Reviews

Shallow and Disappointing

My Dearest Nemesis is another regular K-drama that follows classic overused pattern of romance that we frequently come across many korean dramas. While I was expecting something high from Choi Hyun Wook due to his recent selection of dramas, this drama is totally forgettable and full of clichés.
To begin with, I didn't sense any actual chemistry between the leads in any scene. The plot was lacklustre as it followed common trope of enemies to lovers, but in this drama, it was too quick.
The geek side of the male character felt cringey and awkward, instead of cute and endearing. While the drama had some good moments, the rest were nothing special and even at 12 episodes, it felt a long stretch. Better watch 100s of better dramas in the same genre out there.

My Rating :5/10

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Life truly is a MeloMovie

Let me preface this by stating that I am a sucker for melodramas, especially ones involving romance. Melomovie really shows us that everyones life, no matter how dull or boring it may seem, is a melo. The topics they go over in this drama, although intense for a romance, I think it really brought the plot to reality. I love the conviction of emotions you can see through the actor/actresses’s eyes, and the feelings really resonate with you. To me, this combination of great actors, a complex yet real plot, and overall great feelings, I find myself relating to the characters a lot more than I would like to admit to. If you are a fan of feeling complex emotions and want to escape a reality for a few hours, I highly recommend giving Melomovie a try.

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The chemistry made in heaven

Everything about this drama is perfect — the music, the cinematography, the story, the casting, the acting — it's truly a masterpiece. You won’t find another BL like this. Dramas like this are made only once. I’ve tried to find something similar, but most BL dramas are light rom-coms set in schools or universities.

Due to limited budgets, it’s rare to see a BL series that offers high standards in every aspect — from the plot and characters to songs, scenes, and acting. Even NC (non-censored or intimate) scenes play an important role. They help portray the depth and realism of the relationship between characters, making it feel more genuine and not just scripted.

Viewers don’t just invest their time in a drama; they also invest their emotions. They connect with the characters and feel like they're watching a real world unfold. That’s why such scenes and detailed storytelling matter — they help make the experience complete and emotionally satisfying.

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Beneath the Veil of Duty: Love and Legacy

The story follows Xiao Qiao, a sharp and resilient young woman from the Qiao family, who has to step into her cousin’s place to mend a long-standing rift between the Qiao and Wei clans. Fourteen years ago, a broken promise led to the tragic deaths of Wei Shao’s father and grandfather, fueling his desire for revenge. To protect her family and fulfill the clan’s political goals, Xiao Qiao must win over Wei Shao and convince him to marry her.

Their relationship begins on rocky start, filled with mistrust, hidden motives, and lingering resentment. While Xiao Qiao walks a tightrope to keep her clan safe and win Wei Shao’s trust, he struggles between his thirst for vengeance and the growing bond between them.

As both navigate the treacherous waters of family politics and power struggles, especially from the ambitious factions on Wei Shao’s side, they begin to see each other beyond their roles and expectations. Despite their occasional manipulation of each other for political gain, genuine trust and respect start to grow between them.

The story hooks you from the very first scene with stunning visuals, including high production quality and breathtaking set designs. However, after a dozen of episodes, it starts to slow down and lose its sense of direction. As the couple settles into their relationship, the pacing becomes noticeably dull, and if not for their chemistry, it might be outright boring. The plot seems to stop challenging the audience and instead focuses solely on the couple seducing each other. That wouldn't be an issue if that was the premise from the start, but we were promised a deeper, more interesting story that ultimately fails to deliver.

Also my second gripe with this drama is the acting. Don’t get me wrong, I’ve enjoyed Liu Yu Ning’s past performances, and it was great to discover Song Zu Er. They do have solid on-screen chemistry, which helps carry the story, but when it comes to individual performances, the acting feels just decent at best. It doesn’t quite stand out or leave a lasting impression (it can be bad at times).

That said, I recommend watching it. It’s one of those series where the chemistry takes the lead that fan of romance will enjoy.

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Han Hyo Joo outshone Park Hyung Sik in this one

I started watching this drama for PHS (because he's my latest binge obsession) but ended up falling in love with Han Hyo Joo instead. Daaaammmnnnn gurl what a boss woman. Loved her character and her acting in it. I loved that neither of the leads treated the other like damsels in distress, like they were two independent, grown ass people who knew well enough what the other person is capable of, and that's where their camaraderie shone best. I don't know why people are saying they had no chemistry. They forget that the leads agreed to a MARRIAGE OF CONVENIENCE and such relationships don't come with roses and kisses from the get go. It develops over time, and I loved how the drama was able to show that development without being over the top dramatic about it. Proper ass-kicking, on-charge power couple they were.
In terms of the story and everything else, it was basically Sweet Home but in a high rise apartment, so basically fodder for more ethical and moral questions than the usual. The story didn't wow me, I was more wowed by the leads, and by Han Tae Seok and his wit. The acting was quite top notch, so no complaints on that. The OST was interesting, it lingered throughout the drama. Just don't understand why the drama was called "Happiness", kinda seems a stretch of a name compared to what they were portraying.

