It follows four main couples, whose relationships are considered... "questionable..." I suppose by Korean standards: Living together without being married, a huge age difference, homosexuality, and (?) deciding to be married after only dating a few months.
The amount of screen time goes mainly to the first couple, who live together and yet aren't married. The conversations between this couple is realistic and relatable, with laugh-out-loud scenarios or serious and loving relationships that the actors have no trouble in showing the viewer. It was real, it was lovable, it was raw, it was sexual... it was beautiful.
The second couple I found the most entertaining; a thirty-three year old woman is dating a twenty-one year old starving artist who lounges around all day eating ramen obnoxiously. Of course, there's going to be some crazy moments with pillow fights and petty jealousy, but it also showcased some amazing character growth, especially in Young Joon. The couple works together in a sort of symbiotic way, and you can see how much they care for each other. Plus is just hilarious watching Young Joon. That guy's a riot. I image the actors are thinking: "Sigh, the things I do for my career." Because they nailed it.
Dear authors: do you want to get your reader shipping like crazy? Follow this screenwriter's lead when it comes to Takuya, the Japanese traveller, and Joon Jae, the hermit. These two had the sexual tension from the moment Takuya put a single foot in the threshold of Joon Jae's home. Hilarious angles lead to misunderstandings I didn't mind all that much, feeling that second hand embarrassment. This couple probably had it the worst in this series, with only two minutes or so per episode of screen time, but the relationship is developed, and by far my favorite couple. These boys... watching Takuya made me listen to some of Cross Gene's music, and it's really very good. Both of the guys playing these roommates may not be gay themselves, but they made me believe it, with a full course of Awwws and sexual tension.
The fourth couple had next to no screen time through the entire series, and are easily the most underdeveloped couple living in this apartment. I will admit, the competitions between the girl and Man Goo over who was more feminine (who had bigger boobs, longer legs, more successful boyfriend...) were absolutely hilarious, but the relationship between the engaged couple themselves was a rare thing. Which I didn't really mind... I wasn't paying much attention to them, anyway. What little time these actors had to develop their characters, I'll give them some credit there.
The music was very beautiful, and connected in lyrics or tune to the mood of the drama. And luckily, the name and artists of the songs are put on screen for you, so you don't have to look it up!
Overall, this is a wonderful, hilarious, real, and emotional drama that tackles almost any kind of relationship hurdle it comes across, from jobs and careers to confused sexuality and identity. Its a real, relatable drama with relatable characters, and the moments that each of the couples spent interacting with the other couples... (I love Joon Jae and Takuya being so much taller than Oh Do... HEHE) It's a must-watch.
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STORY
PCBM's story is completely unique and one of a kind. It centers two men who die wrongfully but are sent back to life in different bodies to conclude any unfinished business they might have. Help their loved ones with their problems, give them closure and help them move on, but most importantly they are sent back to get to know theirselves better, understand their mistakes, and try to right them. This is exactly the show's main premise. We need to look at our lives in a not one-dimensional way. Life isn't about just working, no matter how pure our intentions are, people might get hurt because of our ignorance. Life isn't about being in the background because we believe our loved ones don't deserve us. We are perfect the way we are. PCBM gives several messages about life decisions, family, friendship, work place attidute and problems, marriage and more.
This drama was literally a gem, not because of its uncommon story, not because it blends several genres together in the best way possible, but because superficially is the funniest show ever, but if someone decides to scratch the surface and dig deeper the show assesses life itself and sends tons of messages and meanings that were all truly wonderful and heartwarming. Beware that this is not your average romcom -thank god-, this is deep, it is serious, it is emotional, it is heartbreaking but still it is safe to say that the comedy is executed perfectly.
Furthrermore, another thing that deserves mentioning is the fact that this drama broke the 16-episode drama usual plan. You know how everything is amazing in the beginning, and slowly everything falls into place around episode 10 and the last 4-5 episodes are just filler ones, pulling and dragging the story around. PCBM, not only broke this stupid rule, not only it was the only 'comedy' that had actual plot twists but it managed to never be boring, always have a purpose and be interesting until the very last minute.
ACTING
It was widely argued that the acting here was bad, either i missed something, or .... 'people' missed something, or were just dead set on hating. The acting here was impeccable, coming from an amazing ensemble cast. I have learned from my stay in kdramaland that it is unrealistic to ask the actors to have great chemistry when the dramas are so small in lenght. They don't have the time to develop a chemistry and when it is there (rarely) i am thankful and grateful. The actors here not only managed to have great chemistry in their possible romantic connections, but literally EVERYONE had excellent chemistry with everyone in their respective relationships. This is possibly the most unique thing about this drama. The cast clicked so perfectly together, it was completely unrealistic!
I'll start with my favourite, Oh Yeon Seo. Her character was difficult to pull off, and very fundemental for the show to make sense. She needed to act manly, tough, and still stay femine, not look stupid, look badass and emotional. The woman was IMPECCABLE, a standing ovation from me, she was shivering in everything she did. No words are enough. In many ways she was the show.
And when i thought she was going to overshadow everyone, Rain came to the picture. His quixotic talent to slip through different emotions in a matter of seconds shocked me. He could go from crying to laughing in a split second without ever looking fake or his emotions forced. First actor in kdramaland that pulled that off, and he was completely up there with OYS for what -if i may- could call THE BEST DUO EVER in kdramaland.
Lee Min Jung, Lee Ha Nui, Lee Tae Hwan, literally everyone was exquisite in their role, no words are enough to describe this awesomeness, that nobody should overlook.
RECOMMEND/REWATCH
Overall, this show might not be for everyone, since it is completely different from your usual kdrama. The humor is different, the romance is present but not the way people want it, the plot is completely innovative and might not be accepted by everyone. In my book innovation=win, but from what i've gathered from my stay in kdramaland, kdrama fans like their chiche stories. So, if you are ready for something completely different than what you are used to, ready to laugh and cry at the same time (i'm not exaggerating), you should definately give this a chance. This is a marvelous show not to be missed. Definately rewatch-worthy, first show ever that triggered so many emotions simultaneously.
