Reviews

THIS is what a complete romance looks like

Crash Landing on You is so good because it gives you this huge central romance, but it never feels like the romance is the only thing holding the show together. It manages to weave friendship, love, heartbreak, loss, family, and loneliness into one story without making any of those elements feel completely separate from each other.

One of the most interesting things about Yoon Se-ri’s story is that even though she loses everything when she ends up in North Korea, she somehow gains even more. She loses her status, her money, her company, her power, and basically every advantage she has in South Korea. But then you have to ask: how much did she really have before that?

She was successful, respected, and powerful, but she was also incredibly lonely. Her family relationships were broken, and even though people respected her, that respect was tied to who she was and what position she held. Once she ends up in North Korea, none of that matters anymore. The people around her don’t know her as this famous businesswoman. They only know the person standing in front of them.

That’s what makes her relationships there feel so rewarding. For once, the respect and love she earns feel completely organic. She builds lifelong friendships with people who care about her because of who she is, not because of her status. In a weird way, losing everything is what finally gives her something real.

And the five soldiers are absolutely one of the best parts of the entire show. Their friendship is elite. Seeing characters fight for each other is probably one of the oldest and most basic ideas in movies and television, but when it’s done well, it never stops working. Watching these characters slowly become people who would genuinely risk everything for each other is one of the most satisfying parts of the show.

One of my favorite moments is when Se-ri finally returns to South Korea and you see that she still carries those relationships with her. The fact that she names products after people she met in the village was one of the most important and heartwarming details to me. It’s such a small gesture, but it proves how much those people changed her. At first, she found the village women annoying and frustrating, but the more she understood them, the more she understood why they acted the way they did. Eventually, those relationships became some of the most meaningful ones in her life.

That’s one of the things Crash Landing on You does incredibly well. It takes characters who initially seem annoying, strange, or unimportant and slowly gives you reasons to care about them. By the time the story progresses, these people don’t feel like side characters anymore. They feel like a community.

Ri Jeong-hyeok is a more mixed character for me. As a male lead, I don’t think he has the most outstanding or interesting personality in the world. He’s probably around average for me, maybe slightly above average. But what makes him work is his chivalry and the way he gradually opens up.

You can tell from the beginning that he cares deeply, but he doesn’t always express it openly. A lot of the enjoyment comes from watching that wall slowly come down. The moments where he becomes more vulnerable and affectionate are probably his best moments because they make the relationship feel more human.

And the chemistry between Se-ri and Jeong-hyeok is ridiculous. Knowing that Hyun Bin and Son Ye-jin eventually got married in real life makes it even funnier, because their chemistry on screen already feels incredibly natural. I honestly wish the show gave them more kiss scenes, but even without that, the emotional chemistry between them is strong enough to carry the romance.

But honestly, one of the storylines that affected me the most was Seo Dan and Gu Seung-jun.

Their relationship is devastating. It’s one of the parts of the show that genuinely made me cry, and I think what makes it so effective is how much Dan’s story parallels Se-ri’s.

Dan is also incredibly lonely. She’s emotionally closed off, she doesn’t really let people in, and for a long time it feels like she’s just following the life that has been planned for her. Then she meets Seung-jun, and suddenly she starts experiencing something that actually feels personal and real.

That’s why their story hurts so much. Se-ri and Dan are both women who, in completely different circumstances, finally find people who make them feel less alone. The difference is that Se-ri gets the chance to keep moving forward with that connection, while Dan’s story becomes one of loss.

And I think that brings everything back to one of the biggest questions in the show: what actually makes somewhere feel like home?

South Korea is technically Se-ri’s home. Her company is there, her wealth is there, her family is there, and her entire life exists there. But when she ends up in North Korea, a place she desperately wants to escape from, she builds some of the strongest and most genuine relationships she has ever had.

So where does she really belong?

I don’t think the show gives you a simple answer, and that’s what makes it interesting. Maybe home isn’t really about the place you come from. Maybe it’s about where you feel understood, loved, and connected to other people.

That’s what makes Crash Landing on You feel bigger than just a romance. It’s not only about two people falling in love in impossible circumstances. It’s about loneliness, friendship, loss, and the strange way that sometimes losing everything can be what finally gives you something real.

