Semi Realistic output
My Verdict:- an action packed story with great Comedy,Great Action sequences and A Villian who defies all laws and untouchable by law.Flaws:- obviously it has its flaws , our ML is basically Supernatural human (atleast that's how I felt)
But action sequences of ML are very good so i forgive that and as a Kim so Hyun Simp it's a treat to watch whenever she's on camera and again great action sequences for her as well
But the Story has lot of conveniences like how Villain gang don't use guns,and how the Villain left Hero's Squad alive most of the series when he had multiple chances to do so.
Coming to Romance
There wasn't much scope for it , love track between leads is very small and irrelevant compared to Main plot but I feel the actors did Justice with whatever scope they have.
For me 8/10
TLDR:-
I didn't lost interest till end and enjoyed watching it .
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THOUGHTS!!
Love of the Divine TreeThis drama was so interesting and definitely kept me hooked. I wasn’t completely obsessed tho, which is the only reason why it’s not getting a 10/10. I loved the visuals and the plot lines and the character arcs for everyone though and no episode was boring to me. Definitely definitely recommend.
Ok, instantly. The visuals in this drama are insane. The setting, the characters, and all the colors are all so gorgeous. Deng Wei’s facial features are so sharp. With the mask and the markings on his face combined with his sharp facial features, *chef’s kiss. THE VISUALS. THE VISUALS. THE VISUALS. Everything is literally perfect.
Wow. The 1st episode was so good. It definitely hooked me into the rest of the drama. I love the switched plot of this drama. Master-disciple turns into disciple-master. The power that Su Yishui holds.
What happened in their past life together because Su Yishui is already head over heels in love with his past master. The look in his eyes when he sees her wearing the red robe from years and years ago. It’s just, this early on, he’s probably still in love with her master’s old identity and not her new one. We’ll see though.
Only episode 5 and Su Yishui has already started caring about his master even when he “hated” her at first. Tsk, tsk, tsk. I kindve want the drama to go back to modern times though. This backstory is nice but I want their new reborn life to be shown again. Yup he’s a goner now too. He called her “master”, accepted her, smiled when spending time with her, and wants to protect her from injuries.
Only episode 6 and Su Yushui gave up years on his life just to save Mu Qingge. Dedication, devotion, and all of the above is all I got to say. I love how he gave her the benefit of the doubt and remained kind and caring without jumping to conclusions. This shows that true love can beat any type of spell or poison. He’s already kissed her forehead this early on, holy. “You told me to protect the mortal world with you, but it’s only worth it to me if you’re in it.”
No way this drama is making me cry at episode 7. The desperation in Yishui’s voice when he realized that his master was protecting him and never wanted his power. She never got the spirit yet made sure that the other immortals thought she had it. She put a silencing spell on Yishui so he couldn’t tell the truth about him being the demon child. Most importantly, she told everyone she was the demon child and therefore, sacrificed her life to keep Yishui safe. This is a real master-disciple relationship. Yishui trying his best to get to her and stop this, but couldn’t. The raspy voice that he had plus Mu Qingge’s love in her eyes for him at the last moment. All she ever wanted to do was protect him. And then Yishui saving her soul to allow her to be reborn again. Wooh! That was a lot.
Ohhh…I see how this drama is set up. It breaks in the modern plot for several episodes to give us the backstory, then resumes right where it left off. It’s actually pretty smart. I take my words back, I like the background to better understand the situation.
I know that Su Yushui isn’t supposed to feel any emotions anymore, but I can quite literally see the love and care he still has for Mu Qingge. I have no idea how that’s possible, but he’s kinder to her. He cares about her wellbeing differently than all the other disciples. He wants her to be happy and can basically, never say no to her.
EVERY SINGLE CDRAMA ACTOR LOOKS SO GOOD IN WHITE HAIR I SWEAR. I FEEL LIKE I’M SAYING THIS IN EVERY SINGLE REVIEW, BUT IT’S SO TRUE. DENG WEI IS NO DIFFERENT.
Episode 17 is actually insane. There is one word I can describe this whole drama with, literally and figuratively: AURA! When Su Yishui touched that demonic power and had that dark look in his eyes, it was over. “You dare hurt my disciple.” Poof. They’re gone. His eyes are so expressive.
