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A tragic love story from the start, the journey of Yoon Shim Deok and Kim Woo Jin was hard to watch because of their known inevitable end. However, I still found myself falling hard and becoming emotionally attached to them and their relationship, despite the barriers they faced. No matter what they did, it was obvious this was the only true end for them.
The acting from the main two leads in this I think was perfect. It wasn't over dramatised or unplayed, there were the right amount of emotion from each of them that my heart broke every time they faced a hardship.
The OST isn't incredibly memorable, however it fit perfectly with the story and style. It would have been nice if they sang 'Hymn of Death' rather than read it like a poem, but I understand why they didn't. And because they didn't, I went to do some research and listening of the song myself, which I probably wouldn't have done if it was included in the drama.
Of course this drama is a tragedy, despite this, because the drama is so short I feel I could easily watch it again just to experience its beauty all over again.
I would recommend if you're heart can take the pain of what is to come, and if you appreciate that sometimes love can be strongest in death.
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To be honest I was curious about this movie because of cast (mainly for Park Seo Joon) but I had no expectations of it. I've just watched it and I can tell you that this is a really intense and moving film. I really loved the actors' performances and the story was unusual because of topic but really really nice. And even if the movie lasts a little more then 2 hours, I have never fallen asleep or bored! LOL
You'll be surprised how many people will appear in it but there are many beautiful guys so... you have to watch it!!!
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Mr. Unlucky Has No Choice but to Kiss!
49 people found this review helpful
This review may contain spoilers
One For the Books
I can't explain how much I was moved by the series to the point where I stayed up at the ass crack of dawn to binge-watch. Then to be told that episode 8 would be another few hours hurt to hear, but I waited and waited, and finally, it came out, and my heart is overjoyed with something that I haven't felt for many Japanese BLs. Mr.Unlucky is an extraordinary series full of happiness, speculating luck, and a heartwarming romance.Let's Dive In.
Mr. Unlucky Has No Choice But to Kiss is the story of Kota, a boy born unlucky who has unfortunate circumstances happen to him every day, from falling ceilings to stepping in dog shit, he has to endure it 24/7. Until he meets Naoya, a boy born lucky, who has the best things happen to him anytime he wants them. When Kota finds himself around Naoya, he sees how his bad luck fades away, and he can have a good time. Through a misunderstanding, they both become boyfriends and their lives are forever changed. What initially drew me in was this wacky synopsis that I was curious to see play out on screen. I was a little skeptical at first, going into this with only the synopsis and that's it, but this was a gem. A bright bright gem that I'm so thankful I ventured to. While most of this series was everything I needed and more, there was a key aspect that dimmed my overall joy, but for the most part, this series was as close to perfect as perfect can get.
One thing that Japanese series can do is either be extremely vulgar or super clean and from my understanding, there is no in-between. Even looking at Cherry Magic, a story based around a virgin, was as innocent as ever, and so was Kieta Hatsukoi, with neither shows even showing a kiss between leads, and yet, I still loved them to my fullest potential. Mr. Unlucky happens to fall in the super clean category. Part of me doesn't mind that intimacy doesn't play a big role here, because they were still able to evoke strong feelings out of me without that aspect, but gosh, does it suck not to see the climax of something the writers did so well at building up. Kota and Naoya have built such incredible sensual tension that it's almost infuriating with every passing second Kota avoids kissing Naoya or doing anything else. This series is so prude in itself that it draws back its own ability to be even greater than before, and it sucks. I wish there would've been a moment where Kota finally felt ready to kiss Naoya, and instead, we never get that. Besides a very chaste kiss in the beginning, we the audience are left to fend for our own and make up the rest of their story as it ends.
And while I do complain that intimacy should've played a bigger role here, I can't help but applaud how respectful and patient Naoya was. He kissed Kota in the beginning because that's what his past girlfriends had liked, but he realized Kota was different and was willing to wait to kiss him again until he was ready. Although that moment never happens, it's heartwarming to watch Naoya be so sensual and yet hold himself back for the one that matters to him the most. Consent was superb here, and I will deathly miss it.
Now, getting into their romance, of course, because of it being a misunderstanding, the connection isn't as strong in the beginning as it is in the end. But we get to watch with every passing moment it build and build until we're desperate for more. Getting to watch Kota be happy and do things that he normally keeps himself away from because of his bad luck is another level of rewarding. His smile, the way his eyes light up, his skips and jumps and cheers, it's all very gratifying to see. To see that Naoya is able to bring him something he hasn't had in years. Anytime they were together, my heart was aghast to watch them grow in chemistry and understanding. I was sure that Naoya would have a similar situation as Kota: using him so that his good luck isn't always there and people can stop relying on him. But nope, that's not the case. Naoya just loved Kota from the very second he saw him, and it only grew from there. That is fucking precious. I will miss seeing these two on my screen, only if it were for a day.
Onto the side characters, who were a lot less memorable, but they played helpful roles in getting the leads to where they needed to be. The two best friends were valuable attributes to Naoya who saw them as his real friends and not people needing him for his luck. I was more so intrigued with Miki's story who seemed as positive as ever about love, and Anna, who seemed very negative about love. I have my speculations that the bracelet Miki was wearing somehow stopped her from forming relationships instead of being in one, and once it broke, she seemingly started to realize her feelings for Anna, and it's quite an adventure to take part in. I wish they had more screen time after Miki subtly (but not so subtly) admits her feelings to Anna.
Ratings:
Story: 9 - It's the strongest aspect of the series. It was able to keep me entertained throughout without any skips or FF. The romance is well done, and so is the explanation and the play out of luck and sharing it. I'll only take a star off since I think the romance could've taken that one step further, and instead, the writers hold us back.
