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That's actually quite simple. At one point, I thought « Wow ». I was already hooked from the start (or rather around episode 3 because that's when the main leads actually meet for the first time) but later I really fell in love with the characters and the story. I was impressed, which nearly never happens. I was so eager to see the next episode that I ended up reading the novel... only to be frustrated by not being able to finish it. Yes, unfortunately for now, you'll only find the first half translated in english on internet. (EDIT : now completed! Advice: watch the drama before reading the novel.)
Story :
It's a little difficult to follow at first because there are a lot of characters and informations to remember. When it started, I thought it would be roughly one case every three episodes. So I didn't really care about the criminals identities and that's where I was wrong. It's actually one big case. The first case leads to the second, which leads to a third even bigger, and so on. Episodes are short but intense on informations. You have to stay focused to follow this drama, be warned.
Drama vs novel
Personnaly, I love them both in a different way. In the novel, I love how intense the main leads relationship is. We don't have their inner thoughs in the drama, so the focus is more on the investigation, which gives off an intense feeling too. Hence, I did not mind the difference, but I'll surely see a lot of things in a different way when I'll rewatch it. For instance, Ji Bai feelings are less obvious in the drama. He smiles at her, confides in her, stays by her side... They just made Xu Xu realization of her feelings more obvious than the novel through her drawings. Still, I think you'll appreciate the drama more if you watch it before reading the novel.
Acting and characters reactions
Realistic. I have to word it that way because, when it's a romantic comedy, chinese and taïwanese dramas tend to exagerate situations. Fortunately, they choose to focus on the investigation for this drama, so the acting is also very serious. The one thing that actually doesn't feel right is Xu Xu drawing cartoons. I felt the way she was portrayed in the novel, being someone really mature and logical, was more realistic.
Music and cinematography
I loved the opening song and even more its clip. So beautiful and kind of sensual, even with animals drawings. It goes well with the cinematography. Some sequences are beautiful. I loved how they make use of some silent moments. One little thing bothered me in the first few episodes. At times, the camera trembled too much, probably to give a suspens feel. But overall, it was really well-done.
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Unexpected
One way to summarize 'The School Nurse Files' would be: "Unexpected, strange and unique."From the very first minutes of the series you start to wonder what you got yourself into. At the end of episode one you get stuck into this mindset of "I need more, what was this?"
This series won't fit everyone's taste but if you get rid of all common sense and logic you will surely enjoy it.
You won't be able to understand majority of the story if you skip on this one during episodes, the episodes need to be watched in its entirety for them to make some sense and for the story to flow.
As a fan of anime and comics, I can honestly say this fits my taste and it's something I've only seen in Japanese dramas, it's ridiculous to say the least at times, but isn't that something to be enjoyed? The real world is already too bland as it is.
A gem who will be appreciated over time!
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1This review may contain spoilers
Bound by fate, kept by love, strengthened by never giving up
Khemjira stands as one of 2025’s most unexpected triumphs, not only within the BL sphere but across Thai television as a whole. What appears at first glance to be a mere romance quickly reveals itself as something far more layered, weaving love, destiny, forgiveness, and spirituality into a production guided by impeccable direction and elevated by unforgettable performances. It’s rare to encounter a series so complete, where every frame has purpose and every choice resonates beyond what the eye can see.From the opening episode, it becomes clear that Khemjira is committed to charting its own path. By blending horror, drama, and romance, the series crafts an atmosphere both gripping and deeply moving. The story of Khem and Peem, or Pharan, unfolds with a tenderness that feels disarmingly genuine. Their love grows in cautious steps, shaped by hesitation and longing, and it’s precisely this slow burn that grounds their relationship in something recognizably human. Watching the master finally yield to love after so much resistance is profoundly rewarding. And when both characters find peace at last, granting themselves permission to love freely, the experience delivers a relief as tangible as a breath you didn’t realize you were holding.
But Khemjira’s strength extends far beyond its central romance. The writing gives every character depth and intention. Jet and Charn, for instance, form one of the most thoughtfully crafted secondary couples the genre has seen in years. Their easy, playful connection serves as a gentle pause amid the narrative’s emotional weight. Every storyline flows naturally into the next, building toward a conclusion that is as cohesive as it is moving.
And what a conclusion it is. Nearly two hours of uninterrupted storytelling, and not a moment feels superfluous. Every farewell, every reunion, every gesture of forgiveness lands with purpose. Ramphueng’s redemption, her long-awaited reconnection with her son, emerges as one of the year’s most affecting scenes. A character shaped by grief and rage finally finds peace. Khem’s act of forgiveness, more than symbolic, breaks a cycle of hatred and reminds us that love, at its most sincere, is inseparable from compassion.
