Reviews

Within the aura of a love story some socially critical topics on successful woman, work & family

"I Do I Do" tends to be humorous, offers a nevertheless emotional love story and at the same time the backdrop for the critical processing of a merciless everyday professional and living environment to which women in South Korea are exposed. As also, for example, "Romance is a Bonus Book", "Scent of a Woman", "Revolutionary Love" or "Angry Mom" ​​the KDrama uses the comedic touch to lift the emphasis of the topic into a lighter tone that is easier to digest. Cheerful and serious aspects are well balanced, also thanks to a great cast.

Within the aura of a love story "I Do I Do" comes along with some socially dominant topics around woman, work and family that want to critically be processed. "I Do I Do" precedes "Now, We are Breaking Up" by nine years. Not much has changed in the status of the professional life of a successful woman (in the fashion scene). The scenario reminds here and there: the experienced, successful and talented designer (here elegant pumps) who has chosen career over relationship/marriage/family; the parents who want their daughter to finally get married properly; a younger man who, after a one-night stand, throws the orderly life of the confident businesswoman upside down. In the case of "I Do I Do", the protagonist ends up in a one-night stand, which is rather untypical for her (and him) due to a chain of special circumstances. The hook for further drama is her completely unexpected pregnancy. ... and 37-year-old Hwang Ji-ahn, still being single, having just been medically diagnosed with a premature menopause...

------------------------------- SIDE NOTE: --- Woman, Work and Family as far as South Korean society is concerned ---

- A woman (in South Korea) can perhaps be successful, but the price for this is her woman-ness (as in many places on earth...). She proves herself to be a better man and simply has no room for relationships where she could live out her soft, tender, feminine side. Showing her weakness at work whatsoever would jeopardize her position. Competitors are already waiting for a devastating neckbutt.

- A woman can be excellent and even unique in her work. From a marketing point of view, however, it is more promising (because it is more binding for business partners) if a man bears the official, managerial responsibility for business sucess... because who knows when the woman will leave the professional world behind and take up her role as wife and mother... The dramaturgical dynamics in this regard are astonishingly differentiated in "I Do I Do". There is even room for the aspect of how women envy each others decisions for either way (instead of solidarily supporting each other - here and there).

- A woman should get married. She can mercifully let off steam for a while in her professional life, since society has already become about 10 years more tolerant in 2012 than in the decades/centuries/millennia before. But the age of 37 is (biologically speaking) a magical limit... because now it's high time. (The KDrama actually offers an exceptional man as a role model who thinks progressively here...)

- Dating, a woman automatically becomes the one who needs/wants to be protected and the one who in turn provides the man with allround care. What a mess, if roles lose their clear assignments. Here, too, the KDrama offers, among other things, another (different) exceptional male role model - one who (although instinctively a protector, too, but nevertheless) is ready to develop in a different way.

- And then equally valid for men and women: relationship is not a private matter. At least the parents are the first to have a say.

-Also: The greatest happiness in life should be a permanent position. Everything else is extra...

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"I Do I Do" defies these societal norms, which in South Korea seem to be chiselled in stone. This is no piece of cake. Interestingly, the KDrama offers only one answer to the question "What are the arguments in favor of deciding to have a child or a family as a professionally ambitious woman?" - this in the face of an almost endless list of reasons that argue against it... This single commitment to a "yes" (towards children and family) is located beyond rationality. This "yes" has nothing to do with virtue and values. This one and only "yes" argument is completely personal. (My respect for taking such a position - one that actually stands outside of society´s right to have a say in this!)


After all, "I Do I Do" eventually shows another variation in the Cinderella spirit of fairy tale love stories ... But. I consider the way as the goal! And the path described in this KDrama (the circumstances and processes of the main protagonist) makes it definitely worth seeing. In addition, Kim Sun-ah finds a good balance between a competent, unapproachable boss and an approachable, not so competent 'woman' with her heart in the right place. Lee Jang-woo also convinces me here in his role as the much younger, impulsive, unconventional Park Tae-kang.

By the way: Since it is about the world of fashion designers and pumps in particular, it would be worth mentioning that the viewers get to see a lot in this regard. Not only in Ji-ahn's well-stocked private shoe room, but also beyond that - 500 pairs of pumps were brought up for the series that were supposedly worth almost 9,000 euros. Also, the protagonist Ji-ahn's individual fashionable style (which goes back mainly to Kim Sun-ah's specific, personal suggestions) became a trendsetter at the time.