Acting: 9.5 - Great! Literally! Sota (Kota) does a fascinating job, playing up the extraness and expressional person that his character was. Sato I learned is a Japanese idol, and in some parts of his acting, it's not as strong as it could be, but still, he does a good job at getting the message of his character across. All the side characters did excellent as well.
Music: 7 - the theme song was good to me! Other than that, I didn't really pay too much attention to it.
Rewatch value: 6 - I could see myself rewatching this whenever I need my heart to flutter for whatever reason.
I don't usually ask for second seasons, cause it's unnecessary and not needed, but I severely hope this gets a second season to wrap up that endearing part of Kota and Noaya that we don't see. I still think there is a story there to tell, and I need it immediately. This had shot up to being my new all-time favorite Japanese BL, and not too far from making an appearance as my top 10 favorite BLs. I will cherish this for as long as I can. I heavily recommend this for anyone interested. If you can take yourself out of the real world and watch this fantastical series that will make you feel every emotion in the book, then give this one a shot.
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1Diplomatic impunity.
Go East starts out as a fresh and interesting workplace comedy about Sifang Pavilion 四方馆, which was an institution that hosted guests and envoys from all four directions 四方/sìfāng during the Tang dynasty. Sifang Pavillion is essentially a Ministry of Foreign Affairs; they handle diplomatic issues from issuing visas, facilitating trade, solving diplomatic cases to negotiating treaties. Yuan Mo is loosely attached to Sifang Pavilion and helps oversea foreign visitors at the city gates, under the indulgent eye of Director Ye Deshui. He is a clever fellow with a predisposition for wine, snakes and bird brains but he lacks ambition and shirks responsibility. Alas, he spots a real strange bird, Ashu, at the gates and makes the mistake of his life by stopping her. She invades his personal space, poisons him, bullies him, frames him, helps herself to his hard earned money and turns his life upside down. This poor man is so alone and lonely that he sucks it all up as if he was deprived of attention his whole life. As it turns out, the Man in White, the deadly leader of the Faceless assassins are after her. To help her, Yuan Mo gets co-opted taking on a proper role at the Sifang Pavilion, where he proves himself by solving a few tricky diplomatic cases.Ashu as a character did not work for me from the get go. She debuts as an entitled bully who blames the hapless Yuan Mo for all her issues, makes unreasonable demands and causes no end of trouble for him. She doesn't bat an eye when her servants openly disrespect him and never apologizes or feels a smidgeon of remorse. She puts herself in harm's way repeatedly with her noble idiocy and half baked schemes, endangering everyone that has to rescue her. This is an ungrateful creature that tramples all over the male lead and is so lacking in intelligence and survival instincts that it is a miracle she didn't perish long ago. I never connected with any Zhou Yiran's roles and her portrayal of Ashu is callous and supercilious to the point that I didn't root for her. Her piteous and repetitive crying scenes made me yawn and roll my eyes. For sure, these scenes are exaggerated for comedic effect but her constant smug expression made her seem mean instead of endearing or comical. None of the female characters are written in a flattering way. Yuchi Hua is also a termagant and is a cliché gender bender character whose only contribution is as token muscle. But at least she softens up and she shows she genuinely respects and cares for Wang Kunwu. This is the latest in a disturbing trend of dramas where the female characters get a free pass for toxic behavior towards male characters who pretty much just roll over and play dead. When did it become so unfashionable to have balanced relationships where men and women just treat each other well?
The only thing that salvaged this drama for me is Tan Jianci's incredibly funny and moving performance as Yuan Mo. This is a refreshing role for him and his comedic timing and expressions are spot on. The character itself is not super well written either; he fell for Ashu too quickly and I remain baffled as to why; he lets her walk all over him and he is super intelligent but ultimately only applies himself for her. The gaping difference between Tan Jianci and Zhou Yiran is that he made me love his goofy, slightly wimpy, deeply wounded Yuan Mo flaws and all; a character who seemed to not quite dare to live until he had to find himself for an ungrateful wretch with the brain the size of a watermelon seed. (Why didn't I live thousands of years ago so he could have found me instead?) Even though they looked cute together, the chemistry between them seemed more friendly than passionate so as a couple, they didn't move me. All those wasted Tan Jianci kiss scenes! But I enjoyed the camaraderie between both couples and the broader Sifang Pavilion team and the hilarious rivalry between the East Court and the West Court. Ye Deshui was MVP for me; he delivered as many comedy gold moments as Yuan Mo did and I loved the hilariously pragmatic way in which he ran Sifang Pavilion and appeased domestic and foreign conflicts.
Plot-wise this drama starts out well as I was genuinely intrigued by the foreign relations premise of the story. The first two cases are interesting and tight and the satire made me invested in the team. After that, the romances starts to take center stage and the to-ing and fro-ing between couples I didn't really care for was not funny enough to keep me engaged. That is also when progressively larger holes in the plot emerges and it snowballs into an avalanche at the end. Along the way, the tone of the drama shifts from silly and hilarious to one where the writer kills off good characters with diplomatic impunity. There was only one good twist in the entire plot, which was who saved the Yanle princess. The identity of the princess was too obvious you couldn't have missed it. Likewise, they cast an actor with an unmistakably prominent feature as the mysterious Man in White. He was flagged early on as a suspect in the Red Lotus case and his identity was just given away during Ashilan's kidnapping. Both these reveals were too early, erasing any sense of suspense. I thought Ashu was as dumb as bricks until they get back to Yanle which is when I realized that in the land of the blind, the one eyed woman is queen. The final reveal of the Man in White's motive contradicts the entire plot because given his identity, he never needed any Yanle princess; in fact a cooperative fake one is much better than the real thing. The smart thing for him to do would have been to eliminate her from the start. This is also what Long Tuqi should have done but Yanle is the land of the dumb after all. Even though it ends in a satisfying way, it was a hollow victory because they won because they were out-dumbed by the antagonists. It is this drama's most unique feature; a race to the bottom where the protagonists and antagonists vie to under smart each other.
