Reviews

It honestly is not that bad at all. In fact, one of the strongest points of this drama is the acting. I was actually impressed by how well the cast performed, especially considering their young age. The emotions, expressions, and delivery of the characters felt natural and convincing, which made it easy to become attached to the story and the characters themselves.
What surprised me the most was that some of the performances felt even better and more memorable than those from overly hyped actors in other dramas. The cast here did not rely only on visuals or popularity — they truly brought their characters to life with genuine emotion and strong screen presence. Whether it was the emotional scenes, action moments, or quiet interactions, the actors were able to make viewers feel connected to what their characters were experiencing.
Lin Yunrui especially stood out because he portrayed Zhuge Yue with so much depth and charisma. Even subtle expressions carried emotion, and his performance made the character feel layered and realistic. The same goes for Chu Qiao, whose strength, determination, and emotional moments were portrayed very well. Their chemistry and acting together made many scenes impactful and enjoyable to watch.
Another thing that made this drama even more beautiful was the OST. The soundtrack perfectly matched the emotions and atmosphere of the story, making many scenes feel deeper and more unforgettable. Chasing the Wind by Liu Yuning was especially emotional and powerful to listen to. It carried the longing, pain, and strength of the characters so beautifully that every time it played, it made the scenes feel more touching.
I also loved Rebirth by Curley Gao because it perfectly reflected the drama’s emotional journey and themes of growth, sacrifice, and hope. The song felt inspiring yet emotional at the same time.
Flowers Drift Away by Yan An was soft, beautiful, and emotional, adding even more feeling to the heartbreaking and sentimental moments of the drama. Meanwhile, Journey Alone by Hu Xia gave such a melancholic and emotional atmosphere that stayed in the heart long after listening.
Overall, the drama became even more memorable because of the combination of strong acting, emotional storytelling, beautiful chemistry, exciting martial arts scenes, and an absolutely amazing OST lineup. The music truly gave life to the emotions of the story, making the entire viewing experience feel even more beautiful and unforgettable.

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Poorly directed

I really wanted to like this show, but there were so many problems with the world building that you were thrown out of the story, thinking, “that doesn’t make sense.” If you are someone who doesn’t care if the story/plot makes a lot of sense or offers something new, then this drama is for you. Each episode, from what I’ve seen, consists of the writer/director wondering which trope or situation they will include. Below are 4 examples of what I’m saying.
1. The tired trope of a woman with fine skin, delicate bone structure, and thin frame passing herself off as an adult man. No one notices because her hairstyle and clothes are masculine. Sitting with her legs apart doesn’t make her look manly.
2. The female lead has been captured and escapes. The ML runs after her. They start by a river and a nice forest. Soon they are running through the dangerous desert. (Lost in the desert, surviving without water). A sandstorm comes. She is buried but emerges with every hair in place. He is flat on the ground, laying neatly. No one is hurt by flying grains of sand. They walk for hours/days (unclear) even though they didn’t run far to get in the desert.
3. Just as they see trees, they are attacked by wolves! She manages to miraculously make a bow and arrows with enough draw power to kill a wolf. Amazing!
4. Later (episode 3), the ML and his buddy are in danger from their enemies. He sends her off quickly to ask for help from a friend. However, she decides to take the time to put on female clothes and fix her hair nicely, complete with jewelry. No rational reason exists for this.
Many more things make no sense, I just could not continue. There are so many shows to choose from, I couldn’t spend my time on this one.

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A Time-Travel Masterpiece That Hits Every Emotion Perfectly

A Storyline That Feels Fresh and Emotional
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The writing is one of the drama’s strongest points. The story balances comedy, romance, and emotional moments naturally without ever feeling forced. Every episode reveals something meaningful, making it impossible not to binge-watch. The emotional connection between parents and children is portrayed beautifully, and the drama constantly reminds viewers about the importance of understanding and appreciating loved ones.

Cast Performance
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The cast performance is nothing short of phenomenal.

Ryeo Un:- absolutely shines as Eun Gyeol, delivering both emotional depth and youthful energy with ease. His performance feels genuine, making viewers instantly connect with his struggles and dreams.

Choi Hyun-wook:- with his charismatic and chaotic charm as young Yi Chan. His chemistry with the entire cast feels natural and fun, bringing endless energy to the drama.

Seol In-ah and Shin Eun-soo:- deliver memorable performances filled with emotion, warmth, and sincerity.

