News 
2Cat's paw.
The disturbingly elegant and noble Lan Jue, courtesy name Peizhi, is the picture of a rising young Vice Minister of Rites. Beneath his urbane facade, he conceals a burning purpose to clear his father's name in a two-decade-old treason case. In this quest, he is quite bendable with regard to the means that justify his ends. He is stymied at each turn by Zhang Ping, an impecunious scholar, noodle maker, and truth seeker. Zhang Ping is convinced Peizhi is a villain and is determined to bust him. Peizhi is cynically amused by Zhang Ping's naive righteousness and impressed with his deductive talent. He means to make use of him if he can and if not, dispose of him. Watching Zhang Ping go from being Peizhi's cat's paw to someone he raises kittens with is the best part of this drama for me.This high-production-value drama conjures a sinister, suspenseful aura that permeates the stylish, lavish existence of the Dayong elite. Everything from the set design to that ridiculously mysterious and beautiful opening dance, to Peizhi's floaty diaphanous costumes, to Peizhi's long, sensuous unbound hair reflects, elegance, refinement, and impeccable taste... aside from Song Weilong who obviously drew the short style straw starting with the rigid wig and the way his outfits look like they were slept in. It is no wonder Peizhi's old flame is less than impressed with the goofy, big-boned, toothy peasant with a big nose to boot that Peizhi traded down to. It does require suspension of disbelief considering how utterly appealing both the ardently devoted Mowen and frostily sophisticated Shulin are. The only explanation is Peizhi must be an eyelash man.
This is a bit unusual for the mystery genre in that it is far more of a character-driven story than it is plot-driven. As far as the cases go, they are well executed and unfold more as procedurals. Outside of certain aspects of the main conspiracy, the viewer is not given a fair chance to solve any of the cases. There are plot design shortcuts such as resorting to the water illusion trick to bridge memory gaps and uncover long-lost evidence and there are logic holes, such as crime scenes staying undisturbed for too long. While the over-arching conspiracy is well conceived with decent twists, it is not that original. The villains reveal themselves early on so it is also anti-climatic. But for once I don't really mind because Jing Boran's Peizhi is just too bloody distracting. How can a man look so damn indecent, almost naked with just his hair unbound? And my mouth goes dry at the subtle multi-partied flirtations - those deep searching and revealing looks these gorgeous men keep exchanging with one another. It is such a big upgrade from the typical stunned dead duck stare of conventional romances. I freely admit my brain went on strike so often I am grateful the solutions were just spoon-fed to me.
This drama is superbly well executed and gets all the important things right. Any shortfalls in the plot are made up for in excellent character design and heartfelt, immersive performances by the cast. Jing Boran and Wang Duo deliver standout performances but even Song Weilong, whose acting is still a work in progress, is so well cast he just somehow fits this Zhang Ping character. It is a shame that his scenes with Jing Boran obviously suffered heavy cuts. After all of the build-up, I was really looking forward to seeing Zhang Ping and Peizhi shine in the final arc. Instead, it is pretty much hijacked by Shulin's unfinished business with Peizhi and his abandonment issues. Everyone else including Mowen and the emperor is sidelined. As much as I love Shulin's complexity and Wang Duo's phenomenal acting, I have mixed feelings about the final arc. The tone feels a bit off and succumbs to a tad too much cliched, dog's blood melodrama. I think that Zhang Ping's newfound pragmatism and epiphany that the right outcome can be more important than the truth is fitting. It demonstrates enormous character growth even though justice proved to be ultimately elusive.
Moral of the story: Don't be a cat's paw - be careful who you date!
Overall a feast for the eyes and the senses - 8/10.
Was this review helpful to you?
Don't let that happen to you. Read on further and know why you should give it a chance. Bear wimme since it is a little long. :)
King Of high School doesn't bring anything new to the already established genre of romantic comedy. The plot seems predictable and the actors not veterans in their fields. What invited me in was definitely the awkward dance moves in the teasers that TvN released for this show which inspired many other upbeat teasers for many dramas by main broadcasters in Korea.
Seo In Guk certainly caught my eye and i have loved this man from his Reply 1997 days. Seo In Guk plays this high schooler who gets to be his hyung at his workplace due to some behind-the-scenes stuff happening. Romantic and office hijinks issue as the consequence of that. This drama takes some time to kick start so don't expect fireworks and instant excitement with this drama.
