Reviews

A worthwhile watch!

Leave behind your judgements for a while and give this series a chance. It is not what you think whatsoever!

Zhang Yi Xiang is a 17 going on 18 year old high school student who is known to be a bit of a spoilt brat. Xie Shu Fen is his mother and a helicopter parent. She is also the chairwoman of their school and thus a very influential person when it comes to the school's decision making and manages to get her son out of trouble every time. Chen Meng Yun is her son's teacher and a new hire. Yi Xiang takes a sudden interest for his teacher and creates problems for her by crossing the line however she discovers that he is acting out at school mainly because of his overbearing mother and is actually helpful towards his peers.

There is a lot to love about this drama. Although it appears like an inappropriate relationship, it is not because of the teacher's direct actions. There are a lot of unexpected plot twists and a whole mystery subplot that makes this series a brilliant and exciting watch. The series also deals with relationships of children with their parents and the stress of parents in trying to help their children do their best.

The show has a decent pace that keeps you engaged. Each actor did a wonderful job at portraying their characters. The chemistry between the actors is good too.

One of the best aspects is the ending. Things are not always as they seem.

I hope that more viewers are able to give Lesson In Love a try and you might just discover something unique.

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I like the concept of this drama, it's like watching several dramas in the price of one. You get 2 major love stories, 2 smaller ones, some family drama, bromance, revenge, redemption and even a bit of action. The plot is so complex that you really can't get bored while watching. I really admire the writers for being able to intertwine so many stories together. Throughout the whole drama there are new characters appearing, some disappearing for many episodes to appear again and new connections are revealed. Even if you are able to predict the eventual outcome and some ideas are something you might have seen before, you really cannot predict when something new will be added. At some point I was a little bit worried if they will be able to wrap up all of story lines, but they did a great job with that too and the ending is very satisfactory.

I really liked most of the characters. Female leads were really awesome and that doesn't happen too often in dramas. I really love Ja Eun - she is one of my most favorite heroines now, Soo Young was also adorable - hard on the outside, but very soft and warm inside.

Only characters that I didn't like too much was Soo Young's parents, maybe most of their scenes were there for humor but I've found them a bit annoying.

And I really love, love, love Ja Eun and Tae Hee story! If you like romance, I suggest watching this just for them.

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Captivating spy thriller, intelligently questioning the philosophy and ethics of secret services

"The Veil" is a really exciting, all-round first-class KDrama in the secret service milieu. The world of spies, the unconditional obedience to orders and professional ethics as well as the swampy terrain surrounding ´right´ vs. ´wrong´ / ´good´ vs. ´evil´ is not only extremely exciting, but also multi-layered and downright critical. (With "Moebius: The Veil", the makers provide background information on some of the central characters of the series in an equally gripping 2-part prequel.)

At the center of the "The Veil" is an excellent agent of the National Intelligence Service (NIS), who suddenly reappears out of nowhere one year after his mission had gone wrong. He has no memory of the past year whatsoever, but is determined to find the cause of failure at that time.

The international title of the KDrama refers to the veil of the protagonist's memory that is lifted in the course of the story. At the same time, it also refers to the veils within the NIS behind which many secrets are kept hidden, and what happens when someone wants to lift them. In the original, however, the title is translated "Black Sun" and refers (no less symbolically) to the phenomenon of the solar eclipse.

MBC spared no expense or effort in the production of "The Veil". With this series, the station is celebrating its 60th birthday in 2021 in a successful way that is well worth seeing. Not only excitement and action are guaranteed, but also an intelligent story that is up to date. (See side note below.) The gripping script is multi-layered with numerous characters who repeatedly move back and forth between the poles of good and evil - eventually, in this intelligence service profession it is neither clear who is who, nor is it unambiguous why...

The overall first-class cast has proven itself altogether through their strong, convincing presence. Namkoong Min in particular gives everything here. He is hardly recognizable compared to e.g. "Stove League" from 2019. For "The Veil" he had trained intensively and gained 10 kilos of muscle mass. He impresses with his powerful physicality, which gives his role even more weight. In that sense, he also performed all the stunts himself.
(Apropos stunts.... this KDrama has its bloody, brutal side, too... for some it could be a bit challenging at times...)

Right down to the camera, light and music, everything is of the highest standard. Since both the characters and the story are so sophisticated and complex with many details, the KDrama is also suitable for re-watch - even if you know how it ends...

"The Veil" is a captivating spy thriller of international caliber that intelligently questions the philosophy, mission and ethics of the secret services from multiple angles. The story also deals with recent history and political past, with present and future ´NIS´ of South Korea.



------------------ SIDE NOTE: --- political/historical context of the NIS ---

The NIS has only had this title since 1999 - and not anymore since July 2020, to be precise. (The story is from 2018 though.) The history of South Korea's intelligence agency is paved with some abuse of power over its own people on South Korean soil.
The South Korean intelligence service originally goes back to the KCIA (Korean Central Intelligence Agency) from 1961, which General Park Chung-hee had initiated. The responsibilities included overseeing and coordinating both international and national intelligence operations and investigations by public and military agencies. The power to get involved in political events (unsolicited and without permission) was correspondingly great. With all this, the KCIA is also one of the elite of Asian secret services in terms of the demanding training.

Following the end of the military dictatorship by General Park Chung-hee, who was assassinated in 1979 by the then head of the KCIA, the KCIA was purged and operated as ANSP (National Security Planning Agency) from 1981. Their most important tasks included spying on North Korean activities and, for example, the suppression of political activists of the pro-democracy movement in their own country.

In 1999 ANSP became NIS. For its part, the NIS actively intervened in domestic politics in favor of Park Gyun-hye (daughter of the former dictator) during the presidential election in 2012, prompted by the head of the intelligence service, Won Sei-hoon. In fact, that NIS campaign against Moon Jae-in resulted in him narrowly losing the election. Meanwhile, Park Gyun-hye has been in prison since 2016 on serious corruption charges, and Moon Jae-in has officially been in office since 2017 (-2022) as the 12th President of South Korea.

