Reviews

It started off well and then it fell flat.

Started off well enough. However, the storyline of revenge, framing then eventual redemption got old.....quickly. Villains are too one dimensional and these gorgeous actresses being obsessed with mediocre men was just not realistic enough for me (even if it does tend to happen in reality). The wigs/frontals were a constant distraction but I could ignore it if the story wasnt so bland towards the middle. The heroes are unfortunately loveable but not loveable enough for a 54 episode drama. Lets not get started on the overacting by the side characters.....its giving telenovela.

I like the male and female lead so I wanted to love this plus I am suffering a cdrama drought at the moment. Unfortunately, this would have been better suited for a 30 episode run not over 50 episodes. Furthermore for the heavy content its displaying, the video colour grading is far too bright which "cheapens" the drama despite the expensive costuming and sets.

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Good combination of humour and meaningful messages

'Oh My Ghost Clients' is about Noh Mujin, a labour consultant who, after going through a near-death experience is able to see ghosts. NMJ signs a contract to escape his death and as a result has to help ghosts who died unfairly in industrial accidents to find peace. The plot has a similar vibe to dramas like 'Hotel Del Luna' and 'Tomorrow', just in the context of workers and I presume will follow the story of a different ghost each ep as they explore the problems the workers face in their work.

Basing on the first two eps, the story does a good job educating people about the role of a labour consultant, at the same time bringing up the drastic safety issues in factories which is the reality for so many people. From what I gathered from interviews, South Korea has a large number of industrial deaths due to lax safety precautions, to the extent of two people dying every day. So, this is a nice way to bring awareness to these issues.

Despite the serious issues, this drama does a good job balancing the dark parts with comedy, so the overall tone is light and it's relatively easy to watch and focus on the messages. The characters also have a good chemistry, and their interactions are fun to watch. The characters themselves seem to be well-written and have potential. NMJ like a lot of Jung Kyungho's characters, is not black or white and JKH did a tremendous job in bringing NMJ to life. He is clumsy, a little stupid, a bit selfish and generally flawed, like most people but has some redeeming qualities and his growth will be an interesting part of the story as he experiences the hardships of his ghost clients.
Overall, if you like tomorrow, this drama is definitely worth a try.

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Di

This is a captivating drama set in Xishuangbanna, produced by Taiwanese filmmakers. It explores the culture of the Dai people, the indigenous group from which the Thai people originated. In many ways, Thailand can be seen as a reflection of Dai traditions and heritage.

นี่คือละครที่น่าดึงดูดใจที่ตั้งอยู่ในสิบสองปันนา ผลิตโดยผู้สร้างภาพยนตร์ไต้หวัน มันเล่าถึงวัฒนธรรมของชาวไต ซึ่งเป็นชนพื้นเมืองที่มีอิทธิพลต่อการก่อตัวของชนชาติไทย ประเทศไทยในหลายๆ ด้านสามารถมองว่าเป็นภาพสะท้อนของประเพณีและมรดกของชาวไต

It would be better if China company makes this story. The Taiwan did not use real native language here due to the actors are from Taiwan. They can't speak the local dialect. If I have money, I want to make this film and more in Xishuangbanna and Xinjiang regions of China.

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Worth watching!

Disclaimer: I did not watch Red Moon Pact, but started watching this because of the cast, and they delivered! The only weak link in the cast/role was Jin Ren Feng, which is no offense to the actor; I find that often in Cdramas villains have petty motivations and are very one-dimensional as a result, making it hard to take them seriously as villains in the story. I had to skip some of Jin Ren Feng's scenes because it was just eye roll stuff. This was helped by Jiu Huo Lin and Jia Lan, who, although didn't necessarily feel super threatening, their motivations at least made sense, and actually kind of made me pity/root for them in the end.

The pacing of the story is good, I love how Huai Zhu and Hong Ye's relationship progresses and Lui Shi Shi and Zhang Yun Long are incredible in this drama. Hong Ye is this notorious warrior but ZYL plays him in a way that he becomes such an endearing softie around Huai Zhu, it's really cute.

Another thing I LOVE about this drama and the acting is how they handle what happens emotionally after the 'final battle'. In most dramas, this aftermath is glossed over very quickly and tied up with a neat bow for a perfect ending. I love that this drama takes the time to show the horrible trauma that the characters have suffered and the pain that comes with that, and the distance between Huai Zhu and Hong Ye as a result. It feels very real, and I applaud LSS and ZYL for their performance with that.

