.]
[Product placement.]
[Dead parents.]
[Gran sad.]
Scene 2.
[Nan's late for an interview. Saves a girl.]
[Boss bad. Girl his sister.]
[Product placement.]
[Dead parents.]
[Gran sad.]
Scene 3.
Evil woman: Flirt with me. I’m the straight devil.
The Villain: I will, baby. Now fuck off, Nan, you perfect-bodied handsome god, you.
[Note to casting: Make sure the villain is the ugliest member of the cast.]
Xiao Nan mewls.
[Lingering shots of Xiao Nan (and the villain) showering. Ummmm…. Aaaaaaaaabs.]
[Lather. Rinse. Repeat.]
Scene 4.
[Xiao Nan and The Boss meet, get drunk, and talk about...]
[Dead parents.]
[Lingering shots of Xiao Nan showering. Ummmm…. Aaaaaaaaabs.]
[Lather. Rinse. Repeat.]
[Product placement.]
[More product placement.]
[Near kiss. Even more product placement.]
[The little girl is a brat.]
Director’s Note: All very well, but where’s the dialogue in this?
Scene 5.
[Introduce a supportive fujoshi.]
[Product placement.]
[Yes, this whole episode is for product placement. It's called multi-level marketing.]
[Lingering shots of Xiao Nan showering. Ummmm…. Aaaaaaaaabs.]
[Lather. Rinse. Repeat.]
Scene 6.
[Boss and Xiao Nan play tennis.]
[Both take their tops off, for no apparent reason.]
[Ummmm.... Aaaaaaaaabs…. Peeeeeeecs… Niiiipples....]
[Boss has an unexpectedly hot body.]
Xiao Nan's Thirst: That tattoo! Wreck me daddy… Destroy me king…
Xiao Nan: I think I might fall in love with you. So, I'm going to go.
Boss: I like you too, so I'm going to let you go.
[Brat sister screams.]
[The villain wants a second serving of Xiao Nan.]
Everyone: Who doesn’t?
Scene 7.
[Brat sister screams again.]
[Xiao Nan shows he can bitch-slap.]
[The villain wants a rematch with the boss. They play tennis. The boss wins. Obvs.]
[The hotties kiss. Finally.]
[Gran sees.]
[Gran sad.]
[Fujoshi consoles.]
[Product placement.]
Director’s Note: Seriously. Will there be any meaningful dialogue in this show?
Writers: Aaaaaaabs…olutely not.
Scene 8.
[Gran sad because boy loves boys.]
Gran: You a whore?
Xiao Nan: No....
[Cut to Xiao Nan, who's now having rampant, rambunctious sex with Boss.]
[Camera cuts back to Gran again, who’s suddenly happy, for no reason whatsoever.]
[Product placement.]
[Lingering shots of Xiao Nan showering. Ummmm…. Aaaaaaaaabs.]
[Lather. Rinse. Repeat.]
Scene 9.
[Tennis match. Someone wins.]
[The villain creates a conflict. Let’s see, he pretends to be injured so that the boss can be jealous?]
[Boss jealous.]
[Lingering shots of... ]
Writers: Wait. What the fuck? Where's the shower scene? What's going on?
Director's Note: I think we've had enough showering, don't you?
Writers: Aaaaaabs... so.. fucking... not!
Scene 10.
[The leads reconcile.]
[Xiao Nan becomes a wife and a cook.]
[The kid's still a brat.]
[Gran's a bit useless.]
[Beach trip. Shirtless frolicking. Ummmm... Aaaaaaaaabs.]
[Product placement.]
[They all live happily ever after... in a surprisingly tiny flat.]
Note from the Producers: What?!?!? That's it? The final scene is not of the boys showering together? After all this fluffing, you won't even finish us off?
Verdict:
This is one of the worst shows I have ever seen. I loved it.
Reader’s Digest:
DO SAY: sPectacular...
DON’T SAY: exPectorant...
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This review may contain spoilers
This was a real surprise
When I first watched Ep 1, I could barely get through it - it just seemed so ridiculous, slapstick, and annoying. But a friend urged me to go back to it, and I'm so glad I did.When you first watch, the laugh track and sound effects will be annoying. If you're not Thai, some of the laughs appear to be in the wrong places, but remember, a lot of wordplay is missed in translation. But soon you stop noticing the track, and it is toned down after the first episode.