DMD’s direction deserves particular praise. A company often acknowledged for technical competence but not necessarily for narrative strength, it surpasses expectations here. Pacing, performances, visuals, sound, everything aligns with striking precision. The series treats Thai spirituality and cultural elements with a level of respect and intentionality that elevates each moment, transforming the entire production into something quietly profound.
KengNamping and TleFirstOne prove themselves perfectly cast. Keng’s portrayal of Pharan commands every scene with a calm power, while Namping infuses Khem with tenderness, courage, and a steady emotional depth. Their chemistry is undeniable, but more compelling still is the sincerity with which they portray vulnerability. Tle and FirstOne, as Charn and Jet, deliver warmth and charm that balance the narrative beautifully.
Visually, Khemjira is nothing short of breathtaking. Each shot is composed like a painting, every interplay of light and shadow deliberate. Costumes, makeup, and visual effects are exceptional, especially when you consider that we’re talking about a Thai production, where technical polish is still far from the norm. The spiritual sequences, in particular, are impressively executed, elevating the narrative without ever feeling excessive. The soundtrack ties everything together with emotional precision, enriching the story without overwhelming it. At its core, Khemjira is a meditation on love and destiny, on bonds that outlast time, death, and even karma. It’s a story about forgiveness, renewal, and the courage to choose love despite the pain that often comes with it.
Watching Khemjira becomes an experience rather than a simple viewing. It invites you to feel everything, fear, longing, joy, ache, and few series manage to offer something so complete or so lasting. It’s one of those rare stories that ends but refuses to leave you, filling the heart while leaving a quiet, familiar ache of missing it already. A gift for anyone who still believes in stories that reach the soul.
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A Breathtaking and Emotional Journey
Shadow Love is a cinematic masterpiece that fully immerses you in a compelling and beautifully crafted world. From the first episode, the story captivates with its emotional depth and intricate character relationships. The plot is so unique—one man, three identities—and it kept me guessing and completely hooked. I found myself completely invested in the journey of each character as they navigated crazy politics, wars, and a romance that feels truly epic.The performances by the cast are nothing short of phenomenal. I especially adored Li Shuang's character; her portrayal of a soft, gentle, and utterly cute personality was a highlight. Even as a brave general, she maintains this wonderful, human warmth that makes her so easy to love. And Cheng Lei's ability to play three distinct versions of the male lead is a true testament to his talent. The chemistry between the leads is incredible, conveying a powerful range of emotions that felt authentic and deeply moving. Every actor, down to the supporting roles, brings a high level of dedication and nuance to their part, making the entire ensemble feel incredibly real.
The show's production is stunning. The cinematography is gorgeous, and the costumes and music perfectly fit the mood of every scene. The fight choreography is also top-notch—it's the kind of action that makes you genuinely grip your seat. And the OST? It's beautiful and really adds to the charm of the drama.
This is a series that demands to be rewatched. The complex storytelling and subtle details mean you'll discover something new with every viewing. I highly recommend Shadow Love to anyone who appreciates a well-told story with remarkable acting. It's an unforgettable show that lingers in your mind long after the finale.
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There are both pros and cons in this drama. I prefer the love triangle in 94 much, much more than the one in 97. Overall, the characters in this drama were almost equally as good as in 97 (or in some cases- even better).
For starters, Na Jeong was quite funny and likable. According to me, it's hard to beat Sung Shi Won played by Eun Ji in 97 but nonetheless, Go Ah Ra did a great job of playing the main character. The rest of them were great in their roles too but the character of Chilbong stands out a bit more for me. I didn't feel like the writer fully utilized his character. Yoo Yeon Seok however did a splendid job with the way he played Chilbong. Applause to him for making me love him so much and making his character feel so real! Then there's Jung Woo who played Trash oppa. I failed to fully connect to his character, maybe due to the way it was written or due to the lack of acting skills of the actor. I don't know who to blame here. I honestly felt like Trash's character had more depth to him than was delivered- which is just sad.
I now understand why this drama had countless shipper wars. My biggest complaint with the love triangle was why drag it out so much when one guy didn't even stand a proper chance from the beginning? Na Jeong clearly loved one and one only from the start. I did like both guys but the outcome was too predictable. Of course, the writer tried to 'confuse' the viewers but I could easily sense the direction it was going in. Better luck next time, writer-nim!
The thing that makes this drama stand out is the band of realistic characters, their unbreakable bonds, unforgettable friendships and love for each other. Mixed in with the nostalgia of the 90's this was surely a recipe for success. I must say it delivered exceedingly well on this front.
Its other great strength lies in its deeply likable cast where there wasn't a single annoying person! Its OST is pretty good too and is sure to keep me listening for days.
Btw I HAVE to mention the cameos of the cast of Reply 97! They were so hilarious that I wanted to kick out the 94 part and let them stay instead. :D This came as a plus to me because they entered the drama right when the plot started becoming stale.