Cinematography
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The transitions between timelines are smooth and creatively executed, making the time-travel concept feel immersive rather than confusing. Whether it’s a quiet emotional moment or a vibrant band performance, the cinematography consistently enhances the storytelling.

Music
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The soundtrack doesn’t just support the drama — it becomes part of its identity. Even after finishing the series, many of the songs stay in your mind long after the final episode.

Why “Twinkling Watermelon” Has Incredible Re-Watch Value
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It’s the kind of drama that makes you laugh, cry, smile, and appreciate life all at once. The emotional storytelling combined with lovable characters and meaningful life lessons makes it highly re-watchable.
Blending youth, music, family emotions, friendship, romance, and time travel into one unforgettable story, this drama delivers a heart warming experience

Rating: 9/10

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Not Perfect, but Entertaining!

I’m going to share this review in a point-wise format so I can cover every aspect of this drama. I know it’s extremely popular, with ratings often around 9/10. While I respect those, I hope my views are also well received, because I’m on the other side. I liked the drama, but it wasn’t great for me, and my rating reflects that. I try to be as objective as possible, no matter how much bias or love I may carry for certain artists. With that in mind, here’s my take on "Perfect Crown".

[1] Expectations vs Reality
I had difficulty getting into this drama, but I’m glad I stuck with it. I expected a mix of serious politics and romance at equal levels. Very early on, I realized my expectations were mismatched. While politics and mystery were part of the story, the focus leaned more on visuals and entertainment. This isn’t a very serious drama - it should be seen as casual viewing.

[2] Non-Couple Chemistry That Surprised Me
For me, Ian and the Queen Mother had stronger chemistry than the main leads. There, I said it, and I won’t take it back. Their limited scenes, especially in Episode 11, were brilliant - their eyes spoke volumes, and the emotions swirling beneath were sheer acting brilliance. Even their casual meetup to buy a violin in Episode 12 was effortless, they truly looked like friends. I truly hope these actors reunite as leads someday. Since they’re from the same agency, I feel their kinship translated into authentic on-screen emotion.

[3] Huiju’s Character
I didn’t enjoy IU’s character, Huiju. This isn’t about IU’s acting - she portrayed it well - but I don’t like her in such roles. I felt similarly about her character in "Hotel Luna". On the other hand, I appreciated her acting in "My Mister" and "WLGYT" (from clips I’ve seen). It’s a matter of personal preference, but it did affect my overall experience of the drama.

[4] Supporting Cast Highlights
Huiju’s brother and sister-in-law were brilliant. I expected nothing less, especially from the brother. I had seen him in "Mr. Queen", where his comic timing was amazing, and here too his arc was engaging. They became my favorite duo.

The aides, Hyeon and Hye Jeong, were adorable together - I’d love to see them in more dramas. The other supporting roles from the royal household were also strong. Special mention goes to the young King: he was adorable, and his crying scenes were genuinely emotional. His moments with his uncle were endearing. He’s definitely a talent to watch for in the future.

[5] Underused Antagonists
The antagonists were under-utilized, and their arcs felt convoluted in a disappointing way - especially given the talents of Steve Noh and Jo Jae Yun.

Steve Noh, as Prime Minister Min, had a weak storyline. This was a shame, since I’ve seen him excel in both good and evil roles. In the final episodes, his sinister aura finally came through, but it felt disconnected and poorly justified. If his arc had been about long-standing feelings for Huiju, or plotting to abolish the Crown, it would have made sense. Instead, his storyline was too weakly written.

Jo Jae Yun, as the Queen Mother’s father, was predictably cast as an antagonist, but his role felt more like cameo appearances than a full-fledged villain. It was disheartening to see two brilliant artists not used to their full potential.

[6] Byeon Woo Seok as Prince Ian
This is the most difficult point to write. Those who know me - or have read my comments - know how much I love BWS. When he rose to fame with "Lovely Runner", I was over the moon, having followed him since his modeling days and supporting roles. Seeing an artist you’ve supported gain popularity feels amazing.

"Lovely Runner" was charming but felt a little short to me. I thought "Perfect Crown" would be similar, and it was, but I wanted the story to showcase his brilliance more fully. It did - but only in bits and pieces.

His eye acting is phenomenal. I’m a sucker for male actors who deliver crying or anguish scenes well, and BWS is one of them. His visuals and awkward antics make him both handsome and endearing.

