This review may contain spoilers
With "My Secret, Terrius" the KDrama-World shows what it can do, too: simply entertain.
"Terius Behind Me" playfully and lightheartedly balances between RomCom and spy thriller. The series dates back to 2018, but in view of the global corona pandemic, it is probably more up-to-date than intended. That makes the spy story a bit very serious in retrospect. Otherwise, "My Secret, Terrius" is a bit funny - the investigations and relationship dynamics intertwine in capricious ways. It's a bit cute - with the two twins as well as a second "romance" in the subplot. A bit tart - the legendary star spy undercover as an inexperienced babysitter for two bright six-year-olds. Between the two main leads, it's actually a bit about romance, too. But there is also room for a bit of bromance - male friendships. And there is a little something in it for handbag freaks.An exclusive highlight in "Terius Behind Me", however, is the Korean style neighborhood watch - the distinctive esprit of the mothers' association of the Kingsman neighborhood, that is characterized by notorious curiosity (by the way, a man is part of that, too). As the Kingsman Information System (KIS), they prove to be several times superior to the National Intelligence Service (NIS) - especially in terms of efficiency when it comes to their high-tech networking and highly motivated investigations.
In passing, you also gather some impressions of life in typical high-rise condominiums in Seoul´s new development areas, the over-committed mothers in such neighborhoods, and (in case I didn´t already mention it before)... handbags... :-)
With "My Secret, Terrius" the KDrama shows what it can do, too: simply entertain.
Enjoy.
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STORY
I love that the story gives you bits and pieces of the puzzle as it goes along, but keeps you guessing in a way that's fun rather than frustrating. The puzzle itself is such an interesting concept, managing to incorporate sci fi elements without getting too gimmicky.
But the very best thing about Life On Mars is the changing relationships between the characters. It's so enjoyable to watch Han Tae Joo unraveling the trauma and isolation of his past, and learning how to connect with these people from whom he's supposed to be literally worlds apart. And the characters themselves are so infused with heart and humor, the perfect antithesis to the coldly rational mindset that he started with. It's so easy to fall in love with this little found family.
ACTING/CAST
Jung Kyung Ho is amazing. He has been amazing, and he will continue to be amazing, and I don't think I could possibly love him more. I saw someone mention in another review that Life On Mars gave him the opportunity to showcase the more subtle sides of his acting skills, and I couldn't agree more. Han Tae Joo's quiet desperation is so palpable and relatable, despite the muted nature of the character. And rooting for him to finally come out of that shell is so fulfilling!
The dynamic between Han Tae Joo and Kang Dong Cheol is definitely a highlight of the show. Park Sung Woong is such a strong actor, and seems just so genuinely FUN. He is able to traverse between the character's comic antics and the more serious moments with such effortlessness. The growing relationship between the two characters is so pure.
Special mention of course for Go Ah Sung as Yoon Na Yeong. I think I might have fallen in love with her a little bit. The character is so different from the roles she's played before, but this soft-spoken tether that anchors Han Tae Joo to his reality (and just kicks ass all around, honestly) is even alone worth the price of admission on this drama, if you ask me.
MUSIC
The score was appropriate and for the most part managed to support the story without drawing too much attention to itself. I loved the 80s songs that were sprinkled in, especially when the characters were rocking out or dancing along to them!
CINEMATOGRAPHY
Thoughtfully done! I don't want to give anything away, but the cinematography clearly reflects what's happening in the story, sometimes in ways that are subtle. And I love that. (Watch for differences in the cinematography, and you can figure out what is signified in the plot.) It shows how much care has gone into even the smallest details that most viewers won't even consciously notice.
REWATCH VALUE
I typically don't rewatch dramas, but this could very likely be an exception. Now that I've seen the end, I want to go back and see which pieces of the puzzle I may have missed the first time around. Not to mention, I'm not quite ready to say goodbye to these characters...
OVERALL
Highly, highly recommend that anyone give this drama a shot. It's not a perfect fit in any single genre, so I would be cautious of letting any genre bias discourage you from watching this. This kind of thoughtful writing and creative storytelling feels so rare!
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This review will probably be my longest up to date. Bear with me because I have to put this film in its right temporal and spatial frameworks before talking about the film itself. If you’re not interested in history, you can skip the first two paragraphs and get to the film’s specific review.
I am history lover so it’s a given that I studied Japanese history way before I started watching Japanese classics and that knowledge in history helped me a lot when I started exploring the golden Japanese cinema. Seppuku is set at the beginning of the Edo era (17th century), an age of peace that lasted for more than 250 years in Japan where the Samurai class gradually lost the “warrior” side of their positions since there weren’t any wars to fight. As Tokugawa (the general who established his shogunate in Edo) gained complete control over Japan; many Samurai who fought the Sekigahara battle and others were left without clans to serve and were called “Ronin” meaning masterless Samurai. They were usually viewed as bandits whether intentionally or unintentionally, they lived in poverty but they didn’t lose their “samurai nobility” that’s still a higher rank than the peasants’ class. They also never gave up on their honorable ethics and beliefs.
In that era, many Ronin’s started to visit clans to request a “Seppuku” in their clans’ yard, meaning a ritual suicide where the Samurai has to literally disembowel himself using his Shinto (the Samurai in that era has a long Sword Katana and a smaller one Shinto that he always carry around with him, they’re considered as big part of his Samurai honor). The Harakiri (ritual suicide) is in fact an honorable death for a Samurai so it was dishonorable for clans to reject such a noble request from Ronins but they also didn’t want to let them kill themselves on their property so they either hired them as their clans’ Samurai (but that didn’t happen a lot since it’s an era of peace so the clans didn’t need many Samurai considering the fact that there’s no war) or they just gave them money and sent them away. As other Ronin heard about the story, they started to frequently visit clans in order to request a Seppuku but they never actually meant to kill themselves, they just wanted to take the money and leave. And that’s what’s called “Harakiri fraud” which is a cowardly, shameful act from a Samurai even if he’s a Ronin.