In spite of the many moments that made this drama super likable, there were an equal number of scenes during which I found myself hitting the fast forward button. Why, writer-nim could you not make this drama shorter? What made Reply 1997 work was its shorter length and ability to not drag out as much as regular dramas tend to do. This drama's duration of each of the 21 episodes made watching a tedious task. The downside of having a drama stretch more than it can eventually tires out the viewer thereby decreasing the overall enjoyment.
Had it been shorter and not as repetitive, I would have said that this drama was better than Reply 1997 in a lot of ways. It probably is. Being the same kind of story, by the end it managed to touch me and thus left me with the happy and warm feeling that it sought out to do. :)
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acting is outstanding and sizzling and chemistry between lead actors is going to make you crazy.
OST is a definite 10. this is a music which is going to stay with you for many years.
No summary can do it justice then watch it.
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That being said, the acting and casting choices, I thought were actually perfect. Each actor portrayed their role as they were given (Though I'm not happy what they were given), the did a marvelous job. I despised the bad girl, I feel in love with the main character, and despite my best judgement I was drawn in by the male lead. The chemistry is what really made me keep watching this drama if nothing else.
The music didn't take me out of the show nor did it really fully bring me in. It was good, and fit with the type of teen drama.
Due to the mental and physical violence this portrayed I would say the re-watch value is a 2. I would re-watch the ending, when he redeems himself (barely) and the part where she is falling in love with him again, but skip mostly all the episodes but two.
Overall this drama is a 5.5 on the scale.
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Words of other reviewer, “It’s no exaggeration to say that its background music is another main character. Even if you hate soft music, once you try to listen to its music, it would begin to wear down your defenses. It won't let your ears close even for a minute.”
A reviewer said, “If you miss this movie, it would be one of the goofiest things you've done throughout your life as a movie-goer.” And I'm agree with him/her.
Before starting this movie I thought this movie is going to be average but surprisingly it was far beyond my expectations and now I placed this movie in my permanent favorites list including all Hollywood, Bollywood & all other non-Asian movies.
Don’t think that it’s a typical school romance with tearjerker moments, it’s more than that. I’d say it is beautiful, intelligent and a chiller thriller in a way. It is full of romance and mystery, blending of many genres like School, Youth, Melodrama, Comedy, Fantasy, Thriller, Mystery and Horror (Not horror but listen ‘The Flashback’ and you’ll know what I want to say).
And about ending; it’ll leave you thinking. Story needs some thinking to be able to understand it fully. You’ll probably think that there are many flaws in the story but there aren’t any because you’ve to think and most of things are logical in movie point of view. I know what happened in the end but whenever I watch it again it makes me confuse. I’m still confused about ending.
Visually it is more than satisfying. Its coloring is awesome and special effects are also good (Don’t expect effects like big budget Hollywood movies).
Lun Mei Kwai is beautiful and did brilliant job. She is lovely and charming.
And bow to “Singer/Songwriter/Composer/Actor/Producer/Director” Jay Chou. Before I thought he’s just another guy who looks cool and sings and because of obsessed fans he’s popular but now I take my words back. Now he is ahead of all those ‘SHOWCASE’ actors but still behind those ‘ACTOR’ actors. Now, I’m a fan of Jay (It’s surprising that he’s actually popular in India!).
Overall this movie is a must watch and after watching you’ll know that this movie will stay in your heart forever.
BTW Secret 2 is announced and currently in production. I hope Secret 2 will be as great as Secret and I also hope that it’ll be a sequel to Secret.
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I don’t honestly dislike it because the cast was immature, I disliked it because for me to see a person change their life goals to follow someone is not great or to see someone so infatuated with someone that they completely ignore the realities in front of them, it’s toxic and it’s scary to me. There was no real plot, no major events. Just a bunch of immature people infatuated with each other. Sadly it took about 25 episodes for our crushers to acknowledge their feelings. This is tooo long for a 32 episode series. So what we got was our female lead being pursued by those who wanted to be with her and her disregarding them to be with someone who hasn’t acknowledged or shown a love interest in her. This went on for many many episodes.
The positive is that....the acting was good.
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The Fiery Priest
48 people found this review helpful
1Divine Wrath strikes with unabashed humor, yet healing wounded souls of black, gray + shorn sheep
"The Fiery Priest" is all about Korean humor. You might have to get used to it. At least I did. The first time I approached the series I probably wasn't ready and possibly not in the right mood for such cheerful, tongue-in-cheek fun à la Korean style. I gave up quite early (probably after the first episode). On the second try tough, everything just fell into place. And by now I can say from experience: "The Fiery Priest" is ideal for repeat offenders. I had even more fun then... (And that probably wasn´t the last time I watched...)Nonetheless. Korean humor is special, especially when it comes to the fascination of the intestines - often enough they are gladly celebrated in a wide variety. Here as well. Utter confusion and frenzy are also a must. Instead of tried and tested bar fights and brawls of the western type however, the focus here is rather on choreographed martial arts.
