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Although there are many dramas I like a lot, and more than a few I love, there is only a very small number I would call close to perfect. "Our Dining Table" is one of them.
Whichever aspect I consider -- story, acting, the pace, the set design, the message, how music and silance are used -- there is nothing I would want to change.
"Our Dining Table" is a gentle, slow-paced romance, tied together by simple but delicious food and an energetic little boy.
Both young men are missing something in their lives -- Yutaka is the more obvious one; since the story is mostly told from his perspective, and his loneliness and his problem with eating in a group is at the centre of the story -- but Minoru is also alone in his own way: Caring for a pre-schooler as a 23-year-old, he is only met with incomprehension from his peers, and so has lost most of his social circle.
While I was interested in Yutaka's story about how he found his own family, as well as delighted by Tane's overwhelming cuteness, it's Minoru who makes me come back to this drama. I love watching his face, and especially his eyes when he looks at Yutaka, and how their expression subtly changes over the course of the story, from interest to happiness to resignation and finally, to a gaze that is so full of love that it almost feels intrusive to watch him.
And it's not only Minoru's actor's ability that elevates a lovely story to something special -- it's all of them. The child actor, of course, but also the father's actor, who infuses the character's silliness with genuine fatherly love for his sons.
"Our Dining Table" is one of two dramas I choose to rewatch whenever I despair of humanity.
Whichever aspect I consider -- story, acting, the pace, the set design, the message, how music and silance are used -- there is nothing I would want to change.
"Our Dining Table" is a gentle, slow-paced romance, tied together by simple but delicious food and an energetic little boy.
Both young men are missing something in their lives -- Yutaka is the more obvious one; since the story is mostly told from his perspective, and his loneliness and his problem with eating in a group is at the centre of the story -- but Minoru is also alone in his own way: Caring for a pre-schooler as a 23-year-old, he is only met with incomprehension from his peers, and so has lost most of his social circle.
While I was interested in Yutaka's story about how he found his own family, as well as delighted by Tane's overwhelming cuteness, it's Minoru who makes me come back to this drama. I love watching his face, and especially his eyes when he looks at Yutaka, and how their expression subtly changes over the course of the story, from interest to happiness to resignation and finally, to a gaze that is so full of love that it almost feels intrusive to watch him.
And it's not only Minoru's actor's ability that elevates a lovely story to something special -- it's all of them. The child actor, of course, but also the father's actor, who infuses the character's silliness with genuine fatherly love for his sons.
"Our Dining Table" is one of two dramas I choose to rewatch whenever I despair of humanity.
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