This review may contain spoilers
Great performance & complex narrative re. challenges in politics during dreary SK post-war decades
"Uncle Samsik" offers a quite interesting narrative of the complex connections between party politics and the even more crucial backroom politics during South Korea's first republic (1948-1960). The KDrama is primarily set in the run-up to the turbulent events and nationwide demonstrations that led to the resignation of the first President Rhee and the founding of the second republic. However, the nation that had hoped for real democracy and prosperity stumbled into a third one just three years later through a military coup. Although this brought the hoped for prosperity via totalitarian capitalism, it was still far from real democracy...The story of the KDrama is based on historical events, themes and people of that time, but is ultimately fictional - even if historical film sequences are occasionally interspersed as part of the April Revolution. The focus is on Uncle Samsik. For all those, who don't know much about South Korean history, Uncle Samsik is the emotional reference figure and dramaturgical bridge that holds all the politically complex threads together. Even without prior knowledge, "Uncle Samsik" offers an exciting, haunting political drama that takes place in the post-war years. It is in particular thanks to the passion of the great actors who manage to captivate the audience with comparatively 'dry' fare. It is advisable to watch the episodes consecutively so as not to lose the thread.
With a fictional plot the well-known historic events and what actually drove the political actors of that time are portrayed from different perspectives. Thus they are shown as multifaceted people with complex motives and stories. Political calculation becomes tangible through relationship dynamics and formative personal experiences. What created the conditions for that dictatorial regime and its totalitarian capitalism to torpedo South Korea into dazzling prosperity - the needs, hopes, ideals and concerns underlying the political actors - are being filled with life. And at the same time also what the young democracy still has to gnaw at today - authoritarian directive, opaquely networked and strictly hierarchically structured backroom politics.
The time in which the KDrama is set is marking the initial struggle to set the course for 'right' politics and a democratic political culture to start with. You have to keep in mind that Korea has not yet been able to gain much experience with modern, international politics and economic policy on the world market. Until the end of the 19th century, the Joseon Kingdom had isolated itself from the rest of the world and concentrated on itself. Western modernity and international influences increased during the early 20th century, especially while the Korean peninsula was a colony of Japan. The guidelines for political autonomy and independent parliamentary politics were only set in the course of the founding of the Republic of Korea as South Korea in 1948. And even then, the USA kept a close eye on the young republic. The people in South Korea had not yet been able to seriously experience themselves as political mature people of a democratic country... The south, by now isolated from its rich in raw material and industrially well developed north, was at that time one of the poorest agricultural countries in the world.
Uncle Samsik vividly depicts the conflicting feelings in the country. He represents the prevailing longing for wealth... or simply for three meals a day. Uncle Samsik's nickname already reflects what he stands for: sam (eum)sik = three meals. He (as a good uncle) grants this to his people. So actually this very basic human need was the top priority in those politically turbulent years. Hunger and poverty shaped everyday life for the many. Democracy as a political ideal may sound good, but it doesn't fill your stomach. Samsik cares about people. His political goal is to use all possible means to support those politicians who have a solid concept and can bring the country to a point where the people will soon have enough to eat. The way to get there: to consistently boost the economic power of the economically weak country (compared to the north) and thus create appropriately paid work whose salary is enough to provide for the families... even if that might imply that the people´s hope for true democracy still has to wait a bit longer...
So would I recommend "Uncle Samsik"?
Yes, but...
It's one of those things with historical dramas that deal with Korea´s recent post-war history (and with the KMovies about the first post-war decades, too... you have to want to see it. Colours, light, selection of protagonists - this is often enough inevitably not a treat. Colorful robes that were still common in Joseon times are rarely seen anymore. After the Japanese colonial period and at least since the influence of the USA in the wake of the Korean War, fashion has been completely westernized. This makes the production design comparatively rather dreary - dark suits, ties and plenty of scenes inside or in the dark. It is about scenes inside offices, hotel bars, conference rooms and bunkers instead of lushly planted palace gardens, picturesque bridges, colorful pavilions and pagodas, or the shaded, meditative palace walkways - it's all history. Politics by now happens behind closed doors. If suitable, it might sooner or later end up on the streets, too. Female characters with impact are also rare - gone are the lively days of palace ladies, servants and princesses, scheming dowagers and queens or spying gisaeng... Instead, there are lots of serious men in their (as I mentioned before) dark suits, preferably smoking and debating or giving orders in back rooms. Politics is a man's business - a power struggle that is eventually resolved with the help of thugs and cloak-and-dagger operations... (After all, women's power is at least trying to carve out some space in "Uncle Samsik"...)
In short, the setting is rather dark, complex, even complicated - and ties-heavy. Be aware.
Apart from that, "Uncle Samsik" is really well done. Vividly played and thematically differentiated, the KDrama brings those dreary, sobering post-war decades in South Korea to the international DisneyPlus audience, presenting it as a time that, despite all the prevailing corruption, arbitrariness and obedience to authority, was also characterized by a lot of idealistic passion and political hope. Once again, high-end historical drama à la KDrama...
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Irresistible Love: Secret of the Valet
36 people found this review helpful
After 6 years spent in England, Xie Yan (XY) returns back home. He immediately comes to find Shu Nian (SN), who resumes his role of a servant. In a sense, the two revive their childhood days after a long separation. However, SN does not seem happy about XY’s return.
What turn will their relationship take next?
Overall, the story was not exaggerated, but somehow emotions are conveyed very well – sense of injustice, annoyance, care, worry… One can feel them all very strongly during the movie.
Characters
- Xiao Nian - unlucky orphan with a great heart. Very good at hiding his feelings, after years of service he became very proficient at obeying orders, quietly accepting his fate.
- Xie Yan – selfish, dominant, possessive, but deep down also caring.
- Jiang Yao – not shown in great detail in the movie, but seems to fail to understand love.
Great actors, very natural acting.