Ughhh the start of episode 18 made me want to claw my eyes out, scream and kick my feet in admiration, and yell because of the miscommunication. Su Yishui confessing his love for Mu Qingge and how he just can’t let go of her, while Xue Ranran doesn’t know that she is Mu Qingge. So, Ranran thought that Yishui still loves someone else. I felt so bad for her when he kissed her twice because in her mind, she wasn’t the person he was envisioning. But, the truth is, she has been all along.
Those episodes in the very middle of the drama when Yishui was pushing away Ranran in order to protect her made me rlly aggravated but I also understand him as well. He has so much power that he doesn’t know how to uncontrol. Mix that with the guilt of his actions in his past life and he’s bound to want to distance himself. But, the hurt that they both felt when he did that was so painful.
When Ranran found out a little more about the truth of Yishui, I’m so glad she’s strong minded and understands her master. “You’ve protected me from the very start, so I will never abandon you.” Even though Yishui doesn’t realize it, Ranran is trying to protect him just as much as the other way around. Those harsh words still hurt tho, Ranran has to endure the fake words that Yishui is saying to try to push her away. If she wasn’t as strong minded, this drama may not have a happy ending, but we’re hoping. Just please Ranran, don’t give up on Yishui. Keep on fighting.
Yes yes yes. Finally, she figured out the truth. Now that her true identity is out, her and Yishui are working together again and caring for each other again. Wow, the cinematics in this whole drama is so beautifully done. The green dragon and the vermillion bird both helping Ranran and Yishui. Them reuniting in their original bodies on its back. This drama is actually so beautifully done. Gorgeous gorgeous.
Holy. The dedication between them 2 in order to protect each other. Ranran gave up all of her spiritual power in turn for Yishui reaching the Transcendence stage. She’s now more vulnerable than a regular person to injuries and she can’t cultivate anymore.
I actually despise Mu Ranwu. How are you getting mad at your sister when you were the one that tried to take her soul to begin with? Mu Ranwu is a horrible person who doesn’t do things for the goodness of the world, which is the major difference. There is a reason why good things go to Qingge, it’s because she’s a better person. Mu Ranwu is just demanding and annoying. She even got mad at her disciple and humiliated him when all he wanted to do was help her.
I despise these misunderstandings though. The forgetting memory around episode 30 made me want to actually quit. They’ve been through so much already, they didn’t need another road block in their relationship. I feel like we’re back to day 1 again. Still though, Yishui protects him with all of his power, he just has this instinct. Ranran truly makes Yishui a better person, influencing him to think abt the good in the world and not his own selfish desires.
Omg, Yishui was completely taken over by the demon, but he was somehow able to stay in his own consciousness and fight his way back to Ranran. He not only saved himself from killing her, but he shattered his own essence core to expel the demon.
One of the last scenes in Episode 39 with both Yishui and Ranran working together and in synchronization, it was so harmonious. Even though both of them were stunned by their attack not working, you could really see how they are equals now and not master and disciple. They are both working together, protecting each other, and trying to protect the world.
I loved the HE. It ended great for most people and even those that ended up dying, they all were meant to. It was the best decision for themselves to stop their suffering and give themselves up for the greater good.
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Beautiful tv show
This show was amazing , it kind of reminds me of kidnapping game I wish they would make more tv shows like this . Suspense , mystery until the endI highly suggest that you watch this show . Very well done . Couldn’t stop watching . The acting was superb and you can’t tell what will happen next
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More Than an Idol Story — A Drama That Teaches Fans How to Love Right ?
I honestly started IDOLI mainly because of Kim Jae Young 😭 He once mentioned that after entering his 40s, he might not get chances to play idol-type roles again, and that made this drama feel extra emotional and meaningful for me. I wasn’t watching just for the story, but for him too and he absolutely did not disappoint at all ♥️First of all, the OSTs are SO GOOD 🎧✨ The music really carries the emotions of the scenes and makes everything feel deeper. Some moments wouldn’t have hit the same without the soundtrack.
What I truly loved about this drama is the message. It shows how fans should treat idols with respect, trust, and care for their privacy and safety. It reminds us that loving an idol also means supporting them quietly when they’re going through hard times, not making things harder for them. That part felt very real and mature, and I appreciated it so much 🥺
Story wise, it was a bit predictable for me. When I first saw the person called “like” , chatting with Maeng Se Na, I already had a feeling about who she really was 👀 But the actual villain reveal?? That part surprised me, and I loved that twist!
