Reviews

Epos, drama & national frustration with impact – about the birthing era of Korean nationalism

"Bridal Mask" is a South Korean variety of Zorro - in this case hiding behind a historical Hahoetal ceremonial mask used in Korean tradition for satirical theater and shamanistic rites. The avenger of Japanese oppression hides behind the classic mask 'Gaksital', which symbolizes an innocent bride.

This brings us to the central theme around which the dramaturgical web was spun: Korea's time under Japanese protectorate (1905-1910) and the annexation as a Japanese colony that followed a few years later (1910-1945). In this context, this KDrama has a lot to do with national self-image of the Korean people, which is still formative today. (If you are interested: See Side Note below.)

Accordingly, "Bridal Mask" was very successful as a KDrama and was extended by 4 episodes due to its success.

"Bridal Mask" is about the desperate attempt of the oppressed population to counteract the notorious oppression of the Japanese tormentors. As the story progresses, the rather inexcusably conformist anti-hero becomes the avenger of the downtrodden, whereas the once benevolent, noble, antirassist teacher becomes the unscrupulous avenging angel. The daughter of a Korean resistance fighter provides explosive fuel, turning best friends into bitter opponents and rivals for the heart of their beloved. Everything becomes dramatic in the highest degree - the romance, the bromance, as well as the resistance struggle against brutal oppressors, with or without bridal mask.

'Gaksital' squeaks into the most diverse excesses of Japanese tyranny, above all: torture as a common method of interrogation. The hero also thwarts the insidious with false promises recruited young women as sex slaves or comfort women for the Japanese soldiers. Finally, by his activities his compatriots are also encouraged to engage in civil disobedience.

The tyrannical, ruthless attacks of the colonial masters are historically documented. Active resistance from the population as well. However, the actual plot of the KDrama is completely fictitious: A Zorro-like swordsman behind a traditional bridal mask is not known. Also, at the time of the Japanese invasion, Joseon was already severely weakened politically. In this case, the assassination of the head of state is poetic liberty. (At the time of the emperor´s actual death in 1919, the country had already been a colony for 4 years.) Finally, the secret organization of the ´Kishokai´ and their vision for a greater Japanese empire are fictitious. This Kishokai did not exist. However, there is a kernel of truth in it, because ultra-nationalist secret societies, especially those associated with Japanese military, apparently existed actually.

Overall, the K-Drama brings a black chapter of painful Korean history with epic impact and highly dramatic emotional entanglements back to life. Eventually, the memory is perhaps still so painful, because it wasn't all that long ago. To date, there has been no reparation, remorse, or at least acknowledgment from the Japanese side for the suffering inflicted.

Japanese colonial rule is inseparably interwoven with the very special Korean national pride, because this period marks the birth of Korean nationalism in the first place. And the KDrama builds on that. "Bridal Mask" in that sense is first and foremost a highly Korean production for a Korean audience. (Nevertheless it is obviously gripping for an audience with other national backgrounds, too.)

By the way, it may also be no coincidence that the series aired on TV in 2012, when the Korean government first formally asked Japanese Emperor Akihito for an apology...



----------------- SIDENOTE: --- Romantic Korean nationalism ---

Whether Goryeo or Joseon, since the tribes of the peninsula were united under one ruling dynasty, the people lived largely introverted and rather isolated from the rest of the world until the late 19th century. Here and there the borders have always had to be defended against invaders or retaken, but the people on the peninsula had nevertheless remained adamant and had not actually actively mixed with others. Today, there is often talk of 'pure ethnic blood', which provides the breeding ground for a more romantically (vs. civic) tinged national identity: A Korean usually feels descended directly from the original ancestors. Consequently, a Korean will typically identify first with his/her ethnic roots and only then, at some point, as a citizen of the Republic of Korea.

This very special national identity was directly born out of the developments associated with the opening of the country and an increasing international presence at the end of the 19th century. On the one hand there was hope for flourishing trade and technical innovation, on the other hand suddenly the USA, along with China, Japan and Russia, also wanted a piece of the pie and - more or less aggressively and consistently - took advantage of the opportunity and sometimes also inexperienced naivety of Joseon. As a result, resistance formed and the nationalist struggle for independence was born. It was necessary to use all conceivable means to preserve the nation´s autonomy and to protect the heart of Korean culture from invasions and encroachments by foreign nations. Particularly, resistance was directed against Japan's ruthless interventions in robbing the Korean people of their language, their own names, their religion and their dignity. Japan's declared goal was to discriminate against the Korean people and to assimilate them by any means (... and Japan wasn´t even squeamish with its own civilian population, being known for its brutality...).

At that time, Japan had deployed an omnipresent, almost overwhelming military and police presence that can hardly be compared with European imperialism as we (i.e. Europeans, as I am) know it. Hardly a day went by when the invaders did not have direct, mostly deliberately humiliating contact with the civilian population. So 4 traumatic decades can become a very long time...

This national frustration, pain and anger is still formative in the collective emotional memory. With "Bridal Mask",this receives a contemporary emotional safety valve in KDrama guise.
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It may seem like I gave this one a low review number but the fact is I really enjoyed this show. I started to watch it because the story sounded interesting. Than I recognized the main guy from the ever so popular part of Jeremy(YaB). So I watched it.



