Reviews

It's been more than a year!!

I still can't get these two characters out of my mind and my feeds, it's been more than a year now!!! I loved ChiWei so much💙💜. I want to see them together more😭😭😭😭.

I have seen the show clips and read the book countless of times and I am still not over how cute and at the same time hot the couple is! I think I this one of the best C-BL of all times and this show has given literally everything. The chemistry is A1, the direction and acting is very good, the plot is very different, the osts are beautiful and the Bts just makes me want to continue watching them~~ they are as good as the show🖤🖤♥️🙈. Also unpopular opinion but I did not find this story at all toxic!

I would definitely recommend this show to people who have still not watched it! (Which I might judge you a little bit for). Rewatch value 9/10.

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Full-length True Hong Kong BL with an Interesting romance, but with low budget production issues

I am happy to check out “Ash” as my first full-length Hong Kong BL, played by actual Hong Kong actors who speak Cantonese. I’ve seen a few short ones, e.g. “Stay Still”, but it’s a nice change from all the Chinese ones who claimed to be from Hong Kong.

It’s a low budget BL, so my expectations are low. There are definitely areas I can pick on. I think the pacing is on the slower side. There’s more they could pack into 9 episodes in terms of the plot. But instead, we have extended looks and conversations that don’t really add much to the plot. The acting is average. I’ve seen worse, definitely, but I wouldn’t call the acting amazing here. However, since we are talking about first-time actors, we could probably cut them some slack. Kingston’s acting is probably the best of the bunch. The police aren't that smart. The undercover sting operation is laughable, but let’s give this opportunity for Kingston to shine. Well, the biggest complaint and elephant in the room is the AI-generated flashbacks. I am on the more lenient side with the use of AI in low-budget production but that doesn’t mean I am not going to dock a point off my overall rating.

On the positive side, I am really digging the romance. Yes, the chance encounter and the start of their story was cheesy and intentionally rom-com like. But the progression of their relationship is interesting. I like that both are strong individuals with their own stubbornness and perception of their relationship. Given their socio-economical differences and especially Mok Fei Foon’s profession as a cop and Hui Leuk To as the CEO of a big company, you know their relationship is not all rainbows and roses. I like the argument and confrontation, the harsh words spoken and the guilt after. The push-and-pull and the separate-and-not-separate going back and forth. I like that they are both so incredibly in love with each other, yet trying not to, or don’t know how to show that until they are facing dangers to their relationship and lives. Hui Leuk To might have a learning curve on how to be a good lover, but I like that he’s possessive but not truly a toxic partner. In a way, their relationship is actually pretty fun, sweet and open (after the first couple episodes).

My other complaint is the kisses! LOL The leads have such great chemistry and they look so good together. There are so many loving looks, longing looks and hungry looks. Yet, their kisses are mainly very sweet and cute. I love them, too, but I think there are a few scenes where a more passionate kiss is called for. They could have gone further with the ‘passionate’ scenes but they didn’t. I also am not a fan of them always wearing the white tank tops. They should just go topless. But of course, that’s just my personal pet peeve.

Overall, I have a good time watching “Ash”. I like the good-looking leads and the romance, thus I am giving this a high 8.0. I thought about lowering the rating a little more, but it’s a celebration of my first true full-length Hong Kong BL in Cantonese and not dubbed, especially for a Cantonese speaker myself.


Drama Completed: 10/4/2026 Review #728

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Not that good at all.

Despite all the hype, I couldn’t feel any chemistry between them. The cinematography is beautiful, and I really liked the message behind the story, but the characters just didn’t work for me.

The ML felt incredibly one-dimensional. Even with all the plot twists, his tragic past, and everything we’re eventually told about his struggles, none of it really landed because what we actually got to see from him was such a simplistic character that he almost came across as childish at times. I simply couldn’t see him as someone who could have a meaningful romantic connection with her, which made the lack of chemistry between them even more noticeable. It felt like his tragic backstory was mainly there to give him the depth that the writing itself never managed to give him.

