Reviews

Just finished this drama today! This was such a fun drama to watch, so different from majority of the historical dramas i watch (which have such heavy emotions).

-Story
i thoroughly enjoyed this drama. It has a good plot line (i know the synopsis told a lot but when you watch it, it's really not much) that also sets its pacing well.
We're introduced to YunXi, the daughter of the Imperial Doctor and FeiYe, Duke of Qin and the King's younger brother. The King and his mother does not believe him to be his actual brother because of an event. To help the King, the Queen Dowager ends up arranging him to be married to YunXi, who also harbors a secret. Their story then develops from there.
Apart from this, there is also the politic side of it, FeiYe's hidden secret, the secret plans from different Kingdoms, the King's own plots, and also those of his sons.

-Acting
Super well done! They really played out their parts. I especially fell in love with our main girl. For most light hearted historical dramas like this, i find it hard to continue watching the main girl but for this one, i really ended up enjoying all her expressions, her scenes, and her emotions. FeiYe is your typical stone faced male lead at first but quickly ends up warming up. Their little romance is adorable to watch! and honestly, despite the amount of troubles that come between the two, they never really end up having bad blood or angsty scenes (even with that slight betrayal tag).
Another reason i stayed till the end of this drama was because of Qishao ;_; developed major second lead sydrome thanks to him. He played his part out sooooo well, i absolutely loved all his scenes!
and the side characters in this did not lose out too, they were well focused and planned out.

Opening and ending theme song for this was great and the music that played during sad scenes matched well.
Rewatch? i'll come back to this when i miss the second lead and the chemistry between all the characters here.

One thing- THE ENDING- its a really open ending (Eps49/50 are both different endings). I love this drama, not intense love but happy love. I'm really sensitive and it was only at the last episode that i cried my heart out.

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Cliché, but charmingly so effective

Story
What immediately works here is the focus on a single main couple. I’m not against series with secondary couples, but giving the story this tight focus allows the emotions between Watarai and Hioki to fully breathe. The plot itself is simple... probably the most cliché out of clichés, but that simplicity is exactly why it works. It’s not a story that feels deeply personal, yet it hits in a strange, nostalgic way, almost like healing the teenage version of myself who had never experienced this kind of love as a gay teenage boy. The longing and intensity in Watarai’s gaze, his patience, and the eventual reciprocity from Hioki make it all feel tangible. I wish I could’ve been bolder like Watarai back then. To be reciprocated by someone you don’t expect after waiting so long is the best feeling in the world

Acting and Cast
The performances elevate the straightforward story immensely. Fujimoto Kodai carries his role with a natural ease, impressive for his age, while Hideyoshi Kan’s expressive eye expressions every time he looks at Hioki communicate so much without a word. Their chemistry is absolutely top-notch and it feels effortless and gives weight to moments that might otherwise feel ordinary

Characterization
Watarai’s characterization isn’t flawless. His possessiveness occasionally gives me the ick, to be honest. But that imperfection is what makes him believable. Teenage love is messy, intense, intimate, and flawed, and this portrayal embraces that rather than sanitizing it into a “perfect boy” stereotype. I also appreciated the supportive networks or supporting characters around them, from Morisaki’s brother to their circle of friends. It adds a grounded, lived-in feel to the story. It is just so easy to watch and comforting

Rewatch Value
This is a show I could revisit multiple times, alongside favorites like Eternal Yesterday, Cherry Magic, and My Love Mix-Up!. For me, the replay value is undeniable, a full 10 out of 10

Music
While the soundtrack itself didn’t stand out, in my opinion, the musical score is carefully crafted and adds a subtle layer that enhances the dialogue and emotional exchanges between Watarai and Hioki

