some things said or done can never be undone...
Overall: I'm pretty torn on how to rate this series. I thought it had a strong start but the writing/pacing ruined the series for me. This was adapted from a webtoon which I didn't read (it's on Lezhin Comics) and I reviewed the series on its own merits. 8 episodes about 30 minutes each. Airing on GagaOOLala & iQIYI country dependent. Ep 1 GagaOOLala link (vpn to Taiwan works) https://www.gagaoolala.com/en/videos/4176/jazz-for-two-2024-e01 Episode 1 iQIYI link https://www.iq.com/play/jazz-for-two-episode-1-xiat5zva94?lang=en_usContent Warnings: past death (see comment for another one), manhandling/injury, mental health struggles, bullying, non con touching, sexual assault, non con kiss, grief, beaten up/violence, parental abuse, homophobia, manipulation
What I Liked
- explored more serious topics such as internalized homophobia
- some mystery of what happened in the past
- A Shoulder To Cry On cameo for 2 characters
- the blue haired guy's friendship with the two leads
- that Se Heon wasn't a total pushover
- the jazz music
- the bike riding in episode 6 was funny
- sweet moments mostly in episode 6
- showing taking medication and going to therapy for mental health struggles
- the revelation at the end of episode 7 was interesting but not enough time to fully explore it
- the final kiss in episode 8 was well done
- production value
Room For Improvement
- failed redemption arcs for multiple characters, they needed to tone stuff down if they wanted me to root for their romantic relationships, one "I'm sorry" was not even close to what was needed for what those characters did, they also needed to shorten the length of bullying because a character was a jerk for five episodes and then again for part of episode 7 (and the writers leaving out a character repeatedly kicking/beating up another character many times in episode 7 flashback did not escape my notice though it seems like they wanted viewers to forget that part)
- pacing, there was way too much time searching for an apartment but then the ending episodes were extremely rushed complete with a 3 year time jump and no sign of a few characters, they had too many relationships and it meant not enough time on any of them
- cliche poor communication/noble idiot trope (thankfully it didn't last long)
- multiple dead fish lip presses/blocked kisses
- started with a confusing flash back/forward (later realized it was a flash forward)
- exposition dump/voice over in episode 1
- cliche female character pursued a disinterested guy (she did eventually stop/apologize indirectly)
- nonsense stuff including a bar only having milk or water as non alcoholic options, they'd have juices/sodas to mix with the alcohol to make drinks, (let me know if it's common to have only beer/wine at a bar in South Korea and I'll remove this)
Thoughts on Bully Characters/Their Romantic Relationships
Sometimes these characters and their dynamic work for me and other times they don't. Here are the factors that I'm thinking about. The first response is the lead couple and the second are the second couple.
1. does the reason why the character bullies the other character make me empathize with them, note that there is never a good reason to bully another person but whether or not I can empathize with them is important (kind of and no)
2. how severe was the bullying (verbal/mild physical/sexual and severe physical)
3. how long did the bullying last (we don't really know times but first 5 episodes and then some more for 1 and seems to have been an ongoing long term thing for the other)
4. is there some kind of apology/amend making (just 1 verbal apology and just 1 verbal apology)
5. is there character growth (maybe a bit for both but not really shown)
6. do I believe that the characters will stay together in a happy romantic relationship (maybe and no)
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This definitely isn't my first time liking either of the leads in a drama, but I feel like this is both of them at their absolute best. Seo In Guk and Jung So Min also have legendary chemistry here, ranging from entertaining banter, to intimate and genuine, to emotional rollercoaster. They both really get to showcase their range in these roles and create truly memorable characters who I couldn't help but care about and root for, even if their relationship was extremely complicated and messy. That's what I loved most about this drama and its characters, nothing is all good or bad, and nothing is as predictable as it may initially seem. These characters make frustrating decisions and take scream at the screen inducing actions, and instead of that making me mad it just made them all feel more human.
It also helps that the entire cast is impressive. Park Sung Woong big brother role and Jang Young Nam also have amazing chemistry and give really great performances. I loved Moo Young rivalries with various characters. I especially loved the moments when Jin Kang and Jin Gook hid darkness and depth behind their smiles and teasing. The whole cast really played well off of each other. Some roles end up being more significant than others but there's not a single weak link in the cast, which helped to make some of the more melodramatic moments feel more realistic and made me more invested in everything that was going on, even during moments when I was confused. Eventually, all the elements of the story do come together, so any confusion I had was always temporary, and just kept me more interested in what was going to happen next.
Would I watch this drama again? Without hesitation. Although the suspense of not knowing what's going on would be gone, just watching how all the pieces fit is entertaining to me. I also feel like this is the kind of drama where I might pick up on something during a second viewing that I missed the first time. I really wasn't ready for this drama to be over, even though it ended in a way that seemed inevitable and was well done. I still miss the characters enough to want to see them again, especially the sensitive yet slightly sexy and sociopathy Moo Young. I crushed so hard on Seo In Guk watching this it was almost shameful. That's another automatic reason to want to watch this again. I will probably watch the original version too, but I can't imagine me liking this version any less after viewing it... it's too good.
