Lyly Dramas

GREAT MODERN/TRADI KDRAMA !

On my list from the start because I really like Lee Chae Min in everything he does, and Yoona, I like her more and more; her acting is improving, and the emotions are there. Not being a big fan of cooking dramas, even though I've seen a ton of them, I was thrilled to launch a story that blends modernity in 2025 with the old times through time travel.

The first episodes won me over! Whether it was Lee Chae Min, with her undeniable charisma as King Joseon, or Yoona, radiant, on point in her emotions and performances, not to mention the dose of humor that made the whole thing sparkle with kindness. Kang Hanna's acting didn't really touch me; the writing for her character was relatively cold, so she left me neither hot nor cold.

The dishes were visually exquisite, and the arrangement of each dish was mouthwatering! It was beautiful, colorful, and appetizing. Although the culinary complexity was too much for my taste, to the detriment of the romance, I still loved seeing the King stuff himself, haha.

Exactly, let's talk about the romance!

I found it sublime. There was good chemistry between the two, but in a "sweet" and "caring" way, like two people who have been together for a very long time. Like a habit. However, I didn't feel any passionate or sensual chemistry, which was 200% due to the age difference, for sure. However, that didn't stop me from loving them immensely together and also laughing at the old-couple snark they would make at each other.

Overall, I loved BON APPÉTIT YOUR MAJESTY because it's a story that exudes positive vibes. Despite the corruption and internal conflicts, I didn't feel the war politics were very present. It's still a rom-com, so nothing to give you a headache. I thank the entire cast for their nuanced and remarkable performances. I loved the music and can't wait to get the soundtrack album.

I would add a small criticism at the end for the unanswered questions regarding Monsieur's arrival. Indeed, in 2025, there are things that can't be magical without administrative oversight! In short, let's let magic exist anyway!

I obviously recommend BON APPÉTIT YOUR MAJESTY! This year's favorite for me.

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NOT PERFECT BUT OK

A drama presented as family-friendly and romantic, which had been on my watchlist for a long time. Between the cast, a plot that seems likely inspired by Life as We Know It, and the drama's carefully chosen color palette, everything pointed to a sure thing.

I was quickly drawn in, touched by the connection between the two leads and the baby. Even though I know that such a young cast can be a double-edged sword for ratings—which the results in South Korea seem to confirm—I still kept watching, as their chemistry was so magnetic and heartwarming.

However, some flaws eventually emerged. The second lead became particularly omnipresent. While I was delighted to see Park Seo Ham in a drama again, his character sometimes took up too much space, encroaching on the development of the main romance.

Then another flaw became apparent: the educational aspect, though central, seemed present without truly being so. The child often took a backseat, entrusted to various strangers, while work and the love triangle increasingly dominated the young woman's life. It was at this point that many viewers lost interest.

Personally, I persevered, convinced that the drama would eventually redeem itself. And indeed, it did… late, very late indeed—but the wait was worth it. Once the romantic entanglements were finally resolved, and after a few family dramas involving the lead's father, the story finally tackled a crucial issue: child custody and the legitimacy of raising the child.

These last two episodes managed to touch my heart and right the ship, delivering the emotion we'd been waiting for from the start.

So yes, it's not perfect. Yes, some viewers didn't connect with the cast or the sometimes disjointed storytelling. But it's far from a disaster, especially with such a touching ending. A must-see drama… even if it might not be one you'll rewatch. ✨

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VERY GOOD BUT THE 2 LAST EPISODES…

I was initially very taken with KISS DYNAMITE, mainly because I immediately felt a real "old-school" K-drama vibe, like the ones from 2016 that I love: a very central romance, unapologetic emotions, and direction that takes its time building tension between the characters. I found the beginning genuinely engaging, with an addictive couple dynamic and chemistry that works from the very first episodes. Seeing the lead actor again, whom I adore, clearly worked in the drama's favor; he brings real charisma and manages to make his character endearing despite some weaknesses in the writing.

Visually, the drama is, for me, one of its biggest strengths. The cinematography is polished, the sets and color palette create an elegant and modern atmosphere, while remaining very romantic. The OST is also very well done: the tracks are well-placed, memorable, and enhance the emotional impact of important scenes, to the point that some stay with you long after watching. In this respect, KISS DYNAMITE fulfills its role perfectly and greatly contributes to the enjoyment of watching the series.