This is a classic enemies to lovers trope, but there are some original spins on it. The series appears at first glance to be episodic and without progress in the relationship, but it's there. It moves at a different pace for Diao than it does for Rak, whose feelings are fairly clear by the middle of the series, overtly revealed in a powerful moment - you'll know it when you see it. And by the end things start moving so fast that it's quite surprising, but never feels rushed or unearned. There are many, many moments that you'll really feel. Yes, there are the way-too-long stares (a LOT of these), but somehow they work (and when you're watching the full-episode version, you're getting both ends of a segment break, so that makes these even longer). But by the last quarter of the series, the way Rak looks at Diao could make a block of ice burst into flame.
I've seen commentary and reviews deriding the seme/uke dynamic between Rak and Diao, but there's a point being missed. First, Rak holds "power" at work because he's the boss, but Diao does at home because he's Rak's landlord. Rak is older and much more mature than Diao, but Diao isn't a classic uke at all - this is highlighted by the opening scene, with him showering and showing off his ripped body, usually the preserve of a seme. He's smart and capable, strong-willed, and can walk without tripping and chop vegetables without cutting himself. In fact, it's Rak that ends up having the physical mishaps and Diao has to take care of him.
This is highlighted in contrast by the fujoshi, who throughout the series is writing a BL about Rak and Diao - and in her story, the guys are an extremly classic seme-uke duo, and their interaction in her scenes, which are adapted from observing the "real" Rak & Diao are far more overtly romantic and tropey. And as such, they lack the electricity of the real interaction, and the power struggle and heavy ribbing are smelted down into stock BL cliches. This is a critique of the seme-uke duality, and underscores how pigeonholing characters into these boxes removes a dynamism in their interaction which has so much more heat when there's an equal give-and-take. Normally all the teasing is done by the seme, which makes the uke sulk. When Rak teases Diao, Diao hits back just as hard, and occassionally even wins the exchange.
As an example, there's a scene where Diao is going on a date, and he wants Rak to stop him. The fujoshi sees it, and in her version Diao wants Rak to give him a reason to not go, and Rak says "because I love you." and Diao responds "that's all I wanted to hear" and they embrace. The "real" scene is wrenching and the desolation and longing are visceral.
The main pair are the usual heteronormative types that are ubiquitous in almost all BL - but neither show any interest in women at all. Diao expresses an interest in the idea of finding a woman, but is never interested in any actual women, and when he realizes who he loves, he accepts it without any of the common "but we're both guys!" And their chemistry is insane.
The two leads are excellent. They both have great comic timing, but are also capable of subtle emotion and speaking without saying anything - Diao is especially good at a glance that is not OTT, but clearly says "f&*% you." Both of them are easy to look at, espcially Rak, who is absolutely gorgeous, and the wardrobe is outstanding - their outfits are often wow moments, although there are a couple that won't age well, like Rak's fluorescent blue plaid suit. Rak tends toward a masculine wardrobe, and Diao is high fashion, with beautiful color combination.
I would never have expected it, but this is one of my all-time favorite series, and I can't recommend it highly enough - but give it time if you decide to watch it. You may not like it much at first, but I guarantee it's not as silly as it first seems.
Story: 9 - the episodes are tightly written and almost all of them are self-contained, and yet part of an overall arc. Things that happen don't disappear never to be referred to again - in fact, there are things that happen in the first episode that are very important towards the end. The balance between the characters is handled with great skill, and nobody behaves like an idiot just for the sake of the plot (although there is immaturity, but that's not the same thing).
Acting : 9 - excellent with surprising range, especially Win as Diao, which is a tough role. He's impulsive and immature, often almost obnoxious and often ridiculous, but fundamentally sweet, and when he's sad it hits you, and his drunkenness is the most realistic I've seen in a BL.
Music: 9 - some of the best I've encountered in BL. It doens't just support the story, it elevates scenes and gives them quite a bit of extra power.
Rewatch: 10 - I've seen each ep three times - once raw, once with fan subs, and again with the offical subs. There are scenes I've watched a dozen times.
Overall: 9.5 - I'd have to put this in my top handful of BLs. It's not the most profound thing you'll see, but it's a real pleasure to watch, and it's a lot smarter than it first appears.
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Amazing Romance with Adorable Alien and Hot Man
This is absolutely an adorable drama. Light-hearted, cute, simply makes one laugh out loud for the silliness.Wan Peng, playing the role of the alien girl, Chai Xiao Qi, looks like your next door neighbor's daughter with uneven teeth. It is precisely this look that makes her so adorable, pure and authentic. As an alien from another planet, she has never experienced love as we humans do on earth. All she's aware of works in high tech systems and codes. So while on earth, she is super sensitive to opposite hormonal beacons and strongly attracted to them. Despite being an alien, she is kind, upstanding and fair. New to me, but I must say Wan Peng is such an excellent actress and she nails the role perfectly. She is simply natural and convincing.
