Reviews

I love disaster movies... this one just falls short.

"Cesium Fallout" is an intriguing watch that combines elements of suspense and drama with a plot centred around a thrilling narrative. The film delves into themes of survival and the human spirit in the face of a major crisis, creating a sense of tension that holds the viewer's attention throughout. While the storyline is engaging, some parts might feel a bit predictable, which could impact the overall surprise element of the film.

Visually, the film's cinematography is quite impressive, effectively capturing the essence of the story and adding depth to the viewing experience. The use of lighting and landscape plays a significant role in setting the tone, making for some truly memorable scenes.

In terms of performances, the cast delivers generally solid performances, with a few standouts that truly shine. However, there are moments where the dialogue could feel slightly stilted, possibly affecting the emotional impact of certain scenes. It’s evident that the actors are committed to their roles, bringing a level of authenticity to the characters they portray.

Overall, "Cesium Fallout" is a film worth watching, particularly if you're a fan of the suspense and drama genre. While it might not break new ground or offer a completely original take, it does provide an engaging experience that invites viewers to reflect on its themes. If you're looking for a movie that combines a gripping storyline with strong visual elements, this film could be a suitable choice.

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Why was this made?

"Hitman 2," the Korean film, sadly didn't quite hit the mark for me. From the start, the plot felt unnecessarily convoluted, struggling to weave together its diverse elements into a coherent narrative. It seemed to lack the finesse needed to hold the viewer's attention, with twists and turns that felt forced rather than integral to the storyline. This complexity made it difficult to remain engaged, causing scenes that should have been climactic to fall disappointingly flat.

Character development was another area where the film missed the opportunity to shine. The main characters, while full of potential, were not explored in depth, leaving me craving more insight into their motivations and backgrounds. This lack of depth made it challenging to emotionally invest in their journeys or care about their fates, reducing the film to a series of events rather than a compelling story.

Action sequences, although plentiful, seemed to be a crutch rather than an enhancement. While some might find entertainment in the relentless pace and explosive scenes, I found them to lack the substance and intricacy that could elevate the film from a typical action flick to a memorable cinematic experience. The over-the-top nature of these scenes often detracted from the overall narrative, making them feel like interruptions rather than integral components of the plot.

Ultimately, "Hitman 2" seemed to focus on style over substance, prioritising high-intensity action at the expense of meaningful storytelling. For those looking for a deep or engaging narrative, this film might not meet expectations. In conclusion, despite its ambitious premise, "Hitman 2" didn't quite resonate with me, leaving it as a rather forgettable chapter in the action genre.

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The film made me rewatch the anime

"Cells at Work!" is a refreshing and imaginative anime film that takes viewers on an extraordinary journey inside the human body. Adapted from the popular manga series by Akane Shimizu, this film brings to life the bustling activities and epic battles of anthropomorphised cells dedicated to keeping the body healthy and functioning. At the heart of the story are the main characters: a diligent yet somewhat scatterbrained Red Blood Cell, responsible for transporting oxygen, and a brave White Blood Cell, charged with defending the body against pathogens.

The film skillfully blends educational content with entertainment, providing viewers with a unique insight into complex biological processes. Each cell is portrayed with quirky personalities, making the scientific concepts more relatable and engaging. The narrative is peppered with action-packed sequences as White Blood Cell battles various invaders, delivering a thrilling experience akin to an epic hero's journey.

Visually, the animation is stunning, with a vibrant colour palette that vividly represents the bustling world inside the human body. The character designs are both whimsical and scientifically accurate, maintaining a balance that appeals to both anime fans and science enthusiasts. The attention to detail in depicting bodily functions and cellular interactions demonstrates the creators' commitment to delivering an experience that is both educational and aesthetically pleasing.

The film also weaves in elements of humour and camaraderie, with its characters forming unlikely alliances and friendships. This adds an emotional depth to the storyline, making it more than just an educational film. The movie’s ability to explain complex scientific concepts through engaging storytelling is commendable, making it suitable for audiences of all ages.