Humor reigns supreme in "The Fiery Priest". Humor determines the pace, the timing, the nuances and the ambience. Slapstick, situation comedy, dialogue jokes, parody, irony - hardly anything is left out. "The Fiery Priest" doesn't take itself too seriously. The central storyline says it all: in the robes of a priest a former NIS agent ensures order and justice. Even the Pope has his brief appearance here. But also the 'sects' with self-appointed saviors flourishing in the country.
And yet, the "The Fiery Priest" has some serious tones to offer, too - besides and in the middle of all the slapstick. The plot background is once again fueled by South Korean backroom liaisons between executive, judiciary, politics and crime. With regard to the personality development of the individual characters, touching emotional moments also come along here and there - comparatively modestly, but nevertheless with impact.
Finally, "The Fiery Priest" also plays out another strength of KDrama: Here you can experience a lot of cheerfully and yet subtly touchingly executed bromance and womance. (However, there's no romance. But nobody has to miss it.) Bromance and womance as well as the variety of embedded side plots inspirit dramaturgical facets, that may touch the heart, having quite something to offer between soft touch and punch. It is simply a pleasure to watch the various dynamic personality developments. (Outstanding actors all along, by the way!)
"The Fiery Priest" spectacularly succeeds in balancing a tightrope act - good-humoredly and mischievously dancing above an unspeakable swamp of injustice, bribery, abuse of power and human greed.
Divine Wrath strikes with unabashed humor, thus along the way healing the wounded souls of the black, gray, and shorn sheep.
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Coffee Prince is hardly an undiscovered gem, but like the best coffee shops, it’s a warm, inviting place to pass the time. It gently reminds that life’s small pleasures should be noticed and savored, and that choosing love, for a person, a profession, or a place, is worth whatever heartache or stigma may tag along.
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The Great Queen Seondeok
48 people found this review helpful
1Brilliant. Timeless epic quality of emotionally processing the life of 2 historic heroines
This KDrama tells historical heroine stories for a change. (Yes: female AND plural.) On top of that, enriched along the way with some highly topical insights and a vivid examination of management systems - what does the common people need? How does it want or have to be lead? In this respect, the 2009 series has not lost any of its topicality. But above all, "Queen Seondeok" brings the viewers closer to the earlier (not so well represented in KDrama and KMovie) Korean history of the Three Kingdoms.Here, history is presented in 62 episodes in a moving manner and in dazzling characters, while offering valuable historical input. 62 episodes should not frighten you. This is perhaps more like 5 or 6 seasons western style. You don't have to go through all the episodes in one go, (but you can of course). To be honest, the number of episodes and the rather stiff-looking poster with a heavy crown kept me from watching the series for a long time. But that was a big mistake. This series is wonderful in view of the wealth of impressions, personal processes of the protagonists, and the profound examination of the attitude and philosophy of rulers. Also funny in places. In any case, an impressive piece of Korean history that is told in a round, rich and colorful way. The KDrama leaves nothing out when it comes to being human and being a hero - it presents all of this in various dramaturgical entanglements and depths, with twists & turns and deep feeling. (Swords, bows and battles are also included.)
This is about real historical personalities from Korean history, who made remarkable achievements in their time. First and foremost Queen Seondeok. She was the first Queen of Silla and the first of the few female heads of state in Korean history. If one considers her progressive achievements for her people, she must have been a charismatic personality in order to be able to place herself in the first, officially leading position in this feudal male world. Her life, but also that of other contemporary significant, history-shaping people in her environment are prepared dramaturgically lively and unforgettable. Admittedly enriched with a bit of poetic freedom in the service of a compelling and exciting story. However, in the historical drama orbit, it seems to me quite acceptable to bend the facts here and there in order to create a vivid impression of the character of the historical figures and their work instead. This is much more memorable (in passing) than exact chronologies. In addition, the actual valid sources that can be evaluated are limited. Even historiography has to do a bit of guessing every now and then to understand where, for example, a woman at that time got the vision, the strength and the courage to put men in the second row - and at the same time intelligent, visionary and with respect for the people, to rule in an almost idiosyncratic way.... In my opinion, the fictional plot does not damage the essential impression that one gets about life and challenges in the Silla Reich, about the charisma of the historical personality of Queen Seondeok and the historical figures around her plus her achievements for her people. The KDrama draws a memorable, unforgettable character portrait of the Silla Empire in the 7th century. In doing so, it brings the bones of the queen lying under one of the burial mounds in Gyeongju to life again.
