1The Art of the Bluff
The King of Light (光明王), the second volume of the epic Purple River (紫川/Zǐchuān) fantasy series, weaves a tale of war, comedy, and political intrigue. House Zichuan remains embroiled in conflicts with Beizu, House Liufeng, and House Lin in a chaotic, war-torn world. The story resumes at the Season 1 (光明三杰 Three Heroes of Light) cliffhanger, with Si Yilin and Zichuan Xiu outnumbered and surrounded by Beizu’s elite troops at Payi. Di Lin flamboyantly extricates them, but at a steep cost to Zichuan and Si Yilin personally. After Payi, the focus shifts to Xiu’s adventures in Yanzhou, where he discovers his raison d’être. He rises as the King of Light, a brilliant, adaptable leader capable of uniting Yanzhou and, potentially, the entire Xichuan continent.Despite its limited budget, the drama impresses with its movie like cinematography that captures the story’s grand scale, a starkly beautiful and portentous palette and a pervasive sense of fate. The Purple River series is a plot-heavy saga driven by political intrigue, power struggles, and large-scale warfare. Limited by budget, the drama emphasizes internal plotting and how the main characters are shaped by events until Zichuan Xiu emerges to steer the narrative. External plot developments can be hard to follow, conveyed mostly via dialogue and a few well-executed, plot-defining war and action scenes.
The character arcs are well-written and convincingly portrayed. The core of the story is the bond between the Three Heroes of Light, and the interplay of their conflicting ideologies, loyalties, and fates lends emotional weight. Si Yilin is a textbook hero: an inspiring frontline commander with little to show for his unwavering loyalty, honor, and selflessness. He never fully recovers—personally or professionally—from the devastating consequences of his righteous but disastrous Yanzhou campaign. Di Lin, his antithesis, is a classic anti-hero: an ambitious, morally flexible manipulator who wins at all costs. To him, the world can burn so long as he has his wife and his brothers, leaving him feared and alienated. Unlike Si Yilin or even Ning, he struggles to inspire Zichuan’s citizens or forge political alliances.
Zichuan Xiu is a chameleon; a tactical genius lurks behind his irreverent humor and roguish, indolent facade. He’s the most complex and fascinating character, balancing Si Yilin’s idealism with Di Lin’s ruthless pragmatism. Raised in Zichuan Canxing’s treacherous household, he’s practically Machiavelli’s heir, hiding his brilliance behind a non-threatening persona that’s routinely underestimated. His unpredictability and mastery of deception keep even close confidantes like Bai Chuan in the dark. Yang Xuwen scintillates in this demanding role, seamlessly transitioning between Xiu’s many facets: the “Flower of Yanzhou,” the reckless avenger, Ning’s charming swain, the deadly red-eyed assassin, the reluctant King of Light, and, best of all, the grifter who snatches victory from the jaws of defeat.
This season introduces House Liufeng and Liufeng Shuang as a potential ally and romantic interest for Xiu. The Liufeng arc feels rushed, with the house’s internal strife unfolding like a montage and Shuang’s character underdeveloped. Still, like Bai Chuan, she’s a strong woman who stands beside Xiu rather than needing his protection. I enjoyed their dynamic enough to worry for Ning, who has blossomed into an empathetic, shrewd, and resolute heir to House Zichuan. Her quiet realization that Xiu is on a different path and her attempt to move forward moved me, and I hope a worthy partner awaits her. I’m not deeply invested in Xiu’s romantic prospects, though; the only love story that truly touched me was Si Yilin and Ka Dan’s.
The drama boasts outstanding villains, from the hilariously inept Lu Di to the mysterious Black Veil, the vicious Luo Si, and the encroaching Sairong. Canxing remains the terrifying chess grandmaster, always two steps ahead. Behind his affable, fatherly demeanor lies a paranoid sociopath who insidiously poisons the well and cunningly pits detractors against one another. In a masterful stroke, he turns the tables on Di Lin and quashes internal opposition, cementing his status as a formidable antagonist. I’m almost afraid to see Xiu challenge him, uncertain if he can prevail, which makes the stakes feel hefty and real.