I should also mention the music which to me fit the show perfectly. There was even a moment when I was holding back tears but as soon as "Star" played, Seo In Guk and Jung So Min's duet, the floodgates opened and I couldn't hold the tears back any longer. The harmonies got me right in the feels and now it's among my KDrama OST favorites. I had no idea it was even them singing the song at first so that's just another reason to love them together.
Overall this is easily one of my new favorite dramas ever, so of course, I would recommend it to anyone and everyone. The story is a pretty dark one, but it's not without light moments and scenes that made me smile and swoon. This isn't exactly a sweet romance, but there are plenty of moments to satisfy romance fans. There may not be much action for crime thriller fans, but I think the suspense around characters and the story makes up for that. If you are the type of person who prefers stories about happy people living happily ever after, then you may want to skip this one, but I think you're missing out.
Now that there are no more episodes left, I feel the smile leaving my eyes : ( but since it is Thanksgiving I will just be thankful that I got to watch what I'd easily call the best drama of the year!
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1
5Revenge drama done right, thrilling and satisfying
Revenge is one of the most common genres used in dramas, but The Double stood out because it never lost focus and strayed from its main revenge theme. Too many revenge shows started off strong but lost their way when romance became the central point. To add salt to injury, smart leads suddenly became love brain and lost all common sense, or even worse, any ounce of intelligence that they used to have.Not this show.
Oh, there was definite romance, one so tantalizing and the build up of our lead couple's relationship so engaging that it set my heart aflutter even when there were no kisses for most of the show. However, the plot stayed on course, showing how our female lead, Xue Fang Fei slowly but surely got revenge for herself and her family, and also for her savior, Jiang Li whose identity she assumed after getting a second chance at life. Furthermore, the crew and cast, from the director, the screenwriters to the leads and supporting actors, they owned this show, expressing the story with their own unique voices and perpectives.
Revenge is visceral, evoking deep feelings and grabbing our attention. Viewers hate to see a grave injustice go unpunished and most of us can get behind a little vigilante action in our dramas, especially when we get to watch the deeply wronged victim avenged. In this show, the injustices were montrous and I find it completely justifiable for Xue Fang Fei to seek out the people who so badly betrayed her and wronged Jiang Li. The drama unfolded well, ensuring that the viewers formed an emotional bond with the characters, getting outraged, wanting revenge as much as Xue Fang Fei did.
What is great about Xue Fang Fei was that she was truly likable, a protagonist who had most viewers firmly in her corner, rooting for her. She was of course full of rage but she was not one-dimensional, driven only by revenge. I would not have been surprised if Xue Fang Fei felt the desire to overstep moral boundaries, not caring about others, but she almost always exercised a degree of restraint, trying not to harm the innocent as she carried out her elaborate plans of punishment. She reflected on everything including seeking justice for Jiang Li, even prioritizing Jiang Li's retribution first. Even when she had a love interest as enigmatic and attractive as Duke Su, she stayed on the revenge course. There were moments when she wavered, foiled by the villains' scheming but she always managed to recover and retaliate beautifully. Even better was how she considered the interests of Duke Su, protecting and helping him in her own way. Xue Fang Fei was a female lead worthy of respect.
Duke Su or Xiao Heng, now he was a drool-worthy male lead. Powerful, skilled, intimidating while being gorgeously green flag. What I love about this character was his interesting dualities. Xiao Heng will tease, and be all assertive and domineering but also be so attentive via his acts of services and care. I enjoyed watching this cocky, confident and composed man stay consistently that way and yet was also clearly a great partner to Xue Fang Fei under all that so called posturing. The thing is that he was really all that, but he made sure that Xue Fang Fei knew that they were equals, that she owed him nothing and most importantly, she should live her own life for herself, and no one else. Not even him.
The show hit the jackpot with our lead couple! As individual characters, they were endearing and as a couple, they were a force of nature. I appreciate the consistent portrayal of both leads, who did not suddenly lose brain cells or rationality just because they fell in love. They were sensible and intelligent enough to come to the right conclusions about each other's actions. Gotta love a show where there were no tropey prolonged misunderstandings.
While some may think the romance too slow-burn and lacked passionate acts of love, I find it tantalizing and meaningful. It reminded me of myself experiencing the thrill of a love interest, getting to know the person, developing feelings, finally falling in love and wanting to protect. The interactions between the leads was packed with chemistry and emotions, showing how from enemies, they've become friends and finally lovers. There were no official moment of when they finally got together. Even when Xiao Heng confessed with just two lines, it was more of an acknowledgement of how they were already one. This is one show when waiting for the full culmination of the leads' love will be worth it. The last and special episodes nailed that.
Wu Jin Yan as Xue Fang Fei and Wang Xin Yue as Xiao Heng were excellent. The directors' use of close up shots was very effective and all I can say is that these two can really act with their eyes and facial expressions. I am so impressed with the lead actors and also the supporting cast. There were so many times when I thought that the directors must be amazing to inspire and draw out so much emotion from the individual actors. Speaking of the cast, it was a very attractive set of actors who can act including the villains.