Overall, the first half of this drama can be enjoyed as a spoof kind of along the lines of the Austin Powers movies but lacking any underlying intelligence. It is worth watching just to see Tan Jianci do comedy and romance watchers who can ship the couple may enjoy it more than I did. I found it a very mediocre watch, one that feels like a 7.0 more often than not. But I am going to throw in a 0.5 for the fresh premise and Tan Jianci's phenomenal, funny and moving acting to call it 7.5/10.0 overall.
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1. Inteeeeeense, If you want a lovey dovey story or a simple robbery movie it's not the case ! Violent, Brutality and Cruelty are word to describe this movie. SO if you are too young, or live in a cute world, or still are innocent, this movie isn't for you.
2. It's not the common movies with beautiful scene and happy end. I love the work of the director: from the very first second of the movie you can feel the dystopia of the world. I really don't want to spoil just to know, you can feel the reality of the hard life they have (or had) and the parallel world of dramaland without any censorship with Tattoo, Smoking, and Insult in every single scene.
3. The cast: I don't need to speak about Choi Woo Shik I think he totally suit to movie more than drama, he's a skilled actor. I was glad surprise with Lee Je Hoon (I didn't even recognize with his evolution since Fashion King) and with Ahh Jae Hong, we can plainly see a new face of him totally different from Be Melodramatic or Fight for my Way. Last but not least Park Hae Soo is so so so impressive, this expressionless face and psychopath idea are just stunning
4. The family meaning in this movie make us reflect a lot about it. Is family only blood member ? Is it more important than our own life ? Is friend able to remplace a mother place ?
So I hardly recommend this movie if you want to live intense moment and stressful scene. If you have a fragile and delicate heart it's not for you ehehe
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This review may contain spoilers
[I'm writing this while keeping in view that this was a Makjang.]One thing this drama does well is the pacing - you are not left hanging there for long. You want the answers? You'll get them in time. Moreover, every episode leaves you desiring more. The plot also ties up together very well; there are hardly any loose ends. The aim was consistent throughout: expose the Imperial Family. The characters involved had almost always something to do with the plot (thankfully).
Given the fact that it's a makjang, unbelievable things happen, especially in the beginning. As it progresses, the strengths overpower the flaws, in my opinion. Those makjang-y things aside, there's another reason I'm withholding points for the plot, and that's weak writing at certain areas - and poor decisions by the production team. Weaknesses emerged when the writers added fillers to an episode that could have been swapped for a more meaningful scene. Also, one of the main characters is pushed to the side because the production team overlooked his defining role in the drama.
I must say that the actors carried the drama - without them, it would not have survived. Shin Sung Rok was splendid as always (you'll love his expressions); Jang Na Ra proved she is more than just a rom-com queen - she knows how to play a ferocious, clever, and upright character; CJH was a master at portraying subtle emotions. The characters were not two-dimensional, and the actors had to make us believe that: Sunny developed from being naive to clever; Na Wang Shik had to chain his anger, and almost lost himself to it along the way, with some questionable actions to achieve his goal while still maintaining his position in the "right side"; Lee Hyuk literally jumped from different extremes as an insecure, traumatized - and rather insane - Emperor. (I would mention others too, but their performances stood out the most.) Overall, you will find yourself cheering for one character and cursing another. And be prepared to switch sides often!
The music was great. Loved each OST. Gaho's Not Over, in particular, set the right tone of suspense at most cliffhangers. What Would it Be was beautiful too. Oh, and the instrumental was good too; the mellow yet intense instrumental that they chose for heavy scenes (**spoiler** like when Sunny abolished the Empire **spoiler ended**) was a favourite.
There are certain scenes you want to re-watch, like O Sunny being righteously angry, or a few heartwarming moments here and there.
Watching this drama was a ride. Don't miss it! Despite its flaws, it has much to offer.
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This review may contain spoilers
Don't be deterred by a supposedly dry accountants´ world. It´s feisty. Suspenseful. Emotional, too
"Numbers" is about auditors, balance sheets and accountants. It's obviously all about numbers. That may put some people off. It's also about what lies behind those numbers, and that may at times seem even more complicated to the uninitiated. However, deliberately illustrative examples are repeatedly interspersed. And it is even more gratifying that it is not necessary to understand all this in every detail in order to enjoy the series. “Numbers” is about a rational and clever mastermind. Yet it is also about having the heart at the right spot. It´s feisty. It´s also emotional. It stands up and means it. Great!"Numbers" is definitely worth it getting involved in the abstract world of accounting specialists. Especially since their decisions, in turn, have consequences for a world that juggles numbers even more aloof - Investment Fonds... While the auditors keep an eye on the current state of the balance sheet and put its potential through its paces, investors only care about future returns and often want the maximum profit regardless of the losses - which others have to bear for it.
Numbers are numbers. But the decisive factor is who has the sovereignty of interpretation. Numbers sound clean and objective, apparently. Yet, they stand for people, their visions and their decisions. Hidden underneath are solutions, too. As always, the question you´re asking, will make the difference – leading the way for your attention and focus. And as always, different possible perspectives exist. Also in the world of numbers.
"Numbers" is about a revenge campaign – again. There are actually several. It is about those who, with good reason, do not want to be intimidated by the power of the powerful – again. They have nothing (more) to lose. The bad guys are really bad. They have long lost their heart or never had one to begin with. This makes for plenty of interesting relationship dynamics.