The drama also stays in a comfortable emotional zone. It’s not too heavy, not too stressful just something you can watch and enjoy while still feeling connected to the characters. I had such a good time watching this over the last couple of weeks, and I’ll miss the vibe a lot 💫
Overall, IDOLI is a warm, meaningful, and slightly emotional watch especially for fans who truly care about their idols as people, not just celebrities 💖🌙
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Couldn't carry the weight of its own storyline
This drama was very promising at the beginning. It had an interesting premise, strong actors in place for the leads, and intriguing circumstances bringing them together. Most of all, I really enjoyed the Idol perspective on fans and how they view idols. There was so much potential there.Unfortunately, neither the murder mystery nor the romance paid off for me. I'm a fan of both the actors playing the leads, but this drama was a huge miss. Even their chemistry couldn't keep me engaged. I wish I could say the romance scenes were good, but they weren't. The whole time I was wondering how he could even think of romance when he was a murder suspect! And the kiss...I felt like it was staged to look pretty, not reasonable. That took me out of it completely. I just wish more thought had been put into both the story and the romance to make it believable. This drama would have benefited from leaning into the serious, Idol-life and murder aspect, with romance being toned down a LOT. So, so disappointed with how this turned out.
Would I recommend it? Only if you're a die-hard fan of the leads and don't mind a popcorn (aka empty, hollow) show. P.S. If you're watching it on Netflix, the maximum play speed is 1.5x...
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Abundant themes and ideas with a major ethical reservation
„Love of the Divine Tree” harbours an impressive number of themes in the neat chain of causality. However, some ask for ethical reconsideration, so prepare for a bitterness overload.YIN & YANG. It is pleasing to observe how these clash when the two strong leads are confronted, then gradually mix and form a delineating curve. When the plot tears them apart, the yin and yang start rattling anew, searching for a new equilibrium.
Su Yi Shui is tagged as a sample of yin. He displays a total immersion in a belief or feeling. All he needs is freedom and appreciation. His opening up to love reveals his hidden nature of a giver. After the loss of his master, his remorse grows immense till it blocks his ability to participate in life fully. Followed by a short period of calm, his amnesia phase sees a radical depletion of his potential.
Deng Wei in this role is brilliant at expressing those wuthering heights, this wild turmoil – especially by means of one-second movements, gestures, glances, outbursts with graded volumes of fury, longing or regret. He is immersed in this character so deeply that each cell seems to play the role. He is a black diamond of hundred facets, each imprinted as a dark hot flash in our memory. The dignified frame and silky movements add to the impression. Note the actor’s awareness of the meaning a body position may convey: when exposed to a comparison against Wei Jiu, Su Yi Shui chooses to stand half-turned away from the crowd: perplexity and unwillingness to participate. Regardless of the prevalent Asian standard of beauty, he has been adorned with wavy hair; both black and white wigs match the complexion. Alert – he cannot hold a baby safely.
This character would not be complete without Xu Yi Ming and Zhang Jing Yi, performing scenes from Su Yi Shui’s childhood. The scene with the mother’s door shut is truly heart-rending. I am not in favour of stripping actors of their natural voice, but the selected voice actor (Sun Rui Yang) yields a matching timbre for exasperation.
Mu Qing Ge vel Xue Ran Ran is a specimen of yang, with self-certainty, pride, joviality. Her readiness to take responsibility, straightforwardness, lack of fear or regret are also bright. A lady in red, her broad smile and directness in flirting challenges to surpass the Chinese convention of modesty.
Han Zhi Xiang did well in depicting both the mature master and the budding apprentice. Worth noticing is her capability of presenting the purged memory, the unprepared youth. When confronted with the masked stranger, she tosses all the paper spells at him. The voice actress (Duan Yi Xuan) did her work so diligently that I thought there are two.
RESOCIALISATION. The subjugation of Su Yi Shui is not an isolated occurrence. Mu Qing Ge has a vocation, an innate tendency to rehabilitate. Apart form building a mixed-ability team of apprentices, she manages to convert Wei Jiu, as soon as Tu Jiu Yuan has cracked his callousness. She also reshapes the world-view of the sects that once killed her, and catalyses a bond between two ex-enemies.