Though the stitching together of abridged plot threads creates some choppiness, the story builds to a thrilling finale. An adversary becomes a staunch ally in a brilliant “A-ha!” moment that transforms the nonsensical comedic combat arcs into sheer genius. A gripping showdown between two well-matched combatants ends with a tantalizing mystery. The finale masterfully blends peak tension with peak comedy, showcasing the art of the bluff. Yes, unanswered questions and unsettling premonitions linger, with open threads for future conflicts, but The King of Light chapter concludes splendidly, earning an 8.5/10.0 for Season 2 and the series overall. This fantastic production deserves more—more budget, episodes, resources, and seasons. That said, it’s not for everyone. It will appeal most to attentive audiences who savor intricate political plots, intrigue, opaque characters, and a healthy dose of comedy and irony.
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This show was so lighthearted compared to other historical dramas
I remember watching the trailer for this show on YouTube about a week before it came out and getting really excited because I honestly love historical dramas.When I first started watching the show, it was a little slow in the first place however I never judge a show by the first episode because it takes time to introduce characters and the setting and ended up getting excited for a new episode every week as I fell in love with this show.
-Story-
I loved how this show took its time laying out the story episode by episode. I truly enjoyed how everything came together and how the characters ended up in the end as it seemed very natural and not forced upon. Whenever there was a flashback, puzzle pieces were connecting in my brain and I found myself following along in hopes of guessing the ending before they revealed it haha.
-Acting-
Loved both the FL and the ML in this show and especially loved their chemistry. However, as many pointed out, the ML's acting wasn't top notch as some drama lovers expected. Nonetheless, I felt the ML's acting improved throughout the show and really portrayed his character well. Not only did the male lead portray his character well, but I'd like to shed some light on the actors of the fellow historians who I would like to thank for depicting and channeling their characters so well, that I constantly found myself laughing whenever they were all together, always finding something to get worked up about.
There are so many other things I could write about for this show and how lighthearted it was compared to other dramas but these were the main points that really hooked me into coming back each week for a new episode
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Unforgettable Collaborations, a Mastermind Villain, Nail-Biting Plot Twists, and a Beautiful Romance
This drama is one of the best dramas out there if someone is looking for a lot of thrill with nerve-wracking plot twists and cliffhangers and a drama with well-structured crimes as well as investigations then then you have reached your station. One of the best things that makes this drama stand out is how real the drama looks for example here the ML doesn't just magically solves cases but rather goes through various iterations again and again making sense out of the evidence and drawing various plans, this is what that is usually missing from most crime-thriller dramas. Another aspect is that the characters all had their own lives instead of all working on the same case for the sake of the plot always surrounding the ML Instead all had their own share of things to take care of many were investigating other cases many helped ML solve the cases through their own domain expertise which is also different than another other drama out there which made this drama look more like a real-world situation where we sometimes collaborate with someone other time with others, sometimes someone asks for help sometimes you get help from someone, if someone is injured or takes holidays we have their replacements. So for me, it felt more like watching a separate world through the camera lens. Wait there is still a lot more😂😂.The plot revolves around the police department, NFS, and firefighters, and here we see cases that involve all three of them working together or at least called together on sites which later turns into collaborations. Each place has a set of repeating characters which we can consider the main characters yet they can also change given the circumstances It doesn't mean that any of them lack substance rather all will end up becoming your favorite For example here Doha was an addition that I really like his collaboration with ML just makes sense they are a perfect duo just like how we saw Jindo dog and Bulldozer together in S1.