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This show is one of the biggest waste of potential I have ever seen. The concept for this show is so unique and interesting, it could be taken in so many interesting direction. However, this show decides to tell the same cookie cutter love triangle story line, with some of the most unlikable characters I have ever seen in drama's. Now I've watched shows with unlikable characters, I've watched show with stupid characters but never have I watched a show where all three of the main leads are unlikable and stupid at the same time. All of them make stupid selfish choices and when they come to regret them they make no effect to fix anything and wallow in their own self pity. Also that ending wasn't and ending nothing ended in the story there was no closer therefore it can't even be called an ending. It was a cliffhanger for the second season however, with these character's I'm not sure if I'll waste my time with the second season

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Started out fun and engaging, even the cinematography (the yellowish filter which reminded me of the horror movies in the 2000s, i thought Sadako was gonna spring out out of nowhere) is A grade, Then somehow it got a little boring in the middle and then i realized i wasnt even looking forward to any of the episodes anymore, i just finished watching just for the sake of finishing the series.

One big problem is the chemistry between Sahara and Toki. I dont mind and i actually like the awkward overacting, but they just didnt show enough to make me care about their characters and to root for the relationship. I didnt even understand the 'slap in the back' thingy which were supposed to be a thing of affection considering those were such strong slaps and didnt they say Sahara has (or had) a back injury?

The addition of Nekoto- and for goodness sake his emo hair is so annoying - n the last few episodes even made the show worse, no wonder why Sahara chose Toki isntead of him.

Let me get this out of the way too. The idea of a teacher getting into a relationship with a high school student is very cringy layered with too many inappropriateness that gets worse when being romanticized. I am not a conservative but this is not something that i would feel comfortable seeing in real life no matter how small the age gap is.

Is this something that happens normally in Japan and i wonder what is the targeted demographic for these kind of contents? it smells of something predatory.

The fact that this is the second Japanese BL within the past 6 months with this age gap (the other one is One Room Angel) kinda bothered me a little. One other BL with this kind of premise is Minato's Laundromat (with not just one but 2 of this kind of relationship) and that even got a second season. In these series, they show the younger leads vehemently pursuing the older guys, and they make you think it is ok. I somehow feel its not. These 3 series features younger HIGH SCHOOL male leads being partnered with adult guys (to be fair Minato's Laundromat handled it better) Im not against big age gap between partners but i think we have to be reminded that these high school students are STILL kids compared to the older guys they are running after. At least make both characters "adult" even if you make a 20-year age gap then it might be ok.

Overall, its a 6.5 for me. This is a series i wont even remember after a few months, and its not even entertaining enough to be rewatched.

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Beware: Sexual Assaults Uncut

Yes, this drama consists of some sexual assault scenes of one of the main characters, and viewers be warned to decide if you want to pursue this story or not. It's very rare to have a Chinese costume drama that has the women being violated. Nonetheless, aside from those rather upsetting scenes, the overall drama is consistent with how wuxia dramas generally play out: adventure packed, revenge, pride, justice, brotherhood, friendship, self-sacrifice etc.

Wang Xiaoshi (Zeng Shun Xi aka Joseph Zeng) leaves the mountains where he lives, and begins his journey of exploring the world. He meets Wen Rou (Yang Chaoyue) and Bai Choufei (Liu Yuning) and they become best friends and travel together. Wang Xiaoshi is upstanding, easy going, truthful, kind, positive and always sees the best in another person, whereas Bai Choufei is ambitious, ambiguous, cruel and has a shade of darkness around him. As Wang Xiaoshi just wants to see the world, Bai Choufei wants to make a name for himself. Just as they are going from places to places, they unwittingly embroil in the politics of “jiangfu” and meet Su Mengzhen (Chen Chuhe aka Baron Chen) who is the leader of the House of Sunset Drizzle, a powerful upstanding organization helping jiangfu by bringing justice to the poor and weak. Su Mengzhen is sickly and he needs talents to help him. The three men become sworn brothers and vow to stand by each other. However, as the story unfolds, Bai Choufei becomes dissatisfied to come under Su Mengzhen and he strays; he wants to be the number one.

I really like Joseph Zeng. He has an irresistible charisma that attracts viewers. As Wang Xiaoshi, he has really brought alive the character as a positive and unsuspecting personality, and later becomes mature and solemn. His transformation is great and Joseph Zeng has successfully executed the role convincingly. He is a wonderful actor.

Liu Yuning’s acting is equally amazing, from a cold, rather selfish character, to a half crazy, power-crazed lunatic, Liu Yuning has had a great performance. Every snicker he makes sends chills down my spine, that’s how good he is.

Chen Chuhe’s Su Mengzhen is painful to watch. Every time he coughs, my heart goes out to him. Despite being sickly all the time, his character is strong and amazing to watch when he fights. The acting is simply authentic and convincing.

Though she doesn’t, every time when Wen Rou is around, I dread she messes up other people’s plans. Yang Chaoyue’s acting here is a lot better than she was in Dance of the Phoenix and I hope she continues improving her acting skills.