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1A cliché done right.
My Unicorn Girl proves how clichés can be entertaining if they are done properly. I started watching the drama with slightly low expectations, I expected it to be another silly and overly cheesy rom-com and guess what, that's exactly what it is. And that's exactly why I loved it so much.Honestly, the drama is full of clichés - we have prosopagnosia, cross-dressing, fated love, a questionable amount of accidental kisses etc etc. But they somehow made all these clichés work. The drama never pretends to be something brilliant, it is as simple as possible. What saved the show with its mediocre at best plot, was definitely the chemistry and the acting of the two main leads. I didn't know I was into such cheesy romance stories but now I watched this and I started doubting myself. The drama somehow makes you root for the leads, you want them to be together, you wait for each scene of them with excitement, you smile like an idiot whenever they do something cute and you can't help but feel happy when they tease each other. They make your heart flutter with their innocent, playful love interactions. They are your daily dose of happiness.
The main leads, as individual characters, were also very entertaining to watch. Wen Bing is absolutely one of my favourite male leads ever. He is michevious, extra playful, pretends to be cold-hearted but is actually a small ball of fluff inside... he was just too adorable. God bless Darren Chen for accepting this role, it suits him perfectly and I must admit, I kind of fell in love and I don't know how to recover. Sang Tian was a cutie and she actually looked like a boy, but they should have probably made a different decision about her lipstick, it was a bit too obvious, lol.
Overall, My Unicorn Girl is an amazing show especially if you're looking for something more light-hearted. I mean, it's not perfect, it's a bit far from perfect, but it's good enough. The plot not always makes sense, but the chemistry between the leads is worth seeing. I'm not a fan of Chinese rom-coms, but I did enjoy this one a lot and was always excited to watch more episodes. I'm a bit sad that it's over actually.
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This review may contain spoilers
I always feel like somebody's watching me.
I struggle to contain my anger at the monumental disappointment this drama turned into because it could have been a huge hit. I am so irritated I need to get it off my chest with a spoiler heavy review, something I really dislike doing. I think I figured out the confusing ending that I explain below. Do not read this if you don't want to be spoiled.The story is a very simple, poignant enchanted fairy tale. Fu Jiuyun (Zheng Yecheng) is an immortal who falls for a mortal with an indomitable spirit in a magical painting his shifu left him and stalks her across ten incarnations over a thousand years. In her incarnation as Yanyan, a Li princess, she is destined to marry her childhood sweetheart and live a happy life. Jiuyun cannot stay away from her and in the guise of a dissipated genius artist Gongziqi gifts her a magical painting of a peach blossom tree and a magical song that she performs for her mother's birthday celebration. Note that the painting and song are key in the ending interpretation. The dance is truly captivating and if nothing else, just watch that. At this point I was addicted and fully invested in both leads.
An ambitious neighboring prince makes a deal with demon forces, invades her kingdom, massacres her family and enslaves her people. A devastated Yanyan vows vengeance and embarks on a quest to obtain a magical lamp that can absorb the demon forces and free her people. She assumes the appearance of her maid Ah Man (note the name) and calls herself Qinchuan. This is where they replace the actress Jiang Yiyi with the more well known Zhao Lusi. First mistake - it was not just confusing throughout but I had to get over the first actress whom I liked and get invested in the female lead all over again. The switch worked at first because Lusi is a really funny actress and her antics with Jiuyun, Xiao Bai and Er Meng were entertaining. However, the couple's interactions fell short of the seamless transition from humor to intimacy that was so well done in Under the Power. As a result, Jiuyun initially comes across one of those oily old dudes that misbehaves with young girls. While their chemistry eventually "clicked", Lusi's initial indifference made Jiuyun's overtures seem unwelcome to the point of harassment.
Just when their romance takes off, the show separates them and shifts into the revenge plot. This is where Qinchuan becomes all bravado and no brain - she has no credible plan and has to be rescued multiple times. She works with Er Meng and Xiao Bai; Jiuyun only bails her out from afar. The show peaks too early with the take-down of most of the bad guys and then digresses further into the super boring second couple. I suggest skipping all of their scenes in the middle. They could have easily cut 6-10 episodes to avoid the fatal loss of momentum in the storytelling. Then Jiuyun decides to help Qinchuan fulfill her mission even though it means a certain end for him. He is the wick of the lamp that once lit, eventually burns out.
Once the tone shifts away from largely comedic, Lusi struggles to get into the moment in action and emotional scenes. She is not versatile and is mostly just excellent at comedy. Her performance was flat through most of the second part of the show and only saved by some of the steamier romantic scenes with Jiuyun. By then, I had enough and just wanted it to end. Zheng Yecheng's performance on the other hand was consistently stellar - he really carried the show. Apart from being smoking hot (I can watch him all day), his interpretation of the hard core romantic good guy that disguises himself as a world weary, cynical, indifferent and dissipated immortal was spot on. His eyes shine with unshed tears at all the right moments and as he protects Qin Chuan from the truth of what she asks of him.
The ending is confusing and to me it is quite sad in a Butterfly Lovers kind of way (major spoiler):
Qinchuan realizes that Jiuyun is not coming back ; even Meishan admits that his soul has scattered. She completes her ritual with the lamp - she had already bonded with it earlier on. She wakes up as child Yanyan who dreams an old man (her shifu?) tells her that she gets a fresh start. I think the lamp takes them all back in time for a do over. She grows up and intuitively makes way for Zichen to fall in love with Xuanzhu. Her maid is no longer Ah Man but a Xiao Cui. She has more sad dreams where Jiuyun tells her that she will soon forget him. As the time loop starts to replay her mother's birthday she forgets how to play the song Jiuyun/Gongziqi wrote for her and the pipa disappears into the painting. In this new life, Yanyan will marry Er Meng and their kingdoms will be at peace. She never becomes Qinchuan so eventually Qinchuan and Jiuyun's relationship also gets erased or never happens. Jiuyun snatches the last bits of her memory of Qinchuan and escapes into the magic painting with Qinchuan and the pipa. It is the only place where they can be together but they may be just shadows or memories of who they were. I initially thought she was sucked into the lamp where Jiuyun creates an alternative world for her but if that were the case, he wouldn't have to put her into the painting. This is where they should have used both actresses to make it more clear by leaving Yanyan behind while Qinchuan goes into the painting with Jiuyun. It makes me feel a bit better to imagine that Qinchuan and Jiuyun cultivate together in the painting and after thousands of years both become immortals that live happily ever after. The novel ending is different, more straightforward and much happier - essentially Jiuyun eventually reappears and they are together.