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45 Episodes, Zero Filler — A Military Drama That Actually Earns Its Glory

💚 GREEN FLAGS:
✔️ Excellent character development
✔️ Strong ensemble / brotherhood
✔️ Military training and tactics are given real weight
✔️ Action sequences with purpose, not just spectacle
✔️ Strong pacing across multiple arcs
✔️ Minimal romance, maximum story
✔️ Every major setback contributes to character growth
✔️ Emotional deaths and sacrifices actually matter
✔️ Excellent balance between training, missions, strategy and personal development

⚖️ BALANCED:
The first version of Yan Poyue is intentionally difficult to like. He is arrogant, overly confident, obsessed with proving himself, and often sees himself as the person who can solve everything alone. Some of his early decisions can feel frustrating, and I understand why some viewers criticized the character as too “overpowered” or the early conflicts as occasionally contrived.
But personally, I think that is also what makes his eventual transformation work.
This isn't a story where the protagonist starts perfect and simply becomes stronger.
He starts strong. Then the story teaches him why being strong alone isn't enough.

🚩 RED FLAGS:
The early Yan Poyue characterization can be frustrating, especially when his confidence crosses into recklessness. A few plot situations also require some suspension of disbelief. The drama isn't flawless, and I wouldn't pretend every tactical decision or character reaction is perfectly realistic.
But these weaknesses never became enough for me to feel that an episode was wasted.
And that matters.