Two things I did not like though:
1. Zhang Zheng and Qing Mu Yuan's story. DYX and MZY have great chemistry, and I felt like there was such potential for how their relationship and story were going to develop, especially with Zhang Zheng's identity issue. But their story ended before it barely even started, which I feel was a lost opportunity.
2. After the final battle, when they are safe back home and have taken steps to move past their trauma, Huai Zhu and Hong Ye just never meet Qin Lan or Qu Zhuo again??!! What?! This really annoyed me cause it was super unbelievable that Huai Zhu would forget about her sister and that Hong Ye would ignore his (basically) brother, who was also the only other person that survived the battle. Come on, dumb.

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Emotional and lovely!

I have to say that nowadays it’s extremely easy to just write a bad reviews about movies or series, now, it’s extremely difficult to see people actually stopping and writing a good review for a good and well produced movie or BL series.
When I started watching this series I was just like hooked up from the first episode somewhat. I felt like a connection with the main character he’s deception of betrayal, then his boyfriend left him and then the accident and going back to the past I just felt that the way that he looked at people and places it was just like an empty look you could actually feel the sadness and the feeling of emptiness in his look. I cried so much it was really really emotional and it was lovely. When he met His partner and he took care of him. He could actually see that the boy was suffering ! I actually loved it. Loved it loved it.

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It's truly a great production, no doubt!

I believe the timing of the revelation to the Marquis was appropriate. The drama has demonstrated a commendable pacing in unfolding key developments throughout the narrative — particularly notable given its length of 40 episodes.

That said, I find myself somewhat dissatisfied with Zang Hai’s reasoning and impulsive actions. His master, for instance, has repeatedly displayed a questionable — at times even malevolent and violent — character. Yet, Zang Hai appears entirely unaware or unwilling to acknowledge this.

There also seems to be a lack of discernment and sound judgment on the part of our protagonist, especially when it comes to distinguishing between the guilty and the innocent. Children, unless actively complicit, should not bear the weight of their parents’ sins in a quest for vengeance.

The princess stands out in this regard. Even if her mother were indeed the so-called third party — which remains uncertain — she should not be held accountable, nor treated as harshly as she is by Zang Hai.

I also found the fate of Zhuang Zhifu, the corrupt and misguided son of the Marquis, rather excessive. Although deeply flawed, corrupt by nature, and easily manipulated, his end — rendered physically disabled and mentally unstable — seems disproportionately severe.

Most notably, Zhuang Zhixing appears to have suffered unduly. A principled and honest young man, he earned his academic success through merit and, despite supporting Zang Hai, was always clear in his disapproval of patricide. Zang Hai’s cold and indifferent treatment of him remains difficult to justify, especially in light of his integrity.

Meanwhile, those arguably most responsible — perhaps even the worst among them — continue to escape the consequences, observing from a distance as others bear the brunt of the conflict.

At times, it is worth questioning whether even Zang Hai’s first master may not have been, in some way, a victim of larger forces at play.

As the story continues to unfold, I remain engaged and reflective, eager to see how these complex moral threads will ultimately be resolved. It is, without question, a thoughtfully crafted and compelling production.

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Weak story, great cast.

This drama was good, but not great. Mostly because the story was weak.

Kong is a great actor, Thomas is also good, but looks a bit akward at times. It sometimes feels like he is to busy looking good and forgets to surrender himself to his role. The chemistry between them is good, but not amazing.

The chemistry between Por and Teetee was amazing, in those few minutes in episode 8 they completely stole the show!!!
And the chemistry between Auau and Save was also very good.

This drama had a nice OST, especially the song sang bij Por. That song is just stunning!!

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A HEAVENLY CRAFTED MASTER PIECE

When I first began watching The Legend of Zang Hai, a part of me wondered—how could a revenge plot possibly hold its weight over 40 episodes? In my experience, many dramas start strong, only to fumble midway, dragging out plotlines until they barely find their rhythm again near the end. But let me tell you—this is not one of those dramas. This is a new generation masterpiece, a stunning triumph of storytelling, acting, and visual artistry.

