1On aliens and alienation
I am sorry about the punny title but it was either this or "Out of this world" and I feel like this one causes less physical pain.A lot can be said about Glitch but conventional sure isn’t the word that comes to mind. Watching this drama as soon as it came out while following the reactions online has been a wild ride indeed. This isn’t supposed to be about other people’s opinions, this is my review, my thoughts, but I was perplexed by how badly this K-drama bombed. Reading the initial impressions, it sometimes felt, like I was watching a different show entirely. Upon further consideration I am adding a very mild spoiler warning to my review here, I won't go into any detail about how this story progresses, but will talk about a few elements of this show that were not mentioned in the synopsis or tags. So here you go: VERY MILD SPOILERS AHEAD!
I think the one thing the majority of watchers can at least somewhat agree is on, is that the performances are the aspect where Glitch shines the most, though this was to be expected considering the stellar cast this show provides. Our two lead actresses are of course especially to be praised here. Their dynamic and chemistry might be what this drama thrives on and Nana and Jeon Yeo-been add charm and believability to their roles. But even less prominent roles, like Boras squad of conspiracy theorists or overwhelmed policeman Kim Byung-jo, had their moments. Even Hong Ji-hyo’s abducted boyfriend who had little to no presence, felt like a somewhat fleshed-out character all thanks to his actor’s performance.
But my personal favorite aspect of this drama might be Glitch’s distinctive look and style. It’s quite challenging to present yourself as a sleek-looking drama, while also featuring a ginormous blue alien in your first episode. I will not be too soft here, when it came to extraterrestrial beings, the CGI left something to be desired, but the drama was kind enough to not rely on their presence all too often. When we’re not subjected to computer-generated monstrosities, Glitch remains a surprisingly artistic show, especially at the times where it does get more experimental. Lighting and colors played one of the biggest parts here, switching between soft warm tones when we’re shown flashbacks of Bora’s and Jihyo’s past and the cold blue-and-green tones we’re used to from our sci-fi-flicks. I especially have to commend the usage of green-tinted lighting, whenever a situation was supposed to be uncomfortable or unnatural, it really generated the feeling the script needed. But shot composition, cut, and camera also stood out here. The hand-held camera shined in fast-paced action scenes and in general Glitch very rarely felt or looked static. If there is one thing I have to critique when it comes to the overall look and feel of this show it’s the (rare) moments of slow-motion that always felt entirely out of place to me and like a misguided attempt to stretch shots that might have been too short. But this might just be my personal preference.
This might be where agreements about Glitch end. The plot and script are where opinions tend to differ drastically.
Pacing is something this drama has been harshly critiqued for. While it is true, that Glitch’s start felt somewhat slow, it does pick up speed after four episodes. But I would actually go so far as claim that the show‘s arguably monotone beginning was needed, to create the atmosphere the drama relied on. That’s because we follow the story through Ji-hyo whose life also feels like it has come to halt. At thirty she works a monotone job she doesn’t seem to care about, still lives with her parents, and isn’t willing to take the next step in her long-term relationship. All she’s trying to be is normal, boring even, while she desperately attempts to ignore all the things that make her different, attempts to even ignore the side of her that wants to be different. Things accelerate drastically for her after she reconnects with Bora, so it’s natural that the same goes for the overall essence of the show. This might not be everyone’s cup of tea and it does take some commitment to give the show a chance and see where the plot takes you, but personally, I enjoyed that Glitch took its time.
That the viewer experiences this story through Ji-hyo’s eyes also means that we’re bound to be confused as the plot escalates. Glitch keeps its audience on its toes and toys with plausible deniability. What is hallucination, what are aliens, what is the cult? The viewer doesn't know anything more than the protagonist does. We feel lost because Ji-hyo does too.
This does not excuse the few plotholes Glitch sadly contains. I fully understand frustrations with the ending, a few too many knots were left untied for my taste. So I am not arguing that the plot’s structure is flawless, God no, but I do feel like the pacing of this show isn’t nearly as off as many claim. Some stories just take time and I’d rather be along for the ride than for a script to feel rushed.
“But this isn’t what I signed up for! I wanted sci-fi and aliens! This is too weird!”
Not trying to come across as condescending or pretentious but I am once again begging people to read between the lines when they consume media. Glitch isn’t the conventional alien tale it seems to be at first glance because it isn’t trying to be. And it also doesn’t have to be that in order to be good. Because what is hidden under layers of UFOs and religious symbolism is the story of Ji-hyo’s emancipation. It is a tale of a young woman trying to escape the norm and her passive role in society. It’s about feeling like you literally don’t belong on this planet, like you yourself might be alien because you do not fit the mold people are trying to force you in. And it’s about the role that religion plays especially for people that feel alienated, a tale that showcases how simple it is to persuade them to believe once you have earned their trust. How you can influence individuals to believe in a religion based on self-interest, force them to see UFOs, and make them question everything they thought they knew.
I thoroughly enjoyed this show, it’s rare to come across stories that are entirely female-centric without even the hint of romance (unless you count our two female leads who honestly had enough chemistry to go steady). I got a lot of joy from the portrayal of female friendship. Bora and Ji-hyo’s dynamic worked excellent. But I also just genuinely had fun with this plot and was fully invested in it. Yes it was strange, that’s what made it good. I can certainly say that this wasn’t anything I had seen before.
I shouldn't care what others think but I really really wish people would give Glitch a fair chance. “Too weird” should not be a valid critique, especially when a story is obviously more interested in being interpreted than literal. It’s frustrating because Asian cinema already very often relies on the suspension of our disbelief. How out there or downright Ludacris a plotline is, doesn’t seem to be relevant in romance dramas but as soon as a story requires some form of critical thinking, people shut the door on it. Others obviously are allowed to take away from this show whatever they want, I am not trying to imply that everyone who rated this low is a simpleton who just didn’t get it but I do think that there is a lot more to this story than what meets the eye. I am not trying to argue that Glitch was anything close to perfection, just a lot better than people gave it credit for.