Despite the poor execution and confusing ending, it is still a beautiful fairy tale with some gorgeous scenes and amazing moments that is worth watching. Best be liberal with the fast forward button through the middle parts. My low rating reflects the poor execution that prevented this from being an unforgettable and addictive love story.
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So bad it's good? No. Just plain awful.
Well, that happened.You know how a lot of BLs have eight episodes-worth of story stretched out to 12 and have 4 totally unnecessary characters that just chew up time? Well, this series has 4 epsiodes of story stretching into 18 with 40 totally unnecessary characters that just chew up time.
So again we have Fluke Natouch paired with a talking mannequin that makes him cry a lot. That's OK, though, because we have the sublimely handsome Peterpan Thasapon and Noh Phouluang, who I had thought was dull because he was in Nitiman, but he's actually really sexy and appealing, and together they make one of the better BL couples I've seen in a while.
So naturally, they're separated for literally half the series and their story is resolved offscreen. This is so frustrating that it's hard to express how much, especially as I had to wade though 9 episodes of utterly static story hoping to get more Rain and Payoo - but nope. They did manage to introduce an entirely new couple in episode 17, but no Rain & Payoo. There are 5 secondary couples. Only one of them gets together.
Nothing in this makes sense. All the characters' lives are perpetually in danger, accentuated with truly OTT music cues, and since you know nothing bad can ever happen to anyone, even if they jump out of an exploding helicopter from 50 meters in the air (this happens), there are no stakes. Ohm's character's brain is bleeding for 9 episodes, and instead of hospitalizing him and having bodyguards protect him, he's dumped in the middle of nowhere for three months to engage in archery and equestrian sports. Is it a good idea to race horses when your brain is bleeding? I don't know - I'm not an expert, but intuitively it feels like a bad idea. Fluke will die unless he eats apples. You know this because whenever he goes without one for too long, he melodramatically clutches his heart and keels over. Or at least that's what I think causes it. He's an uke, so it could be sunlight, or walking, or maybe he didn't dry his hair thoroughly enough.
Speaking of which, we reach a new low this series when an uke manages to cut himself with a butter knife. I'm waiting for one of them to accidentally garotte himself while trying to floss.
Whoever wrote this series doesn't know anything about music, despite it being about musicians. They couldn't even be bothered to get a real cellist - it's all synthesized, and sounds like a casio keyboard from the 1980s.
I think we've gotten to the point in Thai BL where we need some self-examination. Are we really so desperate that we're willing to be exploited like this by productions that aren't even trying anymore? This story is infantile. I'm not exaggerating, it feels like it was written by a 12-year old (no offense to 12-year olds - I realize most of you could have written a better story than this). It's so boring, repetitive, poorly thought-out, overstuffed with characters and endless melodrama that it's just tiring.
Story: 1 - There is one, sort of.
Acting: 5 - This is generous. Peterpan and Noh have a certain presence in the first half. Fluke cries a lot, and Ohm is there. Everyone else is passable and the villainess (the villain of the story is hidden. It's a big mystery. Who could it be?) would be twirling her mustache if she could. She almost literally shouted "And I would have gotten away with it too, if it weren't for those pesky kids!!!"
Music: 1 - it's awful. Oppressively schmalzy, with overblown dramatic cues, MY brain was bleeding by the end listening to that synthesized cello.
Rewatch value: 3 - There are a lot of hot guys in this, so there are individual scraps I'd watch again.
Overall: 3 - probaby generous, but the first half did have a "so bad it's good" vibe. Then it just got bad.
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2Jing Boran is the Hottest Officer in Uniform
He is a man who cooks, does house chores, and protects the country. What more do we want of a man? The writer gives the viewers a perfect man who loves quietly, hurts quietly, never complains, never seeks glory, is courageous and always wants to help and protect. This is a lovely series which can be boring for some for its slow, everyday life story, but lovely for many for its quiet romance, a romance many can relate to - no fanfare, just love and devotion (if such elements still exist). It is the romance story of a special force police officer.“Road Home”’s Chinese title, “Gui Lu” (means return road), is coined from both the main characters’ names. This is a story with beautiful scenes of the canyons and touching moments, spanning from high school in 2008 to the present time 2020.
Lu Chen aka Lu Yanchen (Jing Boran) is a special force police officer working under the explosive unit. He fell in love with Gui Xiao (Tan Songyun) in high school but they separated when they both sought different career paths. Years later they meet and fall in love again, this time for real. Knowing how dangerous Lu Chen’s work is, Gui Xiao embraces him wholeheartedly because she loves him. For once in Chinese drama, Lu Chen is not the type that says, “I leave you for your own good because I love you so much.” Lu Chen is delighted that Gui Xiao wants to marry him, knowing that there may not be a tomorrow.
Lu Chen is a very serious person. He is strict, doesn’t crack jokes, doesn’t laugh, and has few words. Most of the sentences he speaks are one-word sentences. For him, actions speak louder than words. He also has a complicated family story that torments him since childhood. Jing Boran has perfected his role. With a face that is not pretty but handsome beyond words, and a physique perfect for a tough law enforcement officer, Jing Boran tells the story through his facial expressions that say a thousand words which cannot be spoken. In reality, Jing Boran has a rather similar family story like the one in the drama. Perhaps he can feel the pains of the character better than the others can.