My Verdict

This is a through and through wuxia drama. However, the screen writing is less than desirable with rather childish logic at times, multiple plot holes and tons of inconsistencies. This is supposed to be a story about brotherhood, that's why Wang Xiaoshi is guarding so protectively over their relationship, and that's why he's so devastated when he loses his brothers. The script writing has not really brought out the brotherhood essence strong enough but just bypassing it. What an opportunity lost. The story can get very slow as the love triangle develops, and the replacement of the “lou zhu” at the end feels very random. As in most Chinese costume dramas, almost all the characters that appear at the beginning of the story perish by the end. Having said that, the wirefu acting, martial art sword fighting are all very well executed and convincing.

All these shortcomings become trivial as we dwell deeper into the message of the story: it questions the purpose of life, the difference between living and surviving; it advocates for freedom of ideologies, and denounces authoritarianism; it is very political. The story seems parallel to today’s world in politics: power blinds as in Bai Choufei; government corruptions hurting its own people as in Prime Minister Cai (Lo Ka Leung). And we need heroes like Wang Xiaoshi and Su Mengzhen to clean up the rot, one by one.

This is a great drama for wuxia fans. Great watch!

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@ mobbing, friendship, class culture and reflecting moral behavior among 6th grade pupils. Great!

"The Queen's Classroom" is a dramaturgically fascinating story about kids at a South Korean elementary school, shortly before their transition to middle school. The young actors are fantastic. Likewise the adults. At the same time, it is a nuanced, clever study of bullying from 2013. I appreciate this series very much because it not only shows THAT there are enormous social problems with an increasingly traumatizing marginalization of young students, but also how/that the school, i.e. the teachers, can contribute in a creative, constructive, pedagogically valuable way, and thus counteract the trend. For this reason alone, "The Queen's Classroom" is worth seeing. In addition, the KDrama tells a wonderful story about the idea of friendship - about how the mere concept and label 'friendship' becomes a real, three-dimensional relationship with a solid grounding. Fabulous.

The unique approach is a focus on the age between elementary and middle school - a phase that is crucial in the development of personality, e.g. for the cognitive development with regard to the moral assessment of situations, the ability to change perspective and a differentiated understanding of moral values. Eventually, the moral assessment of mobbing/bullying is the crucial first step in order to seriously counteract the ominous trend. This aspect is a characteristic problem in South Korean schools. (See side note below.)

In the case of "The Queen's Classroom", the homeroom teacher sets important impulses for the personal processes of individual pupils and the class as a whole with quite idiosyncratic, (of course also dramaturgically effective), provocative pedagogical methods. The aim is to use paradoxical intervention in order to trigger more profound emotional and cognitive processes, so that the students can move from the sometimes naive surface of their beliefs to their true, genuine core. On this basis only can they then stand their by all means noble, idealistic convictions powerfully and authentically against adverse circumstances. Personal processes can often be a bit painful, as is the case here. However, the result is quite spectacular for the individuals and for the class as a whole, too. It could/should be something like this or something similar, it HAS to be if the increasing trend of bullying in schools is to change.

Chapeau! "The Queen's Classroom" is boldly leading the way as a small but mighty pioneer in the KDrama world. To be fair, the KDrama is based on a Japanese production. Since the social problem is similar there, it is not surprising. In any case, the Korean remake didn't do any harm... Despite all the emotional seriousness, it's a great pleasure to accompany the kids on their bumpy road.








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SIDE NOTE: --- Wang-ta - Bullying in a collectivistic society, like South Korea ---


While 'mobbing', strictly speaking, refers to psychological terror or physical violence by a group, 'bullying' describes the harassment itself, regardless of how many people take part in it. However, the choice of term does not change the fact that far too many students are involved - be it as victims, as perpetrators or as spectators/witnesses. This is an international phenomenon, with more or less extreme manifestations. There is peculiarity in South Korea, though: collectivism (vs. Western individualism). When the welfare of the collective has the highest priority, it means that the interests of the individual are subordinated to those of the associated social group - be it family, work, school, class, club, friends, etc. Peer pressure also exists in individualistic Societies, true enough, but in collectivism it has an even stronger impact. This should not be underestimated when dealing with the topic of mobbing/bullying.