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Story- The first couple episodes sets up the plot and storylines for everyone. I’d say it took me about 5 episodes before I saw myself wanting to see more. I do have to say the writers did a fantastic job. When the story was funny it was hilarious and when it was dramatic you felt the emotions. My favorite part of the writing though was definitely the subtle comedy. I found myself laughing like an idiot whenever something random happened. I liked that each brother had their own loveline and enjoyed watching each one develop. Although the UEE/Joo Won pairing was just too cute! In the end everyone gets their happy ending. That’s not to say it was all sunshine and rainbows throughout, cause everyone had their fair share of drama…
Acting/Cast- Perfectly casted. I liked that everyone got their time to shine. This family felt like they were really a family in real life. I wanted to live on the Ojakgyo farm! Lol. I thought UEE did a fantastic job playing the naïve but temporal Ja Eun. Loved all the brothers. The rest of the supporting cast was awesome as well. Just loved everyone=)
Music- Really liked the score. When it was suppose to be light and funny they had this awesome weird music played that really added to the effect and when it would come on I knew something hilarious/random was about to happen. The ost was good but nothing I’d listen to outside the show.
Rewatch- The episode count is quite large so because of that I’d probably put off watching this for about 2 years.
Overall I’d say Ojakgyo Brothers is the best family drama I have seen and it’s a must watch. You will definitely be entertained and fall in love with all the characters=)
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This review may contain spoilers
NON-SPOILER OVERVIEW: I stand by my huge love for the first 3/4s of this drama. Though I was disappointed by the end, a large part of that disappointment came from the start being so good. Because despite the cliches, it's not a bad ending or anything like that. Against other romcoms I think it's above average, it just feels worse because of what came before. I still recommend it too! For the friendships, for the fluttering romance, for the unconventional story, for the way it feels like I'm watching real people. It's heartfelt and sweet but do be warned that the show you begin watching will not be the show you finish watching. Prepare yourself for averageness creeping in at around ep 12? 13? and you'll be fine! SPOILERS BELOW!
This review was so hard to write so to solve this confusion I'll just go by the trusted method: LISTS!
Things Done Well:
- JI HO (mostly). I related really heavily with Jiho at the beginning of the drama making me immediately attached. Plus her refreshing habit of speaking her mind so bluntly but not unkindly was literally the most innovative thing this drama did in regards to typical female kdrama leads so, props to them. I faltered a little when her big dream turned out to be love not writing but I realise that's just a personal thing so I won't judge much for that. I faltered MORE when her personality as established seemed to up & disappear 3/4 into the season? Why? Where did my Jiho go and who left this generic imposter in her place? Disappointing doesn't begin to cover it.
- SOO JI. Flawless. Perfect. Loving. Sexy AF but also cute AF. The duality of woman. We love to see it. Enjoyed her growth so so much from being v closed off & afraid of commitment to fully falling into it. From being afraid to catch her dreams because of her mum to daring to *because* of her mum. Unlike Jiho, she loses none of her personality and characteristics once she's in a relationship. Thank god.
- SE HEE. I'll just say it. Sehee's idea of a relationship/marriage - boundaries, respect, open communication and support & minus the guilt, expectations & empty promises that could lead to bitterness later - is exactly my idea of a relationship. I loved him from the moment he told Jiho's mum he wouldn't promise to protect her and it did not diminish the entire show. He's a little odd but I found that hugely endearing. Here's a personal ty from me to Sehee for now having someone to refer to when anyone asks me about my ideal man. Just throw in some of Sang Goo's dorkiness and I'll be hook, line & sinker.
- FEMALE FRIENDSHIP. These are women who unfailingly love, support and trust one another. No pointless drama. No high tension. No boring bitchiness. When I think of my friends I think of the kind of easy companionship and in-jokes that these three have and any scenes involving the trio were my absolute favourites.
- AN "ADULT" STORY. No I don’t mean x-rated lol. For once I watched these adults and felt like I was watching real adults and not (as many romcoms usually have) hormonal teenagers in adult bodies.
- HO RANG X WON SEOK. (mostly). Because they love each other they refused to see or talk about their incompatibility until it literally grew too big and awful to ignore. I really liked it because I believed their relationship and how it progressed. I say mostly because I'm unsure about their conclusion... I'm not against them getting back together, I just wish if that was their endgame they had broken up earlier in the drama so we had more time to watch them grow. As it stands, their break up this time was literally no different to any other break up except now Ho Rang has a chart. Wow. Growth.
Things Done Bad:
- Jiho & her characterisation falling off the face of the planet. Literally this was the worst thing the drama did because it made the finale boring. It also made me realise how much of the drama is built around how refreshing Jiho & her friends & Sehee are and with her gone it left the puzzle incomplete and me unsatisfied.
- Reduced Trio appearances. Like I said above, the trio and their scenes together were the best parts of the drama and towards the end the trio's screentime together pretty much disappeared. I HATED IT.
- The whole stalker storyline. I'll just link to my post about my thoughts on that mess: https://kisskh.at/profile/kdramafeminist/feeds/WAN22I3
- Jiho's inner monologue going from through-provoking & interesting to nonsensical and pretentious.
- A story that began as something unique and avoiding cliches eventually devolving into the exact cliches it was avoiding. LETS NUMBER THEM!
1. FL speaks her mind? Nope, lets just have her being ~vague~ bc cliche!
2. Open communication between the couple? Nope, let's just have them not have a normal conversation outta nowhere and for no reason bc cliche!
3. Couple breaks up because their life goals don't match and realise love doesn't always mean marriage? Nope, lets have them back together after like a month with literally nothing changing regarding their individual life goals bc cliche!
4. ML is an introverted, dorky type and that's fine? Nope, let's give him a pointless, macho, hero scene to prove he's worthy as the lead! Bc cliche!
5. Current FL and ML's ex get along because the ex has completely moved on in life so working together is reasonable? Nope, let's have Jiho turn down the job offer because she chose "love" even those there was no tension on-screen between any of them, bc cliche!
Overall, I'm glad I watched it! I enjoyed more than I didn't but sadly its missteps means it won't be going into my favourites or mentions lists. The drama as a whole might not have stolen my heart, but individually it gave me amazing characters that 100% did & that's a compromise I'm fine with!
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This review may contain spoilers
About "good" partners in various senses. A pleasantly vivid and complex, well-rounded story.
“Good Partner” is about lawyer and divorce cases, while radiating quite some ´work life in Seoul´ feeling. The main focus obviously is on divorce and everything that comes with it. In South Korea so far, divorce has been an issue ´non grata´ sort of. But it has become quite hot recently. Being able to deliberately elaborating this topic in a KDrama is due to exploding divorce rates. Even the older generation is increasingly daring to take measures by leaving the unhappy marriage behind and finally daring to make a new start. Of course, separation is never easy and becomes even more complicated as children are involved. “Good Partner” tackles the hot topic fearlessly. Additionally, some still questionable legal issues surrounding divorce are mercilessly brought to light, as are the notorious cheaters and the tragic, far too frequent cases of misogynistic, domestic violence.“Good Partner” also deals with the rigid chains of command, often enough turning lawyers in large law firms into mere underlings. On the other hand, the KDrama also confronts the question of the right dose of sense of morality, distance or even abstinence one should/must/may/want to emotionally attach to the cases. Furthermore, "Good Partner" also confronts the closed-meshed career culture in everyday office life, where employees can quickly lose themselves while living up to expectations. Work-Life-Balance ist still a fairly new concept. And last but not least, a critical swipe at the unfairly privileged “elite” (= “we have special status and are allowed to do everything”) should not be missing, too.