In 2020, the government, the presidential office and the ruling Minjoo party agreed that the state secret service NIS should stay out of domestic politics in the future. In connection with corresponding reforms, the NIS was renamed "External Security and Intelligence Service". Illegal actions by secret service employees, abuse of power or interference in domestic politics will from now on be subject to severe penalties.

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Everlasting Love

I started this drama with no expectation because it was a recommendation from YouTube and I decided to give it a try. Here I am being grateful that I found this gem, a drama with pure and innocent love everyone needs^^

STORY: The drama started with Xia Lin Xi a very bright and intelligent high school girl who was given the task to make sure all her classmates were on class,and that was when she met Jiang Zheng Han. Xia Lin Xi managed to make him come back to school and somehow Zheng Han became her tutor just to earn money but he ended falling for her. Later,something happened and Jiang Zheng Han had to leave with telling her about it and Xia Lin Xi thought he broke their promise and was heart broken.
A year passed by and both Jiang Zheng Han and Xia Lin Xi reunited in university and they both became a couple after so many pleas and confession from Jiang Zheng Han and that led to their Forever Love.

ACTING/CAST: Most important reason why I loved and enjoyed this drama was because of the characters acting,it was amazing they displayed and pulled off an amazing acting. Zhang Huai Wu( principal's son) acting was just great,whenever he was on screen I would laugh so much simply because he is so funny just like his father lol.
Jiang Zheng Han and Xia Lin Xi chemistry was great,their scenes were just so sweet and all the time Xia Lin Xi stood beside Zheng Han when he was a nobody despite her mother telling her to break up with him made my heart flutter. They're just the cutest^^
Chen Yu Chuan bragging about being the second best always was just so cute too lol.

The OST used is so beautiful,calming,relaxing and goes well with the scenes.

Overall I would say,this drama is definitely a must watch for those who love college dramas and those who don't too hehe
It's a light drama,just give it a try

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Eerie Yet Cunning Story

For me Somebody was a delightful watch. The slow pacing, the story, the characters and the whole overall aesthetic was very fun. People are complaining how they didn't understand why ML was doing whatever he was doing. Psychopaths never have any logical reason anyways for their doings and this is why I loved it. Because I always eat up any psycho thrillers. Somebody was just another level of distinctive art where each and everything was pure art. The cinematography reminded me so much of how usually Korean movies are. It's not everyone's cup of tea and that's totally fine.

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Drink the finest wines, look at lovely girls, make the best friends, and fight glorious battles.

Spymaster Ning Yuanzhou and his elite Liudao Tang spies are tasked to escort a Wu diplomatic delegation to An to pay a king's ransom for their captured ruler. He encounters the stunning and deadly Ren Ruyi, a vengeance driven assassin nonpareil who defected from An. They have overlapping goals and form a wary alliance. Predictably, these aging-out, disillusioned operatives from opposite sides fall in love and indulge in a mid-life crisis amidst a suicide mission to rescue the foolish Wudi. This is an unexpectedly funny drama and the humor works well but masks the monumental task ahead of the delegation. Its best achievement is it makes us fall in love with a motley crew of unforgettable, flawed characters to the point we root for them against all odds and beyond reason.

This is a rare drama where I am more invested in the supporting cast than the main leads. Written by a feminist writer, Ren Ruyi is literally superwoman; independent, ruthless and indomitable; an indestructible one woman killing machine with fantasy level combat abilities. Ning Yuanzhou also walks on water; a master spy whose machinations decide who sits on the thrones of both states. Together they are so formidable that it seems more efficient to skip the mission or war as they can easily topple any ruler in their way. These over the top character designs with exaggerated abilities and superficial flaws rarely resonate with me. But I did derive petty enjoyment from their bitch slapping, scolding and kicking ass through the two kingdoms.

The casting of Liu Yuning and Liu Shishi in the leading roles is brilliant. While there are better actors, these roles play to their individual strengths and they both executed well. Liu Yuning plays a character that hides in plain sight. A too pretty actor would not work in this role. And Ren Ruyi the stone cold killer is perfectly reflected in Liu Shishi's stoic expressionless face and bright hard eyes. Even as she becomes less guarded and warms up to the delegation, there is bare of relaxation of her taut features; every frown and smile is controlled. Her head is at an exhausting elevated angle that made me wonder if she has frozen shoulder. Even her grief is so beautiful in a restrained way that I was unaffected, even mildly irritated at her cry scenes. Such an aloof portrayal made their chemistry seem decent but did not light up the screen . So it didn't matter to me if they made it out at the other end. As fully realized characters that live and die by the sword, they know the score. Their romance peaks too early, had few true obstacles and repetitive fan service sweet nothings moments . The heavy handed messaging about women's biological clocks annoyed me.

The more interesting characters are the young ones, Yang Ying and Li Tongguang, both on heroes journeys. He Landou delivers a inspiring portrayal of an uncertain young princess completely in over her head, overcoming fear, heartbreak and every obstacle to emerge as a purposeful person with the the courage of her convictions. At surface Li Tongguang appears to be a fascinating character; strong, smart, ambitious and charming. Unfortunately he has a dark side, an odd and creepy Oedipus complex for his shifu. Part of the problem is this narrative doesn't invest in villains; most antagonists are killed off so quickly they leave no impression. Thus Li Tongguang becomes the default fall guy; whenever something bad has to happen to create angst or move the plot along, it is pinned on him. Nonetheless the role is well played enough that I had a soft spot for the character throughout.