It wasn't extremely well done or flashy or a "you must watch this" kind of film. In fact I was hesitant because someone had suggested it looked like the young guy falls for older woman scenario. But that wasn't it at all.



It was simple, sweet, and about a woman trying to live the principles she was struggling to teach her daughter. In fact from the the male character's point of view I would describe this film as 'appreciate your mother because you don't know how long your going to have her' or as a 'your lucky to have a mother - if your not going to appreciate her than I'll take her'.



I loved how the story unfolded. I truly could feel him slowly growing attached to her - as a son, with every moment she spent with his family. You could feel how much he needed her influence in his life and than suddenly you saw him have an influence on hers. "Break down the door," he said and I cheered (because I completely agreed with him).



It is an all around a good story. Easy to watch. Easy to enjoy. And something I will watch again when I am in the mood for something slow pace.



Hope that helps.

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Well come to the Bom~

An absolute gem. One that flew under everyone's radar, and it would have flown under mine as well if it wasn't recommended to me by another Avengers Social Club fan.

Spring Turns to Spring is a very lighthearted comedy revolving around body swapping of two women and all the hilarity that ensues. The plot never takes itself too seriously, while also tackling issues such as corruption, infidelity, misogyny in a comedic fashion. We're also given an abundance of hilarious revenge schemes, quirky office humor and interactions, endearing sismance and mother-daughter bonding, and more. If you've seen Avengers Social Club and enjoyed it, I can almost guarantee you'll enjoy this drama as well.

The cast and acting were amazing, especially our two leads, Lee Yoo Ri and Uhm Ji Won.
What I never saw in this drama were the actresses Lee Yoo Ri and Uhm Ji Won--only the characters Kim Bomi and Lee Bom. The way both actresses portrayed characters was so breathtakingly convincing, I couldn't help but think to myself every episode as they changed personalities, "wow, these two are incredible at acting!" You could instantly recognize the change in character by the shift in facial expressions, voice, and body mannerisms. How each character was portrayed so seemingly accurate and similar by two different actresses was stunning, especially when you consider how contrasting Bomi and Bom's personalities were.

The rest of the cast were no slouch either.
Lee Jong Hyuk's interactions with Lee Yoo Ri were godsend regardless of which character she was currently in. Choi Byung Mo never fails to perfect the role of a world class douche of a husband and human. The Bom brothers by Kim Nam Hee and Ahn Se Ha were golden. I have to admit the broken English by Bom Il was disconcerting at first, but eventually grew on me as a comedy factor. Heck, even the foreign actors were a joy to watch, as the scenes were always pretty self aware that they were mostly to serve as comedy.

The OST was fitting and catchy; the songs never felt unnatural to their respective scenes. I also eventually found myself singing along to the intro of every episode with its "Yeh, yeh, yeh, yeh~". The main theme "Well come to the Bom" slowly grew on me throughout the show with it's upbeat, catchy tune and how it was always inserted at the perfect moments--I could always expect a welcome shift in mood whenever the song played.

Just an overall very feel good drama. A great watch if you're feeling a bit down, looking for nonsense comedy, or just want to turn your brain off and enjoy a K-drama.

And so, as Winter turns to Spring, I encourage those who haven't seen Spring Turns to Spring to give this gem a chance; you won't regret it!

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It´s opaque and rather gloomy, venturing to juggle shadow rather than light

"The Road: The Tragedy of One" is based on a (Japanese) novella by Rintaro Norizuki with its spotlight on the higher end of high society. The KDrama "Mine" from the same production year, which is located in a comparable segment at the top of the social pyramid, chose rich bright colors and extravagantly shimmering robes amidst glitz and glamor as the backdrop for a study on decadence and greed. In contrast, the TV production "The Road: The Tragedy of One" makes no attempt whatsoever to immerse human abysses in a colorful light that is somehow aimable and pleasently digestibility. No. This KDrama has a rather gloomy side to it. It´s opaque. Outrageous.

You may vainly search for anything virtuous here. Let alone family values, especially when it comes to raising children. People mysteriously die. There is crime. Corruption. Affairs. Cowardice. Selfishness. There is (almost) nothing left of high moral standards. The series is heavy opera. Yet, excellently casted throughout. Everyone is doing their best. Still, whatsoever, it's not nice to look at. If the human ugliness is shown all too ruthlessly... who should one identify with? You have to delve far into your own abysses to sympathize and feel with the protagonists... (maybe one of the reasons, why the viewer ratings aren´t quite balanced to the true quality of the show...)

In any case, the KDrama is thrilling in its own pace and style. There are plenty of secrets throughout. You get Makjang, too ... obviously it can always get worse... (KDrama somehow always is great at drama!) It's opaque up to the end. The story takes its time to unravel the tangled threads. The screenplay is particularly atmospheric. Eventually, more of a trip into darkness. Literally (i.e. optically), too. I would call it an experiment in the latest KDrama Orbit, that dares to juggle shadow rather than light and ventures to tell a story without wholesome, easily digestible sweets.

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When i discovered this series and read the summary i wasn't really catched by it. But i wanted to understand why people around me love it so much. I thought "How is a drama about a girl that wants to dive for seaurchins exciting anyway?!". So i gave it a chance and watched the first episode.