'Wang-ta' is a specific, common South Korean slang term that is used in connection with and in dealing with a person who is not part of the group. One becomes an outsider very quickly, wearing the wrong clothes, having the wrong interests or preferences, belonging to the wrong group or to no group, having poor, stigmatized or less influential parents, living in the wrong family constellation or only achieving bad grades. However, this label commonly implies (in collectivist society) that it socially 'is allowed' to devalue and harass this person for being an outsider. When group norms are thus strong, such exclusion based on appearance, lack of achievement, special preferences, etc. can have particularly fatal consequences. Those experiencing 'Wang-ta' first hand, may lack the chance of getting rid of this label again.
- Those who 'choose' the victim are hardly aware of any guilt, since they are convinced, that they are rightly criticizing a deviation from the set norm.
- The other peers will thus avoid the stigmatized pupil and assume that there is something to it, so that the label (and exclusion) is justified.
- And those labeled ´wang-ta´ will only withdraw even further, ashamed of their 'apparent' lack, and feel even more inferior, than they might already do.

Empirical studies in 1998 ff with pupils from European or American countries (with individualistic socialization) showed, that in 85 percent of bullying cases peers were involved as bystanders. Of those, only 11 percent eventually intervened. Unfortunately, I don't have any comparable South Korean numbers, neither from then nor from today. However, I probably don't lean too far out of the window when I suspect that there are significantly less, who would actively intervene.
In the course of further international studies it was possible to prove that intervention by peers is, however, an essential first step towards change. Active intervention on-site in the middle of the situation triggers a (moral) debate among the peers about the situation in the first place. As long as there are only passive, tolerating bystanders, the act is socially approved and its justification defacto confirmed.

There are South Korean studies that show: although the majority of the pupils interviewed do not like bullying, at the same time they also believe that it is inevitable. In fact, they assume, that the victims in general deserve to be punished because of their (self-inflicted) being an outsider.

The peer group has the greatest influence during the school years from late elementary school to high school. At the same time, this is the phase in which generosity in dealing with diversity can and must be learned as an essential social value. If such a value is not socially recognized at that time, then young people will not be able to integrate it into their further lives, let alone apply it. This is the painful crux of the issue of "wang-ta" in South Korean schools (or later in the workplace): generosity in dealing with diversity has no tradition, no culture, no socially recognized value on the peninsula. If you want to change the school bullying trend, then you have to start here. I.e. as a teacher in elementary and middle school, opening up spaces for experience with tolerance and thus creating the opportunity for a new culture of social interaction. A confident class culture that explicitly acknowledges diversity, that socially and openly and explicitly questions wang-ta as a social option, can form the fertile breeding ground for fundamental societal changes that leave more room for individuality. In the face of an ever-approaching, globally networked world, this is becoming increasingly necessary in order to create the personal and social balancing act of a hybrid between traditional and global, between collectivistic and individualistic.

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1) The reason I watched this:

I was in "drama mood" so in that period U wasn't picky at all. I just read the synopsis then I decided to watch this drama without expecting anything from it.

2) Storyline/Plot:

The general story wasn't very special but it can't be considered as a one of K-dramas usual plots. However, it wasn't outstanding.

Positive Points:

*The storyline had a great dramatical depth which can make you tagged to its events.

*Main Genres:

--->Romance: This is a romantic story with all the meanings that the word "Romance" refer to; it was well written in order to make developments go deeper and deeper after each episode.
The romance here is the "mature" type, not like those childish romantic stories that we see everywhere but it's not very serious that would make you get bothered since they added moments to cheer the audience and keep boring moments out; i believe it was a smart move in order to maintain the great romance.
One more point, romance was a play of fate, a play of reality to show how true love can survive no matter what kind obstacles it faces; I know it's a little dreamy but it was cool in the drama.

--->Drama: I consider this drama as a dramatical romance, it's not the rom-com type so the dramatical side was heavily present and well done in some points.
It can be devided to several parts since the storyline was devided, the middle dramatical part was the best then there's some good parts at the beginning.

Negative Points:

*The romance is good but only the main leads romance existed; no side romantic stories that can change the mood a little. Yes, there was the usual Korean triangle but the side romantic stories were absent.
*The dramatical parts in the end were really annoying because it took a wrong turn after the 15th or the 16th episode; I had high hopes for that part and even though, it didn't end up badly but I wasn't satisfied.

Story: 8/10

3) Acting/Cast:

*Joo Jin Mo:

I have a great respect for him as an actor, I loved his previous roles and I really liked his role here, it wasn't an intense role but the way he handled things was really well done.
The character was a very strong at first, you can feel the hartred and pain in Lee Shin Jun's eyes then as the drama went on, many changes occurred, many dramatic moments were held by his character, it was intEresting to to follow his character developments but at the end, I noticed some unsatisfying changes in the character's personality but it's all up to the story's changes above.

*Lee Bo Young:

I don't know her as an actress which means that I am not familiar with her acting skills, here she was acceptable and moving in some points because the role was portrayed in a satisfying way.
The character, let's see, I wasn't fully taken by kang Eun seol's character and I never sympathized with her. The character was off sometimes, cheerful some other times, cool most of the time and what I clearly remember that it was really annoying starting from the 15th or the 16th episode.