The history stops there although the clan that’s mentioned in this film (The Iyi clan) is a real clan that’s known as a very important figure in modern Japanese history. Now, let’s talk about the film itself; one clan (the Iyi clan) decided to stop these Harakiri frauds and made the Samurai who asked to commit seppuku kill himself so that other Ronin won’t dare show up in front of their clan. That’s how the story starts but through flashbacks, we get the overall story of that man, where he came from and why he came. His circumstances, his situation and his life were all told using flashbacks that were amazingly illustrated in order to produce spectacular turns of events.
Seppuku is a human Samurai film that deals with old Japanese codes of honor and ethical Samurai principles. Kobayashi wanted to introduce a somewhat anti-samurai film that deals with the shortcomings of some Samurai beliefs by using quotes such as “After all, this thing we call samurai honor is ultimately nothing but a façade” (said by Tsugumo Hanshiro) but then he comes back to insist on the codes of dignity. Unlike many Kurosawa films’ I saw where he always idolizes the Samurai figure. Don’t get me wrong, Kurosawa’s films are my favorites but what I meant to say is that Kobayashi and Kurosawa’s adaptations of Samurai stories are quite different even if they’re comparable, to each his own genius ideas of making masterpieces.
The film contained the sword fighting but it wasn’t the main focus of this film. The developments were surprising and quite intriguing to follow; in this film you get a taste of suspense, psychology, action, tragedy, revenge and even family. Although the film insists on the Samurai element more than anything else, it also focuses on family relationships, interactions and sacrifices as well as human and more specifically Samurai emotions.
If I keep talking then I won’t stop praising this film’s screenwriting by Shinobu Hashimoto and the original novel by Yasuhiko Takiguchi. I appreciated every angle of the story and the way it revealed facts at the most unexpected time. This is not a film that’s set to kill a Samurai through a ritual suicide or show the audience how a Samurai disembowel himself; it’s a film that describes the human emotions and feelings behind that act. However, I do understand if some people found the development a bit slow. As for me, my eyes were glued to the big screen the whole time without a single move or sound. Yes, it had that kind of impact on me.
The acting, oh my! what on earth can I say about that acting? I am not biased or someone who talks with full subjectivity so when I say that Nakadai was marvelous in this, I am not talking with a fangirl’s emotions, I am speaking with full objectivity about a Japanese legend. For me or anyone who knows classic Japan, Nakadai Tatsuya is a legendary star in the Japanese cinema and one hell of a charismatic astounding actor who can grab your intention in a split of a second. Like many of his other roles, Nakadai was amazing in this; his portrayal of Tsugumo Hanshiro’s character was flawless. Enough said or I won’t stop talking about that man’s incredible acting skills.
Other actors were also amazing; I was moved by their acting skills. It’s the golden Japanese era of cinema so it’s a given that only high-class acting exists. The characters were very well written and their relationships were fascinating to follow, I was moved by many characters’ developments in Seppuku.
Now let me talk about that breathtaking cinematography. I like to focus on cinematography while watching films and even though this was produced in 1962 (black and white); I was charmed by the back sceneries and great settings. Kobayachi did an awesome job with those mesmerizing takes that I will never forget.
I have to mention the soundtrack which I believe it’s the best music composure I ever heard in any Japanese classic.
Watch this if:
-You like Japanese classics or want to discover them.
-You enjoy Samurai films but keep in mind that this isn’t an action film.
-You love films with human stories.
-You like Masaki Kobayashi because this is his finest work.
-You like Nakadai Tatsuya because this is one of his best performances.
Do not watch if:
-You dislike Japanese classics.
-You dislike Samurai films.
To end my super long review, I will mention that Harakiri is a crafted masterpiece by Kobayashi and an eternal gem of the Japanese classic cinema that’s bound to take you through a great journey of amazing events and astonishing acting skills.
I will leave you with two quotes by Tsugumo Hanshiro:
“What befalls others today may be your own fate tomorrow.”
“The suspicious mind conjures its own demons.”
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This review may contain spoilers
Casino-gangster-crime atmosphere with an exotic ambiance. International style. Takes its time.
"Big Bet" was inspired by the legendary persona of a South Korean casino manager who made it to the top of the multi-billion dollar casino world in the Philippines... until he was framed for murder."Big Bet" is another KDrama that has been divided into two halves in streaming provider style. (Unfortunately, this is kind of becoming the new KDrama fad and I'm already bored to express my anger about it.)
Oh yes, and I'll say it in advance: if you're interested in the series because of Son Suk-ku, you'll have to stick with it for quite a few episodes - he doesn't appear until the end of the first season...
The Disney production deliberately presents itself internationally. Nevertheless, one gets some atmospheric, socio-historical milieu impressions from South Korea - especially from the 1970s and 1980s, because the story is repeatedly enriched by flashbacks. (In fact, the first season is almost one great flashback - with flashbacks within that flashback, so to speak.) While the first season is designed primarily as a character study of Cha Mu-sik, the second season arguably has the real crime thriller behind it. Topic: Murdered South Koreans in the Philippines and the associated dynamic between the South Korean-born, now renowned casino manager, who has now become a murder suspect, and the investigator Oh Seung-Hoon, who was sent to the Philippines from South Korea. So the actual "big bet" only really becomes an issue in the second season.
So what does the first season have to offer?
