This movie is about friendship and it is very close to reality. I think that is why it made me cry so much, both happy and sad tears. It made me miss my friends and made me wonder what will happen in the future.
The story is really good! The way they switched between past and present was really cool and the movie was very well directed. The costumes and music of the past were done really well. The camera work was really good. And it was a lot of fun to watch.
The acting was very good, of both teen and adult actors. I saw Sora for the first time on We Got Married. She's completely different from how she was there! Here she is a bad-ass leader of Sunny and I loved her! The other girls were pretty good too. Na Mi reminded me somewhat of Velma from Scooby Doo :P
They cast the adult actors pretty well too. The faces matched and it was like they were the older versions of the teen actors. So props to the casting directors for doing such a good job. Also, the situations in which all of the characters were, were very real. That's what I loved the most about this movie, it was very close to reality.
Either Kim Shi Hoo-ssi loves to play characters from the past or he has that kind of a face that the directors cast him as a 80s boy. He played the same kind of role in Love Rain and I was pleasantly surprised to see him in this movie. The crush thing was so cute! It brought back memories of my first crush :P
I would highly recommend this movie even if you don't watch Asian movies. This movie is really well done, the acting is really good, the story is amazing and touching and it is definitely worth your while.
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Fully fleshed out and coherent short length costumed drama
I admit I'm really into Yang Ze which is why I sought this out and watched it without subs.The plot is the story of an immortal close to his final cultivation accidentally helping a little flower immortal reach personhood and she instantly falls in love with him. His last steps include 3 mortal realm travails and she ends up occupying him for them.
I found the plot easy to follow and coherent. The love at first sight from her part made sense (he's beautiful and powerful and she's innocent and new) and the travails were great stories by themselves full of tragic loss and betrayals. I don't normally like tragic stories but in the context of knowing it's part of the travails, it made the little bite-sized tragedies really interesting to watch. The process of him falling for her also made sense and yes, it is eventually a happy ending and, best of all, everything is tied up.
Yang Ze is absolutely one of my favorite actors now, having seen the great job he did in The Killer is Also Romantic and Emperor or Boss. He absolutely sold me and I loved all the different characters he ends up playing and cried at the tribulations he had to go through. The FL was perfectly adequate and had some really stellar moments in the second mortal travail but I admit I was just glued to Yang Ze the whole time.
I really hope someone subs this eventually so you don't need Mandarin comprehension to watch but overall, I am very pleased I watched this.
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This review may contain spoilers
The main focus is not primarily on the action but the intervals. Intimate play. Highly committed.
The story is told quite sensitively, calmly, just a few dialogues. It is almost studio theatre that relies on the two main protagonists and thus on the haunting performance of Bae Yong-joon and Son Ye-jin.´He' is typical male, who feels like he owns the world - and now being confronted with his pride being hurt , whereas 'she' represents everything that makes a "good" wife: devoted, caring and - in case of doubt - convinced that she herself is to blame. However, for both of them as their former worlds fall apart their encounter sets processes in motion. They start questioning their lives. Quietly the chance for new orientation, for a new self-image and changed standards when it comes to relationships open up.
The title "April Snow" refers to the fact that the two protagonists love different seasons: he loves winter and she loves spring. Snow in April thus symbolizes a bridge that leads the two together. In the original, however, the title reads something like "Excursion" and refers to 'his' wife and 'her' husband who, as part of their affair, go on a secret trip on which their serious car accident brings everything to light...
(At first the story somehow reminded me a bit of the US movie "Random Hearts" from 1999. The KMovie "April Snow" from 2005, however, is not a remake, just a similar story.)
Yes, it is not a funny movie. Yes, it is intimate play on high studio theatre level. No effects. Just intense play. The main focus is not primarily on the action but the intervals in between. It´s different. Highly committed. Intense.
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2
1This review may contain spoilers
Giant is an epic about the life&love of 3 siblings during highspeed urban development of Gangam
"Giant" offers a dramatically stirring ride through 4 decades of recent South Korean history - 60 episodes tell a touching, upsetting, emotionally stirring and complex story set in the context of a turbo-fast urban development process in Seoul, south of the Han River: Gangnam.In passing, those episodes tell the story when Seoul and its people had to deal with a phenomenal population explosion: in 1953, 1 million people lived in Seoul. In 1960 it was 2.45 million and in 1970 it was already 6 million. Visions and plans were in demand, as were quick practical solutions and investments. Real estate speculation created a veritable gold rush atmosphere. "Giant" is about these 'gold diggers' in particular. (...and this hype about real estate speculation in Gangnam hasn't stopped until today...)
"Giant" is an epic. It is a monument and a memorial to the efforts and sacrifices of many people. The autocratic (and also often corrupt methods) of urban development become comprehensible if one considers them against the background of their time: the military dictatorship, which was inevitably characterized by the powerful influence of persons with military background in political and social decision-making processes (if you like see side note below). Instead of technical arguments and detailed examination, influence, money, bribery and position often had the say at the crucial interfaces.
If you pay a little more attention to the seemingly irrelevant details, "Giant" provides a crash course in recent South Korean history. (If you don't know or care about it, some things might be rather arbitrary or interchangeable.) In any case, the series has reached the South Koreans. In the course of its success, a further 10 episodes were added to the originally planned 50 episodes. For 40 percent of the viewers, "Giant" ranked first at the end of the 60th episode in 2010.
Ok, admittedly, there are 60 episodes. But when the time is right, you can confidently get involved. "Giant" is worth seeing. The story is told in a colorful way and played fantastically. It is emotionally gripping, touching, exciting. We accompany the protagonists over almost half a century: from their childhood in the 1970s to the year 2010. This means that actors can also show what they are made off by playing the protagonists as young. (Today they are stars of the 2020s: Yeo Jing-goo and Kim Soo-hyun). All in all, without exception, everyone delivered a strong performance. Last but not least, villain number 1, Jeong Bo-seok as Jo Pil-yeon, who holds his role brilliantly from the first to the last episode, is vividly remembered with his ice-cold laugh, which never got stuck in his throat - even in the most adverse headwinds.