Angst: 😭😭😭😭
There is plenty of emotional damage here, but what I appreciated most is that the drama doesn't use tragedy simply for shock value.
The deaths of teammates have consequences. They change how the survivors think, fight, and carry responsibility. The Cheetah team gradually stops being a collection of elite soldiers and becomes something much more meaningful: a group of people who understand that coming home together matters.
The emotional weight of the later episodes would not have worked without everything the drama built beforehand.
Chemistry: 🤝🤝🤝🤝🤝
Not romance. Brotherhood.
And honestly? I didn't miss romance at all.
The relationships between Yan, Xiao Yunjie, Bai Long, Guo Xiaoxiao and the rest of Cheetah are some of the strongest parts of the drama. The friendships aren't just there for comic relief. They affect decisions, missions, sacrifices and character development.
The bromance especially works because these relationships evolve alongside Yan.
At first, he wants to be the strongest individual.
Eventually, he understands that the strongest soldier is not necessarily the one who can do everything alone, but the one who can make the entire team better.
Slow Burn: 🔥🔥🔥🔥🔥
This is one of the best things about the drama.
Not because the romance is slow-burn—it barely matters—but because Yan Poyue's character development is.
His transformation isn't:
arrogant → suddenly humble → perfect soldier
Instead, we watch him fail, get punished, get frustrated, make mistakes, lose people, question himself, learn from others, and slowly understand what being part of an elite unit actually means.
And I loved that the drama kept finding new ways to challenge him.
Just when you think he's already reached the next level:
new training.
new mission.
new enemy.
new teammate.
new weakness.
Even the Special Warfare Academy arc had a purpose. The arrival of Pei Tayan and the overseas-experienced soldiers forces Cheetah to confront the uncomfortable truth that being elite doesn't mean you've reached the ceiling.
That was one of my favorite ideas in the entire drama.
Genre Type:
Military / Action / War / Special Forces / Training / Brotherhood / Character Growth
Description:
Glory of Special Forces follows Yan Poyue, an exceptionally talented but highly individualistic soldier whose journey begins with an obsession to prove himself. What makes the drama work is that it refuses to let “talent” be the end of his story.
He can run faster.
Shoot better.
Endure more.
Think faster.
But none of those things automatically make him a great soldier.
The real story is about learning discipline, teamwork, responsibility, sacrifice and leadership.
And the drama takes him through multiple stages to get there: recruit training, Cheetah selection, combat exercises, psychological training, actual missions, the Red Scorpion operation, Special Warfare Academy and finally the international Warrior competition.
That structure is probably the biggest reason I never felt the 45-episode runtime.
Every arc changes something.
The story doesn't simply throw another villain at the characters. Each new stage tests a different weakness.
That's excellent long-form storytelling.
What I Loved Most
1. THE PACING
This was probably my biggest surprise.
45 episodes and I genuinely never felt like an episode existed just to fill the runtime.
Every time I thought the story had reached its next logical endpoint, it opened another stage of military development.
Training → selection → combat → team-building → Red Scorpion → Academy → international competition.
And somehow these transitions didn't feel random.
They felt like progression.
2. YAN POYUE'S CHARACTER ARC
This is where Yang Yang really surprised me.
I came into this partly because of Yang Yang, but I stayed because Yan Poyue became a character worth following.
His greatest achievement isn't becoming stronger.
He was already strong.
His achievement is learning that being the strongest individual doesn't automatically make you the best soldier.
The boy who once wanted to prove that he could survive everything alone eventually learns to carry the lives of other people with him.
That is a much more satisfying character arc than simply watching an overpowered protagonist collect victories.
3. THE MILITARY TRAINING
The training sequences are not just eye candy.
They actually teach us how the characters think.
Selection has consequences.
Failure has consequences.
Teamwork matters.
Psychological weaknesses matter.
Academic knowledge matters.
Technology matters.
I especially loved the Academy arc because it challenged Cheetah in a completely different way.
Ai Qianxue's point that an elite unit can still become obsolete if it stops evolving is one of the most important ideas in the drama.
The Red Scorpion arc already showed them that an enemy with better technology and different tactics could expose weaknesses they didn't know they had.
Then the Academy basically says:
Good. Now improve.
4. THE ACTION
The action is one of the drama's biggest strengths.
But what I appreciated more than the explosions is the problem-solving.
The international Warrior competition was a perfect example.
A hijacked airplane isn't simply:
“Go in and shoot everyone.”
Different teams approach the same problem differently.
There is negotiation, technology, hostage strategy, tactical thinking and then another layer of objectives after the immediate rescue.
That makes the competition feel like an actual test of military intelligence, not just marksmanship.
5. THE ENSEMBLE
Cheetah would not work if Yan were the only interesting character.
Fortunately, he isn't.
Xiao Yunjie, Guo Xiaoxiao, Bai Long, Xu Yang, Yue Kong, Pei Tayan and the others each contribute something different.
And some of the most emotional moments in the drama happen precisely because these people aren't disposable side characters.
The sacrifices actually hurt.
The friendships actually matter.
And when someone leaves, it feels like someone is leaving the family—not simply disappearing because the script has no more use for them.
6. THE ABSENCE OF ROMANCE
THANK YOU. 😂
I appreciate that the drama knew what story it wanted to tell.
There is mutual respect and emotional connection, but romance never hijacks the narrative.
The center of the story is soldiers, missions, growth and brotherhood.
And honestly, after watching so many romance-heavy C-dramas, this felt refreshing.
7. THE ENDING
The final Warrior competition brings everything together.
By the time Yan becomes the person responsible for leading the team, he is no longer the same Yan we met at the beginning.
And that is exactly why the ending works.
The final victory isn't simply:
“Yan Poyue is the strongest.”
It's:
“Yan Poyue finally understands what it means to be responsible for other people.”
Even when the team doesn't get the overall championship trophy, the drama makes it clear that winning isn't always about a medal.
And I really liked that choice.
Yang Yang as Yan Poyue
This might be one of Yang Yang's roles where his naturally controlled physicality works particularly well.
Yan is supposed to be rigid, proud, intense and almost obsessively focused.
So the posture, the controlled movements, the constant intensity—all of it fits the character.
But more importantly, the performance changes as Yan changes.
The later Yan feels different from the recruit we met at the beginning.
Less concerned with proving himself.
More aware of everyone around him.
More mature.
More responsible.
That's the part of his performance I appreciated most.
Final Thoughts
I started this because I wanted a reset from costume dramas and mystery-heavy stories.
I did not expect a military drama to land this hard.
But Glory of Special Forces reminded me why I enjoy watching a well-structured story.
It made me excited for the next episode instead of checking how many episodes were left.
It made me care about characters who weren't the leads.
It made me frustrated with Yan, then proud of him.
It made me understand why Cheetah had to keep evolving.
And, unexpectedly, it even brought back that old fire I once had about becoming a soldier. 😂🫡
I'm obviously way past the age for that dream now, but watching this drama somehow made that part of me feel alive again.
And that is probably the biggest compliment I can give it.
This is officially one of my Top 20 dramas overall—not just among military dramas, but across every genre I've watched.
Not perfect.
But damn, this drama earned its place.

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The definition of feel good

Business Proposal succeeds in creating a story that can leave you happy, excited, sad, confused, and worried all at the same time, yet somehow, when it’s all over, hapiness is what sticks with you. I don’t think that comes from the story being particularly groundbreaking or profound. It comes from the characters. Business Proposal creates a cast of people that are just genuinely fun to spend time with, and I think that’s ultimately the biggest reason the show works as well as it does.