The prolonged presence of Spirit Spring inside Su Yi Shui’s heart is a symbolic reminder that childhood abuse drags on, requiring time, empathy, willingness on both sides. Unfortunately, the drama involuntarily challenges the boundaries of interference in another person’s integrity.
OBJECTIFICATION OF MEN. In most C-dramas man has to serve woman, which is hardly acceptable. There is a heavy load of possessiveness in Mu Qing Ge’s acts. The chains she put on her apprentice are no different from those of the Eternal Sect or in his nightmare. After the memorable scene with lamps, she ruins the mood by insisting twice on his eating fruit and drinking alcohol. Once means an offer, twice is coercion. The scene in which Su Yi Shui receives cat pets and starts purring (vol up!) shows that the heroine fails to respect his dignity.
SHORTAGE OF TRUST. We gather enough evidence that the young man knows his aim, the risk of hosting an evil force, and his eagerness to quit crime once he breaks free. The prophetic book shows merely a dispute who would become the new emperor – not the end of the world. Princes’ rivalry has always brought a bloody fight. So Mu Qing Ge had better advise rivals to take a duel, instead of bloodshed that depletes the army. Su Yi Shui does not pose threat to humankind, his intentions deserve no distrust. Unlike Dun Tian, with whom she shares her plans.
LACK OF SENSE OF JUSTICE. Mu Qing Ge disregards the long list of persons Su Yi Shui’s father once ordered him to eliminate. A punishment for the past would serve as a practical guidance better than irrational blame of potential future crimes. The worst example of validation of cruelty is the justification of Su Yi Shui’s mother through her dishonest letter. At the Marrow Cleansing Pool, supposed to accept cultivators after they leave their obsessions, Xue Ran Ran and Dun Tian somehow manage to retrieve theirs.
FALSIFIED HISTORY. The opening legend is all twisted on purpose. Mu Qing Ge is its main victim of accumulated superstitions that brought about a ‘witch process’ and foddered the hypocrisy of observers. Even Su Yi Shui’s hitting the formation wall is misinterpreted as his attempt to kill his master. The legend leaves out Mu Ran Wu’s enactment.
COMMUNICATION ISSUES. Much plight results in insufficient communication. It was given the form of a muteness spell. In spite of her eloquent quirk, Mu Qing Ge / Xue Ran Ran proves unable to circumvent the spell (by gestures, metaphors) or detect its symptoms on others. She seals Su Yi Shui’s and Zeng Yi’s mouths, being aware of ensuing injustice. Note her negligent attitude to other sects and her sister as regards the information flow. She indeed is warm but frank towards Su Yu, and reasonably instructive towards the rehabilitated Wei Jiu.
Mu Qing Ge fails at overhauling information gaps. She takes Su Yi Shui’s integrity as obstinacy. Having been around her sister or Dun Tian, she remains unaware of their evil nature. As Xue Ran Ran she is unable to recognise her master in Ling Xiao. When she talks deprecatively about Su Yi Shui to his rival, the content is abusive enough, the wording even more.
BASIS OF LOVE. A drunken kiss brings pain. Trying to reignite love to regain memory, the leads hastily kiss and fail. It shows that love needs an emotional basis, not physical. When forced it can be unrewarding. It takes work to find and maintain a point of convergence. What triggers Su Yi Shui is a promise of a home, light, good food (alco and cicadas excluded!) and understanding.
LOVE AFTER LOVE. This is relevant for viewers who experienced the loss of their beloved. It touches subtly upon the aspect of age difference in a relationship, attitudes and expectations, similarity vs sameness.
APPROACH TO THE LOSS. Unlike many dramas indulging in time travel, this one disdains the idea. Changing one’s fate is possible, but only in alignment with its temporal development. We must embrace the bygone. The greatest offence is made by the worst villain, Dun Tian. His family love is vitiated in confrontation with the spirit of his wife, whom he grabs by the throat. Mu Ran Wu is punished for ousting a person, Su Yu for drawing someone unwilling. The conflict between particular interest and common good is relevant here.
INSTABILITY AS A CIVILISATIONAL THREAT. There is a symbolic scene at the invaded Mount Wester, with dilapidation and nauseatic rolling movement of grey, disintegrated settings, and the death of the Reincarnation Tree. It may stand for today’s world’s decay, atomisation. There is nothing left to adhere to, no point of reference.