The KDrama takes a sophisticated approach in telling the historical events and dynamic processes of the time through the eyes and hearts of three siblings. So, we tightly follow these stirring personal processes on the one hand, and several dubious machinations of the (fictitious) masterminds (who are quite close to the real events - see below) on the other. Against the historical background of those decades, in spectacular loopings the dramatically revolving wheel of fortune is allowed to turn to the fullest again and again, emotionally throwing the audience wildly around. KDrama shows it all.
"Giant" offers numerous stirring twists and upsetting turns in matters of love and rivalry, guilt and atonement, revenge and forgiveness. It won't be boring. All this surrounded by an indeed spectacular Gangnam urban development dynamic - at a dizzying high speed from no man's land to the hip trend district - which was not least favored by the autocratic control.
-------------------- SIDE NOTE: --- Gangnam highspeed development thanks to autocratic urban development during military dictatorship ----
There are details of everyday life during the PARK DICTATORSHIP: the influence of the military in all sorts of social issues, the secret service KCIA, which interfered unrestrainedly in domestic political issues and investigations and even used torture to interrogate people. Positions of power, like mayors, being appointed according to their military background and the level of their allegiances with Park. The backroom networks where the places, where the real decisions were made.
There are details of the subsequent DICTATORSHIP under CHUN DO-HWAN: the curfew during the state of emergency under martial law, for example. The brutally crushed democratic aspirations. The establishment of educational concentrations camps - "Giant" refers to the Samchung Camp in Yeoncheon, Gyeonggi, which was set up under the guise of fighting the threat posed by North Korean Communism. In this peculiar concentration camp, at least 60,000, probably even up to 100,000 innocent South Korean citizens were held captive in the former military prison under the most brutal conditions without an arrest warrant. There was talk of 'cleansing'. In fact, it was pure arbitrariness, verging on sadism.
And finally there is TRUE DEMOCRATIZATION of the system after the first free election for a long time - however, sadly, being faced with the same personnel (in autocratic tradition) in decisive ranks.
It has been proven that the military past in many political leadership positions during the Park dictatorship was not accidental but intentional. Among other things, of 6 Seoul mayors of that time (these were appointed, not elected), 3 had a military background. The other three were known for their expressed loyalty to the Park regime. Such people of Park's trust got the chance and used their past, their networks and opportunities as a robust standing, from where they set visionary course for the future of the capital with all means. Otherwise, rarely had the urbanization of Gangnam been as rapid as during those decades.
Gangnam beauty industry, the relevant corporate headquarters of the KPop industry, the suites and penthouses of the richest of the rich in the most exclusive apartment blocks of the country, temples of consumption of numerous luxury brands, hotspots for leisure and culture as well as some of the most prestigious schools contribute to Gangnam's dazzling image today. Gangnam with a population of over 1/2 Million recently is one of the economically most important urban districts of Seoul, in whose towers, which rise ever higher into the city sky, the very large companies of the country have their headquarters. A central transport hub has emerged and even the Ministry of Trade, Industry and Energy has taken political presence here.
It's hard to believe that 60 years ago this district south of the Han River (강 - Gang = river and 남 - Nam = south) stood for flood plains and agriculture - especially cabbage fields and plantations with the Korean Nashi pear. It was an unattractive no man's land, considering you want urban city life.
This had changed in the 1970s after Seoul faced a massive population explosion, the consequences of which the city could not cope with under the given circumstances. Previously, the city's political, economic and cultural heart had been on the north bank of the Han River in Gangbuk - in fact, since the dawn of the Joseon Dynasty. But between 1953 and 1960, in just 7 years, the population had more than doubled, practically 'overnight', from 1 million to 2.45 million. In 1970 it had already reached around 6 million! Nobody had been prepared for this. Chaos was the result. Infrastructure collapsed, slums literally sprouted out of the ground.
That's when the vision of a whole new district south of the river was born. In 1966 it was announced for the first time that the population should be redistributed in the future: 40 percent of the population should live in the northern area, 60 percent in new and densely built Gangnam. A dream in distant clouds, that's how it seemed back then, because there was nothing there at that time.
In the 1970s, the planning took on more concrete forms. Gangnam has been defined as one of Seoul's 3 central urban cores alongside the historical old town and the political center of Yeouido. In order for this to happen, construction of today's Hannam Bridge had already begun in 1966. In 1969 this important connection was completed and the first milestone was reached. Also, the Gyeongbu Expressway was opened in 1970. However, to speed up the development, Gangbuk was deliberately disadvantaged and Gangnam was privileged, for example with tax breaks. An express bus terminal was built, elite schools were relocated and comfortable new apartments were advertised. Stylish urbanity was marketed on one plot, yet rural wasteland was right next to it. The contrasts were enormous.
Yet, residential buildings started to grow at breakneck speed and people began to move to the new southern neighborhoods.
Strictly speaking, Gangnam and the education of an elite school district also marks the beginning of the now enormously profitable private education market and some social excesses, which to this day provide the KDrama market with plenty of material for the most bizarre stories. In addition, speculation in real estate became fashionable and became a new hobby for (more or less) rich wives. Eventually, Gangnam also earned its reputation as an entertainment district, with clubs staying open all night.
The story of Gangnam reads dazzling and spectacular. But the city itself initially had no money for all the investments that were necessary to develop the land. It relied on income from sale of the land set out for recompense from the land readjustment programs. All started slowly, because interested buyers withdrew, disappointed since there was hardly anything really urban in Gangnam in the early 1970s. In order to speed up the processes, a law was passed in 1972 that deliberately relaxed the existing tax regulations relating to property regulations. From then on, profits from real estate speculation were practically tax-free. Trade tax, property tax, etc. were also waived for the next 6 years. This temporary incentive for investors proved extremely successful, but also problematic. This brought speculators onto the scene, who didn't care at all about professional urban development as such.
Thus, remarkable performance comes with sad collateral damage. The catastrophes associated with sloppiness in construction and human fault in the wake of corruption pave the decades just as much as the milestones of urban development. The biggest accidents in this context were, for example, the collapse of the Wawoo residential complex and the Seongsu Bridge. (Others followed at regular intervals. Every decade has its own list...)
