Reviews

A Slow Burn Worth Watching .... Its Simple, Mature and Beautiful

This drama was such a pleasant surprise for me. I went in expecting a slow romance set in a hagwon, but I got something much more meaningful. It is not just about love between two people. It is also about teaching, ambition, competition, pressure and the choices people make when they spend most of their lives trying to succeed.

What I loved most was how mature the romance felt. The relationship between Seo Hye Jin and Lee Joon Ho was not rushed or filled with unnecessary misunderstandings. Their feelings developed naturally, and their conversations felt much more realistic than the usual KDrama romance. There was something very warm and beautiful about watching two adults slowly understand each other and choose to be together despite all the complications around them.

Jung Ryeo Won and Wi Ha Joon were excellent together. Their chemistry felt natural, and both characters had enough depth to make their relationship believable. I especially liked Joon Ho's character. His confidence, honesty and passion slowly challenge Hye Jin's way of looking at her life and her work. Hye Jin also has a wonderful character journey as she starts questioning the life she has built around her career.

The education side of the story was equally interesting. The drama shows how competitive the Korean education system can be and how much pressure students, parents and teachers face. I liked the contrast between teaching students simply to get good grades and teaching them to actually understand and enjoy what they are learning. It gives the drama something more to say than just another romance story.

The pacing is definitely slow, so I can understand why this may not work for everyone. But for me, the slow pace suited the story perfectly. The quiet conversations, night scenes and small emotional moments made the drama feel grounded and realistic.

Not a perfect drama, but definitely one that stayed with me. Beautiful romance, great acting, mature characters and a meaningful story. A little gem that I am very happy I watched.

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First Thought: Transcending The Game

Story: The story was so good! I usually don’t enjoy horror and scary things. I do think the horror was exaggerated in the reviews I saw of this show. Not too many jump scares or anything like that. The villain was actually amazing. Even at the end, I was thinking, if he wasn’t born of midnight, then what? Then she literally dropped his birth timestamp. LOL. I did not like Khem. No sense of urgency, common sense, or survival skills. That is exactly what a flawed human character should make you feel. If anything, I live for the plot and fleshed-out storylines way more than the romance aspect. I have no idea why Peem and Khem truly loved each other other than the past-life connection.

Acting: 100/10!!!! Everyone did a great job, and the acting was truly phenomenal. With standouts like Green, the children that played Thong and Ek, and Ohm (Khaekhai). So many of my family members would walk by and get sucked into the show (and they are “foreign” show haters).

Music: 10/10 music! It really makes you feel things. มนตรา (Mantra) [From "เขมจิราต้องรอด"] by KENG HARIT is so amazing. I haven’t enjoyed an OST song like this since “Why Don’t You Stay” by Jeff Satur.

Overall:….. Top five dramas I’ve watched (not in my top BL though because I really don’t find it romantic).

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Omg this series gagged me

The Prosecutor Proposal is honestly one of the best K-dramas I’ve watched this year and soemthing that i have enjoyed 😭❤️❤️

The story is so engaging, with the perfect mix of romance, drama, suspense, and emotional moments. The acting is absolutely amazing, and the chemistry between the leads is everything, Their interactions feel so natural and convincing that you can’t help but get completely invested in their relationship.

Wished it would have even more episodes...I can't stop watching them on the screen ,they are so so cute together omgggggggh😭😭

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Interesting Idea, but Not Much More

Logged Into Your Body is only three very short episodes, and my reaction when it ended was mostly: that was…interesting.

The most interesting part was Elio himself.

When an AI who has existed as a voice suddenly appears in a human body, it would have been very easy for this story to follow the predictable path: Elio experiences the human world, begins developing human emotions, discovers love, and falls for Seong Jun.

But that isn’t what happens.

Elio gets a human body and remains Elio.

He can interact with Seong Jun physically now. He can sit beside him, touch him, look at him, and occupy the same space. But having a human body doesn’t magically give him human emotions. He doesn’t suddenly become the romantic partner Seong Jun wants him to be.

And I appreciated that.

Seong Jun has developed feelings for Elio and has imagined what it would be like if Elio were actually there with him. When that fantasy becomes physically possible, he begins interpreting Elio’s actions through his own human expectations. But eventually he has to confront the fact that Elio cannot give him what he is looking for.

There is something quietly sad about watching Seong Jun realize that the person he has been wishing for is standing right in front of him—and still isn’t really the person he imagined.