The male lead, Hsu Thassapak, plays the character Fang Leng. Appropriately named, Fang Leng is very good looking, cold and emotionless, with a loving heart for his little half brother. When their paths cross, the events that followed Chai Xiao Qi the alien and Fang Leng are hilarious, sweet and sexy. Also as a new actor to me, Hsu Thassapak is extremely good looking and hot with a perfect physique. Every move he makes is simply elegant and classy. He is such a wonderful actor and I'll be watching out for his new dramas.
Fang Leng has an unflattery name of being a casanova or a playboy, as he has a condition of not remembering or recognizing any women he dates after a rainstorm. Gradually, unaware of his own emotions, Fang Leng falls in love with Xiao Qi. Despite his condition, he does not forget Xiao Qi.
And for Xiao Qi, her goal is to retrieve her transponder so that she can return home to her planet. But no one can control love, not even for an alien; she falls for Fang Leng. She is tormented - to leave her love or stay and be away from home forever.
I love the relationship between Fang Leng and Xiao Qi, both caring for each other but at the same time, trying to hide their concerns for each other. I also love the relationships between Fang Leng and his little brother, and Fang Lie with Xiao Qi.
And of course, there are the antagonists, Fang Leng's employee, his ex-girlfriend, his step-mom and step-mom's brother. However, whatever schemes they come up with trying to hurt either Fang Leng or Xiao Qi, somehow, one way or another, the schemes are never successful.
Oh, have I mentioned the CGI tortoise? It's so adorable and well done.
This is a lovely drama to watch to help with my withdrawal syndrome from "The Untamed". Great chemistry. Must watch.
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This review may contain spoilers
Exciting, yet gloomy thriller. The murder case being tried by a jury is just a kick off for more…
"Blind" is a fabulous, exciting, somewhat dark thriller."Blind" weaves its fictional story around 'survivors' of brutal child abuse and severely traumatizing exploitation as kids. These 'survivors' meet each other and their perpetrators 20 years later as adults. Each of those involved tried in his/her own way to come to terms with the past and lead a more or less normal life. Not only the abusive childhood, but also its psychological effects on their later life are a severe issue - and become a topic here. In addition, in this context complex interdependencies between the perpetrators of the time are dissolved and - against the background of a brutal variant of public vigilante justice - the original roles as perpetrators and victims are turned upside down.
"Blind" is haunting. The focus is on a murder case that is being tried by a jury. More murders follow. The dramaturgical setting is to some extent perhaps a bit reminiscent of an Agatha Christie novel - insofar as suddenly almost everyone in the case-related group of the selected jury could be the perpetrators... the distribution of roles between judges, investigators, victims and presumed suspects is also becoming increasingly opaque and fatefully intertwined. To pretend that one can turn a 'blind' eye to what used to be is no longer possible. Everyone must now look at the past and (even if it is perhaps a little late) bear the consequences. Magnificent.
----- SIDE NOTE: ---Child abuse - a sad and highly topical issue in South Korea ---
The thriller obviously saddles its story on the unspeakably sad topic of child abuse, which due to its unbroken topicality has increasingly made it into South Korea's series and film productions of recent years (among others "Children of Nobody" and "Mother" as drama or "Miss Baek" and "Bring me Home" as movie.) Many a well-established member of society prefer to look the other way when unbelievable deals are being made concerning minors, as long as they might even benefit themselves. And any 'survivors' can be glad if they manage to split off the traumatic experience to some extent - nevertheless most often PTS comes right along. Usually, those ´survivors´ until old age are psychologically still stuck in that desperate helplessness and inner agony of the past.
A South Korean government study from 2021 reveals, that abusive trafficking in minors has been rampant and even increasing in recent years. There is an acute need for action regarding more effective education in all public areas - from prevention to investigation and criminal prosecution up to employee training. A big problem with this: usually police officers or other officials are directly involved and work together with the traffickers, who specialize in the ruthless exploitation of minors. If the children and young people survive this, the psychological consequences of these deeply traumatizing experiences will be very hard - if at all - to be overcome. They are left helpless at the mercy of adults (who actually should take good care of them) and utterly hopeless in the face of a society that turns a blind eye to their torment. The only thing that is left: feeling betrayed and/or obviously of no worth whatsoever...