I love to watch how Lu Chen uses his coat to wrap around Gui Xiao from behind and gently holds her. These types of hugs are the most soothing, sensual and romantic; the warmth emanates through the screen, making the viewers soaked in peace, love and security. This is Jing Boran's amazing power and charisma; immersing in his embrace is so reassuring and warm.
Gui Xiao comes from a wealthy but broken family just like Lu Chen’s family. She is independent but when in front of Lu Chen, she becomes a little girl, totally dependent on him. With a face that passes easily as a teenager, Tan Songyun’s juvenile Gui Xiao is very believable and as an adult, her character becomes mature and continues to grow to be even more understanding and loving.
Official Sound Tracks
Two OSTs impress me the most - Youth is Well (青春无恙) and The Dust Maiden (灰姑娘). The former is touching with beautiful lyrics and tune that stays in one's mind. The latter is an old folk song that Lu Chen sings for Gui Xiao. The lyrics are appropriately expressing his feelings for her, and the tune is lively and cute.
My Verdict
This is a down-to-earth type of everyday life romance story. It portrays the life of a police officer on the front line, his love life, family and his sacrifices. There are quite a few episodes spent on just the natural and beautiful scenery of the north-west desert at the border. The pace is rather slow - there’s a lot of looking and waiting, but every second is precious to watch because the story is being told on the characters’ faces. There are no flowery speeches; the dialogs are rather common like things people would say everyday going about their life. All the characters are lovable, and there are no antagonists, though Lu Chen's father was initially thought to be one.
The story reminds the viewers of the sacrifices a country’s protective forces have to make, putting their personal safety on the line to ensure the safety of others. Their valor is admirable. Though the main character is a law enforcement officer, there are limited action scenes as the focus is on the romance development. Throughout, there are a lot of flashbacks, giving viewers the backstory of their romance.
The writer works hard to show the viewers how much the couple is in love with each other. There are a lot of kissing and intimacy scenes. One of the scenes even shows Gui Xiao staring at Lu Chen's naked body when he comes out from the shower. I wish she had gone up to hug him, or better still, gone into the shower with him. But this is a Chinese drama, and it has to pass censorship. Just some wishful thinking. The allusion that she is staring at his nakedness is rare in Chinese dramas.
This is a great drama for viewers who prefer a slow pace story with nothing much happening, for romance buffs who love a mature and quiet romance, or for anyone who just wants to look at Jing Boran.
Don’t miss it. Great Watch!
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This review may contain spoilers
MLSHR is among a small number of k-dramas that have left a deep impression on me, yet it's also a drama I'd hesitate to recommend to people at large. There are a couple of reasons:(1) The extent to which you'll enjoy this drama depends on whether you value IDEAS or EXECUTION. If you're the second kind of viewer, this show may drive you mad. The general consensus is that Scarlet Heart: Ryeo had a great story that was screwed up by messy editing/directing/pacing etc. and not enough space to tell it (20 episodes compared to the original 35-ep C-drama). I'm very sympathetic to this assessment.
However, I'm also the kind of viewer who will forgive a lot of flubbed execution for a really good idea, which this drama has in spades.
Scarlet Heart Ryeo is above all an *ambitious* drama, probably excessively so. The upshot is that it has possibly the most uneven execution and post-production editing ever committed... but at the same time some of the most complex and compelling character arcs I've come across in kdrama. It's not for nothing that the show has drawn such an unusual amount of discussion and fannish activity, especially internationally. (MLSHR was poorly received in Korea, but it is/was a certified international sensation, the first ever kdrama to make Tumblr trends, etc.)
(2) My other "disclaimer" for MLSHR is that it has a deeply cynical and subversive approach to romance. If you're looking for a fairytale where love conquers all, this is not the show for you. If you're looking for a classic tale of star-crossed lovers foiled by evil external forces... this is still not the show for you.
If, on the other hand, you're the sort to appreciate tragic missed opportunities of love driven by bad timing and fatal ***character flaws***, then Scarlet Heart: Ryeo is the Greek tragedy of your dreams (and/or nightmares). In a market saturated with wannabe Pride & Prejudices, Scarlet Heart Ryeo is out here being a totally unapologetic Wuthering Heights, which is pretty gutsy for a YA reverse-harem premise. (To be fair, they were working off of the Chinese novel, but they *could* have made it more public-friendly.)
Here's the bottom line: This drama is an acquired taste. If you're not a fan of tragedy or bloodbaths, if you need your female characters to be ~empowered~ and save the day, if you prefer people in love to be functional and communicate well — look elsewhere.
However, if you enjoy nonstop political scheming and backstabbing, majority-villain ensembles (including both male leads, arguably), and romantic narratives that reject relationship = identity myths, Scarlet Heart Ryeo is probably up your dark and twisted alley.
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The writing in this series is incredible. There are so many twists and turns, it will constantly keep you on the edge of your seat.
The acting is absolutely brilliant. Yeo Jin Goo does a brilliant job of portraying the duel roles. Lee Se Young is superb as the regal yet strong queen.
I highly suggest this drama to everyone especially if you love historical dramas.
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An aesthetically pleasing, original fantasy drama
When I saw that IU would be cast in this drama, I felt that I had to give it a shot, and I'm glad to say that for the most part, it did not disappoint. Without a doubt, Hotel Del Luna is my favourite kdrama of 2019. There is plenty to love about this drama, ranging from its stunning cinematography, decent storyline, excellent cast, oh and how could I forget: the most beautiful OST in kdramaland.Plot/Storyline:
I thought that the writing was pretty solid throughout the drama. It is refreshing to watch a drama that ventures into foreign territory and breaks free of the traditional kdrama tropes and cliches to explore the less commonly visited genres of horror (though I wouldn't really consider this drama to be scary at all) and fantasy + romance. The plot is layered and has some depth, with plenty of twists and turns to keep you on the edge. The main character Man Weol's story captivates you right from the get-go, as the show uses flashbacks very well to reveal small snippets of her past at a time, causing you to be curious about her past, and eager to find out more. The generous use of humour also helps to balance out some of the heavier, more emotional scenes, while also allowing the drama to be easy and fun to watch throughout its lengthy episodes. Personally, the ending did not play out exactly how I had hoped it would, but it was fitting to the themes of this drama and very beautiful to watch, as well as very emotional. The drama explores the themes/ideas of 'letting go', 'resentment', 'unselfish love' and 'forgiveness', which are all very meaningful, thought-provoking ideas, not just in the context of this drama, but these themes also have a place in our lives as well.