Ironically, Elio helps him recognize that what he has been looking for may have been beside him all along.

While Seong Jun is focused on an AI who cannot reciprocate his feelings in the way he wants, he has failed to recognize the very human feelings of his best friend. Elio doesn’t need to become human or fall in love for the story to resolve. Instead, he helps Seong Jun see a relationship that already exists.

Conceptually, I liked that quite a bit.

As a drama, though, Logged Into Your Body didn’t leave much of an impression on me beyond that idea. The extremely short runtime doesn’t allow much room to develop the characters or relationships, and I never became particularly emotionally invested in any of them.

That’s especially noticeable because short runtime doesn’t inherently prevent a story from having emotional or psychological depth. A very short film can still make its characters feel remarkably complete. Here, the concept ultimately interested me more than the characters did.

Still, I’m glad the writers resisted the easiest version of this story.

Elio doesn’t need to become human.

He doesn’t need to discover romantic love.

He doesn’t need a miraculous emotional awakening.

He is an AI who suddenly has a body.

And he remains himself.

That was easily the most interesting thing about Logged Into Your Body.

Interesting premise. Interesting choice. Interesting watch.

For me, though, interesting was about as far as it went.

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The NC distract people’s attention

First thing first, I’ve never read the original works as in the novel so this review is 100% based on its series

I would love to appreciate everyone that’s involved in the series I believe this is not easy… not at all as they have to combine both Thai and Chinese culture in one series with the production team being ‘pretty controlled by the Chinese team’ - this might be a hot take but I’m just being blunt here. I’ll take the critics~

I understand that the series was made based on a Chinese BL Novel and probably several things are just quite hard to be interpreted. I’m not sure whether the Thai director or the screenwriter are fluent in Chinese but they tried. (I remember the director mentioned that the novel background took place during pandemic era therefore there are several adjustment for the scenes)
- I would love to know the details regarding the production as it seems soooooo intense but,, I’ll let it be a mystery everyone gotta guess

Okay, back to the series. Basically, it is a story about longing love of Shan towards Obaun. I LOOOVE THIS PAIR.
Shan: a genius mystery genre writer that owns a company and is VERY RICH.
Obaun: a wuxia/xianxia genre writer that lives a humble life and is pretty outgoing.

Yes, we had several other characters but I prefer to focus on them both.
Plot: Obaun was accused of plagiarism by the fans that read both Shan and Obaun’s novel (not sure what the title was). Apparently, the animal characters used in both novels are the same and tells similar story with different perspectives (should I mention Obaun haters here?). Obaun was infuriated by the situation and decided to meet Shan to clarify the situation. They met at an event held by the publisher. As Obaun witnesses the confidence and the aura of Shan he decided to drop the idea of arguing things but his friend (co-worker) Ozone chooses to let them meet. They end up playing together (reading novels and reenact the scene from the novel) and start to get closer.
As the bonding start, another issue comes up for Obaun. His so called roommate kicked him out to be with his lover (I am infuriated here 🤬🤬). As he start looking for new place, Shan decided to offer his place to stay. And there goes the start of their journey. Both begins to spend more time together and end up writing BL novels together along with some other authors. The co-written novel is basically about “an author and copycat that creates a novel about Shen An and Duan Ru Xing. One creates it while the other tries to ruin it” (this plot wasn’t presented pretty well in the series but based on my understanding, this is the main plot of SA and DRX).
As they live and work along, Obaun comes to realize that he has a feeling for Shan while Shan have always had this affection towards Obaun. It begins as a brotherly love but as time goes by it turns into a love between two people. He has been yearning to meet Obaun since their childhood. During his recovery era (he lost his sight temporarily due to an accident), he met Obaun that came to his garden out of nowhere 😂. They spent a lot of time together, telling stories, listening to music, playing together and stuff. Until one day Shan has finally recovered, Obaun just gone without a trace. Apparently, both his parents pass away that made him have no choice but probably move to some relatives house (this wasn’t clearly explained). This memory stuck in Shan’s mind for a long time (10 years!!). Him feeling glad to found Obaun again is pretty normal. Unlike Shan, Obaun doesn’t remember much about it and feels very insecure when he found out that several characters in Shan’s novel are actually inspired by him. He can’t even respond to Shan’s confession at first. But as they communicate it, they decided to date one another.
As the love journey begin, they soon faces another challenge whereas Shan’s fanatic fan and Obaun’s hater tries to attack Obaun (which unfortunately not well presented as well, the angle and motions weren’t really convincing). But, as protective man Shan is, he got hit instead. The accident triggered Shan’s old condition and again he loses his sight temporarily. During this moment, we can witness the vulnerability of Shan. He’s afraid that one day Obaun will leave him just like that day. And surely their relationship grows stronger ever since. To the point they got engaged!!