The FL frustrated me for similar reasons. I understand grief, but the way hers was written felt, again, one-dimensional. Instead of simply letting her be a person who is grieving, the show constantly has her explicitly announcing it. At one point she literally yells at him “I can’t be friends with you.” Like... what? Someone going through grief doesn’t need to constantly declare that they don’t want relationships, don’t want happiness, don’t need anyone. They just... are. You should be able to understand what a character is going through by watching them, and not because the script keeps screaming the character’s inner state at you.

And that’s really my biggest problem with the writing: it seems to have absolutely no trust in the audience. It keeps spelling everything out instead of allowing the characters to have subtlety, contradictions or actual layers. The result is that what should feel like complex grief just comes across as exaggerated and almost performative. She’s supposedly incapable of letting anyone into her life, yet she’s perfectly functional and successful at work. There’s no nuance to the contradiction; the script just keeps telling us what her trauma means and how she is supposed to behave because of it. Shows shouldn’t treat the audience like idiots who need every emotion and motivation explained out loud, so that’s exactly what made this drama feel so empty to me. There was so much telling and so little actual substance or characterization that, by the end, I just couldn’t believe in these people or their relationship. Nothing felt organic, and I think that’s ultimately why I couldn’t see any chemistry between them.

Overall, I felt like both characters were given tragic backstories in an attempt to create layers and depth that the writing itself never really managed to develop. I wanted to care about them and their relationship, but I just couldn’t. Of all the things I expected from this drama, the complete lack of chemistry between the leads was probably the biggest disappointment, especially because I really like both actors. I went into this excited to see them together, so it was frustrating that the writing gave them so little depth to work with that I never actually believed in their relationship.The parallel storylines didn’t help either, only one of them really mattered to me, while the others mostly felt like unnecessary screen time and extra plotlines.

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It was so good, until it wasn't.

Everyone was talking so well about this cdrama, so I decided to give it a chance. The beginning was really good, but, as I said in the title, at some point it just became really boring.

So many things could have been handled much faster and more directly. In the end, I didn’t even finish it because I realized it was just going to be endless dragging when the story could’ve ended ages ago. Even though the main couple hadn’t gotten together yet, it was already obvious what was going to happen, and I just couldn’t bring myself to sit through several more episodes of the same thing just for the payoff of one romantic scene between them. The FL’s acting, though, is absolutely incredible. Both the character and the actress were amazing, and she carried the drama for me.

As for the ML, it’s kind of the usual Zhang Linghe situation, he’s there to serve face, not acting. There were definitely moments when I thought he did a good job, but it was hard not to notice the huge contrast between his performance and the incredible acting from the FL and some of the other actors.

Overall, it was pretty fun and definitely worth watching for the beginning, but I wouldn’t watch it again.

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N/A

I love it, it’s exciting loving intense and sad hope Shen Mo sees how much JiMingXuan actually sees how much he cares and loves him 💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕please don’t let the ending sad…💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕

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Okay, this is a 50/50 for me

Not bad. I liked the cast; I liked how they acted.
The story wasn't bad, but sometimes I was incredibly bored, and I can't really tell why... There were moments I was super entertained and then immediately after, super bored, and it kept going back and forth. I can't really explain why though.

I do have to say that I didn't really care much for the Jack and Tan storyline; he was an asshole, and while he is trying to get closer to them, he continues to be an asshole. Jack basically lets him walk all over him, and then there is a fight, and theeeeeen that's it; all is forgiven, so whatever, you know? I give the credit for me really disliking Tan to the actor doing a very good job, and the credit for his character feeling very 2dimensional to the script.

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half satisfied.

at the very beginning this movie starts as a very cozy story. it reminded me of teen age movies from the 90's and I was prepared to feel cuddled while watching a sweet love story. in a kind of way, this is what happens but on the other hand at the very end there is a twist...

spoilers!
the first half of the movies was well executed with a little twist that made the story Interesting. the whole "misunderstanding" of who is the main love interest gave a fresh touch to a "linear" kind of movie. the second half though wasn't that satisfying for me. I feel like there is no payoff because the final twist doesn't "cement" a well written love story.

