Saeng

Don't let yourself be fooled by the comedy

This is one of the queerest BL dramas I've watched so far, a hilarious comedy with two people who find their way to self-acceptance. [more on that with spoilers below the ***.]

The comedy is strong in this drama, so much so that I was completely thrown when things got much more serious near the end of episode 3 when I first watched it. It has the Japanese-typical style of acting for comedies, wonderful side characters, and a lot of funny moments. I love how they decided to put strong manga elements in -- like the onomatopoeic word like for the ringing clock, or certain style elements like the extended bellies after overeating. Also, though not part of the comedy side, I loved how the flashbacks are initiated by "opening" a manga-like panelled page.

All of the characters have their comedic moments -- best of them all is, the bearded beauty, who is just so kind-hearted that even Mamoru can't help but to like him.

The script and the directing is very tight -- there's not a second of irrelevance in this drama, it's either for a comedy element or for the plot development. I liked the use of light and darkness to accentuate the feelings of our protagonists. And the intro song has become one of my favourites!

Acting is great all around. Even after several rewatches, I've not found a flaw. Especially Issei's facial expressions are so spot-on,that I just looked at his face for a whole rewatch -- when does Issei use a fake smile, when a real one; when does he stop smiling, and does he look relaxed or menacing when he does that? Really, I've only seen one actor use smiles of a similar calibre, and that was in Beyond Evil.


***
And this is the spoilery part, but also where I explain why this drama goes much deeper than I thought at first:

Mamoru, who is our main character, has felt like an outcast since ... maybe forever. He is a gay man with a love of drawing gay erotic muscle doujin -- both things that define him and which he feels are to be ashamed of, to be hidden.
And which queer teenager hasn't at least once felt like that? (Well, minus the gay muscle doujin, perhaps.)

Only, for Mamoru, this feeling of being alone, of being someone with a shameful identity -- this feeling transforms his whole sense of self. Only during the ComiKing, where he can sell his work alongside same-minded people, and only when his work sells well, is this dark cloud lifted for a short time.

He is not able to understand that his family's indulgence is not indifference, that Yamada is not just someone who likes reading his doujin but also his friend, and he is not able to hear that Issei's "I like you" is not the same "like" as in "I like my fans".
It takes a journey through dark days for Mamoru to accept who he is and what he loves.

I love how this drama tackles how living in our world can impact the sense of self of queer people -- and that it shows us that maybe, if we dare to tell the world who we love, light will fill our life and we can find happiness.

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Third time's the charm? Not here.

They say "third time's the charm" in English, so I watched it up to the third episode. I won't watch any more.
This is now almost to the one-third mark, and I still have made no emotional connection to any of the characters whatsoever (maybe the hat guy, but that's just because I like hats).

The script is formulaic -- there's the secret crush from highschool, the womanizing tsundere alpha-male-type "top", the spurned ex-girlfriend, the comedic sidekicks, the engineering setting, the sick family member and subsequent money troubles etc.
The acting is bland and uneven -- it's probably mainly the script, but also I think directing choices.
The sets show the low budget, especially in the university spaces.

The GL couple also feels as if someone said: "Oh, GL is all the rage now, let's put that in." and nobody gave even the smallest thought on how a girls couple could work. All their interactions are so ... bizarre.

The roles for the main actors feels like they tried to squeeze into ill-fitting jackets -- especially for Konprot, who they tried to make into a typical "bottom"-type of character with his gentle demeanor, soft voice and the haircut. Thing is, he shouldn't have to: "Manly" men can also have secret crushes, and just because one is the "alpha-male" type, doesn't mean the other cannot be. (That's not to say that bulky and tall men can't be soft-spoken or gentle or shy or whatever, it's just so obvious that the people responsible here thought there should be a stereotypical "bottom").
I wonder what happened here. Did they not find other actors for the script? Did they not find another script for the actors? Or was it initially planned as a parody, and that information got lost somewhere?

Because this series could have been a great parody of the Thai college BLs of past years. Everything is already so over-the-top stereotypical. Then you get a cast that is actually not at all suited for the roles -- which could be played as a strength in a parody. If the director and the actors would have been just a bit more daring to really get into the absurd side of things, I would have had a great time.

As it is, this series is one I won't finish.

Edit: Please note how I did not say a word about subtitles -- even if those were better, the drama's problems would stay the same.

Edit 2: I watched episode 8 with half an ear. "I like women. I like Konprot now." The writer *actually* did a Gay For You and wasn't even ashamed to let Pluem say it out loud?! Unbelievable...

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My Ethics Won

I debated a lot with myself over the last few days: Should I continue with "Peach Lover"? And now, shortly before the second episode will air, I decided I cannot let my curiosity win over my ethics.

My dilemma was that on the one hand, the first episode has several minutes of genAI slop, ugly slop at that. But on the other hand, I was curious to know how the story would unfold.

I find generative AI highly unethical. Not only uses it stolen artwork for its generated "art", it also consumes high amounts of energy and clean water by doing so and pushes real human artists out of their jobs -- and for what? That a handful of rich billionaires get richer. That CEOs think they save money. That we get cheaply made slop sold as "art".
(And it's even worse that Po is a cover artist for novels -- one of the jobs that are endangered by genAI already.)

The thing that made me hesitate was that I was -- still am -- extremely curious to see how the story would develop. I liked the hints of a deeper backstory (even if the way the screenplay told us about the main characters' reasons for going into online sex work was *very* heavy-handed). I was intrigued by the possibility of a story that explores how sex can feel liberating, how we can use our bodies to express ourselves -- by the possibility of a story about hiding in plain sight, about being presented vs. being seen, about identity and being able to be who we are. There is a lot of potential for it to be something very, very good.
And Poom was excellent in this first episode -- maybe his partner too, we didn't see enough of him yet to be sure.

But no.

I cannot in good conscience give my eyes, my attention, and my money to greedy producers who think it's okay to cut corners ("save money") by using genAI slop instead of paying an actual artist.
This also taints everything in this production -- what else, apart from the minutes-long slide-shows in the beginning and in the end of the first episode was done with genAI? The screenplay? The set design? The background score?

I don't understand how iQiYi, Copy A Bangkok or Cheewin Thanamin can condone it and willingly put their name on something like this. And I admit it, I also don't understand viewers who support it -- if we don't make it very clear *now* that the media we consume should be ethically made and *not* use genAI, then we will see a lot more of it in the future, because producers *will* (rightly) think they can get away with it.

I don't want a future like that.

Do you?

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