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PS:
It may be that in reality a larger task force would have been set up to investigate the serial murders of the jury members. In my opinion, however, the KDrama didn't take anything away from keeping the circle compact in order to tell the story in its essential entanglements in a powerful way.
P.P.S.:
At last, I don't want to leave a pleasant detail (I think) unmentioned. We have seen it so often in KDramas: within the social ranking in South Korea, the older colleagues are obviously allowed to rebuke the younger ones with a shove, a kick or a snap on the forehead. (In view of my German socialization background, that is unheard of, but ...) In "Blind" one can now observe (among other things) that a transformation in this natural ranking behavior may be starting to happen within the younger generation: a colleague police officer in "Blind" actually gives back to his colleague and stands up for himself. So far, I have seen this rather rarely, if at all. Until now, as a rule in comparable situations, the fist usually remained in the pocket. In the mass consciousness, KDrama is relating to, starting 2022 such physical rebuke might obviously no longer be tolerated as a matter of course. Stand-up-for-your-rights seems to/wants to become possible - like a wind breeze of change coming up within a hierarchical tradition since centuries chiseled in stone...
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If you ever felt like degrading almost every drama you have watched so far only because of this one new show you just started, then welcome to Money Flower. Is it captivating? Yes. Does it have an amazing cast? Yes. Will the script blow your mind away? A definite YES.
Although I know that there will always be this one or two per cent who don’t enjoy a show and that there are also those dramas whose hype is just overrated, I’m sure that most of the people who watched this one, enjoyed it as much as I did – and probably felt the same (painful…) torture every week.
I haven't watched many dramas with Jang Hyuk yet, but the character he took on in this drama is by far and without doubt one of his best - if not THE best. I can't compare much but I also can't imagine how Jang Hyuk would top what he delivered here. He plays a typical anti-hero who wants to take revenge for something that happened a long time ago and therefore concocts a plan that takes action over a long period of time while needing a lot of patience. 'Strength lies in calmness' one would say, well damn, Kang Pil Joo (Jang Hyuk) created this line all anew. A first glance of him and his whole demeanor tells you to not approach him. He seems like a fox that transforms into a tiger later on. He's cold and manipulative, calculating and ambitious. It's incredible how scarce his facial expressions were and at the same time told so much about his inner thoughts and conflicts. It was also thrilling to watch him pursue his goals and root for him but also see whether he would be able to go all the way, cross boundaries or stay focused till the bitter end.
Jang Hyuk's acting is leading this drama effortlessly, even though he is not the only force and has some equal counterparts who delivered their stories just as well.
For example Jang Seung Jo who is portraying Jang Boo Cheon. He seems to be a clueless guy who doesn't have a serious plan for his future and therefore gets lead like a puppet by his mother. Deep down he is a good boy. He has many flaws, makes mistakes and even though he tries to do the right things or correct his mistakes, he ends up worsening them. Yes, he's not perfect and definitely no saint but his bromance with Kang Pil Joo was beautiful and painful to watch at the same time. Twists and turns will test him in every possible way - and while Kang Pil Joo's path seems rather clear, Jang Boo Cheon's character will be thrown into some fatal situations. You won't always agree with his behavior or his decisions, you might even get furious about them. But there are also some moments when you want to give him some slack, too. Out of them all he was the one who was the hardest to predict, especially in the second half.
His mother on the other hand is one despicable woman. Lee Mi Sook. Whenever I watch a drama with her, she makes me want to strangle her character - sometimes jokingly, sometimes with all my might. Jung Mal Ran, the woman she is impersonating, definitely belongs to my latter choice. Just the sight of her makes me furious. Yes, she had some hardships in her life and always had to fight for everything while constantly living with the fear of losing it all in the end. But the lengths she is willing to go to secure those things and totally ignoring what's really important, put her on a way that would be very hard to escape from. I wouldn't say that she's one of the best villains I've seen so far, but Lee Mi Sook put on an enjoyable show and her performance is worth the effort.
These three actors just received the MBC rewards for excellence performances in Money Flower. It's the first time that I actually agree on the winners because their acting was far above everyone else.