However, the further the story progressed, the more I felt the plot lost its coherence. The situations became repetitive, some conflicts seemed artificial, and there was a palpable desire to create drama at all costs, even when it wasn't truly justified. Where the drama would have benefited from developing its characters or their dilemmas, it sometimes opted for easy solutions and clichés, which began to weaken the overall effect.

The last two episodes, in particular, deeply disappointed me. Everything felt rushed: important decisions were made without real development, narrative arcs were dispatched in a few scenes, and some subplots were either poorly concluded or simply abandoned.

I also felt that the emotion, though well-constructed earlier, disappeared in favor of excessive dramatic events that added nothing to the story. The ending is sorely lacking in emotional satisfaction, especially after the investment the K-drama demanded.

Ultimately, KISS DYNAMITE remains a thoroughly enjoyable drama for me, carried by a solid cast, beautiful direction, and a nostalgic atmosphere reminiscent of classic K-dramas. However, this experience was somewhat marred by a rushed and frustrating ending, which feels like wasted potential. It's the kind of drama I enjoyed watching at the time, but I'm left with a bitter taste because of its final episodes; however, I would have regretted not watching it.

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BEST LAW KDRAMA 2025

The first legal drama I'm truly passionate about

Beyond the Bar was on my list for its casting, but certainly not for its theme. So I was very surprised when, from the very first episode, I was drawn in by this very special first case to defend. The meticulous cinematography, an absolutely sublime cast with spot-on performances... I found myself devouring the episodes with great anticipation!

Under its lighthearted LOVE SCOUT feel—because love isn't the central theme—we discover a workaholic lead, marked by some past trauma, and a patient, attentive assistant, with whom a simple exchange of glances is enough to connect. I really liked the atmosphere and the obvious chemistry between the two.

Some, bothered by the age gap (even though it's absolutely nothing new in a kdrama, even a romantic one), will describe their bond as a "mentor/junior" relationship. For my part, I understood where the screenwriter was going: a slow-burn romance (a bit like Backstreet Rookie), where, to maintain a certain rigor and logic despite the age difference, the two characters gradually become intimate. But the story clearly leaves the door ajar for "more than just colleagues," hence the open ending. It suggests that with time, and a few more years, a real relationship could blossom, as if he were waiting for her to mature further.

Overall, it's flawless... I experienced a veritable whirlwind of emotions watching this drama, thanks to its increasingly intriguing and touching cases, as well as its main and secondary characters, all of whom possess real depth. The gentle and well-balanced soundtrack, the striking opening credits, and the carefully chosen camera shots make it an excellent legal drama, far from being boring, unlike its recent predecessor. I can only recommend it: you'll fly by and almost regret there aren't 16 of them, for once!

On the romance side, don't expect anything fully realized, but a lot of things come across through the looks—even if we would have liked more. On the other hand, the supporting characters delight us in this regard! In short, a must-see!

10/10

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A LOT OF THINGS WAS BEAUTIFUL BUT A LOT OF BULLSH*TS TOO

The beginning was laborious and toxic but the acting, chemistry, the visuals and music caught up with a lot of things... YOUKU had to fall back into his old demons, their secret pleasure I named: THE SAD ENDINGS. They really have to stop being so melodramatic... especially when it doesn't make sense , die for free!

I loved the characters who are beginner actors and who were really convincing in their roles but unfortunately too many unnecessary misunderstandings.... Unexplained things without really meaning... a disastrous end that they want to promote "beautiful" but in fact it's shit...

I am generally disappointed because I was very addicted to this drama for a few weeks!

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NOT ONLY A ROMANCE !!

This drama had been on my watchlist for a very long time, mainly because I am a fan of all three leads. Kim Seon Ho is such a warm and gentle presence on screen; he often plays similar roles, yet he always manages to make them feel sincere and comforting. Go Youn Jung, my second favorite actress, shines once again in a role she knows so well — a beautiful, slightly clumsy female lead with a subtle badass edge. And Sota… whether in thrillers or romance, he is always charismatic, radiant, and deeply engaging.

A love triangle involving these three was honestly painful for me — but in the best way possible. Thankfully, the drama handled it with great kindness and maturity. This is actually one of its strongest points: the love triangle never felt exaggerated, frustrating, or unnecessarily dramatic. It was balanced, respectful, and emotionally grounded.

