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And the subjective part is also not necessarily true. Any character that has to show internal conflict and struggles will be harder to play than the one who is "open book". Hwahwa is angry: she shows she is angry, when she is happy she shows she is happy and same goes with all the rest of emotions. Zee's has to show duality of the emotions in many scenes. At the same time he has to show what kind of emotions Fighter wants to shows other and what kind of emotions he actually feels. and he does it in amazingly natural way. I don't like comparing shows, but for me his role can be somehow compared to Type from Tharntype. Both are not accepting/understanding completely their emotions. With Fighter I know it coz Zee showed it with his acting, with Type I knew it coz the narration explained that to me many times. Zee is extremely good with controlling his pacing in acting + these micro expressions that "show" what his character is truly feeling while he denies it all.
How someone likes others acting, what you think is good acting and bad acting: that is far more subjective than the roles themselves.
Since Tutor/Fighter story is a bit more complex, other characters suffer. Which in unfair. But if we don't want to have the same problem we had with TharnType, where a character had serious mental struggles and problems that were out of a blue cured and absent, we need to explore dynamics between Tutor and Fighter more, and give Fighter time to show the gradual change. BUT as I said, other characters suffer because of that and it's not quite fair.
Okay guys, let's talk about "the couch scene", coz for me, it was way more than just two cute guys making out. I cannot be sure if it was truly that well written, planned, directed and acted or if it;s just pure accidental genius, but oh boi, I love this scene.
I think it's important to briefly talk about the set up for the characters. It's obvious Tutor and Fighter were attracted to each other since day one and while Tutor kind of accepted his feelings, Fighter is in a huge denial, rationalizing every action he takes, trying to excuse his behavior, more to himself than to others. It does not matter how amazingly ridiculous his explanations are, they keep him sane and safe. And we can clearly see how they stand on their own feelings with this scene.
The "accidental kiss" was nothing special, but what followed shocked me. In a good way.
Tutor kind of has close to no reaction to it, he slowly is backing off, being aware how uncomfortable this is. Fighter tho: confusion and being unsure of the situation. The way his eyes flutter (flutter is a weird word here, but it is what he does) and how he quickly swallows, both indicating how nervous he is. He is literally frozen not moving at all, even after Tutor moved away. And it is the Tutor that takes the initiative to actually kiss Fighter. And then he back off again. Why? Because, while he is sure of his own feelings, he is not sure what is Fighter thinking and what can come out of this situation. He does not want to be used. That said, we as a viewers see, that Fighter does not want the kiss to end, as he follows Tutor when he backs off, trying to prolong the kiss.
As I see it, Tutor is angry at himself for pushing for that kiss, coz at the end, he is the one being hurt. Fighter: clueless, no idea how to react since he does not even fully understand his feelings for Tutor. That's when the short conversation happens. Tutor is trying to be serious about it. He honestly asks Fighter is he is aware of what he is doing, aka if he is aware of his feelings. But Fighter is oh so not ready to admit it, so he keeps denying his feelings, excusing his behavior as a "teasing". Like it's not about his feelings and what he wants and how he is attracted to Tutor, it's about Tutor's reaction, about making him flutter or angry. He moves the focus of the conversation from himself to Tutor. At the same time, he does not want, whatever they just had, to end, he cannot take the first step, so he tries to provoke Tutor to take the lead, to take away the responsibility from him. He searches for confirmation. He cannot answer the question himself so he asks Tutor for the answer: do I like you? (why did I think of The Heirs here lol). So Tutor finally confronts him, calling him out on his action and how much of denial is going on on Fighter side. And that's when the whole "prove to me" enters: Do I like you? Do I like guys? Am I gay? What am I suppose to do? How am I suppose to act? There is whole identity crisis hidden in this one line: Prove to me, what kind of person I am?. And Tutor, the man he is, goes for it.
And again, lets talk about how they approach it, or rather how Tutor is the only one approaching, aka moving. The moment Tutor gets closer, Fighter just closes his eyes and is waiting, not able to commit and make the move himself. During the kiss itself, he is not moving, while we have all the Tutor's wandering hands. Because Tutor knows what he wants, while Fighter has no idea. And when Tutor touches the D, that's when we see first proper reaction from Fighter, and it's shock, like he was electrocuted. We can see Fighter is searching for something on Tutor's face, maybe confirmation? And when Tutor kisses him again, that's when his self-control breaks down, and he is the one pushing Tutor down. But we can still see he is not sure, his eyes are shaky and he just looks at Tutor.
Yet again Tutor is the one initiating the kiss, bringing Fighter closer. And when Fighter tries to do what Tutor were doing earlier (oh the wander hands lol), he again freaks out. It hits him: this is a guy, I am making out with a guy, I am attracted to a guy. But can I be? Right before we get the flashback, the small shake of the head, turning away his eyes from Tutor, it looked like he wanted to say something, but didn't know what. So when Tutor tries to kiss him again, he backs away. Tutor is visibly hurt by it, probably feel used. Fighter is in daze. Panic mode on, no idea how to react or what to say, so the best idea that comes to his mind is: run. Get out of this situation as quickly as possible. "Don't forget to ask yourself how you feel about me", again moving the responsibility away from himself. He wants Tutor to make the decision, to take action. It's not me, it's you. And tutor is left being angry, sad, frustrated (that's the most lol).
The whole scene, Tutor was the one leading, acting, taking responsibility and initiative. Fighter was "passive", getting himself be led by Tutor, not making any decisions himself, not answering any questions, but asking so many. How I love this scene. I feel like it truly speaks volume about the characters and their internal struggles concerning their feelings and building relationship and the attraction they have towards each other. Was it brilliant planning or accidental genius, will never know. What I know is, Zee is playing extremely hard character. He is suppose to make it look like he is concealing his true feelings for Tutor while making sure it's actually visible for the viewers that they exist. His posture and act must be of a confident guy (since that's how Fighter wants to present himself, as the leading, domineering person) while in fact he is unsure, scared, confused. We need to see them both, in many scenes at the same time, and it must create cohesive portray of a character, who was shielding himself from his emotions for so long, he is totally confused and lost and have no idea who he is and what he wants, if he can want it and how to react when he finally gets it. Yeah, you can see I am just amazed with Zee's acting.
So, thank you for listening to my TED Talk.
I might have read way too much in this scene, but as I said, it might have been accidental genius on the production team side, that I got to appreciate by mistake.
As for Different Dreams, it;s a good drama but not crazy good. I was not obsessed with FL, but Miki was amazing.
Chicago Typewriter is in my top5 dramas for sure, that said the past story is was made me so obsessed with it :)