Autocratic regulations, the need for speed and the money involved also encouraged flourishing and unchecked corruption regarding insider trading with real estate speculation, building tenders and bidding. Bribery shaped the entire business world. This also promoted a climate in which - if someone was convicted of his illegal activities - he (usually a 'he') was easily released soon later on.
While the giants were able to pocket their gigantic profits without restraint, the population of Gangnam suffered (and still suffers) from housing costs that exceed every measure.
Finally, within this whole developmental process, the lending business has been a crucial and lucrative business since the very beginning until up to date, even if customers and their needs may have changed in the meantime...
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This review may contain spoilers
Within the aura of a love story some socially critical topics on successful woman, work & family
"I Do I Do" tends to be humorous, offers a nevertheless emotional love story and at the same time the backdrop for the critical processing of a merciless everyday professional and living environment to which women in South Korea are exposed. As also, for example, "Romance is a Bonus Book", "Scent of a Woman", "Revolutionary Love" or "Angry Mom" the KDrama uses the comedic touch to lift the emphasis of the topic into a lighter tone that is easier to digest. Cheerful and serious aspects are well balanced, also thanks to a great cast.
Within the aura of a love story "I Do I Do" comes along with some socially dominant topics around woman, work and family that want to critically be processed. "I Do I Do" precedes "Now, We are Breaking Up" by nine years. Not much has changed in the status of the professional life of a successful woman (in the fashion scene). The scenario reminds here and there: the experienced, successful and talented designer (here elegant pumps) who has chosen career over relationship/marriage/family; the parents who want their daughter to finally get married properly; a younger man who, after a one-night stand, throws the orderly life of the confident businesswoman upside down. In the case of "I Do I Do", the protagonist ends up in a one-night stand, which is rather untypical for her (and him) due to a chain of special circumstances. The hook for further drama is her completely unexpected pregnancy. ... and 37-year-old Hwang Ji-ahn, still being single, having just been medically diagnosed with a premature menopause...
------------------------------- SIDE NOTE: --- Woman, Work and Family as far as South Korean society is concerned ---
- A woman (in South Korea) can perhaps be successful, but the price for this is her woman-ness (as in many places on earth...). She proves herself to be a better man and simply has no room for relationships where she could live out her soft, tender, feminine side. Showing her weakness at work whatsoever would jeopardize her position. Competitors are already waiting for a devastating neckbutt.
- A woman can be excellent and even unique in her work. From a marketing point of view, however, it is more promising (because it is more binding for business partners) if a man bears the official, managerial responsibility for business sucess... because who knows when the woman will leave the professional world behind and take up her role as wife and mother... The dramaturgical dynamics in this regard are astonishingly differentiated in "I Do I Do". There is even room for the aspect of how women envy each others decisions for either way (instead of solidarily supporting each other - here and there).
- A woman should get married. She can mercifully let off steam for a while in her professional life, since society has already become about 10 years more tolerant in 2012 than in the decades/centuries/millennia before. But the age of 37 is (biologically speaking) a magical limit... because now it's high time. (The KDrama actually offers an exceptional man as a role model who thinks progressively here...)
- Dating, a woman automatically becomes the one who needs/wants to be protected and the one who in turn provides the man with allround care. What a mess, if roles lose their clear assignments. Here, too, the KDrama offers, among other things, another (different) exceptional male role model - one who (although instinctively a protector, too, but nevertheless) is ready to develop in a different way.
- And then equally valid for men and women: relationship is not a private matter. At least the parents are the first to have a say.
-Also: The greatest happiness in life should be a permanent position. Everything else is extra...
---------------------------------------------------
"I Do I Do" defies these societal norms, which in South Korea seem to be chiselled in stone. This is no piece of cake. Interestingly, the KDrama offers only one answer to the question "What are the arguments in favor of deciding to have a child or a family as a professionally ambitious woman?" - this in the face of an almost endless list of reasons that argue against it... This single commitment to a "yes" (towards children and family) is located beyond rationality. This "yes" has nothing to do with virtue and values. This one and only "yes" argument is completely personal. (My respect for taking such a position - one that actually stands outside of society´s right to have a say in this!)
After all, "I Do I Do" eventually shows another variation in the Cinderella spirit of fairy tale love stories ... But. I consider the way as the goal! And the path described in this KDrama (the circumstances and processes of the main protagonist) makes it definitely worth seeing. In addition, Kim Sun-ah finds a good balance between a competent, unapproachable boss and an approachable, not so competent 'woman' with her heart in the right place. Lee Jang-woo also convinces me here in his role as the much younger, impulsive, unconventional Park Tae-kang.
By the way: Since it is about the world of fashion designers and pumps in particular, it would be worth mentioning that the viewers get to see a lot in this regard. Not only in Ji-ahn's well-stocked private shoe room, but also beyond that - 500 pairs of pumps were brought up for the series that were supposedly worth almost 9,000 euros. Also, the protagonist Ji-ahn's individual fashionable style (which goes back mainly to Kim Sun-ah's specific, personal suggestions) became a trendsetter at the time.
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Queen's Classroom
35 people found this review helpful
1This review may contain spoilers
@ mobbing, friendship, class culture and reflecting moral behavior among 6th grade pupils. Great!
"The Queen's Classroom" is a dramaturgically fascinating story about kids at a South Korean elementary school, shortly before their transition to middle school. The young actors are fantastic. Likewise the adults. At the same time, it is a nuanced, clever study of bullying from 2013. I appreciate this series very much because it not only shows THAT there are enormous social problems with an increasingly traumatizing marginalization of young students, but also how/that the school, i.e. the teachers, can contribute in a creative, constructive, pedagogically valuable way, and thus counteract the trend. For this reason alone, "The Queen's Classroom" is worth seeing. In addition, the KDrama tells a wonderful story about the idea of friendship - about how the mere concept and label 'friendship' becomes a real, three-dimensional relationship with a solid grounding. Fabulous.The unique approach is a focus on the age between elementary and middle school - a phase that is crucial in the development of personality, e.g. for the cognitive development with regard to the moral assessment of situations, the ability to change perspective and a differentiated understanding of moral values. Eventually, the moral assessment of mobbing/bullying is the crucial first step in order to seriously counteract the ominous trend. This aspect is a characteristic problem in South Korean schools. (See side note below.)