The array of villains was an interesting mix. At first I thought the earlier ones were caricaturish, almost one dimensional but as the plot developed and revealed more of the backgrounds, I understood that there were a lot more angles and aspects to these antagonists. They were shown in different lights, evoking sympathy and at times doubt. All the female ones were victims of circumstances in the beginning but ultimately decided to take control of their fates by choosing the paths of self-interest that made them into villains in some form or another. Joe Chen deserved a shout-out. She clearly had the female lead aura which drew eyes to her when she was on the screen. Not so much the actress playing Princess Wanning, there was just something off about her expressions.
The best part though is that who we thought were the worst villains turned out to be victims and the ones who perhaps evoked sympathy in the beginning ended up being the ultimate evil ones. I enjoyed the twists introduced in this drama.
Another aspect that the show did well was its pacing. The show did not end up dragging on way too long or climaxing too soon. The revenge and romance kept me invested until the end. Watching karma do its thing provided a nice catharsis, the final release of tension that led to satisfaction. With the great OST, beautiful costumes and setting, excellent cinematography, this show is worthy of its excellent rating if not higher.
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Humorous & Witty
OK, I admit, I came to watch this drama because of XiaoZhan. After the drama Chenqing Ling (The Untamed), I started to search for dramas by Xiao Zhan, and this drama is one of them. (By the way, if you haven’t watched The Untamed yet, you might want to check it out.)Initially, at episode 1, I almost gave it up because it started off as a modern-day drama, so I thought; I had expected a historical wuxia drama. But very quickly within the first episode, it moves into historical settings and I was totally hooked since then.
Accordingly, this drama is adapted from a novel whose popular author has also written many other works including Ever Night. I have not read this particular novel (Joy of Life), but I understand that it is a super long novel, and the drama adaptation is planning for a five-year 3-season run, and we are currently in season 1. Whether the following seasons would run into any unforeseeable issues is anybody’s guess (such as the change of actors etc).
In the actual novel, it is supposedly a time travel story. But because such stories (time travel) are banned in China film production (I don’t understand why China wants to stymie such creativity), the production team has cleverly adapted the story by cutting out the time travel part hence passing censorship.
I must say, unexpectedly, this drama is so good! The story is interesting. The dialogues are funny and unexpected. The play of words and homophones, puns and use of chenyu (idioms) are hilarious, and yet witty, deep, meaningful and cultured. Too bad many of these wonderful characters (Chinese words) are lost in the translation and non-Chinese native speakers may not find the dialogues as wonderful as the native speakers do. Seemingly a light-hearted drama, but when it comes to emotional moments, the director has successfully squeezed out a tear or two from me. The acting is immaculate! I love the relationship Fan Xian has with his siblings and with others whom he considers as friends; it’s deep and genuine. Unlike most actors who act in historical dramas, Zhang Ruoyun has a presence day physique making him a perfect Fan Xian as he is supposed to be a modern man; his etiquettes are simply hilarious and Zhang delivers 100%. The supporting cast is equally good, in particular Guo Qilin who plays Fan Xian’s little brother; he is adorable and amazing. I hope to see more of him. I love the opening and ending OSTs, with the ending song being sung by Xiao Zhan, another talented actor and singer.
33 episodes in, I still haven’t seen a whiff of Xiao Zhan. Nonetheless, this hasn’t reduced the enjoyment I have got out from this delightful drama. Xiao Zhan plays a supporting role and for marketing purposes, his name is being displayed or used prominently to attract attention. I can understand why the team is doing this (Xiao Zhan is currently the hottest Chinese actor in China), but I find it deceiving and I can't say I appreciate it. This drama should receive the attention it duly deserves if being marketed properly, because it is indeed a great drama.
Updates:
Finally Xiao Zhan appears at the end of episode 38. His screen time is so little that I haven't had enough time to make out of his character, and hence provide a correct assessment of his acting. Nonetheless, at the end of season 1 (episode 46), as expected, there are still tons of unsolved mysteries, new twists, plots within plots -- getting the viewers all hooked up for the next season.
If you are checking this drama out, do watch it. It’s amazingly wonderful. This is truly a wuxia story and the fighting choreography and qing gong are done beautifully. I can’t emphasize enough: it’s a MUST-WATCH!
Two thumbs up!!
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This review may contain spoilers
for the arts not the charts
i might be the only person who enjoyed this show throughout LOL if you're expecting a walking green forest of characters then dont even bother starting this show bc main leads are heavily flawed characters and both have their shortcomings but they were entertaining to watch (for me). this show is about troubled youth chasing their dreams together but dont expect a smooth sailing ride for them. i personally love shows like this (flawed characters, angsty) so if you're one of my kind you might like this show. the 'love will prevail all' mindset they had at the start is so frustratingly cute. im a forgiver to lovesick hopeless romantics unfortunately i found them endearing. some of the plots were questionable but for the most part it was good! second lead cp story was SUPER unnecessary. buuut zhou shui & dai daji's love was worth to watch! i loved seeing their growth and tbh they couldve added more eps to show zs&dj in present time. alsoo this show has an OE but i like it! which is rare bc i hate an open ending show but they somehow executed it nicely and i was satisfied with it at least!! teared up a bit here and there when watching this but i might just be attached to the show hahaaWas this review helpful to you?