That’s why I expected him to excel as a Prince. I had seen him do it in "Moonshine", where his royal presence and grace were convincing. In "Perfect Crown", however, that presence was missing. Even with background music effects, it didn’t feel authentic. The Queen Mother, by contrast, embodied effortless beauty and grace.

I know BWS can portray sinister and vulnerable roles - he proved that in "Strong Nam Soon", a drama I otherwise disliked but where he shone. I expected the same here, but it felt lacking. Part of this may be the script and direction, and partly the chemistry with IU, which felt forced. They looked good together and acted well, but I didn’t feel the butterflies. His scenes with the Queen Mother in Episode 11, however, were captivating.

It’s not about his acting - artists and directors bring out the best in each other. Here, it seemed the drama relied on visuals, a decent story, and cinematography, knowing hype would carry it. Less effort was made to deepen the narrative.

[7] Final Thoughts
This is my opinion, and I know it differs from most. My expectations were different, and even after trying to realign them, the drama didn’t meet them. At its core, "Perfect Crown" is pure entertainment, nothing more.

I’d love to see BWS in a non-romantic hero role - he would excel. I’ll continue supporting all his projects. Steve Noh already has a diverse range, and I hope to see him in stronger roles (this one I’d like to forget, except for his sharp jawline and aura). Gong Seung Yeon has been brilliant in everything I’ve seen ("Are You Human", "Karma", and now this), and I’m excited to see more of her - her face card is truly unmatched.

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Perfect Crown As A Gem ?

Perfect Crown was about the monarchy system of ruling in the 21st century. It took a different level and I loved this.

From my point of view, the story was well written. The written did really well it kept the little details in a way. I don't know who drafted the story board for shooting but the person did great. This drama is an award winning drama and I'm hoping and praying it get at least three category nominations at Baeksang.

The director did a great job along with the production team. I mean very good but at some point in the last episodes I felt there were a lot of things to come in but with limited time so felt it was going to be bombarded but it proved me wrong and I'm glad.

The cast members were well chosen to fit the roles that's why it hit a new level. The character Seong Huiju has a strong personality and needed someone with a strong personality. The cast didn't disappoint.

The cinematography and production crew as well as all parties involved did great. I really loved and enjoyed this. I had high expectations and it exceeded

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good romance and terrible politics

Perfect Crown works best when it focuses on what clearly became its strongest point: the romance. The chemistry between the leads carries the entire drama, and it’s obvious that this relationship is the reason most viewers stay invested until the end. Their scenes feel natural, emotional, and consistently well acted, with enough warmth and tension to make even slower episodes enjoyable. The writing surrounding the couple is also the most polished part of the series, giving them believable emotional progression and moments that genuinely land.
At the same time, the drama seems torn between being a romance and being a heavy political intrigue story. The political conflicts are presented as if they are deeply layered and complex, but many of the central issues are actually fairly simple and become stretched across multiple episodes. Instead of adding depth, these plotlines often slow the pacing down and pull attention away from the emotional core of the story. The main female character especially feels weakened by this approach because the political side never fully connects to her in a meaningful way, leaving parts of her character feeling more outlined than truly explored.
The shift involving the minister being revealed as the villain is also one of the weaker aspects of the drama. The reveal happens abruptly, without enough buildup to make it feel impactful, and the resolution comes far too easily for something the story spent so much time framing as major. After that point, the political tension loses much of its weight and the drama starts to feel repetitive and stale.

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A Whole Convoluted Mess… But Somehow Romantic

I went into When the Phone Rings expecting a tense psychological thriller mixed with romance, and while it definitely had moments that pulled me in emotionally, by the end I felt like the entire drama was one giant convoluted setup just to bring two emotionally repressed people together.

The strongest part of the drama was honestly the emotional tension between the leads. Their relationship carried the show. Watching two people who barely knew each other slowly open up, communicate, and realize how much they actually loved one another was compelling. The chemistry worked, and I think that’s why so many people stayed invested even when the plot started unraveling.

But the writing? Whew.

The drama introduced SO many huge twists:

* illegitimate children
* replacement identities
* corrupt family dynamics
* childhood murders
* basement imprisonment
* revenge plots
* kidnappings
* political power games

…only for the ultimate takeaway to basically be: “we should have communicated better.”

The biggest letdown for me was the antagonist. The show wanted him to feel terrifying and psychologically complex, but the more they explained his backstory, the less sense his motivations made.