In the case of "The Queen's Classroom", the homeroom teacher sets important impulses for the personal processes of individual pupils and the class as a whole with quite idiosyncratic, (of course also dramaturgically effective), provocative pedagogical methods. The aim is to use paradoxical intervention in order to trigger more profound emotional and cognitive processes, so that the students can move from the sometimes naive surface of their beliefs to their true, genuine core. On this basis only can they then stand their by all means noble, idealistic convictions powerfully and authentically against adverse circumstances. Personal processes can often be a bit painful, as is the case here. However, the result is quite spectacular for the individuals and for the class as a whole, too. It could/should be something like this or something similar, it HAS to be if the increasing trend of bullying in schools is to change.
Chapeau! "The Queen's Classroom" is boldly leading the way as a small but mighty pioneer in the KDrama world. To be fair, the KDrama is based on a Japanese production. Since the social problem is similar there, it is not surprising. In any case, the Korean remake didn't do any harm... Despite all the emotional seriousness, it's a great pleasure to accompany the kids on their bumpy road.
---------------------------------------
SIDE NOTE: --- Wang-ta - Bullying in a collectivistic society, like South Korea ---
While 'mobbing', strictly speaking, refers to psychological terror or physical violence by a group, 'bullying' describes the harassment itself, regardless of how many people take part in it. However, the choice of term does not change the fact that far too many students are involved - be it as victims, as perpetrators or as spectators/witnesses. This is an international phenomenon, with more or less extreme manifestations. There is peculiarity in South Korea, though: collectivism (vs. Western individualism). When the welfare of the collective has the highest priority, it means that the interests of the individual are subordinated to those of the associated social group - be it family, work, school, class, club, friends, etc. Peer pressure also exists in individualistic Societies, true enough, but in collectivism it has an even stronger impact. This should not be underestimated when dealing with the topic of mobbing/bullying.
'Wang-ta' is a specific, common South Korean slang term that is used in connection with and in dealing with a person who is not part of the group. One becomes an outsider very quickly, wearing the wrong clothes, having the wrong interests or preferences, belonging to the wrong group or to no group, having poor, stigmatized or less influential parents, living in the wrong family constellation or only achieving bad grades. However, this label commonly implies (in collectivist society) that it socially 'is allowed' to devalue and harass this person for being an outsider. When group norms are thus strong, such exclusion based on appearance, lack of achievement, special preferences, etc. can have particularly fatal consequences. Those experiencing 'Wang-ta' first hand, may lack the chance of getting rid of this label again.
- Those who 'choose' the victim are hardly aware of any guilt, since they are convinced, that they are rightly criticizing a deviation from the set norm.
- The other peers will thus avoid the stigmatized pupil and assume that there is something to it, so that the label (and exclusion) is justified.
- And those labeled ´wang-ta´ will only withdraw even further, ashamed of their 'apparent' lack, and feel even more inferior, than they might already do.
Empirical studies in 1998 ff with pupils from European or American countries (with individualistic socialization) showed, that in 85 percent of bullying cases peers were involved as bystanders. Of those, only 11 percent eventually intervened. Unfortunately, I don't have any comparable South Korean numbers, neither from then nor from today. However, I probably don't lean too far out of the window when I suspect that there are significantly less, who would actively intervene.
In the course of further international studies it was possible to prove that intervention by peers is, however, an essential first step towards change. Active intervention on-site in the middle of the situation triggers a (moral) debate among the peers about the situation in the first place. As long as there are only passive, tolerating bystanders, the act is socially approved and its justification defacto confirmed.
There are South Korean studies that show: although the majority of the pupils interviewed do not like bullying, at the same time they also believe that it is inevitable. In fact, they assume, that the victims in general deserve to be punished because of their (self-inflicted) being an outsider.
The peer group has the greatest influence during the school years from late elementary school to high school. At the same time, this is the phase in which generosity in dealing with diversity can and must be learned as an essential social value. If such a value is not socially recognized at that time, then young people will not be able to integrate it into their further lives, let alone apply it. This is the painful crux of the issue of "wang-ta" in South Korean schools (or later in the workplace): generosity in dealing with diversity has no tradition, no culture, no socially recognized value on the peninsula. If you want to change the school bullying trend, then you have to start here. I.e. as a teacher in elementary and middle school, opening up spaces for experience with tolerance and thus creating the opportunity for a new culture of social interaction. A confident class culture that explicitly acknowledges diversity, that socially and openly and explicitly questions wang-ta as a social option, can form the fertile breeding ground for fundamental societal changes that leave more room for individuality. In the face of an ever-approaching, globally networked world, this is becoming increasingly necessary in order to create the personal and social balancing act of a hybrid between traditional and global, between collectivistic and individualistic.
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I was in "drama mood" so in that period U wasn't picky at all. I just read the synopsis then I decided to watch this drama without expecting anything from it.
2) Storyline/Plot:
The general story wasn't very special but it can't be considered as a one of K-dramas usual plots. However, it wasn't outstanding.
Positive Points:
*The storyline had a great dramatical depth which can make you tagged to its events.
*Main Genres:
--->Romance: This is a romantic story with all the meanings that the word "Romance" refer to; it was well written in order to make developments go deeper and deeper after each episode.
The romance here is the "mature" type, not like those childish romantic stories that we see everywhere but it's not very serious that would make you get bothered since they added moments to cheer the audience and keep boring moments out; i believe it was a smart move in order to maintain the great romance.
One more point, romance was a play of fate, a play of reality to show how true love can survive no matter what kind obstacles it faces; I know it's a little dreamy but it was cool in the drama.
--->Drama: I consider this drama as a dramatical romance, it's not the rom-com type so the dramatical side was heavily present and well done in some points.
It can be devided to several parts since the storyline was devided, the middle dramatical part was the best then there's some good parts at the beginning.
Negative Points:
*The romance is good but only the main leads romance existed; no side romantic stories that can change the mood a little. Yes, there was the usual Korean triangle but the side romantic stories were absent.