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slow burn romance through the stages of life

they started off so boring in the first two episode I couldn't keep my eyes open. Then they took off halfway through episode 2 and I love it till episode 14 when the FL became an absolute idiot and a just a complete b word.
I loved the fresh new take on contract marriages with no one being wealthy and just too regular people falling in love through a fake marriage. It felt similar to because this is my first life a lot in the middle. I liked the mix of suspense and how sweet and pure their love was. How awkward they were and how ride or die she became. Now I'm loving how ride or die he is when she is flaking.
I don't like how the writers would make her character so kind and naive and then to cruel and shrewd. I also didn't like all the stupid independent woman stuff in the first few episodes. All that stuff to her boss about not looking down at women with small cars or how hard it is for girls in soul to drive. It was too preachy and in our faces.

They so badly wanted us to believe that she was a girl boss when she was everything but that. She gave up on her "girlbossing" the moment the right guy came along. Which I loved for her because I reality thats what most of us want.
I loved the love story and it was strong enough concept and actors to show more of it and not have a thousand filler subplots to try to extend the show. So I found myself skipping A LOT to get to the couple. Rewatch value for this would have been through the roof if they focused on the couple like 1% of something did.

By epi 20 I was screaming for an end to this.
though this story covers Love that trancends through many stages of the lives of the characters and how they made it work and compromised, I believe 24 episodes was overkill. If they removed all the useless subplots they could have a stronger story and rewatchable drama at maybe even 12 episodes of mostly the couple instead of all the filler work, useless family and cringy country bumpkin subplots I had to skip.
If it wasn't for ride or die she was at the start and then how oh Jak Doo picked up the baton after she dropped it, I would be able to continue with this drama. But they're love was so nice to watch I just had to see it through though.

the FL's character took a nosedive from epi 14 to 19 Because they had so many more things to figure out I forgot how much I hated her and it made up for it.
as for the OST the first half was so quiet with no music that I was wondering what they were thinking but they fixed it by the second half.
The main actors especial Kim Kang woo killed their rolls. they were able to portray the weird awkward vibe of two people who haven't had any experience in dating for years if not at all.

Overall it was a crazy ride I don't think I'll be getting in anytime soon. I devoured the love story, just wish there was less filler crap to skip through to get to main story and the reason we were all watching in the first place.

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A Mediocre Saegeuk Drama that does Mediocrity well.

I started watching Tangerines and decided to skip that and watch this instead because Tangerines made me ugly cry, and I didn't want that. Now while I picked this because it was a stupider and lighter watch, I was pleasantly surprised by it. Unlike many other kdramas that have crossdressing, here it didn't feel forced or outlandish. Jeon So-nee's voice, her stature, and her general body language made all of it look very believable. And I loved the dynamic between the two leads, it wasn't the most saccharine sweet, but it was solid camaraderie. What I didn't like, however, was how their pair came to be.
This drama also got me into a PHS binge spree, and I ended up watching everything else that he's acted in. Personally, I feel that PHS fits this role with perfection, he's got a very Royal, Princely aura around him, couldn't picture anyone else in the role of a Seja Joha other than him.

What worked for me was that the series was a well-made mediocre series. It knew it wasn't out there to be the BEST KDRAMA of the year and the writers worked with what they had, didn't cast large expectations. So what you see is an earnest effort to make a decent saeguk mystery, which was good. This is the kind of drama you watch when you want to just chill and go with the flow of the story.

Overall it was an okay, decent watch. Liked the acting of everyone, the ending felt a little weird but not bad, very neatly tied everything in place.

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How Heart Pairing Became Jeyeon’s Show — And Why That’s So Frustrating

Heart Pairing started as a show about love, feelings, and finding the right person. It was supposed to be about everyone — a group of people trying to connect. But little by little, it turned into Jeyeon’s show. And honestly, that was frustrating.

At first, Jeyeon seemed quiet and kind. People liked her. But as the episodes went on, it felt like the whole show became only about her. Other people’s stories were ignored. We didn’t get to know them well. The camera always showed Jeyeon’s face, her feelings, her choices. It was like the producers forgot there were other people in the house.

Some moments felt forced, like the show was trying too hard to make Jeyeon look perfect or special. Even when other cast members had big emotional moments, the editing would cut back to Jeyeon’s reaction. Why? Why not show the others fully?