Kim Sejeong does an absolutely amazing job as Shin Ha-ri. I believe you need the perfect person to pull off a character like this, because of Shin Ha-ri’s personality. She’s fun, chaotic, and obviously extremely energetic, but she’s also surprisingly rational and grounded. That combination could very easily become annoying or feel overly exaggerated, but Kim Sejeong makes it feel completely natural. Even when Ha-ri is put into completely ridiculous situations, she still feels like an actual person reacting to them.

Obviously, though, I can’t talk about the characters without talking about the side couple. Young-seo and Sung-hoon are gen the best side couple I’ve ever seen. If they were the main couple of their own drama, I’d probably be calling it one of my favorite romances. Their chemistry is absolutely unmatched, but I think there’s a more specific reason their relationship works so well for me: it feels incredibly natural and physical.

And I don’t just mean physical in a sexual way. You can actually feel that these are two people who want to be around each other. There’s affection in the way they interact, the way they touch each other, the way they react to each other, and just how comfortable they eventually become together. Their relationship feels less like I’m watching two characters who have been designated as the romantic couple and more like I’m watching two people who genuinely fell for each other.

Sung-hoon is also the type of male lead I wish romances would give us more often. One of my biggest problems with romance in general is the overly serious, stoic male lead. Maybe part of that is because I’m a guy, but I’ve never really understood the appeal of the dude who is supposed to seem cool because he’s constantly nonchalant and barely expresses himself. I see a similar problem all the time in romance anime, just in a slightly different form, where the male protagonist is this laid-back, almost blank character who seems deliberately designed so the male audience can easily put themselves in his shoes.

Obviously, that isn’t exactly what Business Proposal is doing with Tae-moo, but I still feel some of that disconnect with him. Ha-ri and Tae-moo are cute together, and I absolutely enjoy their relationship, but their personalities don’t always bounce off each other in a way that feels completely natural to me. Ha-ri is incredibly expressive, energetic, and human, while Tae-moo sometimes feels like he’s occupying the role of the serious, important male lead rather than simply existing as a person.

There are moments where that exterior breaks down and we get to see how caring Tae-moo actually is, and those are usually the moments when I like him the most. I just wish the show gave us more of that. I don’t need the guy in a romance to constantly be stoic, cool, and emotionally untouchable. As a guy, that archetype gets exhausting. Being caring, affectionate, expressive, or vulnerable doesn’t make a male character less attractive or less masculine. If anything, it makes the relationship considerably easier for me to believe.

That’s where Sung-hoon works so much better for me. He feels more natural and openly caring while still being a cool character. Young-seo and Sung-hoon’s personalities actually play off each other, and neither one feels like they have to completely change who they are for the relationship to work. There’s a warmth between them that I sometimes feel is missing from the main couple.

But even with that criticism, I still love Business Proposal, and I think that says a lot about what the show does right. The main romance doesn’t have to carry the entire thing because the show creates an entire cast of people I actually care about. I’m happy watching Ha-ri. I’m happy watching the side couple. I’m happy watching her coworkers. The show can move away from its main relationship and I don’t immediately start waiting for it to cut back.

And I think that gets to what Business Proposal ultimately is for me. You don’t need to come out of it having learned some profound lesson about life. Not every story needs to have some deeper message, and Business Proposal doesn’t need one to justify its existence. You don’t finish it thinking about what the writers were trying to teach you. You finish it remembering how much fun you had with these characters.

Sometimes that’s all a show needs to accomplish. Business Proposal gave me a group of characters I loved spending time with, relationships I genuinely wanted to watch, moments that made me laugh, moments that made me worried, and a romance that, even with its flaws, left me happy.

And I think that’s all that matters.

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Longest possible road to reach a destination we could already see coming.

Interesting idea, but unfortunately, I didn't care much for how the storyline was written. My biggest problem was that it dragged on for far too long and kept going around the main point instead of moving the story forward.

Qin Nian Wan surviving the arranged accident, regaining her memory and cognition, and returning to her real family as Shen Yin Yin should have created a strong second-chance storyline. Then years later, Qin Wang Yan appears in her life again while desperately searching for treatment for his sick son. The twist that **she remembers exactly who he is while he doesn't recognize her** had a lot of potential.

But instead of developing that situation at a good pace, the drama seemed determined to stretch out the misunderstandings and delay important truths. After a while, I wasn't wondering what would happen next—I was wondering when they were finally going to get to the point.

I didn't dislike the ML or FL themselves. Their complicated history could have made for a much stronger emotional story, especially with their child connecting the past and present. I just wish the writers had spent less time dragging out the same conflicts and more time developing their relationship after the truth came out.