*The dramatical parts in the end were really annoying because it took a wrong turn after the 15th or the 16th episode; I had high hopes for that part and even though, it didn't end up badly but I wasn't satisfied.
Story: 8/10
3) Acting/Cast:
*Joo Jin Mo:
I have a great respect for him as an actor, I loved his previous roles and I really liked his role here, it wasn't an intense role but the way he handled things was really well done.
The character was a very strong at first, you can feel the hartred and pain in Lee Shin Jun's eyes then as the drama went on, many changes occurred, many dramatic moments were held by his character, it was intEresting to to follow his character developments but at the end, I noticed some unsatisfying changes in the character's personality but it's all up to the story's changes above.
*Lee Bo Young:
I don't know her as an actress which means that I am not familiar with her acting skills, here she was acceptable and moving in some points because the role was portrayed in a satisfying way.
The character, let's see, I wasn't fully taken by kang Eun seol's character and I never sympathized with her. The character was off sometimes, cheerful some other times, cool most of the time and what I clearly remember that it was really annoying starting from the 15th or the 16th episode.
*Other Cast: I am only familiar with some of them but I think their roles were nicely done, except some annoying characters, the supporting roles were okay.
Relationships:
--->Romance: The chemistry was good, like I said earlier it's one of the greatest romantic stories that I've ever seen plus the leads made it enjoyable "most" of the time.
--->The triangle: Most of the time they were really annoying to watch, I skipped those parts often, I tried to watch but they weren't any close to the sweet triangles that we usually know but I have to appreciate Kim Pil Seo's character since it was "mature"
--->The leads relationship with Lee Shin Jun's mother: It was really well done at first but when it took the obvious turns near the ending, I became uninterested.
Cast: 7/10
Acting: 8.5/10
4) The ending:
I liked the final obstacle, it was somehow unexpected and cool to watch. Nice closure but it doesn't deny that it was one of K-dramas classical endings.
The ending: 8/10
5) My impression (How did it affect me):
*I was really interested in this drama and that's the main reason I finished it fast.
*I wasn't bored but I have to admit that I skipped several parts in order to make my watching time equilibrated plus there were scenes that I didn't like.
*Is this drama memorable: Yes, I am keeping this drama in my mind as one of the greatest romantic dramas but not as one of the greatest dramas that I've ever seen.
My impression: 8.5/10
6) Overall:
*If you like romantic stories than this for you.
*If you're into romantic comedies, I don't think that this drama would suit your taste.
*Watch this if you're looking for a great male lead.
Overall: 8/10.
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At 60 (or 63, depending on which version you're watching) episodes, this is quite a lengthy ride but I wasn't bored one single second. It had never happened to me before, especially when watching longer dramas. C-dramas tend to lose steam in the middle, have a couple of uninteresting side-plots and rush to the finish line, leaving you somewhat dissatisfied. Not so here.
The middle portion of the drama which took place in the mortal realm was just as interesting as the main plot, something the very popular Eternal Love, 10 Miles of Peach Blossoms didn't manage to do. The side plots and side quests also kept me interested because the drama made me care about every single character. Everything ended up enhancing the main plot.
I've read a lot of complaints regarding the huge amount of screen time given to secondary characters in the second part of the story. I think that some scenes could certainly have been shorter but on the whole, these additions made the drama a much better piece of work than the book it is based on. It's much more epic and ambitious, with layers upon layers.
The characters are intelligent and whether we agree with their actions or not, we always understand the motives behind what they choose to do. They're all very consistently written and there is no true villain in this piece. No one is just black or white. This is truly an achievement.
STORY:
Don't be fooled by the somewhat fluffy beginning. This is one angsty ride that will have your emotions all over the place. This is primarily a romance drama which depicts a love so strong that it can defy fate and overcome everything but only after a heavy price has been paid by all the parties involved. The romance is nicely balanced with friendship, family bonds, loyalty, power struggles, slices of life and epic battles. It has everything you could wish for. I loved that every single plot line was thoroughly thought-out and contributed to the overall story. The writing was top-notch and it showed at the end of the drama which did not feel rushed at all. Quite a feat for a C-Drama.
9.5/10 (Took 0.5 point away because they could have slightly shortened certain storylines).
CAST:
Ashes of Love has a stellar cast. All the actors shone in their roles whether they played a main character or a minor part. Every role was lovingly crafted and acted and every single character has depth. To focus on the main trio though, Deng Lun, Yang Zi and Luo Yunxi acted their heart out and made me want to watch every single drama they've appeared in. Deng Lun brought a rawness and touching sincerity to the character of Xu Feng. Yang Zi was able to use her broad acting range to successfully portray Jin Mi's journey from a sheltered and naive fairy to a young deity wounded by mistakes and betrayals. Luo Yunxi was able to masterfully convey all the shades of grey of Run Yu's character.
10/10
MUSIC:
The music is gorgeous. No other word for it. It's one of the only dramas where I always watched the opening and end credits. Epic. The only problem is that although what music we do have is superb, we don't have a lot of it. So the same songs and background music are played over and over again. Luckily for us, they're so good that you don't really mind.
9.5/10 (Took 0.5 away because I would have loved a few more songs)
REWATCH VALUE:
Through the roof. This is a timeless story. Love, betrayal, revenge, redemption, acceptance, regrets. It has everything a classic should have.
10/10
OVERALL:
Watch it. You won't be disappointed. It has everything: a great story, great acting, great music, splendid cinematography and great CGI. You will be totally immersed in the world of Ashes of Love.
9.5/10 Perfection.
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This review may contain spoilers
My review is a personal opinion on the drama. This is not meant to be a review that sways anyone. If you are unsure about watching the drama, don't look to reviews to help you make that decision as we all have our own personal likes and preferences. How do you completely ruin a drama that started off strong?
Answer:
By giving us characters that had more chemistry when they were "fake dating" than when they were truly dating. By using women as plot devices to create drama and jealousy. By giving us a couple that doesn't communicate and understands that there will be times when their relationship will be tested, but that they can overcome that. By dedicating more time on the development of the side stories (Mil's crush on Tine, the fights that had little to do with the couple, Wat's Alphaness)
Lack of real intimacy between a couple that is supposed to be "in love"...