Complete Waste of Time
I hate to give such a terrible review to any Korean BL, but this one was terrible.100 minutes is plenty of time to tell a story - there are very few films that are longer than that. But it's a problem when you try to tell a 1,000 minute story in 100 minutes and so you film 100 of those 1,000 minutes, but apparently randomly selected.
It's perfectly OK to hint at backstory without fleshing it out, like the relationship between Yi Bin and Ki Jin - that was fine. It only takes a few seconds to set the stage & show us Yeong Woo's life - that was fine too. But what is the story that was being told? I have no idea, because it was entirely skipped and no context provided. Did Ki Jin break up with Yeong Wu? Ghost him? Give his job to Yi Bin? Flee the country for several years? Or did only a week or two pass? Yi Bin more or less says that everything we thought was happening didn't happen, so where was Ki Jin for the last few episodes, and why was he suddenly behaving like an old woman instead of a puckish young designer?
If Ki Jin broke up with Yeong Woo, that might have been a nice scene to see. If there was a big fashion show (which appeared to be the climax to which this was building), I can understand it not being shown due to cost, but we could at least have seen the aftermath. Likewise, in Nobleman Ryu's Wedding, we didn't need to see the actual wedding - people complained about that, but do you really expect them to produce a Joseon-era noble wedding? That would blow the annual budget of a small nation.
The production quality of this was very average, and perhaps below. There are lots of sound mistakes, and the acting is mediocre - the two mains are good enough to enjoy, but uninspiring. The best that can be said is that the kisses looked pretty good, not the usual rubber lip-touch.
My best guess is that they filmed a lot more but the acting or production quality was too poor to put in the final cut and they didn't have money or time for reshoots. Either that or the director's dog ate the script and they had to dig whatever scraps of it that they could out of its poop.
I would stay away from this one.
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It is just one of the many 'what the f' moments, and there was a lot.
First the story - a love story with a supernatural twist and that's what brought me to the series. It was slowly setting up the mistery and then midway i felt duped into watching the show - the supernatural elements was so scarce (or was intentionally dialed down) that you almost dont feel it. To add to the insult, none of that was explained, not in the tiniest bit. The writers are just taking the viewers for a ride and they think you'd be ok with it. Seriously, more on that in the end of this review. Also, the way people grieve for their dead in the series is just over the top, its as if their love ones died just recently when the fact of the matter is, both featured loved ones died at least 5 years before the present time.
Second, the characters. Runway is pretending to be an angel but a user in real life. Dream is a perverted being. Guide is a 'confused' gay guy with a mustache. Yim is, i dont know what Yim is, you take advantage of him and he will say thank you. Yaimai is a martyr pretending to be a mean girl. Good may be the only good one here. Elle is a shapeshifting homecrasher/homewrecker demon. Oh there's also a rapist and a crazy mother. Did i mention 5 of them are in a love pentagon?
I do appreciate that they tried to do a series without any real antagonists and that comflicts and complications were the result of the characters acrions rather than creating fake bitches and villains.
The pacing was so painstakingly slow where in some episodes nothing really happens and then they just insert one small moment to tease the audience. Its like they had a story in mind and then the producers had a brilliant idea that this series can go on for three seasons and instead of thingking of new twists to the plot they just decided to cut their story into three parts and stretched the middle part into these 12 very long episodes. Yes this is the middle part because apparently from the teaser there is SUPPOSED to be a next season which is going to be a prequel of some sort. Whats worst, like i mentioned earlier, is when you realize in the end that nothing will be resolved and explained after very slowly building up the events, not even a single happy ending. To add salt to the injury, it looks like there is no more second season so yeah full marks for leaving all the stories hanging and bailing on the viewers.
I finished the series screaming to the telly "what the effin f**k?"
Stay away from this one. Dont even think about trying it. I wasted my time to see it so you dont have to waste yours. You are warned.
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i absolutely loved the fact that this drama was sort of... risqué. It doesn't try to conceal the truth about relationships and talks about couples sleeping together as it is; a normal thing. This is something i have NEVER even come close to seeing in a Korean drama. The acting was really good. Also, the character's were all pretty realistic too. There wasn't any "crazy" psycho girl that you want to punch in the face, like a lot of dramas these days. I really, really loved this drama and i can't wait to watch it again. This is definitely one of my favourites.
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Acting/Cast: The acting done by the cast was better than I've seen in most dramas. To say it was good is an understatement, there was such genuine emotion in each scene and it all felt very real. L and Yoon So Hee did such a great job with their characters and their relationship. The only thing that actually bugged me was about Taks character. At first, I really wasn't into Tak. I wasn't sure how he could turn into a complete jerk, even through such stress. It did frustrate me, but it was nice to see an imperfect character get knocked back to his senses.
Music: I'm really not trying to overdo this review with more compliments than it deserves, but the OST in this mini series was so note worthy. The soundtrack was so great to listen to, and it fit the band and the vibe of the show very well. I especially liked the last song, One More Time, I felt that song was absolutely perfect to finish the drama off.