The story itself isn’t particularly original, but it truly shines through its execution. The performances are solid, with each character perfectly placed in the narrative. The filming locations and cinematography are stunning and diverse, giving the drama a very immersive and cinematic feel. Beyond romance, the drama also touches on post-traumatic stress. While this theme isn’t explored as deeply as it could have been and mainly serves as a metaphor and emotional bridge for the romance, it still adds an important layer to the story.

What really captivated me was the blend of cultures — the use of multiple languages and the diversity of the cast felt refreshing and meaningful. Above all, the chemistry between the leads was beautiful, whether it was with the main lead or the second lead. Even the secondary romance was incredibly sweet and heartwarming. I was also genuinely impressed that Sota learned Korean for this drama despite struggling with the accent — his effort truly showed.

The OSTs were beautiful and emotionally fitting, and I have to give special praise to the kiss scenes: intense, well-executed, and full of emotion.

Overall, this is a gentle, warm drama with a sincere heart. It’s not perfect and does have its flaws, but despite that, it left me with a very soft and lasting impression. A truly comforting watch.

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dont pay attention bad reviews, it’s a good school drama !

I'm not going to pretend to be neutral: this drama completely captivated me, firstly because I love university mysteries, and even more so when music is involved! It's a combination I find irresistible.

The lead actor, Yu Jun, blew me away. Despite his young age, he delivered a truly remarkable performance, both accurate and expressive. Many tend to criticize idols who try their hand at acting—we know the bad tongues—but those who know a little about theater or cinema will recognize the quality of his performance. He brought his character to life with great sensitivity.

Music-wise, I really loved the OSTs, which I still listen to on repeat. They are both feel-good and perfectly in keeping with the drama's universe and the characters' personalities. A true success.

The lead actress, meanwhile, is a real sweetheart. I really liked her character: she has character without falling into the cliché of the annoying heroine. She managed to strike a nice balance, and her performance was very convincing.

As for Lee Seung Hyub, she's a special case. He was as handsome as he was infuriating! His role could have been more interesting, but unfortunately, he remained frozen: cold, jealous, trapped in a bitter solitude, with no real development. He performed very well, no doubt about it, but his character development lacked depth, which ruined it a bit in my eyes.

The super soft cinematography and pastel-colored shots really appealed to me; it was perfect for this season!

Concretely, what I liked, aside from the flimsy plot and pacing (it often felt like it was going around in circles), is that the story, when you think about it, is simply magnificent. The idea of ​​the eye transplant is really well thought out and brings real depth to the protagonists' relationship, even if, admittedly, the situation is rather unusual.

I won't dwell on the thriller part, which was neither thrilling nor particularly captivating, nor on the music industry aspect, which unfortunately wasn't emphasized enough.

I know many people are wary of idol K-dramas, often criticized for young and sometimes clumsy casting choices, or for plot-simplicity. But for me, it was a successful gamble. I had a very good time, enjoyable, despite its flaws.

Once again, you have to be receptive to this kind of show. I'm capable of appreciating more complex works, but at this time of year, I also wanted something lighter, and this drama fulfilled that role perfectly.

The characters, the music, the overall atmosphere... everything captivated me. It definitely deserves its place among the "school chill" recommendations of the year.

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BEST SCHOOL 2024 for sure !

It is with a lot of emotion that I write this review because episode 8 left me in tears but with joy, I reassure you.