Music – fitting, but not very noticeable or particularly good.
Other comments
- XY was too dominant, which makes the relationship become abusive, especially at the beginning. However, one might argue that by showing this characteristic so clearly, the movie emphasises that this is a problem.
- The development of their relationship could be shown in more detail and in greater depth.
- Also, the movie contains a really interesting theme of an orphan, who basically becomes a servant to the heir of his adoptive family. The aspect of SN’s loyalty and servitude is clearly shown, but maybe this could be expanded upon further.
- Some moments were a little difficult to understand, but that might be due to the quality of subtitles.
Generally, a really interesting and good movie.
Would especially recommend it to those who:
- like BL movies
- are not typical BL audience, but are looking for a romance movie with an interesting plot
- are interested in stories of orphans
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drama of the year❣
what I love about this is how layered the characters are;Oh Hyun Jin was a total dream 21st century career boss lady, she was in control and composed but as she entered the the mysterious momhood everything changed for her, she wasn't as confident, she didn't know anything and she was scared which just proves, being "smart" doesn't make you a natural know it all
Jo Eun Jung was the opposite, she was a stay at home mom who took pride in her "natural" and vast knowledge of momhooness, but behind the curtains she was just as clueless and scared as the rest
Lee Roo Da seemed like an arrogant and immature person who didn't love her kid, but she was just someone who had a different approach on motherhood, and she didn't want to do things because "other's do it"
Choi Hye Sook is still a mystery but behind her controlling aura she just wants what's best for the moms. she was a dream boss and mentor, she was stern but compassionate, old fashioned but accepting
glue stick! my precious glue stick is an acting genius! (and the directors did a great job capturing him), his facial expressions were always a delight
Kim Do Yoon is the most precious husband and father! they were the most inspiring healthiest couple I've seen in dramaland. I wonder how big their age gap was xD they were also the best example of a noona romance ;D
the drama has a great sense of humor, I've not laughed like that for a long time, especially 1st ep made laugh until I cried xD
on the other hand they deal with alot of realistic postpartum worries and issues, new moms (and dads) deal with alot of new emotions and experiences, plus the surrounding people's expectations and "advice" can become really suffocating.
you can't produce enough milk? you're a bad mom
you want to work again? you're a bad mom
you gained weight? you're a bad woman
you're not magically happy? you're a bad human
you feel tired from feeding your kid every 3 hours? you're a disgrace...
on the other hand the husband kinda doesn't experience those 1st hand, so he's happy, not tired and tries to encourage his wife or tell her about his day while she can barely hold her own emotions together and he starts thinking he's a burden..
the drama stayed true to it's premier, it dealt with alot of worries and burdens surrounding a new mom while also keeping a well timed sense of humor that never failed to make me laugh until I cried. I'll miss this drama dearly! I really wish s2 happens soon and I wish they keep the same cast, they could all have triplets for all I care, I want them back! TT__TT
the ost was also beautiful and elegant, the setting, the writing, the acting, the directing, everything was perfect❤
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Fully fleshed out and coherent short length costumed drama
I admit I'm really into Yang Ze which is why I sought this out and watched it without subs.The plot is the story of an immortal close to his final cultivation accidentally helping a little flower immortal reach personhood and she instantly falls in love with him. His last steps include 3 mortal realm travails and she ends up occupying him for them.
I found the plot easy to follow and coherent. The love at first sight from her part made sense (he's beautiful and powerful and she's innocent and new) and the travails were great stories by themselves full of tragic loss and betrayals. I don't normally like tragic stories but in the context of knowing it's part of the travails, it made the little bite-sized tragedies really interesting to watch. The process of him falling for her also made sense and yes, it is eventually a happy ending and, best of all, everything is tied up.
Yang Ze is absolutely one of my favorite actors now, having seen the great job he did in The Killer is Also Romantic and Emperor or Boss. He absolutely sold me and I loved all the different characters he ends up playing and cried at the tribulations he had to go through. The FL was perfectly adequate and had some really stellar moments in the second mortal travail but I admit I was just glued to Yang Ze the whole time.
I really hope someone subs this eventually so you don't need Mandarin comprehension to watch but overall, I am very pleased I watched this.
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It's breezy and fun to watch. I enjoyed it very much and I think what I liked most is, everyone seemed so real. There were elements to each character that I certainly recognized in friends or loved ones in my life. They were fallable, made mistakes and wrong choices but then worked them out in a believable way.
I love Korean Dramas for their differences from American TV but it is nice once in a while to see a more realistic portrayal of modern romance and its difficulties. The questions that arise from a real romance. Will we get bored when the newness wares off? Can I forgive him if he cheats? Can I be okay with a more casual sexual love affair? How do I tell a man what I want or that I want more? These are only a few of the question that come up for the women. I am glad that every question isn't wrapped up in a neat little fantasyland bow. The plot lines are handled with a serious air but also a wry, truthful humor. This show made me smile and laugh.
I also loved that while the characters grew during the course of the plot, they didn't completely change their personalities. The love stories were fun and sexy too but still not blatent. The writing, acting and directing were all very solid. I very much enjoyed the narration of the lead character, giving us insight into her inner thoughts. I like the freeze frame stills interjected into the scenes to emphasize an emotion or mood. Fun!
Each episode is about 45 minutes or less and they do speed by pretty quickly. I attribute that to the smart writing and zippy story lines of each episode. I doesn't drag. I really liked the music as well.
This is a fun watch. Easy to invest your time in watching. It had me smiling, happy and waiting for the next episode. Pretty PG but with real kisses and frank sexual discussion. Always a plus in my book!
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We always thought that we are alone...But we aren't alone. There is always someone, somewhere that love us. That guide us. That give us strength and comfort.
This movie make me laughed. Make me cry. But above all, make me think of that hugs I didn't give...Those "I'm sorry" I didn't say...Those "I Love You" I hush...
