Reviews

I WISH IT WAS A SERIES

I really loved it. sometimes I can't watch long series but it depends if I like the serie/movie or not. But I wish this short movie was longer or even a series. I fell in love with cinematography! cinematography is one of the first things I notice in a movie/serie. I really loved the music it fit that vibe perfectly. the cast was good too. I don't know the actors but their acting was good ! I wouldn't rewatch it really because it's just a small love story without anything really happening but it's cuter ! I loved it ! also never watched a Chinese drama so I actually feel happy about it!!

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3 Gaberas???

The only j-movie which made me bawl my eyes for nearly 1 hr.
Just finished watching this movie, well before didn't had much hope that it'll gonna impress me, thought maybe this gonna be a simple as usual movie where leads die, which actually happened but the way they portrayed it, that was??.
For people who likes romance it would not excite you much but the love shown here the slow and silent romance they had was ethereal.
I would definitely recommend everyone to watch it,you might cry pr be in pain remembering the pain and trauma it'll give but the essence of life and the positivity Haruna showed us towards life is what everyone should seek in their life.

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Well uuuummmmm.........

I really don't know where to start with this. I mean it's not your typical zombie movie it wasn't even what I thought it would be. It's kind of cheesy it's not bad but it's definitely not good I only watched it because a lot of people were saying how bad it was and I thought to myself well usually when a lot of people leave negative reviews it's a lot better than what people make it out to be. For once I have to agree with the majority of the people that left reviews or comments. As I always say be your own critic and as much as I love zombie stuff watching this once was enough for me. The ending was kind of goofy and there's a slight cliffhanger where it left it basically the possibility of a second one but I don't think there will be a second movie.

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Great acting + average writing = good movie

The acting carried this movie. The writing started out good. It felt like the story was slow in the beginning but it gained momentum. I'm really not trying to spoil anything. Let's just say the ending left a lot to be desired.

The FL was given the most detail and it showed, enjoyed her acting and story.....except her ending. She breathes life into the ML and they end up being each others safe space or get away. The ML they tell his story late and it's only in a brief argument. They could've written it better and given us details throughout the movie but the writers missed.

There's a teacher and a senior that help the ML & FL. These 2 are important and great additions to the story. Unfortunately we don't get much backstory on them, maybe this could've been a series. I would recommend this as a time filler, there are a couple extremely cute moments and some heartwarming scenes. 8/10

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At the time the film was filmed, the end of the manga created by Yūki Fumino did not yet exist.