"Numbers" also offers an interesting variety of intelligence and competence. Bottom line for revenge candidates – again: just on your own it is almost impossible to make a difference. However, someone courageously has to make a first clever and striking move ahead. With heart and soul. Then maybe others will remember that their heart was once in their right place, too. (In a rational, hierarchical world that takes for granted that there is no room for irrational emotions or personal interests, it's easy to forget just that.)
"Numbers" is a bold story about rather impure moves in the world of accounting and investment. A complex story. At the same time, an exciting, thrilling story that is fun, too. No matter how remote this world of dizzyingly high numbers may be for most of the audience, watching the story feels good overall. You get a high-flying, intelligent mixture. The actors show a strong presence in their roles and thus contribute a lot. The pace is right. OST fits fine.
My suggestion: don't be put off by suits, ties and a supposedly dry, conservative, number-dominated accountant business world. Sure enough, "Numbers" has it all!
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Side Note:
Banks in South Korea have been taboo for investors since the Asian crisis. For the bank sector, on the other hand, financial investment transactions are not permitted. Just now, in 2023, fundamental reforms were launched - some are even talking about a revolution. The banking sector is just now being opened up to new players in order to stimulate competition.
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This is not a light, fluffy romcom, nor a makjang melodrama. It's a dark satire that pokes holes in a cliched plotline, while focusing on the toll corruption takes on families and people, from the lowliest to the upper echelon. I enjoyed watching this very much and am sorry to see it go, and wish they hadn't cut 2 episodes.
This fully deserved the Baeksang Award :D
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Great drama!
Story - very interesting and dynamic. World class military action series.Plot - without holes in the storyline, realistic, intensive and fascinating.
Acting - Yang Yang and Jiang Lu Xia are amazing and giving their all to the roles. This is Yang Yang best drama so far. The supporting actors are indeed great and have huge contribution to the drama. Until 45 ep no bad performance all actors complement each other.
Cinematography - very professional and impressive.
Costumes and make-up - unbelievable good and realistic.
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The Veil
49 people found this review helpful
1This review may contain spoilers
Captivating spy thriller, intelligently questioning the philosophy and ethics of secret services
"The Veil" is a really exciting, all-round first-class KDrama in the secret service milieu. The world of spies, the unconditional obedience to orders and professional ethics as well as the swampy terrain surrounding ´right´ vs. ´wrong´ / ´good´ vs. ´evil´ is not only extremely exciting, but also multi-layered and downright critical. (With "Moebius: The Veil", the makers provide background information on some of the central characters of the series in an equally gripping 2-part prequel.)
At the center of the "The Veil" is an excellent agent of the National Intelligence Service (NIS), who suddenly reappears out of nowhere one year after his mission had gone wrong. He has no memory of the past year whatsoever, but is determined to find the cause of failure at that time.
The international title of the KDrama refers to the veil of the protagonist's memory that is lifted in the course of the story. At the same time, it also refers to the veils within the NIS behind which many secrets are kept hidden, and what happens when someone wants to lift them. In the original, however, the title is translated "Black Sun" and refers (no less symbolically) to the phenomenon of the solar eclipse.
MBC spared no expense or effort in the production of "The Veil". With this series, the station is celebrating its 60th birthday in 2021 in a successful way that is well worth seeing. Not only excitement and action are guaranteed, but also an intelligent story that is up to date. (See side note below.) The gripping script is multi-layered with numerous characters who repeatedly move back and forth between the poles of good and evil - eventually, in this intelligence service profession it is neither clear who is who, nor is it unambiguous why...
The overall first-class cast has proven itself altogether through their strong, convincing presence. Namkoong Min in particular gives everything here. He is hardly recognizable compared to e.g. "Stove League" from 2019. For "The Veil" he had trained intensively and gained 10 kilos of muscle mass. He impresses with his powerful physicality, which gives his role even more weight. In that sense, he also performed all the stunts himself.
(Apropos stunts.... this KDrama has its bloody, brutal side, too... for some it could be a bit challenging at times...)
Right down to the camera, light and music, everything is of the highest standard. Since both the characters and the story are so sophisticated and complex with many details, the KDrama is also suitable for re-watch - even if you know how it ends...
"The Veil" is a captivating spy thriller of international caliber that intelligently questions the philosophy, mission and ethics of the secret services from multiple angles. The story also deals with recent history and political past, with present and future ´NIS´ of South Korea.
------------------ SIDE NOTE: --- political/historical context of the NIS ---
The NIS has only had this title since 1999 - and not anymore since July 2020, to be precise. (The story is from 2018 though.) The history of South Korea's intelligence agency is paved with some abuse of power over its own people on South Korean soil.
The South Korean intelligence service originally goes back to the KCIA (Korean Central Intelligence Agency) from 1961, which General Park Chung-hee had initiated. The responsibilities included overseeing and coordinating both international and national intelligence operations and investigations by public and military agencies. The power to get involved in political events (unsolicited and without permission) was correspondingly great. With all this, the KCIA is also one of the elite of Asian secret services in terms of the demanding training.
Following the end of the military dictatorship by General Park Chung-hee, who was assassinated in 1979 by the then head of the KCIA, the KCIA was purged and operated as ANSP (National Security Planning Agency) from 1981. Their most important tasks included spying on North Korean activities and, for example, the suppression of political activists of the pro-democracy movement in their own country.
In 1999 ANSP became NIS. For its part, the NIS actively intervened in domestic politics in favor of Park Gyun-hye (daughter of the former dictator) during the presidential election in 2012, prompted by the head of the intelligence service, Won Sei-hoon. In fact, that NIS campaign against Moon Jae-in resulted in him narrowly losing the election. Meanwhile, Park Gyun-hye has been in prison since 2016 on serious corruption charges, and Moon Jae-in has officially been in office since 2017 (-2022) as the 12th President of South Korea.