Saving the best for last, Fang Yilun's Yu Shisan stole the show as far as I am concerned. I love flawed, humorously self-aware, very mortal characters like this with no special powers or death defying abilities. Hopefully Fang Yilun's amazing comedic expression and timing gets noticed. His shock and aghast at the idea he was falling in love made me shake with laughter and moved me unaccountably at the same time. When he prosaically warns his love not to fall for a rogue like him, I knew she was as much a lost cause as I was. Shisan is the unsung hero of this story. He picks up the slack so that Yuanzhou can rescue Ruyi and was there for Qian Zhou, Sun Lang and Yuan Lu through the last legs of their mission. He remained true to his life's mantra to live fully with no regrets: drink the finest wine, look at lovely girls, make the best friends, and fight glorious battles. / 这辈子就要喝最烈的酒, 看最美的姑娘, 交最好的朋友, 打最漂亮的仗. It is too bad he did not dare to or did not believe he had the right to love and thus denies his heart to finish the job. If I could have changed just one thing, I would have had Shisan leap on to that horse along with his love. The other flawed character I enjoyed immensely is Wudi. After Shisan, he made me laugh hardest, especially during the great escape. He also moved me with his profound regret and intent do better.

This drama has a linear plot that is not well paced; it either advances at a high speed that glosses over logic holes or stalls out to dwell on repetitive romantic or delusional tropes. The harder you look at the plot, the less it makes sense. As it is more of a character story, I am willing to be forgiving as long as important characters are not destroyed along the way. In that aspect, the drama starts out exceptionally well with a fantastic core of well conceived, multi-layered and compelling characters. Unfortunately, the character designs start to break down quite early on, with Li Tongguang. The ending was rushed, had some sloppy edits and packs in an unnecessary Wu arc. Too many characters are destroyed into the finale including Ruyi and Yuanhou. Ruyi prioritizes her personal agenda, bites off more than she can chew (again) and had to be rescued (again); forcing Yuanzhou to choose his love over his mission. Consequently they were not there when Liudao Tang needed them most. Finally, Ruyi makes a decision that is not true to herself or to her beliefs about living well. After investing so much on Li Tongguang, this character has no development and mucks everything up in the finale. The ending was was bloodier than I expected and unnecessarily cruel. I didn't have a huge issue with the outcome in and of itself, just the figurative character assassinations.

As for the ending scene, upon re-watch, I realized it is not confusing, it simply pays homage to the meaning of the drama's title Yī Niàn Guān Shān / 一念关山 or A Thought of Guanshan and closes the drama on a note of finality. It is a line from an ancient poem 却东西门行/But the East West Gate written by Shen Yue during the Northern and Southern dynasties. It is a sad poem reflecting on life, the passage of time and destiny. Guanshan/ 关山 refers to memories spanning the mountains and rivers (meaning the far reaches of the empire); of past events joyful and sorrowful. It is an Auld Lang Syne moment where someone who lived on longs for the bygone years and lost friends. It is unnecessarily cruel to close the story with a character that was meant to move on with their life. The bigger point is everyone they are thinking of did not make it out at the other end. The ending to me is not ambiguous.

I enjoyed many parts of this drama which started out as an 8.5 for me but there were draggy parts, key characters got destroyed, all the holes become obvious with re-watch and the ending is just not good. It is still a wonderful watch with lovable characters, fabulous fight scenes and divine comedy. I am just petty and I won't forgive them for Yu Shisan. My final rating is 8/10.









ENDING SPOILER COMMENTS

The final scene is actually very clear.:

Ten years later, the countries are at peace. He County which was the frontier battleground is prosperous and thriving; children are well schooled but the naughty ones sneak out to play. Chu Yue visits the battleground which with a decade of peace is covered with grass. She takes a moment to think of the past, of everyone that sacrificed and imagines either what could have been or that they are in another place. Her fantasy doesn't have to make complete sense because it is just her imagination. The child she sees on the horse is not the same younger child that sneaks out of school. Ning Shisan on the horse is older, with loose hair in a pure white outfit. Chu Yue should not be in this scene. Shisan denied his heart to set her free. He saved her and meant for her to go on, to love and live life with no regrets. It enraged me that they did this to poor Chu Yue and it would have broke Shisan to see her like this.

Ruyi should have been in that end scene, possibly with a son and a daughter. She could have escaped and remained true to her promise to Yuanzhou to go on without him, that a woman can live well without love. The drama foreshadowed many times that she would be last woman standing and yet they both literally and figuratively killed her character when she chose to blow herself up after assassinating the Beipan king and prince. Ruyi had a choice and the one she made sends all kinds of wrong messages to women everywhere. The only woman who remained true to herself was Yang Ying. She moved on, made the best of her situation and lived well regardless. If Ruyi had to die, the end scene should have closed with Yang Ying instead of Chu Yue.

I also think they should not have killed off Wudi. The team put themselves in harms way to bring him back; he learned some hard lessons and would have been a much a better ruler for it. They killed him off so that Yuanzhou could play kingmaker. It was a rushed, completely dumb, ridiculous and gratuitous Wu subplot that negates poor Qian Zhou and Chai Ming's sacrifice. I could go on but these are some of the main reasons I am so let down by the ending.

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Really good series but why it isn’t that popular – an analysis!

I want to be clear from the start so I am going to tell you that Tae Darvid is my ultimate Thai person, so I will try to be as objective as I can. However, if you feel that I am playing favourites with him please let me know! Now, let me take you on a journey. I am going to review the series and point out some mistakes that didn’t help the series to be more popular and have more people talking about it. But before that, we must acknowledge the elephant in the room, and sorry for the following microaggression, but…

Can we all agree that the so-called rooster was a fuc***g CHICKEN? Like wtf? Do I not know animals? Is this an intended joke? Why didn’t they use a rooster? Plz help me… Don’t get me wrong I love Teriyaki (the chicken-rooster) but it must have an identity crisis. Here is what I think Teriyaki is thinking 24/7:

«Phap says that I am a rooster that knows how to have a slow-life and crows at 10 in the morning to wake everyone up”, Teriyaki thought. “But at the same time, they are eating the eggs that I lay”, Teriyaki continued his thinking and started to question its own existence. «Am I a rooster, or am I a chicken? »

CHARACTERS

Our main couple is Maze and Phap. Maze is the president of his company, is a money motivated person, and mainly uses his head to make choices. As his social status suggests, he has an extravagant lifestyle, wearing expensive clothes, living in a luxurious apartment, and driving a costly car. In addition to other rich BL characters (from other BL series), he is greedy with money and will do anything to have a bigger profit. He doesn’t carelessly spend money, and most importantly he will take advantage of every situation in order to gain anything. On the other hand, Phap is a carefree artist that specializes to abstract paintings. He is the exact opposite of Maze and uses his heart to make decisions. He is not rich, he believes in himself and his capabilities, and he loves nature and animals. He loves animals so much that he has three animals’ pals, Poco – a lizard, Steven – a cockroach (yeah, you read that correctly), and Teriyaki – a chicken-rooster with identity crisis.

