Reviews

A Hopeful Tale of Love and Escape Triumphs Against Insurmountable Odds

This movie offers a compelling narrative that intertwines the destinies of its protagonists amidst the backdrop of adversity and the pursuit of redemption. Through the arduous journey of Loh Ki-wan from North Korea to Belgium, the film explores themes of resilience, love, and the human spirit’s capacity to endure. Despite occasional departures from realism, the emotional resonance of the story remains intact, captivating audiences with its engaging plot and heartfelt performances.

While grappling with technical shortcomings, the film’s central message of hope and resilience shines through, leaving viewers with a profound sense of reflection and empathy for the struggles of refugees. My Name Is Loh Kiwan stands as a testament to the power of love to transcend barriers and illuminate the darkest corners of the human experience

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Didn't like the FL at all!

It's short and doesn't take too much time involvement, but while I was watching it, I kept wondering how soon before it was going to be over. Overall, my complaints were with the writing.

1) My biggest gripe is the way the FL is written. Desperate, clingy, immature - I got the feeling that she was more afraid of being alone than anything else. To try to hang onto someone that doesn't want to be with you is so sad.
2) Cha Hun's acting was really bad. His face remained emotionless, his movements were wooden, and watching him try to act was just uncomfortable.
3) FL and her best friend - he's stuck with her through NUMEROUS relationship disasters. Their relationship was cute to watch, but her having that many ex-boyfriends would give me pause before getting involved with her. She's kind of a "love the one you're with girl." Basically, I had a hard time believing in a romantic relationship between them.

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A group of women outsmarting corrupt men.

Smugglers is like Ocean’s 8 minus the grand heist. This female-powered action adventure is not really about smugglers but more about how ordinary people found ways to make and share the profit from the illegal activities. It also realistically shows a number of smuggling-related aspects, such as repackaging and corrupt customs officials.

The film is not without flaws, but good character development brings so much more to the table. Kim Hye Soo never disappoints, no matter what character she plays, and pairing up with Yum Jung-ah elevated this movie into something more than simply an action drama. It draws stronger feelings of sisterhood and emotion. Zo In-sung gives his best as a corrupt police officer that you love to hate. In my opinion, the star of this movie is Go Min-Si. Despite being a supporting role, her character really stood out in helping carry the story.

The plots are not very complicated. With one or two twists that are constructed around allegiances and betrayal, they manage to make the audience gasp and anticipate more. The story develops well, with a good balance between comedy, drama, and action. I like that the comedy was well placed and not overdone, and the switch in tone doesn’t make the story look too weird. Kudos to the props team for recreating the unique 70s vibe. The attention to detail never failed to impress me.

All in all, it’s an entertaining movie, and it's always nice to see women outsmarting corrupt men.

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A tribute to a pioneering figure in Taiwan's LGBTQ+ community