"Cells at Work!" is not only a visual treat but also an educational tool that encourages viewers to appreciate the intricate workings of the human body. By turning the inner workings of our anatomy into an epic adventure, the film leaves its audience both entertained and informed, fostering a deeper appreciation for the marvel that is the human body. It successfully transforms a textbook subject into a thrilling narrative, making it a standout in the world of educational entertainment.

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Almost iconic

"The Sin" is a captivating South Korean movie that artfully combines elements of drama and suspense, enriched by profound philosophical questions that delve into the essence of human morality. Directed with precision and creativity, the film stands out for its ability to weave a complex narrative that challenges viewers to reflect deeply on the nature of sin, guilt, and redemption.

The plot centres around a protagonist whose life is turned upside down by a series of unforeseen events, leading to a moral quandary that forces him to confront his own values and beliefs. The storyline is meticulously crafted, with each twist and turn building anticipation and encouraging introspection. As the narrative unfolds, themes of personal responsibility and ethical dilemmas are explored, offering a thought-provoking commentary on the choices we make and their consequences.

Performances by the cast are nothing short of exceptional, with each actor bringing a raw emotional intensity to their roles that adds a profound depth to the film. The lead actor, in particular, delivers a haunting portrayal that captures the inner turmoil of his character, drawing the audience into his journey of self-discovery and repentance.

The visual presentation of "The Sin" is equally noteworthy, with cinematography that beautifully captures the stark yet hauntingly beautiful landscapes of South Korea. The use of lighting and shadow not only enhances the mood but also symbolically reflects the inner conflict of the characters. Each scene is thoughtfully framed to enhance the storytelling, creating a rich tapestry of visual artistry.

Moreover, the film’s soundtrack complements its atmospheric tone, using a subtle yet evocative score to heighten the emotional impact of key moments. This, combined with the film’s pacing, ensures that viewers remain engaged throughout, making "The Sin" an immersive and unforgettable cinematic experience.

In essence, "The Sin" is more than just a film; it's a gripping exploration of the human condition, making it a must-watch for anyone who appreciates cinema that challenges and inspires. Its intelligent narrative, combined with powerful performances and stunning visuals, cement its place as a standout entry in the genre of philosophical drama.

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Subtle "Magical Realism" Masterpiece

Important to note:
There are two key factors I see missing from commentaries and I would like to call attention to them.
First, it is crucial to consider the mindset of Tian Yu to truly follow the narration and flow of the story. He is a writer, sensitive, artistic, and yearns.
Second, an important element of the film is the intertwining of some old Taiwanese folk beliefs and modern perspective that places it into a subtle magical realism category.
When viewed in this context, the film shines brilliantly.

This is a quality film that feels authentic and sincere. It was well written and across the board well executed. I love the inclusion of past and present elements Taiwanese culture as well as including the good/bad/inbetween, happiness/despair, and even tragedy. It's beauty omits unnecessary powdered sugar and glitter and I wholeheartedly appreciate that. I highly rate and recommend. Kudos to everyone involved.

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That was pretty fun

The Layout of this movie feels very western in a good way. The cinematography is reminiscent of 28 days later and the walking dead. I thought it had a better feel then most zombie movies from Japan. This one felt like it was playing homage in a way. From the sweeping high angle shots to the chaotic cuts, I liked the way the film was edited. There was some great pull out sequences and the sets were well designed. Zombie movies can pull off some amazing shots when it comes to desolate building areas to convey scope of the devastation.

The acting was great for Hideo. He felt like he was really a guy who didn't have any direction. Kasumi was super wasted lol. I wonder if they meant to have her in a sequel. I don't know anything about the manga so I'm not sure how emotional Hiromi becomes later. The other characters were like sped up tropes you usually see on this type of movie. The heel, the egotistical leader, the pleasant old man, the girl who is unconfident. It's all there. I can tell there's definitely a bunch of things missing but that's mainly due to the format. The important thing is being entertained for this one.