Sometimes adding more episodes doesn't add more story.

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One of the most beautiful emotionally conveyed drama.

I will just keep the review short.
The drama genuinely so beautiful. I never watched something with great acting, filming and story. The main characters were beautifully written. Honestly i was worried with how much beautiful the whole series is, they might ruined the ending. But it was so perfect.
If start talking about junyoung and kang's acting it will never end. I literally become a fan of them. They portrayed the characters perfectly.
If anyone not thinking about watching this because you think slow paced or something.. Please watch. I myself is a thriller fan but the pace and writing in this drama felt perfect. You will relate to characters and feel a lot of emotions throughout the whole journey. Best of luck!! I wish i could watch it for the first time again

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Regret, obsession, and unrequited love

Takes the familiar story of an ML realizing a woman's value too late and completely turns it around.

Jiang Hui Wan spends five years devoted to Xie Yan Chen, only to ultimately donate her heart to save the woman he loves and die on the operating table. It is only after her death that Xie Yan Chen realizes the woman he treated like a “dog-licker”—someone who would always follow and love him—had actually become the person he loved.

His realization comes far too late.

Overcome with guilt, he tries to end his own life, only to become connected to the system and enter Jiang Hui Wan's world. He believes this is his opportunity to compensate her, correct his mistakes, and finally win back the woman whose love he took for granted.

Then comes the twist I really liked: Jiang Hui Wan never loved him.

Her five years of devotion weren't because Xie Yan Chen was the love of her life. She was also bound by a system and completing a mission so she could resurrect the person she truly loved.

That completely changes how I looked at their relationship.

Xie Yan Chen finally understands the pain of desperately wanting someone whose heart belongs somewhere else—the exact position Jiang Hui Wan appeared to occupy for five years.

In the end, his punishment isn't simply losing her. It's discovering that the great love he finally recognized was never actually his to begin with.

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Apologize for a lie

This drama begins with one betrayal after another, and I really felt for Lin Qing Hui. She grows up believing she is the treasured daughter of the Lin family, only to discover at thirteen that she isn't their biological child. Once Lin Wan Wan returns, Qing Hui slowly loses the family, love, and life she once knew.

But what happened when she was eighteen was unforgivable.

Lin Wan Wan pushes the Fu family's heiress down the stairs and then frames Qing Hui. Instead of someone finally standing beside her, even her childhood sweetheart Lu Chen betrays her. The man who once knew and cared about her chooses power and status, then goes even further by giving false testimony in court that sends an innocent Qing Hui to **prison for ten years**.

For me, that is where Lu Chen crosses a line that regret alone cannot erase. This wasn't simply a misunderstanding or him failing to believe her. He actively participated in destroying her life.

Qing Hui loses her freedom and ten years she can never get back because the people around her chose themselves over the truth. That makes her character especially compelling because after everything taken from her, I wanted to see what kind of woman would eventually walk out of that prison.

You can apologize for a lie. You can regret choosing the wrong person. But how do you give someone back ten stolen years of their life? 💔

This story definitely made me want to see Qing Hui reclaim everything that was taken from her.

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Destiny!!

I'm a sucker for a good Japanese drama; their writing and filming are just next level. The OST is completely stuck in my head ("My Only" by SixTONES). I'm never usually bothered by an OST, but this one sounds so familiar! The storyline is fabulous—there is such a thin line between obsession and love. The ML had some great self-reflection; he knew what he did was completely wrong. The FL having her doubts was very healthy, and yet that tiny little Cupid Kogepan from 20 years ago was still stuck in her mind... 🥰 There were even great thriller and action moments, and the romance didn't feel cringey at all. And that last line from the FL... 🤯🤌🏽 I loved every single episode!

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loved this so much but

first of all heyu and mengziyi are amazing actors i watched this just for them- i will say i dont understand what was even going on in the beginning and the end (her realiving as a different person and him realiving at the end) but do i even care about the logistics of that?? it was a happy ending and im happy about that

i think something i really liked was xihe's character development throughout the show, i personally saw her depicted as a cold emotionless person in the first half and also super confused why all the princes fell for her despite her barely speaking to them or interacting with them at all in the first place so i really didn't like her character throughout that

but then we saw this gradual progression that i just loved so so much between them and i also grew to love the side couple SO SO much especially in the middle episodes where there wasn't really much going on between the main couple i was just waiting and waiting for a side couple scene and i was definitely not disappointed the way cuijinbai kept loving bushulin despite how many times she rejected him (the progression they made in the illegal mine operation OMGG)