In 2020, the government, the presidential office and the ruling Minjoo party agreed that the state secret service NIS should stay out of domestic politics in the future. In connection with corresponding reforms, the NIS was renamed "External Security and Intelligence Service". Illegal actions by secret service employees, abuse of power or interference in domestic politics will from now on be subject to severe penalties.
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The story is not a typical kdrama story with a lot of twists, birth-secrets, evil characters etc. It's more like I was following the life events of a normal family, whit ups and downs, remaining always with the feeling that something like that could happen in real life. That's the reason why I really enjoyed the show. It is different.
The characters are very well written, all of them had theirs own story, with funny events, sad events, love stories, friendship, breakups and reconciliations, marriage, birth and death. The chemistry between all of the characters was very good, giving the feeling they're a real family.
Of course the strongest plus point is the love story of Tae Sub and Kyung Soo. I loved the way it was presented, it was not too much for a kdrama, sometimes I even had the feeling the kiss is missing (but , in the end, I think it was better without it). The other love stories were also good, but not like that one.
The acting was brilliant, everyone portrayed his character very good. After this drama i'm loving Lee Sang Woo more and I noticed Song Chang Ui. It's the first time I see him playing a main role.
If you wanna watch a family drama that's not very complicated, with a plot that flows smoothly, with strong characters, full of family-love, with good love-stories I recommend this one!
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ACTING/CAST: Both the younger and older selves are cute guys. They did a fine job.
MUSIC: If I could have given an 11 or more, I would have. Outstanding music.
REWATCH VALUE: It's practically required to get the most out of the story.
OVERALL: A great BL story with cute cast and amazing soundtrack.
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And just like that, you stole my heart away.
This is the first ongoing Kdrama in 7 years that I watched in real time. I think words will fall short if I try writing a review for this drama, regardless of it's seasons. I didn't watch the season1 ongoing bcs I never do that for any drama as I'm very impatient aand anxious to wait and think about what's the next. But sure, I was intrigued by the response it was getting during the s1 and even so I took 3 months to start it.Anyways, I decided to watch the season 2 ongoing without a 2nd thought before a month and the reasons are obvious. Morever, slice of life Kdramas without solid plots can be watched ongoing easily. I am very glad for my decison and grateful for each and every moment.
Again, this ain't a review because this dramaa is excellent in all the aspects and don't need evaluations to be judged. The writer Lee Woo Jung jakka-nim and director Shin Won Ho PDnim are my most favourites, both individually and as a PD-Jakka pair, I can blindly trust on whatever they do.
Script, story progression, twists, character development, revelations, realizations, and all other realistic elements of life are very well placed and utilized in the drama and directon work is like adding feather to a cap.
I will be pointing out the highlights of this season and I think I might spill spoilers for those who have not watched it but let me mention them anyways because you know it's a slice of life story plus apparently the concluding season. So here I go:
# The season 2 started exactly where it had ended in the season 1.
# The story continues to be aas simple as the 1st season with no solid plot development rather showing the day to day life of YULJE.
# The most important thing of Hospital Playlist is the ordinary days of the extraordinary group of 5 friends who continued to inspire, motivate and teach us various different things even in this season.
# The definite character development of Suk Hyung, becoming open and clear from being shy and introverted person.
# Ik Jun is still that lame person who loves throwing PJs despite the seriousness of the situation and I think I can relate haha.
# After few months, SongHwa returns to Yulje but also gets busier with the management of VIP ward meant for "Daddy Long Legs Funds", surgeries, lectures and helping her fellows with their thesis.
#Jun Wan is still that serious yet silly guy who gets annoyed at anything. He had to go through misery but he managed to pull off his life better.
# Jung Won, still a kid by heart, continues to learn every other day from experience and despite his indecisiveness, can stay calm.
# Jun Wan and Song Hwa are still those maad foodie pairs who eat more than half of the food and even fight w/ each other for it.
# Ik Jun and Jun Wan still get into fight out of nowhere at their 40s over silly things, pulling hairs and punching each other.
#Jung Won continues to intrigue the kids for his love for them and somehow makes them to fall for him.
# The surgery scenes are not detailed for a fact but the OT scenes with variety of shades given the situations and severity were wonderful.
# Uri best boy Uju has visibly grown up by looks and by brain. He is in fact more quick-witted now and interacts like an adult with others.
# The kumo-chukha bonding between Uju Iksun and Uju is another adorable thing to witness.
# Just like previous season, Hospital and Playlist also focuses on the life of interns, residents, staff nurses and other staffs of the institutions.
# Uri twin interns Hong Do and Yun Bok continue to win our hearts by their cuteness. Yun Bok is loved by everone.
# Hong Do is still troubled by Jun Wan who asks him critical questions every other day and bothers him even after he changes dept.
# The Winter Garden Couple tries their very best to keep their relationship a secret from the hospital except for their dearest ones.
# Just like last time, we get to see different shades of gynecology dept, few of birth givings, life of their nurses, interns and residents.
# The Band continues to come up with very good songs and acing those with their skills. Song Hwa had a contract to sing once in 2 years. I always looked forward to discover a new track evey week.
# The bonding between 2 mothers whose babies were both on VAD waiting for a heart donation was very well shown. They were the marathoners who at some point were able to reach the goal.
# Min Ah was finally able to change Suk Hyung's heart through her determination and that was the best thing about this season.