Embedded in the office world of the two protagonists, quite a lot of contemporary burning issues that currently concern and shape the lives of many people i.e. in South Korea, especially in Seoul, are carefully considered and illuminated from different sides. In doing so, the KDrama is opening up new space for contemporary approaches towards dealing with well-known life issues. A pleasantly vivid and complex, well-rounded story.
“Good Partner” feels like it gets better with each episode. This is also due to the development of the protagonists as they sincerely face their personal concepts and convictions again and again in the context of their cases (not least thanks to Han Yu Ri's untiring sense of morality)... Thus, in the long run, the KDrama is about "good" partners in various senses, not only when it comes to the female leads. However, together those two are creating a pleasant breeze of sisterhood, one that feels particularly good in the midst of a predominantly patriarchal world.
All of this makes “Good Partner” a deserved success. TV audience in the country more than doubled over the course of the 16 episodes. Understandably so. I can definitely recommend this series.
PS:
PLEASE do yourself a favor and give episode “0” a wide berth!!
It's a complete aberration and has nothing to do with the actual KDrama, except that someone apparently got bored during the temporary broadcast break during the 2024 Summer Olympics... You can definitely ignore that one, believe me.
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The synopsis has already revealed that a female lead lost her family and was seeking revenge or justice. This plot of hers is how our leads cross paths. Initially you will find their banter really cute and you get the feeling that this is only going to get better and better. I honestly had a hard time figuring out our mail lead. This man did an amazing job portraying a strong person, a smart person, a weak person and a cunning person. His facial expressions were second to none.
What I liked about the series is that it is a historical film and I really do enjoy watching historical fans and if you manage to tie in a little bit of romance that is just a big bonus for me. I am truly not a fan of political plotting however the relationships of the royal family was so unique that you really somewhat hope that everything worked out fine. For me I found it somewhat odd that I actually like the villain. Not because they were feelings but because of the scene they were in with their brother and father and even their nephew at times were quite hilarious. This is rare that you get to see our villainess people in a somewhat comical yet plotting manner.
Now for the hard stuff. What I did not like about the series was that thing that hooked me in somehow died off. That’s right it was completely eliminated. That banter between our two leads that was funny and get you wrapped up for more of their entertainment died when or female lead entered the palace. Our feisty, brave, outspoken and tough female lead turned into a submissive palace person. It was a complete 360° change. I am really not exaggerating. It was just like she made a decision and that decision meant she was humble submissive and whatever else you want to call a person that don’t talk unless spoken to. That most certainly ruined it for me because her personality and our male lead personalities were on fire to begin with but because her personality change it just turned bland..
In addition to this, watching the beginning of the series you would naturally assume that there was gonna be this great love, great chemistry but oh was I wrong. There was no amazing love. There was no amazing romance. There was no amazing chemistry. There was no amazing anything about the relationship between the leads. It was just awful. She essentially turned into just another person that is obedient to the emperor and it was no longer fun to watch. After a major turn of events, I don’t want to spoil anything, our smart cunning and strong male leave turns into someone who does not handle pressure well. It was so conflicting and confusing at the same time.
If you’re into historical films and politics you’ll like this one. If you’re into historical romance I would advise you not to cheat yourself because you won’t get it here. This is 62 episodes of politics and plotting. Don’t go looking for love in this place. It ain’t here. Lol.
90% politics
10% palace/harem/romance
The acting was good in the first 22 episodes and it was entertaining. Anything after the 22 episodes was just a blur for me. A blur of going to war and plotting. Not exaggerating.
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This drama surprised me so much. The story is just as crazy as it sounds, memory loss isn't anything new in kdramas and often I shudder when I hear the words amnesia being used to advance the plot, but the story is told in such a amusing, cleaver and sincere sort of way that you can't help but be hooked by it. The show always seemed to be very aware of itself and what it was trying to do and just very comfortable with its absurdity.
The tone of the story is rather slice of life some places, but achieves those more dramatic moments when it needs to, humor is on the black side and takes advantage of how ridiculous everything is around what I appreciated and it always managed to blend it, thrill and more the mundane story of the characters we meet along the way.
I didn’t feel like the drama thread a lot of new ways with some of the tropes it used, or dives too deeply into them. It more so just has a lot of fun with them. There is a very nice balance between the comedy, the absurd and then the more thriller aspect of the show, which makes it stand out. It makes Psychopath Diary become unlike other kdramas I have seen before.
I expected the more serious side of the show to take over at some point, for the comedy to sort of step aside as the story got bleaker. But the story always seems to flow well between those different genres the show has all mixed up in there. It had a rhythm going on. There is always some twist to every aspect of the story, and the comedy interrupts the tension a lot of the time and vice versa. There was such a nice mix going on there, one that I didn’t think would work as well as they did. It never gets too tired.
They never make you guess too much, not even with who the real psychopath is; that makes us just in on the joke. You have a hunch about where this is going, but still the drama is so cleverly absurd that you do have a hard time guessing what will happen next. And the drama makes great use of it.
In Woo also always managed to be one step ahead of the other characters, and while it did feel a bit repetitive (and very annoying towards the end, but in a good way), that I still found myself very enthralled and excited about each new episode. In Woo is a killer I could really enjoy. He's just evil, no trauma or explanation needed, and it’s just great to watch. It worked out well for the story and you somehow never knew what he would do next.
Sometimes he seems a little too cartoonish as the bad guy, smirking and laughing in the background. But it felt so intentional and in the spirit of the humor within the show, that it sorts of works.
Sometimes the comedy goes a bit overboard, and sometimes you can sense when the switch between the tension, the more dramatic points, and the more comedic aspects of the shows (like when the twists are revealed) but it is always so very entertaining and just a very fun ride throughout. I was expecting it loose steam at some point, for the plot to become way to ridiculous, but it just went full steam ahead and just made this crazy plot its own.