It’s not Jeyeon’s fault — she just played her part. But the way the show focused only on her made it less fair, less real. Viewers who liked the other cast members felt left out. In the end, it didn’t feel like a love story between equals. It felt like one person’s journey, while everyone else became background.

That’s what’s most frustrating. Heart Pairing had so much potential to tell many stories. But instead, it chose one — and ignored the rest.

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A Promising Start That Falls Short in the End

Hit the Top starts off with an intriguing premise: a 90s idol who time-travels to the present day, trying to adapt to modern Korea while dealing with his own family drama. The comedy is on point early on, filled with witty, rapid-fire jokes and hilarious moments that had me genuinely laughing. The nostalgic 90s K-pop elements were a fun bonus, and the father-son storyline showed promise.

However, around the halfway point, the drama completely shifts gears. It moves away from its light, ensemble-based sitcom feel and turns into a more traditional rom-com. This was where things started to feel off for me. The romance, especially the love triangle between Hyun Jae, Woo Seung, and Ji Hoon, felt forced and a bit uncomfortable. I didn’t buy the chemistry between the leads, and the whole "saving the girl" plotline was more eye-roll-worthy than engaging. I think the story tried too hard to make the romance work, but it came off as rushed and cliché, which detracted from the otherwise fun vibe of the show.

The biggest downside, though, was the length. With 32 episodes, it definitely felt like a drag at times. There were a lot of filler moments, and by the end, I was more than ready to wrap things up. The side characters, who had so much potential early on, got sidelined in favor of the main leads, leaving their storylines hanging. It was hard to stay invested when so many threads felt neglected.

That said, there were still some pretty funny moments—especially the tech confusion and Hyun Jae's reactions to the modern world. Yoon Shi Yoon’s comedic timing and the quirky side characters helped keep things somewhat entertaining. I even reconsidered giving it a 7.5 due to those moments.

In the end, Hit the Top is a bit of a mixed bag. It starts strong, but its shift in tone, lengthy runtime, and missed emotional moments left me wanting more. If you’re a fan of Yoon Shi Yoon or enjoy light comedy, it’s worth checking out. But don’t expect too much from the romance or character development.

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Chaos, Messy and Bloody but Weirdly Entertaining

So, this season picks up right after the first one ,our guy U Sol and some of his crew are out of jail, trying to live that better, reformed life despite the giant “ex-convict” label hanging over their heads. But of course, life doesn’t play fair.

Here comes Hyun U Yeong, the shady boss of an underground boxing ring for the rich and morally bankrupt. He tries to lure U Sol into fighting there, but U Sol wants no part of it. But things don’t stay peaceful for long. Rich dudes start causing chaos just because they can. Kidnapping, killing, throwing around power like it's confetti. Seriously, it’s like crime is their hobby.

The pacing is wildly fast. Sometimes it feels like one fight just bleeds into another (with plenty of actual blood). Plot-wise, it’s a bit all over the place, but you know what? It’s entertaining. Only 6 episodes, around 25 minutes each – a quick binge that doesn’t ask too much from your brain.

Shoutout to my faves:
Lee Won Jun and Han Seong Yong absolutely carried this for me. And Won Jun’s sister? Loved her too.

▫️Spoiler bit:


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The part that hit the hardest was when Won Jun went around with that little notebook, apologizing to everyone he hurt. The heartbreak? Real. Some people didn’t accept his apology – and they’re totally valid for that, I wouldn't either– but it still felt so sad from his side. His death hurt more than I expected, especially since it was used mainly to push the revenge arc forward. And then that beautiful moment – U Sol finishing the apology tour, the last name being his own, and saying he’s already forgiven Won Jun.

The ending was actually satisfying – U Sol choosing to keep fighting, but this time in the ring, on his terms. And hey, that little tease at the end with Hyun U Yeong going to jail and meeting Do Hyeon? You know they’re setting up a possible Season 3.

Would I watch Season 3?
Absolutely. Even if I’ve rated both seasons kind of mid, there’s something addictive about the chaos and heart of this series. I’m in it till the end.

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A Beautiful Beginning Undone by a Messy Finish – A Flawed Fantasy Romance with Wasted Potential.

Angel’s Last Mission: Love starts strong, offering a unique blend of fantasy and romance wrapped in a beautifully choreographed ballet world. Shin Hye Sun delivers an outstanding performance as a wounded ballerina rediscovering life, and her emotional range keeps the show grounded even when the plot starts to wobble.

Unfortunately, what begins as a promising and emotionally rich setup slowly unravels into a chaotic and underwhelming narrative. By the midpoint, the show shifts its focus from the female lead’s personal journey to a rushed, forced love story that lacks emotional buildup. The once-promising supporting characters, like Ji Kang Woo and Geum Ni Na, are left underdeveloped, and the fantasy elements become confusing and illogical.