Elaboration on themes for those that are curious:
For example, the drama shows that it takes a greater act of love to let go than to hang on, which the same can be said about many situations in life. Suppose this: a severely ill person is given a few months to live. His family can choose to convince him to receive the surgery that would extend his lifespan by a significant amount, but which would also drastically reduce his quality of life (place him in a vegetative state), or let him die naturally of his illness. One may argue here that the greater act of love is to let go and allow the man to live out the rest of his days to the fullest, eventually dying a dignified death, rather than trying to desperately hang on and cause the dying man even more pain. Don't quote me on this sketchy analogy, but this is my best effort at trying to explain the themes that the writers explore in this drama.
Cinematography:
the cinematography of this drama is frankly top-notch, and can be compared to the likes of dramas such as Goblin. It is that good. The elements of fantasy were conveyed by great camerawork, skillful use of special effects, and excellent editing. The drama truly bought the supernatural fantasy world of ghosts to life, creating a vivid and charismatic viewing experience. It is difficult to describe in words, but once you see it for yourself I'm sure you'd agree that it is spectacular. The production team also did a phenomenal job of picking out Man Weol's outfits. IU looked absolutely incredible in pretty much all of her scenes, and I've lost count of the number of unique, beautiful outfits that she wore throughout the drama.
Acting:
the cast for this drama is a highlight for me. After watching IU's brilliant performance in 'My Mister', she was one of the main reasons I came across this drama in the first place. The drama is largely centred around her character Man Weol, and she absolutely nails her performance. She plays her character like it is second nature to her, effortlessly conveying emotions through her facial expressions, while also managing to bring out the complexity of her character. Her character is the focus of the drama, and IU does an excellent job in portraying her character's growth arc in the drama, all while making it seem very believable and authentic. And as a bonus, she looks absolutely gorgeous flaunting her giant wardrobe of high-end clothing. Furthermore, this drama exposed me to Yeo Jin Goo, who also delivers a very commendable effort and holds his own against IU. He appears to be much more mature than his age (considering he is only 22 years old), and the scenes of him breaking down emotionally feel raw and sincere. The chemistry between IU and Jin Goo both on and off the screen is also evident, and the relationship they develop seems to be very natural and genuine. The supporting cast also complements our two leads well, providing some comedic relief and some interesting side-story.
Soundtrack:
Although the soundtrack is supposed to complement a drama, Hotel Del Luna's soundtrack is far from ordinary and deserves a shoutout. Not only does the OST include big-name artists including the likes of Taeyeon, Punch and Heize, the tracks also have excellent synergy with the drama. The OST helps to effortlessly set the mood of multiple scenes and makes the emotional scenes even more powerful. There are many excellent tracks in the OST, but the standout for me is the special, unreleased OST by IU that is used at the end of one of the episodes. This track only plays once throughout the drama, but it merges into the emotional scene perfectly and elevates it to another level. (end of ep 12, )
Overall, this drama performs strongly across the board and ticks many of the right boxes for me, other than a few imperfections here and there. Although I wouldn't call this drama perfect, it comes pretty damn close in my books. I think I'm already experiencing withdrawal symptoms having finished the final episode an hour ago. It has been one heck of a ride, and now that it's over I feel like there is an empty void within me that's not going to be easy to fill. But giving credit where credit is due, hats off to the Hotel Del Luna team, as they have created something quite special and unique. Worth a watch, especially if you're an IU fan, as this drama is all about her.
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Overall, it felt that the whole story was kind of stretched-out, some scenes were so empty and slow-paced, I even thought about skipping the drama. I had the impression that the producers struggled to find a clear storyline, the series was like a long debate what the story is about than actually something happening. Moreover, I think the production quality is rather inconsistent. For example, sometimes fighting scenes were top notch (e.g. Zhanfeng vs. Daowuxia), whereas other scenes looked like they wanted to do more than they were actually able to (e.g. the Chinese boxing scene between Zhanfeng and Liemingjing and especially the flying scenes).
Digging into the story, I don't really see the connection between Yinxue's story and the story around Liehuoshan. The only real connection is the character of Ruge. Ruge is some kind of a reincarnation of Yinxue's former love, but you hardly get any info about their past relationship. The circumstance that this reincarnation is exactly Anyeming's daughter who happens to grow up in Liehuoshan for protection seems to be rather random. Thus, I feel like these two storylines are somehow seperate and do not really go together in the drama. Another thing about the story which bothers me is the overly self-destructive and self-sacrificing attitude of Yinxue and Yuzihan. I think at some point it's not credible anymore and the characters become too predictable.
Getting to the characters, Ruge is the main girl who holds the whole story together. She is described as "lively and passionate", but I cannot really see this in the drama. To me, "lively" is not the same as being childishly overenthusiastic which I saw instead. In addition, I rather see the opposite of "passionate" - her expressions seem rather stiff and forced. The fire element doesn't suit her at all. Anyways, Ruge is supposed to undergo a change from a rather lighthearted girl to a strong woman, which I can see to some extent. Yet, it is not pronounced enough. She seems too dependent on Yinxue to actually get to that state of being strong on her own.