Standout Moments
The kissing scene deserves particular commendation. I really wasn’t expecting that from a high school romance in a Japanese BL. Watarai’s gentleness in the first kiss was clearly mindful of Hioki’s inexperience, while the second kiss escalated with more passionate intensity, conveying a natural progression of emotion. He didn’t even stop there, the seemingly improvised stolen kiss at the end, which didn’t seem part of the script, added a layer of spontaneity, suggesting that the actors fully understood the emotional beats of the scene. They knew exactly what they were doing. Tbh, I was fully expecting a fish kiss, which I would’ve understood since that’s how it’s kind of described in the novel, but man? I just loved it. It’s so refreshing to see a real, proper kiss in a Japanese BL, which I think it elevates the intimacy between the characters and grounding the romance in authenticity

Critiques
If I were to nitpick, it would be the added line, “I like you whether you’re a boy or a girl.” It wasn’t in the original novel, and while I understand the intent, it feels a little forced and slightly disconnected from Watarai’s previous lines. It reads as a concession to a broader audience, mostly straight viewers, rather than an organic moment in the story

Overall
This isn’t a BL for those who demand tightly plotted, highly polished narratives. It’s a simple, heartfelt story that resonates, reminding viewers why they fell in love with this genre in the first place, and sometimes we just need a little escape from reality. I think this is exactly why this BL series worked so well. An MDL overall 8.7 score is a fair rating considering how good it actually is

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I'm not going to be writing a really long review but I'm just going to say that this drama was so good! This drama made me cry, laugh, feel fuzzy in the inside! If a drama or movie made me cry, then I would rate it a 10/10! Of course there are some flaws but I really enjoyed it! The story was a bit like Love O20 with the game and stuff, the acting was really good it seamed real, music was good too, i would totally rewatch it but probably from the middle onwards.

Overall, I really recommend this drama if you love romance dramas like me. It's really hard to find a good drama that has at least good looking main leads. I hope they would have a season 2 for this drama!

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This would be one of those dramas you regret not watching when you had the chance. Months before I completed the drama I decided to give this drama a go. However back then all I could think about was Ariel's annoying character from her successful drama It Started with a Kiss 1+2. I played the first 10-15 minutes before Chen Berlin
even appeared and I stopped watching. The first 15 minutes were slow, If I had known that I was a little bit more patient or gave this drama an actual chance then I would find myself falling in love just a few minutes after dropping. Why? Chen Berlin who is known as Li Da Ren in this gem of a drama appeared and he just lit the whole drama up.

I finished the first episode and I was already falling for this drama truly, madly and deeply. I found Ariel lovable! and Chen Berlin dashing!I would slap myself silly for not continuing after those 15 minutes. If only I gave the drama a real go then it would have been in my life longer. We all make silly mistakes and I should really watch 3-5 episodes before thinking about dropping.

So this drama is about two best friends who have known each other for about 10-15 years and one thing is certain from the very start.
Li Da Ren loves and has always loved Cheng You Qing. It is also obvisous that You Qing feels the same but she's a woman and she's naive and I guess you could say she's scared about losing Da Ren. Li Da Ren starts to date a girl called Maggie who is very annoying and If I ever come across a girl like Maggie I will run for the hills. The thing about Maggie is she plans and she plots. Maggie wants the perfect boyfriend/husband and this girl has a list of qualities her perfect man has to have and it just so happens Li Da Ren ticks all of her boxes (He would tick mine too) so this begins the love triangle. Even though I said "I would run for the hills" I would say she did help You Qing wake up a bit but You Qing is very complicated especially in her love life. This is when her ex-boyfriend comes back and they had/have a very intense relationship. You know the type one minute they are arguing and the next they are sucking each others faces off.

Throughout the whole drama we are rooting for Li Da Ren to win his girl! We want Cheng You Qing to wake up and realise that Li Da Ren has always and will always be there for her. He is her soulmate. This is the type of drama where you watch one episode and you don't go "I might watch episode 2 tomorrow" no...you say "Next episode NOW!" and you keep on saying that until you realise 13 hours of your life have passed and the drama is over. The couple is no more and you
won't see anymore Li Da Ren and Cheng You Qing scenes. You will find yourself depressed and it will probably take you about 1-3 weeks to find another drama. However those 1-3 weeks of depression are worth those beautiful 13 hours.