Good to know: The Silla Empire was not yet under the influence of Confucianism, which clearly defines the man as the head of the family/tribe. Among the noble Silla families there were also those in which descent on the mother's side was decisive, or women were considered the heads of the family. At that time, matrilineal and patrilineal tribal structures still existed in parallel. Therefore, the respect for women and their functions in society was comparatively higher overall - but still not a matter of course.
For me, what is valuable about this story (and at the same time the timeless quality of the KDrama) lies in the juxtaposition of two very different, each impressive, intelligent female figures of their time: Princess Deokman (Queen Seondeok) and the noble concubine Misil, who hardly had an influential king or leader of the Hwarang left out during her time in order to directly influence political events. In fact, the two women did not live at the same time, but poetic freedom overrides this and juxtaposes the two as equal antagonists. (Extremely successful!)
The KDrama "Queen Seondeok" is characterized by a timeless epic quality in the emotional processing of the historical events. Brilliantly done in places, quite funny at times, with colorful vividness and everything that life usually entails: plenty of drama that stirs the spirits and also touches the heart. An exciting script (which in the second half has to work through a little more historical facts), and a colorful dance of highly inspired mimes, reviving those distant 50 years in the past 7th century. Not only the later queen and the concubine Misil get a memorable profile, also the men around Queen Seongeok - Bidam and Kim Yushin - are noticeably filled with life. Love story included - it's more of an encore than the main thing when it comes to the entire story, but it refreshes the second half as a balance to the historical ride through time.
By the way, the ratings literally went through the roof at 43.6 percent when the series was broadcast on television in 2009.
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This review may contain spoilers
A coming of age & slice-of-life masterpiece that I will never forget
My review will contain spoilers, but I'll warn before spoiling, so you can read the safe parts before watching the show! Also, be ready, this is going to be long, but this drama is so excellent that it's hard to stop myself lolIf you look into my profile, you will know how many korean and chinese dramas I have watched. I rarely write reviews, but I feel like I need to write one for Northward (and also I've been obsessed with this drama since day 1 so I hope writing it all out will help me think of something else lmao).
If you're hesitating to watch this drama : go ahead and try it. This is a masterpiece. But you need to know two things before going : first, this drama was made to be realistic, no character is perfect ; second, while watching, you must analyze the characters yourself through their dialogues and actions and not let characters tell you how A or B is (even when they're talking about themselves). If you're confused about my second advice, here is what I can tell you : in life, you don't necessarily understand your decisions or other people's decisions. You can misinterpret other people, and misinterpret yourself, especially when you're young. So if a character tells you he did this for Y reason, or he thinks X, that doesn't mean it's true. You need to look at what they do and what they say when confronted to the situation to actually know how they feel about something. So, while watching this show, you musn't take everything at face value, you have to analyze their actions and dialogues to actually know the truth If you don't, you're likely to misunderstand them.
This is actually the reason why I loved this drama so much, and why I say it's a masterpiece. Weirdly, my favorite scenes are almost only scenes where characters fight or confront each other, because that's the moments when you actually understand the characters motivations and sufferings. Otherwise, they don't talk about it, just like we don't spend our time talking about what we feel or why motivate us to do X ou Y. We only talk about it in specific contexts.
I know a lot of people hated on Wanghe sometimes, and I get it, but he's definitely my favorite character here. He is so complex and realistic and a mess (just like 4D people are). He was a delight to analyze. I've been supporting him since the beggining and seeing his growth was such a pleasure.
Every character is interesting, very well written and complex, even the less important ones. I admire the screenwriters for how they managed to create such deep and realistic characters.
The cinematography is exceptional ; I was already a big fan of Yao Xiao Feng after seeing Tender Light, and his work here is just as wonderful. I am very peaky regarding the cinematography of the shows that I watch, so when I compliment it, it means it really is great.
I wrote an analysis of the first 28 episodes a few days ago ; you can find it here : https://kisskh.at/740015-bei-shang#comment-21293186 .
--- SPOILERS AHEAD ---
I am SO glad it wasn't a sad ending. I was scared they would end it with Fenghua dying because she deserved so much better, and I felt like Wanghe had gone through enough deads. First Siyi's grandma, then Siyi's little brother, then his employee. And he blames himself for each of them. I can't imagine how much he would have blame himself if Fenghua died. He would've thought he should've made a move on her sooner to enjoy her presence more.
But thanks god : it did not happen. Everyone got the happy ending they deserved.