another thing i just loved a lot was the loyalty between mo yu zhu zhun with xihe, and tianyuan with huayong- i find this to be a commonality in most historical dramas where theres a master figure and servant counterpart and i felt like just seeing the relationship between them all was so rare and so valuable the way they would all do anything for their master (esp tianyuan with EITHER xihe or huayong)

i will say the ending was choppy and im not sure how to feel about changqing's redemption arc... can i even call him a villain anymore after that death??? i definitely do wish that there was more solid explanation behind the guqingzhi and shenxihe switch, because that makes no sense at all and she never really went in depth about that so i feel it just leaves us all in confusion

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Second Changes do exist.

I really enjoyed the storyline of this drama, and both the ML and FL gave excellent performances. The emotions, misunderstandings, regret, and pain were portrayed very well. My biggest disappointment was that for a romance drama, it was seriously lacking in actual romance.

Qiao Zhi Xu secretly loved Fu Ling Sheng for ten years and then spent three years married to him under a contract. After giving so much of herself, the earthquake becomes the breaking point. She is fighting for her life while the man she loves believes her desperate cry for help is simply jealousy and manipulation.

What made it worse was Jian Nuo's interference and the misunderstanding surrounding the message. By the time Fu Ling Sheng begins understanding what really happened and what Zhi Xu endured, the emotional damage has already been done.

I especially liked the FL's development. Surviving the earthquake and struggling with PTSD changes her. Instead of continuing to chase a man who repeatedly placed someone else before her, she finally decides that when their contract ends, so will their marriage.

The ML and FL had the acting ability and chemistry to give us a beautiful romance, which is why I wanted **more romantic moments between them**. We received plenty of pain, regret, and misunderstanding, but not enough love to balance it.

Great storyline and excellent acting—I just wish the writers had remembered to give the romance some room to breathe. ❤️💔

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it’s.. okay!

Finished this last week and finally getting around to making this. Weightlifting fairy Bok joo is a remarkably unremarkable show. They set up all these things to make this a super dramatic show at first just for it all to be insignificant really by like episode 9 .The love triangle falls apart when Bok Joo gets caught for lying and Shi-ho isn’t even a real threat from the BEGINNING to be quite honest. I don’t even like slow burns or all that complicated mess but i’m in for the long haul with these kdramas and if you’re setting up all those plot points in my opinion it’s a little disappointing for it not to live up to that. Additionally by episode 13 to the end it gets really boring. And I don’t even hate the show or anything. It makes me super nostalgic late 2010s. It has that 2016 funk that makes you cringe and laugh but it seriously feels like they had no true vision with some of these characters. Like Tae-Know and Seon-Ok having a thing for each other then time skip and the scene was just irrelevant okay💀. It’s a fun watch but gets boring once the couple gets together by like ep 13. But!! If you’re into: ML loving HARD and lots of fluff and late 2010s shows and the humor that comes with it this is super up your alley.

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If you want to watch something that is prediciable and based on favoritsim this is it. I saw someone say it should be renamed to Street world fighter: kpop directors war, and I agree 100%.
Mnet always does shows based on favoritism, i don't know why i expected anything else. Its so sad because the eliminated directors are so interesting and new. I hope to seem them more and become more confident. Its sad to see non-kpop directors be eliminated first while the kpop directors stay. I feel like a majority of their dances should be a kpop video and not something truly fitting to the mission.

I WILL SAY THOUGH THAT THE DANCES ARE AMAZING!!! Each one is so nice to watch so if you want to watch the dances find them on youtube.

Sometimes I forget why i don't like watching these shows and episode 7 just proved my point on why I hate it.
Throughout the show the more popular directors acts seemed to be less interesting and new then the other more unknown. The concepts were more interesting and evolved.
They want the more unknown directors to leave so the more popular ones move on even when their acts are less powerful and meaningful and easier to enjoy then the others.

What bothered me the most about episode 7 elimination is Simeez and Minjun seemed to have a different more interesting concept and choreography. The fact that the judges were judging Minjun based on prior stages doesn't seem right. I feel like they are trying to set up the final to be Kasper, Bada, Kooyoung, and ingyoo because of their popularity not their talent.

Minjun and Hash were my fav due to their style of dance and just how different they think. I am officially done with this show. It sucks that favoritism truly ruins a competition. Hope all eliminated directors know how loved and supported they are.

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