We’re told he was a child serial killer who murdered other children from an orphanage while being secretly locked away in a basement (already a wild setup that raises way too many questions). Then his grandfather attempts to kill him by drowning him in a boat… but somehow doesn’t even confirm he’s dead. The caretaker discovers he survived and just lets him go? Go where exactly? Did nobody think maybe a homicidal child should be monitored?

Then years later, after surviving abandonment, attempted murder, and isolation, his entire obsession becomes ruining the life of the replacement grandson.

That’s where the writing lost me.

A true psychopath/revenge-driven villain would logically want revenge on the ENTIRE family system that abused and discarded him — especially the adults responsible. Instead, he hyper-fixates on another traumatized child who literally watched him get drowned and was powerless to stop it. The show tries to frame this as emotional betrayal, but it just didn’t feel believable to me.

And don’t even get me started on how many times this man escaped situations he realistically should not have escaped from. The police and security in this drama were basically decorative.

Also: the female lead got kidnapped SO many times that eventually I started laughing every time it happened. Ma’am. Please. Stay inside. Learn self-defense. Hire security. Something.

The final episodes especially felt messy and overly dramatic for the sake of emotion rather than logic. The war-zone reunion scene had me genuinely laughing because it was filmed like the most romantic thing ever while I was still trying to process how we even got there narratively.

Overall, I think this drama survives mostly because of the emotional connection between the leads. Their chemistry, longing, and eventual honesty with each other gave the story heart. But structurally, the plot became increasingly ridiculous the more you thought about it.

Would I say it was terrible? No.
Was it addictive? Absolutely.
Did it make complete sense? Not even slightly.

Rating: 7/10 — entertaining, emotional, chaotic, and held together almost entirely by romance and vibes.

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good series

Can you us special episode, where they spent their lives and love together huhuhuhuhuhuhhuhu,

The special episode of Always Meet Again truly felt like a gift to the fans, a culmination of everything we’ve been waiting for. Watching the characters spend their lives and love together was not just satisfying—it was deeply moving. The series has always been about fate, longing, and the unbreakable bond between two souls, but this episode gave us something more: closure, warmth, and the reassurance that love, when it is true, will endure across time.

What struck me most was how the episode balanced tenderness with realism. It didn’t just show the romantic highs; it gave us glimpses of the everyday moments that make a shared life meaningful—quiet mornings, small arguments, reconciliations, and the joy of simply being present for each other. These details made their love story feel authentic, not just idealized. It reminded me that love is not only about passion but also about patience, compromise, and choosing each other again and again.

The emotional weight of seeing them grow old together was overwhelming. It’s rare for a BL series to go beyond youthful romance and portray the beauty of lifelong commitment, but Always Meet Again dared to give us that vision. The final scenes, where they looked back on their journey, felt like a mirror to the audience’s own devotion to the series. We too have walked with them, cried with them, and celebrated their victories.

This episode was not just an ending—it was a promise fulfilled. It told us that love, no matter how challenged, can be eternal. As a fan, I couldn’t ask for more. It was poignant, inspiring, and unforgettable. Truly, Always Meet Again has carved a place in my heart, and this special episode sealed it with timeless love

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It's a fun show!

It's a funny thing, isn't it? Viewers dive headfirst into a rom-com, fully aware of what they're getting into, only to get surprisingly upset when it is a rom-com. While it's true that rom-coms can break free from their usual tropes, there's also a certain comfort in those classic elements that often draw us in. When executed well, these familiar beats can be incredibly satisfying, and "Filing for Love" is a prime example of a drama that manages to do just that. It's a show that manages to feel both classic and fresh, keeping you hooked with its charm.

What truly makes "Filing for Love" stand out is its brilliant character development and the undeniable chemistry between the leads. Joo Inha, our female lead, is a force to be reckoned with – competent, strong-willed, yet with a vulnerability that makes her incredibly relatable. You can't help but root for her, flaws and all. Then there's Noh Kijun, the "green flag" male lead.. showcasing a calm, understanding, yet firm demeanor. Gong Myung's portrayal of Kijun is spot-on, adding a touch of golden retriever energy that's simply endearing. The romance blossoms beautifully from the classic "opposites attract" and "can't stand each other, but can't help falling" dynamics, elevated by the leads' palpable chemistry and some truly lovely kiss scenes.