There is very little romance here. I was expecting more, but I was very happy with how little we got. There was plenty else to do within the story already and adding romance on top of that would have been too much. We just got more solid character interactions and different relationship development instead. There was definite fondness, possible attraction between Dong Sik and Shim Bo Kyung. But there weren’t much more than a few longing eye-contacts and so on between them
I liked Bo Kyung, our female heroine, as a character. She was always very consistent with herself, rather sensible and smart and always went after what she thought was right. Her character was never set aside as the story went along, people listened to her, she was valued, and she had real impact on the story. So often female cops on these shows are just there running along with the men and just there to get into dangers. Not here.
Dong Sik who goes from being a pushover to someone who learns to stand up for himself, , and over the story does a good job with presenting the characters to us so we can understand them, and get behind their actions and why they did things the way they did them; despite the absurdity that is prevalent all around them. Yoon Shi Yoon plays Dong Sik so well. He is so good in this role and he gets to show all his aspects as an actor here. All the actors here are very good in their roles.
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"The principle of justice are choosen behind the veil of ignorance."
"When you try hard to find answers from your past, the past will come crawling to you and eat you up." The Veil that you wear to protect yourself from external forces, can either cause you immense pain or fee you from all the sufferings. Yet, your efforts to put things at their rightful places shouldn't go waste; make sure of that."The Veil" is indeed one of a kind action as well mystery thriller Korean drama, justifying it's own title and doing a good job in relaying it's performance in overall. It's definitely one of the most underrated dramas of the year 2021 bcs of known reasons.
The story revolves around Han Ji Hyuk (Namgoong Min), an ace among the National Intelligence Service (NIS) top agents and an 'one man army', known to be stubborn & unbeatable. While carrying out an operation to destroy an underworld drug cartel in China with his 2 partners, he comes across abrupt truth behind the entire thing and suddenly vanishes off from the earth surface, while his partners are found murdered. He resurfaces after a year in the Peninsula but this time with lost memories of one year, just to discover the rat or traitor among the NIS who helped their enemy on the back to have the upper hand. Due to his unstable state, he is partnered with Yoo Je Yi (Kim Ji Eun) to carry out minor tasks. Je Yi, who has joined the organization to find out about his father, an ex-agent gone missing a decade ago, joins hand with Ji Hyuk. Together, they work secretly and find out the bigger forces behind it, who turn out to be their own and strive to reveal everything.
The plot development is actually very amazing for a 12 episode drama which reflects a steady progression with several temporary brakes, whenever the antagonists face some downfall. Can't really call it a 'staircase' development but the duo keep solving one case after another with clues from previous case, so yeah, it's somewhat similar to it. 1st ep is the basic intro with lots of confusion which is an obvious happening. 2nd ep also lays the foundation further clarifying the previously created subtle indications. The progress after it, is what will amaze you continuously and keep you hooked. The antagonists continue to dig deeper and unveil more answers and the twists at the end of each episode leaves you awestruck. In fact, the revelations are quite astonishing and very unpredictable; it's like you know who is involved and who ain't but in what way and how much, that's the matter of curiosity. In this regard, the writer has painted an intertwined yet intriguing sketch that's quite difficult to figure out for the viewers.
What bothered me is the ending of 9th episode and the entire 10th episode plus it's ending too. The reason is, one of the most major question of the drama was answered at the end of 9th and first half of the 10th episode bore it's detailed explanation. So I really was worried as to what else is left to explain and answer now when we got 2 episodes yet to come? The latter half 10th episode showed further progress in open investigation within the organization with joined efforts of more people who joined the lead duo. The 11th ep was a lil slow but at least not rushed which is better. Anyways, the ep laid foundation for the final big operation to catch the main culprit behind everything and then the finale went very well according to that. I was again afraid something would go wrong for the drama but I am greatly satisfied.
Just like any other crime dramas, The Veil is mysterious & confusing in many ways, ngl. So, some of us might binge it bcs we're anxious to wait but some others also find it interesting to go slow as it's more interesting that way too. I am telling this because I binged the 10 eps in 2 goes and and had a difficult time for a day trying to put everything in place. Since there are only 12 episodes, binging it would feel like time flying by so fast. So take it slow, try to enjoy and relish each episode as it proceeds and make sure you are attentive to the details because lots of facts are interconnected and there are in fact so many small and merely significant characters, each contributing significantly to the story; so if you don't remember them, you might end up getting confused. They introduce new characters each episode as the lead dup keep digging deeper but they don't stick around or simply, as soon as their essence is over, they are thrown out of the script.
Namgoong Min is the central character as said earlier. Not only he's strong and skillful, he's smart enough to predict and draw an entire scenario, before he start executing his plans. He surfers from trauma related to his chikdhood and is also full of untold emotions. Kim Ji Eun (Yoo Je Yi) does her job well by helping the ring leader at many points. She was definitely more quick-witted and what makes her character strong is her instincts of righteousness by the virtue of which she chooses to believe in Ji Hyuk constantly and taking his side till the end, despite all the odds she had to face.
In supporting role, Ha Dong Gyun (Kim Do Hyun), is a mysterious one who turns out to be different from the usual assumption of character. Dir. Kang Pil Ho (Kim Jong Tae) is a concerned superior to his juniors who also has secrets that he commited in order to protect the organization. Dep. Comm. Do Jin Suk (Jang Young Nam) is a ambitious woman who can pull any strings to get her work done. Dep. Comm. Lee In Hwan (Lee Kyung Young) is a greedy and inimical man and source of all the bad deeds in the org. Seo Soo Yun (Park Ha Sun) is the bearer of many secrets behind the conspiracy but her character is the only one that was poorly written and got wasted unreasonably. There are plenty of other characters played by very very good actors but I suppose I should stop here not to give out any spoiler.
Action!? What are you asking about? How should I explain this? Superb, amazing, etc. fancy words would become understatements. Nam Goong Min carried the entire show with his acting plus action skills. I am not a fan of ripped bodies but well, this is NGM *blushes*. His physique is what we call an ideal fit for stunts. The character Han Ji Hyuk, had his ground rules set. Being so skillful & determined as a person, he was unbeatable. His fleetness and swift hand movements, oof, those are reverential moments to witness. What makes the action scenes and NGM's stunts perfect is, the way those elements serve the story as well as his characters. Those were jaw-dropping and heart-poundinh. Most of the scenes also involve several types of firearms, which were also used skillfully and in an enticing way. In overall, the action and stunt scenes are enthralling and greatly pleasurable to eyes. The action director obviously deserve extra bonus for drawing the detailed arcs and keeping the most appropriate pace. "The Veil" definitely is the 2nd best action kdrama of the year after Taxi Driver, this year; at least for me ;-;
Direction is top notch I would say. For any thriller, particularly action thrillers, the chief PD is the most responsible for the execution and here Kim Sung Yong PDnim has done a stupendous job in directing the drama as well as managing and editing the screenplay. Given that he's not that experienced in directing as thw main PD, it's difficult to say so from this drama. The pacing is accurate for the entire drama, there seemed no exaggeration for the story or any specific event.