TRAP OF PROFESSIONALISM. Mu Qing Ge is so self-assured in her moral teaching skill that she trespasses the boundaries of Su Yi Shui’s integrity. Even if the outcome turns out to be right, it is not THANKS TO but IN SPITE OF the intrusion. He separated the good he received (love, home, sacrifice) from the accompanying bad.
Mu Qing Ge’s sect’s recruitment pattern is gathering youth whose talents fail to comply with the expectations of the competitive sects. She is adamant in defending them – and proves right. Su Yi Shui’s process of recruitment proves wrong: what matters is devotion, mere skill is insufficient, pride is disruptive.
The married leads organise chores to reflect their past turn-taking at supremacy. This model builds independence and yin-yang completion. However, the eldest son should have been taught to wipe off his stain.
NOTES
The flow gets disrupted by redundant verbalisations, reappearance of longish proper names. Still fewer in comparison with the artifact data in “The Blood of Youth”. It makes a viewer feel like a PC gamer, having to “select the weapon” to be allowed to move. The imagery also needs trimming: too many symbolic trees, twigs and one-use beasts.
OST: some phrases will stay in my memory for long. However, I reserve max 10 pt for creative masterpieces like in “The Blue Whisper” or “Kill Me, Love Me”.
The YouTube version might be abridged. Probably this is why it is not clear when Wen Hong Shan claimed to be disfigured by Mu Qing Ge, when Wang Sui Zhi left the Wester, when Su Yu got poisoned or when Tu Jiu Yuan gave birth. For final battle resolution, it took an irrelevant dragon immortal and her motionless child.
APPEAL
My appeal concerns everybody involved in determining C-drama’s future development directions. The genre has become a chance to evade being under the fusillade of the Western convention: this one spark of hope left to preserve dignity, creativity, modesty, true development, faith in humanity and more. Please avoid the Western ‘aesthetics.’ One of the greatest threats is the indulgence in unnecessary plastic surgery and tweakments as breach of authenticity, as interference in actors’ and actresses’ integrity, in their sacred bodies and countenances – the beautiful mirrors of their souls.
Written by a nationless spirit confined in the decaying Mid-Europe.
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Thank god I have free will…
I watched the second episode and hated my life, then read a review where someone said that they were debating going back to it and decided not to because of the GenAI slop smeared throughout the entire show, and that's when I remembered that I have free will.Obviously, I think everything about this show is terrible, including but not limited to
1. The horrible acting (especially Po’s actor trying to portray lust but just speaking annoyingly slow and staring at the other guy all weird)
2. The OST (which you can barely call it that given that it's surely AI-generated as well because why not)
3. The premise/writing (because what the hell is even this …)
4. The GenAI images and voice-overs
All that to say, I will not be streaming because even if I'm watching it on an illegal website, I will NOT give people the impression that I stand for GenAI SLOP and terrible writing anyway. #FUCK AI! #AI IS NOT ART!
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went in with no expectations ...
and came out really happy that i started this! it was my first kdrama after a long stint of cdramas instead, having struggled to find something to capture my attention recently. the premise seemed interesting enough, and i figured i had nothing to lose in starting it.the mystery aspect kept me engaged and prevented the show from feeling like another idol x fan drama. the shared backstory between the characters was also interesting though it's very much one of those things that would "only happen in the movies" (aka is it possible for all those coincidences to happen in real life? not impossible but certainly difficult). nonetheless, a drama is always more enjoyable if you don't think too much about all the little things.
the music was also great! i wish gold boys were an actual group because i would very much be a fan of their music 😂 both sooyoung and kim jaeyeong also did fantastic in their respective roles. the supporting cast was wonderful as well.
all in all, things seemed to tie together nicely and i'm glad they didn't drag it on to be a 16-episode drama. definitely happy with how it played out!
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This is Different - And I Loved It
Mad for Each Other was a real breath of fresh air for me — loud (especially the ML 😅), messy, serious in places, but above all genuinely funny in an intelligent way.These are not glossy, idealized characters, and that’s exactly why they work. The humor grows out of real pain, real misunderstandings, and very real personalities. Mental health is taken seriously, yet never treated solemnly just to look important.
And yes — I loved that the umbrella is used to beat up the male lead instead of turning into the usual romantic prop. That alone tells you this drama plays by its own rules.