Re-watch Value: I don't re-watch dramas a lot, especially ones with complex stories. I'd rather re-watch shows where all you have to do is laugh and smile. As good as this was, I might just save it as a memory, I don't think I'll re-watch it all by myself. With a friend however, I can totally do that.
Overall: I wanted to give this drama a 9.5 for how I felt about it after just watching it, but after some thinking, I gave it a 9 for everything I said above. With the ratings and the other review, you might think on skipping this one, but I'm here to say that this is a mini series worth watching. It's a 4 hour long ride, so if you feel like it's not you're thing early on, give it a chance to prove itself.
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An intriguing drama that captivates from start to finish!
I chanced upon “The Glory” (雁回时) airing in WeTV when I came home from a trip more than a week ago. The summaries I’ve read intrigued me, so I started it and I was hooked! I was binge-watching episodes during my free time such that I quickly caught up to the latest happenings.The story is about Zhuang Han Yan, who was sent away as a baby due to some supposedly prophetic words from a Taoist master, saying that she is the barefoot ghost (赤脚鬼) and her birth caused her grandfather’s death. She was raised by his father’s friend and his wife in Danzhou, both of whom mistreated her. Due to some turn of events, she was able to break free from them and come back to the capital, falling unconscious at the gates of the Zhuang residence in the cold winter. Her sudden return threw the entire family into an uproar, and she also caught the attention of Fu Yun Xi, the Vice Minister of the Court of Judicial Review, with whom she has a marriage agreement that was decided by their parents. These led to a series of events that unfolded one after the other, with secrets being exposed and the truths eventually coming to light.
STORY / PLOT 📚:
“The Glory” is a drama that encompasses many themes. It is a story about one woman’s quest for a family that had been denied from her when she was born. It’s about her quest for justice/revenge and her goal to break free from the “barefoot ghost” reputation that had followed her from birth. It focuses on the mother-daughter relationship, friendship, the sometimes complex family dynamics, and even romance, albeit the romance is slow-burn and somewhat subdued (more on that later). Then there are the political and investigative aspects in the case of the fallen Pei Da Fu, the powerful eunuch who, during his lifetime, had amassed a fortune and had many cronies in court, the most prominent of whom is the so-called adopted son.
As I watch each episode, I can feel the excitement and anticipation since there is no boring moment. It’s like when one episode ends, I’m drawn to continue, and before I realized it, I’ve been watching for hours and I’m way past my bedtime. Indeed, the twists and turns kept me on the edge of my seat. There are also a myriad of other emotions and reactions such as happiness, surprise, tenderness, sadness, intrigue, anger, and indignation. There are some emotional and touching scenes where I cried a bucket, e.g., between Zhuang Han Yan and her mother Ruan Xi Wen, between Zhuang Han Yan and Ah Zhi. Other relationships also tugged at the heartstrings such as Zhuang Han Yan and Chai Jing’s friendship, the push and pull between Zhuang Han Yan and Fu Yun Xi, the father and daughter dynamics of Fu Yun Xi and Ah Zhi, among others.
As I mentioned above, the romance between Zhuang Han Yan and Fu Yun Xi is slow-burn. There are definitely sweet moments and affectionate gestures between them. Some are subtle/indirect, such as longing glances and lending support behind the scenes, while others are more obvious, such as holding hands, intercepting marriage proposals, jumping in to save her from a raging horse, the hugs and the few sweet kisses, etc. More explicit displays of their affection is very much welcome, but I'm still happy with how the drama portrayed their relationship's progress. They started out with distrust and suspicion as they schemed and pushed their own agenda, developed respect and admiration for each other, vacillated between doubt and trust, and finally learned to trust and love each other.
As for the ending, I'm satisfied with how they executed it. Everything tied up nicely, and even if there is a question or two, they’re minor and does not affect my enjoyment of the drama. What Zhuang Han Yan said towards the end is a fitting wrap-up for this series: “Any place full of love can be my home.” (有情之地, 处处皆可为家) ❤️🏠
ACTING / CAST 🎭:
Chen Du Ling’s star shines very brightly here. She gave an outstanding performance as Zhuang Han Yan 👏. She conveyed different kinds of emotions through her facial expressions, eyes, mannerisms, and tone of voice (kudos to the voice actor too). Zhuang Han Yan is an emotionally scarred woman who has experienced a lot of pain and trauma during her young life. All these molded her into the kind of woman she is – smart, savvy, independent, strong but with a soft spot, kind and compassionate but not a doormat, and does not easily trust others.
Xin Yun Lai was able to portray the serious, stoic and somewhat mysterious Fu Yun Xi quite convincingly, though I would prefer more facial expressions in some instances. But one could argue that his character is supposed to be that way. I like how he poured his heart out when he confessed his emotions and love to Zhuang Han Yan in one of the latter episodes.
As for the couple’s chemistry, it’s palpable and they truly make a good pair. I can feel the tension from their first meeting. There is this push and pull in their relationship especially when they were getting to know each other, which adds to the tension (see above on their relationship’s growth). They are well matched, both in looks, wits and temperament.