Yinxue is a character which I cannot understand at all. First, I cannot see how this character fits into the story except that he has the job of saving everyone (not without a purpose in his mind though). That he has no clear place in the story is supposed to make him mysterious, yet I have the impression that he is "just there" and rather annoying. Yinxue has his darker past behind him and is portrayed as a spiritually and culturally versed character. However, his behavior towards Ruge does not reflect that at all. Starting with Yinxue trying to make a move on her when she just dissolved her engagement with Zhanfeng, he is continuously nagging her to give in to his approaches. His behavior is often over the top - for example, him being pouty because Ruge treats him coldly in the context of Yuzihan almost dying which requires her full attention. Yinxue's rather selfish behavior is quite appalling. Especially him playfully asking for a kiss in exchange for men's lives - exactly, how much is a life worth?! Later, he makes her temporarily lose her memory through his powers, and by this almost got to marry her. Although the underlying reasoning is to protect her from painful memory and to help her recover, that undertaking leaves a rather unpleasant "aftertaste". But I'm even more shocked with Ruge's behavior, because no matter how he behaves, she either seems to be just ok with that or she endures everything obediently. Nothing from which Yinxue had suffered in the past justifies his behavior. In his equation, saving someone for the sake of Ruge means he deserves her love. But love cannot be "earned". Clearly, I cannot see anything sweet in that "love story". It even makes it worse that there is basically no chemistry between the actors at all - even the tacky ending cannot save this.
Yuzihan is probably the most likeable character in this drama. Despite everything he went through, he is not hateful and doesn't even want to become heir to the throne. In later episodes he gives up everything for Ruge and is not greedy for her love. Even a healthy body cannot corrupt him. Is he human at all? Still, his character has the most depth, and his expressions are on point. It's interesting to watch his character developing and see him making use of his cleverness.
Zhanfeng's character gives me the impression that there is something missing, like that the character is not really fleshed out. You can hardly understand why he believes the lie about the death of his parents "just like that". You can see him suffering, but you cannot emphatize with him. The lie about his parents is the basic foundation of the whole story, but it didn't seem to be treated with great care by the producers. Precisely, the way how he was tricked into believing this lie should have gotten more attention. What is missing is basically seeing the exact scene how he got tricked, him trying to make own investigations in which he learns about buried (fake) evidence and finding out other people's lies which slowly feeds into his distrust, something like that. Watching the series gave me the impression that he trusts other people too easily (by the way, how does Yilang know about this "top" secret?). What is even more annoying, is Zhanfeng saying nothing in so many scenes. Although this is intended, it clearly feels that the dialogue part is missing. Weirdly, when Liemingjing and even Ruge learn about Zhanfeng believing that lie, they do not try to talk with him about that. If you see a person close to you suffer that much, in Ruge's case they even dissolved their engagement because of that, why don't you address it? Why doesn't Liemingjing tell Zhanfeng the truth to protect Ruge together but instead just waits until everything is messed up (even if he didn't see the benefit or need to prepare him and work on a plan together, he should have done so at the latest when he learned about Zhanfeng's Anhegong martial art skills)? What if Anyeluo accidentially meets Ruge who looks exactly like her mother, then the whole "masterplan" would be in vain? Furthermore, I don't understand why Zhanfeng humiliates Ruge in the beginning, it feels that this behavior is not really necessary for the story, and it doesn't explain his later actions when he is actually trying to be nice to her. Nevertheless, with regard to the acting, Zhang Binbin's portrayal of emotions is the benchmark for any other actor in the drama.
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Revenge of Others
95 people found this review helpful
A sad & highly topical social issue, dealt with in a palpable, exciting, sensitive, touching way
"Revenge of Others" is set in the world of South Korean high school students. No teenage squabble, but a story with substance and depth. With flexibly intertwined subplots, it offers a sad and highly topical social issue, dealing with it in a palpable, exciting, sensitive and touching way. Should you watch? Yes!"Revenge of Others" (like "Weak Hero Class 1" in 2022) deals with the topic of mobbing /bullying. In Korean, the slang term 'wang-ta' is quite common, and for me helped for a better understanding of the special and increasingly dramatic situation surrounding bullying at South Korean schools, which can even lead to suicide. (See side note below.)
This KDrama spotlights a Seoul high school where there appears to have happened a suicide. Everyone is shocked. Some know more. But if the sister of the victim, who has been living separated from her brother for many years, would not try to get to the bottom of it, then this would be a sad case of suicide without a murmur. It probably happens all too often in one way or another that fundamental questions in an apparently obvious case are left unanswered. However, this KDrama bravely wants to get to the bottom of the matter and its circumstances - here in the person of Ok Chang-mi.
As so often in the context of bullying, the adults don't look too good and don´t offer anything promising for making a difference regarding those fatal peer group dynamics. They are left outside. The high school students have to find a way for themselves to get along with their classmates - if possible highly adjusted underneath the social wang-ta radar (or at least with a solid network).
"Revenge of Others" is a production for the international streaming market. Things rarely get too brutal at Disney, though. The amount of violence is therefore limited (compared to e.g. "Weak Hero Class 1") and instead there is more room for relationship dynamics in side plots, causal connections and shades of gray.
By the way, in connection with "Revenge of Others" there is also a whole series of promising actors to admire!
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SIDE NOTE: --- Wang-ta in South Korea ----
With Wang-ta, the focus is not so much on the 'act' - bullying or harassment - but rather on the entire context of active and violent marginalizatin of an outsider. For example, it can be used as a swear word for the excluded person or as a description of the bullying activity. In a collectivist society like South Korea, group affiliation and group interest is paramount. This applies not only to the family, but also to the school class and also to the peer groups within the class or school. Unfortunately, this value system results in a fatal situation when it comes to actual bullying: bringing shame on the group, the outsiders are at the bottom of the social hierarchy. Whether it's because of school performance, family background, origin, belonging to an undesirable minority, looks, dress, a handicap, an unusual belief or an abnormal inclination: Wang-ta is a label that no one wants to personally be confronted with. Everyone agrees on that. At the same time, Wang-ta becomes a free pass for more or less cruel mobbing/bullying. Worryingly, perpetrators, victims, and witnesses alike accept the premise: all forms of bullying, almost anything related to Wang-ta, is permissible. The perpetrators take advantage of this, the victims immediately feel even more inferior in terms of their shortcomings (of whatever kind), and the bystanders silently nod the action as justified - or even actively join in. There is no moral barrier against this specifically cultural, collectivist background. It can even get out of hand. There are cases where the entire school has ended up participating in one person's wang-ta. From a Western, individualistic point of view, this is perhaps difficult to understand, because apart from group norms there are other socially recognized ethical principles that could be introduced as a serious confrontation of wang-ta behavior. Unfortunately, this hardly is the case at South Korean schools with a collectivistic social culture.