Applauses for him. Also, I still can't bring myself to believe that it's the writer's first ever script??? I don't know who are they, but dear jakka-nim, you are very talented. This is so very good to prove how nice your skills are. Please keep this up because we anticipate to witness more of your works. The development of overall plot, the character development for Nam Ji Hyuk, the arcs of each seemingly insignifican characterst, the awe-inspiring revelations at perfect points of the story, the U-turn & downfall twists, etc are very well drawn with visibly wonderful efforts. Brownie points for the dialogue writing too. The screenplay writing along with pleasing dialogues is what makes the character to serve well and makes the audience connect and feel. The formatting is nice and subtext is clear plus no dragging of scenes with only important conversations.
The composition is something that you can look forward to too. For a dark and intense action thriller where every other scene has the smell of sobriety, the OSTs and background scores are very well written and composed which gives off appropriate mood and are very suitably used in the drama. "Reason" by YOARI is undoubtedly the show-bearer, which in fact explains the title and essence of the drama. It depicts the emotions and eagerness of a man who is lost in a dreadful tunnel among plenty of enemies surrounding him. "Stay With Me" by Elaine on contrary, is a melancholic track, that portrays a man's emotions of betrayal, self-realization and has losr track of everything. "Get Ya" by Lee Jung Min is an enthralling and catchy song on the other hand. The OSTs are all in English.
I am happy to be aware that they are giving us 2 extra episodes. I mean we deserve it because there are only 12 episodes even though they're around 80mins each. From the trailer, it seems the special episodes will have the back stories of of entire main plot so it's more like a prequel of the drama and the point where it all started. It feels promising too so I'm kinda looking forward to it.
Notes:
1. There is no romance at all, which is expected and I feel that's the best decision by the writer. There is a subtle portrayal of one sided liking but it wasn't anything near to romantic feelings I suppose.
2. It's kinda gore as well. Since it's NIS and not a simple crime investigation unit, killing people easily is nothing biggie so watch it with TW if you're sensitive to bloodshed and murders.
SOOOO, THE VEIL, in overall is such a stupendous Kdrama, in terms of story, direction, acting, performance, action & stunts, etc and definitely a must watch. It also has high rewatch value for those who are avid action fans. Spy investigation dramas involving NIS and action are not something very new to us but this surely stands out for a unique basic storyline, it's immense action scenes and fabulous execution. If you're hesitant to start because the genre ain't your cup of tea, give it a try for Nam Goong Min at least, you can't help but fall for him deep into the firey pit lmao.
P. S. Didn't know I would end up writing a long review for a 12 episode drama with lil context to narrate w/o spoilers but well, now that I'm done writing, I don't wanna remove any part of it TT.
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The Quintessential Japanese Drama of 2019
First, I want to let you know that in Japanese Drama, THEMES is always more significant than the plot. It's doesn't matter who Nagi would end up with or how the drama would end. What important is how the show will convey its message. This drama is not your typical two-boys-one-girl type of story or other overrated romance crap. You could choose your ship if that entertains you, but just to let you know, this drama was not meant to make your heart flutter, it was meant to speak to your soul.This drama is about the so-called "Hard Reset", not the one you do with your phone but the one you apply with your own life. The important decision you do to make a significant change and start anew. Completely changing your environment is essential, which is what the main protagonist did in this drama, a long vacation. It made her discover more about herself and broaden her perspective of the world, or to make it more precise; it made her have her dream.
Another theme is reading the atmosphere/mood or reading between the lines and I'm sure most of us are familiar with that feeling. When you enter a room full of strangers, most people will remain silent for a while. Judge people's faces, their expressions, their manner of talking etc. "reading the atmosphere" is everywhere, from school, workplace, family and even your relationship. Whether consciously or unconsciously, people do this all the time, this ability is ingrained firmly into us as a species. We as human, always look for a place we can call our own, and we need strong social bonds for that. We always try to "fit in" or wear all the right mask whenever it feels right.
"Stop Trying to Fit In, Aim to Belong Instead"
This drama will teach you fitting in will never get you home because fitting in is trying to adapt to a world that is not your own. Just like Nagi, you have to have your dream and not just live for other people. You have to forget the cool people; you have to find your people. Nagi found these people who help her reboot her life, the film buff grandma, scammer turned best friend Sakamoto, The most level headed mother and daughter (total opposite of Nagi and her mom), the bar owner mama and the most insensitive playboy neighbour. These characters don't only serve up as an exposition for the main character, but their story also conveys the theme of this drama, and the writer did a brilliant job on weaving them in a beautiful pattern.
The Pacing, Setting and Music add so much to the slice of life feels of this drama. Nagi's long vacation is a very well-paced drama; no time is wasted but doesn't felt rushed as well. It is entertaining enough to keep you engaged as you watch it. It also has mundane elements that if you notice would give a smile to your face like shirts worn by Nagi, it seems trivial, but those are valuable shirts you would find in thrift stores. Little details like this make me appreciate the drama more. The location would look very familiar to you after you watched the drama like it seems you also live there along with the characters. The cinematography is terrific in showing the green landscape, clear blue sky and by capturing the calmness and serenity of the laidback way of living. The OST is chill and relax, which complements the slice of life nature of this plot, but it can also get emotional when requires. I also never get tired of hearing the theme song "Reboot" sung by Miwa. It captured the whole theme of this drama.
The acting is ten out of ten, Haru Kuroki never disappoints. She is one of the best actresses in Japan right now and is indeed a national treasure in dramaland. Nagi's portrayal of inner growth is well portrayed, you might get pissed by her actions and decisions, but you always find yourself rooting for her. Haru Kuroki is very skilled as an actress, but it's her sincerity that makes Nagi such a lovable character. The title, Nagi's Long Vacation suggest this is only about Nagi, but this drama can easily be about Shinji as well, the only difference is Nagi only suppress her feelings where Shinji also hurts people around him. Shinji is a character you will despise at the beginning, but you would understand a bit about the character in the end. The writers gave him one of the best character development I've seen in recent years, and the way Takahashi Issei handled it is brilliant, probably his best performance ever. The way he controlled his emotions is masterful like at one moment his character angered you then you will laugh at his comic relief antics then you will feel him as he cries like a baby, what a man child lol.