Plenty of impressions of Mu-sik's childhood days, youth (wonderful: Lee Kyu-hyung as a youthful Mu-sik - although eventually Lee Kyu-hyung has meanwhile left his youth behind him...) and of his first professional steps into Casino world as young adult. The protagonist has his own charm and amazing talents and so we experience Mu-sik, although he radiates some sort of unapproachable aura, as an authentic and fascinating man with plenty of heart and mind, with a quick grasp, good intuition, radical consequence and entrepreneurial charisma.
"Big Bet" is a Korean-American production. It is international in its self-image and presents itself as such. It is made by men and it is about men. About smoking men. Sweating men in suits. Men with tattoos, too. The man with the most screen time is “Oldboy” Choi Min-sik (from the acclaimed 2003 K-Movie). He plays his role effortlessly as a 30-year-old and almost 60-year-old alike (thanks to modern filming and image processing technology). For "Big Bet" he is back in top form after a decade-long break. All in all, in this KDrama we slide into a (conservative) world of men and gangsters. Their wives, if there are any, are at home with children and really don't know anything about anything. Exceptions are the wealthy, and due to her wealth influential CEO Ko (with a rather quick appearance but comparatively lasting impression: Lee Hye-young) and the young, by Korean standards sexually quite explicit, self-determined hotel employee Kim So-jung.
In the flashbacks, as I mentioned before, there is South Korea at times. Nonetheless, "Big Bet" is principally based in the Philippines. Filming there took about 3 months. This promises exotic local hue, although the focus is on the casino and hotel world - which in turn could somehow be anywhere. No expenses were spared with the casting either. Even the supporting roles were selected with care.
In short: "Big Bet" (Season 1) is a solid and ambitious character study of Mu-sik. His Story is told in a sophisticated way and staged well worth seeing. However, the series isn't really a KDrama-like KDrama. Anyone who likes a casino-gangster-crime atmosphere with an exotic ambiance will get their money's worth here. However, the story takes it´s time. It remains to be seen what the second half will come up with. I certainly have high expectation that "Big Bet" will even improve, now that Oh Seung-Hoon intrudes into Mu-sik's world with his investigations and thus will add further dynamic.
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Anyway, this is my first time seeing Eugenie Liu and I instantly like her, I'm always into badass, femme fatale who can kick ass and wouldn't go into the damsel-in-distress route once the 'prince' arrived.
She has a good chemistry with Jasper Liu, and their kissing scene is bam! Maybe because this is Netflix, so less of those frozen lips kisses and this one has been pretty satisfying. This is only the 2nd Jasper Liu drama that I've seen, the first one is his first drama with Puff Kou. I think that he has matured as an actor, and if he's given more chances to do more variety of roles, he'll be one of the best.
The other characters, especially Din Din and Angie's right henchmen, Liu Guo, gives the comedy relief for this drama. It was a surprise that they were given their own storyline, which makes this drama funnier and 'more open' to other love possibilities.
Angie's fiance, Eddie Kim, is pretty hot, and the twist at the end could mean that we'll be seeing more of him if there's a second season. BTW, he also the right chemistry with Angie and you can see that sparks did fly when they meet again as adults, if I'm not so biased with Jasper, I think Eddie and Angie's storyline has a great potential.
The story might be trite, but this drama is overall fun, something that will warm you up when its cold and would give enough sunshine during gloomy weather. Since this is only 6 episodes, might as well binge-watch this.
Oh....it also has a cool soundtrack, particularly the english song they played. Anyone knows the title?
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From Threads of Lies Comes an Entangled Web of Love
Unexpected Falling definitely lives up to its namesake; I unexpectedly fell hard for its gorgeous cinematography, delicious angst and pacing, and the frustrating yet heady chemistry between Peng Guanying and Cai Wenjing in their second work together after The Confidence (2020). This is a super slow-burn romance, which is mostly about the mystery behind the FL's deceased husband. It's not an intense thriller with bloody crimes; instead the story mostly revolves around large business dealings (i.e. stock trading and manipulation), and the gradual romance between two people who start off as enemies, become reluctant friends, and end as passionate lovers.I'd highly recommend having a watch for these reasons:
♡ A Chemistry and Romance that Simmers: For those of you who love pining, angst, and seeing our characters slowly fall for each other even knowing they shouldn’t, this drama is chock-full of all of these tropes. Unexpected Falling does an amazing job at showing the gradual change in two people who initially suspect each other, but then slowly begin inviting each other into their lives. This is not a fluffy, sweet, and rosy-tinged romance; instead it is one about two older characters who have undergone trauma, hardships, and have their own regrets and limitations. After the exhausting and tiring experiences in their life, they come together finding solace and comfort in each other. I loved how the drama slowly peels away the layers of our characters; while at first you think Zhenzhen has a very negative personality, and Guo Jun is extremely arrogant and domineering, you slowly realize these are only the surface impressions of our leads who are very flawed characters.
♡ Beautiful Cinematography and Poetic Lines: This drama uses a lot of darker colours and tones, and has a very melancholy atmosphere and feeling across the entirety of the story. I loved the attention to details made through its filmography; for example, certain camera angles are used in order to make you suspect the identities of characters, and also create narrative tension throughout the series. There are also other hints, including character habits (e.g. the drinking of water, the wearing of glasses, certain repeated dialogues, etc.) that are consistent with certain plot reveals throughout the drama. Most of all, I loved how the drama uses a lot of domestic scenes (e.g. taking your lover’s coat, cooking a meal, tying one’s hair) between our main leads that show how much they want to be close to each other yet at the same time must restrain themselves. This is a drama that doesn’t tell things through dialogue; instead it’s one where the visual language — from gazes, expressions, and lots of staring — are used to communicate to the viewer instead.