Seo in Guk was undoubtedly the star of the show. Every expression, every gesture and his body language genuinely expressed what he was feeling at that moment. Playing a high school kid when you are already 26 aint easy. to top it off the character of Min Suk was not easy to play. Seo In Guk played Min SUk with so much conviction that i wanted a high schooler of my own. His childish anger, his laughs,his arrogance, his smile, his pure and kind heart are all indications of a great man he is going to become. In that he is a plain contrast to the adults in the show who are too serious for their own good. Where Min Suk goes he turns everybody's lives upside down and gives them a taste of fun and cheerful stuff that life should be made of. . He is like a sun on a cold wintry morning because he brings warmth and screen presence with him. The fact that he is so handsome only adds on to this young actors talents. Did i mention how utterly awesome Seo In Guk looks when he curses? Mind blowingly hot that it makes me wanna curse too. :D
Lee Ha Na is purely a delight to see on screen. Soo Young is a total contrast to every other kdrama heroine because neither is she some naive innocent girl and neither is she worldly and arrogant. She is someone who goes all out for the ones she loves regardless of the fact that that could lead to some very awkward and downright embarrassing situations. That doesn't mean she is weak and cries all the time. She is one of the strongest heroines who knows when to open her mouth and spurt out some swear words or give some much needed advice or speak harsh words to set someone straight. Jung Soo Young will grow on you and after it is finished you will remember how strong, bubbly, lovable and adorkable she was. She is played with a lot of gusto and heart by Lee Ha Na and now im a fan.
The chemistry that Min Suk and Soo Young share is similar to having two high school kids experiencing first love for the first time. They are utterly adorable and totally childish with each other. The age gap didnt feel too much because in real life they are so close to each others ages and frankly Seo in Guk is too much like a puppy in love which just turns my heart to all time fangirl high.
The relationships in this show are the heart and soul of the whole masterpiece. The writer reminds me in a lot of ways of the writers of Reply 1997. Everybody and i mean literally everybody gets screen time in this show from the side office workers to the grandpa. The talent of a writer shows in the way they treat the show's smaller characters. The writer here gives them a life of their own irrespective of their contribution to the plot and fleshes out these characters who are least stereotypical and one-dimensional. I love the office workers who are a bunch of kids bowing to another kid. They fill the screen with lots of necessary laughs and cutesy side romances as well. This is possibly the second show after Can You Hear My Heart in which i loved Every.single.character barring just one.
The ever immortally handsome Lee Soo Hyuk came out of hiding and played a flawed and loveless man whose life is filled with thorns and after meeting the bright Soo Young understands that life is much more than money and success. His bromance with Seo In Guk is another highlight of the show and i loved all their childish quarrel, their little squabbles and bro fights.
Halbe and Min Suka should have a show of their own with the way they act like a family. The grandfather-father-son trio are a delight to look at with their sassy talks and crazy dinner table antics. Soo Young and Yoo Ah are probably the bestest of sisters in dramaland who are mature and know what family and relationships mean. The best friends of Min Suk deserve an applause for being such amazing besties who stand tall with their BFF through thick and thin.
There are no betrayals in the show. There is no villain. No bitchy women are here. No monster-in-laws. No meddling relatives. There is no action and neither any over the top stuff happening. Its just a slice of life drama unraveling before our very own eyes with a certain beauty.
Watch it if you are in mood of a little romance, some crazy laughs and adorable family relationships.
Was this review helpful to you?
A Drama for Philosophers and Deep Thinkers
(I tried to not write spoilers, but to leave little cues that might also make your viewing experience more enjoyable if you read the review before you watch it.)So, for me this a drama with so many layers, I don't even know where to start.
At the beginning all I could do was just go with the feelings it created. I think the cinematography and storytelling is so well done, you can just float by on the feelings it creates if you let yourself. Turn off the logical brain and just let yourself be there with these people, living and knowing they will soon die. The pain of it, and the twisted turns the human heart takes to the point of relief.
And that is the second layer. People do start acting weird when they hear the clock ticking, the existential dread causing people to go through all the stages of grief.
Denial
Anger
Bargaining
Depression/Grief
Acceptance
This can be seen in all the "restarts" the drama takes. Understandably this was boring for some, but it made a lot of sense to me. I don't want to get too spoilery, but if you have watched it, you can see these stages clearly.
Having had cancer-scare (it was something else, thank deity) myself this year, I understood Dong-Kyungs every emotion and reaction right of the bat. Pretending like it was nothing, getting angry, getting sad, worrying about the people you leave behind, getting upset by the injustice of it and even wishing they would forget about you.
Another layer was Myul Mang and Dong Kyungs journeys to leading fulfilled lives.Both are depressed and wish the world could just end, so they would not have to suffer ever again.