I felt particularly weird that our fl is so obsessed but a guy she maybe saw for ... 6 months?

she keeps thinking about this guy for yearsssss.
I know it's her first love, but it felt a bit exaggerated because the movie doesn't give us too much of a love story in the first place.

their love didn't feel solid enough to justify these big emotions.

the death of the ml didn't land as hard as it should. it felt the movie took this direction just for shock value.

is it a bad movie? I don't think so. it is heartbreaking? well, there are heartfelt moments but overall the impact isn't too strong.

to sum it up, the movie feels nice but without a strong direction.

we know nothing about these characters. there is no emotional, character development.
what was it even about?
how to overcome Grief? no
a groundbreaking love story? no
an unshackable friendship? no

maybe this concept works better for a series than a movie .

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Underrated masterpiece

I started watching mainly for Pon and Sailub. I actually have never seen anyone talk about this series before and kinda found out because of the actors. I never really liked cooking as genre but somehow I did like it in this show! I was convinced it might be reallyyyy bad, but to my surprise it wasn't that bad at all. Actually I really loved it. I'm just so surprised about it that I might give some chances to other cooking bl's. But yeah, after watching this my mind just keeps on thinking about it and I never really have that with any BL unless it actually impressed me, like this one.

At the beginning, I wasn't a huge fan of Oab due to the way he treated Plawan. It's funny because me and my friend both watch it (she watched it one day after me) and she kept sending me angry screenshots of how she didn't like Oab's behaviour. I agree with her because at first I felt the same. I feel like Oab had a crazy character development and I slightly liked him more after absolutely clocking that Khaosuay. I hate Khaosuay the most. She made me also dislike Oab at some point and I can't believe Oab was still being okay/respectful to her at first. I felt incredibly sorry for Plawan.

Plawan was such a misunderstood character. My friend hated him at first and called him pick me. But idk why but I felt like I could kinda relate to his behaviour. I hated how Oab kept doubting him and showed barely any interest. Plawan kinda reminds me of Wan in Mr.Fanboy. Especially when he got accused of stuf. Yes, he was working for Methas but still. I know the whole point was for Oab to fall for him but Plawan's feelings towards Oab became genuine. My friend kept complaining how Methas was sooo toxic but I lowkey found his rich boy behaviour funny asf. She's a huge GarfieldBenz fan but yeah obv they broke being a pair. I don't rlly like them in this series if I'm really honest.

I love change 2561. They don't have many pairs but the pairs they do have are amazing. Kinda hope to see more of the other pairs because many are just used as side characters. Also I absolutely love MichealTopten. Kinda sad Topten wasn't in this show but eyyy at least we have Micheal moments. My first time seeing Nui Suttasit as director. I don't have much to say because I'm not familiar at all but the production was done quite nice. It's definitely better than I expected. Camerawork and editing as well. It's nice seeing Es Vorarit as Executive Producer. He made a lot of nice series. I'm also overall impressed by the quality of the production because everything looks so nice.

Overall I'm super surprised by the production and I love the story. The characters are all really rage baiting but I still secretly love Plawan. I also like the cooking contest and how Oab wasn't necessarily rooting for 1 person. I really suggests this BL and I'm surprised it's not that popular!! I need more people who seen this to yap with :3

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A deeply moving musical tragedy driven by a masterful duo.