# The life of caregiver nurses of the pediatrics was beautifully portrayed and that indeed was heart-touching.
# Undoubtedly, this season also showed us the bittersweet relationship between doctors and their patients. The way the doctors and handle the patients plus their curiosity and anxiety is very realistic along with the patient's way of respecting the doctors.
# Winter Garden Couple: The foregoing romance between Jungwon and Gyeo-ul that matures with time and they learn how to open up to each other. It felt good seeeing how their bonding was becoming closer.
# Kom-Kom Couple: The development and progress in the relationship status between Min Ah and Suk Hyung that journeys from Professor-Resident to couples and this is the best thing about the this season and in fact it took the entire season to happen.
# Ik-Song: Our most favourite, IkSong who are best known for their slow-burn romance finally ended up together which was sudden bit definitely happened at the most appropriate pace. Both of them needed their time and that's completely understandable.
# Bidulgi (Dove): Jun Wan and Ik Sun had the most difficult time. The couple went through a very rough patch and had to put an end to the LDR but after years crossed paths and realized their undying feelings for for each other.
# Silver Dragon: Suk Min and Sun Bin, uri lovey-dovey residents were away for a while and had some problems in the relationship but thankfully sorted them out and continued to make us feel cute
# The friendship between Rosa and Jong Su continued to bloom even in this season and in fact they became closer buddies who hung out and had meals almost everyday.
#The bromance between Jun Wan and Do Jae Hak, Cardio- thoracic chief resident, is another best thing. The way Jae Hak adored and respected Jun Wan even when Jun Wan was his professor and also the reason behind it was so very mesmerizing.
( Idk what else but I know for a reason that I got many more things left to talk about so I shall edit this review whenever I recall something important to add)
THE OSTs.
A majority of 90% tracks, like the last season, are the covers of old songs from 1970-2000 or after that and in fact 80% were also sung by Mido and Falasol, our fav band in their band practice.
My most favourite track of this season was is "SUPERSTAR" sung by Mido & Falasol. This is very inspiring and such a mood booster I swear. I both cry and then jump outta joy listening to it.
"Rain & You" sung by Lee Mu Jin, "In front of the post office in Autumn" sung by uri Suk Hyung (Kim Dae Myung), "Is it Still Beautiful" by Seventeen, "To You" by uri Ahn Jung Won (Yoo Yeon Suk) were some slow heart touching tracks.
Similarly, "Reminisce" by uri Kim Jun Wan (Jung Kyung Ho) and "Let's Forget it" by the band sad and heartbreaking tracks. "I Like You" by Jo Yong Pil and "I Like You" by Jo Jung Suk are both jolly ones. "Already One Year" is also a favourite.
I am glad they released 5 drama version band songs for this season
I really didn't knew whether to be happy about the 2h40m finale or be sad about the end of this season but to my unfortunate, they announced the end of the entire series that made me upset. I have always trusted ShinLee pair, their work and their decisions but this came as a shocking news and I don't think I am gonna accept it any soon.
All I can do is cry my heart out. I am grateful to the entire team, the cast, the crew aand each and every single person involved with Hospital Playlist for this amazing seasons and the fabulous season that brought out all kinda emotions out of me; made me smile, laugh crazy , cry mad, be heartbroken, etc etc.
I think it's unfair that we don't get to have another season when it's them who said it themselves but I am thankful for the almost 2hours episodes that we were gifted with in this season. Hospital Playlist is definitely my most favourite after REPLY 1988 and Imma flex about it for the rest of my life.
THANK YOU UNIVERSE FOR HOSPITAL PLAYLIST
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DRAMA OF THE YEAR 2021? YESSS!
Life is not all about pain and regrets, but about the experiences and learnings. The best thing about life is that it keeps moving forward. No matter what happens in our lives at one point, it keeps going on while letting us learn from it. This is my interpretation about the entire drama.갯마을 차차차, literally, "Seashore Village Cha-Cha-Cha, truly is a story living upto it's title, giving justice to its essence while capturing millions of hearts worldwide. It is a combination of coming of age chapters and healthy, warm as well as healing RomCom, accompanied with numerous life lessons, portrayed in the form of various relationships that also throws light upon uncountable shades of life, love and living. So what does it become? A PERFECT SLICE-OF-LIFE KOREAN DRAMA.
Plot is simple as you know. Oh Hye Jin, a capable and righteous dentists resigns from work and unable to find another clinic decides to open her own in the seashore village of Gongjin, which she had gone to visit on her mother's birthday. There she meets Hong Du Shik, an talented yet unemployed man who willfully does all kinds of odd jobs to help out the villagers and wish to continue his simple life. As they encounter each other multiple times and find each other's presence during respective critical times, the bond between them grows closer making them fall in love. All these happens in the premise where lives of the villagers go on parallely, accompanying continuous build-up, growth, healing giving away love & care, as a community which is more like an extended or chosen second family.
This shit is indeed hell of refreshing because of the scenario the drama has choosen as it's set, i. e. the fictional city of "Gongjin" which in real is the seaside village near Daegu-Gyeongbuk of Pohang, a South Korean city located in North Gyeongsang Province. The seaside milieu, the village settings, the city architecture and the awfully ecstatic frame of nature are the elements that undeniably attracted a lot of people to it. And what made it even more eye-catching is the cinematography skills of the production; brownie points please.
What also makes this drama stand out is the method of execution and the very natural way of diegesis (plot narrative). Relationships, regardless of it's type, are unquestionably complicated but life becomes a lil easier when we put efforts make it simple, this also is an underlying message of this drama. It's so natural that i felt I have been there with those people. Obviously, melo is an important element of any show of any genre, which is here too, but events should be as simple as a glass of water that makes it realistic in order to be appealing and relatable to the audience. I feel the drama successfully achieved that outcome.