The movie doesn't shy away from the blood and gore. I enjoyed the practical makeup and also amazing body choreography. Hideo's girlfriend did some seriously crazy body stuff. The types of zombies were also incredibly varied which was a plus. The final scenes felt like a video game lol.

It was highly enjoyable, I wonder if they plan to continue? If not then I'm sure you can just read the manga probably to fill in the gaps.

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a dishonorable but admirably stoic heroine and great smalltime crooks

2024 film. A temple holding secrets, a grilled fish and soju by the sea, women drinking whiskey and Ji Chang Wook hopping around, crazed and pantless. with tattooed thighs. These are a few of my favourite things. JCW is still charming even as a "mad dog covered in perfume". He made a very very good villain and I hope he does more such roles. He has a range and energy which should not be confined only to romance.

An excellent movie, in the vein of many a british production, situated in the small-time underworld of characters with little compunction or shame who can be very entertaining nevertheless, without entering the world of slapstick
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Jeon Do Yeon is an ultimate action star, here as Ha Su Young, a dishonorable ex-detective who was cheated out of her promised payoff while in jail. JDY plays her as an uncomplicated and unfussy woman who knows what she wants and what her limits are. Admirable for her restraint and focus, she is a tenacious, hardened and powerful fighter whom the villains underestimate.

The lovely and duplicitous Jung Yoon Seon, played by Im Ji Yeon, an ex-lover of HSY's now deceased detective partnerand a peripheral part of the group of gangsters, becomes HSY's fan. When she hops out of the car to do an impromptu victory dance in the middle of a battle royal deep in the forests of Sokcho, you will want to dance in your seat too. When the shady detective sidekick exasperatedly asks JYS what she likes about Ha Su Young, she widens her eyes, laughs a little and says, "Everything!". Me too.

Wait for the monk who claps his hands when Mommy Dearest appears.

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save your time, I don't recommend.

1) The whole movie is unrealistic, if you swapped the actor for an uglier man, every thing the guy did in the movie would appear stalkerish and weird.
2) It's like the writer doesn't have any siblings, no one acts like that, its very cringy and cheesy.
3) First half of the movie was very slow and aimless, the second half had to compromise for that, and all the plot points were shoved in it, which made the second half of the movie very rushed.
4) Absolutely zero chemistry between the two main leads and their scenes were very awkward, it was painful to watch
5) Soundtrack sounded like the royalty free music you can find for no cost on Youtube.
6) A lot of secondhand embarrassment because the guy was trying too hard to appear cute it just became plain weird and cringy.
7) Very predictable plot, I was able to guess the plot twist from the very beginning, you don't even have to think for two seconds to figure what the plot twist is going to be.
8) I would say there were a lot of plot holes but the problem is there is no plot to begin with.

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A slowly placed uneven drama

The first thing to mention is the plot is a little strange. Is it common to come back to high school to help a old teacher with something in Japan? I know the schooling is very different in Japan and you have you have more obligations but the setup was a little random. I guess from a standpoint of helping out old friends it makes sense but then they added in the random swerve of Yuzuko's story!

I get that it's sort of a parallel to Kudo's story and showing what maybe would have happened to her if Hayama didn't take interest in her. But it's really just a plot device to move the story along. It felt really out of place. The pacing and plot lines shuffle a little bit too much in this story. Thus creating an uneven watching experience. Somethings happen at a snails pace. While others are in fast forwards like the relationship with Ono and Kudo.

Now there are some morality issues in this one. A teacher having a relationship with a high school student, despite things only becoming inappropriate after graduation. It's at first shown that Kudo is the unrequited love but then after the kiss scene all gloves are off.
Some may have issues with this romance situation. Especially during their final scenes together, we have a very emotional sex scene that is stark contrast to the other sex scene. This scene however directly comes after a scene with exposition that would make the sex between Hayama and Kudo controversial.

The movie skirts the line on morality a bunch with how these things play out. We don't need to necessarily feel like these are good decisions but they are there to inform us how these characters are themselves flawed.