P.S:. If you think Ariel and Joe Cheng are IT then think again. It's all about Chen Berlin and Ariel!

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I have never written a review before, but I was so impressed with this drama that I felt I had to. Please forgive me for my lack of eloquence. If only I was as talented as the screenwriter;')
I came into this drama for the cast alone, but I got much more than I was expecting.   If you are expecting a great romance, you may be disappointed. There are some romantic feelings, but it is not the main point. The quartet of flawed but likable individuals find friendship and support at a time when they all have a deep need for it. As a hardcore romantic, I thoroughly enjoyed the friendship and didn't feel any lack due to the barely there romance.  

The best things about this drama:
1) the acting- the casting could not have been more perfect. Each actor seemed fitted to the role, bringing out the best in their character.
2) the characters- perfectly imperfect, and quirky. Their interactions with each other made each episode special.
3) the witty banter- I applaud the writer. So very clever. This truly made the drama a joy to watch.
4) the music- brilliant!

Quartet may not be everyone's cup of tea, but for me, this is the best drama of the year.

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To help out those who are looking for a positive review of this drama, here I am writing my first drama review ever~
Hope I didn't give away too much here.
First of all, I wont call myself a saeguk fanatic, since I don't think I watch that much dramas of this genre, though I definitely do enjoy them and Korea's history.


Story:
Plot is interesting, satisfying amount of action and nerve-wrecking moments.
I definitely say that the content is like 80-90% political, with the remaining parts for romance, just to spice up and bring some colors to the political issues here.
I like how they focuses on the political history of Joseon with its neighboring countries instead of the usual domestic politics among the clans.
So I wont recommend it if you are looking for a more romantic saeguk drama like The Princess' Man or The Moon Embraces The Sun.


Acting/Cast:
I started this because of Seo In Guk, but that definitely isn't the main reason why i completed this.
- Seo In Guk
I do feel awkward at first seeing him acting in a historical drama, since this is his first.
I even thought that his voice isn't suited for a prince especially when he give out commands, which usually goes well with deeper voices.
But he improved over time, and before I knew it, I was too into his character, GwangHae, to even remember it's InGuk who's acting.
Definitely a good actor indeed.
- Shin Sung Rok
He's just PERFECT at playing the bad character. No words needed to describe it.
- Jo Yoon Hee
Not a fan of her acting. Keep feeling that there's something missing in the way she acts in some of her scenes.
- Others
I always feel that saeguk drama actors/actresses are the best. Most of them portray the characters clearly, which makes you hate or love them to the core.
Kim GyuRi's acting is worth mentioning, love the way she successfully acted the Kim GwiIn character that makes me dislike her, but at the same time feeling that she is pitiful and likable as well.


Music:
I'm addicted to it now, putting it on replay, so that should mean its nice ;)
I'm a huge ballad/emotional drama songs. They definitely have the good ones, the ones that when you listen to, you cant help but to replay scenes of the drama like an mv in your head. And it makes you emo afterwards (or maybe its just me XD)
Though I wish there are more songs instead of only 3 being repeated in 23 episodes.


Re-watch Value:
Since its hugely political, i don't think it is worth re-watching.
Unless one don't mind listening to the usual long political conversations in saeguk dramas :P
For InGuk fans out there like me, maybe it wont be so bad to re-watch it just to stare at how hot he is as a prince~~


Hope this helps :)

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i just made a very quick review just to give the chaser some advertisement
because its so unpopular..or lets say one of the mdl underrated of 2012. (seen only by 40 mdl users)

Expect not to see any eye candy on here and it was evident on the poster.
I think somebody who come across w/ this drama with an impression like this..