High school return of a gangster tells the story of a gang leader who sees his mind transferred to the body of a high school after an accident with him that will cost him his life. At first glance I think directly of DUDE IN ME, a Korean film that I loved for its concept of a confident adult who enters the body of a high school without insurance. We find this same vibe and that's why I hooked directly. Although the drama is inspired by the yaoi novel indeed here we censor and get our hands on a gay romance preferring a bro-mance that is just as strong and significant. Let me tell you that even 8 episodes are too few because I don't feel like I'm wasting my time watching this drama with an enormous amount of interesting and positive content in terms of morality. We therefore follow the new life of the gangster in this new body where he has a second chance in life to succeed while conducting a good deed for the body and the person he occupies. We follow both school adventures, through review sessions with friends, violence and justice towards his host's former executioners and also very fun moments when he behaves like a padré at his age and everyone makes him big eyes when he speaks like an old man xD it was epic. we address the theme of fatherhood, school failure, school harassment, friendship. There are also sub-stories related to the upstream gang that takes us out of the school circle as well. I had a great time with them and I appreciated that the executioners had a lesson, something that had not been done in hierarchy, here we took the necessary measures, and to close in style, the final is surprising and tearful an end really that I had not seen coming and of which I am really delighted. I enjoyed the acting of the protagonists: the actor Jae Hyeon made a lot go through the look and had a lot of charm and sensitivity. And finally the hero, the actor chan young was incredible because he managed to play two caps, both the old fearful and introverted yi heon, and the new yi heon totally extroverted determined and dark, in addition to having to think and behave like an adult! I say hat. A great school and surely the best of the year! I fully recommend. 10/10 !!!

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MASTERPIECE BUT THE WEBTOON IS IGNORED???!!

As a huge fan of the webtoon, I immediately noticed the numerous differences with the drama. First, the chronological order of events: the news report denigrating AJIN's actions, which appears at the very beginning of the series, actually comes at the very end in the webtoon. Some characters also lack development, and most importantly… the ending has been completely changed, to the point of using the beginning of the webtoon to conclude the drama. Not to mention the fiancé; he wasn't supposed to have that ending either.

Despite this major error for readers, the series manages to maintain constant tension, driven by remarkable acting. Honestly, the cast delivered an exceptional performance! Not to mention the visuals, the music, and the overall production quality.

It's an excellent drama, but I remain truly disappointed by an ending that doesn't respect the original work.

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BEST K-BL 2024

Nam Yoon Su undoubtedly delivered his most brilliant performance as an actor. From the beginning, I grasped the depth of the experience that awaited me. A show anchored in a raw, harsh, painful, but authentic reality. The work portrays with sublimated darkness the daily life of a young gay man in Seoul, exposing the inquisitive gaze of society and his family's opposition to his sexuality. He appears as a dynamic, playful figure, at the forefront of fashion, surrounded by a multitude of friends but carrying in him a sensitivity on the surface of the skin, chaining conquests without ever finding the chosen one of his heart. The true journey of our protagonist lies in his self-acceptance and his hopeless quest for love, a quest full of pitfalls. What particularly touched me was his kindness towards his mother despite her lack of support. I was receptive to solidarity between him and his roommate, who, on the contrary, gave in to family expectations. Despite divergent aspirations, their mutual support was unwavering, and I greatly appreciated their friendship, stronger than blood ties.

Each of his relationships had its charm, and each partner, in a somewhat strange way, revealed new facets of our heroes, creating a captivating dynamic where exchanges enriched them, sometimes without words, simply through a visually striking and disturbing carnal relationship for those used to seeing Nam Yoon Su in more reserved roles. I was fascinated by the wisdom of life transmitted through the dialogues of the characters, their erudition, their questions about identity and the quest for oneself. However, I would have a reservation about HIV prevention, sometimes addressed lightly: an approach like "okay for this time without protection" as if it were an option. On the cinematographic level, many scenes are distinguished by their remarkable staging. Although the entire BL is tinged with dark, often nocturnal or confined to the apartment, the shots always remain sublime. Nam Yoon Su has been able to create a synergy with each of his partners, carrying me as a time in his loneliness and pain. His interpretation deeply moved me, and I found this BL work of striking depth and realism. I can only warmly recommend it! 20/20.

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GOOD THRILLER with Good Cast !

There are mysteries that are difficult to solve… and the case of Sarah Kim is a major one. This Korean thriller plunges us into an investigation as elegant as it is dizzying, centered on the mysterious CEO of a luxury empire, linked to an unsolved murder case that everyone seemed to have closed a little too hastily. When a determined detective decides to reopen the case, he immerses himself in a labyrinth of deception where each layer he peels back leads him further into error, to the point of almost losing his mind. I loved the sophisticated direction, the precise writing, the effective format, and above all, the pacing, which didn't bore me for a single second. The mystery is brilliantly constructed: the pieces of the puzzle come together as the investigation progresses, and like the detective, I often found myself swimming in an ocean of clues, faced with multiple leads. Lee Jun-hyuk delivers a solid performance, completely at ease in the role of an investigator obsessed with the truth, while Shin Hye-sun proves once again that she can play any role without flinching, embodying a Sarah Kim who is as fascinating as she is elusive. Between psychological tension, identity play, and a luxurious atmosphere with dark undertones, The Art of Sarah is a gripping thriller that constantly blurs the lines between antagonist and protagonist, keeping us guessing until the very last minute. Frankly, I can only recommend it; it's practically exactly what I needed right now in a crime drama (I should mention that this isn't usually my preferred genre), but it's truly worth watching (a little nod to Celebrity if you enjoyed the world of luxury and deception).