The cases are much more extreme in S2 than in S1 making us think how the hell are they gonna do, whether they will make it out alive or not. These cases will keep you up all night until you complete the whole drama😂😂. There is also slight romance in the drama, not many scenes but it will surely melt your heart whenever you see them together in any scene. Both ML and FL have their own love language and their own way of expressing it. Oh man at this rate I will keep on going all day long talking about them😂😂 let's move on.
This drama also has one of the most brilliant villains who made all the best of the bests in the drama (like Jin Ho Gae, Kang Do Ha, and Yoon Hong, etc.) run around in the palm of his hands. He was the main mastermind pulling all the strings from behind but no one could even speculate even the crimes he drew let alone his identity or his involvement. This man literally used the whole country as his playing field and our character as players to play with. He was always working on many things at once unlike the normal villains who give their all in only one crime until they fail and move on to another, he on the other hand always had his hands full of plans to execute.
Although S2 is a little bit behind S1 but cases shown here are better than S1 and it also has much much better collaborations between the different teams, departments, and characters. The lineup at the end of S2 seemed too overly powered to me where all the best of the best were working together so I don't know if S3 comes out any of the villains would even last a single episode😂. I would really love to see the actors working together again, especially the ML and FL. I don't know if there will be another season or not but all I know is that this drama created a whole different level or standard for other crime thriller dramas to work towards.
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This film is quite smart, it plays with your mind and emotions from beginning to end, this is a roller coaster of emotions. From the very beginning I was totally blown up and so many times while watching the movie I just found myself -literally- open mouthed because I just couldn't believe what I was watching. Too good.
They tell us the story step by step without missing details, so we don't get the whole bunch of information abruptly and it keeps you hooked up to the story.
One of the things that I loved the most about this, was definitely the ethical-moral question the whole movie sets. Who's right? who's wrong? who has the right point of view about justice? The film won't answer these questions, it just shows different points of views and it's all up to you to decide who's right or wrong...
The ending is an open ending but not a bad ending at all! it's really hard to make an open ending good, but this one was pretty good. I loved the very last scene so much.
About the acting... Ikuta Toma is a great actor, he deserves every single acting award that exists in this planet. His acting was superb! Actually everyone did a great acting job.
Camera and directing work it's perfect for the film, the colors and the tones and use of the light gives to every moment a special feeling.
Music was pretty accurate to each scene, in some scenes I just felt that music was another character of the movie. :)
This movie is based on the novel "No Otoko" by Urio Shudo :)
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This is by far the funniest Japanese drama I've seen this year and the reason for that is language they use is too graphic. There are moments where I can't believe the dialogue that coming from these characters, I cringe but then laugh out loud after. The setting is also another plus points for me given that I love anime, they work in CG Production Company for games and anime. You see them working hard but there are times where they are just slacking off and fooling around, and I don't blame them as working conditions in this industry is one of the worst. Like for example they rushed one project so that one of their colleagues won't miss his date, but not really it's just a usual appointment with a girl in a sex shop where he is a regular customer. LOL
It's more of a character driven than story driven plot, characters are not railroaded to certain goals or events, it's just these characters, their funny interactions, their development, those are what made this such fun drama. The cast are composed of quirky individuals, the female lead who is addicted to sex, the virgin friend boys love fanatic, the ex girlfriend obsessed muscle man, sex shop naive patron and this office fling playboy. Each episodes consists of segments where each explores the lives of these characters. We follow them in a slice of life way in which most of the time are just wild and WTF moments.
The acting is good for the most part, you don't need award winning acting for this type of drama anyway and all of them are good in comedy, their comedic timing is almost perfect. The chemistry between these actors is excellent, in which their characters compliments each other really well. The opening song at the beginning is as wild as this drama goes.
Conclusion In today's world where people are easily get offended by everything they see and hear, it seems this type plot wouldn't feel right, but just give this one a chance and you will see characters who respect and support each other for who they are. How I wish I have colleagues such as them.