With this, the "Ama-chan effect" hit me hard. I couldn't stop watching it. I finished this series after 11 days, and I'm sad it ended. This is probably also due to the phenomen, that the episodes are rather short with a runtime of 15 minutes, and you keep watching and watching, while you tell yourself: 'just another one, then i'll stop.', but you just can't. Its one of those series you really never want to end.

The Story itself i really addicting, as its absolutly not repetitve. The constant up and downs make oneself really go with it and feel it. It makes you sad, It makes you cheer, it makes you feel lost. If a series is able to this, then its a masterpiece. Kankuro Kudo really made a awesome job.

The Characters are absolutly memorable. You could really notice the cast was putting their hearts into it. I've never watched a series where the acting was this good. Each actor played their character so well, i could really belive everything could have happened in a village close to mine. There was no way you couldn't feel with your favorite character. (Which was Yui in my case.)

A enormous portion of this series marks the soundtrack. I'm usually one of those people skipping the Opening Sequence, i absolutely refused to do that when i watched Ama-chan. I found myself boucing around whenever the opening started. From the "inserts Songs" which where played pretty often, i must say i never found them annoying at any time, eventho they brought them up a lot in recalls or in different versions. On the other hand, the BGM music really gave this series its essence. Every musicportion in the series transported so many emotions in every single second. It really sticks to your brain and you'll find yourself humming it here and there without even noticing. I had to sing and hum along every single time.

You might wonder about the 9 instead of 10 points for the Rewatch Value. I have to admit, i had to deduct a point, just because its not a series you could watch again in just a single day, but thats about it. This is a Series you really can watch and enjoy everytime. Watch it with your friends, family, girlfriend, they'll love it.

Overall i Can only say, this series made a huge impact and is my new favorite Series of all times. If you haven't i can only say: YOU MUST WATCH IT!

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This started out cute and fluffy, but the last few episodes were miserably drawn out.
EP 10-12 were painfully slow, they could have been cut and pasted into 1.5 episodes.
13 was ehhhh.... This isn't a masterpiece, the writing is loosely constructed and poorly executed. The story has little depth or substance to hold it together for 13 hours. I can't connect with the female lead's choices (especially in the later half) or her pitiful deer lost in headlights expression...I was hoping it would be a drama somewhat like 1% of Something since the director is the same, but it doesn't even come close in comparison. I Liked Ep. 1-9 but Ep. 10-13.5 are a hard sell.

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Great Story, Amazing Acting, Best of Chen Feiyu

Just as I thought Chen Feiyu’s acting somewhat lacking in Ever Night, he gives me a bombshell here in this drama. While I thought only Song Weilong has those eyes with words that cannot be spoken, Chen Feiyu possesses those similar irresistible gazes that make the viewers' heart ache. As I thought this drama is "just" another youth drama with immature characters and silly storyline, this story touches the real challenges of youth in the cutthroat IT world today.

Lighter and Princess or L & P, is adapted from a popular novel. "Lighter" depicts the lighter that the male lead possesses whereas "Princess" is the nickname given to the female lead by the male lead. The story is narrated by Zhu Yun (Zhang Jingyi) of her encounter starting in her freshman year in college, 2012. The story has a span of 7-8 years with four years in college, 3 years in adulthood (not shown in details), and the current year of 2019. L & P has also come to mean "Lucky and Power" in the story.

In college, Zhu Yun is an innocent girl, but she is not naive. She is intelligent but unafraid to ask questions and to admit errors. She is obedient and responsible, at home and at school; she is the perfect daughter all parents want – an obedient child who never lies nor defies the parents. Having said that, Zhu Yun later begins to tell white lies and secretly defy her mother who is judgmental. I wish Zhu Yun had stood up to her mother and given her an ultimatum: “accept us or lose a daughter”. Zhang Jingyi puts up a perfect performance here as an uncertain and yet determined Zhu Yun. The actor’s adorable adolescent look and demeanor make her so convincing and lovable.

In romance, a perfectly good girl has to meet a totally opposite character. Here, Zhu Yun meets Li Xun (Chen Feiyu), an outrageous, arrogant, untamed, super intelligent, confident and unconformable character. Li Xun is a very misunderstood character, not only by people around him, even many viewers also don't understand him and therefore condemn him.

Here, I want to address some criticisms from viewers about Li Xun. Many viewers complains that Li Xun is misogynistic. Li Xun is definitely not a misogynist. He looks down on people not because they are women but because they are being mediocre. Those people he looks down on are usually people who get to high positions through connections, either they have powerful relatives, or they bribe their way through; these people do not have substance. This is a common phenomenon happening around the world. People buy their credentials and tout themselves as the experts, sitting in high positions, receiving high salaries and benefits, claiming credits for everything, while the real people doing the actual tasks receive measly compensations and no recognition. This is what Li Xun despises. He despises people with no substance but still have no self-realization to try to improve themselves further. And to improve, he laughs at those for reading and memorizing from text books. For him, improvement means getting your hands dirty, making mistakes and learning from the mistakes. Contrast his attitude towards Ren Di. He likes Ren Di because he feels she is authentic, pursuing her passion even against her father's will. He helps her in every way he can: financial support, a place for her to live, and extra school credit points from his coding club, etc. All these prove that Li Xun is not misogynistic.