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SIDE NOTE: In connection with this KDRama also an additional side note on
--- Punishment vs. Suffering of Victims ---
The psychological trauma for the bullying victims are with long-lasting effect. Unfortunately, the punishment of perpetrators is not proportionate to this day. Punishment is rather harmless - it may be annoying to the perpetrators, but not really a deterrent. Far too much must have happened before expulsion actually occurs. A corresponding entry in the files is actually completely deleted two years after graduation. In fact, nothing is left behind on the perpetrators' side. On the other hand, from the memory of the victims the experience cannot be so easily erased ...
The documented cases of wang-ta in South Korean schools (yet many are not officially reported) have steadily increased over the past three decades. According to a study by the Ministry of Education, between 2013 and 2017 the cases have more than doubled from 11.749 to 31.130. There are also increasing numbers of victims who saw suicide as their only way out. It has now been empirically documented that South Korean pupils with a personal Wang-ta experience are more suicidal than those without. Suicide is by far the most common cause of death among 10 to 24 year olds. Almost 1.000 young people took their own lives in 2020 alone.
In respect of the lack of serious consequences for the perpetrators in Wang-ta cases and their comparatively unsatisfactory punishment, a kind of vigilante justice has been established among the families of the victims concerned. "Revenge of Others" picks up on this (similar to "Angry Mom" a few years earlier) as a theme in variation.
In fact, facing a lack of serious alternative punitive measures it seems not uncommon for relatives of victims to pay someone of the same school age to take care of an appropriate 'punishment' - i.e. 'undercover'. Clearing up violence with violence is of course a dubious solution. Sadly, this seems to be the only way to show real consequences to the perpetrators and give the victims at least minimum size satisfaction. ...Although it should be probably considered more of a satisfaction for the relatives of the victims, because the victims themselves still have to deal with their psychological wounds and scars for a long time. Revenge does not undo the painful experience of mentally and physically harassing exclusion...
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The Scent of a Woman
I was sold on this drama the moment I eyeballed the three hot main dudes - I mean what's not to like about a light and funny drama with some serious eye candy? But somehow this morphed from just another fun and light young adult comedy into a hilarious and empowering story of friendship and the shining idealism of youth that made a deeper than expected impression on me.Xue Wenxi disguises herself as her brother Wenbin to support her family as a talented copywriter and author of illicit romantic fiction. A chance encounter and a series of mishaps leads to her reluctant enrollment at the prestigious Yunshang Academy. There she becomes the glue that bonds the "Yunshang Four" an uncommon friendship between the scholarly and noble Feng Chengjun, the savvy Yu Lexuan and the rebellious Lei Zexin. Together they prevail over many coming of age challenges and overcome past secrets and misdeeds of the previous generation.
In a departure from the acclaimed Korean adaption (which I did not watch), this Chinese version portrays an unmistakably feminine version of Wenbin, from the casting of the very petite and lovely Ju Jingyi as Wenbin to surrounding her with uncommonly tall male leads. If you are unable to suspend disbelief that she is not busted as a girl on day one, then your time is better spent on the earlier version. If you get overly hung up on how she looks, you will not enjoy the witty script and brilliant comedic rapport between the leads nor appreciate the more important themes that this adaptation chooses to focus on instead. The casting visibly illustrates the daunting physical challenges Wenbin faces in an academy that has an equally vigorous physical curriculum.
What I love most about this drama is that it avoids sending the message that in order succeed in a man's world, a woman must look like a man and act like one too. It points out multiple times throughout the drama that Wenbin is a beautiful and delicate gentleman. It is clearly on the edge of everyone's consciousness that he is a girl because all of the boys are drawn to her like bees to a honeypot and when her gender is revealed no one faints from shock. Indeed one of my favorite early moments is the look on Chengjun's face when he sniffs her and gets his first whiff of the scent of a woman. It is unmistakable, all of those boys sense it but no self respecting dude is going to blurt out the unthinkable and ruin the fun of having a girl on campus! Our Wenbin revels in being herself, a young girl - at times she is annoying as hell - naggy, bitchy, petty, jealous but most of the time she is mischievous, charming, sensitive and comforting. For me, it is much more fun to watch a girl having a blast just being herself at an all-boys school than watching the tired routine of a woman trying to fit in by aping a man.
The script is very cleverly written and funny and the characters are so lovable and relateable they all give me that magical deja vu of people I know. I am floored by the seamless interactions and comedic timing between the cast as witty banter is conveyed in as much via body language and facial expressions as it is in words. The humor is just my speed - a slightly wicked roasting of all too familiar human emotions, traits and rites of passage. This is a heavily character driven drama with very satisfying character growth. The headmaster is priceless and is the show's true unsung hero. The pacing however gets hijacked by too many (albeit hilarious) comedic sketches without plot advancement to the point it drags slightly in the middle. And then everything happens a bit too quickly at the end as the romance peaks at almost at the same time the conspiracy is revealed. It could be better balanced if Wenbin's reveal happens earlier and without toying with Han Shumin's heart - it is unnecessary angst and a small stain on Chengjun's character and judgment.
