Reviews

Eerie Yet Cunning Story

For me Somebody was a delightful watch. The slow pacing, the story, the characters and the whole overall aesthetic was very fun. People are complaining how they didn't understand why ML was doing whatever he was doing. Psychopaths never have any logical reason anyways for their doings and this is why I loved it. Because I always eat up any psycho thrillers. Somebody was just another level of distinctive art where each and everything was pure art. The cinematography reminded me so much of how usually Korean movies are. It's not everyone's cup of tea and that's totally fine.

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If he says "cute" one more time...

Maybe there are two ways to watch fluffy romance series. One is dressed in your onesie, wearing pink slippers, clipping your toenails with one eye on the screen to admire the soft pout of the FL, or the ML's big brown eyes, and there's nothing wrong with that.
The other is actually paying attention to the story, because you like romance, but this story, I assure you, will reach the opposite effect, in more than one way.
First, there's this FL who rarely leaves her house because she works her head off.
Second, she only goes out because her boss orders her to do so with the command to find the necessary inspiration for her job.
Third, the only guy she meets is a hairdresser who falls instantly in love with her, just because WHAT exactly...because he can't resist a makeover? Or because he is a closet-masochist who likes her disinterest in him? She falls asleep when he does her hair, he's stood up by her...and all he can say is she's CUTE? I know this is the typical male compliment to a female in Japanese series, and he says it at least seven times each episode.
Added bonus seems to be she's a workaholic just like him, and still a virgin, and the very first time they actually did it, she reaches for her note book at her bed side to take notes on her new experience. Not to cherish a beautiful memory, but to store information for her new manga.
I'm so happy this is pure fiction, because in reality, the Japanese birth rate would dip to an all time low with unromantic people like that.

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Drink the finest wines, look at lovely girls, make the best friends, and fight glorious battles.

Spymaster Ning Yuanzhou and his elite Liudao Tang spies are tasked to escort a Wu diplomatic delegation to An to pay a king's ransom for their captured ruler. He encounters the stunning and deadly Ren Ruyi, a vengeance driven assassin nonpareil who defected from An. They have overlapping goals and form a wary alliance. Predictably, these aging-out, disillusioned operatives from opposite sides fall in love and indulge in a mid-life crisis amidst a suicide mission to rescue the foolish Wudi. This is an unexpectedly funny drama and the humor works well but masks the monumental task ahead of the delegation. Its best achievement is it makes us fall in love with a motley crew of unforgettable, flawed characters to the point we root for them against all odds and beyond reason.

This is a rare drama where I am more invested in the supporting cast than the main leads. Written by a feminist writer, Ren Ruyi is literally superwoman; independent, ruthless and indomitable; an indestructible one woman killing machine with fantasy level combat abilities. Ning Yuanzhou also walks on water; a master spy whose machinations decide who sits on the thrones of both states. Together they are so formidable that it seems more efficient to skip the mission or war as they can easily topple any ruler in their way. These over the top character designs with exaggerated abilities and superficial flaws rarely resonate with me. But I did derive petty enjoyment from their bitch slapping, scolding and kicking ass through the two kingdoms.

The casting of Liu Yuning and Liu Shishi in the leading roles is brilliant. While there are better actors, these roles play to their individual strengths and they both executed well. Liu Yuning plays a character that hides in plain sight. A too pretty actor would not work in this role. And Ren Ruyi the stone cold killer is perfectly reflected in Liu Shishi's stoic expressionless face and bright hard eyes. Even as she becomes less guarded and warms up to the delegation, there is bare of relaxation of her taut features; every frown and smile is controlled. Her head is at an exhausting elevated angle that made me wonder if she has frozen shoulder. Even her grief is so beautiful in a restrained way that I was unaffected, even mildly irritated at her cry scenes. Such an aloof portrayal made their chemistry seem decent but did not light up the screen . So it didn't matter to me if they made it out at the other end. As fully realized characters that live and die by the sword, they know the score. Their romance peaks too early, had few true obstacles and repetitive fan service sweet nothings moments . The heavy handed messaging about women's biological clocks annoyed me.

The more interesting characters are the young ones, Yang Ying and Li Tongguang, both on heroes journeys. He Landou delivers a inspiring portrayal of an uncertain young princess completely in over her head, overcoming fear, heartbreak and every obstacle to emerge as a purposeful person with the the courage of her convictions. At surface Li Tongguang appears to be a fascinating character; strong, smart, ambitious and charming. Unfortunately he has a dark side, an odd and creepy Oedipus complex for his shifu. Part of the problem is this narrative doesn't invest in villains; most antagonists are killed off so quickly they leave no impression. Thus Li Tongguang becomes the default fall guy; whenever something bad has to happen to create angst or move the plot along, it is pinned on him. Nonetheless the role is well played enough that I had a soft spot for the character throughout.