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Operation: Blue Lightning
Operation: Special Warfare is a co-production between CCTV, Penguin Films, Bona Films, Xiaoyao Films and Ram Films. This big budget production that involves extensive use of modern Chinese military hardware and facilities was filmed in Northwest China, including a segment at Taklamakan desert in Xinjiang.Directed by Liu Ting and based on the original screenplay written by Duan Lian Min, himself a former member of the Chinese military, having served as a platoon commander. He has written many military-themed novels and screenplays as well as directed dramas and films of similar genre for which he has won numerous accolades. He is currently attached to the Political Department of the Chinese Navy serving as a director and screenwriter for military productions.
The drama follows the journey of young recruits of the newly-formed anti-terrorism special forces of the People’s Liberation Army, called the Blue Lightning. Central to the narrative is the growth of both the individuals and the collective as the new recruits come of age during their experiences of military training and real life combat situations.
As with any military-themed C-dramas, expect a fair amount of jingoistic propaganda and patriotic flag-waving which is par for the course when the production requires extensive support from the military and CCP during the filming process and to get the greenlight for distribution release. In addition to action and adventure, the drama features youth themes, slice-of-life elements and subtle hints of romance. There is some violence and gore but nothing too terrifying for viewers.
What I Enjoyed
Usually modern C-dramas tend to be lengthy with too much fillers. The military-themed ones are a hit or miss, case in point My Dear Guardian which turned out to be a little bit too fluffy for my liking. This one, however, manages to avoid all those pitfalls. It’s only 35 episodes in length instead of the usual 40+ episodes, doesn’t contain nearly as much fillers as most others though they are still present, and on the whole is more intensely dramatic rather than fluffy or comedic in its storytelling approach. Throughout the course of the drama, I did not really feel bored at any point in time because the drama surprisingly incorporates quite a number of interesting sub-plots and side stories to the main narrative at a very engaging pace, with a nice balance of action, drama, introspective and emotive moments.
This production showcases a number of modern military hardware in greater detail than I have ever encountered. How accurate or up to date they are, I have no idea, but I feel pretty convinced. For the most part, based on my little research, the depiction is consistent with the standard equipment used, such as the QBZ-95 (or Type 95) automatic assault rifles favoured by the PLA as well as their commando sub-units. Additionally viewers will get to observe countless UAVs and armoured ground vehicles on display in the drama, which I find quite fascinating.
In terms of the technical aspects, the action planning and choreography, as well as the special effects are worthy of mention. This drama showcases many action sequences involving firefights, explosions, as well as both armed and unarmed combat. These scenes are not confined to a single location but take place across multiple venues. One memorable segment features a suspenseful game of cat and mouse across the Taklamakan desert in the dead of night between the Blue Lightning unit and armed terrorists. I’ve also enjoyed the somewhat refreshing depiction of the military training comprising the so-called Devil’s Week competition, sniper competition and squad leader selection tests. That said, certain aspects of the training concerning “physical torture” do appear incredulous. I’m unaware of the authenticity but in a land that invented Shaolin martial arts, I guess anything is possible.
One of the major reasons for watching this drama is of course the cast, which is headlined by Vengo Gao who plays the Captain of the Blue Lightning, Qin Guan. If the drama is about the military, whether in a contemporary or historical context, you can count on this man to deliver an utterly convincing portrayal of the characterization. He not only looks and sounds the part, but his entire being exudes military commander vibes as well. There is absolutely no question whatsoever that without him, this drama would be lacking in so many ways. From the cold, stoic persona to the physical prowess in executing his stunts, Vengo totally slays his role.
Hu Bing Qing plays the FL Ning Meng, one of the young recruits of the new anti-terrorism team. My first time seeing her in entirety instead of previous guest appearances, I think she’s very talented and showcases strong performances particularly during her emotional scenes. I also quite like her nuanced take that helps inject a sense of vulnerability to humanise the role of a female soldier.