*Other Cast: I am only familiar with some of them but I think their roles were nicely done, except some annoying characters, the supporting roles were okay.

Relationships:

--->Romance: The chemistry was good, like I said earlier it's one of the greatest romantic stories that I've ever seen plus the leads made it enjoyable "most" of the time.

--->The triangle: Most of the time they were really annoying to watch, I skipped those parts often, I tried to watch but they weren't any close to the sweet triangles that we usually know but I have to appreciate Kim Pil Seo's character since it was "mature"

--->The leads relationship with Lee Shin Jun's mother: It was really well done at first but when it took the obvious turns near the ending, I became uninterested.

Cast: 7/10
Acting: 8.5/10

4) The ending:

I liked the final obstacle, it was somehow unexpected and cool to watch. Nice closure but it doesn't deny that it was one of K-dramas classical endings.

The ending: 8/10

5) My impression (How did it affect me):

*I was really interested in this drama and that's the main reason I finished it fast.
*I wasn't bored but I have to admit that I skipped several parts in order to make my watching time equilibrated plus there were scenes that I didn't like.

*Is this drama memorable: Yes, I am keeping this drama in my mind as one of the greatest romantic dramas but not as one of the greatest dramas that I've ever seen.

My impression: 8.5/10

6) Overall:

*If you like romantic stories than this for you.
*If you're into romantic comedies, I don't think that this drama would suit your taste.
*Watch this if you're looking for a great male lead.

Overall: 8/10.

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Entertaining & Good Chemistry Ongoing Review (Happy Ending Answer)

SLOW START:
I am amazed that the drama follows the book's slow pace in the first 4 episodes. I was expecting less development of the CSS's family. The first 20+chapters of the book are boring so I thought they would just sum it up quickly, but they did drag it out a bit in slow motion. This will discourage some people who are used to quick-paced dramas. If you don't like wordplay or family (in this case females) bickering, then the first episodes will be painfully slow. However, the drama doesn't need to be abandoned because the later episodes will be better after the "main" characters come out. That being said, I have a feeling that the drama will be developed in a similar way.
It's a slow beginning, but they did try to make it entertaining. I think it's worth giving it a chance to develop the narrative (which although slow, is well-acted and filmed). The cinematography looks amazing so far.

If needed, you can skip the first 4 episodes: they are about a girl who was left behind as a baby because her family had to go to war. She was abused by her aunt and grandma. The story begins as her family returns home to find her grown up without education and fine manners.
The ML LBY came out in the first episode. He "met" CSS's hand. And the face-to-face meeting doesn't happen until episode 6.

PLOT EXPECTATION:
What this story is not about: politics & war (there is some, but it is about 1/4 of the story ... the other 3/4 is about women's and family drama). So it's always good to keep your expectation consistent with the perspective that this novel is about a girl, who is the main character; she has 3 suitors; her character matures as she makes her choices.

For those who expect a quick meeting of the main leads and a fast-paced romance, this isn't the drama. They don't "meet" right away. It's going to take time for her to like him. If you have seen The Story of Minglan, it's the similar vibe in terms of family drama. The focus will move from CSS's family drama to another family drama (the emperor's).

ACTING:
So far I really like the acting and funny moments (including the wordplay). It's a different type of drama. It feels like an artistic rendition rather than the typical C-dramas. If you like ZLS, this is a drama in which she shines because she can act in different stages of growth. LW's acting is not shabby either.

As you watch the drama, look out for the details in the words between the characters. The beauty of this novel/drama lies in the details and words and the interaction between people.

CHEMISTRY:
All the MLs have chemistry with ZLS. The looks (eyes) between them and her show how much they like her.

ENDING:
Happy Ending in the Novel. They didn't get married only talked about it in the epilogue. No actual ceremony. Let's hope the drama will script it in.

EPISODE REVIEW:
ep1:
The old lady who came to fetch CSS said, "If your parents love you, why did they leave you?" - This is the same question that CSS must have asked many times: it makes her feel unloved and orphaned.
When LBY heard the uncle say that CSS was without parents all her life, he must have already felt connected with her through their shared background: both grew up without parents.

ep 1-4
Not as good as could have been because of the excessive bickering. It sets up the storyline. Can skip over the high-pitched overdramatized bickering if you don't enjoy it.

Just finished ep6:
Amazing! They changed the novel. I love the change! It's more exciting/entertaining and makes more sense that she met all 3 on the same night! She still hasn't seen his face clearly, but he saw hers.

