Reviews

When i discovered this series and read the summary i wasn't really catched by it. But i wanted to understand why people around me love it so much. I thought "How is a drama about a girl that wants to dive for seaurchins exciting anyway?!". So i gave it a chance and watched the first episode.

With this, the "Ama-chan effect" hit me hard. I couldn't stop watching it. I finished this series after 11 days, and I'm sad it ended. This is probably also due to the phenomen, that the episodes are rather short with a runtime of 15 minutes, and you keep watching and watching, while you tell yourself: 'just another one, then i'll stop.', but you just can't. Its one of those series you really never want to end.

The Story itself i really addicting, as its absolutly not repetitve. The constant up and downs make oneself really go with it and feel it. It makes you sad, It makes you cheer, it makes you feel lost. If a series is able to this, then its a masterpiece. Kankuro Kudo really made a awesome job.

The Characters are absolutly memorable. You could really notice the cast was putting their hearts into it. I've never watched a series where the acting was this good. Each actor played their character so well, i could really belive everything could have happened in a village close to mine. There was no way you couldn't feel with your favorite character. (Which was Yui in my case.)

A enormous portion of this series marks the soundtrack. I'm usually one of those people skipping the Opening Sequence, i absolutely refused to do that when i watched Ama-chan. I found myself boucing around whenever the opening started. From the "inserts Songs" which where played pretty often, i must say i never found them annoying at any time, eventho they brought them up a lot in recalls or in different versions. On the other hand, the BGM music really gave this series its essence. Every musicportion in the series transported so many emotions in every single second. It really sticks to your brain and you'll find yourself humming it here and there without even noticing. I had to sing and hum along every single time.

You might wonder about the 9 instead of 10 points for the Rewatch Value. I have to admit, i had to deduct a point, just because its not a series you could watch again in just a single day, but thats about it. This is a Series you really can watch and enjoy everytime. Watch it with your friends, family, girlfriend, they'll love it.

Overall i Can only say, this series made a huge impact and is my new favorite Series of all times. If you haven't i can only say: YOU MUST WATCH IT!

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I AM KNOCKED DOWN, HARD

Oddly satisfying and arguably one of the best last episodes in a series, BL or not.

Dont hate me, i will be honest for a little bit. I watched it because all the other BL series (except one or two) being aired at the same time are mostly lackluster. It wasn't as popular as the other series from bigger companies, as a matter of fact there was hardly any mention of this series from any YT BL vloggers. The story is nothing special (on paper) and the initial pacing was a little off for me.

The first episodes, although engaging, are hard to watch. Its the story of a (slightly dumb) high school gang leader trying to bully a senior college student into doing his bidding. I find myself dumbfounded as to why someone would put himself in an awkward position by someone a lot younger than him. I wasnt buying the premise, i hate the bullying.

However, as the episodes go by, i find myself eagerly following their story and waiting for the next episodes to come. There is something about Noey's demeanor, innocense and cluelessness that keeps you hooked. The awkward acting of Thiwa is puzzling - was it because he was an amature actor or was it an intentional choice? In the end, it didnt matter because they blend well together. Auntie Tim, NidNhoi and Thiw are also good addition to the story.

By episode 8 I found myself inlove with the series.

The set and location are amazing. Above average production quality and photography. There was also a few scenes where the actors are allowed to shine, without it being too dramatic. Take note other series creators (ahemmmmmm 12% and Between us) - you dont have to make your actors cry unnecessarily just to showcae their acting skills.

Oh i have to make a special mention of the very unique end credit scenes, cause that is effin genius and I really loved it! It is unique and I specially loved it in episode 11 when Thiwa was dancing alone (after that heartbreaking cliffhanger confession) and in episode 12 when they were dancing together via videocall.

This is arguably one of the best BL series right now. And, yes i loved the last episode and the satisfying way they wrapped things up. I hope there are more projects for Tar and Bom. Definitely a good series to reccomend and rewatch - 9 stars!

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Don't do it. Just don't - no matter how cute you think it is.

No. Just no.
Please do yourself a favor. Do not watch this. You will be sucked in by the cute and the fluffy and the sweet! It will go on for about 13 and a half episodes and you will love it.