Beyond the central romance, the show also excels in its comedic timing and its exploration of workplace dynamics. While the narrative does lean into more serious territory towards the end, the humor remains a delightful, unforced breath of fresh air. The OSTs are also a beautiful addition, enhancing the overall viewing experience. My only minor quibble so far lies with the secondary characters, who, despite the actors' best efforts, feel a bit underdeveloped. However, with the show still ongoing, there's always hope for more depth to emerge.

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Far-fetched Love Story with no Story and no Love-making

To be clear: when one decides to watch a Xuanhuan romance, it is in search of escapism, not because one expects a realistic depiction of events, people and their relationships. Nonetheless, for the make-believe world to be engaging, it must have an inner logic of its own and at least some kind of plot allowing the characters to develop.

Love Beyond the Grave has neither. For the first time since I started watching C-drama, I found myself fast-forwarding intimate moments between the leads. For a romance, this is a sign of utter failure.

I am reluctant to put the blame for it on the most obvious suspects, i.e. the cast. Dilraba Dilmurat is stunning beautiful as usual and, as usual, she is reasonably convincing in portraying her character. Then again, at least she is given a character of some substance to work with: a 400 years old queen who governs the unruly world of spirits with an iron fist in order to preserve the legacy of law and order left by her loving but early departed parents. Her subjects, spirits, are by their nature volatile and obsessive. Thus, to be able to effectively control them, she herself is deprived of all sensual enjoyment susceptible to make her temperamental or biased.

How then is this woman, who can never know even the simplest and most innocent of sensual joys, supposed to fall in love with anyone? Not to worry. There is a rumor saying that she might be able to "borrow" human senses from an individual mystically chosen to become the owner of a magical sword. In comes a young, ambitious general with a gruesome backstory which makes him wise beyond his years. He fights fearlessly and plots strategically; he makes smart alliances, earns the loyalty of his subordinates and seems unstoppable in his ambition to reclaim lost lands for his nation and ensure good governance for people. His appearance is dashing, his aspirations noble and he has a magic sword. What's not to like?

This is the starting point of the plot. It is also the ending point of the plot, because there is simply no plot to speak of. The moment our young hero realizes, fairly early on, that the beautiful woman following him around with a suspicious interest in his magical sword is not a mortal, but a powerful otherworldly queen free of all human passions, he abruptly and inexplicably becomes determined to seduce her. In pursuit of this goal, and in order to give her the possibility of temporarily experiencing the mortal world through his sense, he progressively sacrifices his family, his friends, his allies, his subordinates, his martial skills and therefore his military ambitions - in short, his entire existence.

The premise of self-sacrificing, self-annihilating love could, of course, be the making of a great tragedy. However, the tragic love story never materializes because, implausibly, incredibly and even callously, our male lead engages in self-destruction casually, cheerfully, with all the charm, energy and easy forgetfulness of a playful young puppy. Whatever happens, whatever losses he suffers, he doesn't seem to take it very seriously. He may shed a few tears here and there, but as soon as he receives a tender hug from his lady love - who hugs him for unclear reasons seeing that she can feel neither the warmth nor the pressure of human touch - he regains his flirtatious smile and keeps happily trotting down the road of self-annihilation. All this in stark contrast with everything we have initially learnt about his tenacious, calculating, survive-at-all-costs personnality.

It is a small surprise, then, if Arthur Chen constantly looks like he came to the studio to shoot a teen comedy, then mistakenly blundered into the wrong set and is now clueless as to what role he is supposed to be playing. To begin with, his look is that of a mischievous sweet 16, as opposed to Dilraba who presents exactly as she should, i.e. an immortal beauty. More disturbingly, not only does his character look like a pubescent boy but, as soon as he falls in love, he starts acting like a 6-year-old, blissfully oblivious to anything other than the object of his childish fascination. Watching a presumably grown man - an army general, no loss, responsible for thousands of lives - behave with such immaturity and recklessness is not romantic. It is awkward, mildly distasteful and, ultimately, boring.

Nor do I see how the asexual relationship between the leads could have ever been turned into an epic love story. The couple's asexuality is never openly discussed, or even suggested. Yet it is the inevitable implication of her crippled sensuality and his sacrifice of his own to make her momentarily happy. To put it bluntly, either he can't perform, or she can't enjoy it. A situation more conducive to marital counselling and couples' therapy than to a sweeping love story.

Certainly, it is possible to create a sizzling romance with no sexual content; C-drama in general excels at it. But you can't simply put two famous actors together, make them play characters who have absolutely nothing in common, have them go through the motions of a plot where they don't fully engage in each other's separate worlds or undergo any pivotal experiences together, and still have the viewers believe that they are somehow irresistibly attracted to each other even though, on top of everything else, there is no hope of their ever sharing any physical joy in each other.