The drama’s soundtrack features 5 songs, with the patriotic opening theme being the most upbeat and energetic of them all. My personal favourite is the ending theme performed by Hu Bing Qing herself, the love ballad You and Me. Full listing as follows:
Flaming Lady 烈焰巾帼 - 金志文 Jin Zhiwen
Xiang Yang 向阳 - 黄霄雲 Huang Xiaoyun
You and Me 你和我 - 胡冰卿 Hu Bingqing
My Comrade 我的战友 - 钟强 Zhong Qiang
Fearless 无畏 - 王晰 Wang Xi
What Fell Short
I think the most glaring aspect would be the villains. We are never going to get a C-drama that depicts profoundly layered or morally grey terrorists, because the Chinese military and censors would never sanction it. As far as the powers that be are concerned, stories of this nature are straightforward - good guys versus bad guys are simply portrayed as black or white. Hence in this drama, in relation to the overarching plot concerning the terrorist organisation, S Group, the antagonists are merely written to be the stereotypical one-dimensional cardboard caricatures - bad-tempered, cold-blooded, power hungry and striving for world domination. The terrorist leader is even shown at one point chomping on cigars by the poolside surrounded by bikini-clad femme fatales where the only thing missing is a huge furry cat.
Final Thoughts
I would categorise Operation: Special Warfare as one of the more fascinating and well-produced mature military-themed dramas that I have seen recently. It’s the kind of show where viewers can enjoy with a relaxed mind and without the need to exercise too much brain cells. A final note though - do be forewarned, the subtitles available on WeTV are auto-translated (at the time of writing) and may not be of the usual high quality.
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The boundless promise.
Feng Ren is a Gushi/骨仕, an enigmatic, lethal sworn blade whose sole reason of existence is to protect the coveted Wuliang/无量/Boundless Heart Sutra. He intercepts a blind boy Po Xiao, who may just be a decoy or may be the true custodian of the Wuliang Heart Sutra and together, they flee the city. On their perilous journey they learn each others secrets. Underneath all the half-truths and deceptions between them, an inexplicable bond, an unspoken shared understanding and trust grows between then. For such a short length story, the actors' chemistry and the depth and complexity of emotions they conveyed shook me. Every twist deepens their bond and the boundless promise they make to each other. The important message of this story is that with great power, comes great responsibility. This is dark and heartbreaking wuxia but the break of dawn that pierces the darkness is blinding and immensely powerful.Everything about this movie smacks of Guo Jingming's fabulous taste and hallmark aesthetics. If like me, you watch this after My Journey To You, it is quite clear that the drama expands upon many ideas in terms of style, plot and character design from this 37-minute movie. Feng Ren makes me think of Han Yasi and Po Xiao of Xue Gongzi. The narrative also explores how best to deal with a weapon of unaparallelled power. Due to its short length, the plot is tight with no unnecessary digressions and everything comes to a full circle at the end. It perfectly illustrates the power of a short story in how it captures the heart and the imagination with all that is left unsaid and untold. This is a simple, well executed plot that is a must watch and one that I am happy to rate 8.5/10.
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This review may contain spoilers
Excellent, but too short
This is a very good 44 minute long LGBT short movie. It is well made and well written. The story is intense, concerning a young man who, after suffering sexual abuse at the hands of his stepfather, turns to selling himself to other abusive men. But the arc of the plot turns happier (and sexier) when he meets an undercover cop who falls for him.Strong points:
-- The plot is interesting, engaging and well-conceived. It concerns some heavy topics but is not overwhelmingly depressing. (That said, it does feature a couple of incidents of rape, and people who are sensitive to sexual violence should be warned.)
-- The acting is truly excellent. Jed Chung does a good job of communicating how clueless and lost Light is. Even more, I thought Max Liu was tantastic -- thoroughly believable as Light's savior, Shuo. Liu is intense, masculine and yet soft -- the way he treated Light was perfect. (In some ways he takes the place of the father-figure Light never had). And he has a wonderful deep voice and a gorgeous body, so what's not to love? (P.S. the MDL pic of Max, above, does NOT do him justice.)