In a sea of polished familiarity, this one dares to be human, noisy, and different — and it’s so much more fun because of it.
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What starts with a murder and ends with a singalong?
Taken as a whole, it is a decent rom-com. However, if we look closer, we soon find cracks.The show starts quite angsty with a hint of an exposé on the idol industry and (toxic) fandom. An unexpected murder hints at darker motives and conspiracies. Any sign of cuteness evaporated.
As it stands, the law and order subplot is laughable. There is little suspense. The revelation of whodunit towards the end has little impact. The inept police investigation and the "corrupt" prosecution process are groan worthy. They seems to have never heard of forensics. No finger printing, no DNA tests, blood splatters? It is borderline criminal negligence. Are Koreans numb to plots making a mockery of their police and judicial system?
Just to rib salt into the wound, most of the real detective work are done by the protagonist. Good on them, but that's cold comforts.
It is obvious that most of the subplots are there to push our leads together. The breadcrumbs all leads to their eventual HEA ending.
I'm not surprised that the last ep is largely fan service, but I was taken aback by how little substance there is. Did the writer-nim took an early vacay and left it to the intern to wrap things up?
In terms of acting, most actors are in their element. The support cast is largely from central casting. Our leads do look good together. They have chemistry and some nice skinship. Pretty much par for the course.
As a run-of-the-mill rom-com, it is fine. I enjoyed it. Fans of our leads will rejoice. Their romance is nice and cute. Just don't expect a serious crime thriller or any heavy hitting social commentaries.
It feels like an odd choice to start so heavy handedly and then reduce it to a fluffy romp by systematically paving over the darker elements with unicorn pastures. In the end, the rom-com bits are tropey and predictable. The rest feels half baked and tacked on. It is not a bad show, just a little underdone. I like the FL so the show gets an extra 0.5. ;)
One and done. Enough said. Peace.
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Such a quirky reality TV show
This TV show is a total vibe ,so relaxing and fun. I absolutely love Choi Kang-rok’s character and that signature awkwardness, especially when he’s dodging head-on questions with a blank stare. He was my absolute favorite on Culinary Class Wars, and it’s a joy to see him get his own spotlight. The blend of culinary mastery and his quirky, low-key humor makes this a must-watch. Truly entertaining stuff!Was this review helpful to you?
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A different cup of tea.
A rather unusual story line where the main theme is that of dominant and liberal female values clashing with the more pedestrian male-centric society in ancient China. The main family's females decide and make choices while males play second fiddle. The ultimate display of power is not merely from martial prowess but the possession of a historically, bestowed gift.The story line is intriguing, confusing, engaging and definitely stretches the credibility of ancient Chinese values. As a thriller it succeeds, as a romance it barely stirs the heart strings and as a travelogue into the tea-scape of China, it is fabulous.
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Female lead is just not it for me
It's meh,The whole idol x fan is my least favorite dynamic, so really not my thing to begin with.
I had also such a hard time feeling the female lead. In my opinion, she's just not it, the story and whole kdrama would have been fine if they worked more on her character,
Like what was ep 4 all about... depression bc of someone's dating life, he doesn't even know u exist, I dont think these behaviours should be normalised,
Not to mention her obsession over Ra ik made her act so unconsiderate/rude towards literally her guy best friend...
She was giving me girl boss vibe, undependant woman... like how i usually like the fl to be, but they ruined it with that aspect.
Other than that, it's just okay. Not really bad, but nothing stands out for me.
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Karma Always Finds Itself Back To You
Karma 2025 6 eps 9/10This was very interesting and such a diabolical show for me to watch but really showcased how your past mistakes can linger on and eventually give you karma like one line at the end of the show was “You can think of this as karma.” as the doctor or whatever surgeon who picked up a random side hustle was about to stab his knife into him. I really like how at the start we got random stories of these people and as the episodes went on everything started to click together like a perfect puzzle piece forming together, this show always had me thinking of how they knew each other or how someone would die. The idea of the red string theory is insane in this way, that everyone is someone connected to everyone. There were only 6 episodes but very good episodes that got me craving for more, I never really got bored because there was always something diabolical happening right in the show. But this show wasn’t a masterpiece that shocked me so maybe I would give it a solid 9/10.
“Karma will always find itself back to you.”
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