The second lead couple is Nueng and Tharn. Tharn is an actor and Maze’s best friend (along with Nae). He cares for his friend’s emotions and is rather mature, soft spoken, and kind-hearted person. He is the balance between Maze and Nae. While Nueng is… Is it too soon to make this spoiler? Well, I am not going to tell you who is Nueng right now because it’s a massive spoiler, and you might not want to know that. However, if you keep reading my review you will eventually learn who he is. YOU WERE WARNED! Anyway, for now I will tell you that Nueng is a handsome actor, with a calm aura that everyone is jealous of.

The other supporting characters are the “As You Wish” gang, the employees in Maze’s company. The leader of the pack is Nae, Maze’s and Tharn’s best friend. She is not a company’s employee, but she is sth like an investor – or vice president, according to her – who helped the company when they were in need. Next, we have Noona, the mother of the gang; she has a colourful personality and is loud (“I am soooo confuseeeed”); Ruj, the workaholic one, who is complaining that has too much work, but always delivers on time; Kuea, the talkative one, and Elle, the quiet one, who becomes talkative when drunk.

Last but not least, we have the managers. Phueak is Nueng’s manager, and Pookky is Tharn’s manager. Between these two a “hate” relationship exists, as both do their best to promote their talent. However, Pookky uses “dirty” ways to get Tharn more famous. I loved and laughed with every scene with the managers.

PLOT

In the series we follow the storyline between our main and secondary couple. After a weird event sequence, Phap (played by Tae), the carefree artist, ends up being in debt to Maze (played by Singto), and to pay back his debt he is hired in the company. However, their polar opposite personalities and lifestyles, make their everyday friction difficult… at first! The aversion for each other could be seen, as they don’t address each other by their name, and they don’t use the honorifics “P” or “Nong”. Instead, they mainly use the informal way of saying “You” in Thai.

In the series we get to see how Phap is the first one to open up to Maze and how he does everything that he can to get the other person’s attention. Maze and Phap throughout the series learn more about and from each other. The artist teaches the young boss that relaxing is mandatory, that relying on other people is not that bad, and that living in the moment is important. However, the most crucial thing that Phap helps Maze with, is Nueng (more for that on “My opinion” section).

ACTING

I would like to start with Singto. To be honest, I don’t follow Singto that much. I have only watched SOTUS and SOTUS S with him (fun fact SOTUS was my first Thai BL series). In SOTUS, I was fascinated by his ability to use his facial expressions, and boy was I not disappointed in Paint with Love. For me, this series bring out the best of Singto and with the combination of funny scenes we have an amazing result. I know that I might not be in the position to say this because this is only the third series that I have watched with Singto, but this is my favourite series with him. He was sassy, angry, confused, mad, sad, and desperate when he needed to be, and trust me when I tell you that I believed him in every scene.

Moving on with Tae, I know that I said that he is my ultimate Thai person, but dude I am not a royal fan. The only series that I have watched with Tae is 2moons the series. DON’T CALL ME A HYPOCRITE! I really like his personality in real life that is why he is my ultimate. I was really happy when I learned that he would finally have a lead role, and I was not disappointed. In the series he plays a character that is quite different from him in real life, and I must admit that I really enjoyed his acting here. He portraits a handsome, goofy, confident, and a straightforward character, in a comedic way, which I loved. However, there were a few scenes in which his character was sad, and I was like “TELL ME WHO HURT YOU BABY!!!!”.

Regarding the second lead actors, everyone did an amazing job. Yoon and Yacht were able to captivate me in their story and you could see them grow together, be more open about their true feelings, and try to distinguish their work and personal life. You could see and feel Tharn’s (Yacht) internal dilemma on whether he should be honest to Maze about his feelings for Nueng, but not wanting to hurt his friend… Yacht did an amazing job there!!! As for Yoon, he was able to share his worries, concerns, and feelings for both Maze and Tharn. To be honest, I felt that everyone had a great chemistry with each other in the series, which is amazing! I think that my favourite for the other cast was Maengmum. Honestly, I love her! Her acting skills are off the roof, and she deserves every award ever! PLEASE GIVE HER A SERIES ALREADY!

MY OPINION AND THE MISTAKES THAT KEPT THIS SERIES FROM POPULARITY!

As an overall, I have a positive opinion for this series. The first thing that I really liked (beside the casting), was the fact that the story wasn’t developed in a university. I don’t understand why the majority of Thai BLs need to be in university, but I really enjoyed the change of environment. Now the second thing that I really liked, was the fact that even though Maze was rich, he was actually greedy and didn’t belittle the value of money, in addition to other series where usually the rich person doesn’t care about money at all. While another thing that I really liked was the lack of product placements! You don’t understand how much I despise straightforward product placements in series; however, here we have none of it, which I loveeeeeed!!!!

Another thing that I really liked, was the real interaction between the main couple. You know, something that I disliked in the other BLs is that they present false expectations on how two people flirt. The other series portray the couples in a cool way, and they only show us the handsome, jealous, confident, side of the characters, while in reality this is not true. In addition, in Paint with Love, we get to see how an emotional and touching scene could be “changed” by one of the characters. For instance, there is a scene in which Phap and Maze are talking about squids, and you hear Phap saying something deep regarding catching squid and how he does not enjoy doing that. For a moment you can see Maze softening up to Phap and looking at him with puppy eyes, but when Maze gets to say something to Phap, the later eats a squid and destroys the moment and atmosphere between them. Don’t get me wrong, but I love it. I feel that this behaviour is closer to reality, and I love it when it is shown in series. Take your always right, and correct behavioured characters, I will stay with the truer moments. Furthermore, you could see the dilemma that Maze had. He really liked Phap but he believed that the artist was someone lame, who wasn’t at the same social status as him. That is why he couldn’t openly say that he liked Phap and that he wanted to be him. Occasionally, he would bring up a wall between them and making more difficult for Phap to bring down that wall. In my opinion, Singto’s acting was on point in every scene. You could see his emotions through his eyes. He is an exceptional actor. Well done!