Nagi's Long Vacation is the quintessential Japanese drama. They are the best when it comes to thought-provoking slice of life genre. You may find the characters caricatures until they slap you with realization quotes that will speak to you on a personal level.
Check my Blog for other reviews & other JDramas stuffs. (｡◕‿‿◕｡)
https://thatjapanesedramaguy.blogspot.com/
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Local country gays breaking free from Brokeback Mountain story trope
This rare gem reminded me of a queer British film "God's Own Country" directed by Francis Lee in 2017. However Restart is so much milder than G.O.C, as this film mainly explores on Mitsuomi's character development and his interaction with local people in his hometown.The resemblances of both films: The chilly picturesque countryside scenic. The use of warm lighting in some titular scenes and soft instrumental music. The gradual transition from cold to warm atmosphere as the story goes. The relationship of main country gay with his parents. The main country gay struggling with life and unwillingly getting involved with another country gay. The gentle coaxing and nurture of one country gay towards the main country gay into submission. The cosy nesting of one country gay's head onto the other country gay's shoulder in a bus/train ride home.
Yuuki Furukawa and Ryo Ryusei's acting as Mitsuomi and Yamato felt rather natural and viewers could easily relate or empathise with their characters. Yuuki's version of Mitsuomi is a resemblance of the manga version (in both mannerism and the voice). Ryo's version of Yamato is more of a goofy sunshine-boy country bumpkin that enlightens every scene possible. The acting from other actors are great as well and their interaction with both mains blend in easily.
All in all, the soundtracks suit accordingly to most scenes and the story plot is well-timed. Although with some minor plot changes and introduction of new characters, the film allows Yamato's backstory with more depth and Mitsuomi's conversation with his father more heart-warming - it is a faithful adaptation of the manga and a realistic representation of how younger generations nowadays feel towards themselves, their family responsibility and the societal expectation.
This film deserves a sequel as it should be.
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First, there are SOOOO many unnecessary story arcs that didn’t need to happen. They literally did NOTHING haha Dr. Ruan’s dad dying, for one. Why did he die? Why did they keep that?Another was the story arc with Dr. Ning’s son. All they had to do was just integrate the birth mom into their lives and write her in as just being a part of the new family dynamic. The entire second trip to Africa was utterly a waste of time, memory cards, and money. The story arc between Dr. Cheng and Dr. Ding was fine if they just left it. But no, they had to also be an on again and off again couple. The fact that a REBEL…A WANTED REBEL is openly out and at a candle light vigil at the hospital where there are governmental soldiers present was ridiculous.
The emotional moment of her waking up and discovering he was no where to be found was meant to invoke deep feelings in the viewer but those died long ago in me along with my patience in all the story plot holes, horrible acting, questionable choices, and this weak ass FL character that basically spends her entire adult life following this man like a little puppy. And it NEVER stops. She gives it a try here and there, but it never lasts and is always half hearted.
The drama should have ended with their second walk down the aisle and maybe a glimpse into an overly sweet and completely predictable future of their lives. But no, they dragged this on for another waaay too many episodes.
Twice, they had the doctors perform life and death surgeries on their own loved ones. Is that not allowed??
Why the HECK did the hospital discharge him without notifying his WIFE?! The reason being because she was so exhausted from the stress, surgery, and worry that she finally passed out and slept for three days?! And then for his family to up and disappear with him without so much as a note or ANY communication is sooooo disrespectful and utterly unforgivable. And THEN no one tells her when he wakes up and has amnesia…LOL wtf?! Just because he couldn’t remember her (his WIFE, mind you), they decided to just cut her out of what happened to him?! And her response was “it’s cool. He’s alive, I’m good” LOL no but seriously, THAT’S WHAT HAPPENED. THAT’S WHAT SHE SAID. Yes, I should spoiler that, but I wanted to give you fair warning…THAT is the type of story you are in for if you make poor watching decisions…..like me 😭😆
The constant back and forth flip flop of past and present was hella annoying. They should have just started from the beginning and ONLY gone back with flashbacks on moments where the character finally realized something they weren’t aware of until that moment. Like when she was told about him looking for the necklace.
He forgot how to be a doctor, watched a few surgeries and then remembered, so the hospital was all cool with it and let him perform medical aid?!
I could go on, but most of my frustrations are due to the fact that I didn’t just let it drop LOL. It was bad from the get go, but I wanted to wait and give it a few more episodes. Then before I knew it, it was too late. I kept hoping it would get better, but it never did. In fact, it got worse. It was as though the writers gave up, realized they had all these episodes left and just started throwing story lines on a wall and they just said “what the heck, we will put it all in!”
Or maybe the writers just didn’t know how to end it and basically just kept writing and the Production kept shooting haha
It’s a mess of a drama. The FL never grows a stronger spine and her entire being revolves around this one man - from start to finish. That part never changes. This is not romantic. This is sad and dangerous for younger women who could fall into the trap that this is how you should love a person. What is acceptable in relationships. What is expected. 🤮
4/10. Don’t waste your time or your brain cells. Go rewatch something else that you know you will enjoy. You’ll have spent your time in a much wiser fashion.
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While Master Devil uses many familiar romcom tropes reminiscent of Itazura na Kiss and Hana Yori Dango (amongst others), the show stands out well in being a GOOD well-written romcom WITHOUT all the unnecessary angst, frustration over stupid/extreme characters or developments, and exaggerated/pointless drama.
The plot is well-balanced and well-written in being reasonable in its developments, while staying true to the classic tropes of romcoms. There is not only a good balance of romantic development between the leads, but also ample time given for the female lead Chu Xia to independently develop her own story arcs and interactions with other characters without the male lead.
The plot is written in a more realistic way for instance, such that it is NOT a girl-against-the-whole-world trope like the desperation felt in Hana Yori Dango. Similarly, the characters are also written quite distinctively and developed in a reasonable way. Contrary to the title, male lead Qi Lu really isn't an ass at all, even if he may be unfriendly. Many of the supporting characters are really nice, and even the antagonists themselves aren't completely irrational or hateful in their behaviour.