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A VERY CUTE DRAMA ! Need a 10/10 ??

This is an adorable drama that approaches romantic relationships from a different angle. It's not about physical intimacy or seriousness, but rather a kind of friends-with-benefits dynamic that has all the best qualities of a relationship. All of this is carried by a great cast of two very cute young people who make a beautiful, simple couple where neither is toxic nor annoying. Beautiful shots, beautiful moments, beautiful music… this drama has everything to charm! The ending is sublime, and the manga's themes are interesting. I had a wonderful time watching it, and I'm so glad I didn't rely on the disastrous ratings on kisskh, because there, all Japanese dramas are poorly rated before they've even been seen. Honestly, I highly recommend this drama, and I'm delighted to have translated it.

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BEST ROM COM POLAR DRAMAS !!!!

This is a drama I've been eagerly awaiting, especially for its cast, like many others! I was a little perplexed by the genre, as I thought sports would be a central theme, and not an action thriller. I didn't want to spoil too much with the trailers. So I was pleasantly surprised to discover how diverse and charming this drama is: whether it's the romance, which is actually quite present, the mysteries to solve, the depth of each character and their development, the ultra-stylish music, the humor, the seriousness, the drama... everything blends together perfectly.

From the very beginning, I think it's a blast! It's super stylish to see PARK BO GUM in a ring, just like the other fighters in their respective disciplines, while also giving us a glimpse of what's going to happen. It really makes you want to see what happens next; it's very well thought out, a bit like in Hierarchy. I like this subtly American touch.

The casting really touched me, whether it was PARK BO GUM, true to himself: courageous, adorable, endearing, and perfectly in sync with his co-actress KIM SO HYUN, whom I adore and who also fits the genre very well. They had superb chemistry! They are so similar on a human level that you can feel it through the screen.

Lee Sang Yi completely dazzled me! Not only was I a fan of his fighting style, his clothing style, his charisma, and his natural class (yes, that's a lot!), but his character was also truly endearing and understanding. He gave me SLS* (second lead syndrome) in spades! Honestly, with this trio, I wanted to say to the girl: "But actually, choose both!" How can you choose between two angels? Once again, a great actor, he really has it all!

I won't even mention Oh Jung Se, who is extraordinary; he manages to merge once again with his character, who was Machiavellian!

Regarding the story, it's never boring! Each episode is full of twists and turns and keeps us on the edge of our seats; I was amazed every time. We experience a whole range of emotions, as our heroes often find themselves in situations that seem hopeless... then, against all odds, things end up working out.

Is the story easy? Yes and no. It's true that some situations are resolved quite quickly, almost as if by magic at times (especially certain alliances), but overall, everything remains coherent and, above all, very entertaining. We're constantly searching for the slightest clue, hoping to gather crumbs of information to better understand everyone's intentions and actions.

As you can see, Good Boy is a drama rich in entertainment, charming, thrilling, and driven by a healthy dose of kindness thanks to a team of incredibly endearing characters! I thrilled, trembled, and loved it right along with them. It's, in my opinion, a remarkable drama, one that puts a lot of other "chill" thrillers of the same genre to shame (like Police University, Rookie Cops, etc.). What's more, for the lazy or beginners, it's even available in French audio, despite its 16 episodes! Admittedly, there are a few small weaknesses: in 12 episodes, the plot (especially on the "bad guys'" side) could have been a little more condensed. But honestly, there's no slowness to report.

It's a drama that can appeal to many, because it's truly versatile. It manages to combine rom-com, action, and more serious thrillers, all supported by stunts, visuals, and a top-notch OST! And UNITY IS STRENGTH!
I definitely recommend THE GOOD BOY!

BANGER 10/10 !!!

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