7-8
Episodes 7-8 didn't disappoint. Again, the script deviated from the novel, but it's all positive. VERY entertaining. I thought the cinematography and storyline had a Disneyesque quality: the filming of LBY with the black cape (a repetition from previous scenes) from low to the high angle from the back makes him look like a Disney character: intimidating, intriguing, and foreshadowing. The real voice of FL added to the fun and childish scenes. I feel she made it very believable and entertaining to watch.
TBH, I enjoy watching this drama more than reading the book. Although I laughed sometimes while reading, the drama brought out more of the comic element by providing not just the regular rom-com but also sophisticated irony, contrast, etc ... The director gave it a vibe of Disney's Cinderella and "Sense and Sensibility".

EPS 15-6
Again, I am impressed with the screen adaptation and the director of this drama.
An excellent screen adaptation of the novel to include more interactions among the male leads. I love that they are more central to the story and being shown at the same time so the audience can see how they treat her and how she reacts to their perspectives.

Jane Austen's vibe is obvious and consistent as the actors curtsy to each other and politely nod their heads. The director is able to get the actors to perform their roles perfectly. It's funny but not to the point of being ridiculous. The humor has a tasteful vibe. When the grandma's dramatic role is not being overplayed as in eps 1-4, she also has the vibe of JA's old dames.

I also love that ZLS can bring out the little girl vibe. Although she is young (but not that young), she brought out the innocence of a 14-year-old at times and makes you feel like yeh, I could believe in her silliness, idealism, and audacity. I think her real voice and acting make the role so believable even though she doesn't look 14 years old.

17-18
If I were reading Episodes 17-18, I would be fast-forwarding them to the next best parts. It's so painfully slow to wait for next week's episodes! I guess the story is not moving fast enough because it's still evolving around similar plot lines and conflicts: engagement, family fighting, LBY's unrequited love, CSS still needs to fight for herself without getting new skills.

It's like a video game level: she's not getting any extra skills or new conflicts to move on to the next level.
However, it's fun to see the dynamics of different families.

In these episodes, we can see that she's going to have a tough battle against the Lou family. Everyone can see it except CSS. Why? In her insecurity (worrying about not being able to find a suitable husband - Lou is the only one who asked her to be his wife), CSS thinks this is as good as it's going to get for her. She's a young teen. She's full of insecurities due to abandonment and lack of love. She doesn't know what love is. She is only concerned about having independence through being married to an easy-to-manipulate husband who will support her projects. But she doesn't realize that behind the husband is actually a formidable family.
These episodes are fun to watch to see the dynamics of Chinese families. The princes showed up in episode 18 in which you can see the contrast between the crown prince and the 3rd prince. It's foreshadowing who will rule at the end.
The next episodes will be more fun when she becomes engaged to LBY. It's a new plot line involving a new mentor (empress) and a matchmaker (emperor). It will be less frustrating to watch because CSS is getting new skills and love from her mentor. She has a stronger fiancé who supports her.

19-20
Breaking up is hard to do so CSS refuses to accept the verdict that she has to give her fiance, Yao, to the He daughter. Yao and CSS promised to stand against the world. Here we see that Yao actually has a backbone. His relationship with CSS has matured him and inspired a devotion that stands against the bullying of his family. It's a foreshadowing of a decent man and friend that he will become at the end of the story.
In this episode, we see that the relationship between mother and daughter is progressing ... also more disclosures about LBY's past.
One thing I noticed about this director is his use of repetition to emphasize the point: My favorite part about these 2 episodes is the last scene: LBY said, "No need to fear. I am here!" This is a repetition of what he said when he rescued her before. It just emphasizes his devotion to her.

21-22

Finally, the plot moves on! I felt too much time was spent on the first engagement. I would like to see more time spent on CSS and LBY's story. At least now, we are heading in the right direction!
She breaks her engagement with Yao. From here on, LBY will become the main man in her life. This marks the beginning of her exposure to life in the palace.
She overheard a conversation about overthrowing the crown prince. LBY saves her and starts to become involved in her life.
Overall, the plot is moving on. I wish they would not drag on with the grandma's scenes. At this point, I tend to get impatient and fast forward her scenes.
The emperor, on the other hand, is a lot more humorous. His involvement in LBY's love life is hilarious... the scene was fun to read too.

23-24
The script modified the story but it sounds reasonable. Here is where the LBY asks the Emperor to represent his parents and ask for CCS's hand in marriage. She took a chance and said yes. Why? She was touched by his sincere declaration that she is a special lady who is fit to be his wife. No other will do.

25-26
Excellent job in both scripting and directing. Really loved these two episodes, especially the humorous ending of 26! This was not in the book but the script again exceeded my expectation. I loved the way the director showed humor, not just through words but also through the filming angles and the closeup of movements!
In episode 25, CSS had to deal with the gossip and LBY helped her to silence the vicious girls. She realized then that she is solely dependent on him to give her power. And by relying on him, she loses her independence.