♡ Refreshing, Adult Characters: Similar to the calm atmosphere and the moody colour palette of the drama, our main characters are very mature and complex personalities. Ruan Zhenzhen is one of my favourite female leads of all time, because of how few Chinese drama FLs are extremely reserved and introverted. She is not a happy or upbeat character, but instead is someone who has few friends, ruminates a lot and experiences depressive episodes, and often keeps to herself. She is hard to get close to and distrusts people easily, but only because of the excessive lengths she goes to when protecting and caring for the people who she loves most. On the other hand, Peng Guanying does an amazing job showing the expressions, struggle, and guilt that he faces as Guo Jun. Not only does he have incredible charisma and presence, but you start off suspecting him and even disliking him, before falling in love for how swoony and protective he is towards Zhenzhen. Both of them play very realistic characters and personalities, and it's quite a nice breather from the recent wave of youth and campus romances.
♡ Interesting Background Plot and Relationships: One thing this drama also demonstrates is relationships, especially with families, friends, and the people who are in your life. There are a lot of characters who become hateful and despicable after Zhenzhen’s husband’s death, for reasons including money, jealousy, and bitterness. There are also others who go above and beyond to show their loyalty and support for Zhenzhen through her pain. Moreover, there is also a central mystery revolving around the financial world; although I didn’t find this as interesting, I appreciated how the drama used all of its characters to show the complicated and tangled relationships surrounding their crimes.
However, there are also some things you might not like about the drama:
♥ The Road to Happiness is Bumpy with Plot Holes: Honestly, much of the angst between characters would have broken down if Zhenzhen simply did a Baidu search about some people’s identities in the beginning. I was much more forgiving of this because I was really here to watch the chemistry between the main characters, but a lot of things are pretty inconsistent. For example, inevitably given the way Gao Jun was trailing after Zhenzhen the whole drama it’s a miracle that nothing serious happened to the both of them within the first ten episodes. I think you definitely need some suspension of disbelief, because honestly the investigations and proceedings of legal cases in this show (while not unrealistic) seem to be a bit sloppy given how smart the criminals are supposed to be.
♥ This is a Relationship and Family Drama, Not Really a Crime One: I don’t think this drama does thriller or tension in plot really well because it tends to lean in towards the slow-burn approach, and there were a lot of things they could have done to make the drama more intense (i.e. giving the sense that lives were really at risk, that someone may have the possibility of being hurt, etc.) At the same time, I realize that this wasn’t the goal of the drama. This isn’t really a drama that is about hunting down financial crimes, but it is really about Zhenzhen’s growth and her navigation of the mystery itself. That being said, those who don’t like slower-paced dramas, or who prefer intense shows with lots of action (there’s honestly not much of that in here) should probably stay away from this one.
♥ A Long and Winded Slow-Burn: This is not a fast-paced drama, despite the fact that there are mysteries that need to be unraveled and crimes that are uncovered. We don’t even get to an actual relationship and more discoveries about the main underlying conflict until episodes in the 30's. You will absolutely need to be patient when watching this show; and I think if you aren’t invested in the relationship between the main characters you may end up feeling bored. There is definitely suspense and tension, but it is drawn out and comes to a slow-burning fire in the culmination of the drama. At its best, this is really a drama that focuses on the process and journey rather than the outcome; at its worst, others may consider there to be lots of filler moments (about relationships) that take away from the crime (the financial and business aspects).
♥ Some Acting Issues: Cai Wenjing is quite bubbly in real life, while Peng Guanying is very good-natured and quite extroverted in interviews. I think both of them did a good job acting as characters that were very complicated and multi-faceted, but sometimes it was clear that some of the supporting cast had more acting depth. In particular, for scenes where the FL is attacked by others or becomes surprised, Cai Wenjing's expressions were sometimes a little out of place or slightly awkward. On the other hand, Peng Guanying sometimes came off as being a little stiff in scenes with anger or frustration. However, these are relatively minor aspects to pick on, as overall I cannot really think of a better casting choice for these characters, and I really enjoyed watching them together once again.
I'd highly recommend this drama for those who want a more mature, adult watch about older lead characters, those who like darker romances (i.e. a "villain" ML even though he is actually kind inside), and a very devoted ML who initially distrusts the FL and then grows to fall in love with her loyalty and kindness to the people around her. It’s not for everyone, given the fact that it seems to market itself as a series about criminal cases and a shady death, but is actually about the relationships that Ruan Zhenzhen builds through her experience with this situation. If you go in with lowered expectations and are a fan of romances between two people marred by the passing of life experiences, then you’ll find this a suspenseful watch with a main couple that leaves you breathless at how beautiful and encompassing their love for each other is.
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From the setting of some kind of a demon possession being the reason for the existence of undead people, this drama could have been a fresh take on the zombie genre. Well, since the drama had been permanently taken off-air we would never know how the drama plot could have unfold.
Casting-wise and writing-wise, if one could try to judge from the initial two episode, it does appear that there's a lot of care and detail done to get people to become interested in the drama plot. For one, this is an interesting take on King Taejong as compared to quite a number of dramas that did feature him in the past and there was a lot to be curious about regarding the troupe that ended up coming in contact with the third prince as well as the mystery surrounding this Azazel entity. And drama already was dealing with a situation of dead people coming to life in ancient Joseon. THAT itself was already a fictional setting... so I don't really get to uproar over the 'historical inaccuracies' especially when there are ALOT of other sageuk dramas that already made various interpretations of historical figures that may or may not be accurate anyway. As in there are plenty of sageuk dramas that depicted the same historical figures as BOTH evil and good on different dramas to fit a certain narrative so why now only that people making such a fuss about this for Joseon Exorcist? Why don't they do that for the other sageuk dramas that do this? It's ridiculous, to be honest!