Wen Zheng Rong is a seasoned actress who has appeared in many dramas. She gave an excellent performance as Ruan Xi Wen, Zhuang Han Yan’s long-suffering mother. She showed those raw and pent-up emotions brilliantly. At first, I was mad at her, and then I came to sympathize with her as I learned of what she went through all those years.
Yu En Tai nailed his role as the manipulative, self-serving and duplicitous Zhuang Shi Yang. Some think his acting is exaggerated and overly dramatic, such that it’s distracting and annoying. But I think that’s what makes his portrayal so effective. By the last few episodes, I was strongly rooting for justice to be served.
Jinna Fu was able to capture the essence of Chai Jing. She is Zhuang Han Yan's loyal and trusted friend, her support during her difficult days in Danzhou and even when she arrived at the capital. She is skilled in martial arts and protects her whenever she can. Their friendship is precious.
I couldn’t write this review without giving kudos to the talented and adorable Huang Bo Si, who played Fu Ling Zhi / Ah Zhi, Fu Yun Xi’s daughter with his first wife. Ah Zhi is such a sweet and loving child. She is so innocent, smart, and yet also mature for her age. She never fails to touch me with her favorite line, “When we miss our mothers, I can hug you, and you can also hug me” (我们想母亲的时候，我可以抱一抱你，你也可以抱一抱我.) 🥰. This kid has potential, and I look forward to seeing her in other dramas.
The other supporting cast gave great performances as well, such as: Wang Yan as the 2nd wife Zhou Ru Yin, He Hong Shan as the competitive Zhuang Yu Shan, Li Sheng as Noble Consort Miao, and Song Pei Ze and Chen Kang as Fu Yun Xi’s reliable right-hand men Mu Feng and Mu Yan, respectively. They add depth, excitement and some humor to the drama.
OTHER THOUGHTS 🔮:
I’m satisfied with the overall production and costume design. The costumes look good, and the color combinations are nice.
The soundtrack is excellent and fits the drama so well. Hats off to the team who chose the songs 👒! The ending theme song, “Blade” (刃), is Zhuang Han Yan’s anthem. The song is written for her! It sums up her journey fittingly. “Flame” (焰) is Zhuang Han Yan and Fu Yun Xi’s theme song, while “Cut” (剪) is a tribute to Zhuang Han Yan and Ruan Xi Wen’s relationship.
FINAL VERDICT ⭐️: “The Glory” is one of those dramas that left a lasting impression on me. It’s worth my time and attention, and I highly recommend it!
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This review may contain spoilers
"Woman of Dignity became one of the highest rated Korean dramas in cable television history"to be honest when I first read this title it didn't really affect me because I never believed that high ratings = great drama but since I love KHS I thought why not watch at least I'll enjoy KHS beauty & I'm happy I didn't miss this great drama I'll get into details with no spoilers at all so read it with no worries :)
What I liked about this drama:
1- It's not your typical drama in terms of story, acting or even characters. we have two female leads that are the main story in the drama with supporting characters that each have a story of their own just as fun as the main story with everything connected to each other I usually get bored of dramas that focus mainly on the female & male leads so this was such a fun drama for me.
2- It gets better with time, 20 Ep was a scary thing for me since usually the last episodes would get draggy but that wasn't the case with this drama thankfully, it gets better and it's just so fun that you won't be skipping anything.
3- I liked the light comedy that was added to the story mainly by Jung Sang Hoon, the humor was such a breath of fresh air in this somehow tense drama
I feel like if I write more I would end up with spoiler so that's it a small review about Woman of Dignity I hope you enjoyed reading it .
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There were times the acting was very off, especially with Victoria, she seemed to only express sadness and Johnny could barely show any emotion on his face. The writing was sometimes sloppy, with too many unnecessary moments, so much time was wasted on the ex-friends when I wish they could've fleshed out Qianhua/Zhaosong a bit more and they glossed over the r*pe scene after it happened.. Felt like Wangxuan was an addition that wasn't necessary – they didn't even treat her character right! I liked the use of flashbacks, it was interesting to see how everything has changed from then to now. Except episode 24 - a flashback to the 80s/90s of Pipi's parents were extra weird, but I guess it was done to provide Johnny with much needed extra screentime.
Despite these flaws, I still liked the drama – throughout the series, I liked the interactions of the characters, especially the two boys and Xiaoju - which gave us the right amount of humour. The pacing was good, issues weren't dragged out and sorted in appropriate timing.
Now the ending. Felt like they completely ignored everything that happened and did a 180 on what viewer's wanted and expected. Bad writing and bad execution. Barely tied any loose ends. Awkward time jump. Like, there were mention of the south/north war - but now that he's a fox/human without powers or memories, what are the fox clan left to do? Meeting of Helan Xi and Pipi after six months was awkward and could have been executed much better.