Park Se Young plays Na Mo Hyun, the innocent equivalent in this drama and someone who brings a little balance into this heavy revenge game. She gets caught in Kang Pil Joo's net of lies without realizing it. Even though she seemed to be the naive good girl, she never appeared weak in my eyes. She had to deal with some cruel situations but after falling down, she put herself together and fought back which was so important because otherwise she would have become insane. I appreciate her character very much. She did what was in her power while staying true to herself, getting stronger and raising her confidence. I like Park Se Young a lot, her acting might not have been as outstanding as the others, but she still did a wonderful job and on top of that had sizzling chemistry with Jang Hyuk. Yes, they kept me on tenterhooks like I have never been before... But beware, this drama focuses on Pil Joo's revenge and doesn't care for its viewers desires.
There are so many other characters and actors who nourish the story and should be mentioned. But I don't want to take away all the enjoyment. It's hard to praise and do justice to this drama without getting lost in the details and reveal too much. Everyone should experience this road for themselves.
The story is smooth like water, it doesn't have rugged edges, and the colors and the music feel like a well balanced frame, that carries a calm but sweeping tone - and you realize that something big is coming down. It's like one of those paintings you discover in old art museums. The more you look at it, the more you get sucked in - Money Flower is just like that. It makes you curious and excited. It leaves a hole in your heart whenever you have to pause it. Sometimes I wanted to hide my face but the drama wouldn't let me do that. I was too paralyzed to avoid my gaze. And of course, I didn't want to miss even one second. I started to anticipate the heat in my veins while getting furious or anxious or flustered.
Other times I found myself crying without realizing it, because the tears suddenly exploded in my eyes. I didn't cry much during this show and I didn't realize how deep my emotions got entangled until a certain moment. Then it suddenly hit me and one scene, one tear of Jang Hyuk and my rivers broke. Believe me when I say that it's that good - in every aspect possible.
I was worried and in doubt until the last minute whether they would be able to conclude the drama with a satisfying ending. But they certainly did. I might have some personal issues with one tiny thing (that is so not worth mentioning) but overall a deserving finale.
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The casting for this movie was perfect. Kang Ha Neul and Park Seo Joon just work SO WELL together. As reluctant police academy students, they were the best of bros and I was 100% here for it. Ki Joon and Hee Yeol's brain-brawn dynamic made for a wild ride, and I can't think of anyone else that would have delivered like these two did. They played off of each other, and after hearing that they ad-libbed quite a bit during the movie I was sold -- that friendship did not seem like acting at all. The bromance was so strong in this.
Midnight Runners was a great example of what a buddy-cop movie should be (though if you want a super serious police procedural, this isn't it). It balanced Ki Joon and Hee Yeol's light, easygoing antics with the gross (and tbh, kind of scary) villains. Also, it was INFURIATING, and I do mean infuriating at one part. I mean, ignoring a very real, serious issue just because protocol had to be followed?? I was about to tear my hair out. It was so, so frustrating.
Midnight Runners' only issue is that the action doesn't really pick up until around the second half of the movie. The beginning is more of a buildup of Ki Joon and Hee Yeol's dynamic, which I'm not complaining about, but the actual conflict doesn't really begin until about an hour into the movie.
Overall, Midnight Runners was a solid film. It's not anything heavy, and I can definitely think of worse ways to spend 1hr 50min. Even if cop movies aren't really your thing, the bromance and the way the two leads build off of each other is worth watching.
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A fluffy mature romcom!
This drama was really like a candy, the fizzy type. You can tell it's going to be sweet because you know the genre but it's not soppy, it's catchy, hence why I choose a fizzy candy. The leads are both mature, goal-oriented, respectful and down to earth. They are both surrounded by good friends too. All characters remain coherent from beginning to the end. There is no useless love triangle. The way the leads fall for each other and how they relationship develop is lovely and funny. My favorite point in this drama is the maturity of the leads, even if the drama is really sweet, at no point do they act childish for no reason, use hurtful words to get revenge or display nonsensical behavior because they're jealous.We do not have a grumpy CEO bearing heavy trauma with bad parents. For a change, he has nice parents, a lovely mother, we can tell he was well raised in a loving family and it's nice to see. His other rich friends aren't weird either. There is no villain, just life and its hard blows.
The female lead is very resilient, we quickly know what are her dreams and we get to witness her achieving them, properly, on her own through her own efforts over the years. It's really pleasant.
The supporting cast is nice too, we get a glimpse of the story of some but most are cut to short or not going in depth enough so it does feel confusing sometimes. Also, the transition from some scenes to some others were not well done so it felt like we missed something but it was just bad editing, lol. It does not happen often so the drama remains fairly enjoyable.
The chemistry between the lead is not the greatest but it's good, they do look like a nice couple and they both embodied their characters very well. Also, the aviation world for the setting of the work place was really nice and well done.