Regardless, even if the writing of the drama was really problematic, considering the drama only just started there shouldn't be much problem to just ask the writer to make adjustments/rewrites to their writing and refilm the rest of the drama. If other productions can do that like with Delayed Justice and River where the Moon Rises where they paused airing and recast and refilm the scenes to remove appearances of problematic actors, the same should be possible for this drama. Banning this drama without allowing the production to make amendments to the drama to fix the problematic scenes/plot was an overreaction. What about all the works that has already been poured into this and Jang Dongyoon even got hurt! It was unfair to everyone who have worked so hard to make this drama only to have almost the entirety of the production scrapped.
While it was understandable that everyone would be wary about how some chinese people trying to claim certain aspects from kdramas as theirs, I hope people wouldn't be too rash in trying to cancel everything recklessly.
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an incredibly great series at the beginning of this lackadaisical year.
04. 03. 21.A Tale of Thousand Stars is not just about the romance between two boys, it also represents the voices of those people who are forced to be silent; the people who chose to be quiet because of their trepidation, toxic positivity, and/or poor mindset. The issues they presented in this series are still happening today, or to be bamboozled by those who are more privileged than you. It's just sad how some people seem to forget about these kinds of circumstances, reminding us once again that we are living in this unfair world.
After watching the whole series, it made me think about my entire existence and wondered why didn't I realize the things I know now sooner? They were there, giving all their best to fight for what was right and to know that life wasn't just about staying in the shades of yellow. Honestly, there are a lot of things I learned, while also enjoying the gratifying chemistry of the two main characters of the show. It is just incredibly great to watch a series like this at the beginning of this lackadaisical year—not just about a typical sugary boys' love story, but also the untold stories of the people who are unheard.
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This review may contain spoilers
I. LOVE. THIS. DRAMA. SO. MUCH! Truth be told, I really debated and fought myself against giving this drama a 10. I mean the production values aren't great and it definitely has a high goofiness/quirky factor that some people might not get past, and for any other drama with those negatives, I wouldn't normally go above an 8. But no matter how much I tried to reason with myself, when it came down to it, I just think this drama is everything I ever wanted and everything I didn't even realize I wanted. Every time I thought I'd only give it an 8 or at best a 9, I found myself cheering or laughing out loud or crying soulful tears (yes, you will need a tissue box, maybe not even a box, but at least a few in your pocket), and then I knew I just had to give it a 10. It gets a 10 not because it is perfect TV, but because it was perfect to me. And, yes, I am an unapologetic and rabid Lee Min Ki fan, but you can see in my ratings of his movies that just because I love him to pieces, doesn’t mean I will automatically rate everything he does as a 10 with a 100 hearts after it. I try to be objective, even when it comes to my Min Ki :).
[Note: I will not be using the annoyingly bad English name of Evasive Inquiry Agency when referring to this drama but rather the more apt Mixed Up Investigative Agency (MUIA).]
First things first, if you are planning to watch this drama, be forewarned that it doesn't get truly great until episode 8 (some people might even say 10). Sure, it's loads of fun and entertaining and even exciting and the mysteries are all good enough to keep you going, but it really doesn't enter into the realm of greatness until then when you really start to see the heart and some surprisingly good acting. Up until then it's like the difference between how your chest feels when you are taking an exhilarating ride on a rollercoaster vs. how your chest feels when you realize you are in love. Sure your heart pounds in both instances, and both are lots of fun, but only love is profound and has memories that will last a lifetime.
Ok, so that out of the way, here are 12 reasons why MUIA is so darn perfect:
1. It's unique. One of the things that always tickles me the most and is most likely to land a drama near the top of my faves list is uniqueness, which, as much as I love Kdramas, is not always one of their strong points. I've seen many Kdramas where I've got the whole thing figured out within about 3 to 4 eps and the rest is just seeing where the details differ from the other 15 dramas just like it. You cannot say that about MUIA.
2. It's a true ensemble. Even in other so-called ensemble dramas usually 1 couple stands just a little taller than the rest of the cast, but not in this case. All 4 main characters are equally important to the point where you truly cannot say that any 2 are the stars. It is a true ensemble.
3. There is romance, but it's not really important. What's important in MUIA is friendship and a sense of family that comes not from blood but from loyalty and love and being there for each other in their time of need.
4. Speaking of family -- no meddling parents! Yeah! Meddling parents suck and are a staple of Kdramas that make me sick. So a show always gets bonus points from me when they aren't there!
5. Without being spoilery, another awesome thing about this drama is that it doesn't fall prey to crazy makjang machinations or hand of god reversals even where the story has left the door wide open for them. It is organic and moves where it should rather than being totally contrived for some kind of shock effect. I'm not saying it's totally realistic (because there are some silly and decidedly unrealistic moments), but it doesn't feel manipulated.
6. Conversely, some things that would normally NOT get fixed or reversed quickly do so in a timely manner. And expectations are frequently subverted. If you think something is going a certain way based on your prior knowledge of Kdramas, well, you are probably wrong.
7. The characters are not stock types and therefore feel like living, breathing people that you WILL start to care about. And I’ll just say it right here – Jung Hee Kyung (played by Ye Ji Won) is PURE AWESOME! I often find Kdrama female characters annoying or downright insipid or if they are of the evil type, well, then, pure evil balls of hatred. Not so with Hee Kyung. Yes, she is flawed, very much so. And she definitely has her annoying moments. But she is such an amazingly nuanced and multi-faceted character. She is a fully 3-D person that fits no character type I’ve seen before, similar to several, maybe but definitely not with all of her layers. I love her to death. She is one of my all-time favorite Kdrama characters, not just women, but characters. I love her warts and all (for those non-native English speakers, I mean that I even love her bad qualities).