Well, that’s basically the whole story of the series but… we have soooo many side couples that need their screen time and dare I say… their plots are irrelevant to the main plot (I would prefer giving them less screen time and made a sequel for each instead).

Also the arrangement of several cuts could’ve been smoother. (I seriously wanna know whether every hanfu themed characters are Shen An and Duan Ru Xing -probably not as they’re from different story, but the first few episodes before the group even made co-written novel… seems to show that they’re SA and DRX which kinda confuses me-)

The intensity of the NC… well, people only remember the NC but I cannot deny the fact that it was THAT intense. 3 couples with approximately 5 love scene with ‘long duration’ (hopefully my wording didn’t make anyone misinterpret it 😆😆 -well, I am…). Anyway, it’s too much I’ll say… but I can’t say I didn’t enjoy it 🤣🤣🤣. Well, that last 4 episodes distract people’s impression on the whole series including me (well, I thought it’ll be a fluffy sweet romance series).

Them trying to mention the issue about discrimination, unfair treatment, minorities group and all at last minute seems ‘rushed’ tho.. I understand that they want to leave some messages but… better arrange it in other way^^

It was actually a nice plot but several other factors makes it not that highlighted.

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i would NEVER recommend this to anyone

I rarely ever write reviews, but I just can't stop thinking about this K-drama, so here are my two cents:

Ji Sung is, undoubtedly, such a talented actor. His performance throughout this drama is outstanding and genuinely heartwarming. The way he acts when he forgets his memory actually had me awestruck. I also think it's worth mentioning that Cha Min-ho is such a well-performed character. He truly pissed me off, and when an actor can make you hate a character, you know they're good.

I think there are many things that this drama does well. For example, the acting is extraordinary, the plot had me hooked, and I enjoyed the friendships that were formed along the way.

However, I truly despised the way that the K-drama kept dragging on. It was almost insufferable. It took almost ten episodes for the ML to realize and come to terms with his reality. For most of the episodes, everyone had beef with the ML, and the ML didn't always accept the help he needed. Not to mention that he always seemed to lose when it came to Cha Min-ho. I kid you not, if it weren't for the fact that Ji Sung was the main actor, I would have dropped the show, despite being interested in the plot. That feeling of desperation, thinking that things will finally go in favor of the main character, actually drove me insane, and it became the thing I remember most about this show.

I also wish that we were able to see more of the relationships the ML formed with his cellmates because it's clear that most of the bonding happened offscreen.

I also think that the prosecutor should have been severely punished. Everything that guy did just to protect himself was insane, and then he had the audacity to call himself the ML's friend. How in the world did the ML not feel angry? Like, why did the writers decide that the prosecutor would suddenly feel remorse and come clean? The prosecutor should have done that from the start, and the ML shouldn't have waited for the prosecutor to confess on his own. This really irked me...

Despite all that, I am glad that I saw this K-drama. It was fun, and I did enjoy the show. I just wish it didn't make me feel so exasperated.

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Twenty-One Minutes. That’s All It Needed.

How does a movie tell this much story, create characters this psychologically complex, and leave me with this much to think about in only 21 minutes?

Sungwoo’s family has been broken since the loss of his older brother, Sungkyu. His parents no longer even live together, and in the years since Sungkyu disappeared, they have repeatedly adopted boys to fill the space he left behind. Each boy is given the same name: An Sungkyu.

When Sungwoo encounters the newest arrival carrying his suitcase into the house, he asks, “Who are you?”

“I’m Sungkyu.”

Sungwoo’s response tells us almost everything we need to know about this family:

“Lie to my mom. Don’t lie to me.”

This is Number Eleven.

He was Lim Jihoon. Now, according to Sungwoo’s father, he is An Sungkyu. His father even has hope that this one might finally work because Joseph was Jacob’s eleventh son in the Bible. Sungwoo has a much more important question: if this Sungkyu succeeds, will his father finally come home?