Another thing that made me go awe was the fashion sense of the characters, please give the stylists bonus, okay? T T. Not just the young and adult characters, the kids and the oldies wore beautiful clothes of different kinds all the times, no matter how simple or flashy they were. I loved the florals that Hongbajang wore and sometimes the loose fit shirts. Hye Jin's one piece long skirts made her look so beautiful. The 3 old women in their usual outfits looked cute. Village chief Young Guk's simple yet loose fit big shirts and pants oof. Hwa Jung and Nam Sook's country-side dotted tops and pants looked nice. Chun Jae ahjussi and his half pant outfit plus scarf, my goodness. Geum Chul's entite country bumpkin style outfit and hairstyle. Bora's peach creamy hair and I Jun's decent clothes toooo. Eun Chul in both police uniform and civil clothes (soooo hot) and Mi Seon in her different kinda outfits. Sorry for the terms Idk bcs of my lack of fashion sense TT.
One of the most notable things about the drama should be all the female characters who made us see various sides of life and learn from it. Potential & stupendous female characters is nothing new for Kdrama industry but this drama should stand out in this regard for perfectly creating and nourishing such beautiful-hearted women. Different women trying their best for people around them and struggling for them isn't something new but these women, from young to the old, understood it better, I felt. Extra points for that for sure.
Since it's a slice of life story where day-to-day happenings are portrayed, drawing a definite plot development in overall is difficult. So, what we can witness are 2 kinds of developments. First the relationship between the leads along with others and secondly the individual character development. Let's talk about that...
Relationship Development of Lead Couple:--
Well, healing romance troupe has become a common factor nowadays but this surely is unique and let me explain how. Not bragging or saying I predicted it but I sure had assumed the way the chemistry between Hong Du Shik & Oh Hye Jin will develop, which happened for real making me so happy. Both of them obviously cared for each other and had liking as persons despite all the bitter encounters but until the point they fell for each in their conscious, the romance was very subtle. It was like they grew onto each other unknowingly and that feelings were piling up bit by bit over time. One day the the sac of love got so heavier, it burst open into an love relationship bonding, that was meant to last for eternity. They were definitely opening up to each other lil by lil and healing the other's pain gradually in the process but in their subconscious, it was love that was blooming up inside their hearts which one day led to prosperity and nostalgic emotions of happiness.
What made me happy how they proposed to each other at the perfect point of the story and even after officially getting into a relationship, the story showed us the following development. This was a gesture that, our lives and stories don't come to an end when we become each other's life because we have a long way to travel together, parallelly healing each other while helping both individual and coupled growth. Tbh, I was worried their relationship will turn typical following the proposal but guess what? They made me and in fact all of us, learn an important lesson of life, i. e. continuity. Obviously, there were many fluff moment's but the way of executing everything through the storytelling method abd screenplay techniques made it maintain own's naturality.
We're at a point where we have run out of new ides about events and stuffs to showcase in a relationship but what matters is how they're showed to us, how natural & relatable they feel and how realistic the outcome becomes. I am cent percent sure, this drama gave off that vibes.
NOTE: HONG DU SHIK & OH HYE JIN, uri ShikHye or dimple couple are one of the best Kdrama couples with one of the best chemistry development and a healing romance.
CHARACTER DEVELOPMENT :--
This is probably the best thing about the drama. Not just the individual development, the buildup plus nourishment of different kinda relationships were also well drawn. The character arcs of different roles came out so well, making us relate and learnt. Let's talk about them now...
# Hong Du Shik (Kim Seon Ho) aka uri Hong-bajang, the definition of "Jack of all trades, master o̶f̶ ̶n̶o̶n̶e̶ at
all". Talented yet no proper job carrying numerous small job certificates can help fix any kind of situations of the villagers. Loved by all yet orpahned and loner with thanatophobia (fear of losing someone close), he doesn't let anyone into his heart easily. Cares a great deal about the villagers tho.
# Oh Hye Jin (Shin Min Ah), the perfectionist dentist and very righteous at workplace who is also very calculative about her life. A dating rookie and doesn't want to be easygoing abd never gives in to people easily. A definite development as she changes into a warm women who admired everyone and got love in return. Very sensitive to her life decisions and helps Hong bajang in the end in healing his heart.
# Ji Sung Hyun (Lee Sang Yi), a variety show PD and Hye Jin's university senior who comes to Gongjin to shoot his show. He really went from romancing with Da Shik (Da Hee) in Once again (2020) to bromancing with Du Shik in this drama, haha. I can't say he's a potential 2nd ML affecting the lead couple's storyline but ge surely helped them in his subconscious. Very simple and decent character he had.
# Kim Gam Ri (Kim Young Ok) halmeoni, village supervisor and Du Shik's closest who have fed and cared for him since a young age. Very stubborn because of old age. Doesn't like spending money but fond of trying different dishes. Loves Du Shik the most and liked spending time with him.
# Lee Ma Ji (Lee Yong Yi) and Park Sook Ja (Shin Shin Ae) ..wish these halmione-deul had some more story for themselves but they were basically used as sidekick of Ga Rim-ssi. Regardless, very cheerful and cute. Their annoying and active faces plus the halmeoni trio made me cry outta happiness even when they were just fighting, that was so cute uwu.
# Yeo Hwa Jung (Rang Bo Ryun), the zone chief, restaurant owner and owner to both the places used by Hye Jin. Divorced for reasons known only to her and a single mother. Very sane, humble and understanding person she was though a lil insecure about his ex-husband and has hidden stories to tell. Loved the way she walked in here hahaha.