When they go to visit Mickey, their terminally ill former English teacher, two men and a woman remember their youth, when they began their friendship during their high school years.
After saying goodbye to the sick man, they return to the old intensive school to remember their years of study and their rebellious youth. Suddenly, quickly, colorfully and festively, the story goes back in time, to 1994.
At this point in the footage we have been identifying the main characters of the Taiwanese youth romantic drama 'After School', from 2023, by director and screenwriter Blue Lan, about coming of age.
Cheng Heng, the main narrator, is a teenager and only child who aspires to be a filmmaker, although his father insists that he study mathematics to become a teacher. Enrolled in Success Cram School, he takes remedial lessons to help improve his grades. However, instead of paying attention to his studies, he spends most of the day interrupting lessons and playing pranks, such as calling the school secretary, using his voice to make sexual advances, or setting fire to the school and provoking a fire with the consequent evacuation of students, teachers and administrators.
Cheng Hsiang is Cheng Heng's friend and also a troublemaker. He is the typical cute boy in the class, and many of his classmates dream of being his boyfriend, with the exception of the class beauty, Chen Sih, whom Cheng Heng has a crush on.
In addition to games and studies, the two boys share a bed in Cheng Heng's house, since his parents have taken him in, knowing of his poverty. They practically do everything together, from sharing a toothbrush to joking about their dirty, semen-stained underwear.
Ho Shang, an obedient and rule-abiding student, is the third in the company, known as the three musketeers of success, although not always of his own free will. Son of Wang, the director of the intensive school, is dragged by the two best friends in their misdeeds. We will soon learn the reason: when the exasperated principal wants to expel Cheng Heng and Cheng Hsiang, his wife will remind him how Ho Shang, in elementary school, was bullied by the older students, and the duo always protected him.
As we anticipated, Cheng Heng believes that studying at school will allow her to be close to Chen Sih, a girl with a strong character who defends herself. However, Cheng Heng is too nervous to ask her out.
With a main arc in the usual teen romantic comedy style, we follow the friends in their teenage pranks, falling in love and family relationships, used mainly for laughs, in an approach that takes up most of the film's 124-minute running time. .
Based on true events, when Mickey, a new substitute teacher with progressive ideas about teaching and society in general, takes over the classroom, the two young people discover a mentor who finally offers them proper guidance about their lives, by talking to them about romantic relationships and sexuality and teaching them to understand homosexuals and themselves.
Mickey openly addresses issues of sexuality education in the classroom and beyond, and encourages his students to think freely. Upon learning that he also dreams of being a filmmaker, Cheng Heng will admire the professor even more and will have him as a role model, interested in adopting his rich philosophy of life.
An embarrassing home accident causes Cheng Heng to suffer a burn in his groin. This will be the reason why students begin to speculate that Cheng Heng and Cheng Hsiang may have a romantic relationship.
However, this same event will also serve as a pretext for Mickey, aware of the rumors, to offer advice and guidance to a student who is currently going through a period of doubts and insecurities regarding his sexuality.
Meanwhile, Chen Sih begins dating the trio, Ho Shang fights with his parents over his two friends, Cheng Hsiang experiences a homosensual awakening, and Cheng Heng becomes more open to sexuality under Mickey's positive influence.
Michael's appearance permeates an atmosphere of freedom and fun. In truth, his dream is other than working as a teacher. The "awakening" he will generate in the students, in completely different directions, that eventually occurs due to his influence, takes the narrative down a completely new path. The story unfolds in a surprising way, this being one of the best aspects of the entire film, which should definitely be attributed to the way Blue Lan handles the twists.
At this point, the comedy transforms into drama, which reaches greater intensity as the story progresses, to the point that the last part, which also returns to the opening scene, borders on the melodramatic. Although this last aspect does not always work well, the truth is that 'After School' never abandons its intention to entertain.
At this point, multiple LGBTQ+ characters and stories are introduced into the story. The film puts homosexuality in the spotlight. However, despite exploring many relevant topics with the goal of educating and raising awareness among viewers, the stories barely scratch the surface instead of highlighting complex experiences. On the other hand, for the moment they perpetuate superficial stereotypes.
There is an excessive abuse of melodramatic scenes, especially when Cheng Heng's parents catch their son watching a gay porn video (which causes the incident noted above) and then catch him in a pose that suggests he is kissing his friend, for example. which his parents overreact while crying, lashing out at the two boys, condemning their son and expelling Cheng Hsiang from the house where they took him in.
The director, Blue Lan, seems well-intentioned. He dedicates his autobiographical film to Mickey Chen, his real-life mentor, an esteemed figure and pioneer in Taiwan's LGBTQ+ community. 'After School' pays tribute to someone who was instrumental in producing documentaries focused on queer and gender issues, actively participating in street protests advocating for equal rights for gays and lesbians.
Kipo Lin's editing results in a fast and fairly adequate narrative, although the extensive flashbacks to scenes already presented could have been avoided.
Comments on LGBT rights in the country of the time are quite frequent, without ignoring the simplicity of the messages and not describing gay issues with sufficient nuances. Even so, they address problems such as the pressure that adolescents felt in the 90s of the last century from their parents (they still suffer today) to succeed on the "correct" path, that is, the heterosexual one, the heteronormative, interpreted as studying in a good school, being able to enroll in the best university, getting an excellent job after graduating and getting married and having a magnificent family, especially with many children.
In that conservative and heteronormative society, concepts like homosexuality definitely have no place. Much less homosexual marriage, recognized only in the country 25 years after the events narrated in the film.
This approach adds depth to the story and reinforces the film's positive intentions, although the overall attitude here remains "light" to the point of becoming idyllic at times. In general, Blue Lan does not significantly lose its sense of measure.
The performances fit perfectly with the narrative style of the story. While the character played by Zhan Huai Yun exhibits impressive chemistry with Chiu Yi Tai's Cheng Hsiang, who is equally good, also in the way he handles his coming of age, even though the former's role is reduced to that of best friend.
Charlize Lamb as Chen Sih provides the necessary female element in the story as a bone of contention who eventually shapes the lives of the young people as well, in another quite attractive presence in the film.
Blue Lan himself plays Cheng Heng quite convincingly, both in the humorous and dramatic moments.
While Hou Yan Xi as Mickey is excellent in the role of the progressive teacher/mentor, Chien He Wu as Ho Shang promises a meatier journey, stealing the show at times, particularly after his transformation, when he finally spreads his wings. and he dares to fly without caring about his father's prejudices, but there is not enough development of his character and his conflicts.
On the other hand, the convincing bromance between Cheng Heng and Cheng Hsiang delves into romantic territory when they share a moment of intimacy, but the result does not meet the audience's expectations, failing to delve into feelings or portray the romantic nuances of the relationship. Despite addressing LGBT+ themes, the film avoids telling a homosexual love story. The cinematography follows brilliant paths, in an approach that coherently adapts to the narrative.
'After School' lacks a good script. Its poor writing reiterates all the predictable tropes. Sentimental messages fail to strike the viewer's nerve. We have seen this film about rebellious young people and mentors who guide their students on other occasions with better results.
The film highlights the importance of finding a mentor in life, a guide and educator that young people can look up to.
Mickey's arrival in the classrooms also eventually moves in the same direction of providing moments of reflection, but also of fun, adding to the narrative of the film, but the "awakening" of the young people, in completely different directions, which eventually occurs With the teacher's help, he takes the narrative down a completely new path. Frankly, the way the story unfolds is as surprising as it gets, in one of the best aspects of the entire movie, which should definitely be attributed to the way Blue Lan handles the twists.
Despite being cliched and cheesy at times, 'After School' is still a very entertaining film that manages to present its commentary eloquently, although its greatest feature comes from the fact that it will repeatedly leave the viewer with a smile on their face.