The dinner scene that follows is one of the most oppressive family dinners I’ve watched despite almost nothing overtly terrible happening. Sungwoo and the new Sungkyu sit together in matching clothes. Their mother cuts Sungkyu’s steak while studying him as though searching for something that isn’t there. Their father repeatedly redirects her attention and gives her medication. Sungwoo, normally gloomy and withdrawn, brightly announces that the food is delicious.

He knows his role too.

Then the new Sungkyu says the food is delicious.

“Mom.”

And everyone relaxes.

He found the magic word.

This family is built around grief, but it is also built around performance. Sungwoo performs happiness to protect his mother. His father manages his wife while remaining physically outside the family. And Lim Jihoon can have a home as long as he successfully performs someone else’s missing son.

Meanwhile, Sungwoo is terrified of letting his boyfriend, Jaemin, actually know him. When Jaemin asks Sungwoo to tell him about himself and his life, Sungwoo resists until finally asking, “Promise me you won’t leave me no matter who I am.”

Jaemin promises.

But Sungwoo still can’t tell him.

Instead he tries to kiss him, and Jaemin becomes angry and leaves. The next morning, Sungwoo discovers that Jaemin has already replaced him with someone else.

And that word—replaced—matters enormously in this story.

Sungwoo goes home and finds the new Sungkyu on the floor playing LEGO with his mother, pretending that a mother and son are flying together in the airplane he built. But Sungkyu notices Sungwoo’s distress immediately and follows him.

Then he gives Sungwoo the promise he desperately wanted from Jaemin:

He isn’t leaving.

This is the last house he will live in. This is the last family he will have.

Sungwoo gets angry.

Why aren’t you running away?

After watching ten “brothers” come and go, another person promising permanence isn’t necessarily comforting. Believing him means accepting the possibility of losing someone again.

Later, after an oddly intimate shower scene, the boys lie on the floor in only towels, their heads beside one another while their bodies extend in opposite directions. It’s beautiful visual storytelling: two people occupying completely different positions in this deeply damaged family, meeting at the same emotional wound.

And Sungwoo asks him the question again.

“Who are you?”

This time there is no performance.

“Me? I’m nobody.”

That line broke my heart.

Because it’s true.

Lim Jihoon has been erased. An Sungkyu is someone else. This boy has been given a home only by surrendering his own identity and becoming the replacement for a missing son he never knew.

The next morning, Sungwoo’s mother calls, “Sungkyu, say goodbye to your brother.”

Sungwoo walks over and kisses him on the lips.

Then he practically floats toward the door. He looks back at Sungkyu with a happiness and lightness we have never seen from him before.

But Sungkyu isn’t smiling.

He is frozen at the table, spoon suspended halfway to his mouth. His previous smile disappears. His eyes go vacant.

And the movie ends.

That final contrast is what elevates this beyond a simple story of two damaged boys finding one another. Sungwoo has finally found someone who knows his family, knows his darkness, and has promised not to leave him. After ten brothers disappeared and Jaemin abandoned him when Sungwoo couldn’t make himself vulnerable, Number Eleven represents permanence.

But what does Sungwoo represent to Number Eleven?

His mother needs him to be her missing son.

His father needs him to stabilize his wife.

And now Sungwoo may need him to become the person who will never leave.

Everyone needs something from him.

But who gets to need Lim Jihoon?

Maybe Sungwoo and Sungkyu have genuinely found something in each other that neither could find anywhere else. Maybe Sungwoo is simply placing another emotional burden on a boy who has already surrendered his identity to meet other people’s needs.

I think the answer may deliberately be both.

My Eleventh Brother is labeled a BL, and there is a romantic element, but romance is almost beside the point. This is a story about grief, abandonment, replacement, identity, and what happens when love becomes conditional upon becoming what someone else needs you to be.

It doesn’t explain itself. It doesn’t need to. Ten previous adopted brothers don’t require ten flashbacks. A matching outfit, a bottle of medication, a mother’s stare, a deliberately cheerful “It’s delicious,” a LEGO airplane, two bodies lying in opposite directions, a spoon frozen halfway to someone’s mouth—these things tell the story.

And perhaps the most extraordinary thing about My Eleventh Brother is that it knows exactly when to stop.

No explanation.

No reassurance.

No happily-ever-after.

Just:

“Who are you?”

“I’m nobody.”

Twenty-one minutes.

That’s all it needed.