-- The cinematography is first rate, with great camera work. (I loved the opening scene, where the cam is following Light through the market as he goes to meet one of his "johns".)
-- There is not a lot of music actually in the movie, that I remember......however the film concludes with a music video (I think the name of the song is "Light") and that one is truly excellent.
Weak point:
-- The decision to make this a short movie limited the creators too much. A longer treatment could have given the audience a better understanding of the development of Shuo's affection for Light. It seems to appear out of nowhere. The lovely scene where Shuo abandons his reserve and makes love to Light would have been just wonderful if the audience had a better feeling for the tensions/mixed feelings that were afflicting Shuo.
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Everything stands or falls with the choice of an auspicious place. Insights into Korean geomanticsm
"FengShui" is a historical KMovie that addresses the political takeover by Heungseon Daewongun and his son, King Gojong. Even more, it deals with the Korean version of geomancy - Pungsu-jiri-seol = theory about the relation between wind, water and earth - which has accompanied the country across all dynasties since at least the late 9th century. The traditional theoretical concepts, studies and observations are about which constellations in the landscape bring luck or misfortune to people. In South (and North) Korea there is hardly any building, tomb, temple, or city that was not built from the point of view of Pungsu. To this day, Pungsu is still quite popular.Against this background, one could understand the movie "FengShui" as a nice, sometimes exciting story that comes up with a pointedly, rather apolitical, and for some even esoteric explanation about the ending of the Joseon Dynasty: At last, it was the (wrongly?) chosen location of the tomb that decided the end of the empire...
In any case, the story dramatically illustrates the importance of Pungsu to the people of (Silla, Goryeo, and) Joseon. And by the way, it gives an insight into the political situation during the last decades of Joseon. Without reference to this, however, one may be a bit surprised about the scramble for graveyards and also the struggle for power at the palace would be an interchangeable one among the many stories available on screen... No matter which glasses you choose, the cast in any case guarantees top-class performance.
Eventually, if you are interested in Korean society and history, the KMovie "FengShui" opens up an understanding of the great importance regarding the harmony (or disharmony) of human life with natural events (such as weather and seasons) as well as in relation to geographic features of the landscape (such as mountains and lakes and landscape) - as they are having a direct impact on human health as well as the fortune or misfortune of personal, family or even national fate. Everything stands or falls with the choice of an auspicious place (Myeong-dang) for one's own house, grave, market square, administrative headquarter, temple, fortification, palace, etc.
The teaching goes back to the Buddhist monk Doseon (826-898). He was a Daoist master and Zen Buddhist student who adapted the Chinese principles of feng shui to the Korean landscape and cultural environment. What is special about it is the concept "grow with nature", which in this respect focuses on an analysis of the spiritual and matter-related energies of mountains and landscapes as well as their effects on human life. (Interior furniture etc. plays a minor role in Korean pungsu.)
The KMovie "FengShui" puts a Pungsu master at the center of the story. Due to the more or less favorable choice of location, he can predict and influence how the fortunes of the people affected will develop. In this case, by using this knowledge to choose the most favorable burial site, he becomes a veritable kingmaker.
By the way:
All 42 royal tombs of the Joseon Dynasty over a period of more than 500 years are largely undamaged to this day. This is worldwide unique. All are arranged in the landscape according to the teachings of Pungsu - at most close enough to the capital for the royal family to visit the tomb within one day. (The concrete design of the complex was based on Confucian specifications.)
By the way:
The historical starting point of the story is the fact that Heungseon Daewongun, a central political figure of the last Joseon decades, moved his father's tomb on the advice of a Pungsu master. The new setting somehow promised that 2 kings would come out of his family. That was actually the case. But after that, the Joseon Dynasty came to an end.