Then apparently the writer started smoking crack.

I've never been so angry about the ending of a drama in my life! The 5 stars is completely for the acting and the music and the 13.5 lovely episodes. (Although the writer still may have been a bit high writing all of it to be perfectly honest because at the end you realize how much nonsense is in this show. It was just hidden by the sweetness!)

And I couldn't even rage quit this show because by the time they have enraged you with what they've done --- boom! It's over. The last 3 minutes gave me a total rage fit. I was prepared for a sad ending - I sobbed for the SAD ending and then came to terms with it even though I hated the way it appeared they were going to end it. But this....this was just....wrong. So much wrong. They did those characters dirty. They did the audience dirty. They did those actors dirty.

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Intimate Relationships Are A Spectrum

Japanese BL writers are often fantastic at portraying life situations in a raw and realistically human way. As humans we are complicated and emotionally messy. We have dark sides and traumas that shape how we pursue romantic relationships and affection. In my opinion, rarely do we see media portrayal of a BDSM relationship in such an intimate and relatable way.

We’re introduced to Mizuki and Yoh’s relationship from Yoh’s perspective. From the beginning, according to Yoh, we believe Mizuki is quiet, domineering and unkind to Yoh completely unprovoked and without context. As the viewer, we’re led to think Yoh is a domestic sexual slave in Mizuki’s home with no other options in life, outside of his own free will. As we continue the series, we learn that Yoh seems to like the dynamic of their relationship and often resorts to pouting and childish behavior when Mizuki doesn’t show him the kind of dominating attention he craves. He often provokes Mizuki’s jealously and possessiveness so he can be the “victim” of Mizuki’s gentle yet “cruel” behavior. Mizuki seems to understand this dark side of Yoh and he happily grants Yoh’s wishes. Even cooking and caring for him when Yoh loses his job and falls into a state of depression.

While reeling at the loss of his job and his status in life, Yoh takes his provocation of Mizuki too far. On an animalistic and subconscious level, Yoh is provoking Mizuki to find out how much he cares for him. As a result, Mizuki’s jealousy rages and he resorts to stalking and possessive behaviors, to bring Yoh back to his side, even though Yoh never considers leaving him. Since the two never clearly communicate their feelings or emotions, they often run with negative and exaggerated interpretations of benign day-to-day situations. When Mizuki finally reveals his true feelings and tells Yoh he cannot breathe without him, Yoh revels in this revelation but still doesn’t verbally reciprocate his feelings to Mizuki.

I personally love the push and pull by Yoh and Mizuki in this series. Yoh and Mizuki have a codependent relationship that makes them both happy and anxious, simultaneously. They know how to press each other’s buttons and it all seems to be, at least from Yoh’s side, for the sake of sexual gratification and arousal. Are they communicating in a healthy way, no, is the relationship kind of toxic, yes, but is it a realistic slice of life, absolutely. It’s obvious that they love and care for one another, but they show it in a way that differs from what society deems as “normal”. BUT they also require what we all want in a long term relationship, reassurance and stability. After 3 years living together, I believe we, the viewer, are meeting them at a pivotal moment in their relationship. Will they give each other the emotional and verbal reassurance they need to sustain a long term relationship or will their relationship crumble under misunderstandings due to lack of emotional transparency.

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Excellent Acting and Production

This is the true story of the mother of China's First Emperor, Qin Shi Huang. How close this story to the real events happened more than 2,000 years ago is anybody's guess. However, many of the main characters in the story were actual people during that time. Since this is a true story, the "real romance" parts are limited. So if you are a romance buff, you may likely be disappointed.

This drama depicted the arduous journey Hao Lan had gone to survive the various palace politics, scheming, back stabbing, both in the Zhao palace (where she was from) and Qin palace (where she was married to). She helped her son become the King of Qin, who ultimately became the First Emperor of China, unifying the various kingdoms.
The cinematography of this drama is epic, the acting is excellent, and the story is exciting. One can tell that the director and his crew put in a lot of effort into making this drama. Every detail was taken care of. Everything was done close to perfection.