Despite how Li Xun looks and behaves, deep down, Li Xun is a decent and kind person who loves his mother and sister dearly, and cares for all his friends even he himself is in a dire position. He is compassionate but doesn't give a damn how others think of him. Only Zhu Yun knows how he thinks, puts up with him and stands up for him throughout.

Both Zhu Yun and Li Xun are classmates in computer programming. But Li Xun is well ahead of his class as he is a computer whiz kid and a brilliant programmer but he doesn't use this skill for hideous crimes. He humiliates everyone as they seem childish to him with their shallow knowledge of the course. Everyone hates him for his badassness, and yet loves him for his ingenuity. Li Xun doesn’t follow frivolous rules; he finds generally people only care about how things look on the surface and not the substance inside, so he calls them fake. I love how he looks at everyone, a classic condescending look. Li Xun is a person with an attitude, and for me, that's Chen Feiyu’s natural look; Chen Feiyu fits into the Li Xun character seamlessly as if the character is written for him. In real life, if your boyfriend is such a character, I empathize with you, but in a romance, this type of personality captures the viewers’ imagination. I am so in love with this character.

According to readers, in the novel, Li Xun is flamboyant and has many girlfriends but none last long. Here in the drama, the Li Xun character has been whitewashed – instead, girls throw themselves at him, but he doesn't even look at them as if they are non-existent; they usually leave him alone after getting humiliating scolds from him. None of the girls attract Li Xun’s attention, until Zhu Yun comes into his sight. With her, he experiences jealousy and longing, and with him, she always believes in, no matter what. I really love how their relationship develops, slowly and steadfastly. It takes half of the drama for the trust and love to blossom before the couple is officially together.

College life ends at Episode 22, and the kids graduate, each starts their work life, further education, or something else (spoiler). Three years whizz past, present life continues. Our characters struggle with life, career and revenge. This is the beginning of romance 2.0, mature, steamy and sensual. Here we can see the growth of the characters compared to their college years.

The official sound tracks and background music are beautiful, capturing the ups and downs of our characters, and the mood of the story. I'm so glad that my favorite singer, Zhou Shen, sings one of the songs, Fireworks.

My Verdict

For me, not one episode is considered redundant or boring as I relish every scene and every moment. I really enjoy watching how the characters being carefully explored in detail, giving viewers multiple dimensions of the two main characters, both have flaws, both learn from their mistakes, and grow to become better person of their own. The writing of the characters is very realistic. In life, all of us could come across many of these characters: a child with outrageous hair color and an attitude, a sister who is also the perfect daughter, a classmate or a colleague who sabotages your projects and stabs you on the back, even the parents of Zhu Yun are the typical Chinese parents that many Chinese viewers can empathize with. There are many fine and sweet improvised moments of the love birds; this is candy for any romance buffs. The love is pure and deep, and reciprocated. The sacrifices are relatable. The humor is subtle and delightful. Not least, Chen Feiyu is a heartthrob.

In China, the Li Xun character is an outlier, but in the west, he’s a norm. Therefore when he's being called a "bad boy", my heart aches. What bad boy? Just because he doesn't conform to the norm? It upsets me that such a beautiful soul is being treated so unfairly by a society that demands conformity. Many people are fearful of making life changing decisions. Li Xun is decisive and fearless. Once he makes up his mind, he doesn't look back. For me, this is a highly valued quality and is well depicted, among others, in the multiple times he helps the hesitant Zhu Yun in clicking the submit button.

As Zhu Yun puts it, “He never looks back, confident, courageous, energetic, care-free. Forever with a determined direction, never with self-doubt.” These are the qualities all viewers would be inspired by the character.

Towards the last few episodes, the writing becomes soften with somewhat conflicting messages; everyone, including Li Xun, compromises in achieving a win-win outcome. The writing even has Li Xun get back in line with what society expects of him, and what it means by success - wealth. Nonetheless, this slight change of tone has not reduced my excitement of the Li Xun character and my enjoyment of the overall story.

This drama captures my heart, my imagination and my emotions, hence deserves a 10/10.

TWO THUMBS UP!

BRAVO!

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As soon as I heard that Cheer Up! was going to be a drama based around cheerleading in a school that solely focuses on their students getting good grades, my excitement levels dropped. I would rather have school dramas not have any sport related themes and not use the excellent grades cliche. However, I was so very wrong. This drama went to so many deep levels that not many writers can do, and it became extremely influential and inspiring. This is was one of the best dramas this year to date (this is my opinion, so don't judge me) and I felt extremely attached to watching Cheer Up!.

The story was the only thing lacking in this drama, but not even by much. The only problem that occurred was that there was barely any cheerleading whatsoever. They used the sport as a background setting, and only ever included two performances in total (excluding the practice trials). But besides that, I want to thank the writers for so many things. For saving a perfectly salvageable villain who didn't understand any other way of dealing with her problems, for making the love triangle all so lovable and making me ship all three of them together with each other (yes, I shipped not only the end couple and the second-lead couple, but also the bromance), and for making all the characters so cherishable. And also, thank you for showing great character development with every single character, especially Seo Ha Joon and Kwon Soo Ah. I thought there couldn't be a single school drama that would beat Who Are You: School 2015, but here we are, half a year later, with an ever better school drama.