Four Hands, Two Sonatas is a massive emotional rollercoaster. The series quickly leaves behind the usual high school clichés to plunge us into a human drama of profound sadness, yet rare beauty. Here, the piano is not just a prop; it is the only way for two broken young men to express what they keep buried deep inside. What makes this drama so powerful is how it shows that music is no longer just art, but a matter of psychological survival for the characters.
The entire intensity of the story rests on the incredible performances of the actors. Song Kang plays the role of Kang Bi-o with impressive restraint. He embodies this wealthy boy, completely suffocated by his mother, who takes refuge in robotic technical perfection to keep from collapsing. Opposite him, Lee Jun-young delivers a raw and visceral performance as Choi Jeong-yo. He is a poor prodigy, deeply wounded by life, who had completely abandoned music. The chemistry between the two is insane; they start by hating each other before realizing they are the only ones in the world who truly understand one another.
The dialogues between them perfectly express the heavy weight of their situation. Far from easy or cliché lines, their exchanges carry rare psychological violence, and every word cuts right where it hurts. This is clear when Jeong-yo, pushed to the brink by his past, screams painful truths at a spiraling Bi-o: "I don't care if your fingers bleed on the keys, your technical perfection sounds like nothing but a coward's cry." Their final confrontation is equally heartbreaking. It is the moment when the secrets of their trip and the truth about their trauma explode, proving that their bond goes far beyond a simple rivalry.
The series is steeped in constant melancholy. The characters' distress can be felt in every frame, especially when Bi-o experiences an immense slump after his burn-out, or when the misery and violence of the past catch up with Jeong-yo. It becomes clear that their friendship is not built on smiles, but on pain, unspoken words, and tears. Certain scenes leave a lasting mark, like the very first time they play a four-hands piece together in a dark room. Without a single word, purely through the power of their eyes, their connection becomes undeniable. The piano becomes their own language to sync the beat of their hearts to the exact same rhythm.
In conclusion, this series stands out as a captivating psychological masterpiece where human distress finds its salvation in the acceptance of the other. By rejecting easy tragic endings in favor of a slow and hopeful healing process, the drama proves that even the most broken lives can eventually find their harmony. It is a powerful work that lingers long after the credits roll, reminding us that the most beautiful music is often born from our shared imperfections.

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Crisp. Smart. Funny. Green Entertainment!

That's cutie Patty (Print's baby sister from QUEENDOM)! She's all grown-up now, flexing the CEO energy, and Patty's in love!

⛳ FAIRWAY OF LOVE Ep 5: Smooth Greens, Gathering Clouds ⛳

Everything’s playing beautifully right now — the course is picking up momentum, drawing more players every round. Nana and her team are absolutely sinking their putts, and it’s wonderful to watch all that hard work finally paying off.

And off the course? Even better. Nana and Vee have officially moved up the fairway — their relationship is in full bloom, and getting Vee’s mother’s blessing? That’s a hole-in-one moment if there ever was one. Everything looks like it’s shaping up to be a perfect round.

But… let’s not check the scorecard just yet. The wind’s shifting, and dark storm clouds are rolling in fast from the horizon. Nana’s dad is facing a tough battle — a cancer diagnosis that no one should ever have to play through. And on top of that? Someone’s clearly decided they’d rather see the course in the rough than in the winner’s circle. Sabotage is a dirty game, and whoever’s behind it is playing for keeps.

So we’re entering the back nine now. The greens are still lovely, the company is still wonderful — but the course just got a whole lot trickier. They’ve got heart and grit on their side, though — and sometimes that’s exactly what you need to weather the storm.

Bracing myself — and keeping the faith that they’ll find a way through this rough patch together. 🇹🇭

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should’ve been more gay

I’ll start with the obvious. With the amount of BLs out currently which are extremely popular and the general recent surge in the amount of BL. This show should’ve just been gay. I’m not saying they have to kiss or even acknowledge they’re dating properly but forcing Pio into a lavender relationship? Super unnecessary. And omg at least let them hug why are we scared of a bit of physical touch.

Jaein as a character was actually written well but they didn’t need to make her be in love with Pio. Eventually taking over her mother’s position and being an anchor between Pio and Jeongyo was more than enough to make her a worthwhile and important character! She can comfort Pio without having to be dating him!!!

On a different note I enjoyed everyone’s acting! There were some awkward points particularly when they were in Europe. I respect that acting in another language takes a lot of skill so I won’t say much but I can’t deny the awkwardness in those scenes…

Song Kang is in no way a bad actor and I’ve watched many of his dramas but I will say I was a teeenie but disappointed this time round, not enough to be upset but it was more noticeable to me. Additionally the early episodes with school uniform felt strange as I do think both lead actors are a little too old to be acting in a school uniform- nonetheless it didn’t impact my viewing experience much!

Going back to the scenes in Europe I was disappointed visually as there were some stunning scenes filmed in Korea but that same aesthetic didn’t carry over. Some parts felt like a travel vlog and I would’ve hoped they could’ve made it more consistent.