I have stated before and I will stated it again (especially since I am an ACE) I don't care for the kisses or the sex , but these two characters behave more like brothers than a couple. Depicting a couple in love doesn't mean having them do sexual things. It can be shown through different forms such as, both couples cooking together and talking about their day, doing something that creates a mood but doesn't mean they jump each other's bones. Comforting one another when one is feeling down (which reminds me, Sarawat not comforting Tine and actually turning his back on him and going to sleep, came across as a man who is tried of the relationship they are in. That was so weird). Instead, we have Sarawat just "patting" Tine on the head. I get it different cultures have different forms of expression when it comes to love, but that patting on the head is akin to an adult infantilizing another adult or it comes across as condescending "oh there there." It is bizarre how these two had more of a couple chemistry when they were fake dating than when they got together. What an amazing feat! [sarc]
And I will repeat this again....the fact that we have had a rinse and repeat story line the minute that Tine and Sarawat got together (Mil chasing Tine, Wat now with Pam) is lazy script.
This drama had a lazy script, had characters that de-evolved instead of evolving (Tine taking on more female characteristics "ukeness", Wat becoming some spineless idiot by not putting Pan in her place right way) The story was choppy due to editing in many episodes and it just didn't flow well.
I really liked the first five episodes, I thought the story was promising and while it did have some flaws specially in the editing, the drama just got worse. It's a shame really cause it could have been so nice.
Music was great though...and Gunsmile is always a great comedic character (saving grace in most episodes LOL)
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This review may contain spoilers
Love every second of it.
THE CAST IS INSANE.Honestly, it's refreshing to see a drama about the struggles of a declining family instead of the usual rich people drama, this drama also seems to be of quality... I like how simple it is, the common man has the most interesting and realistic stories.
Also wow they got Hu Yitian, Zhang Jingyi, Ceasar Wu, and Hu Chunyang in one drama-
I can tell how great the cast is because I recognize the older actors as well, they just picked up all the popular (and skilled) ones and said "Do your thing, this drama will do well"
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DRAMA OF THE YEAR 2021? YESSS!
Life is not all about pain and regrets, but about the experiences and learnings. The best thing about life is that it keeps moving forward. No matter what happens in our lives at one point, it keeps going on while letting us learn from it. This is my interpretation about the entire drama.갯마을 차차차, literally, "Seashore Village Cha-Cha-Cha, truly is a story living upto it's title, giving justice to its essence while capturing millions of hearts worldwide. It is a combination of coming of age chapters and healthy, warm as well as healing RomCom, accompanied with numerous life lessons, portrayed in the form of various relationships that also throws light upon uncountable shades of life, love and living. So what does it become? A PERFECT SLICE-OF-LIFE KOREAN DRAMA.
Plot is simple as you know. Oh Hye Jin, a capable and righteous dentists resigns from work and unable to find another clinic decides to open her own in the seashore village of Gongjin, which she had gone to visit on her mother's birthday. There she meets Hong Du Shik, an talented yet unemployed man who willfully does all kinds of odd jobs to help out the villagers and wish to continue his simple life. As they encounter each other multiple times and find each other's presence during respective critical times, the bond between them grows closer making them fall in love. All these happens in the premise where lives of the villagers go on parallely, accompanying continuous build-up, growth, healing giving away love & care, as a community which is more like an extended or chosen second family.
This shit is indeed hell of refreshing because of the scenario the drama has choosen as it's set, i. e. the fictional city of "Gongjin" which in real is the seaside village near Daegu-Gyeongbuk of Pohang, a South Korean city located in North Gyeongsang Province. The seaside milieu, the village settings, the city architecture and the awfully ecstatic frame of nature are the elements that undeniably attracted a lot of people to it. And what made it even more eye-catching is the cinematography skills of the production; brownie points please.
What also makes this drama stand out is the method of execution and the very natural way of diegesis (plot narrative). Relationships, regardless of it's type, are unquestionably complicated but life becomes a lil easier when we put efforts make it simple, this also is an underlying message of this drama. It's so natural that i felt I have been there with those people. Obviously, melo is an important element of any show of any genre, which is here too, but events should be as simple as a glass of water that makes it realistic in order to be appealing and relatable to the audience. I feel the drama successfully achieved that outcome.
Another thing that made me go awe was the fashion sense of the characters, please give the stylists bonus, okay? T T. Not just the young and adult characters, the kids and the oldies wore beautiful clothes of different kinds all the times, no matter how simple or flashy they were. I loved the florals that Hongbajang wore and sometimes the loose fit shirts. Hye Jin's one piece long skirts made her look so beautiful. The 3 old women in their usual outfits looked cute. Village chief Young Guk's simple yet loose fit big shirts and pants oof. Hwa Jung and Nam Sook's country-side dotted tops and pants looked nice. Chun Jae ahjussi and his half pant outfit plus scarf, my goodness. Geum Chul's entite country bumpkin style outfit and hairstyle. Bora's peach creamy hair and I Jun's decent clothes toooo. Eun Chul in both police uniform and civil clothes (soooo hot) and Mi Seon in her different kinda outfits. Sorry for the terms Idk bcs of my lack of fashion sense TT.
One of the most notable things about the drama should be all the female characters who made us see various sides of life and learn from it. Potential & stupendous female characters is nothing new for Kdrama industry but this drama should stand out in this regard for perfectly creating and nourishing such beautiful-hearted women. Different women trying their best for people around them and struggling for them isn't something new but these women, from young to the old, understood it better, I felt. Extra points for that for sure.
Since it's a slice of life story where day-to-day happenings are portrayed, drawing a definite plot development in overall is difficult. So, what we can witness are 2 kinds of developments. First the relationship between the leads along with others and secondly the individual character development. Let's talk about that...