I think all of us can agree that the cast did a superb job, and all agree that when Ji Soo gets a role in another romance drama, he needs to win over the heart of his crush so all of his fangirls don't internally die. Anyway, Ji Soo did an amazing job and I felt so emotionally attached to his character. Angry Mom is a definite watch for me now. Moving on, Lee Won Gun. My new-found bias. I had previously watched his supporting role in Hyde, Jekyll, Me, but I never took much notice of his character as I always had my eyes on Hyun Bin. I never realized how well done his acting is. He is awesome, and my god, that smile of his! I found myself squealing every time he even so much as smirked. Anyway, Jung Eun Ji and N have definitely broken the idols-can't-act stereotype, and I am looking forward to watching more of their works. Finally, Chae Soo Bin. Her character was extremely irritable, but she was the first ever antagonist that I could never fully hate. Deep down, she was just a down-to-earth character who was trying to learn from her mistakes in the wrong way. And with that, Soo Bin had better rise to stardom very soon because she is a spectacular actress.

All of these soundtracks are just too lovable and I can't pick a favourite. There is Fly Like An Eagle, Rely, Shooting Star and Flower. They are all so amazing, I could listen to them all day long. Seriously, look up the playlist online and you can just sit there and listen to them.

Yes, oh god yes. I would do anything to have this series on disc so that I could carry it anywhere with me and just rewatch over and over again. Everyone has that one show that they could always watch, and Cheer Up! is one of them for me.

Overall, this drama was almost perfect, with only the flaw of not having enough cheerleading featured. Every single acting choice was amazing, the script and writing was brilliant, and the music is flawless. Please make more good quality school dramas like Cheer Up!.

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Don't do it. Just don't - no matter how cute you think it is.

No. Just no.
Please do yourself a favor. Do not watch this. You will be sucked in by the cute and the fluffy and the sweet! It will go on for about 13 and a half episodes and you will love it.

Then apparently the writer started smoking crack.

I've never been so angry about the ending of a drama in my life! The 5 stars is completely for the acting and the music and the 13.5 lovely episodes. (Although the writer still may have been a bit high writing all of it to be perfectly honest because at the end you realize how much nonsense is in this show. It was just hidden by the sweetness!)

And I couldn't even rage quit this show because by the time they have enraged you with what they've done --- boom! It's over. The last 3 minutes gave me a total rage fit. I was prepared for a sad ending - I sobbed for the SAD ending and then came to terms with it even though I hated the way it appeared they were going to end it. But this....this was just....wrong. So much wrong. They did those characters dirty. They did the audience dirty. They did those actors dirty.

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unfathomable beastliness down to the blood. a search for the good guys could very well be in vain

You better be aware, it can always become more monstrous. For the audience, the first episodes of “The Escape of the Seven” are already quite inhospitable. Surely, among the protagonists one is worse than the other. We immerse ourselves in an unscrupulous world full of greed and devoid of any... …actually, I wanted to write "humanity", but then people also have a bitterly cruel and evil side, which is unfortunately also so very human in all its abysmal facets that it is painfully hurting and we'd rather not see it or let alone experience it... That's what "The Escape of the Seven" is about: The potency of human unscrupulousness... It couldn´t be more repulsive. (Could it?)

Crass, brutal and soulless, but everything beautifully polished in HD – this is how the 'beautiful', (one would normally consider) ´desirable´ life of the "Seven" is displayed here. However, soon enough the limits of what is bearable are strained. Admittedly, at first I had to avert my gaze with a shudder. Pretty quickly I dropped this KDrama.

However, the job as a subtitler had me open up for a second attempt. Meanwhile – if I accept the premise: it's about a group of people who are entangled in their unscrupulousness, who are united in their monstrosity not least by their excessive greed and a disgusting obsession with money, power, prestige, rank and influence – I reconsider this KDrama quite original by now. Surely, there are lots of unsympathetic (and shockingly convincing so!) protagonists - that's downright provocative for a TV series entertainment mission. Nevertheless, eventually from the 5th episode onwards, the KDrama is unabashedly still gearing up. It´s like the point of no return. By then there´s no more escaping from “The Escape of the Seven”... You´re on the hook. Because you actually start hoping…(for ´the good´ to finally become true.)

The plot turns out to be a revenge mission cleverly disguised in several respects. AI and deepfakes on the one hand, tried-and-tested Makjang on the other inspire the psychopathic composition of a jungle full of fatal, dramaturgical entanglements. Intelligent, exciting, disturbing – more than once we might think we know what's going on and yet we're wrong. Ruthlessness is certainly one of the leitmotifs in this KDrama.

I only recommend "The Escape of the Seven" if the mood is right - one that demands unfathomable beastliness down to the blood. If we get involved in this KDrama, then we will uncompromisingly be catapulted into a world in which a search for the good guys could very well be in vain...