Admittedly still, there is still about ~10% of plot development that doesn't quite make a lot of sense and requires suspension of disbelief, e.g. the first episode lol. (But all will be well once you get over that bridge.) However, I feel like the amazingly funny/cute character interactions would completely make up for this~ (especially interactions with the male lead ;))
It was really a breeze completing this show, helped by its short 20-minute episode length and addictive previews. Forgiving the laughable CG (from the first ep) and not-that-great OST due to its lower web-cdrama budget, the young actors and plot still held the show up well and hit all the right notes for me in delivering almost everything I'd have wanted to see in a classic romcom, without the frustration.
That being said, it's EXTREMELY important to leave a disclaimer that these 23 episodes is NOT a completed story and will be directly continued in the upcoming Season 2 (which I'm still dying in anticipation for). Hence, with the HUGE POTENTIAL for romantic development being left in the air for Season 2 to pick up from, I have been left in a state of withdrawal, which also makes for the high rewatch value of the show, simply from being classic, light and cute.
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1'Cause I saw the end, before we'd began.
Zhousheng Chen pledged his life to protect the realm with an unbreakable vow to never marry or father children. Cui Shiyi, a peerless beauty 倾国倾城 (qing guo qing cheng) was promised to the Crown Prince from birth. He is her shifu, her master; thus any romantic relationship between them is forbidden. This kind of story never ends well - Zhousheng Chen knew it, Shiyi knew it and I knew it. Yet I fell helplessly down the rabbit hole with them and almost drowned myself with tears. I did not expect to be so moved or so heartbroken 'cause I saw the end, before we'd began. So be warned, this moving, legendary love story between the noble Nanchen wang and Shiyi is sad and unforgettable.This drama's production values are incredible from the movie aspect ratio, stunning sets, gorgeous costumes drenched in a soft palette that accentuates the beauty and ethos of the unspoken, unspeakable emotions that encompasses every loaded moment. The haunting and poignant OSTs are the only times their feelings and promises are verbalized. The lyrics are layered with meaning that compliments the beautiful prose of Mo Bao Fei Bao's popular novel 一生一世美人骨., that is woven seamlessly into the script.
I love how Mo Bao Fei Bao writes - her composition style is simple and profound at the same time and yet I am unable to finish the novel. It is set in the present, with Shiyi flashing back to their past. I simply can't relate to a docile modern woman with such ancient values, whose whole reason for existence is one man. The drama adaptation that starts with the past makes for far better storytelling as Shiyi is a product of her time, a Northern Wei noblewoman raised to dutifully abide by all the social strictures and expectations of the day. Underlying her gentle, serene expression, she is incredibly single minded ("my heart already belongs to someone, it will not change") and the imperceptible flashes of fury in her magnificent eyes says she is far from docile. Bai Lu interprets Shiyi brilliantly and brings her gentle strength and courage to life in a way that vastly exceeds the novel.
As for Ren Jialun, he is truly one of those rare actors who says it best when he says nothing at all. He never has to tell Shiyi how he feels about her, it it is evident in all the small gestures and most of all, it is in his eyes, in the sublimely romantic way he eyes her ever so longingly... and so regretfully. It emanates from the core of his being and breaks free from all of the constraints imposed by duty, responsibility and his toxic oath. With this mature, charismatic and substantive performance, Ren Jialun sheds his more youthful persona and proves his ability to compel in more complex roles that require some heft and gravitas. That said, I wish Zhousheng Chen wasn't quite so restrained; that they had given us at least one moment of temptation, where for once if only briefly, he forgets he is Nanchen wang so that they can be just Chen and Shiyi. If I remember correctly it is hinted heavily that there was one such moment in the novel. Nonetheless the palpable chemistry between the leads convinces that while not in deed, they are lovers in every other sense and meaning of the word. This captivating and shattering performance by both leads underpinned by their remarkable chemistry makes this slow burn, tragic romance a must watch.
Even though the drama adaptation attempts to better flesh out the past, the story's focus remains predominantly on the romance and that is where it shines. The external political plot is designed almost solely to either frustrate or facilitate the romance and thus does not bear close scrutiny. It is clear that political plots are not the screenwriter/novelist's forte although she does a credible job pulling together perhaps too many common tropes - rival clans, power struggles, Wu Tzetian-lite (brainless) and thwarted love rival wrapped up in filicide, murder and betrayal. Although all of the supporting roles including the villains are very well acted, there are many side characters who do not advance the plot and the inter-relationships and rivalries among the main clans and the consequent political dynamics are not well explained. And then there are characters like Yang Shao who conveniently pops up as alternately friend or foe as and when required by the plot. His motives and loyalties are not obvious and for such a poorly developed character, he gets to do some pretty important stuff. Neither villain is that complex and they both seize power without the means to secure the border and thus the empire without Nanchen wang. They are not intelligent or worthy opponents - even when they win, it is by foul means that lead to self destruction. Nonetheless, I watched this with a forgiving eye, mostly because I was too busy emptying my tear ducts to have the emotional energy to be bothered by the logic flaws.
This drama really enraged me at the end. The lovers' fates are well telegraphed from the get go so that is not my issue. My problem is with how Zhousheng Chen the character was mutilated by the writers at the end. The core of what makes Zhousheng Chen noble down to his beautiful bones is the conviction that his sacrifice, their sacrifice is worthy. And it is manifestly not worthy - he makes the same mistake twice of shoring up a ruler who simply cannot hold on to the throne and is bound to be a puppet. What it comes down to is he chose to save his bloodline and a bunch of worthless, doomed ministers at the cost of peace at the border, his beloved Nanchen army and Shiyi; leaving the country defenseless and in the hands of a sociopath. Even though the writers acknowledge they did him dirty when Shiyi piteously comes to the same damning conclusion and it just breaks her, how they wrote themselves into this corner is unforgiveable. It could have been avoided if the external plot were better configured to begin with and if they had the courage to change some aspects of the novel rather than simply writing to back-solve for certain outcomes. In doing so, they made an incredibly compelling case for Zhousheng Chen to just kiss the girl, revolt and seize power or to ride off with her in the sunset and defect to Nanxiao. He would still stay more true to character because that is what would have achieved the greater good instead of simply protecting his brother's legacy at all cost. Thus with regret that oozes from every pore, Zhousheng Chen foolishly forsakes both the common people and his Shiyi for the king and country that forsook him. There is no level on which this is a satisfying outcome and Zhousheng Chen deserves better than that.
Since I am ranting, I would add that I am not in the least consoled by the fact their unfulfilled love even moves the universe to give them another shot in the modern sequel Forever and Ever. First of all, this takes thousands of years. Secondly, if I were Shiyi, I would run, run, run, run, run AWAY from Zhousheng Chen after what he did. And finally, to get my much needed closure, I am really irritated at having to try to watch a darned modern romance, a genre I normally avoid like covid.