Both felt lonely and out of place, both processing their negative feelings about suffering in different ways, one by being apathetic and resentful and the other by being people pleasing and internalising pain to an unhealthy degree.
One needed to learn how to love, even when faced with the inevitable ending and the other needed how to be selfish, even when faced with the inevitable ending. To truly live means to grow, and to grow means to accept suffering and joy all the same.
What can be more poetic than having to learn to love Doom in order to surive?
Another layer to me was the religious aspects, of having two deitys, one the creator, one the destroyer and both have been made by and for man to explain the randomness of suffering. This is part of many religions. But especially Buddhism has this ethos of having to go through the same suffering in different ways until you accept fate and learn the lesson in this life and grow. Here again, the frequent repetition of their old patterns is explained. Especially the part in the middle where they can both can see what they would have been had they not grown through their pain and their joy in each other.
A whole other layer is hidden in the many symbolisms, the flower, the strange dialogues, pictures and books mentioned in the show. Admittedly, I had to watch every episode twice to really catch them, having been taken up with the emotion of it in the first run. I knew I was missing something, even though I am a philosophy nerd, but one of the more obvious ones was the Pinocchio reference (from puppet to man) and the butterfly metaphor (creeping, metamorphosis, which is basically dying and being rebuilt, and then flying). What I was missing, was that a lot of the dialogue and scenes are based on Nietzsches book "Thus spoke Zarathustra", because I haven't read it, duh. If you want to know more about this, I recommend this blog: https://mindmeltonabun-blog.tumblr.com/tagged/doom-at-your-service
Btw, I am not one to care about OSTs much, unless they are extraordinary, but here I really noticed how well it was cut together with what was happening in the scene.
And no, I don't want to talk about Ep.15. I never rate dramas on their wrap up episodes, because let's admit it, most of them are a mess.
Was this review helpful to you?
Take NOTES THAILAND
This is ACTING.. this is CINEMATOGRAPHY. this is chemistry without PUSHING it in our face.. it's subtle. it's unspoken. I grew up watching shows like skam and skins and despite me loving the fluff of Thai BL's... I love gritty lgbtq stories and I believe shows like this will open the door and kick it wide open for more Asian countries to do more lgbtq esque shows like this and what 180 degree longitude did a while ago as well. how are these actors ACTING without even speaking...they don't even need dialogue and it's so powerful between them that they don't even need words.Was this review helpful to you?
1
1
1This review may contain spoilers
"The Best Love Is The Kind That Awakens The Soul And Makes Us Reach For More" – The Notebook..
The Best Thing as the title suggests was truly the best in terms of acting, visuals, story pacing, romance development and chemistry.. No doubt about it.. Zhang Ling he and Xu Ruohan were obviously the heart of this drama.. Not just their characters but also them.. Their chemistry was electric and seriously it was that good.. Their relationship felt natural, built on meaningful gestures and honestly they didnt need anything grand.. Every interaction felt real.. Like watching two people genuinely fall in love.. It is truly a gem for its take on romance.. No over the top drama.. Just two people finding solace in each other.. Visually The Best Thing is a feast with the flowers, beautiful scenery and all the beauty you could ask for, including the actors..The premise might feel trope heavy but it was unique in its own way and the actors brought it to life in a way that was so natural.. I loved how he peeled Shen Xi Fan's layers.. Her indecisiveness, her blaming herself for everything that happens.. Its messy, its human, and it grabbed me right in the feels..
The Chinese medicine backdrop isnt just pretty window dressing.. I was surprised by how much it mattered.. It underscores the theme of healing, both physical and emotional..
The first 12 eps were a solid 10 for me.. But eps 12-16 were a bit irritating.. They added cliche scenes that didn’t quite fit the drama I had been enjoying until then.. Problems were bound to arise obviously.. But her indecisiveness and how it felt like she was leading him on despite knowing she shouldn’t, was not what I expected.. But whatever irritation I felt just vanished after that phase.. And honestly even when it was frustrating, ZLH made his character so good that I didn’t even care about anything else..
That being said, she totally deserved the ML.. After everything she endured.. The love she received wasn’t just a reward, it was something she had rightfully earned.. Her struggles, growth and the emotional toll she carried made her deserving of a love that was unwavering and pure.. Despite her flaws and mistakes, she never stopped trying in her own way.. In the end their love felt justified,earned rather than simply given..
“No matter what happened in the past, good or bad its part of who you are..
Accept the past, and focus on the present and the future.. ”
“In my eyes, every day you get better and more deserving of love than the last..