# Jang Young Guk (In Gyo Jin), village chief and Hwa Jung's ex husband, a lone man living alone and a loving father to his son. Irresponsible and indecisive at times. Not knowing the actual reason of divorce he deviates from his path for a while but eventually finds himself back in the same spot.
# Oh Chun Bae (Jo Han Chul), a failed singer, coffee shop owner, a widower and single loving father to his daughter. Still brags about his past achievement and wants recognition tho still a tender-hearted person who cares for his daughter to a great deal and misses his wife.
# Cho Nam Suk (Cha Chung Hwa), Chinese restaurant owner, loner who misses her deceased daughter. She loves to gossip and is the most definitite source of all the rumours that revolves around in the village. Very lively and cheerful as person. Loved her nasal accent and acting.
# Choi Geum Chul (Yoon Suk Hyun), Du Shik's only friend and hardware store owner. Married with a girl child and another to come. Somewhat naive and stupid but loves his family so much.
# Ham Yun Kyung (Kim Joo Yun), Geum Chul's wife and Bora supermarket owner. Very cheerful and mature for her age. Loves and cares for her family a lot and continuously nags her husband to do better job.
# Pyo Mi Sun (Gong Min Jung), Hye Jin's BeFe and the dentist nurse. Very clever and straightforward yet falls for guys instantly. Her chemistry development with constable Eun Chul was surely a sweet thing to watch.
# Choi Eun Chul (Kang Hyung Suk), Police substation constable and Geum Chul's younger brother who's very determined at job but stupid when comes to dating. Mi Sun helps her learn about relationship and they form the cutest couple of the show.
# Oh Ju Ri (Kim Min Seo), Chun Bae's daughter, a high-schooler and diehard fan of the boy group DOS (fandom Hacker). Misses her mother whom she lost right after birth. Can be stubborn and annoying at times still loves her father. A wannabe stylist.
# Choi Bo Ra (Go Do Yun), Yun Kyung & Geum Chul's daughter who's good at studies but have hidden talents. Loves Taekwondo and a lil aggressive. Adored by the villagers.
# Jang Yi Jun (Yi Eun Yoo), Hwa Jung & Young Guk's son who's the definition of genius. Too humble, polite and rationale for his age haha. BeFe with Bora and is always with her. As thoughtful as Hwa Jung.
Other than these major characters are some other actors who justified their decent roles and are indeed notable; Yu Cho Hui (Oh Ji Hee), Ban Young Hoon (Kim Sung Bum), Kang Do Ha (Lee Suk Hyung), Wang Ji Won (Park Ye Young), JUN (Byun Sang Tae), Yoon Tae Hwa (Seo Sang Won), Lee Myung Shin (Woo Mi Hwa), etc.
OSTS:
"Romantic Sunday" by "Car, the Garden" is undoubtedly the best OST of this drama which is the remake of a 2007 hit by "JISLAND". I love all the other OSTs so muxh as well. The lyrics are all so beautiful and were relatable as well suitable for various moods of the drama. "One Sunny Day" by Kassy, "My Romance" by Cheeze, "Wish" by Choi Yu Ree, "Be the Light" by Kim Jae Hwan,
"The Image of You" by Sandeul, "Here Always" by Skz Seungmin are all good. Some of them are romantic and others are soft soulful ones.
Both the writer and director have done a very good job, individually and as partners. It didn't feel like the writer doesn't have enough experience. I mean the number of work she's done is less but who'd say so after watching this drama? The PDnim obviously have enough experience, in fact one of the best drama PDs in Korea and that shows. Cinematography, sound production, screenplay editing are also very well done. Kudos to the entire crew for this amazing outcome. Thank you so much.
Technically, I love the various colour palettes used to showcase the beauty and aesthetics. The subtle presentation of props to connect and relay the storylines are quite alluring. Story progression is smooth and relaxing with multiple peaks as perfect points. Not a single thing felt exaggerated or boring. No twisted and complicated factor except for Hongbajang's mystery; very simple. The 1st ep is basically the introduction so stick to it in case you think it's not good. The childhood and teenage encounter and destined-to-be-together trope might have become a cliché but it's fine as long as the present story is well painted and HomeCha successfully built-up a unique love story.
Let me also add important things included in the drama: mental health issues, loneliness, lgbt+ inclusion & acceptance, gender & clasa equality, dreams and determination to fulfill it, negligence to old parents as well as kids, ways of parenting & parental love, a kid's expectation from parents as well their hidden feelings, mutual understanding, overcoming past trauma, essence of aging and importance of old age, meaning of death, the art of healing other's pain, the difficulties of pregnancy, the urge of marriage, the hopes from your partner, community life & it's importance, self-love and it's vitality, process of opening up to your closest ones, learning to seek help from others, acknowledging the help and care you receive, understanding the gestures, facing life problems & tackling them, essence of independence, appreciating life, respecting other's efforts and their urge to do well, holding on to life, bringing out the best of you..... And many more that will cost me a notebook to mention.
NOTE: The last 3 episodes are the peaks of the episode where you might have to cry continuously, so make sure to take care of yourself if you're highly sensitive and very overwhelming to cry over small things.
Hometown Cha Cha Cha is definitely very realistic, refreshing and relatable with all the elements of a perfect slice of life Kdrama. I repeat, this is the best Kdrama year for 2021. Not only the healing romance of the lead couples, other side storylines that ran parallelly left us with lessons that we seek in our everyday life. Setting the rewatch value at 10/10 bcs this is something that can be easily watched as many as times you wish, even for random watch. PLEASE GO AHEAD WITH IT IF YOU HAVE BEEN WAITING FOR. THIS IS DEFINITELY WORTH ALL YOUR TIME AND INVESTED ENERGY PLUS EMOTIONS. *cries under blanket*. In fact been crying throughout while writing this review.
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