8. This show has some deeply philosophical dialogue beneath all the fun. So watch out or it might really get you thinking!
9. Even the peripheral characters are treated as real people and you actually find yourself caring about them. This is a fully-populated world of real human beings, not just a set for our main characters to prance around in. (On that note, make sure you watch the end skit after episode 14. It was just the BEST thing ever! For that matter, watch all the end skits. They are pure gold!)
10. Acting! The main actors in this drama, despite some of the over-the-top quirkiness (mostly reserved for Lee Min Ki, a man who has made over-the-top quirkiness an art form all its own, even in photos, and yet still manages to also be a killer actor in serious moments when he needs to be), have some really special moments of greatness. Especially, again, Ye Ji Won, but definitely also Ryu Seung Soo and Lee Min Ki and even in a couple rare instances Lee Eun Song, when she was allowed to break her intentionally robotic character.
11. The soundtrack was fantastic. I think that a soundtrack can do 3 things in a drama: it can just sit there and do nothing to add or detract to the drama to the point where you can’t even remember if there was music; it can be overbearing and annoying or totally inappropriate and ruin the mood like a poop in pool; or it can add to every moment of the drama making it that much better. And, of course, that’s what MUIA’s soundtrack did. When a moment was funny, the music added to the funny, like using the MacGyver theme song during one scene and practically making me fall out of my chair). When a moment was exciting, the music was exciting (which normally meant adding to the funny by using intentionally overly dramatic music). When a moment was melodramatic, the music perfectly fit that mood too, or in a couple of particularly perfect beats, the total lack of music was what moved me the most. They used a huge range of music (theme songs from shows, American, Korean, classical), and each to outstanding effect. Well done, music director!
12. And finally, the best thing about MUIA, PLOT….and details, details, details. I’d say my single biggest complaint about Kdramas (but clearly not a big enough one to make me stop watching since I’ve now seen 116 in less than 2 years) is how they often start off with nicely nuanced and seemingly thoughtful plots and then start dropping balls all over the place about half way through. My understanding is that this is normally due to the live shoot system that most dramas end up in towards the end of their run and because sometimes scripts are being written while shooting is going on (everything I ever needed to know about Kdramas I learned from King of Dramas, hee ;)).
However, MUIA doesn’t drop balls, threads, or any other bits. It is as tightly plotted as any Kdrama I’ve seen – actually, it might be the most tightly plotted one I’ve seen. Everything that happens has a purpose and there are neat clues and details EVERYWHERE. In fact, all the clues are what gives this such a high re-watch value because I can’t wait to go look for them again! I never felt like the show was looping around to the same old plot over and over again (see most Kdramas) or that it was dropping characters and threads like hot potatoes just to suit the main plot (see nearly every TV show ever). It never did either of these things, and even when you might think it did, it will prove you wrong – just you wait and see!
When I was looking into this drama, I saw that it had really poor ratings when it broadcast. It was on KBS2, not one of the 3 main channels, but the ratings were still really poor. And not many non-Korean Kdrama watchers have seen it either because it isn’t on Dfever or Viki. Therefore, I have officially dubbed MUIA: THE WORLD’S MOST UNDERRATED KDRAMA! I think of it as the Firefly of South Korean television, a truly great show unappreciated in its time. So, I have written this review with the hope that my fellow Mydramalist-ers will give this drama a shot and in time, like Firefly, MUIA will get at least a little of the love and appreciation it deserves!
And if all that isn’t enough – IT’S GOT LEE MIN KI IN IT!!!!!!!!!!!!!
(Please note that I added a little bit more to this on 3/8, the day after I originally posted it.)
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An underrated thriller with a shoddy ending, yet lived upto the mystery genre.
This drama is definitely one of the most underrated gems of the year 2021. I am disappointed at the fact that very less people were watching in real time and not sure whether it'll get recognition now that it's over. I think the cast is the reason but wth; these are all brilliant actors.A lot of people might consider it's a makjang or chaebol drama for the dark complex synopsis but trust me it's not. It's rather a mystery thriller with a touch of makjang, let's say 30%…? Well again, this drama lives upto the mystery genre.
THE ROAD: THE TRAGEDY OF ONE is about the family, social, political, business and hierarchical affairs involving people of a posh place namely, "Royal The Hill", where top 1% people of South Korea inhabit. This is an adaptation of the famous Japanese thriller novel "Ichi no Higeki" by Rintaro Norizuki published in 1992.
Baek Hyun Soo (Ji Jin Hee) is a famous news anchor with tragic past of youth who holds enormous influence on the netizens that he's built over decades by the means of his work. Married to his enemy's daughter, Seo Eun Soo (Yoon Se Ah), Hyun Soo has always thrived for justice. But as soon as he tries to unmask his own father-in-law, Seo Gi Tae (Chun Ho Jin), things become awry and making everything a mess. On a torrential rainy night a tragic incident takes place and the secrets connected with it result in silence, avoidance, and confusion, which eventually leads to another tragedy.
The Cast is full of veteran actors and in fact, the side characters or minor roles are played by actors with good amount of experience. This fact makes the drama even more interesting even before you start. If cast is the reason the drama isn't getting recognition, man that's an act of foolishness because the cast is very apt and all of them are very skillful actors. They're not just old by ages, also by the time they've spent in the industry. Their performance in this drama is stupendous.