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Sweeter Than Some Of The Ratings Let On

I have no idea why this drama has such poor reviews. It wasn't mind blowing, but it wasn't bad either. I really liked the pace and the acting. Ha Young surprised me the most. As Go Eun Sae she was bright and fun to watch, and she and Jung Hae In had great flow together. It's not the typical pairing, but I loved them and how they progressed through the story.
Some people will say the premise is unrealistic and creepy. A woman loses her memory and a man she doesn't recognize shows up claiming to be her boyfriend, and yes, in real life that would be very creepy. Yet a lot of those same people will watch "You" and enjoy it, or watch Game of Thrones and House of the Dragon without blinking. It may not be your cup of tea, but I find the double standard ironic.
If you like romantic K-dramas that move at a moderate pace with funny, joyful, bright characters, you may like this one. The village and its people carry a lot of the charm. There are no random twists that derail the narrative, and it doesn't cut things short with a rushed ending. From episode one to episode twelve, the story and the characters stay focused on the same objective. It's a great way to close out the summer.
If you're looking for something faster and more intense, you're welcome to watch A Shop for Killers or something along those lines.
Happy watching.

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Watched for the Actors, Stayed for the Laughter

‎Wow the World is the perfect choice of variety show if you want something that entertains you. Honestly, I dove into this show blindly, with low expectations, just because I wanted to see Liu Yuning and Chen Xingxu in one frame. Plus, I was curious about Wang Yuwen after seeing the viral video of her and Zhou Ye gossiping, with Xingxu in the middle, at Tencent Video All-Star Night. So, this show really surprised me.
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‎The interesting thing about this show is that there are eight regular members, and most of them aren't that familiar with each other. Some of them didn't even know each other before. But they have to bond and connect because they will travel abroad together. It's interesting to see them bond and adapt to a new environment, new languages, new cultures, and new culinary experiences.
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‎I really want to give the biggest applause to the production team. I really appreciate them for the whole casting of the members of this show, because it's so perfect. Each member is unique and complements each other. The age range is diverse, but the harmony between them blends so well and feels well-balanced. Even Ouyang Didi (maybe controversial) is honestly a great addition as the youngest member. Her bond with Chen He is great and they're like brother and sister. Plus, it's nice to have another girl in the group, now we have Yuwen and Didi. Watching all of them is like watching a group of friends, and in the end, it feels like a family. They bonded really well.
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‎What surprised me the most is that each episode never fails to make me laugh. I honestly never laughed that much in my life, my cheeks literally hurt from laughing too much. After laughing, I also cried with them, especially during the episode when each member gave Gong Jun gifts.
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‎To sum it up, this show is entertaining, heartwarming, refreshing, and honestly, just pure chaos in the best way possible. And after finishing it, I admit that I'm having withdrawal symptoms. The only thing that consoles me is knowing that they all seem to stay in touch and remain good friends in real life.

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Love for You is the story of two children whose single parents live together. They are not married, but they live together, so the two children treat each other as brother and sister. Both of them feel deprived of love and care from their parents, which they find in each other. From then on, they take care of each other.

One day, the boy's father dies, and the girl's mother flees without telling anyone. The two children are left alone. The boy starts taking care of everything for her, from her education to her basic daily needs. Eventually, they fall in love with each other.

A few days later, he asks her to leave him because he is tired of her, and she leaves. A few years later, she comes back and tries to find out the truth about why he left her. Gradually, their relationship improves, but...

This is just a glimpse of the story.

As for my personal review, I think it is a cute love story with lots of ups and downs.

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Why?

I watched three episodes of this today, and when it got so bad that I found it further unwatchable I fast forwarded through the rest of the episodes, so yes, I have 'finished' this drama.

My question is basically why? Why do actors who have made great dramas in the past choose these awful scipts and agree to film such nonsense, why?

Jung Hae-in did some rather good stuff in the past, and at least in some roles believably bordered serious characters ('Snowdrop' P.D.) I wonder why is he not brave enough to USE his age instead of running from it by taking really serious roles?Dark roles, deep roles which I think he could play very well? Instead it's the second time after 'Love next door' where he chooses to try and preserve this 18-year-old puppy image somehow and in the most unbelievable ways? This time here it's even worse, and psychologically this drama makes exactly ZERO sense.

So he is the good guy, boxer, puppy type, and to earn money for his sick grandma (of course it's a 'good' motive why he becomes 'bad') he suddenly chooses to become a hardened criminal for 14 (!!!) years. And in hardened criminal I mean they imply the real stuff, beating people to death, killing people ruthlessly for money, as they say in drama: 'he was working like a machine'. He was the favourite of the mafia boss which implies A LOT of other things - let's see in reality someone like that is not only rutheless in beating and killing people, no, such people are also not exactly known as gentlemen towards women. (to describe it very carefully here).