------------------------- SIDE NOTE: --- Myeong-dang and Korean Pungsu ---
Pungsu officially goes back to the monk Doseon. But there are also sources that indicate that there was already a spiritual tradition with human-nature harmony on the peninsula, the aim of which was to efficiently balance landscape and topography, natural forces and sanshin (mountain spirits) in order to determine the fate of the purposefully influencing people.
Doseon's works have not survived. But his yin-yang geomancy was handed down in the works of later Confucian scholars. In the 12th century book "Haedong-Pirok" about the secret history of the country Doseon's theories were mentioned and even expanded. 5 centuries later, Yi Jung-hwan (1690-1752) in "Tangni-chi" analyzed the topography and landscape of the entire peninsula according to these geomantic points of view.
Central to this is the concept of Gi (forces of matter) as opposed to Li (forces of Heaven and Spirit). Mountains, and in particular the central mountain range that stretches like a spine across the peninsula, are the source of Gi. The energy flows, so to speak, from the mountains into everything that the landscape produces, into the water and into the air - all that nourishes the humman being. Gi thus becomes concrete and figuratively the source for a strong, happy people.
Another central concept is "Hyeol": a place of perfectly balanced forces of heaven (cheon-gi) and earth (ji-gi) from which people benefit the most. Such Hyeol with high, positive energy potential include, for example, Jiri-san's Cheonghak-dong valley in the south of Samshin-bong peak or the location of Buseok-sa temple on Sobaek-san. "Hyeol" actually means an ´opening´. Like the 9 openings of the human body, there are also openings in the landscape through which energies can enter and escape. If you like, Hyeol could be considered acupuncture points in the mountain landscape. Knowledge and control of Hyeol thus is highly related to power. A more ancient term for Hyeol comes from the shamanistic tradition: 'Myeong-dang', the (spiritually) lightful or auspicious place. The idea behind it: Bedding the ancestors at the auspicious place can bring prosperity, power and good fortune to future generations. Bedding the kings at auspicious places accordingly brings prosperity, power and good fortune to the nation.
...The KMovie is originally named "Myeong-dang"...
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I thought the actors did a good job. Especially Ou Hao, who played Zhang Yang. I am going to look up more of his roles. He was good at showing the character development.
Its a bittersweet story and you should give it a try.
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BEAUTIFUL !!! WOW WOW WOW WOW !! TOP HONORS!!! This drama deserves Grand Awards!!
Such a beautiful, heart touching pure and true love story between Go Min Si and Lee Do Hyun!!! This drama deserves to be part of the history of great korean dramas!!! 1000% FABULOUS!!LEE DO HYUN - WOW WOW WOW WOW, He is such a Natural onscreen, born to act, brilliant performance by him!! He pulled us in with his screen presence and character portrayal deeply and his grip on you is solid!!
You are always smiling looking at him, and you cry and laugh and deeply sigh in all his scenes as he mesmerises you with just himself!
AWESOME pairing between Lee do hyun and Go Min si - such great chemistry and naturalness between them, as if they are truly made for each other!!
This drama is a beautiful depiction of pure love caught amidst extremely harsh trying times during the gwanju uprising and KUDOS & STANDING OVATION to the entire Team of Youth Of May, for great casting of especially the leads, great script writing, great direction and just for everyone in the cast especially LEE DO HYUN!!
SHOW USP - LEE DO HYUN!! He is magnificent!!
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In Between (Sa Pagitan ng Kamusta at Paalam)
28 people found this review helpful
GREAT ACTING IN A PAINFULLY SLOW SERIES
If they made this a short series with 6 to 8 episodes i would totally eat this show. The painfully slow and repetitive execution has wasted talented new actors.The very good: the characters and the acting. I just love everyone, I think there was a treasure of character here that could have made the story so much richer. Add to thr fact that eventhough these are relative newbie actors, they all acted so naturally.
The so-so: the story. Started with a good overall plot, and then it became boring. And then they gifted us with Pangs couple, and then they bored us with it too. And then that final act - stretched in 4 to 5 episodes.