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just a bad ass woman being a bad ass woman to avenge her friend

a lot of the reviews bring up the lack of plot but i didn't see it as being an issue. its a simple story about a woman who avenged her friend who was done wrong. the action scenes are amazing choreographed and shot. the cinematography was amazing. the colouring was beautiful. i realy enjoyed this one and would watch again on a day i wanted a female led action film.

p.s.
i do kind of get the ick that the fl and the director are dating. it just feels weird to me. the actress held her own and was absolutely amazing so it definitely doesn't take away from the job she did. i originally tried watching this film when it came out but stuff came up and i never finished it. i came back to it because i have become interested in the actress through her work in wedding impossible. i went through her list of work and saw she was in this so i decided to give it a go again and i do not regret it one bit.

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A Mother's Struggle For Her Son

“Monster” is an intriguing movie, told from the perspectives of 3 individuals, a single mother who is overprotective of her son and wants justice for him, a well-meaning teacher who finds himself in the middle of an almost impossible situation in which he is falsely accused of hitting a child, and a young boy who is coming to terms with himself and his feelings for a friend. Although not quite the psychological thriller one would expect, “Monster” does a great job in shifting our perspective, in as much as we are constantly being asked “who is the monster?”, while viewing the movie. We are not looking for a monster, but rather seeing victims of circumstances that we empathize with throughout the film and the question of who the monster is becomes the furthest from the audience’s concerns.

Read the complete article here-

https://the-bl-xpress.com/2024/04/03/monster-movie-review/

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Simple and entertaining

I highly recommend this action/thriller movie.
The story isn't overly complicated but it's engaging and entertaining.
It follows a young North Korean man who is forced to become a secret agent and carry out the mission his father started in order to secure a better life for himself and his sister. He goes undercover as a high school student in South Korea with a list of people he needs to eliminate. As he navigates his new life, he finds himself torn between protecting a bullied girl in his class and fulfilling his mission.

Enjoy the movie without spoilers.

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Good Adaptation, better than most of Japan's attempts

Very good adaptation of the source material, but it falls flat in the gag areas.
Golden Kamuy has been known for masterfully mixing a serious story with great gags inbetween to lighten the mood. Sadly while the director is very good for the serious side of the story, the gag scenes are almost flat and bland, they just dont land due to how the camera is positioned, or the timing of the cuts.