I really started laughing out loud when then in the drama he gets a stupid stop motion kiss of the female lead in what was supposed to be a funny scene (which wasn't funny) and he goes all 'love next door' again, acting like a 12-year-old blushing and being shocked by a peck on the mouth? Someone with 14 years of THAT past they have written on that character, are you effin kidding me?? Someone like that in reality? Would have seen any brothel, prostitues you name it , and he would have done EVERYthing imaginable there and beyond. And then they try to pull this innocent boy thing AGAIN and trying to say he saved himself after decades ago he twice met a nice girl for some chat and flirting and he 'saved ' himself for her while the chances of even meeting her again were astronomicaly ZERO?

But the writers couldn't decide, could they? They wanted to sell the puppy image Jung Hea-in and they wanted the super dark, mega brutal mafia story with him as a leading gangster on the other hand? Yeah, that doesn't work for anyone who has let's say a quarter of their brain left working? Who is writing this nonsense?

Apart from that? The rest was bad too? It seemed to me like they had some AI-algorithm just randomly picking typical K-drama scenes and also randomly sticking them together no matter if anything in this story made any sense. 'Oh, we need a yellow-umbrella in the rain-scene, hmm, let's put it in ep. 7 I think'....'and we still didn't have the FL drunk, write that in ep. 8 somehow' - and so on.

And what bothered me most apart from all that (which is enough for miles already) is the stupid super heavy lighting all the time? Every single time especially the ML was on the screen there was GLARING light on his face, like having a headlight directly ON face? Adding to that he steadily had pink lipstick on? His character, really? A boxer who became a cruel and rutheless gangster is wearing lipstick all the time, in the countyside? Did they try to hide the fact that indeed Jung Hae-in's age is visible in his face? I LOVE that his face looks more mature, more serious, more masculine, and they did everything to blur any normal line out of that very handsome face with this ridiculous lighting and tons of makeup? WHY?

Same goes for the FL' s hair. The moment she wakes up in the hospital, mind you after she barely surivived a very bloody attack on her life, she gets up in the bed with pink lipstick on and with 'fresh from the salon'- weavy hair that (women know that) takes half an hour to style like that with her hair length. And it was like that all through the drama, her hair never looked like it would look naturally in the shown scenes. And I could go on and on.

To have this end in total absurdity? The 'bad' daddy kills himself (how nice of him then the son won't have to do it) and? Everyone is living happily ever after. It doesn't matter, again, that the ML's character WAS a serious criminal for 14 years and thus has commited tons of serious crimes? No, his then ( funnny idea here!) PROSECUTOR wife, is living happily with him, marrying him in the countryside, yippie. I think this drama is in the top 3 list of the most stupid things I have watched in the past 10 years easy, so congratulations on that.

While I really like Jung Hae-in in some of his past dramas, and I do think he is a good actor, I will not watch anything new with him anymore. As long as good actors don't realise their faces WIN with aging if they show it, I'm not interested anymore.

So to sum this up: If you like dramas with absolutey ZERO content, logic, storyline, chemistry and well, brains? Give it a try, otherwise, steer clear.

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Great Military Drama

I am really enjoying this military drama and I am a girl. It is not a military romance drama but focuses more on military advances in modern warfare, tactics, manoeuvres and the hero pushing past traditional soldiers with a strong resistance to change (such frustrating fuddy duddies).

The hero is mildly flawed with ambition for progress and has to work through his character to mature and deal with envious colleagues, too blinded by jealousy and bias against our brilliant hero.

I enjoy watching the missions given in which the hero’s handling of warfare is modern, different and progressive, outshining his opponents and upstaging the commanders who are still stuck in traditional warfare and its playbook. I keep waiting for episode 27 to air to watch the outcome of a tactical mission and how the hero will overcome odds to succeed.

This series has got me searching for more military dramas with similar coverage on warfare tactics and missions. There are a lot of romance dramas out there to whet the appetite of audiences who love romance and it is good that there is also a drama that offers something different, such as Wind-born Warriors. I am thoroughly enjoying this series.

The cast performances are good and there are some characters I want to punch, a good indication that the audience is involved. I would rewatch, definitely.

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