I hate to say it, but....8.9? When One Spring Night is sitting at 8.4? Okie Dokie
I think this functioned much more effectively as a comedy--I'm wondering why it's even considered a romcom now. I'm sensing more and more forced drama, and I wish writers would stahp with the flashback playbook. What they expect child actors to pull off, often with little or no context, is just ridiculous. Personally, I think the OST is much better than the show.
Jung In is the worst typ of person. Messing up with other people feelings, not clearing her position ever...but…
Yeah her indecisiveness is going to rebound against both guys and everyone else who 'knows'. She's no victim. That said, to most Westerners/Europeans it's hilarious how conservative this is--they're sneaking around like captive lovers when they haven't done a damn thing lol.
please don't tell me that I'm the only one who hate that song after 2nd episode ????
No you're not. They've had the same two songs on loop for hours now. The Oscar Dunbar song is ok but Rachael Yamagata's doesn't fit at all imo--sounds like a road trip track lol. Weird because I like her stuff in SITR.
Gawd.....I wish everything else thrown at us every season had a fraction of the natural realism this has. It's hard for me to even follow other airing dramas because they seem so damn FAKE by comparison. Short phone conversations have more romantic tension than entire try-hard dramas. I'm the biggest proponent of artistic diversity but I'm getting to the point where I wish directors/producers would start copying Ahn Pan-seok's style en masse, or try to LOL.
I don’t get the hype of this drama I’m on ep9 and the female lead is so annoying she continues to repeat the…
She's driving me nuts. Possibly the most ridiculous FL ever. Stockholm Syndrome or something? 9 hrs so far of protecting the sister who beats and humiliates her wtf?
I wish we could clone director Ahn Pan Seok because this is the way drama needs to go. Characters who speak, live, and struggle like the rest of us, and stories the other 99% can actually relate to. A director who understands that organic realism isn't achieved with ridiculously staged photography and budget-busting cinematography, so worshiped by the fandom. A director who acts as a spectator rather than a despotic conductor and who embraces subtlety rather than throws it out the window.
I think this functioned much more effectively as a comedy--I'm wondering why it's even considered a romcom now. I'm sensing more and more forced drama, and I wish writers would stahp with the flashback playbook. What they expect child actors to pull off, often with little or no context, is just ridiculous. Personally, I think the OST is much better than the show.