Only a very innocent young heart, who lacks a hands-on understanding of human physiology and tends to confuse idolatry with physical chemistry, can be swept away by such sloppy far-fetched approach to star-crossed lovers trope.

The lazy storytelling would have probably been better served if the producers had opted for a modern romance, with the female lead an ice-cold CEO and the male lead a young enthusiastic intern. It might have been equally boring, but at least it could have made some kind of sense. Moreover, the outstanding work done by various crew members to create a visually sumptuous fantasy world would not have gone to waste. As it is, all the eye-candy trimmings of an enchanting fairytale only exacerbate the hollow absurdity of a love story with no story and no love-making.

To honor the efforts of the crew and of the supporting cast, some of whom offered notable performances, I will give this drama a generous overall rating of 7.5. As for the leads, their star power might have been better used had they insisted on a less nonsensical and self-defeating script.

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Twelve Episodes Weren’t Enough for a Story This Good

I had this drama on my watchlist from the very beginning because the idea of a monarchy in the 21st century sounded so refreshing — and of course because of Byeon Woo Seok, who completely captivated me with his acting in Lovely Runner.

Both Byeon Woo-seok and IU were phenomenal. Among the villains, the Queen Mother absolutely stood out — her expressions alone conveyed so much. But I really wish they had written PM Min’s character better. Why can’t we ever get a genuinely supportive second male lead in dramas? They ended up giving him the same old tragic, typical 2ML storyline yet again.

Were there cliches-> YES!!
Did I enjoy every single one of them-> ABSOLUTELY!!! Because they executed them so well that it never really took away from the experience. My only real complaint is the number of episodes. Twelve episodes felt far too short for a drama like this. It honestly deserved 16 episodes, or at least 14. Because of this, the pacing felt too fast. The marriage, poisoning, contract reveal, divorce just came one after the other, giving barely any time to explore their romance and their private lives in between. Even the whole monarchy abolition plotline should have been explored in greater depth and not just the last episode. The limited runtime definitely held them back from fully utilizing both the story and the cast’s talent.
And ofc special mention to the attendants of the Grand Prince's private residence and our little King whose adorable smiles and "Sukbunnim" won me over instantly.

Also, the OST- "Behind the Shine" by RIIZE was absolute gold. I’ve been listening to it almost every day and still haven’t gotten tired of it.

Overall, it was such a sweet and enjoyable watch, and I’d definitely recommend it.

P.S. BWS seriously needs to do more dramas soon because the last time I saw him was in Lovely Runner. Two years is way too long. Hope he tries other genres too.

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Sexual Propaganda Made It a Waste of Time

The drama had such great potential, especially with a great lead actress who can do comedy, as she showed in the first episode. But it ended up feeling like its sole message and purpose was spreading sexual propaganda to show viewers how sexually diverse the university community in Korea is. How do I know the show is merely sexual propaganda? Well, it is quite obvious when the drama has such a weird open ending; it seems like the funding ran out before they could complete another two episodes to tie up the loose ends. The writers did not care about properly developing the story or the characters at all. It is a total waste of time and energy to watch this drama; even the romance plots weren't that good to begin with!

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A War Demon Seeking Humanity Sacrifices For All!!

In a world devoid of colors & warmth, you became my salvation!!

“Fate Chooses You” isn’t your normal wuxia romance, it has an intricately built world which consists of complex characters. In this vastly vivid diaphragm, we have two different individuals who come together for a common cause. Lu Qian Qiao is a half-breed War Demon while Xin Mei is an immortal cultivator. War Demons are mostly seen as jinxed creatures, who were cursed by the Five Senses Curse- they are unable to taste food, feel pain, experience warmth, or even see colors properly. Lu Qian Qiao yearns to become an ordinary human being. As such, he has been working for decades to undo this curse. In due course, he meets Xin Mei, a kindhearted cultivator who strikes an unlikely marriage deal with him. Despite having a fake marriage, in due course of time, Xin Mei learns about his true lineage. As they work together towards a common cause that helps humanity, Xin Mei grows fond of Lu Qian Qiao’s kind nature. This show encompasses an entire universe that offers a simple solution to revitalize humanity.

Read the complete article here-

https://kcdramamusings.wordpress.com/2026/05/18/fate-chooses-you-series-review/

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