So from now on just focus on loving yourself.. As for the rest, leave it to me.. ”
Her friends and the rest of the supporting cast were too good not to be mentioned. However the second couple's story felt underdeveloped and lacked a strong sense of fulfillment.. I suppose that’s because the ep count was shortened.. Causing some of their scenes to be lost along the way..
The parents deserve their own spotlight.. They were truly outstanding.. Man they were really good.. Ep 25, with all the nervousness, anxiety, fear and pain felt so raw.. They were too convincing and natural.. Truly commendable performances..
The director deserves praise as well.. Each episode was beautifully executed.. They completely made up for any shortcomings the script had..
The FL’s mother having breast cancer felt like a story arc designed to give the ML closure for the pain he endured from his own mother’s death.. Back then he had to face that pain alone.. Watching helplessly as she withered away.. But now he had the chance to do for the FL’s mother what he had long wished he could do for his own.. Help her face it, fight it and bring her out of it safely.. At the same time, it was also for the FL.. To make her realize that she wasn’t alone.. No matter how bad things got, she had people who would stand by her.. Unwavering and ready to support her through anything..
" But In my heart, you are the most beautiful scenery in this world..
Xifan, Falling in love with you is the luckiest thing l have ever done..
Loving you is the best thing I have ever done.. "
Overall The Best Thing is such a lighthearted drama.. No complicated stories.. Just two people falling for each other and finding their way together.. Slowly but steadily, in a way that proves no distance is too far for them.. Its neither rushed nor dragged out.. It takes its time.. Allowing you to feel every step of their journey.. By the end you can’t help but feel happy because they made it.. And it feels truly earned.. The Best Thing isn’t just a title.. Its a promise.. There’s a reason everyone is obsessed and the drama more than justifies it..
Was this review helpful to you?
Story: I gave it an 8 since the plot isn't any groundbreaking and I admit the description for this drama is cliche but when you get into the drama itself, it was so refreshing. In most romcom kdramas, I usually know or my expectations were right on what will happen next but Marriage Not Dating is just pure surprise. They made the cliche worth watching, you don't even know what to expect.
Acting/Cast: 10. The actors are so perfect esp the main leads. I already forget the last time I root for the main couple so much. Props to Han Groo and Yeon Woo Jin, it's like this drama its tailor-made for them. Though the side characters Jinwoon and Sunhwa did not appeal to me, Jung Min (Hoon Dong), and Kim Hae Sook are so great I kind of forget the 2nd leads.
Music: Should I include the sound effects here because 10 is not enough for it. :The sound effects guy must be in every romcom drama) The OSTs in this drama are so good and it match the scenes perfectly.
Rewatch Value: Oh boy, this one of the few kdramas I will never get tired rewatching. Maybe I'll start in a few hours. Haha. :)
Overall: 9.5 This my highest rated kdrama ever because I never give a perfect 10. It's just me but definitely all those almost perfect dramas waned in the middle or still lacks something. But all in all this is still the best romcom drama for me. No extended angst and pure fun.
Was this review helpful to you?
Story- 9.5/10
I really enjoyed the story in this version of Full House. What I loved about this drama was all the romantic scenes that were just so romantic and made you melt on the inside and fangirl on the outside. The chemistry between D'Angelo Mike and Sucharat Manaying was just absolutely beautiful to watch from the first to the last episode. Now the question is, was this remake better than the original? For me personally I felt this remake was a fantastic remake of the original, and I can't choose between them because there are just both so good, in the end I would recommend both versions of Full House.
Acting/Cast- 9.5/10
I felt the acting in this drama was excellent, the actors and actresses fit their roles perfectly. My favorite parts of this drama was when Mike and Aom-Am were together, I feel their scenes were what made this show spectacular, and that whenever the two main actors were onscreen together you could tell they had amazing chemistry together, and D'Angelo Mike isn't bad looking either.
Music- 8/10
I did enjoy the music in this drama, but I felt at some points you would be hearing the same thing over and over again, and at times when I did hear the same songs over and over again I would wish something else would play.
Rewatch Value- 9/10
I have to say this was my first ever Thai drama and I really enjoyed it. If you have watched the original Korean version I would highly recommend this drama because it does a fantastic job as a remake to the original. So if you are looking for cute moments and are looking for a drama that can make you laugh then this drama is for you.
Was this review helpful to you?
This review may contain spoilers
How can you tell it is a romantic J-drama? Shhh! Don’t interrupt the skinship.