I love the color palette of the scenes, especially the costumes, the interior designs and decors, and the gardens. I find myself binge watching a lot. However, having said that, I find the palace politics overwhelming, and at times, I could get pretty exhausted.

This is a serious, no nonsense drama. It can get quite dry for some people who are not into history. For me, I love history and I am especially intrigued by Chinese history.

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When a Cheeky Bastard Meets a Goody-Two-Shoes

It's absolutely ridiculous, cheesy, makes you scratch your head and ask why, self-obsessed with a mix of laughingly-bad-side-character-acting, a dash of awkward fight scenes, a healthy dose of suits and abs in rags, chemistry that chemistrys, leads that act like the rent was due two months ago and the power bill is coming in the mail on Monday, and, above all, just a shit ton of fun.

When you have a drama with nonsense characters, over-the-top plot points, and cheap effects that is self-aware of its soap-operaness and also has a main romance with sizzling chemistry and sly grins from both parties (one more mischevious Cheshire-cat and foxy than the other though), you have yourself some quality entertainment.

I had a blast not only watching this but pondering what could possibly be awaiting me in the newest episode.

My recommendation? Pop some popcorn, kick your feet back, hit play, and have a good time.

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A Romance to Stand Above the Rest

This is the best CDrama I've ever seen. And it ranks high even among all the shows I've ever seen. Although short, the pacing is perfectly executed, and as a bonus the production and direction is simply outstanding. The show deals with heavy themes and deep messages, exploring varying viewpoints and motivations from believable and evolving characters. What's more, the focus of the drama is on a romance with a premise that's fresh and interesting and which is manifested in a believable and beautiful way. It all comes together to create something special, in a way few shows can do.

The most important element of any show is the story, so that's where I'll start. "Definitely Not Today" brings two opposing personalities together through unorthodox circumstance and under occasionally violent conflict. This sort of premise, while often feeling contrived in typical shows, is done very naturally and evolves without excessive coincidence (there's a little, but it's forgivable). The plot itself is a perfect balance of romance, action, and the occasional comic relief, developing deep bonds between the characters and the viewers while maintaining suspense, intrigue, and enjoyment. Throughout the show, we see beautiful symmetry in moments and relationships, things that really add to the emotional ambiance. I can't say much more for the sake of spoilers, but the pacing is very well done and the story has a satisfying ending.

The characters themselves are extremely well done, part of the reason the show stands out so much (apart from its originality and incredible production). Each character has a background that deeply influences their personality, and which is revealed at the right moment for the sake of the story. The exposition on characters never feels forced or dialogue heavy. Throughout the show, the characters (mostly just the two main leads) evolve in reaction to their circumstances and others. The flaws that each of them carry are unique and believable, and most importantly allow us to be sympathetic or even empathetic with the characters. Even some of the worse characters (although not the villains) have sympathetic backstories that you can understand without forgiving. This is an incredible feat of writing, and brings more texture to an already fantastic plot.

One thing that's so good you often take it for granted is the incredible production. Such things can be a luxury (especially in the CDrama world), but things like cinematography, set design, sound design, direction, and the all important acting and extremely well done. The cinematography in particular is outstanding, with striking framing and beautiful lighting that is still threaded well into the flow of the scene. World-class acting has almost become a prerequisite for a larger budget show at this point, but we must still acknowledge the great work of the actors and the people who cast them, as they portrayed exemplary depictions of characters with a wide range of emotions and which evolve over time. Even more importantly, the two romantic interests have a palpable chemistry with each other, something that can make or break a romance drama (and clearly made it here). The music choice was also excellent, and the sound design was good enough that you didn't notice it.

I've seen many comments on how this show is a breath of fresh air for romance dramas, and I cannot agree more. Virtually free of tropes (there's no 2nd lead!) and brimming with thoughtful beauty, I couldn't help but get instantly sucked into the world; I binged the whole show in one sitting. This is not difficult to do, because the show is short and therefor a smaller time commitment. And so, for that reason in addition to all the incredible qualities I've mentioned above, I will sincerely recommend this show as my favorite CDrama.