As for something that I didn’t like, was the story changes. I must admit that I haven’t read the whole novel, because I couldn’t find it anywhere with an English translation, but I must say that there is a huge difference in the novel and the series storyline. Before I elaborate more on the difference between these two, let me make the huge SPOILER right now. Nueng and Maze are stepbrothers since they were young boys, after Maze’s father married Nueng’s mother. That was the spoiler. Honestly, at first, when I was only watching the series, I thought that Nueng and Maze were ex-lovers, but I was wrong.

Now, let me go back to the main difference in the novel and the series. In the series, the two brothers fight with each other at an older age (when Nueng is trying to apply to university), while in the novel the brothers fight at a younger age, when Nueng was in Junior High School, after his mother’s death, for which he blamed Maze for. I feel that they should had followed the original approach and show us the true fight between the brothers, because this would explain Maze’s acting in front of Nueng in their adult years. In the novel it was stated that the two brothers were very close, and they cared for each other. Especially Maze, he adored Nueng, and he loved spending time with him; so, when Nueng blamed him for his mother death (whom Maze loved like his real mother), he is devastated and due to his really young age he cannot entirely understand what happens.

As someone with an older sister, I can tell you that I understand Maze’s actions in his adulthood. He is awkward, goofy, and trying too hard to be liked and acknowledged by Nueng. His true feelings come to surface when he is drunk, and he asks for Nueng’s approval and attention. Those are true actions. I remember when I was younger, I was doing the same thing and I was trying desperately to get my older sister’s attention. That is why I feel that they should have kept the original fight reason between them.

Now the second thing that I didn’t like was the lack of accessibility to the series. Actually, in my humble opinion, I feel that this reason was the root cause of why this series wasn’t that popular. You could only watch the series in GagaOOLala, by having a subscription, or in illegal websites where the episodes were uploaded in a few hours. However, there were cases in which an episode could take up to 4 days to be uploaded in any site with English subtitles. All of you know for which episode I am talking about! Episode 6…. It took approximately 5 days for the episode to be uploaded in Dram***ol. That didn’t help the series to build a momentum and have a loyal fanbase. Now, don’t get me wrong, but when I learned that the series are only available to a subscribed website, I knew that it wouldn’t be popular. I don’t want to use other Networks or Companies names, but it is important to look at what your competitors are doing in order to create your business and strategic plan. I believe that in this case this step wasn’t implemented. The majority of BL series that are currently on air, are offered for free on the official Youtube channel of the company that created the series (e.g. Bad Buddy was available with English subtitles, every Friday, on GMMTV’s youtube channel); while Paint with Love required a subscription. That was mistake No. 1.

Mistake No.2 was the lack of promotion. Pffffff… This series could have so much potential! The company could have created a promotion campaign to make this series more popular and to have fans to anticipate for it. They could use social media on their advantage, and arrange live streams with the actors and interact with the fans, or they could create funny compilations with behind the scenes videos (at first they did upload a few behind the film videos but they were too short), or they could have the actors appear to multiple shows (TV shows, radio shows, or social media shows) to make the series more known to the public.

Lastly, mistake No.3 was the inconsistency in the English translation. Before judging me and telling me that I should be grateful that we even have translation for the series, I will tell you that I know, and I am grateful for that. But please don’t underestimate the power that international fans hold. If I don’t perform research on the target audience on the BL series, I won’t be able to know for sure where the watchers are coming from; but from small research in the comment section of different BL series that are posted on youtube, the majority of watchers seems to be international fans. While watching Paint with Love, I felt that there were many scenes that didn’t make any scene, due to the poorly translation, and that kept me from fully understanding a point. I am not sure if I am the only one who had this issue with the English translation, but again something was not feeling right.

BONUS MISTAKE: I am not sure if any of you felt that way, but there were some scenes that didn’t make any sense because there was no built up. I just felt like they said, “Okay this is what we wanted to say in this scene, now cut!”. For example, in the business trip were Nueng was injured, we see that Phap was also injured but he didn’t say anything to anyone. And that’s it... There was no outcome from this incident. Why didn’t he say anything to Maze? Why was he so sad that day? He was the one who helped Maze make it up with Nueng. Did eventually Maze learn about his injury? WE DON’T KNOW!!!! And that’s bothering me! Another example is when Phap took a bunch of bananas to the office, and he handed them to Nae. THAT’S IT!!! NOBODY ADDRESSED THE BANANAS EVER AGAIN! WAS IT IMPORTANT FOR THE PLOT? WE DON’T KNOW! DID THEY EAT THE BANANAS? WE DON’T KNOW! For me a scene should have a purpose; an introduction, a climax, and a connection to future scenes! Anyway…

That’s it! Please let me know if I missed something, or if you disagree with my review! It is a shame, but this series could have been more popular than any other BL series that were aired at the same time!

P.S. GIVE THE STYLIST A RAISE!!!! EVERYONE’S OUTFITS WERE ON POINT AND I LOVED EVERYTHING! THANK YOU P’STYLIST!!!

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NON-SPOILER OVERVIEW: I stand by my huge love for the first 3/4s of this drama. Though I was disappointed by the end, a large part of that disappointment came from the start being so good. Because despite the cliches, it's not a bad ending or anything like that. Against other romcoms I think it's above average, it just feels worse because of what came before. I still recommend it too! For the friendships, for the fluttering romance, for the unconventional story, for the way it feels like I'm watching real people. It's heartfelt and sweet but do be warned that the show you begin watching will not be the show you finish watching. Prepare yourself for averageness creeping in at around ep 12? 13? and you'll be fine!