In J romance dramas we trust. I do declare! The Japanese really know how to deliver a short, nice, easy-binge drama that just seems to hit the spot.There is no point in calling out the drama for being shallow or one note. Let’s be honest, most of this type of j-dramas can be summarised on the back of a small napkin. This is also the difference between a j-drama and a similar Korean show. The Korean version will overthink and overwork the plots and probably add a lunatic killer, just because. On the other hand, an equivalent c-drama will be stretched to 40 episodes, and we shall pray for deliverance from the endless angsty tropes and breakups. Not that j-dramas don’t have tropes, there are plenty. However, they are usually under a tight rein and the plot is distilled into a set of key markers so that we get what is needed just at the right juncture.
For this drama, the plot can’t be simpler. We start with a cohabitation trope between two long lost high school classmates. This is signed, sealed and delivered within the opening minutes. The rest of the show is all about how the ML confesses (repeatedly) and pursuits the FL tirelessly. All the while chipping away at her armour and make her fall in love with him even though he is the one who is obsessed with her for 10 years.
Before you jump to the conclusion that he is some kind of psycho with despicable design on the poor hapless FL, you need to take a chill pill. ;) What you will find is a ML who is totally devoted to the FL and pretty much worships her. It is also important that he respects her and will do anything to please her and protect her. All this is done in an open and adorable way. He certainly has no problem telling her how he feels. It took a little longer for the FL to reciprocate though.
Needless to say, he yearns for her, but he is willing to wait for her to accept him first. When that happens, it is on for young and old! Our skinship quota went into orbit. Don’t get me wrong. It is not sleazy nor egregious. They accept that physical intimacy is an important part of a healthy relationship. FL went from being unsure and timid to being quite bold.
Like other similar j-dramas, we see a steady progress in their relationship. There are lumps and bumps along the way but they work to overcome them as a couple. Communication is the key. They are also sensitive to each other’s feelings and will act upon signs before they fester into sores.
Most importantly, the ML helps the FL to thrive and embrace the world beyond books. There are many sweet and swoon worthy moments. Don't judge this show by its poster. ;)
If you are a romantic looking for a straightforward, swoon-y show then add 1 extra point to the score. Seriously, if you feel jaded after watching a disappointing or just plain exasperating “romance” drama, just fire this up and lose yourself in it for a few hours. This show will make you believe in true love again. Highly recommended.
Was this review helpful to you?
pretty pretty pretty
If you want an easy and quick watch with beautiful scenery, then this is your stuff right here!The episodes are very short and it isn't exactly story-heavy. This is just cute boys being cute plus time traveling because that's fun! Don't expect very complex characters either. I was just here to watch Eun Ho and Heon sit on the ground in pretty hanboks and i got just that.
If you want complex story w/ complex character, you should look somewhere else. This is just scenery-pretty clothes-scenery-pretty people-montage after montage!
Was this review helpful to you?
For starters, let me mention the difficulty to assemble my thoughts about such a wonderful drama. It took me a while to know where to start but let’s begin with this: Making a Taiga about one of Japan’s most influential figures was such an astonishing idea! Once again, let me insist on the accuracy of Taiga’s, they abide to historical facts with only few minor changes that can never cause the deviation of the historical flow. There is also the very informative “Travelogue” at the end of each episode to nourish your historical knowledge on some characters with the addition of real places to visit in Japan (when my long dream of visiting Japan comes true, I will go there for sure!).
Ryoma didn’t live much but through his short life, he did many unforgettable deeds for Japan and its people. Being born as a Tosa’s Kashi (Low Samurai rank), he wasn’t handcuffed by the daimyo rules or the common traditions. Instead, he had dreamy ideas to change his country to what Japan became like in our recent days. The Bakumatsu era aka the end of the Tokugawa Shogunate was one of the most turbulent times in Japan’s recent history until the Meiji restoration came along. Our hero had to go through that period with many revolutionary thoughts in his mind. Ideas that were harshly rejected at times, hardly accepted at other times but very much acknowledged most of the time.
Ryoma character always intrigued me, being a low-class samurai who stood up for the well-being of all the people of Japan must be the main reason behind it. When the bakufu was ruling Japan for over 260 years with the same old fashioned thoughts, an air of change had to blow them up and make them realize that the world is moving on and so should they. That air was Sakamoto Ryoma, through his adventures he was able to gather the essence of Japan’s future in a new world. It’s a world where they can be amongst the leading countries instead of falling into the merciless claws of imperialism.