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Homecoming
Hometown is a psychological thriller that revolves around three main characters; police detective Choi Hyung In, convicted mass murderer Jo Kyung Ho, and his estranged sister Jo Jyung Hun. The premise is based on the preliminary investigation of a murder case which escalates into the search for a missing schoolgirl and subsequently the mystery surrounding the abduction of her classmate. Both events spark an explosive chain of events with wide-reaching implications for their family, friends and the community they belong to.Originally an OCN production, it was eventually broadcast by sister channel, TVN. Directed by Park Hyun Suk (Stranger 2) based on the screenplay by Cho Hyun Hoon. Initially credited via his pseudonym of Joojin, the screenwriter was removed from the production credits altogether once his real identity had surfaced which resulted in controversy and public backlash due to his past sexual harrasment case. Choi Seong Gwon is engaged as the composer for the drama.
What to watch out for
The story is set in 2000 with a re-telling of events taking place in 1999 and frequent flashbacks to multiple timelines in the 1980s, particularly to a terror attack on a bus terminal in 1987. The storytelling is non-linear for the most part, which utilises parallel and converging plots based on the shared narrative of the three POV characters.
The eponymous hometown refers to the fictional town of Saju which is located in Gyeongsangnam or South Gyeongsang province. Nearly all characters in this drama speak the distinctive Gyeongsang dialect, as opposed to the central dialects (Seoul or Gyeonggi) that most viewers are perhaps used to.
Elements of mystery and horror are present throughout but, rather than outright terror and fright, the drama projects an overall eerie, ominous and psychologically disturbing aura. By the time the halfway point is reached, if not earlier, viewers should be quite aware of the direction of the story.
Expect trigger warnings in the form of drug references, abuse and bullying, as well as some violence resulting in depictions of blood and gore in certain scenes.
What I Liked
I enjoyed the storytelling approach which feels distinctively neo noir in terms of the visual language, compelling dialogue and the variety of complex characters written in the screenplay. We have the hard-boiled detective who does the nitty gritty legwork, the charismatic yet sinister psychopathic mass murderer and the frantic family member of the victim. Add to that an extremely detailed worldbuilding and a whole host of intriguing side characters ranging from the questionably dubious to the downright bizarre that make their truly disquieting presence felt.
The first 8 episodes of the drama felt the most captivating for me. This is largely because of the mystery surrounding the events at play and the infusion of a rather horrific scene that reeled me in right from the start. It is also during this stage that I found myself still able to sufficiently keep track of the happenings which connect the dots to the grand scheme of things.
The cast is, without question, absolutely outstanding. Yoo Jae Myung’s portrayal of Regional Investigation Unit’s Detective Choi Hyung In is utterly convincing. He made me believe that he truly is a seasoned yet somewhat traumatised cop, in a gripping performance that is reflective of his experience in the industry.
Likewise Uhm Tae Goo delivers a compelling depiction of convicted killer Jo Kyung Ho. This is my first time watching him and what a talent he is. The most nuanced of the main leads, his subtle interpretation of the intricately written role and the delicate articulation of his lines through a deceptively calm demeanour and soothing voice literally enthralled me into a false sense of security.
The drama also features the award-winning Han Ye Ri, fresh from making her Hollywood debut with the critically acclaimed Minari for which she garnered 4 nominations. She provides another fine performance through her captivating portrayal of Jo Jung Hyun, a woman struggling to break free from the burden of truth and her tormented past that threatens to overcome her seemingly bleak and hopeless existence.
I truly enjoyed the brilliant original score composed by Choi Seong Gwon. This is not easy listening music for relaxing with a glass of wine but the kind that elevates the sense of foreboding and completely immerses the mind into the dark and ominous atmospherics throughout. The soundtrack also features two OSTs performed in English that actually sounds more contemporary than the retro settings of the drama.
유라 Youra - Remember
문수진 Moon Sujin - Hide and Seek
What I Didn’t Appreciate As Much
As riveting and morbidly entertaining as this drama was, I would have preferred for the “supernatural” aspects to be the main focus and potential for driving the story development. This would have provided a different spin and a breath of fresh air to the genre. However, although the story takes a more familiar course, the sense of unpredictability still remains and even culminates in a rather surprising and unexpected outcome.
Speaking of unpredictability, either the rationale behind certain plot points or much-needed connecting scenes were sacrificed as part of efforts to induce viewers’ intrigue and suspense as well as, in my case, confusion. Perhaps this was also attributed to the shorter duration of the drama, at 12 episodes. A number of key events shown, particularly from episode 9 onwards, were never fully or properly explained. Without giving spoilers, let’s just say that viewers will have to formulate their own hypotheses as the story unfolds because ultimately the ending does not provide clarity for all the questions asked.
Adding to the air of uncertainty is the countless switching of timelines, sometimes captioned for viewers’ benefit but at times they occur unannounced. It certainly doesn’t help when the disparate scenes are acted by different sets of actors that I end up having to pause and rewind simply to ascertain who exactly these characters are.
Conclusion
On the whole, Hometown is a very good drama with high production quality and a top tier cast whose performances are deserving of praise. The slightly over complicated narrative, uneven storytelling, somewhat surrealistic setting and arguably lack of logical clarification particularly during the final quarter may give rise to bewilderment for some viewers, as it did for me. This perhaps hints at the drama's selective appeal, particularly for those who are fans of the genre rather than the casual watcher. Notwithstanding the issues, I still had an enjoyable (and moderately spine-chilling) time watching this absolutely binge-worthy drama.