Teen films are always a good idea. Portraits of a generation are like fascinating stories that allow us to understand the unique characteristics and experiences of those who make it up in a specific era. The transition from adolescence to adulthood, known as "coming of age", is presented differently depending on the cultural and temporal context in which it is situated. Furthermore, maturity is not reached in the same way for everyone and it is these stories that increasingly interest the public because they allow us to analyze society and also ourselves a little.
Kamijo Daisuke, in his directorial debut, is responsible for the film proposal 'Hidamari ga Kikoeru' (ひだまりが聴こえる), from 2017, the real-time adaptation of the shōnen-ai genre manga of the same name written and illustrated by Yūki Fumino, a mangaka who began her professional career in 2013. With her delicate and poetic style, her work was published for the first time on October 27, 2014 by Printemps Shuppan.
The script is written by Takahashi Natsuko, known for writing the series 'Hana Yori Dango' and the films 'No Touching At All' ('Doushitemo Furetakunai'), 'Seven Days: Monday - Thursday', 'Seven Days: Friday - Sunday', 'Does the Flower Bloom?', among others.
The plot of this romantic drama of the youth, school and Yaoi genre begins by narrating the difficulties that Kōhei Sugihara has hearing, since the current university student had suffered from a sudden sensorineural hearing loss during high school. Circumstances have led him to become a lonely, distrustful, introverted, unsociable and distant young man with great difficulties relating to other people. He himself admits to feeling "out of place wherever he goes."
Thus, Kamijo Daisuke presents us with a love story between two teenagers of the same gender, and analyzes the problems that the world can pose for a person with hearing problems.
Kōhei's entire life changes when he accidentally meets Taichi Sagawa, who offers to take notes in classes for him in exchange for the lunch that the disabled student gives him every day. Kōhei will soon discover that he can hear the loud voice of the new acquaintance without difficulty.
This is how a friendship develops between a boy who had always had problems socializing, because his hearing problems caused him to be marginalized by his classmates, and another cheerful, optimistic, determined and empathetic, energetic boy and extrovert who lives practically in poverty, needing to work while attending university in order to survive. Both will help each other and, little by little, they will give in to their feelings, unleashing a beautiful story of friendship and love.
Taichi will make Kōhei open up to the world once he assures him that his hearing loss is not his fault. Taichi's kind words pierce through Kohei's usual defense mechanisms and open his heart, causing his feelings for Taichi to turn into love. Now they are more than friends and less than lovers. Still, this relationship changes Kohei forever.
Thanks to Taichi, Kōhei begins to smile and integrate into the social life of the campus. Others also begin to see him with different eyes. Taichi becomes the friend he never had or perhaps lost when he lost his hearing and was ostracized. Taichi teaches him "that there may also be a place for him on the other side."
Taichi and Kōhei challenge gender norms on a journey of self-discovery. His story takes us into themes such as the search, the formation of identity, personal growth and the transition to adulthood. But it also addresses feelings such as loneliness, happiness, marginalization or improvement.
It is not a simple love story between two teenagers, but rather it represents the problems that can arise in a romantic relationship when one of the two members of the relationship has a hearing disability. Thus, beyond a standard love theme, 'Hidamari ga Kikoeru' is a call to eradicate the mistreatment and discrimination that society carries out on minority groups, be it the disabled or the members of the group. LGBTIQ+.
In this way, the film becomes a manifesto to demand the equality of all human beings. Being different, something highly punished in Japan, should not be seen as something bad, but rather should be integrated into society until, one day, there is no discrimination of any kind for the mere fact of being different from others.
The main roles of the film distributed by Nippon Shuppan Hanbai are played by Hideya Tawada and Akira Onodera as Kōhei and Taichi, respectively. The former is known for his role as Takigawa Kinji in the series 'Shuriken Sentai Ninninger' and in the films 'Shuriken Sentai Ninninger the Movie: The Dinosaur Lord's Splendid Ninja Scroll!', from 2015, 'Shuriken Sentai Ninninger vs. ToQGer the Movie: Ninjas in Wonderland', from 2016, among others.
For his part, Onodera Akira has his first leading role in Taichi, after playing the character Amamiya Masaki [Young] in 'High&Low: The Red Rain', Inukai Manabu [Classmate] in 'Daytime Shooting Star' or Sakamata Kiyone [Mysterious teenage boy] in the series 'Rinsho Hanzai Gakusha Himura Hideo no Suiri'.
The cast is completed by Mitsuya Ryo as Yokoyama Tomonori, Takashima Reiko as Sugihara Ryoko, Yamazaki Ami, Igeta Hiroe, Fukumoto Yuki, Hiranuma Norihisa, Nakamaru Shinsho.
However, the ending of the film is understandable. At the time it was filmed, the end of the manga created by Yūki Fumino did not yet exist. We had to wait 7 years later for the trio of debut directors Yaegashi Fuga, Makino Masaru and Harashima Takanobu to bring 'Hidamari ga Kikoeru' to the small screen, in a version for the TV Tokyo channel starring Nakazawa Motoki and Kobayashi Toranosuke. who play Sugihara Kōhei and Sagawa Taichi, respectively.

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Why so Underrated!!!???

I just saw this movie on TikTok , and as a BL addict, I got curious cause Up & Phuwin are there. When I search It on MDL, Im surprised of the rating, So I almost dropped watching it. But I got bored last night so.....
I decided to watch it. When I finish watching it, I was like....... wtf!!! It's so GOOD! I regretting not watching it much sooner.
The hole movie is just so good, the story is not hard to understand. And the plot twist is so unexpected! I loved the acting of Up in this movie, his just so adorable! if you hate Ming in
"My Stand-in" you surely adore him in this movie. I highly recommend of watching this movie! You'll never regret it, I promise

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Beautiful & Emotional

A deeply moving and beautifully executed film, this masterpiece carries profound messages that leave viewers introspecting and, in some ways, evolving into better versions of themselves.