From the very first episode, I was captivated. The cinematography is breathtaking, every frame meticulously crafted like a moving painting. The acting is compelling, grounded, and nuanced—each expression, each silence, each word uttered carries weight. But above all, it is the storytelling that truly sets The Legend of Zang Hai apart. The tale of revenge unfolds slowly, not out of laziness, but with calculated brilliance. Normally, I’d grow restless if it took 24 episodes just to eliminate a single enemy—but here, it’s different. It’s so well written, so realistic, that you come to understand: it takes time to lower your enemy’s guard, to be welcomed into his comfort zone before striking.

And this drama does exactly that—with elegance.

Each character, from the leads to the most minor side roles, is meticulously layered. The supporting characters aren’t just filler—they are essential puzzle pieces, enriching the central arc and breathing life into the world around them. The leads, oh the leads! They own the narrative, shaping and reshaping it with each episode. Watching their stories evolve is a slow burn of satisfaction, and it’s incredibly rewarding.

Though the romance is subtle, it’s never shallow. The female lead, Antu, is refreshing—a woman of strength, grace, and depth, far from the overused “princess in distress” trope. Honestly, one of my only wishes for Joy of Life—a longtime favorite of mine—is that its female lead had been as well-characterized as Antu. She truly holds her own.

To the entire production team, bravo. It takes vision, courage, and exceptional talent to deliver something of this magnitude. And now, let me address the heart of this drama:

Xiao Zhan.My boy—you delivered. I prayed for the day you would grace a historical drama again, and you absolutely devoured this role. You didn’t just act—you became your character. Every scene, every emotion, every gaze—pure gold. I dare say, this is the crowning jewel of your career so far. Yes, The Untamed was incredible, but The Legend of Zang Hai? It’s on another level. You left no crumbs.

Zhang Jingyi, ever since Fall in Love, you’ve had a special place in my heart. I couldn’t be happier to see you paired with Xiao Zhan—you brought poise and warmth that balanced the intensity perfectly.

And we can’t forget the OST—my goodness, the ending song is a whole mood. As someone who’s a sucker for good soundtracks, this one hit all the right notes. It’s emotionally resonant and lingers long after the credits roll.

There’s so much more I could say, but I’ll leave it here:
If you come across The Legend of Zang Hai, do yourself a favor—sit down, unplug, and immerse yourself. This isn’t just a drama; it’s an experience, a legend in motion, and it will stay with you long after it ends.

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Quality Keeps Rising

I wasn’t totally sold on the first few episodes, but once the main cast was fully introduced, it became clear that the beginning was really just a long prologue. Honestly, it was too long for a drama with fewer than 10 episodes. I would’ve loved to see more of the legal, economic, and media battles — two extra episodes would’ve made a big difference.

The main villain didn’t get nearly enough screen time. Kitamura Yukiya completely saved the character with his performance — he was a blast to watch! But I really wish we had seen more of the creepy things he does, not just the creepy vibe. He clearly has a strong grip on his "employees," and while we kind of understand how he "does it", we never really see it unfold. Most of his villainy happens off-screen, which feels like a missed opportunity.

That said, his toxic, twisted relationship with Himuro was one of the best parts of the show.

It’s funny because I usually feel like shows are too long (especially with kdramas or cdramas), but this time the short format kind of hurt it. The first half spent so much time on character introductions — which weren’t bad — but it took up nearly half the series (T^T). That was frustrating when the second half was so good.

The first half isn’t bad, but it feels dull compared to what comes after. Acting-wise, no complaints. I liked the directing too, especially Himuro’s scenes with the fish and his hallucinations. The writing was fun, the characters were super charming, and I just wish we had more time with all of them scheming — both the villains and the good guys.

Overall, a really good show! Definitely recommend checking it out :)

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Drama about adopted vs biological family with a satisfying comeuppance

I was in the mood for dramas about sibling dynamics when I saw this drama in the Newly added section of MDL tv shows. This is my first time watching Lin Rui Xue and second time watching Zhou Ling Feng. I have mixed feelings about this drama.

What I liked:
1. FL characterisation - It's good to watch Jiang Yao's character development. She was nice but naive when she was younger but after the hardships, she was assertive and determined not to forgive those who have bullied them.
2. Ending - Love it! FL never wavered from her stance and those who bullied her got their comeuppance.
3. The Songs - Great to see a very supportive adopted family. I really liked it that they were happy with whatever college entrance exam score that Jiang Yao received.
4. Plot twist - Wow I was very surprised when a bomb was dropped by Mr Jiang in the third act. I liked that line about it's unfair that Jiang Yao was being punished for something that happened before she was born.