The really bad: the execution. For the love of the forces above, who gave them the idea that its fun to watch a series of about 14 20-minute episodes where there was almost nothing new happening every week. Waiting for episodes weekly is painful but for it to be uneventful was like torture. Adding salt to the injury is the unending reuse of footages disguised as mystery revelations but is just there to explain what actually happened as if viewers are kindergartens. Long intro, then a recap, then the repetitious episodes as if the recap isnt enough and then the long outro - you can just imagine how much time is left for the new content. If they transformed it into a mini series with about 6 to 8 episodes they could have given us a very solid series.
Will i rewatch- of course not, why would i subject myself to the pain again.
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All in all, if you are a fan of CSI type crime shows, this one is likely to engage your interest. The various crimes solved actually occurred, which makes them more interesting than so many of the fictional, contrived murders littering the drama landscape.
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And then around episode 60, this thing starts gaining serious momentum. Revelations fly right and left, the revenge plot finally starts up, and the bad guys start to tumble one after another. If you can get through the first half, the second half is amazing. The flawed characters really start to show their conflicts. The good characters want revenge but are hurting others, the bad characters are pitiable but brought everything on themselves.
If they could cut this down to 20 episodes, it would have been the most amazing show ever. But, as it is, it's still a great drama.
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This review may contain spoilers
It is about the basic conflict between political ideals & dirty practice. Emotional complex.
Black meets white and every shade in between.Devious meets sincere.
Truth comes into conflict with truthfulness.
Justice wrestles with just behavior.
Even though the KDrama “Undercover” was produced as a remake of a British series, it still tells a very specifically South Korean story. In recent decades, the South Korean intelligence service has changed its name several times in the wake of turbulent political changes. Heads were exchanged here and there, but ultimately numerous agents and executives carried out their jobs both during the last years of the dictatorship, the first years of the increasingly democratic liberal government of the Sixth Republic and up to the present day. This means that those who had to be bitterly persecuted as enemies of the state at some point, became, at a different time, those who potentially needed to be protected at all cost… “Undercover” is set in that context.
Embedded in this is the emotional dynamic of a former undercover agent and his wife. She is now a committed human rights lawyer and the designated director of the newly established political office for corruption investigation. In principle, her agenda is to uncover those machinations in which her husband's employer was involved or even in charge at the time and to this day...
The dramatic dynamite is hidden underneath the fact that the husband missed the right timing of confessing to his wife what he actually had done before and who he was... for good reason. This secret apparently didn't stop the couple from leading a very happy family life to date. But fatally, his past comes knocking at his door, confronting him with an almost insoluble conflict.
Should he confess to his wife today what he did back then? However, she might never be able to forgive him. That would most likely be the end of the relationship.
On the other hand, if he continues to hide his past, his former colleagues will make sure she finds out. They would do anything to prevent an upright, honest and incorruptible person from taking this groundbreaking new political position, simply because transparency and secret service don´t get along so well…
Therefore:
If he wants to preserve the marriage and his family, his wife must never find out about his past. In order to prevent this, with a heavy heart he has to once again face the parallel world of secret service agents...
If he wants to protect his wife, considering the challenges of her new career, with a heavy heart he has to once again face the parallel world of secret service agents...
Either way, with a heavy heart he has to go back to the parallel world of secret service agents... There, it seems, not much has changed in the past 30 years. It is all about: unscrupulous in the service of the cause. By all means. Failure is not up for debate, whatsoever.
Accordingly, “Undercover” is full of emotional suspense, rather complex, and at times quite nerve-wracking. It is about the inner conflict within in this particular, rather mature marriage. It is about the basic conflict between political ideals and dirty practice. And then, it is also sobering when it comes to the question of whether power can ever really belong to the people...
I liked the emotional complexity and how the area of conflict – personal and political each – was developed. Plus the fact, that it was more about relationship dynamics than action. Therefore, I enjoyed watching it.
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