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I SHOULD HATE IT BUT I DONT

It started out as a typical "im a poor orphan boy and i work gazillions of job to make ends meet - you should love me and sympathyze with me because im poor but Im kind" story. It should sound overused on paper, but for me, it still worked.

Lets begin by talking about the gorgeous cast - they're all just beautiful! Kaitoon and Nont is already a good pair, but Valen won me over. The second couple is intriguing too. Oh, and I love Valen's sister, and how she knows what's going on but is not being nosy and is just being a forgiving and supportive sister. I even like Valen's friends and how they're just nonchalant about their 2 friends love interests.

I am also hooked by the way they showed same sex relationships is a non-issue and doesnt need to be discussed as if its the most normal thing in the world. I also appreciate that there are no villains in the series.

However, I wouldnt even call the series short and sweet cause there were a few times, even at 6 episodes, when i cant help but fast forward. There was also a few plot points left unexplained and the way they presented it made me ache for the second part BUT even if some unforeseen events come to pass and they can't continue the series, the ending still feels like a good conclusion.

What i hate is the way Kaitoon treated Nont, cause Nont doesnt deserve that. The problem with that however, is even if the second lead is lovable, i still love Valen even more.

Im giving it an overall 7 stars. Lets just hope that when, and if they return, that they'd make this an even better show and not ruin it just like a lot of sequels out there.

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Watching Taiga dramas demand a whole lot of commitment considering their enormous size and the concentration level you have to use on them, but once you’re into it then you’re 200% involved with it. Ryoma Den is a great example of how NHK Taiga dramas can sneak into you and oblige you to stay.

For starters, let me mention the difficulty to assemble my thoughts about such a wonderful drama. It took me a while to know where to start but let’s begin with this: Making a Taiga about one of Japan’s most influential figures was such an astonishing idea! Once again, let me insist on the accuracy of Taiga’s, they abide to historical facts with only few minor changes that can never cause the deviation of the historical flow. There is also the very informative “Travelogue” at the end of each episode to nourish your historical knowledge on some characters with the addition of real places to visit in Japan (when my long dream of visiting Japan comes true, I will go there for sure!).

Ryoma didn’t live much but through his short life, he did many unforgettable deeds for Japan and its people. Being born as a Tosa’s Kashi (Low Samurai rank), he wasn’t handcuffed by the daimyo rules or the common traditions. Instead, he had dreamy ideas to change his country to what Japan became like in our recent days. The Bakumatsu era aka the end of the Tokugawa Shogunate was one of the most turbulent times in Japan’s recent history until the Meiji restoration came along. Our hero had to go through that period with many revolutionary thoughts in his mind. Ideas that were harshly rejected at times, hardly accepted at other times but very much acknowledged most of the time.

Ryoma character always intrigued me, being a low-class samurai who stood up for the well-being of all the people of Japan must be the main reason behind it. When the bakufu was ruling Japan for over 260 years with the same old fashioned thoughts, an air of change had to blow them up and make them realize that the world is moving on and so should they. That air was Sakamoto Ryoma, through his adventures he was able to gather the essence of Japan’s future in a new world. It’s a world where they can be amongst the leading countries instead of falling into the merciless claws of imperialism.

Ryoma’s life had many turns and countless of encounters. It started with his family, his childhood play-pals, going through his first love, his idols in life, his allies, his enemies, his teachers, his women meetings and all of his comrades. Sakamoto Ryoma always managed to leave a deep impression into anyone he met, whether they loved him, hated him or even those who wanted to kill him. I think Ryoma’s most note-worthy quality was his ability to negotiate and convince the other party of the legitimacy of his views; he does that with perfection even against the most fearsome and huge figures of his time. Many believed in him and countless supported him as he embarked his journey towards a bright future and that didn’t come from naught, Ryoma was able to capture them one way or another.

Turbulent times are full of political clashes and endless battles but that made the drama even more exciting. Every detail of the Japanese history at the time was inserted in the most captivating way. Our narrator Yataro played by Kagawa Teruyuki added more attractiveness to the events. His historical tone while telling Ryoma’s life was priceless; one of the best narrations I ever came across in any Asian drama!