SPOILERS BELOW!
This review was so hard to write so to solve this confusion I'll just go by the trusted method: LISTS!

Things Done Well:
- JI HO (mostly). I related really heavily with Jiho at the beginning of the drama making me immediately attached. Plus her refreshing habit of speaking her mind so bluntly but not unkindly was literally the most innovative thing this drama did in regards to typical female kdrama leads so, props to them. I faltered a little when her big dream turned out to be love not writing but I realise that's just a personal thing so I won't judge much for that. I faltered MORE when her personality as established seemed to up & disappear 3/4 into the season? Why? Where did my Jiho go and who left this generic imposter in her place? Disappointing doesn't begin to cover it.
- SOO JI. Flawless. Perfect. Loving. Sexy AF but also cute AF. The duality of woman. We love to see it. Enjoyed her growth so so much from being v closed off & afraid of commitment to fully falling into it. From being afraid to catch her dreams because of her mum to daring to *because* of her mum. Unlike Jiho, she loses none of her personality and characteristics once she's in a relationship. Thank god.
- SE HEE. I'll just say it. Sehee's idea of a relationship/marriage - boundaries, respect, open communication and support & minus the guilt, expectations & empty promises that could lead to bitterness later - is exactly my idea of a relationship. I loved him from the moment he told Jiho's mum he wouldn't promise to protect her and it did not diminish the entire show. He's a little odd but I found that hugely endearing. Here's a personal ty from me to Sehee for now having someone to refer to when anyone asks me about my ideal man. Just throw in some of Sang Goo's dorkiness and I'll be hook, line & sinker.
- FEMALE FRIENDSHIP. These are women who unfailingly love, support and trust one another. No pointless drama. No high tension. No boring bitchiness. When I think of my friends I think of the kind of easy companionship and in-jokes that these three have and any scenes involving the trio were my absolute favourites.
- AN "ADULT" STORY. No I don’t mean x-rated lol. For once I watched these adults and felt like I was watching real adults and not (as many romcoms usually have) hormonal teenagers in adult bodies.
- HO RANG X WON SEOK. (mostly). Because they love each other they refused to see or talk about their incompatibility until it literally grew too big and awful to ignore. I really liked it because I believed their relationship and how it progressed. I say mostly because I'm unsure about their conclusion... I'm not against them getting back together, I just wish if that was their endgame they had broken up earlier in the drama so we had more time to watch them grow. As it stands, their break up this time was literally no different to any other break up except now Ho Rang has a chart. Wow. Growth.

Things Done Bad:
- Jiho & her characterisation falling off the face of the planet. Literally this was the worst thing the drama did because it made the finale boring. It also made me realise how much of the drama is built around how refreshing Jiho & her friends & Sehee are and with her gone it left the puzzle incomplete and me unsatisfied.
- Reduced Trio appearances. Like I said above, the trio and their scenes together were the best parts of the drama and towards the end the trio's screentime together pretty much disappeared. I HATED IT.
- The whole stalker storyline. I'll just link to my post about my thoughts on that mess: https://kisskh.at/profile/kdramafeminist/feeds/WAN22I3
- Jiho's inner monologue going from through-provoking & interesting to nonsensical and pretentious.
- A story that began as something unique and avoiding cliches eventually devolving into the exact cliches it was avoiding. LETS NUMBER THEM!
1. FL speaks her mind? Nope, lets just have her being ~vague~ bc cliche!
2. Open communication between the couple? Nope, let's just have them not have a normal conversation outta nowhere and for no reason bc cliche!
3. Couple breaks up because their life goals don't match and realise love doesn't always mean marriage? Nope, lets have them back together after like a month with literally nothing changing regarding their individual life goals bc cliche!
4. ML is an introverted, dorky type and that's fine? Nope, let's give him a pointless, macho, hero scene to prove he's worthy as the lead! Bc cliche!
5. Current FL and ML's ex get along because the ex has completely moved on in life so working together is reasonable? Nope, let's have Jiho turn down the job offer because she chose "love" even those there was no tension on-screen between any of them, bc cliche!

Overall, I'm glad I watched it! I enjoyed more than I didn't but sadly its missteps means it won't be going into my favourites or mentions lists. The drama as a whole might not have stolen my heart, but individually it gave me amazing characters that 100% did & that's a compromise I'm fine with!

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Lost and White Christmas had a gay baby named The Stranded

I usually review underlying social commentary and filming/directing techniques so my reviews mention other shows and lots of excitement about camera placement and editing.

Let's get it/

Season 1 of The Stranded aired worldwide in its entirety on Netflix on 15 Nov 2019 with 7 x 50 min episodes. It reminds you of Lost, White Christmas and Lord of the Flies all at once while still being fairly unique in this genre.

Lost is an American television show that aired 2004 - 2010 about survivors of a plane crash on a deserted island dealing with the Lord of the Flies narrative on top of everything getting weirder and weirder. Due to the time and place Lost as a series was coming from, the patriarchy in it makes the show almost unwatchable for me. So my first title for this was "Lost with less Patriarchy."

You can't help but be reminded of Lost when you watch The Stranded. You have an almost identical and equally pivotal scene of the main character waking up on the ground in the jungle at one point. You have the unwordly creepiness that can't be explained and the mysterious suspense wrapped around everything.

I'm not sure how much influence Netflix had over this series. The lack of product placement throughout was almost jarring to someone who has only seen Thai webseries before. The 24 frames per second vibe and scene changes dramatically split with relevant intriguing backstories were reminiscent of so many Western shows in this genre. Idk, it's so interesting to me, the points where Sukdapisit derailed from that. That's what I was looking for, broken tropes and throwbacks that have nothing to do with Western media.

During The Stranded I also found myself reminded of White Christmas, a short Korean series from 2011 about a group of students trapped at their elite school in the mountains in an avalanche over Christmas break.