I am glad the drama didn't push the Siyi/Wanghe agenda too much. As I said in my previous analysis, for me, Wanghe never truly loved Siyi (as a woman). And I don't think Siyi feelings for Wanghe were very deep either. They probably were more linked to her fear of being abandoned, and she may have felt like Wanghe was "abandoning her" everytime she saw him with Fenghua (which made sense, because Wanghe never planned his future with Siyi, outside of his promises to "take care of her", that were, to me, the proof he had a savior syndrome with her). At the end, when they're all watching footages of the younger them and we see Wanghe and Fenghua's interactions, it's so obvious that Wanghe already had romantic feelings for her (even the friends make fun of them and say they're "having a date on the balcony").
I loved LOVED every Wanghe/Xingchi confrontation. As an anti-capitalist myself, I saw my own ideals in Xingchi's, and yet I sided with Wanghe, especially in the fight episode 31. To me, Xingchi thought too high of himself. He thought only his values were important, and that his employees were stupid to put their lives on the line just to get money. It was easy for him to dismiss Wanghe and them by saying they're "evil capitalist". But, in my opinion, it only sounded like a selfish character who imposed his values on other people. I would even say... he sounded like a priviliged character. Just like Wanghe said, it's easy to say money isn't important when you're not hungry ; but when you need money to survive and support your family, money IS (sadly) important. Aknowledging that doesn't make Wanghe the evil capitalist everyone thought he was (including Fenghua). On the opposite, he understood better than anyone that the true problem was political. People shouldn't have to put their life on the line to survive, but the truth is, they sometimes have to, and he could only make sure they would get correctly paid for it. What Xingchi did was foolish and selfish, and not truly for his employee's wellbeing, but he was too immature to understand it. If he wanted to fight for what was right, he either had to climb in a waaay higher position, or make an union with his employees and protest against the politics, or make his own business with his own rules (like Fenghua). Instead of thinking he knew better his employee's needs than themselves, he should have asked himself why they were ready to put their life in danger just for money. And he should have understood their distress, instead of dismissing it and stopping them from making the money the needed. To me, that fight showed that, despite Xingchi's sad background, he was still a boy who knew he had parents and friends who were ready to provide for him if needed. Not even once did he try to understand why people were desperate for money.
Wanghe, on the other side, definitely made mistakes, but he was trying to actually change things in a way higher scale than Xingchi. The scene where Xingchi sees his ex employees eat outside and screams about how unfair it is that the cafetaria got shut down, meanwhile Wanghe actually takes action with his boss to provide correct meals to the employees, shows exactly that - Xingchi was all talk, Wanghe tried to take actions. He's definitely the most misundertsood character in this show : he was not cold-blooded, he just believed he could actually change things from the inside, even if it meant making sacrifices by doing things that did not align with his values and tiring himself out.
One of my favorite scene of the show is when the company refuses to pay compensations for He's death. The way his heart hurts, and he loses balances, and he feels sick, how he throws up in the toilets and curls himself up, all of that filmed as if it was a horror movie : to me, that's when Wanghe realized how much his efforts were in vain, and how evil the world was. He was in so much pain it literally made him sick, but no one knows about that. He doesn't talk about it. And he will forever be seen as the "shark that thrives in Beijing" (to quote Xingchi's lines to describe him).
Wanghe was never thriving in Beijing. He had failures after failures, and a huge pressure on his shoulders. Remember how he was told by his father, as a child, to succeed in life to make him proud? How many promises he made to everyone, that he would succeed and be there for them? And how he thought he needed to be rich to deserve Fenghua? He was not thriving, he was dying inside trying to succeed. In a dialogue with Fenghua, he says himself he can never show his vulnerable side (which shows that he is already suffering) ; later, he says to Haikuo how tired he is in Beijing (and yet he chooses to stay there for the funerals). In Beijing, the easy-going and (apparently) confident Wanghe was so stressed out he had stomach issues (they're mentionned in the beginning of the adult era, as something recurrent for him). But no one aknowledges that because Wanghe just never complains.
Another of my favorite scenes (I think it's my top 1) is the fight between Fenghua and Wanghe in episode 24. That's when Wanghe needed a wake-up call, because he was making ruthless decisions. Xingchi and Haikuo both tried to confront him about it and both only managed to make him angry. The only character who knows how to handle Wanghe is Fenghua : he goes to her already pissed off about his fight with his friends, persuaded he's in the right. Fenghua knows it's useless to scream or attack him. She begins by complimenting him, making him dream of the future he so desperately wants (him being successful). When he takes the bait, and starts seeing himself in this success and tells her he will make her as famous as him, she slaps him with the hard truth : "that day will never come, because I need to stay away from a company who doesn't treat well their employees". BAM. And then she calls him cold-bloooded. DOUBLE BAM. I loooved this scene so much because you can see just how hurt he is. He didn't question himself before that, and if that worked, it's not only because it's Fenghua (of all people) who tells him that, but also because she handled him just right. She's such a smart girl, and the only one who actually gets him and knows how to get to him.