I totally love this movie, and I recommend that you prepare some tissues... Because you will need them!!!
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It is a short but oh so packed with cuteness and OH MY GOSH scenes. The main leads in my opinion, have great chemistry! The main guy, Jae Won, is your ideal boyfriend; caring, sweet, cute (haha in all ways,mind you he loves his bear slippers and bear apron) and all other good stuff. There was no episode where I did not squeal, well probably there was err when that shameless ex of hers is on the screen.
But anyhow, I highly recommend this drama to my fellow viewers who's looking for a romance fill in, as this definitely did the job for me. I hope that my future man will do that kind of dating course for me!!!
Overall, I give this drama an A- ;as the acting was good, story is not so out of the ordinary but I liked the concept of the whole Wednesday 3:30 pm project, casts were good (cute chemistry between the leads), phasing of the drama was perfect and last but not the least, this drama had cute OST too
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2
1This review may contain spoilers
Giant is an epic about the life&love of 3 siblings during highspeed urban development of Gangam
"Giant" offers a dramatically stirring ride through 4 decades of recent South Korean history - 60 episodes tell a touching, upsetting, emotionally stirring and complex story set in the context of a turbo-fast urban development process in Seoul, south of the Han River: Gangnam.In passing, those episodes tell the story when Seoul and its people had to deal with a phenomenal population explosion: in 1953, 1 million people lived in Seoul. In 1960 it was 2.45 million and in 1970 it was already 6 million. Visions and plans were in demand, as were quick practical solutions and investments. Real estate speculation created a veritable gold rush atmosphere. "Giant" is about these 'gold diggers' in particular. (...and this hype about real estate speculation in Gangnam hasn't stopped until today...)
"Giant" is an epic. It is a monument and a memorial to the efforts and sacrifices of many people. The autocratic (and also often corrupt methods) of urban development become comprehensible if one considers them against the background of their time: the military dictatorship, which was inevitably characterized by the powerful influence of persons with military background in political and social decision-making processes (if you like see side note below). Instead of technical arguments and detailed examination, influence, money, bribery and position often had the say at the crucial interfaces.
If you pay a little more attention to the seemingly irrelevant details, "Giant" provides a crash course in recent South Korean history. (If you don't know or care about it, some things might be rather arbitrary or interchangeable.) In any case, the series has reached the South Koreans. In the course of its success, a further 10 episodes were added to the originally planned 50 episodes. For 40 percent of the viewers, "Giant" ranked first at the end of the 60th episode in 2010.
Ok, admittedly, there are 60 episodes. But when the time is right, you can confidently get involved. "Giant" is worth seeing. The story is told in a colorful way and played fantastically. It is emotionally gripping, touching, exciting. We accompany the protagonists over almost half a century: from their childhood in the 1970s to the year 2010. This means that actors can also show what they are made off by playing the protagonists as young. (Today they are stars of the 2020s: Yeo Jing-goo and Kim Soo-hyun). All in all, without exception, everyone delivered a strong performance. Last but not least, villain number 1, Jeong Bo-seok as Jo Pil-yeon, who holds his role brilliantly from the first to the last episode, is vividly remembered with his ice-cold laugh, which never got stuck in his throat - even in the most adverse headwinds.
The KDrama takes a sophisticated approach in telling the historical events and dynamic processes of the time through the eyes and hearts of three siblings. So, we tightly follow these stirring personal processes on the one hand, and several dubious machinations of the (fictitious) masterminds (who are quite close to the real events - see below) on the other. Against the historical background of those decades, in spectacular loopings the dramatically revolving wheel of fortune is allowed to turn to the fullest again and again, emotionally throwing the audience wildly around. KDrama shows it all.
"Giant" offers numerous stirring twists and upsetting turns in matters of love and rivalry, guilt and atonement, revenge and forgiveness. It won't be boring. All this surrounded by an indeed spectacular Gangnam urban development dynamic - at a dizzying high speed from no man's land to the hip trend district - which was not least favored by the autocratic control.
-------------------- SIDE NOTE: --- Gangnam highspeed development thanks to autocratic urban development during military dictatorship ----
There are details of everyday life during the PARK DICTATORSHIP: the influence of the military in all sorts of social issues, the secret service KCIA, which interfered unrestrainedly in domestic political issues and investigations and even used torture to interrogate people. Positions of power, like mayors, being appointed according to their military background and the level of their allegiances with Park. The backroom networks where the places, where the real decisions were made.
There are details of the subsequent DICTATORSHIP under CHUN DO-HWAN: the curfew during the state of emergency under martial law, for example. The brutally crushed democratic aspirations. The establishment of educational concentrations camps - "Giant" refers to the Samchung Camp in Yeoncheon, Gyeonggi, which was set up under the guise of fighting the threat posed by North Korean Communism. In this peculiar concentration camp, at least 60,000, probably even up to 100,000 innocent South Korean citizens were held captive in the former military prison under the most brutal conditions without an arrest warrant. There was talk of 'cleansing'. In fact, it was pure arbitrariness, verging on sadism.
And finally there is TRUE DEMOCRATIZATION of the system after the first free election for a long time - however, sadly, being faced with the same personnel (in autocratic tradition) in decisive ranks.
It has been proven that the military past in many political leadership positions during the Park dictatorship was not accidental but intentional. Among other things, of 6 Seoul mayors of that time (these were appointed, not elected), 3 had a military background. The other three were known for their expressed loyalty to the Park regime. Such people of Park's trust got the chance and used their past, their networks and opportunities as a robust standing, from where they set visionary course for the future of the capital with all means. Otherwise, rarely had the urbanization of Gangnam been as rapid as during those decades.