Enough negatives! It was a great show and I was at the edge of my seat!! Watching each episode week by week really added some fun to my life and I found myself itching to know what would happen next. The plot twists and suspense kept me on edge and I felt myself empathetic to many of the characters. Though the ending was bittersweet in some aspects I was glad they at least met each other again with a smile.

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The Best Kdrama of 2026

🎹 FOUR HANDS TWO SONATAS: A Masterpiece in Three Movements 🎹

From its opening measure to that final resolving chord, Four Hands Two Sonatas was nothing short of a symphonic triumph. This wasn’t just a drama — it was a carefully composed sonata, every scene a phrase, every revelation a harmony shifting just when you thought you knew the melody.

At its emotional core lies that extraordinary bromance — a relationship of such intricate counterpoint it felt like two melodies striving toward the same resolution yet never quite landing in perfect unison. It’s a platonic bond more tangled, nuanced, and profound than the most complex marriage — sometimes dissonant, sometimes beautifully consonant, always deeply resonant. They moved through life like two pianists sharing one bench: sometimes stepping on each other’s keys, sometimes lifting each other’s melody, inseparable yet entirely distinct voices in one composition. The tempo of their connection never stayed steady — it would accelerate into fiery passages only to slow into quiet, lingering notes that hung in the air long after the scene faded.

The storytelling? Pure virtuosity. Plot twists arrived not as jarring fortissimos, but as perfectly timed modulations — shifting keys, revealing new layers, yet always feeling earned. Just when I thought the melody had settled, the narrative would introduce a new theme, and instead of feeling overcrowded, it simply made the composition richer. That delicate balance — layering complexity without ever losing clarity — is the mark of true maestros. K-drama really does conduct the orchestra better than anyone else; every revelation felt less like a surprise and more like a truth we were just finally ready to hear.

And then — the casting. More than a decade passes within this story’s time signature, yet somehow every female character remains impossibly luminous. Kang Pi-o’s mother looks ageless — like a treble clef etched in marble, untouched by the years. I’m convinced the women in this universe have discovered a secret harmony with time itself, or perhaps that 12-to-16-step ritual truly is the fountain of youth in a bottle. They move through the years not with visible aging, but with the deepening resonance of a well-played violin — richer, warmer, and more beautiful with every season.

Those final two episodes? They were the crescendo this entire series had been building toward — the kind of performance that leaves you sitting in silence as the final note fades, knowing you’ve just witnessed something extraordinary. They weren’t just television; they were the finest articulation of what this medium can achieve — heartbreaking, hopeful, masterfully executed — and they will echo in my mind for a very long time.

Bravo. Encore. Standing ovation. 👏🎼🇰🇷

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Most romantic non-romance.

Wow, what a wild journey it was. I felt every single thing so personally and went almost insane over them. It’s very rare for a series to hold you in its grasp like this. Every episode left you curious and aching. If I could, I would take every single shitty thing that happened to these kids and give it to those adults.

Kang Pio, dare I say, he is my favorite character ever? Song Kang’s portrayal of him was so perfect. He is so complex, with so many layers that are difficult to peel back, yet so easy to hate and misunderstand. He was written with so much care and attention, and I am grateful to have found such a character. I understand him all too well, Pio, and it tears me apart.

Lee Junyoung, what an actor you are. The detailing of each emotion was portrayed so perfectly. You are so amazing. Choi Jeongyo, life was so hard on a guy who just wanted to play music with his person. His only connection to his mother. Words aren’t enough to convey my feelings about him, but God, I wish every pain of his could disappear.

The ending was, well, an open ending. I still have so many questions. Who is Pio’s father? Who is Jeongyo’s father? Where is the scene with the rings in the show? Does it imply they got married in Czech? So many questions were left unanswered. I would have said I was unsatisfied with it, but the moment they turned from 30 to 17 again when they reunited as if their inner kids were back and safe with each other, all hell broke loose. What a beautiful, beautiful, beautiful scene!

I love their relationship because no matter how things go, they always circle back to each other. I hope there’s a season two, or maybe a movie or something, because for once, I wanna see them happy. My favorite wolf and lamb, I love you, and I will miss you every Saturday and Sunday.

Best series of the year for me.

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