P.S: the ost are really nice ^-^
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Imagine watching a rainbow after a long day :)
As usual, Japan is a CHAMPION in the slice of life genre. This is no different, from the heartwarming characters to the heartwarming conversations. In one word, this was UPLIFTING.This is a drama that touches upon the lives of those living in a small village known as Niji no Mura. The FL relocates to that village because they are the only ones that hire her after she loses her job in a reputable hospital due to the discovery of her illness. She is distraught intially, but after moving to the village, she grows thankful for her illness that allowed her to meet these people in the village. While her job primarily is to cure them & help them out as a doctor, the relationship grows beyond that on the very first day that she relocates. The villagers are welcoming and warm. So are the surgeon and nurse, who she houses with in the clinic. As the drama progresses, we see how these people in the village are not just one community living together. They are essentially one big family that love and care for each other. They support each other on the darkest & happiest days. No one tries to exclude anyone. Everyone tries their best to understand & help each other.
The entire cast was perfectly casted & while there wasn't much of a plot, I tuned in each day to watch these people interact and support one another. The acting was BRILLIANT. This drama is all about human interaction & reaction. From the random to the heartfelt & meaningful conversations, to the tears & joy that just overflowed. It wasn't overtly sentimental or melodramatic but I found myself crying (both out of happiness & sadness) in each episode because of just how much I connected, and felt the characters & their conversations. For those of us (like me) who live in modern cities where we do not even know our neighbors or the people living on the same floor, this drama will have you craving for that sense of community support.
Special mention to the relationship between the FL, the nurse, and the surgeon. I have rarely seen a drama focus on such a beautiful platonic bond between two men and a woman. You even hear her say that she wants to hug them both & kiss them both because she just loves & treasures them so much. They support her on her toughest days & they argue like Tom & Jerry almost everyday. It was just such a WHOLESOME relationship.
The OST was an icing on the cake, especially the flute theme that made me emotional each time it played.
I don't want to give away too much about this drama. It is really an experience. I would recommend everyone to watch this. It will teach you a thing or two about being kind & compassionate to the people around you. Much needed in times of COVID where not only are people feeling isolated & lonely, many are being cast aside on the basis of their race or religion. This will show you what INCLUSION really is, & how inclusion is important for a mentally healthy society.
It is a 10/10 in every aspect.
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Story (7.5):
So yeah, I have an issue where I constantly drop dramas if they get the slightest bit boring or do something I don't like. But I came back to this one religiously and watched it every day a new episode came out. I know it's not perfect, but it was just good enough and fun enough I can't fault its faults (if that makes any sense).
Primary issues for me are in this section of rating (the story) but I won't spoil anything (hopefully) so read on.
First off, don't worry; fat shaming isn't really an issue in this drama. The first episode might feel a bit wonky, but things get better and it's essential to the whole rest of the plot. This story has got comedic romance, potential love triangles, hidden identities, and crazy exes. It's got the whole gambit, but it seems to take most of them and add its own spin on them so they don't feel crazy. Case in point the main storyline "hidden identity". Sure it's not the first of its kind, but it certainly didn't feel like an overused trope (plus hidden identity tag is one of my favorites).
I think the flaws that detract from the story for me are mostly some underwhelming resolution (mostly in character developments) and throughout there were a few character actions that didn't feel inline with the characters. Also, the number of times the main character faints or is somehow in terrible danger might be a record...
Acting/Cast (9.5):
Let me just say that this drama wouldn't be the same without Shin Sung Rok. There are few other actors I can imagine playing this role. He's hilarious and literally the best part of the drama.
At first I was hesitant about Go Won Hee but she showed me wrong and this pairing was a lot of fun to watch.
I can't point at a bad actor in this drama really. I'll never look at Jo Han Chul the same (I didn't think he had it in him to be that crazy), and was pleasantly surprised with Kim Jin Kyung (as the daughter).
Oh, and you can't forget about Kim Min Kyu. Literal puppy dog. That's the only way I can describe him.
Music (9.0):
Lots of fun tracks in this one and some might go onto some of my playlists. That perfume melody will always cause me to listen for thunder lol.
Rewatch Value (8.0):
Never a fan of rewatching much, I've already rewatched parts of this drama. Lots of fun to be had.
Overall (8.5):
While I can't say it was groundbreaking, a top favorite, or something I'll remember nostalgically, Perfume will be one of those dramas I remember as generating a lot of laughs watching and one that didn't give me much of a headache or worry that it would go horribly wrong. Perfect drama to sit back and relax to.
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