To conclude this (way too long) review, I need to talk about Chen Rui and Haikuo. I loved, loved Haikuo. He was a sensitive lost boy and a certified lover boy. He took so much after his father, and I mean it in the best way, because Yan Lin was the best father of the show (imo). Chen Rui was my second favorite character after Wang He (Fenghua is not in this ranking because she's so much better than the other characters). His crave for his mother's akwnoledgment was so touching. I just love his confrontation with his mother in episode 27 ("the boy who is worthless in the eyes of the world will be recognized by his family. all he needs is just a little trust.").
So, this review is way too long, but hopefully there are people as obsessed by Northward as me who are willing to read all of this. The fact that I have to make myself stop here because I could talk about the details of this drama for hours just shows how good this show is!
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'Cause I saw the end, before we'd began.
Zhousheng Chen pledged his life to protect the realm with an unbreakable vow to never marry or father children. Cui Shiyi, a peerless beauty 倾国倾城 (qing guo qing cheng) was promised to the Crown Prince from birth. He is her shifu, her master; thus any romantic relationship between them is forbidden. This kind of story never ends well - Zhousheng Chen knew it, Shiyi knew it and I knew it. Yet I fell helplessly down the rabbit hole with them and almost drowned myself with tears. I did not expect to be so moved or so heartbroken 'cause I saw the end, before we'd began. So be warned, this moving, legendary love story between the noble Nanchen wang and Shiyi is sad and unforgettable.This drama's production values are incredible from the movie aspect ratio, stunning sets, gorgeous costumes drenched in a soft palette that accentuates the beauty and ethos of the unspoken, unspeakable emotions that encompasses every loaded moment. The haunting and poignant OSTs are the only times their feelings and promises are verbalized. The lyrics are layered with meaning that compliments the beautiful prose of Mo Bao Fei Bao's popular novel 一生一世美人骨., that is woven seamlessly into the script.
I love how Mo Bao Fei Bao writes - her composition style is simple and profound at the same time and yet I am unable to finish the novel. It is set in the present, with Shiyi flashing back to their past. I simply can't relate to a docile modern woman with such ancient values, whose whole reason for existence is one man. The drama adaptation that starts with the past makes for far better storytelling as Shiyi is a product of her time, a Northern Wei noblewoman raised to dutifully abide by all the social strictures and expectations of the day. Underlying her gentle, serene expression, she is incredibly single minded ("my heart already belongs to someone, it will not change") and the imperceptible flashes of fury in her magnificent eyes says she is far from docile. Bai Lu interprets Shiyi brilliantly and brings her gentle strength and courage to life in a way that vastly exceeds the novel.
As for Ren Jialun, he is truly one of those rare actors who says it best when he says nothing at all. He never has to tell Shiyi how he feels about her, it it is evident in all the small gestures and most of all, it is in his eyes, in the sublimely romantic way he eyes her ever so longingly... and so regretfully. It emanates from the core of his being and breaks free from all of the constraints imposed by duty, responsibility and his toxic oath. With this mature, charismatic and substantive performance, Ren Jialun sheds his more youthful persona and proves his ability to compel in more complex roles that require some heft and gravitas. That said, I wish Zhousheng Chen wasn't quite so restrained; that they had given us at least one moment of temptation, where for once if only briefly, he forgets he is Nanchen wang so that they can be just Chen and Shiyi. If I remember correctly it is hinted heavily that there was one such moment in the novel. Nonetheless the palpable chemistry between the leads convinces that while not in deed, they are lovers in every other sense and meaning of the word. This captivating and shattering performance by both leads underpinned by their remarkable chemistry makes this slow burn, tragic romance a must watch.
Even though the drama adaptation attempts to better flesh out the past, the story's focus remains predominantly on the romance and that is where it shines. The external political plot is designed almost solely to either frustrate or facilitate the romance and thus does not bear close scrutiny. It is clear that political plots are not the screenwriter/novelist's forte although she does a credible job pulling together perhaps too many common tropes - rival clans, power struggles, Wu Tzetian-lite (brainless) and thwarted love rival wrapped up in filicide, murder and betrayal. Although all of the supporting roles including the villains are very well acted, there are many side characters who do not advance the plot and the inter-relationships and rivalries among the main clans and the consequent political dynamics are not well explained. And then there are characters like Yang Shao who conveniently pops up as alternately friend or foe as and when required by the plot. His motives and loyalties are not obvious and for such a poorly developed character, he gets to do some pretty important stuff. Neither villain is that complex and they both seize power without the means to secure the border and thus the empire without Nanchen wang. They are not intelligent or worthy opponents - even when they win, it is by foul means that lead to self destruction. Nonetheless, I watched this with a forgiving eye, mostly because I was too busy emptying my tear ducts to have the emotional energy to be bothered by the logic flaws.