"ooh The chaser? hmm ahjussis?"
*reads synopsis
*looks on the cast
"oops theres no hottie nevermind lol"

Oh well..anyway

for anyone who likes another revenge drama should give this a chance.
It was very relatable with emphasis on importance of living w/ family.
If i would think of a drama that shares some similarity...hmm
Think of city hunter w/o a superhero thing and the rom com stuff and add
the movie "the Crucible" not exactly but just to show some idea.

i will give you some hints on how entertaining this is
- after the 1st episode there is no break on tension or a big pause on plot,
it keeps moving in a above average pace on first 60% of the drama,
- it was so complex and every character interwind in the plot/ very well deveveloped and no weak performance.
- the politics scheme is easy to follow as it really happening on real event.

The Story: It was compelling and there is so many situations/happening in an episode w/ no dull momnets but its up to you.
Since its only 16 episodes...its not so dragging if you spot one.

The Cast/Acting: lets us not so bias if there no fave actor in it but what important is the character developement
and the performance they made. The Main villain has to be one of the great one you will see in a dramaland that isnt annoying.
The Main lead is very relatable and his character will make you symphatize w/ him greatly.

Music: entertaining as what you could expect in a tense drama

Replay: there is a part of me that even i watched this again...it isnt as entertaing as before since i got everything
from my first viewing, anyway it was a satisfying drama....w/ a fulfiliing conclusion as a whole but again its up to you =)

note: I heard this got Daesang award yay!

my other recommendation:

The Devil
Resurrection
Equator MAn
City Hunter
Giant*

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Idiosyncratic SK interpretation of a sequel to 'Sleeping Beauty' from the Prince´s perspective :-)

I would like to see the KDrama "Yong Pal" as an idiosyncratic South Korean interpretation of a sequel to 'Sleeping Beauty' in the modern zeitgeist, which is told from the point of view of the prince - what had actually happened after the two had celebrated their wedding at the time? ..."Yong Pal" gives its own makjang-infused answer several centuries after the Brothers Grimm :-)

Obviously, the story also has a critical focus on recent health care topics. Basically, the Hanshin Hospital takes center stage. This belongs to a Jaebeol conglomerate. Yong Pal is employed here as a talented young intern. But Yong Pal also works illegally as a doctor. Provided the price is right, he treats those who need medical care below the official radar of the health care system. Yong Pal gets promoted as exclusive doctor for the discreet care of the VIPs, too. On the 12th floor, the very rich and most influential patients stay within a separate department of the Hanshin Hospital, where, in addition to plenty of luxury and discretion, only the best medical care is guaranteed. Towards the end, Yong Pal also works as a doctor in a simple, small, rural clinic. Thus, in the course of the KDrama the protagonist's field of activity (and challenges with ethics, or rather the lack of it) covers the broad spectrum and the current focal points of the topics in health care (i.e. in South Korea).

In the beginning, Yong Pal is clearly at the center of the story, captivating the audience. The focus shifts after he meets coma patient Han Yeo-jin and helps her to regain consciousness, strength and her rightful legacy as Jaebeol of the Hanshin Group. From then on, everything revolves more around Yeo-jin and her vendetta. This isn't less impressive, especially with Kim Tae-hee's intense acting. However it is different. The second part thus offers pure Korean-style Makjang: more drama is always possible. As a result, storytelling takes another lane. (Many viewers obviously don't seem to have been very happy with that. Makjang fans, however, will definitely get their money's worth.) The transition between the first and second parts is moderated by a transition, which is filled with the blossoming romance between the two protagonists. From then on, however, there is hardly any room for a love-life in the protagonist's bitter fight for inheritance and revenge, in which she is ready to take any means. (You may want to take that against the KDrama as well.)

All in all, "Yong Pal" is a moving story that is grippingly exciting at the beginning and furthermore tells of a makjang-charged revenge. Love story included. Due to the success of the series at the time of broadcasting, actually two more episodes were added.

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The actors put their heart&soul into it. Soundtrack + camera provide a unique ambience. A Classic.

"All In" is a timeless classic from the early days of KWave. Via main plot and various sidelines involved, you dive into the subculture and parallel world of back room and casino gamblers. In the course of the story, the glitter and glamor of the casino world increasingly take their place, all the way to Las Vegas.