Another thing against the movie is casting Yamazaki as Sugimoto, im very tired of Yamada, he is the "safe" actor. He doesnt capture the essence of Sugimoto at all, a better choice would have been Nobuyuki Suzuki or Akito Kiriyama

but everyone elses casting was amazing. I really felt they worked the best. But some of the casting for the future characters seems iffy, such as Kiroranke

But if you are GK fan like me, you wont be disappointed!

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Gory, bloody, no character evolution

I am not a fan of gory films but I gave this a watch hoping it has a good story that can balance out the gory scenes.
What's common in this movie is "no explanation" leaving viewers questioning why:
●C. Ping is the way he is
●100 coins no more no less to kill
●the science project on the women
●What's with the flag marker
●Relevance of the cockfight
●And so many, many more

Production such as scene set, costume and props were aptly mastered here.

Acting was convincing.
Characters written are chaotic.

I can't recommend this movie unless you love gore movies that makes no sense.

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Be careful what you wish for...

Fu Xiao Xiao makes a wish on her 15th birthday little knowing it would come true and how it would change her life forever. A.I. on the surface is a standard wish fulfillment story with the consequences that arise, but dig a little deeper and it might cause you to ask uncomfortable questions.

Xiao Xiao lives with her divorced father who specializes in A.I. research. She leads a lonely life and is bullied at school. After her 15th birthday a new student arrives in her class and every day he follows her. At first she finds it annoying, but the desire for companionship drives her to accept the quietly adoring Su Xing Chen. By accident she discovers his secret and despite his difference accepts the boy who promises to be with her forever.

As I said, this is wish fulfillment-a boyfriend who will never betray her, never lie, never leave, never hurt her. As he slowly learns what it means to love, their relationship evolves, but never sexually. He also never ages which causes people to question their relationship. Eventually, Xiao Xiao wants more, wants to be normal, to be happy. She finds that normal and happy don’t always coincide, especially for a woman who has never had to learn to compromise and understand the work and wisdom a romantic relationship involves. *

The actors had a nice chemistry. What I enjoyed the most about this short film was the music. I don’t normally pay attention to the background tunes, but in this short film that almost played like a music video it was hard to ignore and easy on the ears.

If you can watch this bittersweet tale of love and acceptance on a superficial level, it is touching and sorrowful. If you choose to look deeper, you may discover questions that are troubling and go unanswered.

2 April 2024

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*****************Spoilery Talk Below**************

Xiao Xiao’s emotional growth seemed stunted in regards to relationships. Her picker was definitely off as evidenced by the man she chose as a husband. With Xing Chen she could be selfish and only think of her own needs. She didn’t have to be kind because he was just a machine. And therein lies the problem I had with this short film. Xing Chen was a victim of his programming-to be with Xiao Xiao forever. He had no other purpose, no dreams, no desires of his own. Everything in his world revolved around her and her happiness, even as he began to evolve emotionally. The machine learned to love before she did and also learned a harsh lesson about heartbreak. Despite his growth, there was no freedom, no independence, which I found disturbing. This perfect boyfriend would never argue about taking out the trash or where to have dinner. Vacation in the mountains or at the beach? “Whatever you want dear.” Never even complain about being hidden away in a closet. This was tantamount to slavery more than love. Which also brings up the thorny question of the rights for sentient beings regardless of their form. I know, I know, I think too much. It’s a short film about how a human woman and an A.I. prototype develop a friendship and learn to love too late, and I should accept it at the surface value. Which I did, until I couldn’t.

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Strong Female Lead Movie

Story of two young ladies who want to get back their family blade that their father, a Chief Commander, used while valiantly fighting against the Liao during war. The Liao took the blade as a trophy winning against the brave Chief Commander.

The story entirety revolved within 2 days; from the time the blade was taken back by the 2 sisters then fighting the Liao soldiers who went after them.

The fight choreographies were good and theres a lot of them. Set scenes were done convincingly. Costumes matches the story told. There was just a quirky scene wherein the fight was turned into a staged production complete with spotlight so it threw me off. A serious story that has this made me scratch my head.
No beautiful costumes, emperor's, or palace shown in this story so don't expect them.
Overall, I can recommend it for viewing if you are into period action movies that has a good plot a strong female lead.

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