Now if I have to state my little displeasure about this drama it would be the over-idolizing of Ryoma’s character. I know about that because I actually read a lot about Sakamoto Ryoma and Japan’s history prior watching this drama and his character isn’t as perfect as the drama describes it to be. I know that they want to honour a Japanese hero and a little dramatization is no escape to make an appealing drama but I felt uneasy about those parts, even a little.

When we talk about Taiga dramas, we need to pay extra attention to acting considering its crucial role in maintaining ground-breaking historical telling. Fukuyama Masaharu nailed it so bad as Sakamoto Ryoma, he was able to make the character feel pretty much alive. He once stated about playing Ryoma’s character: “His appeal stems from being the kind of person onto whom anyone can project themselves”; that explains it all.

The supporting cast was full of many incredible talents such as Omori, Tanihara, Iseya, Takahashi, Aoi, Kiritani, Oizomi, Takito, Oikawa, Maki, Kamikawa, Sato, Kaname and many others. They were able to maintain a very intriguing historical tone throughout the whole drama. It’s no secret that Taiga and historical dramas overall are what make you test an actor’s skills and this drama’s cast gave wonderful credits to the characters they played. However, the best of them all was Kagawa as Yataro, no wonder he got many awards for that role; he was able to flawlessly play the role of Ryoma’s lifelong friend with all of their complex relationship, it takes an actor from a high calibre to pull that off. He undisputedly managed to steal the lights from Fukuyama countless of times.

The cinematography was pretty well illustrated with all of those charming sceneries in old-times Edo, Tosa and Kyo. I was pretty immersed in the realistic depiction of the historical setting and the soundtrack used in this drama. However, I was displeased with the camerawork. Directing has been the major issue with Taiga dramas. Although it can be disregarded since this is a drama not a film but I still hope this can be changed.

Watch if:
-You like historically accurate dramas.
-You like NHK Taiga dramas.
-You want to watch a drama about one of Japan’s most important figures.
-You like political oriented dramas.
-You want to discover Taiga dramas.

Don’t watch if:
-You don’t appreciate historical Japanese dramas.

Ryoma Den left me with many great thoughts about Ryoma’s character even with the little differences compared to history. My second NHK Taiga adventure was a total success and now I am thirsty for more!

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Kept me glued to my seat for so long that I might need an adhesive remover to get off now—

All in all, Gold Panning has everything I could ever ask for in a mystery drama: a compelling storyline, great execution, perfect cast, beautiful visuals and an amazing musical score that complemented each scene it accompanied.

✦ Story ✦
The unique premise of this drama, which is obviously about the cutthroat industry of gold panning like the title indicates, may or may not appeal to everyone but regardless of whether you're into it or not - this drama's main focus still lies in its premise. To describe it in a simple phrase, Gold Panning is about "Dog-eat-dog world" or "Survival of the fittest" as greed for gold (which everyone believes can grant them a better life) basically drives the actions of all the characters, but despite being greedy, they might not be completely selfish and have their own reasons that are unveiled at a steady pace with each episode.

And one thing that sets it apart from typical mystery/thriller dramas is that Gold Panning doesn't rely solely on gore and body-horror to make the drama dark or depressing. There's slight gore, there's slight body-horror, but neither of them is the main point.

However, this drama demands your full attention. You can't just play it in the background as you do other chores as each scene is crucial, purposely added, and greatly contributes to the plot. Sometimes you might think "what the hell is going on?" (I did too lol) but it's like completing a jigsaw puzzle whose picture you don't know beforehand; You only discover what it's all about after you put more and more pieces in place, and together, they start resembling something. The unpredictability, foreshadowing, and plot-twists here actually make sense in the end and this makes Gold Panning a perfect drama to binge watch as you're never bored while watching it.


✦ Characters ✦
Most of the characters were complex, flawed, morally grey/vague and fleshed out which makes them compelling to watch. I especially loved how the female characters were written, despite neither A Qiu nor A Lai getting much screentime compared to the two main characters, they still managed to be one of the most memorable characters in this drama; I mean, two strong women—one who's a single mother and the other who cross-dresses as a man—working by themselves in a male-dominated field, what can be cooler than that? Not to mention, A Lai has to be the best cross-dressing character I've ever come across. Every character here just felt so humane, so realistic, so alive. I simply loved it.