And there is a second season, too…

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A Romance to Stand Above the Rest

This is the best CDrama I've ever seen. And it ranks high even among all the shows I've ever seen. Although short, the pacing is perfectly executed, and as a bonus the production and direction is simply outstanding. The show deals with heavy themes and deep messages, exploring varying viewpoints and motivations from believable and evolving characters. What's more, the focus of the drama is on a romance with a premise that's fresh and interesting and which is manifested in a believable and beautiful way. It all comes together to create something special, in a way few shows can do.

The most important element of any show is the story, so that's where I'll start. "Definitely Not Today" brings two opposing personalities together through unorthodox circumstance and under occasionally violent conflict. This sort of premise, while often feeling contrived in typical shows, is done very naturally and evolves without excessive coincidence (there's a little, but it's forgivable). The plot itself is a perfect balance of romance, action, and the occasional comic relief, developing deep bonds between the characters and the viewers while maintaining suspense, intrigue, and enjoyment. Throughout the show, we see beautiful symmetry in moments and relationships, things that really add to the emotional ambiance. I can't say much more for the sake of spoilers, but the pacing is very well done and the story has a satisfying ending.

The characters themselves are extremely well done, part of the reason the show stands out so much (apart from its originality and incredible production). Each character has a background that deeply influences their personality, and which is revealed at the right moment for the sake of the story. The exposition on characters never feels forced or dialogue heavy. Throughout the show, the characters (mostly just the two main leads) evolve in reaction to their circumstances and others. The flaws that each of them carry are unique and believable, and most importantly allow us to be sympathetic or even empathetic with the characters. Even some of the worse characters (although not the villains) have sympathetic backstories that you can understand without forgiving. This is an incredible feat of writing, and brings more texture to an already fantastic plot.

One thing that's so good you often take it for granted is the incredible production. Such things can be a luxury (especially in the CDrama world), but things like cinematography, set design, sound design, direction, and the all important acting and extremely well done. The cinematography in particular is outstanding, with striking framing and beautiful lighting that is still threaded well into the flow of the scene. World-class acting has almost become a prerequisite for a larger budget show at this point, but we must still acknowledge the great work of the actors and the people who cast them, as they portrayed exemplary depictions of characters with a wide range of emotions and which evolve over time. Even more importantly, the two romantic interests have a palpable chemistry with each other, something that can make or break a romance drama (and clearly made it here). The music choice was also excellent, and the sound design was good enough that you didn't notice it.

I've seen many comments on how this show is a breath of fresh air for romance dramas, and I cannot agree more. Virtually free of tropes (there's no 2nd lead!) and brimming with thoughtful beauty, I couldn't help but get instantly sucked into the world; I binged the whole show in one sitting. This is not difficult to do, because the show is short and therefor a smaller time commitment. And so, for that reason in addition to all the incredible qualities I've mentioned above, I will sincerely recommend this show as my favorite CDrama.

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I SHOULD HATE IT BUT I DONT

It started out as a typical "im a poor orphan boy and i work gazillions of job to make ends meet - you should love me and sympathyze with me because im poor but Im kind" story. It should sound overused on paper, but for me, it still worked.

Lets begin by talking about the gorgeous cast - they're all just beautiful! Kaitoon and Nont is already a good pair, but Valen won me over. The second couple is intriguing too. Oh, and I love Valen's sister, and how she knows what's going on but is not being nosy and is just being a forgiving and supportive sister. I even like Valen's friends and how they're just nonchalant about their 2 friends love interests.

I am also hooked by the way they showed same sex relationships is a non-issue and doesnt need to be discussed as if its the most normal thing in the world. I also appreciate that there are no villains in the series.

However, I wouldnt even call the series short and sweet cause there were a few times, even at 6 episodes, when i cant help but fast forward. There was also a few plot points left unexplained and the way they presented it made me ache for the second part BUT even if some unforeseen events come to pass and they can't continue the series, the ending still feels like a good conclusion.

What i hate is the way Kaitoon treated Nont, cause Nont doesnt deserve that. The problem with that however, is even if the second lead is lovable, i still love Valen even more.

Im giving it an overall 7 stars. Lets just hope that when, and if they return, that they'd make this an even better show and not ruin it just like a lot of sequels out there.

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Watching Taiga dramas demand a whole lot of commitment considering their enormous size and the concentration level you have to use on them, but once you’re into it then you’re 200% involved with it. Ryoma Den is a great example of how NHK Taiga dramas can sneak into you and oblige you to stay.

For starters, let me mention the difficulty to assemble my thoughts about such a wonderful drama. It took me a while to know where to start but let’s begin with this: Making a Taiga about one of Japan’s most influential figures was such an astonishing idea! Once again, let me insist on the accuracy of Taiga’s, they abide to historical facts with only few minor changes that can never cause the deviation of the historical flow. There is also the very informative “Travelogue” at the end of each episode to nourish your historical knowledge on some characters with the addition of real places to visit in Japan (when my long dream of visiting Japan comes true, I will go there for sure!).