Chengjun and Wenbin are smitten with each other from the beginning and their attraction and chemistry grows convincingly into something that hilariously both thrills and terrifies Chengjun. He is not my pick of the three but it is clear that his patience, wisdom and quiet indulgence is the perfect foil for the more high strung, impetuous and sometimes willful Wenbin. And her intelligence, lively and infectious sense of humor and mischief rescues him from being boring. It is a good match. Sadly my personal choice, the clever and diabolically cheeky Lexuan appears subtly more into Zexin than Wenbin. He is by far the most layered, complicated and thus interesting character. Zexin has the most character growth but would never work with Wenbin - they would just bring out the worst of their mutual immaturity, quick temper and impulsiveness. For me, their comaraderie and unflinching support for each other as they find the courage of their own convictions is far more riveting than the romance. My weary old soul is unaccountably moved by the youthful idealism and sense of justice and equality that culminates in a moving Oh Captain My Captain moment. It is also amazing that they got away with student protests, vigilante justice, and even subversive propaganda.
There is at least one hilarious laugh out loud moment in literally every episode of this drama that has men clammoring to follow the scent of a woman to the female version of Yunshang Academy! I haven't enjoyed myself so much in a long time. Sure there are flaws but think about watching this as like having a fling and not till death do us part; no need to over analyze, just go along, get along and enjoy the ride. This is overall a 9.0 for me but on just enjoyment factor alone I would call it a 9.5/10.0.
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If you ever felt like degrading almost every drama you have watched so far only because of this one new show you just started, then welcome to Money Flower. Is it captivating? Yes. Does it have an amazing cast? Yes. Will the script blow your mind away? A definite YES.
Although I know that there will always be this one or two per cent who don’t enjoy a show and that there are also those dramas whose hype is just overrated, I’m sure that most of the people who watched this one, enjoyed it as much as I did – and probably felt the same (painful…) torture every week.
I haven't watched many dramas with Jang Hyuk yet, but the character he took on in this drama is by far and without doubt one of his best - if not THE best. I can't compare much but I also can't imagine how Jang Hyuk would top what he delivered here. He plays a typical anti-hero who wants to take revenge for something that happened a long time ago and therefore concocts a plan that takes action over a long period of time while needing a lot of patience. 'Strength lies in calmness' one would say, well damn, Kang Pil Joo (Jang Hyuk) created this line all anew. A first glance of him and his whole demeanor tells you to not approach him. He seems like a fox that transforms into a tiger later on. He's cold and manipulative, calculating and ambitious. It's incredible how scarce his facial expressions were and at the same time told so much about his inner thoughts and conflicts. It was also thrilling to watch him pursue his goals and root for him but also see whether he would be able to go all the way, cross boundaries or stay focused till the bitter end.
Jang Hyuk's acting is leading this drama effortlessly, even though he is not the only force and has some equal counterparts who delivered their stories just as well.
For example Jang Seung Jo who is portraying Jang Boo Cheon. He seems to be a clueless guy who doesn't have a serious plan for his future and therefore gets lead like a puppet by his mother. Deep down he is a good boy. He has many flaws, makes mistakes and even though he tries to do the right things or correct his mistakes, he ends up worsening them. Yes, he's not perfect and definitely no saint but his bromance with Kang Pil Joo was beautiful and painful to watch at the same time. Twists and turns will test him in every possible way - and while Kang Pil Joo's path seems rather clear, Jang Boo Cheon's character will be thrown into some fatal situations. You won't always agree with his behavior or his decisions, you might even get furious about them. But there are also some moments when you want to give him some slack, too. Out of them all he was the one who was the hardest to predict, especially in the second half.
His mother on the other hand is one despicable woman. Lee Mi Sook. Whenever I watch a drama with her, she makes me want to strangle her character - sometimes jokingly, sometimes with all my might. Jung Mal Ran, the woman she is impersonating, definitely belongs to my latter choice. Just the sight of her makes me furious. Yes, she had some hardships in her life and always had to fight for everything while constantly living with the fear of losing it all in the end. But the lengths she is willing to go to secure those things and totally ignoring what's really important, put her on a way that would be very hard to escape from. I wouldn't say that she's one of the best villains I've seen so far, but Lee Mi Sook put on an enjoyable show and her performance is worth the effort.
These three actors just received the MBC rewards for excellence performances in Money Flower. It's the first time that I actually agree on the winners because their acting was far above everyone else.
Park Se Young plays Na Mo Hyun, the innocent equivalent in this drama and someone who brings a little balance into this heavy revenge game. She gets caught in Kang Pil Joo's net of lies without realizing it. Even though she seemed to be the naive good girl, she never appeared weak in my eyes. She had to deal with some cruel situations but after falling down, she put herself together and fought back which was so important because otherwise she would have become insane. I appreciate her character very much. She did what was in her power while staying true to herself, getting stronger and raising her confidence. I like Park Se Young a lot, her acting might not have been as outstanding as the others, but she still did a wonderful job and on top of that had sizzling chemistry with Jang Hyuk. Yes, they kept me on tenterhooks like I have never been before... But beware, this drama focuses on Pil Joo's revenge and doesn't care for its viewers desires.
There are so many other characters and actors who nourish the story and should be mentioned. But I don't want to take away all the enjoyment. It's hard to praise and do justice to this drama without getting lost in the details and reveal too much. Everyone should experience this road for themselves.
The story is smooth like water, it doesn't have rugged edges, and the colors and the music feel like a well balanced frame, that carries a calm but sweeping tone - and you realize that something big is coming down. It's like one of those paintings you discover in old art museums. The more you look at it, the more you get sucked in - Money Flower is just like that. It makes you curious and excited. It leaves a hole in your heart whenever you have to pause it. Sometimes I wanted to hide my face but the drama wouldn't let me do that. I was too paralyzed to avoid my gaze. And of course, I didn't want to miss even one second. I started to anticipate the heat in my veins while getting furious or anxious or flustered.
Other times I found myself crying without realizing it, because the tears suddenly exploded in my eyes. I didn't cry much during this show and I didn't realize how deep my emotions got entangled until a certain moment. Then it suddenly hit me and one scene, one tear of Jang Hyuk and my rivers broke. Believe me when I say that it's that good - in every aspect possible.
I was worried and in doubt until the last minute whether they would be able to conclude the drama with a satisfying ending. But they certainly did. I might have some personal issues with one tiny thing (that is so not worth mentioning) but overall a deserving finale.
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