There's nothing supernatural about White Christmas, it's purely psychological. The Stranded has a psychological vibe that runs deeper than the character relationships in Lost. The repeated filming of hot shirtless guys and lonely girls with fucked up pasts also were very White Christmas-like.

There's something that The Stranded, White Christmas & Lord of the Flies have that Lost could never. The way the characters react to being trapped on their own with no help changes whether you're writing adults or children into such roles. The internal war between despair, communism*, escapism and hope gets completely skewed and more so than when writing adult characters.

*communism in the desire to successfully work together. Quote from The Stranded; "We must cooperate. Work together and trust each other. That's how we survive."

A lot of these stories show how this kind of purely conceived idealism breaks down against the desperation to survive.

I can't leave out Krit & Jack in social commentary. I didn't want them to be token innocent queers in the background. Props to show how normal gays are to hets. So from a social standpoint, I'm grateful they were sexually active, depressing, and dangerously in love. They're not there to promote a harmless depiction of teenage boyfriends. They add to the whole way the situation of being stranded can carve out human ugliness on all sides.

In the West our need to strictly label genders and sexualities puts me in a difficult spot to describe what "girls" refers to in Thai media. But you will see it here. We're used to it more than the average American clicking on a foreign show on Netflix. The male characters who are there doing "girls" chores. I love that they're not trying to pass and that they don't even have to explain their existence. I love that they are just socially accepted from the beginning without it becoming a plot point. I love that you see the Thai thing where it's less about fighting to be trans than being trans and fighting for your personal gender's rights irrespective of their bodies' anatomies. But I still hate that these characters are minor and still mainly used to inject humor by their default flamboyance. I also wish there would be at least one transboy or nb person at some point in whatever I watch.

The setting from The Stranded creates the uniqueness and non-Western cultural framework that makes it special. The setting is more intense and beautiful than most things you will see in film. The ratio of camera time given to nature over characters is noticeably greater than many films set in remote locations. The intro's lens filter over the drone filming of the forests and beaches is so simple and so effective. You know you're looking at something that is ultimately skewed and that's thematically really important to remember from the beginning until the last scene.

The intro and the show itself have music that is arguably way cooler than what we usually see in foreign media. Passively, it's youthful and non-commercial. When it's used climatically it's a bit intense in a cliche way that I wish would just die in this genre.

Scene cuts come abruptly at times to weave together similar dramatic events been different characters. These types of situations make me so grateful to the writers for their timing of revelations and events.

The actors are all so so good. You never think they're faking anything and you become immersed in each of their fucked up lives. You want to see some of them rise up and some of them fall down where they belong but you're at the mercy of the story. To compliment both the writing and the actors, nothing feels forced out of character and so many points of interest are created between these characters in this story.

I really want to see everyone's theories on what's going on in the story. At first I thought ok, they're all dead and they don't know it. Now I don't know what to think but with what's happened, I just want Mark to come back so much<333

Thank u for reading x

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Very dark, very painful but exceptional acting from the whole cast!

PLEASE BE AWARE THAT THIS MOVIE CAN BE TRIGGERING AS IT DEALS WITH VERY DARK TOPICS SO WATCH WITH CAUTION SHOULD YOU CHOOSE TO!

I really don't know how to critique or review a story/plot that was so deeply disturbing and uncomfortable for me. Was it good? I don't know. Was it bad? I don't know. All I know is my heart ached for these characters (specifically the twins and their friend) and loathed everyone else. I suppose in a way that makes it a great story because I was soooo immersed in it; every dark turn made me physically sick.

And that was kind of the problem. There were many parts of the story I hated but did I hate it because of the triggering nature of those scenes? Or is there something to critique about the plot itself? It's hard to distinguish for me. I do think the story flows well. The way they showed the present with the flashbacks of Wolwoo is done really, really well. There wasn't ever a point in the movie where I thought "huh this is jarring". Like I said, I was genuinely, intensely immersed.

I went to watch for Jinyoung. As a fan of his since Got7, I've followed his career pretty much from the beginning, and this was truly something special. He was phenomenal as both Ilwoo and Wolwoo. I forgot he was Jinyoung. I forgot everything and just wanted to jump into the screen and protect these boys. His heartbreak, pain and trauma were more than just believable, like I said, it made me really uncomfortable (due to the nature of the topics).

The whole cast was phenomenal.

So that's why I'm giving it a 10 solely for the acting.

I really can't say more about the plot than this because... there's a reason why the synopsis is so vague. Let's just say that.

Would I recommend it? Yes, if you are a fan of Jinyoung or any of these young actors. Or if you're a fan of dark, intense movies about vengeance.

Would I rewatch it? Absolutely not. I'm so sorry, Jinyoung, but once is enough. My heart can't take more.

Anyway, I don't know... Good luck if you do watch haha.

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I was really hesitant to watch this after reading some of the reviews but after powering through so many episodes I can completely understand why some people gave it a high and why others gave it a low review. The series starts out somewhere upbeat and really entertaining. The banter between the two leads will be just enough to get you hooked. Our male lead is somewhat devious in a pleasant sort of way and the female lead is head strong, brave and tough. Of course you get to enjoy all of this banter between many scenes of politics and plotting.

The synopsis has already revealed that a female lead lost her family and was seeking revenge or justice. This plot of hers is how our leads cross paths. Initially you will find their banter really cute and you get the feeling that this is only going to get better and better. I honestly had a hard time figuring out our mail lead. This man did an amazing job portraying a strong person, a smart person, a weak person and a cunning person. His facial expressions were second to none.

What I liked about the series is that it is a historical film and I really do enjoy watching historical fans and if you manage to tie in a little bit of romance that is just a big bonus for me. I am truly not a fan of political plotting however the relationships of the royal family was so unique that you really somewhat hope that everything worked out fine. For me I found it somewhat odd that I actually like the villain. Not because they were feelings but because of the scene they were in with their brother and father and even their nephew at times were quite hilarious. This is rare that you get to see our villainess people in a somewhat comical yet plotting manner.