Traumatized by his past Hyun Soo often gets flashbacks of that one horrible day of his teenage that changed his entire life making him run away from everything. Since then, he's always sought escape thinking he can someday finally fix his life but could never reach the end. Eun Soo, a miniature artist, loves her husband and son and can go to any length to protect her family. She's always careful about maintaining her dignity but also has her own insecurities. Chairman Seo Gi Tae of Jaekang Group is very influential and can wield any kinda card to get his work done. Aware of Hyun Soo's intentions, he draws a big picture to prevent his forthcoming downfall. Cha Se Young (Kim Hye Eun) is an announcer and highly ambitious woman who is never satisfied despite owning everything. Her greed and evil motives lands her in many odd situations.
Apart from the main cast,Choi Nam Gyu (Ahn Nae Sang) playing Se Young's husband, Shim Seok Hoon (Kim Sung Soo) playing Metropolitan Detective, Kwon Ye Jin (Baek Ji Won) playing News Desk Chief, Bae Kyung Sook (Kang Myung Hun) playing Chairman Gi Tae's 2nd wife and Hwang Tae Seob (Kim Roe Ha) playing the assemblyman are some other major characters who contributed to the drama's quality. Even the 2 child actors were good.
It's definitely a thriller with lots of makjang elements such as marriage problems, extra-marital affairs, cheating your partner, infidelity, rich family affairs, dirty secrets, power politics, hierarchical dispute, birth secret, drugs, alcohol, hypersexuality, high ambitions, political fights, corruption, pseudo journalism, scams, etc. Still a thriller, I repeat, with lots of twists & revelations plus a steady plot development that's worth anticipating about.
First 2 episodes are honestly kinda slow as well as confusing because it's anyways the introduction of the drama and there are lots of going back and forth in time to showcase the past connections. This particular thing is also included equally throughout the 12 episodes which might be unbearable but flashbacks are very common for individuals with PTSD. Yes, the lead character, Hyun Soo suffers from trauma and goes through frequent flashbacks even after 2 decades.
Story and screenwriting are very good with a steady and definite plot development and harmonic progression. The plot becomes somewhat blunt and boring in the episode 9 but even a major revelation at it's end again picked up my curiosity. Since it's only 12 episode I was a bit scared the finale week (11th & 12th) would be rushed but thankfully it wasn't the case. The destination goal of the drama started unfolding after the 2nd half of the 10th episode and almost everything was crystal clear by the end of 11th hence creating scope for the finale episode to come out smooth. However, I am a bit disappointed with the finale episode. It wasn't exactly bad but the way the writer wanted to end is unusual for a Korean thriller drama. I understand that in real, that also is a possibility and that's evident but still...... The main culprit was revealed in the 12th episode to the audience and everything was explained but...... Idk how to tell this without spoiling. Anyways, not gonna say that they messed up.
Direction ia amazing. All the techniques used to make the drama interesting plus intriguing, yielded good results. Synchronization and linking and of events, pacing and screenplay are very well done. And another important aspect of mystery/crime thriller dramas that's sound editing, is also excellently executed. Intense sound effects with deep background scores make the screenplay more thrilling. OSTs are also good and suit the mood of the drama. Cinematography is something that's been aptly worked upon and the dark aura helps keep the suitable scenario.
"Memories" by Yi Sung Yol is deep, sad and tragic track. "Find the Way" by Jung In is also good.
Again, it totally defines what exactly "mystery" genre should be like. There were lots of revelations in here and till the end there were lots of questions like why, who, how, what, etc that left me astonished. It's very unpredictable throughout because everyone seemed to be possessing some secrets and everyone tried to climb up the ladder and save themselves like crazy. Also, there are few things they had been showing us till the last episode without much explanation but they were eventually made clear in the finale. I started the drama a week before the finale so I thought people would be making theories and going crazy but sadly, coming here I see very less are watching it.
Also, this drama has a bisexual and a lesbian character who are involved with each other but that's not shown in a good light, rather it's another dirty little secret of the story.
This drama deserves a lot more than this and tvN's to be partially blamed too because it seems they're not promoting it well unlike it's other big budget ongoing dramas. I expected it to at least do well in Korea if not internationally but things didn't go well may be, hence making it one of the most underrated of this year. I could have given it 8.5/10 but outcome of last 15 mins was a bit unusual even though it's somewhat realistic.
I know that at this point filthy rich, posh village stories with luxurious group of people, gorgeously dressed women, family secrets, fight for assets things have become old and usual but this drama stands out to be different from the trope because of it's thriller elements and definitely worth the one time watch. So please give it a try keeping in mind that the first 2 episodes might not interest you but trust me, it gets better with each episode.
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This review may contain spoilers
The aura of this series is characterized by the inspiring world of the orchestra and its musicians
Be prepared: "Maestra - Strings of Truth" is impressively led by a highly concentrated Lee Young-ae and set in a refreshingly rare environment for a KDrama. Focusing on one of the very few, but highly talented, globally famous female conductors, the aura of this series is characterized by the inspiring world of the orchestra and its musicians. We also meet management lounges and the luthier´s workshop. Enchantingly, this maestra and her particular orchestral world offer a quite unique and mature flavour of series experience."Maestra - Strings of Truth" lives from the psychological depths and relationship dynamics of the main characters as well as the pathos of the world of classical music. Of course there are also intrigues, love, yearning for revenge and more, but the focus is on the maestra as a person in her struggle with herself, her passion for music and her life challenges.
For the FL, her love for music is at the center of her being and aspirations. As far as the men in her life are concerned, they would rather like things to be different. However, the maestra has a good reason why she has consistently dedicated her time to the orchestral world. And when it comes to her work, she is uncompromising. Above anything else, she is delivering a perfect performance. This is non-negotiable. Some people would prefer that to be different too...