Ryoma didn’t live much but through his short life, he did many unforgettable deeds for Japan and its people. Being born as a Tosa’s Kashi (Low Samurai rank), he wasn’t handcuffed by the daimyo rules or the common traditions. Instead, he had dreamy ideas to change his country to what Japan became like in our recent days. The Bakumatsu era aka the end of the Tokugawa Shogunate was one of the most turbulent times in Japan’s recent history until the Meiji restoration came along. Our hero had to go through that period with many revolutionary thoughts in his mind. Ideas that were harshly rejected at times, hardly accepted at other times but very much acknowledged most of the time.

Ryoma character always intrigued me, being a low-class samurai who stood up for the well-being of all the people of Japan must be the main reason behind it. When the bakufu was ruling Japan for over 260 years with the same old fashioned thoughts, an air of change had to blow them up and make them realize that the world is moving on and so should they. That air was Sakamoto Ryoma, through his adventures he was able to gather the essence of Japan’s future in a new world. It’s a world where they can be amongst the leading countries instead of falling into the merciless claws of imperialism.

Ryoma’s life had many turns and countless of encounters. It started with his family, his childhood play-pals, going through his first love, his idols in life, his allies, his enemies, his teachers, his women meetings and all of his comrades. Sakamoto Ryoma always managed to leave a deep impression into anyone he met, whether they loved him, hated him or even those who wanted to kill him. I think Ryoma’s most note-worthy quality was his ability to negotiate and convince the other party of the legitimacy of his views; he does that with perfection even against the most fearsome and huge figures of his time. Many believed in him and countless supported him as he embarked his journey towards a bright future and that didn’t come from naught, Ryoma was able to capture them one way or another.

Turbulent times are full of political clashes and endless battles but that made the drama even more exciting. Every detail of the Japanese history at the time was inserted in the most captivating way. Our narrator Yataro played by Kagawa Teruyuki added more attractiveness to the events. His historical tone while telling Ryoma’s life was priceless; one of the best narrations I ever came across in any Asian drama!

Now if I have to state my little displeasure about this drama it would be the over-idolizing of Ryoma’s character. I know about that because I actually read a lot about Sakamoto Ryoma and Japan’s history prior watching this drama and his character isn’t as perfect as the drama describes it to be. I know that they want to honour a Japanese hero and a little dramatization is no escape to make an appealing drama but I felt uneasy about those parts, even a little.

When we talk about Taiga dramas, we need to pay extra attention to acting considering its crucial role in maintaining ground-breaking historical telling. Fukuyama Masaharu nailed it so bad as Sakamoto Ryoma, he was able to make the character feel pretty much alive. He once stated about playing Ryoma’s character: “His appeal stems from being the kind of person onto whom anyone can project themselves”; that explains it all.

The supporting cast was full of many incredible talents such as Omori, Tanihara, Iseya, Takahashi, Aoi, Kiritani, Oizomi, Takito, Oikawa, Maki, Kamikawa, Sato, Kaname and many others. They were able to maintain a very intriguing historical tone throughout the whole drama. It’s no secret that Taiga and historical dramas overall are what make you test an actor’s skills and this drama’s cast gave wonderful credits to the characters they played. However, the best of them all was Kagawa as Yataro, no wonder he got many awards for that role; he was able to flawlessly play the role of Ryoma’s lifelong friend with all of their complex relationship, it takes an actor from a high calibre to pull that off. He undisputedly managed to steal the lights from Fukuyama countless of times.

The cinematography was pretty well illustrated with all of those charming sceneries in old-times Edo, Tosa and Kyo. I was pretty immersed in the realistic depiction of the historical setting and the soundtrack used in this drama. However, I was displeased with the camerawork. Directing has been the major issue with Taiga dramas. Although it can be disregarded since this is a drama not a film but I still hope this can be changed.

Watch if:
-You like historically accurate dramas.
-You like NHK Taiga dramas.
-You want to watch a drama about one of Japan’s most important figures.
-You like political oriented dramas.
-You want to discover Taiga dramas.

Don’t watch if:
-You don’t appreciate historical Japanese dramas.

Ryoma Den left me with many great thoughts about Ryoma’s character even with the little differences compared to history. My second NHK Taiga adventure was a total success and now I am thirsty for more!

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Kept me glued to my seat for so long that I might need an adhesive remover to get off now—

All in all, Gold Panning has everything I could ever ask for in a mystery drama: a compelling storyline, great execution, perfect cast, beautiful visuals and an amazing musical score that complemented each scene it accompanied.

✦ Story ✦
The unique premise of this drama, which is obviously about the cutthroat industry of gold panning like the title indicates, may or may not appeal to everyone but regardless of whether you're into it or not - this drama's main focus still lies in its premise. To describe it in a simple phrase, Gold Panning is about "Dog-eat-dog world" or "Survival of the fittest" as greed for gold (which everyone believes can grant them a better life) basically drives the actions of all the characters, but despite being greedy, they might not be completely selfish and have their own reasons that are unveiled at a steady pace with each episode.

And one thing that sets it apart from typical mystery/thriller dramas is that Gold Panning doesn't rely solely on gore and body-horror to make the drama dark or depressing. There's slight gore, there's slight body-horror, but neither of them is the main point.