Gangnam beauty industry, the relevant corporate headquarters of the KPop industry, the suites and penthouses of the richest of the rich in the most exclusive apartment blocks of the country, temples of consumption of numerous luxury brands, hotspots for leisure and culture as well as some of the most prestigious schools contribute to Gangnam's dazzling image today. Gangnam with a population of over 1/2 Million recently is one of the economically most important urban districts of Seoul, in whose towers, which rise ever higher into the city sky, the very large companies of the country have their headquarters. A central transport hub has emerged and even the Ministry of Trade, Industry and Energy has taken political presence here.
It's hard to believe that 60 years ago this district south of the Han River (강 - Gang = river and 남 - Nam = south) stood for flood plains and agriculture - especially cabbage fields and plantations with the Korean Nashi pear. It was an unattractive no man's land, considering you want urban city life.
This had changed in the 1970s after Seoul faced a massive population explosion, the consequences of which the city could not cope with under the given circumstances. Previously, the city's political, economic and cultural heart had been on the north bank of the Han River in Gangbuk - in fact, since the dawn of the Joseon Dynasty. But between 1953 and 1960, in just 7 years, the population had more than doubled, practically 'overnight', from 1 million to 2.45 million. In 1970 it had already reached around 6 million! Nobody had been prepared for this. Chaos was the result. Infrastructure collapsed, slums literally sprouted out of the ground.
That's when the vision of a whole new district south of the river was born. In 1966 it was announced for the first time that the population should be redistributed in the future: 40 percent of the population should live in the northern area, 60 percent in new and densely built Gangnam. A dream in distant clouds, that's how it seemed back then, because there was nothing there at that time.
In the 1970s, the planning took on more concrete forms. Gangnam has been defined as one of Seoul's 3 central urban cores alongside the historical old town and the political center of Yeouido. In order for this to happen, construction of today's Hannam Bridge had already begun in 1966. In 1969 this important connection was completed and the first milestone was reached. Also, the Gyeongbu Expressway was opened in 1970. However, to speed up the development, Gangbuk was deliberately disadvantaged and Gangnam was privileged, for example with tax breaks. An express bus terminal was built, elite schools were relocated and comfortable new apartments were advertised. Stylish urbanity was marketed on one plot, yet rural wasteland was right next to it. The contrasts were enormous.
Yet, residential buildings started to grow at breakneck speed and people began to move to the new southern neighborhoods.
Strictly speaking, Gangnam and the education of an elite school district also marks the beginning of the now enormously profitable private education market and some social excesses, which to this day provide the KDrama market with plenty of material for the most bizarre stories. In addition, speculation in real estate became fashionable and became a new hobby for (more or less) rich wives. Eventually, Gangnam also earned its reputation as an entertainment district, with clubs staying open all night.
The story of Gangnam reads dazzling and spectacular. But the city itself initially had no money for all the investments that were necessary to develop the land. It relied on income from sale of the land set out for recompense from the land readjustment programs. All started slowly, because interested buyers withdrew, disappointed since there was hardly anything really urban in Gangnam in the early 1970s. In order to speed up the processes, a law was passed in 1972 that deliberately relaxed the existing tax regulations relating to property regulations. From then on, profits from real estate speculation were practically tax-free. Trade tax, property tax, etc. were also waived for the next 6 years. This temporary incentive for investors proved extremely successful, but also problematic. This brought speculators onto the scene, who didn't care at all about professional urban development as such.
Thus, remarkable performance comes with sad collateral damage. The catastrophes associated with sloppiness in construction and human fault in the wake of corruption pave the decades just as much as the milestones of urban development. The biggest accidents in this context were, for example, the collapse of the Wawoo residential complex and the Seongsu Bridge. (Others followed at regular intervals. Every decade has its own list...)
Autocratic regulations, the need for speed and the money involved also encouraged flourishing and unchecked corruption regarding insider trading with real estate speculation, building tenders and bidding. Bribery shaped the entire business world. This also promoted a climate in which - if someone was convicted of his illegal activities - he (usually a 'he') was easily released soon later on.
While the giants were able to pocket their gigantic profits without restraint, the population of Gangnam suffered (and still suffers) from housing costs that exceed every measure.
Finally, within this whole developmental process, the lending business has been a crucial and lucrative business since the very beginning until up to date, even if customers and their needs may have changed in the meantime...
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This review may contain spoilers
I’ve spend so much time watching this drama, that I decided I should at least write a review. As I want to do it thoroughly, it might be a tiny little bit spoilerish, so if you don’t want to know anything about the plot before watching, please consider not reading this review.First of all, the description can be a bit misleading, if you were hoping while choosing it that it will be a romantic comedy, you can end up being disappointed, because it’s back to back a family melodrama. If you consider it as such, this it will be a valuable watch.
What I found interesting about Korean family drama is that, while telling a story, it touches upon social and cultural issues between the lines, which makes me feel I’m learning something about Korean culture. (like I didn’t know how common racism was or how difficult it was for people in Korea after the war until I watched Ojakyo Brothers).
As for this drama what I really enjoyed how it broke some usual rom-com cliches and focused on development of heroines. Tropes like divorcing unfaithful husband despite having a child and then struggling with getting the once successful single life back together. Or marrying just for love and not sacrificing your career for it. These all was very interesting and fresh for me to see in a drama, especially in context of Korean society,which seems still pretty conservative (Disclaimer: I’ve never been to Korea nor do I know well any Koreans :[ so it’s only based on what I read or watched so I might be wrong). You could also see that it indeed cause some struggles between generations with grandma telling her granddaughter to forgive her husband and go back to him, or in mother- daughter-in-law differences. What was also interesting that it showed ajummas in some untypical light as well. Scene when Omounii, who was always sacrificing for her family, goes on shopping spree and buys high-end clothes for herself because “she deserves that” was simply priceless. I also really sympathized with the story of Joon Ho’s mother - I mean the male lead’s mother, in most dramas a character designed to be hated- she really got my deep compassion with her story of finding the sense in your life, when your family doesn’t care for your efforts anymore.