For her role as maestra, Lee Young-ae completed several months of violin and conducting lessons. Her 'first violin', Hwang Bo-reum-byeol, also took eight months of lessons specifically for this purpose. Considering, there's a lot of passion involved in this KDrama, even before filming even started... and you can feel it.
By the way, the idea for the story did not grow on South Korean soil. It is a K-style remake of a French television series that focused on the career struggles of the very few women in this profession. (Only five percent of all conductors worldwide are female...) "Maestra - Strings of Truth" is dramaturgically heated up by a fatal love triangle with collateral damage and an even more fatal family legacy that the maestra would rather do without.
Intensive. Atmospheric. Thrilling, too.
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Arthdal Chronicles Part 3: The Prelude to All Legends
39 people found this review helpful
외대한 나라 - 아스달의 시작
I recommend this drama who like epic fantasy or high fantasy. This might not be on the same level as lotr but still they are doing a great job! I loved this drama and this part 3 in particular.Turned out this being the 3rd part of the first season! And 2 more seasons ahead :) that’s great because the biggest fault for this drama was being too grand but too short.
This part 3 turned out to be amazing. It had many epic scenes, lots of action from the protagonists. The story is very full. They did great work with world building and showing the epic-ness :) it was quite better than the other two parts even.
Characters are very great here. There are many and it maybe hard to remember them all for some people but they are all interesting. I especially love women in this drama as they are strong and cool. And the secondary characters also are very memorable.
Music: well Ailee’s powerful voice always gives goosebumps.
There are some bad sides to this drama and it’s mostly again because of time. Some storylines and some characters disappear as soon as they appear. Before I told this would have been solved if they had more episodes but as there are more seasons ahead I can’t say that anymore. The only excuse will be that worldbuilding is hard, they wanted to create something grand and put in as much as they could. And well actually they are doing a great job at it. Like 90 percent.
I can’t wait for next season!
I need more epic-ness before they return!
I don’t usually rewatch dramas but I feel like rewatching this one.
Score is 9.5 and 0.5 is a bonus for epic scenes. So 10 :)
나 모리의 미아 너이들에게 주문을 곤다. 이 드라마를 보아라. Lol
I really like the epic way of talking :)
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It's good, but...
Given the limited budget, this is extremely well-made, with obvious passion invested by everyone involved, which I've come to expect from this group. The cinematography and directing are wonderful with fantastic performances pulled out of talented actors, the music selections ar great, and the German subtitles are first rate, so I hear.It's great to see Art Pakpoom in a leading role again, and Michael Kiettisak puts in another top-tier performance - he may be the most underrated actor in BL - I'm still haunted by his horrifying abuse victim in Call It What You Want.
The story, however, prevents these ingredients from reaching their full potential. It perhaps tries to do too much - social commentary, messaging about how short life is, wanting to be a '90s Gregg Araki film, horror, adventure, romance, comedy...
So while I appreciate how well-done this is, the big question is, did I enjoy watching it? Not really. It's very violent, it's a bit all-over-the-place as a genre, and commentary about the corruption in society and the human condition are either extremely unsubtle (like who gets to go to the bunker - that was hammer-over-the-head commentary), or undermined by the contrasting trio of antagonists. Because the villains were all psychopaths, they contributed no meaning. If we're looking at different choices in how to spend the last two weeks of your life, basically good people versus people who want to violently murder as many people as possible before they die says nothing. There is nothing about them identify with, you can have no sympathy for them, they have no point to make, they're just evil and must be destroyed.
Why not have people who are so greedy that they steal and accumulate wealth, or so desire power that they try to rule everyone else? Or even if they had wanted to have sex with as many people as possible before the worlds ends, that would be relatable, for sure if everyone looks like the cast.
So as a result, the series gets bogged down in with a large amount of screentime being chewed up by horrible people who have nothing to do but have surprisingly graphic and sweaty sex (probably the most realistic sex scene ever in a BL) and kill people, which they do, a lot (unfortunately the killing, not the sex).
In addition, instead of examining how impending doom might affect the course of romance, the main pair fall into a depressingly conventional seme-uke pattern, where Art acts like a Victorian twelve-year-old, when even a Victorian twelve-year-old would throw up her hands, say 'f$%& propriety', and want to bang Golf and his brother 24/7 if the world were ending. But Art acts like a kiss on the cheek in a completely abandoned world is scandalous. Art has no agency and is helpless and useless, requiring Golf to do everything for him.
Everything is too predictable, and you end up stressed out knowing characters you don't want to die are going to die, stupid decisions to be made are telegraphed - decisions that are inexplicably out of character, which is lazy writing.
And to get it out of the way, there was an incredible amount of criticism of the faulty astrophysics - if the moon were on a collision course with the Earth, the Earth's gravity would break it up, and there would be horrendous natural disasters, so this is too unrealistic. THAT'S the line you're going to draw in the sand? There are BLs where one of the main pair is dead, or a vampire, nobody sweats after running a mile through Bangkok in the afteroon while wearing a wool suit, every male student at the school is gay and rich, you can turn a straight guy gay if you trip and have him catch you - but not having earthquakes and tsunamis in a project that likely had a 5-figure budget is unacceptable? Anyway, the moon crashing into the earth is symbolic and metaphorical - it doesn't need to be realistic.
So do I recommend this? Yes, unless you don't like gore. All the positives I mentioned at the top make it worth your time - this isn't a rehashed plot, it's not full of tropes and cliches, and you get to watch very attractive people who can both act and look great with their shirts off. If that seemed like a lot of criticism, it's because I think this could have been one of the best BLs of all time instead of merely good. While the characters are largely more appealing, this doesn't quite have the polished genius of Call It What You Want.
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