However, this drama demands your full attention. You can't just play it in the background as you do other chores as each scene is crucial, purposely added, and greatly contributes to the plot. Sometimes you might think "what the hell is going on?" (I did too lol) but it's like completing a jigsaw puzzle whose picture you don't know beforehand; You only discover what it's all about after you put more and more pieces in place, and together, they start resembling something. The unpredictability, foreshadowing, and plot-twists here actually make sense in the end and this makes Gold Panning a perfect drama to binge watch as you're never bored while watching it.


✦ Characters ✦
Most of the characters were complex, flawed, morally grey/vague and fleshed out which makes them compelling to watch. I especially loved how the female characters were written, despite neither A Qiu nor A Lai getting much screentime compared to the two main characters, they still managed to be one of the most memorable characters in this drama; I mean, two strong women—one who's a single mother and the other who cross-dresses as a man—working by themselves in a male-dominated field, what can be cooler than that? Not to mention, A Lai has to be the best cross-dressing character I've ever come across. Every character here just felt so humane, so realistic, so alive. I simply loved it.

But talking about the two main characters, Chen Baojin and Wu Jianchao, separately - here's what I personally think of them:

♟ Wu Jianchao — It's the first time I've seen Liao Fan's performance and the amount of screen presence he has accurately described to me why he's known for his acting. His role as Wu Jianchao was so complex that I couldn't figure out if he's the bad guy or one of the good guys most of the time, it just kept me guessing.

♟ Chen Baojin — Chen Feiyu's acting has improved a lot! At first, I thought he can't portray 'vulnerability' during emotional scenes because it always looks as if he's holding back pent up anger (his acting isn't at fault, he just have fierce-looking eyes imo). But then, I realised it's not necessarily a bad thing and only adds to his character. Chen Baojin is a proud, stubborn teenager who's determined to go to any lengths for his main goal, so even when he cries, he doesn't look 'broken' - he looks angry like he's going to seek vengeance and want everyone to suffer tenfold for the suffering they've inflicted on him. In short, Chen Feiyu nailed his role.


✦ Music and Visuals ✦
The music, both instrumental and lyrical, really amplified the ambience that the visuals initiated. I also never felt like skipping the opening and ending themes because they were really addicting.
However, my favourite thing has to be the colouring in this drama, especially how most of the scenes had a tint of gold/yellow (they really stayed true to the title and concept even in terms of visuals) and some certain scenes were black & white - which made them seem more serious and sombre than they would've looked in normal colours. I actually had to delete some photos off my gallery because I took way too many screenshots...

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First I'll admit that, based on the synopsis, I thought this drama would be extremely dumb (another shotgun wedding story???). I still decided to give it a chance, and adhere to my four/five episode rule (watching at least 4 episodes before dropping a drama). Since it's a remake or a popular Taiwanese drama, I figured why would they bother to remake something dumb.

After the first episode I was convinced I had made a mistake, and was completely turned off. She was such a doormat, the look of it was so cheesy, and his laugh was out of control... I had no idea how hooked I would be. As far as K-Drama Rom-Coms go, this one is now among my favorites.

The story is indeed over the top, with moments of deliberate cheese, random fantasy cgi, and completely unrealistic scenarios, yet the story had enough heart to make it all seem completely plausible. This drama made me cry multiple times, surprisingly & literally LOL more than I think I ever have at any drama, and these cartoonish characters suddenly became completely realistic to me. It got me totally invested in their relationship and totally addicted to the show. Yes, it's still mainly just a love story, with most of the usual K-Drama love story elements (like a conniving ex girlfriend and damn near perfect yet hopelessly friend-zoned 2nd lead), but It deserves a lot of credit for doing exactly what's expected extremely well.

The cast is exceptional. It's pretty big task balancing slapstick comedy, heartbreaking drama, and romantic chemistry, but Jang Na Ra and Jang Hyuk make it look easy. I've never seen either in a drama before, and I was impressed. Jang Na Ra portrayal of Kim Mi Young may annoy viewers who prefer a stronger leading lady, but I liked watching her character grow while still staying true to herself. Jang Hyuk's Lee Gun was my favorite. He was hilarious, he was charming, he was touching, and even his laugh grew on me. I loved the entire supporting cast ("hamo hamo"), particularly Mi Young's mom. The weakest characters to me were actually the unrequited loves of the leads, but I thought they were still very good. Daniel Pitt and Se Ra were less colorful than the other characters, but I was invested in their story lines as well.

The music was great. If I can keep hearing the same songs over and over again, and want to sing along instead of punch myself in the head, then that soundtrack is a success!

I could see myself watching this again, mostly because Lee Gun is so entertaining, but also because the story is so well done. I also don't see it losing any of it's charm with repeat viewing. There were really no dull moments, no repetitive episodes just filling up the time, and the last episodes didn't drag, wasn't rushed, and left no loose ends. I also really loved the ending. It did have the potential to be extra corny, but I thought is was perfect.

Overall, I say this is a must see for rom-com fans. I can't compare it to the original, since I didn't see it, but I think I now understand it's popularity. If you're not that big on rom-coms, but you're ok with entertaining stories that don't try to reinvent the wheel, then you may be pleasantly surprised by Fated to Love You just like I was.

My recommendation is to give it a chance, and you probably won't regret it :)

Also, I really want one of those Ellie Kim bags... seriously. And yes, I did just stalk Yook Sim Won on the internet for one. Lol!

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