I still rate this a 9.0 largely due to mesmerizing performances by both Bail Lu and Ren Jialun, in their rendition of this love story that captured my heart and soul in a stunning depiction of 色授魂与 (se shou hun yu). I don't need to elaborate on what that means, it is there in every glance, every word, every interaction.
Postscript:
For those of you who need closure, there is a very well fan made alternate ending ending produced by industry professionals. I have fan subbed it and hidden it as a spoiler in the comment section of this review.
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Amazing Female & Male Leads | Precious Romance
I almost missed this wonderful drama because Ren Jialun (aka. Allen Ren) was not on my favorite actor list. I watched him in "The Destiny of White Snake" but couldn't grow to like him. However, in this drama, he is simply fabulous! The Embroidered Uniform really makes him shine above all; he is so perfect in this amazing drama, as if the character Lu Yi is written for him.Ren Jialun has a face that fits exactly the face of the Lu Yi character to which Yuan Jin Xia has said, "the face of the Lord of the Netherworld" because his face is sour in its resting state. I normally don't like sour faces, but I find the sour face of Ren Jialun so cool and adorable that I don't even believe myself! I love him so much in this drama that he is definitely enlisted on my favorite actor list from now on.
The character Lu Yi has a no nonsense demeanor: ruthless, few words, authoritative (he's the head of the Embroidered Uniform Guard), calm, strategic and smart. Ren Jialun simply looks so fabulous in this uniform that, together with his natural acting as an authoritative figure, he merges with Lu Yi as one.
I have always loved Tan Songyun (aka. Seven Tan) who plays the character Yuan Jin Xia. Tan Songyun is so cute and tom boyish with her cleft chin, making her a perfect gutsy police officer in this drama. She has a face that can look like a pre-teen, or a 20 something professional woman, affording her all the flexibility of a fantastic actor and fitting into any roles easily. Her acting is simply top notched.
It is rare for me to like an antagonist, and this drama provides one. The character Yan Shi Fan played by Han Dong is amazing. He's ruthless, deceitful, corrupt, scheming, and a mastermind behind all the evils. The actor Han Dong is tall and good looking. As Yan Shi Fan with a glass eye, devious and a double-faced demeanor, Han Dong's acting is simply immaculate.
The story itself is light and easy to understand and follow. The pace is perfect. There's no one moment that is boring or extra. The romance is adorable and precious. I don't have enough of the male and female leads together, going through all the adventures, solving crimes and mysteries. Every moment of them together is so beautiful, precious and sweet. Their chemistry is incredible! Their relationship has always been complementing and supplementing each other. Lu Yi is strategic and calm whereas Yuan Jin Xia is versatile and meticulous. When Jin Xia gets into trouble, Lu Yi is always there to help her escape unscathed. When Lu Yi faces danger, Jin Xia is always there to face danger with him and protect him. Both are willing to sacrifice their own lives to protect the other. Their love for each other is truthful and undying, and is of the highest level that nothing else can replace. It is this relationship that draws viewers to love the couple and shed tears for them.
This drama has all the adventures, mysteries and romance; a makes-you-feel-good kind of drama, and a great ending providing proper closure - perfect ingredients for a great drama.
This is a sweet and wonderful drama not to be missed. TWO THUMBS UP!
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A mature and healthy romance that shines with its own light.
“Shine on Me” is, quite simply, a gem among romantic dramas. As a big fan of slow-burning romances, this drama is a masterful example of how to develop a relationship in a healthy, realistic, patient way, with a spicy chemistry that is built with intelligence. Although its plot does not attempt to reinvent the wheel or the genre, it stands out as one of the best romantic dramas I have seen due to its emotional depth and the quality of its characters.The first thing I would highlight is the profile of the protagonists: both come from wealthy families, but far from the clichés of arrogance, they are humble, hard-working, educated characters with admirable moral strength. The drama does not ignore their privilege, but uses it in an interesting way to explore envy and social dynamics (as in the case of characters such as Rong or their college classmates), adding a layer of realism.
The most fascinating contrast is embodied by Zhuang Xu, a complex and tragically human character. His story with the protagonist is a painful study of opportunities lost to fear and insecurity. As the head of a humble family with serious problems, he represents those who have no privileges. However, the drama avoids idealizing him: his passive-aggressive comments, his lack of confidence, and his indecision make him a gray character, intelligent but trapped in his own self-loathing. His arc is deeply moving in the sense that you first feel dislike and anger, but at least, for my part, in the end I felt a little sorry for him.
My favorite character, without a doubt, was the protagonist's cousin. His charisma, kindness, and the fresh and natural dynamic he has with her (supported by excellent acting chemistry) bring warmth and lightness at just the right moments.
The dynamic between the main couple is the heart of the drama. Their relationship is based on mutual security, unconditional support, and communication that, although not always immediate at first, never falls into unnecessary misunderstandings. Even a potentially major conflict such as the car accident is handled with maturity, without resorting to prolonged drama.
Impeccable technical aspects: The OST is a gem that perfectly accompanies every emotion, the costumes and sets are elegant and believable, and the kisses... are a solid 10. The narrative balances family drama and college friendships vs. corporate friendships well, and although some dialogues about business strategy and organization may feel a bit dense, they are essential to understanding the couple's shared ambition: to become pioneers in solar energy, a goal that gives meaning and significance to their union.
Conclusion: “Shine on Me” is a well-rounded, emotionally satisfying, and beautifully executed drama. It offers mature romance, layered characters, a positive message about teamwork, and a love that is built with patience and respect. Highly recommended for those looking for a story that shines with warmth, intelligence, and heart. In life, there may be many loves, but only one will be the right one.
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Spoiler that shouldn't be a spoiler because it's a Trigger Warning
It's insanely rare and nothing short of a miracle to have anything LGBT+ related when it comes to China. It was enough reason for me to watch it so that we get more.It didn't have a big budget, of course, but I liked it for the most part. I was going to give it a 7/10.
But, then . . . They went the route of Addicted. A.K.A. There was a forced scene.
I'm giving it a 6/10 trying to push that aside in my mind and act like it didn't happen. I shouldn't have to! Because why the hell did you guys have to do that? Why?
Things were going well. The group of friends was fun together, it was light-hearted, and the two MLs were sweet together.
You let about a minute of screen time taint an otherwise fine and enjoyable drama. What a waste.
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