And unfortunately the second relationship doesn't fair much better.

The main issue I have with this movie is the lack of chemistry. The two main leads Jun and Kasumi really don't have too much going for them. I didn't really feel like they had any sort of connection. Some actors just don't really get that spark together. They may have acted fine individually but I couldn't feel that rapport. The ending of the movie kinda proves this point that the love they shared was different but it surely will be controversial to a lot of people.

I've watched Kentarou and Kasumi in all their performances together in reverse order and this was by far their most physical but also most lacking in chemistry. But that's mainly due to the type of relationship they have in this. It's very unhealthy. I honestly wasn't expecting that sort of outcome. So I guess that's one positive to this story. That nothing ends positively lol.

The cinematography of the movie is fairly ok. There's a lot of rain shots and sometimes what I consider a few artsy shots. The movie has a fairly nostalgic tone over the film as well due to the flashbacks. There's also the classic blown out white light that's so common in Japanese media lol. The music is mostly nostalgic or sad piano.

Overall I'm not sure this is one worth watching personally.

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Please tell us something about yourself in 1 minute.

A frustrating watch to be honest. Not because of the movie itself. More so the themes behind the movie are so true and harsh.

The theme of this movie seems to be about how we are just expected to be someone as soon as we enter the job market in society. In Japan, it is a big deal to land a good job and if you do it must be with a company. Those jobs pretty much mean you are there for life. It's generally looked down upon taking up jobs that aren't with giant companies and leaving such jobs is also a very big faux pas. Therefor work culture in Japan can sometimes be toxic and leave many people in disarray during the job hunt.

We come across 5 individuals all looking for that release. When they will find the job that will make them a productive member of society. Each one has a goal in mind to find the job but they are extremely reluctant to do so. Many of them end up having to compromise in order not to feel failure. Failure is a large component of this movie. In fact the main Protagonist Takuto somewhat revels in it. And this is where the movie becomes extremely frustrating.

Takuto is always analyzing his peers and making his judgements on their decisions. His character is majorly flawed in that he has totally been crushed by the world and doesn't take responsibility for his own downfalls. This creates a large vacuum of despair within himself. It's as if his self loathing is projected onto his friends. We learn at the end about what he's really been thinking the entire movie and it's awful. As someone who has had issues in the past comparing themselves to others, I can understand where he's coming from. We attack because we lack awareness of our own vulnerabilities. It's one of the reasons it's hard to watch this for me. We know he knows that he isn't amounting to anything but he can't express it himself anymore.
A largely trapped feeling that dwells on past stories.

The other characters are parallels of this journey. Mizuki who has to grow up in order to protect her parents who she feels she owes. Kotaro the drive less musician who has to move on in order to survive. Despite this he continues to head toward a goal that seems almost implausible. Rica who wants to do good in the world and does everything she can to make herself heard. And finally Takayoshi who has already decided that the world is beneath him and he doesn't want to live in such a world that breaks someone's individuality. All of these characters represent many repressed feelings of youth who are growing up in such a society that values you more as a number then a person. The main cast all present themselves in a way that represents a role in Takuto's mind play. People who hide their insecurities and sadness behind walls. They are all equally disgraceful in his eyes. But we watch on as entertainment. So then the question the movie asks is how can we be so blind to these feelings?

Visually the film is well shot and there's some really good tight shots and the stage play shots are really inventive. A lot of the film focuses on subtle little cues. Like the shuffling of a phone or the eyes of Takuto making his analysis of his friends.Body language is also very telling in this story. There's a major difference in how let's say Kotaro, Takayoshi and Takuto present themselves. Takeru Satoh has this innate ability to portray a devilish quality behind his acting. It's kinda like that swarmy evil underbelly of someone . In this movie it makes him pretty unlikable as a character. Kasumi once again steals the show with her distant emotional breaks. I think she had the best scenes in the movie.

I would say this movie is ok to watch when you just maybe feel a little sad. It's mood is definitely subdued with it's warm intense lighting. It uses a lot of techniques that stage plays use I thought. So it has a lot of spotlights and colored lighting to convey tones.