But talking about the two main characters, Chen Baojin and Wu Jianchao, separately - here's what I personally think of them:

♟ Wu Jianchao — It's the first time I've seen Liao Fan's performance and the amount of screen presence he has accurately described to me why he's known for his acting. His role as Wu Jianchao was so complex that I couldn't figure out if he's the bad guy or one of the good guys most of the time, it just kept me guessing.

♟ Chen Baojin — Chen Feiyu's acting has improved a lot! At first, I thought he can't portray 'vulnerability' during emotional scenes because it always looks as if he's holding back pent up anger (his acting isn't at fault, he just have fierce-looking eyes imo). But then, I realised it's not necessarily a bad thing and only adds to his character. Chen Baojin is a proud, stubborn teenager who's determined to go to any lengths for his main goal, so even when he cries, he doesn't look 'broken' - he looks angry like he's going to seek vengeance and want everyone to suffer tenfold for the suffering they've inflicted on him. In short, Chen Feiyu nailed his role.


✦ Music and Visuals ✦
The music, both instrumental and lyrical, really amplified the ambience that the visuals initiated. I also never felt like skipping the opening and ending themes because they were really addicting.
However, my favourite thing has to be the colouring in this drama, especially how most of the scenes had a tint of gold/yellow (they really stayed true to the title and concept even in terms of visuals) and some certain scenes were black & white - which made them seem more serious and sombre than they would've looked in normal colours. I actually had to delete some photos off my gallery because I took way too many screenshots...

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Not your typical Cinderella story and an unforgettable romance!

One of the bestest and loveliest love stories imaginable. A drama which not only deserves that rare 10/10 rating but makes you wish you could give it 1,000,000/10 because of how inspired, satisfying and rewarding it’s been.

Promise Cinderella reminds me of the 2000s classic jdrama rom-coms (which is a good thing) aka the way they used to be until they contracted some sort of a narrative plague and basically died out, with few exceptions. Tightly plotted, well-written, brilliantly acted and with an OTP that oozes chemistry, it’s a very thoughtfully and sensitively made adaptation of the original manga (even though, I only read the first 18 chapter on Comikey so far). The drama took the Cinderella tropes and spun them on their head, breathing a new life into them.

All that is perfectly accompanied by a sublime soundtrack composed by Yamada Yutaka who delivers perhaps a first full-fledged bona fide jdrama OST with several distinct songs, not merely the insert and closing themes. Each song is written in such a way that the lyrics perfectly describe each character’s feelings and storylines.

Fumi Nikaido and her Hayame have been all sorts of awesome – mature, strong and plucky but still vulnerable and so real and relatable - and not the infantilized caricature of an adult female you often see in Asian dramas nowadays.

Maeda Gordon has been such a revelation - he does an amazing job portraying all the various facets of Issei, this boy-man on his journey to become an adult. I love how gradually Issei turns softer and more vulnerable because Hayame and his feelings for her make him shed his bravado to reveal all the insecurity, vulnerability, and tenderness he has been trying to hide. There is this amazing dichotomy of showing a teenager with what is basically a body of a grown-up man but personality that no longer belongs to a boy but neither to a man yet. It’s a great choice and casting. He has such a wide range of facial expressions and has the natural ability to act with his whole body, giving Issei so many adorable quirks, that very few actors possess, especially ones so young.

Seigo has turned out to be truly great second male lead. You can root for him and he poses genuine competition for Issei. If this were a kdrama there would be no way in hell he wouldn’t get the girl if only for the sole reason they share a past and are each other’s first love. I love how Hayame and Seigo’s relationship is actually properly developed, not some childhood sweethearts trope or them meeting a couple of times without getting to know each other. Iwata Takanori does such an incredible job portraying Seigo and conveying his conflict. I remember him from Dear Sister and stealing the whole show with Ishihara Satomi so it’s great to see him in a well-made jdrama once again that gives him a good script to work with.