Besides the gaming milieu, the series provides insights into the life of simple, poor young people in the late 1990s, which were shaken by the Asian crisis, and offers interesting local color. The well-established KDrama leitmotif 'Orphanage' also has its place here again. Soundtrack and camera capture the action in an atmospheric and impressive manner.

The actors put their heart and soul into it. In the case of "All In" the milieu-specific ambience was supposed to appear as authentic as possible. Therefore, in advance of shooting Lee Byung-hun and Son Hye-gyo (as adults of the main protagonists) went through an intensive training program, including in a casino in Las Vegas: Lee Byung-hun concentrated on virtuosity Card shuffling techniques and the eye dramaturgy of professional players at the gaming table (he won the Grand Prize at the Baeksan Arts Awards that year, as did the drama itself). Song Hye-gyo, on the other hand, was trained as a croupier and not only convinces when she sorts the chips at a breakneck speed.

The opening scene with a helicopter over the Grand Canyon alone is reminiscent of the beginning of a blockbuster à la Tom Cruise or something similar. "All In" isn't just romance, it's also packed with plenty of action, including brawls and gunfights. It's also about friendship among men. As a milieu study of the gamer's world, it's ultimately about gangsters and mafia, too. (Perhaps it is no coincidence that "the godfather" has a guest appearance in the story: it is shown as a movie in the cinema that shaped the youth of the protagonists.) But of course it's also about great love - in the progress of the 24 episodes facing one obstacle after another - it´s makjang after all...

At the time (2003), this KDrama triggered a veritable All-In-Syndrome in South Korea. The filming locations on Jeju Island became a hotspot for fan tourism. The ratings on public television back then are legendary (at around 47 percent).

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Filming standard à la Hollywood meets melodramatic narrative, emotionally firmly rooted in SK soil

“The Moon” could have easily been titled “The Dark Side of the Moon”. At least we as audience learn quite something about it... But it's actually about much more. The KMovie is delivering action within the high-tech world of space travel. On top of that it is touching, thought-provoking and thus gnawing at fundamental, existential and political questions, too. We get a remarkably balanced production between ´international´ filming standards à la Hollywood and a melodramatic narrative with its emotional roots firmly planted in South Korean soil. So eventually, this lunar expedition is neither/nor, as this KMovie offers something in between. For hard-core fans of Hollywood blockbusters it might be offering too much melodrama. For the hard-core KMovie fan it might not be enough. Well, I simply enjoyed it as the lunar expedition as it is.

The focus is on the ambitious national program that South Korea has recently set up in terms of space research (you may check side note below). With its technological innovations, South Korea is starting to present itself as an increasingly self-confident G7 space power. That is where this story is coming from. And it is against this background that the particularly high level of filmmaking effort must be seen, by which the experience of space is brought almost hyper-real within the audience's grasp.

The special ambience is staged first-class thanks to the applied highly developed audiovisual filming technology and expertise. Seemingly, the production team has spared no effort or expense - with 3D rig camera recordings, premium HDR video technology, Dolby Cinema technology (for the first time in a KMovie), innovative spatial audio technology and sophisticated rendering processes for the finest color nuances. The demand was for high-end cinema quality. And it is surely impressive. Everything in this distant, highly technological, alien world, far way within the orbit of the moon, comes as close to the audience as it can get.

Despite the enormous spatial distance, dense emotional intensity is provided, even though the protagonists are located so far away from each other. This delicate emotional bridging, requiring high-end performance skills, has been the big challenge on the actors´ side. In addition to the proven, first-class veterans Sol Kyung-gu and Kim Hee-ae on the ground at the rather clinically clean setting with high-tech computers and screens of both Aerospace Centres Naro and NASA, especially Doh Kyung-soo (D.O.) offered magnificent top performance as an astronaut lost in space. Mainly those three create and maintain an impressively emotional density (in addition to the overall action).

The plot of "The Moon" revolves around South Korea´s international profile as capable space power, while the eyes of the world are set on their (fictive) second trial of a manned lunar mission. Whereas unfortunately it didn't work out the first time... It's also about politics and tons of money. And in the end, it's all about survival... or rather, whether a human's life in the face of groundbreaking missions for humankind is worth ignoring chains of command, nationalities and costs.