Relationship Development of Lead Couple:--
Well, healing romance troupe has become a common factor nowadays but this surely is unique and let me explain how. Not bragging or saying I predicted it but I sure had assumed the way the chemistry between Hong Du Shik & Oh Hye Jin will develop, which happened for real making me so happy. Both of them obviously cared for each other and had liking as persons despite all the bitter encounters but until the point they fell for each in their conscious, the romance was very subtle. It was like they grew onto each other unknowingly and that feelings were piling up bit by bit over time. One day the the sac of love got so heavier, it burst open into an love relationship bonding, that was meant to last for eternity. They were definitely opening up to each other lil by lil and healing the other's pain gradually in the process but in their subconscious, it was love that was blooming up inside their hearts which one day led to prosperity and nostalgic emotions of happiness.
What made me happy how they proposed to each other at the perfect point of the story and even after officially getting into a relationship, the story showed us the following development. This was a gesture that, our lives and stories don't come to an end when we become each other's life because we have a long way to travel together, parallelly healing each other while helping both individual and coupled growth. Tbh, I was worried their relationship will turn typical following the proposal but guess what? They made me and in fact all of us, learn an important lesson of life, i. e. continuity. Obviously, there were many fluff moment's but the way of executing everything through the storytelling method abd screenplay techniques made it maintain own's naturality.
We're at a point where we have run out of new ides about events and stuffs to showcase in a relationship but what matters is how they're showed to us, how natural & relatable they feel and how realistic the outcome becomes. I am cent percent sure, this drama gave off that vibes.
NOTE: HONG DU SHIK & OH HYE JIN, uri ShikHye or dimple couple are one of the best Kdrama couples with one of the best chemistry development and a healing romance.
CHARACTER DEVELOPMENT :--
This is probably the best thing about the drama. Not just the individual development, the buildup plus nourishment of different kinda relationships were also well drawn. The character arcs of different roles came out so well, making us relate and learnt. Let's talk about them now...
# Hong Du Shik (Kim Seon Ho) aka uri Hong-bajang, the definition of "Jack of all trades, master o̶f̶ ̶n̶o̶n̶e̶ at
all". Talented yet no proper job carrying numerous small job certificates can help fix any kind of situations of the villagers. Loved by all yet orpahned and loner with thanatophobia (fear of losing someone close), he doesn't let anyone into his heart easily. Cares a great deal about the villagers tho.
# Oh Hye Jin (Shin Min Ah), the perfectionist dentist and very righteous at workplace who is also very calculative about her life. A dating rookie and doesn't want to be easygoing abd never gives in to people easily. A definite development as she changes into a warm women who admired everyone and got love in return. Very sensitive to her life decisions and helps Hong bajang in the end in healing his heart.
# Ji Sung Hyun (Lee Sang Yi), a variety show PD and Hye Jin's university senior who comes to Gongjin to shoot his show. He really went from romancing with Da Shik (Da Hee) in Once again (2020) to bromancing with Du Shik in this drama, haha. I can't say he's a potential 2nd ML affecting the lead couple's storyline but ge surely helped them in his subconscious. Very simple and decent character he had.
# Kim Gam Ri (Kim Young Ok) halmeoni, village supervisor and Du Shik's closest who have fed and cared for him since a young age. Very stubborn because of old age. Doesn't like spending money but fond of trying different dishes. Loves Du Shik the most and liked spending time with him.
# Lee Ma Ji (Lee Yong Yi) and Park Sook Ja (Shin Shin Ae) ..wish these halmione-deul had some more story for themselves but they were basically used as sidekick of Ga Rim-ssi. Regardless, very cheerful and cute. Their annoying and active faces plus the halmeoni trio made me cry outta happiness even when they were just fighting, that was so cute uwu.
# Yeo Hwa Jung (Rang Bo Ryun), the zone chief, restaurant owner and owner to both the places used by Hye Jin. Divorced for reasons known only to her and a single mother. Very sane, humble and understanding person she was though a lil insecure about his ex-husband and has hidden stories to tell. Loved the way she walked in here hahaha.
# Jang Young Guk (In Gyo Jin), village chief and Hwa Jung's ex husband, a lone man living alone and a loving father to his son. Irresponsible and indecisive at times. Not knowing the actual reason of divorce he deviates from his path for a while but eventually finds himself back in the same spot.
# Oh Chun Bae (Jo Han Chul), a failed singer, coffee shop owner, a widower and single loving father to his daughter. Still brags about his past achievement and wants recognition tho still a tender-hearted person who cares for his daughter to a great deal and misses his wife.
# Cho Nam Suk (Cha Chung Hwa), Chinese restaurant owner, loner who misses her deceased daughter. She loves to gossip and is the most definitite source of all the rumours that revolves around in the village. Very lively and cheerful as person. Loved her nasal accent and acting.
# Choi Geum Chul (Yoon Suk Hyun), Du Shik's only friend and hardware store owner. Married with a girl child and another to come. Somewhat naive and stupid but loves his family so much.
# Ham Yun Kyung (Kim Joo Yun), Geum Chul's wife and Bora supermarket owner. Very cheerful and mature for her age. Loves and cares for her family a lot and continuously nags her husband to do better job.
# Pyo Mi Sun (Gong Min Jung), Hye Jin's BeFe and the dentist nurse. Very clever and straightforward yet falls for guys instantly. Her chemistry development with constable Eun Chul was surely a sweet thing to watch.
# Choi Eun Chul (Kang Hyung Suk), Police substation constable and Geum Chul's younger brother who's very determined at job but stupid when comes to dating. Mi Sun helps her learn about relationship and they form the cutest couple of the show.
# Oh Ju Ri (Kim Min Seo), Chun Bae's daughter, a high-schooler and diehard fan of the boy group DOS (fandom Hacker). Misses her mother whom she lost right after birth. Can be stubborn and annoying at times still loves her father. A wannabe stylist.
# Choi Bo Ra (Go Do Yun), Yun Kyung & Geum Chul's daughter who's good at studies but have hidden talents. Loves Taekwondo and a lil aggressive. Adored by the villagers.
# Jang Yi Jun (Yi Eun Yoo), Hwa Jung & Young Guk's son who's the definition of genius. Too humble, polite and rationale for his age haha. BeFe with Bora and is always with her. As thoughtful as Hwa Jung.