27
The hilarious episode shows LBY taking over Cheng's family in a military style.
28
Love doesn't conquer all ... Adjustments and compromises are required. I find this scenario to be very realistic. Romantic love is balanced with conflicts and character development. I like how smoothly the script transition the story to the Palace.

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I watched Secret Garden about a year ago.. But sometimes I rewatch and still feel great..
Honestly, my consideration for watching Secret Garden was the two main characters Ha Ji Won and Hyun Bin..
But after that I found the story was amazing..
I was hooked and finished this only in 2 days.. until my eyes being swollen at that time..
It makes me laughed and cried at the same time.. The storyline made me curios to watch this until the end..
Both Ha Ji Won and Hyun Bin plays the role very well.. Especially when their bodies switched.. The chemistry between them looks so real..
The music also very good.. the placement for the ost at every scene can play our emotion..
For me, it’s one of the best K-drama.. Love it so much!!!

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I pushed my way through the entire series because there were some sweet moments that made it really worth watching, yet I still feel like I'm writing this review to criticize more than compliment.

But let's start with a compliment:

I enjoyed the lead female character. This kind of nice, independent, no-nonsense lead female character has been a rare item in the Korean drama industry. I'm saying she's strong as in not TOO comically strong or bratty as well. Eun Hawon character is really likable, and it's the only part that makes sense why this kind of reverse harem plot works. The boys in the house genuinely like her, and I accept it. Most of the Korean dramas that go for either this generic reverse harem plot or the strong lead girl plot usually fail to deliver them naturally. I grew fond of her the most and her character made me stick around.

Another good point that somehow kept me around was the sweet moments and the chemistry between the lead characters. I could feel that they really care for each other. Nothing was forced. The love story wasn't rushed. I enjoyed it. Sometimes the sub plots dragged on for too long and their sweet moments would restore my faith for this show.

Now onto the bad part:

From the title: Cinderella and Four Knights, there are no four knights at all. They're trying to sell that this is a reverse harem kind of story, with one lead girl and four lead guys and such, but it only lasted probably up to the first few episodes. The first few episodes promised you a love triangle which was cliche but still entertaining.

From somewhere early in the series, however, out of *four* knights: 1) one of them loses complete interest in the lead female and goes back to the second lead female he ditched long ago for unexplained reasons, 2) one of them grows to like the lead female yet takes care of the second lead female to an unreasonable extent, 3) one of them likes the lead female genuinely but, of course, the plot won't allow them to even meet and talk properly, 4) and the last one of them leaves the *knight* title ever so quickly and branches out to his own super cliche sub plot although he has so much potential in everything from acting to his looks to his chemistry with the lead female.

It felt so much like the writers lured us into such F4 - Boys Over Flowers kind of settings, then ditched us to an extremely cliche plot that revolved more around the second lead female – who I have to use the word "annoyingly boring" to describe. I like Son Naeun as a member of A Pink, but I believe her acting is very bad – or this character does not shine a light on her as an actress at all. Her character is an "I-only-look-at-you" kind of pitiful(?) girl, but somehow the story (or her acting) made her evil. I thought she was going to grow into a likable second female lead because she was one of a few second leads that don't act evil towards the lead female character. However, her damsel-in-distress situations only turned her into a "I don't care if I look evil, I just want to own one of these rich guys" kind of character.

She has the looks and she's from a well-raised background. She was also incredibly stubborn for (literally) unsaid reasons while she could just go out and have a happy life while forgetting these main guys. Plus, her interest in fashion design seemed useless. It played no part in the plot, and I wish writers would stop stereotyping fashion design major as a "high class" thing. Beautiful barbie-like female characters don't need to like fashion to look sophisticated. Try harder.

Likewise, I didn't enjoy the stereotypes in this story at all. Jung Ilwoo's character (Kang Jiwoon) was built around a quiet, rebellious guy with a troubled past, so they gave him a street-racer persona while in the story it was just him fidgeting with his toy cars from time to time. It didn't look cool and rebellious. It looked pathetic.

Ahn Jaehyun's character (Kang Hyunmin) – the playboy successor of Haneul Group – can he be even more cliche than this? I mean, playboy chaebols are fun to have in a story, but this characteristic of him progressed to nowhere. He was out with random girls for only 2 or 3 episodes at the beginning. At the same time, he's a supposed successor of their family business, but I see him lazing around inside the mansion the *entire* series. In fact, he doesn't seem very aloof. He has a heart, but they didn't make use of it at all.