Breathless action on unusual terrain. Intense scenes in an isolated space capsule 380,000 km away from earth, surrounded by darkness and severe cold. Desperate helplessness. The struggle for the 'right' decision – what´s actually the measure of what is right? Maybe ultimately just what I can live with in the end?







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SIDE NOTE: --- KSpace ---

Korean movie oder drama productions set in space have so far been few, and for good reason. The KMovie “The Moon” from 2023 as well as i.e. the KDramas “The Silent Sea” (from 2021) and “Ask the Stars” (planned for 2023) are, so to speak, a start. They reflect current (or better: hoped for further) developments regarding KSpace.

After rather unsuccessful endeavors at the beginning of the new millennium, South Korea as the 13th country to have its own space center by now, is increasingly well positioned in the KSpace segment. 2021 was marking the first attempt to launch their own test satellites into the orbit by their launch vehicle Nuri, which had been developed over the past ten years. Yet it failed. Nevertheless, in 2022 and 2023 it succeeded at last. Three more Nuri launch vehicles are already scheduled to be launched into orbit by 2027. According to the plans of the country and the Korea Aerospace Research Institut (KARI) at Naro space center, South Korean spacecraft will be collecting data on the moon in 2032 already. Additionally, the country has Mars scheduled for 2045.

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Inconsistent quality: likable in some ways but sometimes frustrating

This BL has loads of potential and is surprisingly good for quite a number of episodes for such a low-key BL (compared with say, Love by Chance 2, which is airing around the same time). In fact, I stumbled upon it by chance because it doesn't seem to have been listed in lists of Thai BLs.

The main couple starts off being the sort I personally love to see, with them caring for each other in little ways even when they do not make their love for each other obvious. The story of Tan and Oil is interesting at the start with Tan being an archetypal "bully who turns out to be a softie" sort of character who becomes a much more nuanced character especially after the demise of his mother. (It may come as a pleasant surprise that Tan's affection for Oil is more obvious to us from quite early on when he almost kisses a drunk Oil but stops himself.)

Unfortunately, the development of their relationship seems to be headed nowhere during the middle of the series despite their attraction to each other. Despite being obviously in love with Tan, Oil inexplicably seems willing to date/consider dating Kun. Yes, he has the right to date others since Tan and him aren't dating and Tan hasn't made his feelings clear. To make matters worse, Oil's affection for both Tan and Kun seems genuine--at one point he appears genuinely happy when Kun confesses his love, and yet he also seems to be considering Kun because he thinks Tan only treats him as a brother.

Towards the end of the series, the plot becomes haphazard, compromising what could have been a reasonably good series. The scriptwriter(s) decides to throw in an incident in which Oil feigns illness, causing Tan to misunderstand him when Tan finds out. Although it is clearly suggested that Oil is under some pressure to feign illness (this isn't clarified even by the end of the series), the already baffled audience doesn't need to be baffled further at this point. The characterization of Tan is also problematic. At one point, he seems willing to let Oil be with Kun, indicating that he will do anything for Oil to be happy. However, he also gets jealous and upset after he realizes that Oil has got into Kun's car while pretending to be ill. (Tan thinks that they have gone out on a date or something.) Such behaviors can perhaps be convincingly portrayed if the actors had the ability to convey the nuanced emotions, but this was a bit too challenging for such young actors.

Apart from the unnecessary events that are added in for no particular reason, characters are added in and cast aside simply to complicate matters. Tan's stepbrother, for example, does not seem to have any particular motivation for his unpleasant behavior and seems to have been added in because the scriptwriters want some tension. Then there's Kun, the poor guy who seems to really like Oil. Oil agrees to go out with him and even agrees to be his boyfriend in the last episode. But just seconds later, Tan appears, takes Oil away, confesses his love to him and they live happily ever after. Nothing is shown about Kun after this, which also possibly and unintentionally also turns Oil into arguably the most selfish bastard in the whole story.