I really liked the characters of the sisters. Jeong Ae, who despite her mild character, didn’t weaver and was able to follow through her decisions. Joo Shin who was at the same time fierce and caring, never letting anyone to put her down.
I liked Soon Shin very much too, although she was a vulnerable character at first, not confident at all and a real give-upper -which can be pretty annoying, she really grew as the drama progressed and wasn’t afraid to speak out her feelings and resolve misunderstandings. Besides IU is so adorable and natural in her acting and such a cute and funny girl, that it’s impossible not to like her.
In the romantic department it was pretty interesting as well. Very pleasing actually, because every girl got a guy, that was really well suited for them. What was really interesting and not often seen in a drama- it was guys who chased after the girls, not the other way around. So if you’re looking for such development, this drama won’t disappoint. Because they chased after them faithfully and continuously, and they are really great and considerate guys to be chased by.
And yes we have our usual “CEO”, but he’s not usual at all! The official description could not be more wrong about him, because he is not “over confident, arrogant and coldblooded” in any way! If anything he’s selfconsious, adorably clumsy, very smart, independent and caring. I don’t know how Jo Jung Suk did it, but he played his character extremely believably, so Joon Ho seemed like an awesome, but still real-life man, not some made-up arrogant CEO, worshipped by everybody around. What I also about him was his backstory, that he wasn’t a second generation cheabol as usual, but a self-made man, who wasn’t afraid to go against his parents wishes, and after many hardships became successful on his own. He showed the same resilience throughout the drama and always made his own decisions, which I really enjoyed, even if he messed up sometimes.
It was really sweet to see how much he cared for Soon Shin and always supported her both in her career and as a shoulder to cry on. It is one of the most cutest and realistic relationships I’ve ever seen in a drama with both people really wanting to be together and supporting each other. IU and Jung Suk are a great pairing, you couldn’t feel the age difference between them, especially with Soon Shin being quite cheeky towards teppunim and him falling heads over heels for her. They really have a great dynamics and chemistry, and their scenes together were always enjoyable without being overboard. I became a fan of Jo Jung Suk after this drama, somehow he stands out among other Korean actors, because he’s very natural, has great expression and doesn’t take himself too seriously. And he was just too cute, when he looked at Soon Shin, telling her she’s beautiful
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Acting/Cast - Before this even came out, I was already waiting in anticipation because I absolutely love So Ji Sub and Lee Yeon Hee. I was definitely not disappointed. Those two, as well as the rest of the cast, did an amazing job in their roles. The good guy roles, as well as the bad guy roles, were very believable.
Music - This was probably one of my favorite parts. The first half of the drama or so, you hear 'The Phantom of the Opera' a lot, and that song is incredible. Then there was the instrumental 'GHOST' that played a lot that I thought was fantastic. The rest of the songs + instrumentals played throughout were amazing as well.
Rewatch Value - I don't really like to rewatch dramas often, but I could definitely imagine myself watching this one again at some point in the future.
Overall - Overall, this whole drama, I think, is perfect. Like most dramas, it had its ups and downs, but I feel like the pros far outweighed the cons. There are two factors that really set this drama apart from other dramas for me.
1) The main focus of this drama wasn't a love story. In other dramas, that's almost always either a main story, or it becomes on 1/4 of the way through.
2) It didn't spend the whole time dragging on with one storyline. There were a few smaller ones tossed in that kept it interesting without taking away from the drama as a whole.
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A Masterpiece. Allen and Bai Lu rocks!!!
When I saw the cast announcement of Bai Lu and Allen Ren together, I was so interested to watch it. I'm a fan of both actors. It's so unique and amazing that we got to see both of them in both historical drama and modern drama. This historical drama is melodrama with touching love story. I even read the novel so I could get better understanding in stories and characters. Trust me, this didn't disappoint me at all. This is a masterpiece in every aspects.THE STORY: It was a balance between political and romance aspects. The leads had Master-Student relationship with each other. The plot is so original and unique. It was so excellent and well-executed. I feel so much emotion in every episode. Only 24 episodes, it's worth the time.
THE CAST/ACTING:
Both Allen and Bai Lu are very talented actors. They've even made better together.
Their acting seems really natural, nothing was out of place and I could feel the emotions they tried to show with their acting. The casting team choose all the actors with outstanding acting abilities. Everyone in this drama performed so well in their roles. There is no acting hole at all.
CHARACTERS:
Zhou Sheng Chen - He is the war general who owns Western Palace with high status and respect. He is the younger brother of the former Emperor, the uncle of the current Emperor. He is loyal, strong, determined and caring. He's always kept his emotions and personal feelings inside and his country matters more than his life. He makes every decision with no regrets.
Cui Shi Yi - She is the only daughter of the most prestigious family Cui, she has been engaged to be a crown princess since young. Because of her father's passing, made her mentally affected and she was mute since then. She has been sent to be Zhou Sheng Chen's student. She can talk again because of his caring and warmth.
THE CHEMISTRY:
Bai Lu is the chemistry Queen. I know she could look good with every co-stars. With Allen, their chemistry is crazy good. Their eyes talk to each other. I'm amazed by their genuine and excellent acting and chemistry.
MUSIC:
The soundtrack was enjoyable and emotional throughout the drama. It works so well with the story. My favorite OST are "As Usual" by Zhang Bichen and "Unworried" by Jing Long and Mimi Lee. My heart is so touching every time that songs feature. Allen's OST was very good too.
REWATCH VALUE :
It think I will rewatch it again after the modern sequel "forever and ever" finish airing.
OVERALL
In conclusion, this drama is a beautiful tragic romance. Please watch it if you survived and enjoyed dramas like Good-bye my princess, The King's Woman and Moon lovers.
So I can say that this drama is definitely a masterpiece. If you like this kind of genre, it is a must-watch. Can't wait for "forever and ever".