Immense gratitude to the entire crew for creating such an extraordinary piece of cinematic art! 💖

Here’s what stood out to me about this movie:

Cinematography and Color Grading:
The visuals were simply breathtaking. Each frame felt like a work of art painted on a canvas, leaving me with goosebumps. Kudos to the director of photography and the colorists for their impeccable work, elevating every scene with stunning detail.

Acting, Script, and Editing:
The performances were nothing short of spectacular. The cast delivered their roles with such authenticity that every emotion felt raw and genuine. The script was finely tuned, and the editing ensured a seamless flow that carried the audience effortlessly through the story.

Background Music:
The score complemented the narrative beautifully. It amplified the emotional weight of key moments and added depth to the storytelling, proving how crucial sound is to the overall experience.

Key Highlights:
The chemistry between the lead characters, Hayasaka and Haruna, was heartwarming and bittersweet. Their connection was portrayed with a subtlety that felt natural and unforced. By the end, their heartfelt expressions left me teary-eyed. The conclusion was beautifully executed, leaving a lasting impression with its grace and poignancy.

What I Learned:
This movie is a testament to the art of character development. While it begins at a slow pace, it gradually deepens, immersing the audience in the evolving relationship between the protagonists. Without excessive dialogue or overt declarations of love, their bond is depicted through meaningful actions and heartfelt gestures. It’s a touching reminder to treasure the people around us and to cherish every moment we have with them.

Beyond the sadness, this film also celebrates the complexities of love. It paints a vivid picture of how relationships can be messy yet incredibly powerful and enduring.

The characters feel so authentic that you’ll find yourself fully invested in their journey, rooting for them through every challenge. This movie isn’t just something you watch—it’s something you carry with you long after the credits roll.

The director has an exceptional understanding of human emotions, crafting a narrative that’s both visually stunning and emotionally profound. The actors truly shine, embodying their characters so deeply that they seem to step off the screen.

This is an unforgettable film, and I can’t recommend it highly enough. It’s an experience you won’t regret—just don’t forget the tissues! ❤️

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the biggest dissapoitment ever

seriusly why i have decided to watch this shit movie through the trailer and the comment i was waiting for a gem but overall i wasted my time..it can be a masterpiece if it will be well develloped but saddly big confusion a plot twist after another with no real sense ..i felt like the screenwriter just wanted to make as more confused about the real intentions of the characters..the ending was no comment what the hell he means why an open finale..this need another movie for more explanation..i felt like being tortured while watching this distusting movie .. plz do not watch it

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Not a typical story

The first part kept me interested, but it actually mislead me into labelling it a certain way and have expectations of what the movie should be, when in actuality it's a story with a lot of symbolisms. I appreciate it for what it is and usually this kind of stories are within my tastes, but with this one I didn't manage to connect all the way. Maybe, the way it was presented didn't do the trick for me. If you watch it once you'll certainly need to give it another try to interpret the scenes.

The scenery, was beautiful and the acting worth watching.

I do not recommend the story to someone who expects a regular movie formula. If you are into more unconventional movies, then check it out, otherwise you'll get tired.

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Power of Love

Beware: this is NOT a fairy tale with sugar coating and unrealistic happy ending. Please watch it nevertheless. Even if you prefer movies that are light, entertaining and mood-improving.
This movie shows a stark contrast between what's healthy, normal or socially acceptable and our characters, who are neither of these things. We soon learn that those "normal" people are not necessarily moral and their "socially acceptable" behaviours might be plain evil. Our characters, on the other hand, who are absolutely defenseless against society, bear all the brunt, become judged, misunderstood, discriminated against and isolated. Yet they never give up their struggle for love and self-determination. As a result, they might not be able to live happily everafter, but their love prevails nevertheless.

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