What I disliked:
1. Abuse - It was tough watching the harsh treatment given to Jiang Yao when she lived in Jiang household. I was almost in tears during some flashbacks.
2. Mingzhu - Insufferable brat. I hated her!
3. FL's biological family - While I sympathised with her brothers especially the eldest, the whole family of 5 were despicable. The parents were the worst! Anyway I wish the writer had developed third brother character in different way by letting him feel guilty for the actions he had done before he discovered the truths. Because now all three brothers experienced the same trajectory - feeling sorry & regretful after finding out the truths. Why have 3 brother characters when you could do with 2?

Favourite scene
When Jiang Yao received the honour of the school's top scorer

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Nothing really vibrates in this show...

I so wanted to like this show, but after 4 episodes the whole thing imploded. The 'naughty' business of selling sex toys is nowhere naughty, nor are the characters. Which are not well-developed and sometimes just dropped halfway through the show (like the unfaithful husband and his lover).

Whereas I loved Kim So-yeon in Sky Castle, she is acting like a robot in this series. Her facial features are frozen (too much Botox, my dear?) and she plays such a demure and subservient character that she ends up being as interesting as an empty sheet of paper. Which is the case with many of the characters. Not sure what the writer wanted to bring across: Whereas the story is supposedly about the growth and characters of the 4 leading female actors, it feels like domestic bliss and traditional role division is more important. It could have been written in 1992 as well. The pace of the show, where nothing much really ever happens is such, that I managed to read my digital newspapers throughout the series and still found the pace too slow.

And last but not least: the music is sugar-sweet. So much, that it becomes an additional annoying feature. Every unfolding and overly dramatic close-up is accompanied by pinging the piano. Pfff...

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Too Much Drama for Too Few Episodes, But It’s a Good BL

A BL where everything happens by coincidence — in other words, it's all plot-driven and forced. But thanks to the charisma of the characters and actors, it ended up being a good BL. The leads have great chemistry. Even though Phumjai is pretty annoying with his obsession over Tammy, I still managed to like his character.

For me, the main issue is the need to create drama where there didn’t need to be any — the characters just needed to say what had to be said. This kind of conflict caused by poor communication is extremely frustrating. We get six episodes of Phumjai talking only about Tammy, and then two episodes of total chaos with an ending that makes no sense.

Another thing that really bothered me was the excessive product placement in such a short series. So, I’d say what saved this show were the actors, who are genuinely very good.

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So bad it ended up being good

What made me watch it? Joss + vampires.

I've been waiting for Joss to fully dive into the BL world for a long time. He and Gawin made a couple with good chemistry, but I still think their acting needs some improvement. The BL itself has a pretty weak plot and some really bad special effects. But honestly, it was exactly because it was bad that it gave us something to talk about every week. There was always something to comment on — whether it was a cheesy effect, a terrible plot decision, or just to laugh at the series in general. So I’d say it was so bad, it ended up being good.

I actually liked that they took a risk with the vampire theme, knowing it might not turn out great. And I have to highlight the actress who plays Thara — what an amazing woman!

Positives

Joss being hot

Vampires

Thara

Joss and Gawin’s chemistry

Over-the-top scenes (unintentionally funny)


Negatives

The plot

Special effects

Acting was just okay

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What a fab cast!

If you are looking for a sweet, easy to watch drama, this is not it. It’s a very condense, intense, spiral drama that will take you with the characters.

Massive shout for the writers and the director - it cant be easy to pull this one up - there are not that many characters’ lines that could carry the story - and by exposing bit by bit from each line they built a glorious picture.

Lee Jae Wook for me was the weakest of the line - and not because he was bad, but because eve try one else was so exceptionally good. Kim Jae Wook was mesmerising - he always excels in complex characters, especially if there is an element of disorder or trauma! Jo Bo Ah also delivered a solid performance and brought to life a girl, who really wanted to love and be loved.

The drama didn’t offer many explanations and left the viewer to fill the gaps, which I like - it’s like you watch many versions of the story.

All and all, very enjoyable - prepare some handkerchiefs tho..

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