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This review may contain spoilers
I've never watched a drama where I didn't like any of the characters but Love Alarm managed to accomplish that.The entire cast is full of characters that just isn't realist and there will be many times where you will ask, "Why?"
The main female protagonist, Kim Jojo, is one of the most idiotic characters I've ever met. She follows a guy down the alley just because he "has something to say." If this was the real world, she'd have been raped right then and there. She makes poor choices (when you watch it you'll understand which ones) and she never gives a clear explanation as to why she did it. The drama never explains why Jojo decides to go down this route and why she isn't fixing it. The drama plays it off and later on shows that she actually regrets it. Now, I understand why she regrets it and that she wants to undo it, but I don't understand why she isn't even trying to FIX it. She can easily explain her situation and I'm pretty sure everyone will believe her, but she doesn't even attempt it. There are so many plotholes and so many questions that the drama doesn't bother to explain or answer. Maybe because they left it all for season 2 but at the moment it's not released yet so the director cannot expect us to just accept it as it is.
One of the characters I hate more than Jojo is Sun Oh. The drama plays him off as romantic and cool, but he's actually really creepy. His character is childish and selfish and thinks the world revolves around him. Not once did he stop and think about how his best friend or anyone else around him except for the girl.
*SPOILER BELOW*
Hye Young makes it pretty clear that he like Kim Jojo. Although he never outright told Sun oh that he likes Jojo, Sun Oh already knows at this point. And you know what Sun Oh does when he finds out his best friend like this girl?
HE CHASES AFTER HER.
THIS BOI. What is going on in his head? "Hmmm. my best friend, who has always been there for me and supports me, likes this girl and she is his first crush. I should encourage him and let him have the chance to confess first because, after all, he liked her first. But, you know what, because I'm just the shelfish jerk I am, I'll go out there are whisk Jojo away and kiss her right after my best friend tells me he likes her. Brilliant!"
And you know what Hye Young does? NOTHING. FOOKING NOTHING. OMFG. And both of them made a pact and told each other to confess to Jojo at the same time. This way, it's fair to both of them.
BUT NO. N O.
FUCKING SUN OH, LIKE THE BITCH HE IS, DECIDES, "HEY, NOT ONLY DID I KISSMY BEST FRIEND'S CRUSH, I'LL ALSO CONFESS TO HER FIRST EVEN THOUGH I JUST PROMISED HIM WE'LL DO IT TOGETHER."
BITCH WHERE.
BITCH WHO.
I'M PISSED FOR HYE YOUNG.
And after Sun Oh and Jojo breaks up, Sun Oh doesn't let Hye Young go after Jojo. Like bro, it's his life. Just because you broke up with her doesn't mean he has to obey your every command.
And why does Hye Young still like Jojo? Dude, she rejected you like 10 times. Give up.
AND OMIGOD, DON'T EVEN GET ME STARTED ON FUCKING GUL MI.
SHE'S EVEN MORE SELFISH THAN SUN OH.
How is it Jojo's fault that her parents tried to kill her? Why in the world did Gul Mi come to the conclusion that it's Jojo's fault that her parents are broke? And why doesn't Jojo just fight back? Maybe it's because she doesn't want to get kicked out, but still. She should've spoken up about it.
And she thinks that everyone else is beneath her when she herself hasn't gone anywhere in life. She didn't just screw up her life and her cousin's, she also bullies a guy into committing suicide.
You would think at this point she would feel bad, but no. She continues and takes out three million won from Jojo.
And another thing, why is everyone saying Jojo is such a pretty name? No, please stop. Jojo is an anime and forever will be an anime to me.
So, in conclusion, this drama is just plain stupid and frustrating. I could barely finish an episode without getting mad at a character. I wouldn't recommend this drama unless you really like getting frustrated.
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After a while of not being hooked into any drama, this drama series was a refresher for me. It continuously made me more excited for the upcoming Fridays and Saturdays as these were the days when new episodes premiered. I just finished the series this morning, and here are my thoughts about this drama:Story/plot: -9- The storyline had many cute moments between the characters, and there was not really any huge climax or conflict that lasted for several episodes. This plot was, more or less, very bubbly and cutesy with many squealing moments; it felt as if the main characters were living in their honeymoon phase the entire time due to the amount of innocence they had. Unlike with other Chinese dramas, I did not feel like the middle was intensely dragged out and was instead filled with more sweet and funny moments. Now, for the ending. Yes, the ending was a good ending, so that was a plus; however, I did not feel like it was a satisfying one. I felt the last few large events, starting with Si Tu Mo visiting Gu Wei Yi in Germany, were too rushed and had holes in between. The last scene with their kid though... glad they had a kid, but the kid seemed like he was 5 years old meaning the viewers just lost 5 years right there! It is understandable why they can't fit everything in 24 episodes, but compared to the rest of the drama, I felt the ending could have used more attention when it was made/directed. The hidden egg scenes at the very end of most of the episodes were cute considering the viewers were able to see some scenes from Gu Wei Yi's point-of-view.
Acting/cast: -9- The height difference between Gu Wei Yi (played by Lin Yi) and Si Tu Mo (played by Fair Xing) is absolutely adorable; it reminds me, and probably many others who watched, so much of A Love So Beautiful with Jiang Chen (Hu Yi Tian) and Xiao Xi (Shen Yue). Gu Wei Yi is a physics genius/nerd who sincerely cares for Si Tu Mo, both before and especially after they started dating. There were many times when he was clueless about how to please her or what to do in a relationship, so he had to search them on the internet which was cute and funny to watch. Lin Yi's acting could use some work, but for being the very first drama he acted in, his acting definitely has potential. He is also very attractive, in my opinion! Throughout the series, I had some frustrations and was annoyed with the character of Si Tu Mo, particularly the beginning and towards the end, because of her unwillingness to understand certain situations from Gu Wei Yi's perspective, but overall, her character was still independent and strong. The side characters were ok; they didn't play too much of a role in the drama except for Fu Pei (Xiao Tian Tang) and Wang Shan (Zheng Ying Chen). I enjoyed the character development of Fu Pei after he met Wang Shan, but their last proposal scene felt out of placed and rushed, as well.