Ryoma’s life had many turns and countless of encounters. It started with his family, his childhood play-pals, going through his first love, his idols in life, his allies, his enemies, his teachers, his women meetings and all of his comrades. Sakamoto Ryoma always managed to leave a deep impression into anyone he met, whether they loved him, hated him or even those who wanted to kill him. I think Ryoma’s most note-worthy quality was his ability to negotiate and convince the other party of the legitimacy of his views; he does that with perfection even against the most fearsome and huge figures of his time. Many believed in him and countless supported him as he embarked his journey towards a bright future and that didn’t come from naught, Ryoma was able to capture them one way or another.
Turbulent times are full of political clashes and endless battles but that made the drama even more exciting. Every detail of the Japanese history at the time was inserted in the most captivating way. Our narrator Yataro played by Kagawa Teruyuki added more attractiveness to the events. His historical tone while telling Ryoma’s life was priceless; one of the best narrations I ever came across in any Asian drama!
Now if I have to state my little displeasure about this drama it would be the over-idolizing of Ryoma’s character. I know about that because I actually read a lot about Sakamoto Ryoma and Japan’s history prior watching this drama and his character isn’t as perfect as the drama describes it to be. I know that they want to honour a Japanese hero and a little dramatization is no escape to make an appealing drama but I felt uneasy about those parts, even a little.
When we talk about Taiga dramas, we need to pay extra attention to acting considering its crucial role in maintaining ground-breaking historical telling. Fukuyama Masaharu nailed it so bad as Sakamoto Ryoma, he was able to make the character feel pretty much alive. He once stated about playing Ryoma’s character: “His appeal stems from being the kind of person onto whom anyone can project themselves”; that explains it all.
The supporting cast was full of many incredible talents such as Omori, Tanihara, Iseya, Takahashi, Aoi, Kiritani, Oizomi, Takito, Oikawa, Maki, Kamikawa, Sato, Kaname and many others. They were able to maintain a very intriguing historical tone throughout the whole drama. It’s no secret that Taiga and historical dramas overall are what make you test an actor’s skills and this drama’s cast gave wonderful credits to the characters they played. However, the best of them all was Kagawa as Yataro, no wonder he got many awards for that role; he was able to flawlessly play the role of Ryoma’s lifelong friend with all of their complex relationship, it takes an actor from a high calibre to pull that off. He undisputedly managed to steal the lights from Fukuyama countless of times.
The cinematography was pretty well illustrated with all of those charming sceneries in old-times Edo, Tosa and Kyo. I was pretty immersed in the realistic depiction of the historical setting and the soundtrack used in this drama. However, I was displeased with the camerawork. Directing has been the major issue with Taiga dramas. Although it can be disregarded since this is a drama not a film but I still hope this can be changed.
Watch if:
-You like historically accurate dramas.
-You like NHK Taiga dramas.
-You want to watch a drama about one of Japan’s most important figures.
-You like political oriented dramas.
-You want to discover Taiga dramas.
Don’t watch if:
-You don’t appreciate historical Japanese dramas.
Ryoma Den left me with many great thoughts about Ryoma’s character even with the little differences compared to history. My second NHK Taiga adventure was a total success and now I am thirsty for more!
Was this review helpful to you?
Kept me glued to my seat for so long that I might need an adhesive remover to get off now—
All in all, Gold Panning has everything I could ever ask for in a mystery drama: a compelling storyline, great execution, perfect cast, beautiful visuals and an amazing musical score that complemented each scene it accompanied.✦ Story ✦
The unique premise of this drama, which is obviously about the cutthroat industry of gold panning like the title indicates, may or may not appeal to everyone but regardless of whether you're into it or not - this drama's main focus still lies in its premise. To describe it in a simple phrase, Gold Panning is about "Dog-eat-dog world" or "Survival of the fittest" as greed for gold (which everyone believes can grant them a better life) basically drives the actions of all the characters, but despite being greedy, they might not be completely selfish and have their own reasons that are unveiled at a steady pace with each episode.
And one thing that sets it apart from typical mystery/thriller dramas is that Gold Panning doesn't rely solely on gore and body-horror to make the drama dark or depressing. There's slight gore, there's slight body-horror, but neither of them is the main point.
However, this drama demands your full attention. You can't just play it in the background as you do other chores as each scene is crucial, purposely added, and greatly contributes to the plot. Sometimes you might think "what the hell is going on?" (I did too lol) but it's like completing a jigsaw puzzle whose picture you don't know beforehand; You only discover what it's all about after you put more and more pieces in place, and together, they start resembling something. The unpredictability, foreshadowing, and plot-twists here actually make sense in the end and this makes Gold Panning a perfect drama to binge watch as you're never bored while watching it.