Even the supporting characters are unforgettable and an absolute joy to watch, each one having a distinct personality – Issei’s cool matchmaking grandma and adoring Yoshitora, who are always there to support him, or Koya, Issei’s new BBF with who he shares epic bromance,… - without stealing the thunder from the main characters with multiple irrelevant side stories, which is something so many Asian dramas utterly fail at these days.

Even the ending is a perfect farewell to a perfect love story, completely reversing the Cinderella tale…

The fairy tale ends just like the love story for the age it is, with Issei’s proposal and promise to his Cinderella (hence the drama’s name) to live with her happily ever after - after she saved him from the evil witch - and the shoes to make up for the ones he threw away in episode 1, but, hilariously, they don't fit (turning another Cinderella trope on its head) and, just like his body and love for her, pretty much swallow her whole.

Their future lies ahead of them with one part of their journey ending where they have learned that reality and real love are much better than any games and dreams.

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Money Flower is in a class all its own as it follows Attorney Kang Pil Joo on his war torn path to avenge his family. Coming from a humble upbringing Pil Joo finds himself the Jang’s Dog, a valuable asset and mentor to Jang Boo Cheon. Boo Cheon, the grandson of Cheong Ah’s Honorary Chairman Jang, has fallen out of favor in recent years due to his cavalierness and lack of business savvy. As the underdog, Kang Pil Joo will do anything to see to it that Boo Cheon will be next to gain political power among the Jangs.

Money Flower paints a very interesting story about the Jang’s familial power struggle. Everyone has their own motives and agenda. Though this drama falls into the typical makjang, revenge category, the execution is beyond anything I’ve ever watched before.

The ability this drama has to deliver an intense, plot heavy story week over week is admirable. Characters are calculating, logical and heartless. Jang Hyuk stars as Kang Pil Joo. His delivery and ability to build suspense without even saying a word is pure power. His melodic delivery when he does speak as the calculated attorney leave the audience anticipating every word and syllable.  He is absolutely mesmerizing. The drama also delivers on other strong portrayals by Park Se Young, Jang Seung Jo and Lee Mi Sook.

If you are looking for something that is intense and utilizes amazing story telling and acting, I would strongly recommend giving this drama a try. I can’t praise this drama enough. It has kept me guessing all the way through. The way this drama can suck you in and keep you on the edge of your seat, champing at the bit for the next episode is truly note worthy. What are you waiting for?! Let yourself get swept away!!!

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I decided to write a review for this show seeing that not many people have written one for it, poor thing, and it is certainly not a bad show by any means for it to be so neglected. So here goes...

STORY (No spoilers)
For me, the idea of a couple gradually growing to love each other through an arranged marriage is an appealing concept because I am someone who carries the belief that while passion and romantic love is great for its drama and high tension, it doesn't stand the test of time. What stands the test of time is the love and devotion that comes from slowly knowing a person for who he/ she is, faults and all, and still choosing to forgive and accept the person into your heart, and to strive to make things work. Warm, gentle love vs explosive passion = warm gentle love wins for me. So, the fact that this is not your average dramatic, explosive slap/ kiss Thai lakorn, already makes this a very different beast.

The story is set in a sort of 1950s setting - love the period feel of it with the fashion and the sets. The pace might be a bit slow for those who are used to fast-paced, snappy, dramatics. By contrast, it has a relaxed, dreamy feel here. The show takes it sweet time in showing us the background of the main characters, and bulk of it is focused on your everyday living during that era.

However, this show is not exempt from the some of the usual drama tropes of bitchy second female lead. I am honestly shocked at her outrageous and ridiculous behaviour. And I am not sure if it is dramatic license or not, but some of the scenes with her come across incredibly unrealistic to me. There is also a running plot through the series of a criminal group which the main male lead is supposed to apprehend. The leader of the group, the White Tiger, practices black magic and uses it for nefarious purposes. Some of this will probably seem rather far-fetched to a viewer who does not subscribe or believe in this sort of thing, but as I come from an Asian/ Oriental culture myself, I do know that some people really do believe in this sort of thing. So, if this aspect of the show does not float your boat, feel free to ignore or fast-forward those scenes. I certainly did that myself and found that it did not detract much from the main storyline which was about how the two main leads fall for each other gradually through living with each other and discovering more about one another.