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Adorable Couple, Wonderful Chemistry, Best Contemporary Romance of Summer 2019
I’ve come to watch this drama, partly because Yang Zi is my favorite actress. Initially, I was holding some reservation because I was not familiar with the major male lead, Li Xian, portraying Han Shang Yan. At my first viewing, I was not very impressed by him; he wasn't that good looking, I thought; as Han Shang Yan, he was rude, mean, nasty - a total jerk. But then, something pulled me in - the contrast of the two main characters and the theme about reaching for your dream. After just the first episode, my doubts about Li Xian dissipated. I got more than what I bargained for.Upon further research into what the term “CTF” stands for, repeatedly referred to in the drama, I find it is something even more intriguing and more complicated than I would have imagined. CTF means Capture the Flag. It is an information security competition between security professionals about cyber security. It challenges its participants to solve computer security problems and/or capture and defend computer systems. The competition is used as a learning tool to help sharpen the tools they have learned during their training. In another words, what seemingly “a waste of time playing computer” is actually teaching and training the next generation in the most advanced field of artificial intelligence in cyber security which is the next BIG thing.
Li Xian, playing the male lead, is absolutely incredible. The actor has a calm, cool, no-nonsense demeanor. He fits into the Han Shang Yan's character perfectly as if the role is written for him. What seemingly cold and tough on the outside, is actually tender and caring inside. He may talk mean and scold his people, but cares deeply for them. He is strict and uncompromising. He commands a breath of full authority that everyone looks up to, loves and fears. He doesn't care to defend himself. He doesn't care what others think of him. To him, everything is just noise. All he has wanted is the championship, until the love of his life comes along.
This is my first drama of Li Xian's. I find him super super cool and awfully good looking. Some viewers may not find him attractive at first glance, but he has the type of look that captures hearts. At the end of the drama, like many viewers, I fall head-over-toes for him like a little crazy school girl.
I have always liked Yang Zi’s acting. I find her genuine, beautiful, cute and sweet. In this drama, she plays the character of a prodigy girl. Tong Nian is so adorable that even the coldest stone heart can be melted. She melts mine. I'm just a little disappointed that the story hasn't developed on Tong Nian's intelligence and skills in helping Han in improving his teams.
Contrasting greatly to Han Shang Yan who almost always dresses in all black outfits, Tong Nian always dresses in cute and girly style (some viewers find the outfits outrageous). With her large round eyes and puffy outfits, she looks kind of like, a squid. No wonder she calls herself Squid the Fish. This contrasts greatly with Han Shang Yan who looks damn serious and yet stylish at the same time.
Having said that, the relationship between Han Shang Yan and Tong Nian is just amazing. Despite their differences in taste, age and almost everything, their chemistry is so wonderful and undeniable. Han Shang Yan, always being misunderstood by others, only Tong Nian sees through that iron facet of him. She thinks highly of him and treasures every bit of him. It is so satisfying to see they find each other from the very beginning and nothing can separate them.
Another young actor that captures my heart is Hu Yi Tian. He portrays Han's cousin, Wu Bai, who speaks few words but always watching and listening. He covers Han Shang Yan's back always, no matter what. It is so good to watch such a trusted brotherly relationship which needs few words. One look, Wu Bai would immediately know what his cousin wants. Both completely understand and communicate love and care for each other without many words. I wish we have more scenes of Wu Bai in the drama. Hu Yi Tian definitely has a lot of potential in future with his height at 188 cm (6'2") and awesome cool look.
This drama uses also quite a lot of incredible settings. One such setting is the Atlantis Sanya Resort Hotel that features aquariums in some underwater guess rooms. It is the most beautiful hotel I've ever seen. I am also impressed by the Disney Castle model that Han Shang Yan has in his room. It has taken him years to built from the lego bricks. The iconic Disney Castle, a symbol for dreamers, depicts the dreams he has. Multiple times it worries me that Tong Nian may crush it when she's topsy-turvy.
The official theme songs sung by Li Xian and Yang Zi are pretty good. But my favorite song would be the song called "Beyond's A Brighter Future" sung by the Solo and K&K teams under various occasions. The lyrics of the song are so touching that I tear up each time hearing them. The song is very inspiring, expressing the struggle of the dreamers. It calls for all dreamers to not give up when they stumble and face obstacles. It yearns for freedom and encourages determination. Composed by Wong Ka Kui, a Hong Kong musician, in 1993, the song expresses his own pain and struggle. Sadly Wong died within months of the release of his song. Another beautiful song that strikes me is "Couldn't Leave" sung by Dimash Kudaibergen, a very talented musician from Kazakhstan. The lyrics of the song is so beautiful and appropriately depicting the difficulties and struggle each dreamer is going and has to go through.
It is heart-warming to see a group of youngsters living and playing together, and enjoying each other's company and discovering themselves in the process. Han Shang Yan is not only their leader (they call him Lao Da - meaning big brother), he is also their guardian, parent, teacher and mentor. His relationship with them is simply lovely and moving.
This is truly an amazing drama for the summer. Don't miss it. Two thumbs up!
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