Now for the hard stuff. What I did not like about the series was that thing that hooked me in somehow died off. That’s right it was completely eliminated. That banter between our two leads that was funny and get you wrapped up for more of their entertainment died when or female lead entered the palace. Our feisty, brave, outspoken and tough female lead turned into a submissive palace person. It was a complete 360° change. I am really not exaggerating. It was just like she made a decision and that decision meant she was humble submissive and whatever else you want to call a person that don’t talk unless spoken to. That most certainly ruined it for me because her personality and our male lead personalities were on fire to begin with but because her personality change it just turned bland..
In addition to this, watching the beginning of the series you would naturally assume that there was gonna be this great love, great chemistry but oh was I wrong. There was no amazing love. There was no amazing romance. There was no amazing chemistry. There was no amazing anything about the relationship between the leads. It was just awful. She essentially turned into just another person that is obedient to the emperor and it was no longer fun to watch. After a major turn of events, I don’t want to spoil anything, our smart cunning and strong male leave turns into someone who does not handle pressure well. It was so conflicting and confusing at the same time.

If you’re into historical films and politics you’ll like this one. If you’re into historical romance I would advise you not to cheat yourself because you won’t get it here. This is 62 episodes of politics and plotting. Don’t go looking for love in this place. It ain’t here. Lol.
90% politics
10% palace/harem/romance

The acting was good in the first 22 episodes and it was entertaining. Anything after the 22 episodes was just a blur for me. A blur of going to war and plotting. Not exaggerating.

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Not Your Typical Drama

Adapted from a web comic 一人之下, I am Nobody (异人之下) is not like your typical drama! This drama is interesting, engaging, and funny!! The drama seamlessly blends elements of Wu Xia, superpower elements, and fantasy in a modern urban setting. It features intense battles, intriguing characters, and a mysterious plot that explores the hidden world of 异人 (outsiders - human with with qi/ powers!)

The story follows Zhang Chulan, an ordinary college student whose life takes an unexpected turn after his grandfather dead body was stolen. From that point onwards, he steps into the the Outsiders world, along the way he grow, make true friends, and also go on a journey of self-discovery!

I am Nobody plot is fast-paced, keeping viewers on the edge of their seats - it is funny and engaging making you want to know more about what will transpire. Although fast-paced, but the story still unfolds casually and unrushed, it still explains the characters, their backstories and relationship dynamics.

Other than a fresh genre, what makes I am Nobody stand out is it's well-crafted characters. Not only the main character, but the supporting characters are equally intriguing, like Feng Baobao, Wang Ye, Zhang Lingyu, and more. Each of them has their own unique powers and motivations, their character dynamics also makes the story more enjoyable! The portrayals of the characters are also conveyed realistically, each actor manage to imbues their character with the character characteristic, nuance and emotional depth, that makes it very enjoyable to watch!!

Not only that, but I am Nobody also has great CGI and also unusual editing! Most of the CGI quality is commendable, the CGI has fluid action sequences with stunning visuals that bring their powers and battles to life. In addition, the fight scenes are also choreographed with precision and creativity, showcasing a variety of supernatural powers and combat styles.

The drama has done an excellent job in capturing the essence of the source material! This drama is probably one of the best drama adapted from the web comic, it stayed true to the original essence of the web comic!You can see that there are some parts where they exactly follow the web comics, from the shots and also more!!

While I am Nobody offers an exhilarating viewing experience, it does have its share of complexities. The plot can be convoluted at times, and viewers may need to pay close attention to keep up with the ever-evolving narrative.

In conclusion, I am Nobody is a definitely must watch if you enjoy adventure and action-packed battles! With it's intriguing storyline, well-developed characters, and impressive animation, it is definitely worth watching!!

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Comedy thriller? yes!

Rarely can a writer successful combine comedy with mystery thriller. The genres simply don't mix well. Often, such titles suffer from Cerberus effect: they start funny, but when they turn serious halfway through, the entire setting built on comedic premises falls apart.

Fortunately, Behind Your Touch (should be touch your behind....) avoids this pitfall. While it does get more serious later, the genre transition is very fluid, and it never completely divorces itself from its comedic roots.
The funny first episodes help us bond with the characters and introduce us to the setting, so then when the serial killing starts we can actually care about people who are killed while never being quite certain who to trust and who might be the culprit.

And what a masterfully written mystery it is! Until the very final episodes, I wasn't certain who dunnit. Watching this with MDL on week by week basis was quite an experience. I pity people who will watch this drama after it already finished airing, they will miss on all the brainstorming and speculah that kept us going all this time!
But of course, they should still watch it. This is legit my favorite k-drama of 2023. I didn't expect much, in fact, I didn't even anticipate this title until it suddenly aired on netflix, and I was very, very pleasantly surprised.

For people who say that premise of touching butt to see memories is creepy: relax, it's not done in sexual way, and she does it through clothes and she just touches their buttcheeks without fingering deeper or whatever you people imagine. There is no sexual abuse or anything! Give it a chance and see for yourselves!

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Everyone is a walking meme

I've been waiting for this for a while, mainly cause of FL and also cause I wanted the haters comments to blow up in their faces. And I'm glad it did!! I had expections and I was not let down. From the comedy, to the acting and the production quality everything was satisfactory. Expect for the controversy regarding the Japanese clothing.

The chemistry between the couples were good like even the secondary couples made me root for them. Would have liked more romance tho. Most of the characters being a shipper for the main couple. I like how no one is necessarily the villian, regarding the FL father, I genuinely thought he was downright evil but his relationship with the FL mother and main leads was so cute to watch. It's definitely not a serious show, the dialogue is witty which makes it a easy watch. I died laughing a couple of times.

The characters actually got some decent character growth, the FL started as a lovestruck girl and was oblivious to anything except the ML but she learnt to hold her ground with issues she cared about. Her smile and laugh is so infectious. I love how the ML fell for her without even realising, and he fell hard. The way he winks just cracks me up.

The OST is good and catchy, caught myself humming it a couple of times.

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