The final episodes, particularly the ending, feel like a missed opportunity—rushed, unearned, and oddly disconnected from the emotional weight the series tried to build. I deducted 4 stars mainly due to weak storytelling in the second half, inconsistent character arcs, and a romance that never quite felt convincing.

That said, fans of Shin Hye Sun and light fantasy-romance will still find some moments of charm and heart. Just go in with tempered expectations.

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I got lost at Ep 6 because what was really happening?

Not going to lie—this was an unexpectedly powerful drama.

I had Mask Girl sitting in my watchlist for ages, collecting digital dust. I finally gave it a chance—and I’m glad I did. What started as a seemingly shallow exploration of beauty spiraled into something far darker and more compelling.

Is This Really a Comedy?

Calling this drama a “comedy” feels misleading. The only genuinely funny moments were during Kim Mo Mi’s time in prison—specifically, her recurring fights with the same gang leader every time she left solitary confinement. It was so absurd, I couldn’t stop laughing. Nana’s performance in those scenes was brilliant—nuanced, fierce, and completely unforgettable. That alone had me looking her up to learn more about her work. She deserves every bit of praise.

From Predictable to Unpredictable

At first, I assumed this would be another overused narrative about inner beauty—something along the lines of True Beauty with a darker twist. But around episode 3, everything shifted. The story took unexpected turns, and by episode 6, I honestly didn’t know where it was going.

That’s not to say the storytelling was perfect. It felt like the writers tried to cram too many plotlines into a limited number of episodes. By episode 6, I was questioning whether episode 7 was truly the end, because there didn’t seem to be a proper setup for a conclusion. Yet somehow, episode 7 managed to tie things together—rushed, but impactful.

The Tragedy of a Broken Bloodline

One character I couldn't stand was the grandmother. Cold, obsessive, and emotionally destructive. I kept wondering—what if Kim Mo Mi had just told her the truth? That she was her granddaughter? Would things have turned out differently? I believe they might have. As twisted as the grandmother was, her obsessive love for her son might’ve made her accept Mo Mi, even protect her.

The show also leaves a major question unanswered: why did Kim Mo Mi’s mother sever ties with her family even before the “Mask Girl” saga began? That silence creates a narrative gap we’re never allowed to fill.

And then there’s the family history—an almost Shakespearean level of tragedy:

* Father sexually abuses mother.
* Mother kills father.
* Mother is pregnant.
* Mother In-law kills mother’s mom.
* Mother In-law kills mother.

It’s a generational collapse—layer after layer of trauma buried under silence and shame. You’re left wondering if Kim Mo Mi will ever learn the truth about her origins, and whether she can break the cycle. Sadly, the show never gives us that closure.

Disturbing, Raw, and Worth Watching

Even the most minor characters leave a mark. One scene that stuck with me was the motel incident—the attempted assault on Mo Mi by a man whose own end was swift and ironic. Disturbing, yes. But somehow, also a form of justice.

Final Verdict: Watch It. Reflect On It.

Mask Girl is far from light entertainment. It’s dark, messy, emotionally unsettling, and at times, brutally honest. It forces you to sit with uncomfortable truths—about beauty, identity, generational trauma, and how silence can destroy lives.

If you’re looking for something different—something intense, thought-provoking, and beautifully acted—this is a drama worth your time. Watch it, and let it sit with you. You won’t forget it anytime soon.

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A Hilarious Workplace Circus with Heart – But Not Without Its Flaws.

Gaus Electronics is a chaotic, laugh-out-loud workplace comedy that embraces the absurd with confidence. From the very first episode, its over-the-top humor and non-stop gags make it feel like a sitcom on speed — but in the best way. It cleverly balances slapstick, satire, and wordplay without tipping into pure nonsense, which is no easy feat for this genre.

Kwak Dong-yeon proves again that he's one of the most versatile and underrated actors out there. His portrayal of the hapless but well-meaning Lee Sang-sik is both hilarious and surprisingly heartfelt. His chemistry with Go Sung-hee is also a highlight, adding just the right touch of romance amid the chaos. The supporting cast deserves major credit too — every quirky side character gets their moment to shine, especially Aziz, whose character breaks stereotypes in refreshing ways.

I deducted 1 stars because, while the comedy is mostly strong, the tone can be a bit too much at times. A few jokes miss the mark or feel repetitive, and some viewers may find the humor too crude or exaggerated. Still, for those who enjoy offbeat, high-energy ensemble comedies, Gaus Electronics is a wild, enjoyable ride that stands out in the crowded world of K-drama workplace shows.

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