✦ Characters ✦
Most of the characters were complex, flawed, morally grey/vague and fleshed out which makes them compelling to watch. I especially loved how the female characters were written, despite neither A Qiu nor A Lai getting much screentime compared to the two main characters, they still managed to be one of the most memorable characters in this drama; I mean, two strong women—one who's a single mother and the other who cross-dresses as a man—working by themselves in a male-dominated field, what can be cooler than that? Not to mention, A Lai has to be the best cross-dressing character I've ever come across. Every character here just felt so humane, so realistic, so alive. I simply loved it.
But talking about the two main characters, Chen Baojin and Wu Jianchao, separately - here's what I personally think of them:
♟ Wu Jianchao — It's the first time I've seen Liao Fan's performance and the amount of screen presence he has accurately described to me why he's known for his acting. His role as Wu Jianchao was so complex that I couldn't figure out if he's the bad guy or one of the good guys most of the time, it just kept me guessing.
♟ Chen Baojin — Chen Feiyu's acting has improved a lot! At first, I thought he can't portray 'vulnerability' during emotional scenes because it always looks as if he's holding back pent up anger (his acting isn't at fault, he just have fierce-looking eyes imo). But then, I realised it's not necessarily a bad thing and only adds to his character. Chen Baojin is a proud, stubborn teenager who's determined to go to any lengths for his main goal, so even when he cries, he doesn't look 'broken' - he looks angry like he's going to seek vengeance and want everyone to suffer tenfold for the suffering they've inflicted on him. In short, Chen Feiyu nailed his role.
✦ Music and Visuals ✦
The music, both instrumental and lyrical, really amplified the ambience that the visuals initiated. I also never felt like skipping the opening and ending themes because they were really addicting.
However, my favourite thing has to be the colouring in this drama, especially how most of the scenes had a tint of gold/yellow (they really stayed true to the title and concept even in terms of visuals) and some certain scenes were black & white - which made them seem more serious and sombre than they would've looked in normal colours. I actually had to delete some photos off my gallery because I took way too many screenshots...
Was this review helpful to you?
The story is great, you really have no way of imagining what's gonna happen next, but I won't anything more about it because otherwise I'd spoil it for those who haven't watched it yet.
The acting really blows my mind, I've always loved Tamaki, ever since I saw Nodame Cantabile, and he always plays his part perfectly wether it be here, in Nodame, in Love Shuffle or any of his other dramas and movies. The female lead, whose name I can't remember right now, also plays her part perfectly, her more than anybody because her role was really hard to play. I hate her in real life because she's one of Japan's biggest divas, in the BAD sense of the word, and that's why admire her even more in this movie-because I love her character.
The music always goes according to the scene, it makes you feel what the characters are feeling.
I've watched this movie several times with different people, and every time I watch it again I discover something new.
Overall this is one of the greatest japanese movies that I've ever seen because unlike must jap movies this one actually makes me feel something, this one gets to the heart instead of being overvdepressing, I recommend it for anyone who likes memorable love stories.
Was this review helpful to you?
STORY
I love that the story gives you bits and pieces of the puzzle as it goes along, but keeps you guessing in a way that's fun rather than frustrating. The puzzle itself is such an interesting concept, managing to incorporate sci fi elements without getting too gimmicky.
But the very best thing about Life On Mars is the changing relationships between the characters. It's so enjoyable to watch Han Tae Joo unraveling the trauma and isolation of his past, and learning how to connect with these people from whom he's supposed to be literally worlds apart. And the characters themselves are so infused with heart and humor, the perfect antithesis to the coldly rational mindset that he started with. It's so easy to fall in love with this little found family.
ACTING/CAST
Jung Kyung Ho is amazing. He has been amazing, and he will continue to be amazing, and I don't think I could possibly love him more. I saw someone mention in another review that Life On Mars gave him the opportunity to showcase the more subtle sides of his acting skills, and I couldn't agree more. Han Tae Joo's quiet desperation is so palpable and relatable, despite the muted nature of the character. And rooting for him to finally come out of that shell is so fulfilling!
The dynamic between Han Tae Joo and Kang Dong Cheol is definitely a highlight of the show. Park Sung Woong is such a strong actor, and seems just so genuinely FUN. He is able to traverse between the character's comic antics and the more serious moments with such effortlessness. The growing relationship between the two characters is so pure.
Special mention of course for Go Ah Sung as Yoon Na Yeong. I think I might have fallen in love with her a little bit. The character is so different from the roles she's played before, but this soft-spoken tether that anchors Han Tae Joo to his reality (and just kicks ass all around, honestly) is even alone worth the price of admission on this drama, if you ask me.