Music: -8.5- The music matched the cuteness and bubbly-ness of the drama, so I had no complaints. Although none of the music stood out to me, they fit the flow of the drama. The dog and cat noises throughout the drama were really cute though.
Rewatch value: -8- Honestly, I don't think I can rewatch the entire series from beginning to end, but I might re-watch some cute scenes (there was a lot of those in this drama).
Overall: -9- This drama was definitely a refresher for me in the abundance of dramas, that I can't seem to find interest so much, premiering nowadays. The series kept me on the edge of my seat as I had to patiently wait for the new episodes every Friday and Saturday. The storyline was not extreme and was one that guided the audience through the life of the main character's love story. I honestly didn't have any problems with the storyline until the end, and even then, I am not mad at it.
I recommend this series to those who are looking for a drama with a cheerful and lovey-dovey storyline to wind down, maybe for those who just finished watching a frustrating drama. Sorry this review was a tad more lengthy than I intended, but I wanted to share my thoughts. Hope you enjoyed, and thank you for reading!
Chào for Now!
Lily L.
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Every Cloud Has a Silver Lining
The Legend of Fei is an intriguing drama.This is a show that has been highly anticipated since early 2020, and for good reasons too. It is headlined by two of the biggest stars in the Chinese entertainment industry today, Zhao Li Ying and Wang Yi Bo. This is also ZLY’s comeback project since her leave of absence due to her maternity. The drama is an adaptation of the novel Bandits by renowned and award winning fiction novelist, Priest who will be having several more of her novels adapted to dramas in the coming year.
In addition to that, the involvement of a highly experienced production team led by director Ng Gam Yuen who had previously directed Princess Agents (also with ZLY) and, somewhat surprisingly although not uncommon, a team of nine screenwriters were engaged to write the screenplay based on the critically acclaimed source material which had won the Network Literature Biennial Award in 2017. All of this points to a potentially successful blockbuster drama in the making, right? Apparently, as it turns out, not many would agree.
Within the first few weeks of airing, this drama ended up becoming extremely maligned and divided opinions of viewers not only in China but also among international audience, so much so that even on the drama’s MDL page, debates and differing opinions were intensely magnified in the comments board. Personally, I feel that although the drama certainly is imperfect, there are redeeming aspects that warrant folks to cut it some slack and maybe shower some love instead.
In a nutshell, this is a wuxia drama that tells the story of Zhou Fei (ZLY), who hails from a renowned family of pugilists and the 3rd-generation heir of the Snow-Breaking Blade technique created by her grandfather, as she leaves her home in the mountains known as Fortress of the 48 to explore the Jianghu world. She meets Xie Yun (WYB) who joins her on her adventures as they encounter colourful characters, both good and evil and from various sects and affiliations.
This is essentially a coming of age tale typical of the wuxia genre where Zhou Fei, as the FL, meets many martial arts masters who help improve her skills to become stronger and finally battle the villains. Along the way, she finds love but also experiences the tragedy of losing loved ones. Themes of chivalry, heroism, brotherhood and loyalty are interwoven with the underlying romance, overarching mystery and, of course, the climax of the story - the epic final showdown. I’m not an avid reader of the recent wuxia novels but I notice the trend of late where the ML of the genre appears to be physically weaker and less of a fighter compared to the FL, as is the case in this show and another similar one, The Moon Brightens for You. But, I’m not complaining and I think female empowerment is a positive trend for a change.
Production
The production values displayed somehow does not seem to reflect the rumoured big budget of the show, with certain set designs that appeared inferior in quality and even obviously fake. For instance the settings of the forest where majority of the action takes place, the setting of the Spinning Wire Formation of the Ximo River (specifically the “rock boulders” which do not seem all that “solid”), and various other scenes, where the lack of authenticity is visibly apparent.
Probably the biggest gripe of all is on the direction, screenplay and editing for this drama. Contrary to most criticisms that are directed at the acting especially of the leads, I think the directing of the interactions between the characters as well as the pacing of the storytelling should take the most blame. Actors can only work with what they are given and how they are directed to act their scenes. Furthermore, how it is that so much fillers and dragging out of the plot were shoehorned into the story seems rather surprising considering the quality of the production crew. Additionally, the transitions between scenes and framing of certain sequences did come across as somewhat disjointed, which is attributed to the editing department. A mitigating factor was mentioned where principal filming had to be halted midway through due to the outbreak of the pandemic in early 2020. However, this is where the final editing and post production process should come in to make the necessary adjustments.
Choreography
The martial arts choreography is not the finest of the genre, it has to be said. A number of the action sequences do not flow smoothly in terms of the swordsmanship, acrobatics, and overall movements. When it works, it can be spellbinding but when it doesn’t, it becomes painfully obvious to see. Granted, there were reports referencing ZLY’s lack of fitness while performing her own stunts and other physical exertions, having just recovered following her maternity confinement. Perhaps, this being the first time a blade/ sabre (dao) is wielded by ZLY’s character instead of the usual sword (jian) resulted in the execution of a different and more challenging fighting technique, the Snow-Breaking Blade.
The same observation applies to all other cast members involved where at times the fighting appeared contrived rather than naturally free-flowing. The awkwardness is exemplified in other techniques such as the Taoist Tao Teh Ching Mayfly formation, Guanxi Yellow and Green Palm, Floating Palm, and Water-Cutting technique. On the other hand, the Lotus Palm, Cloud Impelling Palm and Mountain Sword technique do at least appear more believable and convincing.