Other than these major characters are some other actors who justified their decent roles and are indeed notable; Yu Cho Hui (Oh Ji Hee), Ban Young Hoon (Kim Sung Bum), Kang Do Ha (Lee Suk Hyung), Wang Ji Won (Park Ye Young), JUN (Byun Sang Tae), Yoon Tae Hwa (Seo Sang Won), Lee Myung Shin (Woo Mi Hwa), etc.
OSTS:
"Romantic Sunday" by "Car, the Garden" is undoubtedly the best OST of this drama which is the remake of a 2007 hit by "JISLAND". I love all the other OSTs so muxh as well. The lyrics are all so beautiful and were relatable as well suitable for various moods of the drama. "One Sunny Day" by Kassy, "My Romance" by Cheeze, "Wish" by Choi Yu Ree, "Be the Light" by Kim Jae Hwan,
"The Image of You" by Sandeul, "Here Always" by Skz Seungmin are all good. Some of them are romantic and others are soft soulful ones.
Both the writer and director have done a very good job, individually and as partners. It didn't feel like the writer doesn't have enough experience. I mean the number of work she's done is less but who'd say so after watching this drama? The PDnim obviously have enough experience, in fact one of the best drama PDs in Korea and that shows. Cinematography, sound production, screenplay editing are also very well done. Kudos to the entire crew for this amazing outcome. Thank you so much.
Technically, I love the various colour palettes used to showcase the beauty and aesthetics. The subtle presentation of props to connect and relay the storylines are quite alluring. Story progression is smooth and relaxing with multiple peaks as perfect points. Not a single thing felt exaggerated or boring. No twisted and complicated factor except for Hongbajang's mystery; very simple. The 1st ep is basically the introduction so stick to it in case you think it's not good. The childhood and teenage encounter and destined-to-be-together trope might have become a cliché but it's fine as long as the present story is well painted and HomeCha successfully built-up a unique love story.
Let me also add important things included in the drama: mental health issues, loneliness, lgbt+ inclusion & acceptance, gender & clasa equality, dreams and determination to fulfill it, negligence to old parents as well as kids, ways of parenting & parental love, a kid's expectation from parents as well their hidden feelings, mutual understanding, overcoming past trauma, essence of aging and importance of old age, meaning of death, the art of healing other's pain, the difficulties of pregnancy, the urge of marriage, the hopes from your partner, community life & it's importance, self-love and it's vitality, process of opening up to your closest ones, learning to seek help from others, acknowledging the help and care you receive, understanding the gestures, facing life problems & tackling them, essence of independence, appreciating life, respecting other's efforts and their urge to do well, holding on to life, bringing out the best of you..... And many more that will cost me a notebook to mention.
NOTE: The last 3 episodes are the peaks of the episode where you might have to cry continuously, so make sure to take care of yourself if you're highly sensitive and very overwhelming to cry over small things.
Hometown Cha Cha Cha is definitely very realistic, refreshing and relatable with all the elements of a perfect slice of life Kdrama. I repeat, this is the best Kdrama year for 2021. Not only the healing romance of the lead couples, other side storylines that ran parallelly left us with lessons that we seek in our everyday life. Setting the rewatch value at 10/10 bcs this is something that can be easily watched as many as times you wish, even for random watch. PLEASE GO AHEAD WITH IT IF YOU HAVE BEEN WAITING FOR. THIS IS DEFINITELY WORTH ALL YOUR TIME AND INVESTED ENERGY PLUS EMOTIONS. *cries under blanket*. In fact been crying throughout while writing this review.
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Unexpected
One way to summarize 'The School Nurse Files' would be: "Unexpected, strange and unique."From the very first minutes of the series you start to wonder what you got yourself into. At the end of episode one you get stuck into this mindset of "I need more, what was this?"
This series won't fit everyone's taste but if you get rid of all common sense and logic you will surely enjoy it.
You won't be able to understand majority of the story if you skip on this one during episodes, the episodes need to be watched in its entirety for them to make some sense and for the story to flow.
As a fan of anime and comics, I can honestly say this fits my taste and it's something I've only seen in Japanese dramas, it's ridiculous to say the least at times, but isn't that something to be enjoyed? The real world is already too bland as it is.
A gem who will be appreciated over time!
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when i fly towards yearning (for more episodes)
honestly, i only watched this because i saw on tiktok that *that* guy from falling into your smile was the main lead (i didn't know his name prior to this show, only his dimples xD), i didn't have many expectations - mostly, due to the romance (i am aromantic, which, often makes me unable to love romcoms, because it makes me cringe, and remind me of the things i will never be able to feel) but almost immediately, i knew that it wouldn't be the case for this show.this show was extremely cliché, i will say that - and i did encounter second-hand embarrassment every now and then - but not in the 'i want to throw my ipad across the room' instead it was bearable - and even made sense at times. because this is about youth, it's about the first experiences and those aren't always glorious. i loved the awkwardness and the realness of the show, i loved all the characters and the ways they completed each other. normally, i never like both the main and second lead couples an equal amount - i'll ALWAYS favor one of them, and yet, i loved everyone the same in this show.
another thing i loved was that there weren't any unnecessary miscommunications, even when that girl went after zhang lurang, i loved how instead of siding with the "wrong" side (mainly, for unnecessary drama, that can drag the show out) instead he believed in zai, and even played along with her, whenever the other girl tried to make a move. and as they grew they supported each other in every way they could.
thank you for giving us a healthy show, with a healthy relationship that contained beautiful growth. as well, as beautiful character development of kids finding themselves in the midst of this hectic world.
definitely rewatching this later.
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Second Wind
A refreshingly cool wind that blew a young, heart-fluttering love my way.This far exceeded my expectations. I expected mediocre and was greeted with the memorable innocence of a first love, sincerity in words, actions, and music, conflicts that hit and weren't dragged out, and a beautiful dream small enough to carry in your pocket yet expansive enough as to fly out into the world.
This felt like a secret so gorgeous I wanted to keep it to myself. But I believe it deserves to be seen by many.
Side Note: Don't worry, the chemistry is there and romantic moments aren't brushed aside. This couple shines wonderfully and makes you root for them all along the way.
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