Finally the film expresses the one true thing we all know. Twitter is a dumpster fire.

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Father's exorcism

We have one Father - a Priest and we have another father - a doctor who's daughter is possessed. Both fathers are ready to do all it takes to save the girl in danger. Even though the priest is more educated and knows what he is doing, the father who doesn't know anything is still trying. But how to save a girl that has already died? This is a minor spoiler but is already in the synopsis of the movie so I don't need to hide it here. I liked the new approach to the exorcism theme and the invention of a new theological myth about demons.

There are some scary moments and some cheap jump scares. I would say that the movie does scene cuts pretty well and helps us understand the situations through flashbacks. The actors were good but the characters they play didn't really behave consistently. There are a few side characters that just appear and experience something big but the movie forgets them instantly. What I liked the most is the atmosphere and the Latin prayers. (Vade retro satana!)

PS. This is actually the fourth Korean movie in a row about Demons and exorcism that I saw and i didn't even plan that. The good thing is that each movie is unique and doesn't hurt the enjoyment of others and I would recommend them all.
Dark Nuns - a mystical fantasy with Nuns taking the role of Priest.
Revelations - psychological thriller about personal demons .
Handsome Guys - dark comedy with shocking moments and some gore.
Devils Stay - standard horror with many supernatural elements but still grounded and most realistic among these four.

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Strawberry Night's Movie-Sequel, "Invisible Rain" Requires The Preceding Series and 2010 Special.

While I love Strawberry Night as a whole, I think this film is the weakest portion of the story; it is a decent bookend to the narrative, but it's missing some of the key emotional cruxes of the series.

I think this film should have been much more fleshed out in terms of character interactions; particularily, more scenes between Himekawa and Isao (the anti-hero guest character for the movie) would've heightened the quality of the story. As it is, the case presented in "Invisible Rain" is probably the weakest out of all the investigations the Strawberry Night characters have participated in. There's less of a focus on the motivation of the killers or upon Himekawa's personal feelings on the crimes she's investigating. The whole plot comes off as unintentionally dull. On the plus side, this film is as I said earlier: a bookend. It completes Himekawa's story arc that starts in that 2010 special.

Throughout the series, Himekawa is reprimanded by her fellow division commanders in various ways and by the end of this film you can see small spurts of real growth in her character. There are very subtle moments where Himekawa directly admits that she has been too headstrong and isolated in past investigations. This film needed way, way, way more subtle moments in that manner. The investigation process that Himekawa takes part in is the real attraction of this series. Specifically, the workman-like fashion in which this police procedural series is written emphasizes meetings, planning and interviews. It is, strangely, less concerned with aestheticising clues, evidence or perplexing mysteries. If you don't want to see people walking the streets asking questions, you're probably watching the wrong show! These small conversations are the strongest reason for watching the TV show, specials and this movie (even though the film is lacking in this conversational aspect compared to the previous entries). Yes, there are criminal cases being investigated by Himekawa's team, but the intricacies of maneuvering around her colleagues, her superiors and her own investigation team are always what drives the narrative to interesting places.

All that said, the key thing this film is missing is a climactic interrogation scene where Himekawa confronts the suspect in an emotional manner; I think the climactic scene we were given for this film is quite the cop-out in this respect. No pun intended, it just came to my mind!

Without spoiling too much, the main takeaway from this movie is that people who share deep, emotional trauma can sense and "see without seeing" that trauma in each other. That is why it is called "Invisible Rain"; I think the concept was adequately done, but this film's thematic content is nowhere near the superb closer to the television series "Soul Cage" or the pivotal flashback sequences in the 2010 special. If you don't want to watch the entire series (or if you've accurately sensed that I'm NOT RECOMMENDING you watch this movie as a blind watch), I'd highly recommend watching the 2010 special and then perhaps the last three episodes of the television series (Episodes 9, 10 and 11).

This movie may disappoint you; the television series will not.

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