Characters
The action stunts aside, I have no complaints with either ZLY or WYB as far as their acting is concerned, and both characters I thought were well written. The issues as I mentioned earlier relate more to the direction rather than the cast themselves. The quality of ZLY’s acting and character portrayals are never in question while WYB possesses much potential to soar even higher through his upcoming projects. I like FLs that are written to be consistently strong not just in terms of physical strength and martial arts prowess but also in mental resilience and fortitude in the face of adversity and tragedy. Zhou Fei is a character that I enjoy watching and she does not succumb to the usual tropes of losing her sense and sensibility or transforming into a damsel in distress that needs rescuing. Likewise the character of Xie Yun as the happy-go-lucky charming and supportive sidekick who hides a traumatic past behind the facade.
There were grievances regarding the perceived poor dubbing particularly that of ZLY and I have to agree. The voice is provided by Liu Rui whose previous works focused mainly on modern dramas like Flash Girl/ Our Shining Days, which sadly lacked the authority and depth needed to elevate the character of Zhou Fei to more imposing levels. WYB’s voice dubbing is provided by Hu Liangwei, whose works include Heaven Official’s Blessing donghua, which is marginally better and probably matches the playful tone of the character Xie Yun.
Regarding the chemistry between the two leads, so many viewers complained about 2 things - that they are incompatible due to the 10-year age gap (ZLY is 33 while WYB is 23) and hence lacks the natural chemistry, and that the FL looked so much older than the actual age of her character who is supposedly a 16-year old teenager. Personally for me, there is no such thing as age gaps when it comes to romance, and therefore I’ll take this as a variation of noona romance which works fine for me. 10 years isn’t a lot even if the female is older and from what I can see, particularly towards the tail-end of the show, the chemistry is apparent to be seen and throughout the entire story progression, the development of their relationship has been slow burn but no less resolute.
As for the second argument, I have to agree somewhat. No matter how much make up applied or soft filters used, it is what it is and there is no escaping that. But look, this is not something that is shockingly unexpected or unprecedented. Tang Yan (37) played a teenage Xiao Yan Yan in Legend of Xiao Chuo, Zhang Lu Yi (40) depicted a 13 year old boy in Qin Dynasty Epic, Tang Wei (38) acted the role of a teenage Sun Ruo Wei in Ming Dynasty, Tan Song Yun (30) played a teenage Li Jian Man in Go Ahead, while Zhang Zi Yi (41) is currently portraying a teenage Wang Xuan in the airing Rebel Princess. For me, good acting with seasoned actors should be the benchmark and that is acceptable to me.
The supporting cast of Zhang Hui Wen, Chen Ruo Xuan, Zhou Jie Qiong, and Zhang Xin Yu gives a decent account of their respective portrayals of Zhou Fei and Xie Yun’s band of friends. In particular, the character development of Wu Chu Chu and her romance with Li Sheng is quite remarkably depicted. Li Yan, however, represented everything I dislike about the annoying females in historicals but fortunately her role isn’t significant. She and the character Yang Jin are truly made for each other, as part of the 3 romantic couples in the show.
It has to be said that a number of villains do not appear all that imposing and intimidating. I’m fine with the colour coordinated costumes and scary masks used to distinguish the bad guys but the respective leaders of the evil clans are simply not all that villainous, in form or substance. Case in point, the Demon Manor’s section chiefs comprising Blessed Dog, Giant Leopard, and Sparrow. The Four Guardians of the Mountain’s Dragon and Tortoise masters are more hilarious and comical than menacing. On the other hand, I do appreciate the Timber Wolf Shen Tian Shu as the leader of the Demons, played by Geng Le who does possess the gravitas for this role. Guo Xin’s Mu Xiao Qiao, the Phoenix master, is one of my favourite (semi)villains in the show and brilliantly gives off Dong Fang Bu Bai vibes. Other villains such as the Snow Wolf and the evil Eunuch are very interesting characters but unfortunately only had limited screen time.
As far as good guys go, I actually enjoyed watching Che Xiao’s compelling portrayal of Li Jin Rong, Zhou Fei’s mother, as a strong woman and competent leader of the Fortress of 48. Dong Xuan’s Duan Jiu Niang is a very likeable character and I suspect she had as much fun playing the slightly deranged role as viewers did watching her albeit for a short portion of the show. Hu Bing, who usually plays the villain, delivers a very charismatic depiction of the legendary grandfather, Li Zheng. I’m a big fan of Zong Feng Yan, who plays Zhou Fei’s father Zhou Yi Tang. This seasoned veteran never disappoints and he seems to excel particularly in historical dramas.
Music
The OSTs for this drama is probably the only aspect done to perfection. Each track seamlessly captures the essence of the story and the scenes throughout. The opening theme truly sets the tone of the show while WYB’s rendition (with accompaniment by the Dizi, which brought memories of The Untamed…) evokes feelings of a dreamy ethereal romance.
1. 《逐浪 Chasing the waves》by 尚雯婕 Shang Wenjie (Opening theme)
2. 《无华 Unadorned》by 张靓颖 & 刘宇宁 Jane Zhang & Liu Yuning (Ending theme)
3. 《熹微 Weak rays of sunlight》by 王一博 Wang Yibo
4. 《如翡 Like Fei》by 王晰 & 赖美云 Wang Xi & Lai Meiyun
5. 《结 Knot》by 胡夏 Hu Xia
6. 《红尘莫欺我年少 Don't deceive me when I was young》by 希林娜依 高 Curly Gao
7. 《采莲曲 Picking Lotus song》by 陈珏 Chen Jue
Overall
Despite the numerous drawbacks, The Legend of Fei does manage to get certain aspects done well enough that even things out and, in my humble opinion, ultimately redeems the entire production. How the drama starts off may leave much to be desired but the improvement towards the second half and the strong finish at the end, with the HEA ending where all that’s well ends well, gave me the satisfaction of completing this drama. It wasn’t always smooth sailing, but I did enjoy myself by looking past the flaws only to discover a rainbow after the rain.
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