This drama really enraged me at the end. The lovers' fates are well telegraphed from the get go so that is not my issue. My problem is with how Zhousheng Chen the character was mutilated by the writers at the end. The core of what makes Zhousheng Chen noble down to his beautiful bones is the conviction that his sacrifice, their sacrifice is worthy. And it is manifestly not worthy - he makes the same mistake twice of shoring up a ruler who simply cannot hold on to the throne and is bound to be a puppet. What it comes down to is he chose to save his bloodline and a bunch of worthless, doomed ministers at the cost of peace at the border, his beloved Nanchen army and Shiyi; leaving the country defenseless and in the hands of a sociopath. Even though the writers acknowledge they did him dirty when Shiyi piteously comes to the same damning conclusion and it just breaks her, how they wrote themselves into this corner is unforgiveable. It could have been avoided if the external plot were better configured to begin with and if they had the courage to change some aspects of the novel rather than simply writing to back-solve for certain outcomes. In doing so, they made an incredibly compelling case for Zhousheng Chen to just kiss the girl, revolt and seize power or to ride off with her in the sunset and defect to Nanxiao. He would still stay more true to character because that is what would have achieved the greater good instead of simply protecting his brother's legacy at all cost. Thus with regret that oozes from every pore, Zhousheng Chen foolishly forsakes both the common people and his Shiyi for the king and country that forsook him. There is no level on which this is a satisfying outcome and Zhousheng Chen deserves better than that.
Since I am ranting, I would add that I am not in the least consoled by the fact their unfulfilled love even moves the universe to give them another shot in the modern sequel Forever and Ever. First of all, this takes thousands of years. Secondly, if I were Shiyi, I would run, run, run, run, run AWAY from Zhousheng Chen after what he did. And finally, to get my much needed closure, I am really irritated at having to try to watch a darned modern romance, a genre I normally avoid like covid.
I still rate this a 9.0 largely due to mesmerizing performances by both Bail Lu and Ren Jialun, in their rendition of this love story that captured my heart and soul in a stunning depiction of 色授魂与 (se shou hun yu). I don't need to elaborate on what that means, it is there in every glance, every word, every interaction.
Postscript:
For those of you who need closure, there is a very well fan made alternate ending ending produced by industry professionals. I have fan subbed it and hidden it as a spoiler in the comment section of this review.
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Great Story, Fine Acting
Step into the enchanting world of "Divine Destiny," a captivating romance between Zhang Yinyin (played by Yang Ying aka Angelababy) and Ji Ruochen (played by Ma Tianyu). Their love knows no bounds as they face incredible challenges, even risking their own lives for each other. Together, they become stronger with their increasing supernatural abilities, fighting for love, for their fellow cultivators, and for the salvation of the three worlds. In the realm of fantasy, the gods are thought to reign supreme with goodness, and the demons and devils wicked and bad. In reality, it's precisely the opposite.Zhang Yinyin shines as an intelligent, chivalrous, headstrong and spirited character who is adored as the big sister of her sect. She may be authoritative and explosive at times, but that's what makes her so endearing. Yang Ying's acting brings a lovable charm to the fiery Zhang Yinyin, even with a few moments of imperfection. And her stunning transformation into the foxy fox devil - the CGI work is top-notch!
Zhang Yinyin meets and falls in love with Ji Ruochen who has a mysterious background which adds intrigue to the story. From operating a black shop to a mistaken identity, his journey is filled with twists and turns. With a burst of enthusiasm, Zhang Yinyin simply couldn't resist bringing Ji Ruochen home to her sect, and that's where his amazing cultivator journey begins, and the sparks of love start to fly between him and Zhang Yinyin. Ma Tianyu does a commendable job portraying the seemingly clueless and obedient Ji Ruochen, and later, the powerful demon lord.
A compelling story wouldn't be complete without its fair share of antagonists. In this tale, we encounter several outright obnoxious characters and some with shades of gray. Among them, the most vexing is the consort to the crown prince with that distinctive sneer and high-pitched voice. Alongside the cunning prime minister, they plot and scheme to gain control. But their journey takes a twist, leading to a resolution that brings relief.
Among the more complex characters are the disgraced gods, whose actions stem from obsession and vengeance. Thankfully, they eventually come to their senses and reflect on their deeds. It's a journey of redemption for them, adding depth to the story.
My Verdict
While "Divine Destiny" may have some plot holes and logic flaws, it's a delightful drama that keeps the viewers entertained. It's a pleasure to see familiar faces and enjoy the chemistry between the main leads. So if you're looking for some romantic fantasy fun while waiting for new releases, "Divine Destiny" deserves a chance.
Recommended!
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