Tin and Sea, as of Episode 8, seems to be the other main couple (potential couple) though this is where things get somewhat confusing. Firstly, apart from the fact that Sea is Tan's friend (we only see them talking to each other over the phone though), Tan and Oil seem to exist in an entirely different social circle from Tin and Sea, and there is practically no connection in the Tan/Oil and Tin/Sea stories. Secondly, it is not entirely clear whether if Tin is in love with Sea even after two-thirds of the series is over. Sea is supposedly straight and in love with his female childhood friend, but we know that this doesn't matter in the world of BL. What is bewildering is Tin seems to have fallen in love with Sea at first sight though later it is revealed that Tin supposedly has a girlfriend. The girlfriend is overseas and only mentioned by the characters, and Tin only ever seems to think of her when he needs an excuse to spend time with Sea.

The confusion regarding Tin/Sea could be something that we can bear with easily if not for the extra confusion arising from the messy friendship/relationship amongst the other characters in Tin/Sea's circle. There is It (a confusing name because I often find myself wondering "What is it?" until I realize that "It" is a name) who seems to have been punished because some other guy (presumably Voice) wrote a note to him saying that he loves him (It)--is that even his fault even if we don't quibble about whether a guy being in love with another guy is wrong? It's love-hate relationship with the music club is also bewildering--he was kicked out of the club (or suspended?) because of the aforementioned declaration of love, but it's not as though everyone in the club has done something against him. I suspect that part of the confusion arises from flaws with the subtitles.

The pacing is fine but uneven. The switches from the Tan/Oil story to the Tin/Sea story makes it feel like I'm watching two different series without being able to finish one before watching the other. As of Episode 8, the series still gives the impression that it can be salvaged. Unfortunately, by Episode 11, one gets the sense that the ending (Episode 12) is going to be very rushed if the series is even going to have something that resembles a proper ending. Episode 11 focuses solely on Tan and Oil, so we are left in the middle of nowhere when it comes to Tin and Sea, after seeing the cute scene of Tin trying to do something to cheer Sea up.)

With a title like "Friend Forever" (or "Friends Forever depending on the translation), one may wonder if there is going to be an awful ending in which everyone just remains friends. Thankfully it doesn't have such an ending. However, the happy ending for multiple couples just happen out of nowhere, which makes the ending really abrupt and bizarre. It's like a student submitting an exam essay that suddenly skips to the conclusion because he has made too many irrelevant digressions to elaborate on his main points within the time limit.

The series goes downhill about halfway through, particularly in the last 4 episodes. It is a waste of actors and characters who show promise at the start. Though the unnecessary ambiguity and complexity of emotions prove to be too challenging for him, Leo (who acts as Tan) has been able to carry off his role well for most of the episodes, successfully showing the propensity for the character to appear more cold than he really is, his innocence and hidden insecurities well. Tai, who plays Oil also pretty much conveys the character's slight girlishness and playful streak quite well. Heart and Bank may have less interesting roles as Tin and Sea, but they are really good looking actors whom audiences won't mind seeing. I have never seen someone looking as adorable as Tin while trying to suppress a smile (Episode 6), lol.

This is actually a fairly promising series that would probably have benefitted from a bigger budget and a more experienced team. I remember reading somewhere that it is directed by the same director who directed Love Sick, its sequel and its spinoff, Thank God It's Friday. Perhaps the team really needs a series with as many episodes as Love Sick 2 to do more justice to the material. Friend(s) Forever is better than the rather insipid Thank God It's Friday (though the latter is somewhat more focused and coherent).

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I don't know about you, but I'm weak when it comes to motorcycles + gangs. Proven once again.
I've been hesitating to watch this movie since I rarely enjoy romantic plots, because they're either shallow or overwhelmingly cliche /and/ unnecessarily dramatic; but I threw all my expectations aside (motorcycles!) and gave it a shot. I just had a good feeling about it and my instincts never betray me (totally not the motorcycles). Alright, I'm just joking.