Lee Jungshin's character (Kang Seowoo) is a musician. Why? There's no back story to his characteristics. He's popular and is a good singer and he's very nice. Rich and romantic, yet he seemed the most unattached to the entire chaebol family. Again, there's nothing bad about this, I just feel like this musician character is very stereotypical. And again, for a chaebol grandson who's *finally* nice and decent, he's out of the picture from the first half of the series. He likes the main girl alone, feels sad alone, and lets her go alone. His music plays almost no part in putting his character together with the main girl or other guys, and despite that, there's no explanation in why he fails to convey his love to the main girl at all. (Oh, wait, why? Because the writer doesn't want that. Then WHY did they even make his character up at all?)

I still forced my way through the end purely because of the lead female character. She was the only decent one in the entire series. The "missions" and "part-time job" that put her in these guys' mansion made me cringe though. And although she's naturally kindhearted, genuinely wanting the boys to reunite as a family was a bit odd, given that she hasn't been raised in a warm *family* as well.

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An intense binge worthy drama!

I am so in love with this drama. I saw everyone praising it so I casually started it out of curiosity. I was just thinking about giving it a try for the hype. But now I am actually joining the crowd. I feel like praising everything about this drama.

Reset is an intense story that revolves around a few characters binded by a time loop. What I am happy about is that despite it being a time loop drama where certain things will keep on repeating it was executed in such a nice way that I couldn't even think of skipping anything. No matter how many times they repeat it, a right balance of new things came out that was interesting.

So the story starts with a university student named Li Shiqing (Zhao Jin Mai). She was on a bus and on her way to somewhere when the bus gets into an accident and she dies. But she wakes up the next second and just considers it as a bad dream but woah! this is the best part. Things seem to get repeated and she seems to die because of the same accident again and again. Once she realizes about this horrible time loop, her first instinct is to escape, she uses a boy sitting beside her who is Xiao Heyun (Bai Jing Ting), a game developer to get out of the bus but unexpectedly he enters into the same time loop with her. Oh my god! Just the first episode and I was hooked up. I couldn't wait to see how they would continue this story.

Afterwards there are just crazy things happening. They both try struggling in all ways possible to change this destinied accident. Not even a single second is irrelevant or like filler in the drama. Everything is there for a reason. Even the expressions of each actor and how should they react in a particular scene is so perfect.

Their bond. Like two people who are in a mess of time, fighting together and just like two teammates going through life and death together. You can observe how slowly and reasonably their bond develops. Romance is not the visible center of the drama but it's just present through those little moments between them. You can see the care in their eyes and just the will to accompany her/him in the trouble till the end.

I love how almost every character has their own story and stuff. It's short like 15 episodes of 45 minutes each but they do justice to every character present.

Favorite line — "Human is iron and rice is steel. You can only save the world when you are full"

So, in the end, I recommend this to everyone. To even those viewers who are like me and who hesitate to watch time loops… this was a great watch. A well organized plot, high quality production with actors who know their characters well. It's amazingly set with an interesting story which kept me on the edge of my seat and I was like always looking forward to watch more and more. Meanwhile I will be off to dig up some good behind the scenes videos to enjoy more of this :D

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Unexpected

One way to summarize 'The School Nurse Files' would be: "Unexpected, strange and unique."
From the very first minutes of the series you start to wonder what you got yourself into. At the end of episode one you get stuck into this mindset of "I need more, what was this?"
This series won't fit everyone's taste but if you get rid of all common sense and logic you will surely enjoy it.
You won't be able to understand majority of the story if you skip on this one during episodes, the episodes need to be watched in its entirety for them to make some sense and for the story to flow.
As a fan of anime and comics, I can honestly say this fits my taste and it's something I've only seen in Japanese dramas, it's ridiculous to say the least at times, but isn't that something to be enjoyed? The real world is already too bland as it is.
A gem who will be appreciated over time!

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The drama that felt like the most beautiful poem!

Was it the plot that caught my eye? was it the acting? was it the ost? Well none of these. While browsing through reels I found a reel of this drama of the first episode when Sou and Tsumugi meet again. Without even knowing the context, I cried. Later, I searched for the synopsis of this drama and boy, did my heart wrench! I decided to wait for more episodes but after sometime this drama still found itself in my reels. I binge watched the available 7episodes and those 7 hours I cried 14 times. But honestly, it was not the tragic element that moved me but how beautifully the drama was written. Sometimes, when you find something beautiful that makes you think so much and calms you down, you cry.
There was not any stress element but I liked the conversations between every character. I felt myself to be in the pov of every character. Every small detail of the drama holds a beautiful meaning and when you will reach the last episode you will see a loop of beautiful and brightening elements. However, to bind such a precious creation needs comprehension from the actors' part and indeed every character justified their roles, its emotions and every part of it.
A memorable drama that taught me so much and maybe when I will watch it again, I will learn more.

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