MUSIC
The score was appropriate and for the most part managed to support the story without drawing too much attention to itself. I loved the 80s songs that were sprinkled in, especially when the characters were rocking out or dancing along to them!
CINEMATOGRAPHY
Thoughtfully done! I don't want to give anything away, but the cinematography clearly reflects what's happening in the story, sometimes in ways that are subtle. And I love that. (Watch for differences in the cinematography, and you can figure out what is signified in the plot.) It shows how much care has gone into even the smallest details that most viewers won't even consciously notice.
REWATCH VALUE
I typically don't rewatch dramas, but this could very likely be an exception. Now that I've seen the end, I want to go back and see which pieces of the puzzle I may have missed the first time around. Not to mention, I'm not quite ready to say goodbye to these characters...
OVERALL
Highly, highly recommend that anyone give this drama a shot. It's not a perfect fit in any single genre, so I would be cautious of letting any genre bias discourage you from watching this. This kind of thoughtful writing and creative storytelling feels so rare!
Was this review helpful to you?
This review may contain spoilers
Not your typical Cinderella story and an unforgettable romance!
One of the bestest and loveliest love stories imaginable. A drama which not only deserves that rare 10/10 rating but makes you wish you could give it 1,000,000/10 because of how inspired, satisfying and rewarding it’s been.Promise Cinderella reminds me of the 2000s classic jdrama rom-coms (which is a good thing) aka the way they used to be until they contracted some sort of a narrative plague and basically died out, with few exceptions. Tightly plotted, well-written, brilliantly acted and with an OTP that oozes chemistry, it’s a very thoughtfully and sensitively made adaptation of the original manga (even though, I only read the first 18 chapter on Comikey so far). The drama took the Cinderella tropes and spun them on their head, breathing a new life into them.
All that is perfectly accompanied by a sublime soundtrack composed by Yamada Yutaka who delivers perhaps a first full-fledged bona fide jdrama OST with several distinct songs, not merely the insert and closing themes. Each song is written in such a way that the lyrics perfectly describe each character’s feelings and storylines.
Fumi Nikaido and her Hayame have been all sorts of awesome – mature, strong and plucky but still vulnerable and so real and relatable - and not the infantilized caricature of an adult female you often see in Asian dramas nowadays.
Maeda Gordon has been such a revelation - he does an amazing job portraying all the various facets of Issei, this boy-man on his journey to become an adult. I love how gradually Issei turns softer and more vulnerable because Hayame and his feelings for her make him shed his bravado to reveal all the insecurity, vulnerability, and tenderness he has been trying to hide. There is this amazing dichotomy of showing a teenager with what is basically a body of a grown-up man but personality that no longer belongs to a boy but neither to a man yet. It’s a great choice and casting. He has such a wide range of facial expressions and has the natural ability to act with his whole body, giving Issei so many adorable quirks, that very few actors possess, especially ones so young.
Seigo has turned out to be truly great second male lead. You can root for him and he poses genuine competition for Issei. If this were a kdrama there would be no way in hell he wouldn’t get the girl if only for the sole reason they share a past and are each other’s first love. I love how Hayame and Seigo’s relationship is actually properly developed, not some childhood sweethearts trope or them meeting a couple of times without getting to know each other. Iwata Takanori does such an incredible job portraying Seigo and conveying his conflict. I remember him from Dear Sister and stealing the whole show with Ishihara Satomi so it’s great to see him in a well-made jdrama once again that gives him a good script to work with.
Even the supporting characters are unforgettable and an absolute joy to watch, each one having a distinct personality – Issei’s cool matchmaking grandma and adoring Yoshitora, who are always there to support him, or Koya, Issei’s new BBF with who he shares epic bromance,… - without stealing the thunder from the main characters with multiple irrelevant side stories, which is something so many Asian dramas utterly fail at these days.
Even the ending is a perfect farewell to a perfect love story, completely reversing the Cinderella tale…
The fairy tale ends just like the love story for the age it is, with Issei’s proposal and promise to his Cinderella (hence the drama’s name) to live with her happily ever after - after she saved him from the evil witch - and the shoes to make up for the ones he threw away in episode 1, but, hilariously, they don't fit (turning another Cinderella trope on its head) and, just like his body and love for her, pretty much swallow her whole.
Their future lies ahead of them with one part of their journey ending where they have learned that reality and real love are much better than any games and dreams.
Was this review helpful to you?
Was this review helpful to you?