You know when the movie has a good start you'll either be all optimistic and anticipate every minute of it or you'll be a pessimist and think how it'll go downhill midway through. Funny thing! nothing of such happened. Despite the beautiful filming (and let me point out how neat it was), the plot didn't gave much at first. I couldn't grasp its direction and I couldn't guess if I was happy about what I saw and if I was going to enjoy what was going to happen, but before I found my answers, it grew on me real quick and hit me like a splash of emotions. I do enjoy the movies you can easily relate to.

But this movie stands out not only for the romance, don't be fooled; it manages to mix (beautifully) loneliness, suffering, fear and eventually love, all together in a heavy pack of a simple, yet well-structured plot. The drama effect is strong and it balaces well through the characters, nothing silly in here. The main characters aren't something new, but relatable and true. Their encounter and their relationship is well acted and very realistic. The actors managed to show a mature performance, which is really important for this kind of plot and for the overall atmosphere. But give me a second here, alright — who's this Tosaka Hiroomi and why isn't he in the industry already? He shows real potential and I wish to see him more in the future.

To sum it up, gangs? Check. Motorcycles? Check. (now that's shoujo-ish). But realistic romance? Check. (not so shoujo-ish anymore). Sounds good, right? If it sounds good for you, you should totally watch it.

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SAD BOYS

When I saw the title it should have been a clear indication and warning that the characters are going to be really really blue.

From the onset it was clear that this is from a small production - with just a few sets and very limited movement - just 2 guys who are mostly sitting (oh of course that couple of scenes where they were supoosed to be making love) and verbalizing scenes about their college past and the frustrations they currently encounter in life. There wasnt any big reveal or event, just two guys finding love with each other.

The thing that I liked most is that even though the series is too short, the story itself can be a throve of a much richer, better told story - if or should they want to make a full blown series out of it. The fact that this is a youtube production with obviously a chump change for budget, it still didnt feel cheap like a vlogger making a skit for youtube or tiktok - it feels like an honest to goodness genuine series.

One thing I hated is the insistence of amateur BL writers to put a despicable female character as a villain to a boy-to-boy love story. That was so unnecessary and i am willing to give this series a solid 9 if they didnt include that character.

The ending which obviosuly angered a lot of watchers, is actually ok for me. The seesawing of their relationship is understandable given the fact that even though both are adult men, they are both experienceing this kind of love for the first time - and the harsh reality is that not everyone can and will be able to accept this kind of relationship. It felt like although JaeMin wanted things to work between them, the sad truth is there are other things that he has to prioritize given his current financial situation. When he asked Na Mi if he will take responsibility if he loses this potential job, i didnt know why he didnt just answer yes! Do i prefer a happy ending? Yes i do, but the sad reality is not everyone gets their happy ending - and if they are really meant to be together both are young enough to maybe cross path again in the future when they are both in a better position.

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Who knew that road construction could make for compelling drama? Or boilers? Or building permits? It is a testament to the skill of the Giant production team that they are able to turn such seemingly mundane matters into taut, dynamic story arcs. While Giant draws on plenty of tricks from the melodrama playbook, it’s distinguished by its complex characters, sharp writing and an extraordinary ensemble cast.

The writing is a bit sketchy in the initial episodes, with extra servings of trauma and some odd lapses in logic. However, the child actors are terrific (why hello, future stars!), and they morph into equally terrific adult actors. The male characters are particularly nuanced, as we watch two generations struggle to drag themselves and their country out of dire poverty. It isn’t always pretty, and I appreciated the show’s willingness to give all of its characters dark edges, especially since it’s equally willing to give them all moments of insight and grace. The female characters initially tend towards angelic but dim or shrewish and evil, but they also become more complex as the show progresses.

Keeping a 60 episode show engaging is no easy task, and Giant does it with sophistication, style and humanity. It has plenty of “big” moments, but it never forgets that even the most ordinary activities can be dramatic. It finds poetry in mud flats and rock piles, and in the rough-edged men fighting to build a nation from them at any cost.

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