There are other secondary couplings (the 2 sisters of the female lead), but I freely confess that they did not really catch my attention because my main focus throughout this series was on the 2 main leads. But these events certainly lend some drama and also break what some people might deem as monotonous from watching the 2 main leads interact.

I personally did not find the slowness and the gradual budding love and understanding between the main leads to be monotonous or boring in the slightest. In fact this was really the sole reason I kept watching this series to the end because, as I mentioned earlier, I am a sucker for gradual building of love and trust, and for gentle and warm love.

I also particularly liked the sort of themes the show explored, about the type and kind of person one looks for in a life partner, and the kind of flexing and compromising one has to make in a relationship in order to make things work. Because life can be long and paths can be difficult, and it is good for the characters to examine what sort of life partner they would want to have with them as they make this sort of journey. Not many lakorns explore such wide, over-arching concepts and values, so this lakorn has more depth and dimension in itself, compared to loads of others out there.

PS: The editing can also be rather choppy - one of the negative things about this show. Scenes are abruptly cut with the accompanying background music also suddenly ceasing and before you know it, a completely new scene and background music jumps in. This makes for a jarring watch, especially when it happens at particularly emotional/ poignant scenes. The editing could definitely do with more work.
PPS: On hindsight, those sudden breaks of scene could very likely be due to advertisement breaks during the show's airing.


ACTING/ CHARACTERS
As I was mainly fixated on the 2 main leads, this will be my main review point.
BELLA RANEE -  who plays Rin aka Brulalee, did well in portraying her to be the sort of noble gentlewoman of high society. Generally restrained, gentle and refined, I enjoyed her character and personality very much. I also like that she comes across very hands-on with the housework (though who really cooks in the kitchen with those outfits?), and is not a wilting wallflower when she feels strongly about something. Rin is not a one-dimensional character, and I like that she is relatable and realistic (unlike the caricaturish second female lead).

JAMES JIRAYU - who plays Saran, looks rather young to be a Deputy Sheriff and the male lead, but I warmed up to him because unlike your alpha-male dominant character, Saran comes across confident but not too aggressive or over-bearing. He is also humanly flawed. What I do like about this lakorn is that Saran rather quickly warms up to Rin and is willing to give her a chance and make things work out with her early in the show. James makes it easier to like his Saran character and understand his conflicts. He has a sweet smile and can carry the occasional cheeky look, which makes his character rather cute at times.

Also, I thought that the 2 main leads looked good together and there is a comfortable natural-ness to their acting which makes their love and warmth believable. It is on the strength of this great chemistry that I enjoyed the series as much as I did, so well done to both James and Bella for their portrayal of their characters in making me like them and root for their happy ending.


MUSIC
I actually like the soundtrack and thought that it suited the mood and the pace of the show very well. There is this slow, dreamy mellow feel to the music which is very reminiscent of the period itself. However, towards the later half, I thought the theme songs for Rin and Saran were starting to get over-played. it would have been nice if they had changed the songs from the second half of the show onwards to prevent song-fatigue.


RE-WATCH
I probably would not re-watch the entire show again but I may re-watch certain bits of it for the Saran/Rin interactions because they were lovely and sweet. Overall, it is a lovely, sweet, warm and slow-build little show. If you like this sort of style and premise, then you really should consider giving this a try - it certainly won't disappoint you on that front.

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Que Sera Sera is an atypical Korean drama in that it is both mature and intense in the emotions that it evokes.

The plot often turns violent, twisted and sexy as all of the 4 main characters become entangled in this game that is supposedly centered around "love".
The drama challenges you and there are some interesting discussions about this drama on Soompi's forums that are quite interesting to read through. Either you'll love this drama or you will hate it.

There is no stereotypical character. Each and every one of the main characters are imperfect beings, acted to perfection by the actors all across the board.
This drama is also Eric's (Shinhwa) best role to date. His character was hard to really like and his portrayal brought some humanity to his character.

To me, the highlight of this drama was the witty and strong dialogue, compared to other Korean dramas.

All in all, a lovely and intense drama that stands above the other Korean melodramas out there.

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