Saving the best for last, Fang Yilun's Yu Shisan stole the show as far as I am concerned. I love flawed, humorously self-aware, very mortal characters like this with no special powers or death defying abilities. Hopefully Fang Yilun's amazing comedic expression and timing gets noticed. His shock and aghast at the idea he was falling in love made me shake with laughter and moved me unaccountably at the same time. When he prosaically warns his love not to fall for a rogue like him, I knew she was as much a lost cause as I was. Shisan is the unsung hero of this story. He picks up the slack so that Yuanzhou can rescue Ruyi and was there for Qian Zhou, Sun Lang and Yuan Lu through the last legs of their mission. He remained true to his life's mantra to live fully with no regrets: drink the finest wine, look at lovely girls, make the best friends, and fight glorious battles. / 这辈子就要喝最烈的酒, 看最美的姑娘, 交最好的朋友, 打最漂亮的仗. It is too bad he did not dare to or did not believe he had the right to love and thus denies his heart to finish the job. If I could have changed just one thing, I would have had Shisan leap on to that horse along with his love. The other flawed character I enjoyed immensely is Wudi. After Shisan, he made me laugh hardest, especially during the great escape. He also moved me with his profound regret and intent do better.

This drama has a linear plot that is not well paced; it either advances at a high speed that glosses over logic holes or stalls out to dwell on repetitive romantic or delusional tropes. The harder you look at the plot, the less it makes sense. As it is more of a character story, I am willing to be forgiving as long as important characters are not destroyed along the way. In that aspect, the drama starts out exceptionally well with a fantastic core of well conceived, multi-layered and compelling characters. Unfortunately, the character designs start to break down quite early on, with Li Tongguang. The ending was rushed, had some sloppy edits and packs in an unnecessary Wu arc. Too many characters are destroyed into the finale including Ruyi and Yuanhou. Ruyi prioritizes her personal agenda, bites off more than she can chew (again) and had to be rescued (again); forcing Yuanzhou to choose his love over his mission. Consequently they were not there when Liudao Tang needed them most. Finally, Ruyi makes a decision that is not true to herself or to her beliefs about living well. After investing so much on Li Tongguang, this character has no development and mucks everything up in the finale. The ending was was bloodier than I expected and unnecessarily cruel. I didn't have a huge issue with the outcome in and of itself, just the figurative character assassinations.

As for the ending scene, upon re-watch, I realized it is not confusing, it simply pays homage to the meaning of the drama's title Yī Niàn Guān Shān / 一念关山 or A Thought of Guanshan and closes the drama on a note of finality. It is a line from an ancient poem 却东西门行/But the East West Gate written by Shen Yue during the Northern and Southern dynasties. It is a sad poem reflecting on life, the passage of time and destiny. Guanshan/ 关山 refers to memories spanning the mountains and rivers (meaning the far reaches of the empire); of past events joyful and sorrowful. It is an Auld Lang Syne moment where someone who lived on longs for the bygone years and lost friends. It is unnecessarily cruel to close the story with a character that was meant to move on with their life. The bigger point is everyone they are thinking of did not make it out at the other end. The ending to me is not ambiguous.

I enjoyed many parts of this drama which started out as an 8.5 for me but there were draggy parts, key characters got destroyed, all the holes become obvious with re-watch and the ending is just not good. It is still a wonderful watch with lovable characters, fabulous fight scenes and divine comedy. I am just petty and I won't forgive them for Yu Shisan. My final rating is 8/10.









ENDING SPOILER COMMENTS

The final scene is actually very clear.:

Ten years later, the countries are at peace. He County which was the frontier battleground is prosperous and thriving; children are well schooled but the naughty ones sneak out to play. Chu Yue visits the battleground which with a decade of peace is covered with grass. She takes a moment to think of the past, of everyone that sacrificed and imagines either what could have been or that they are in another place. Her fantasy doesn't have to make complete sense because it is just her imagination. The child she sees on the horse is not the same younger child that sneaks out of school. Ning Shisan on the horse is older, with loose hair in a pure white outfit. Chu Yue should not be in this scene. Shisan denied his heart to set her free. He saved her and meant for her to go on, to love and live life with no regrets. It enraged me that they did this to poor Chu Yue and it would have broke Shisan to see her like this.

Ruyi should have been in that end scene, possibly with a son and a daughter. She could have escaped and remained true to her promise to Yuanzhou to go on without him, that a woman can live well without love. The drama foreshadowed many times that she would be last woman standing and yet they both literally and figuratively killed her character when she chose to blow herself up after assassinating the Beipan king and prince. Ruyi had a choice and the one she made sends all kinds of wrong messages to women everywhere. The only woman who remained true to herself was Yang Ying. She moved on, made the best of her situation and lived well regardless. If Ruyi had to die, the end scene should have closed with Yang Ying instead of Chu Yue.

I also think they should not have killed off Wudi. The team put themselves in harms way to bring him back; he learned some hard lessons and would have been a much a better ruler for it. They killed him off so that Yuanzhou could play kingmaker. It was a rushed, completely dumb, ridiculous and gratuitous Wu subplot that negates poor Qian Zhou and Chai Ming's sacrifice. I could go on but these are some of the main reasons I am so let down by the ending.

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Really good series but why it isn’t that popular – an analysis!

I want to be clear from the start so I am going to tell you that Tae Darvid is my ultimate Thai person, so I will try to be as objective as I can. However, if you feel that I am playing favourites with him please let me know! Now, let me take you on a journey. I am going to review the series and point out some mistakes that didn’t help the series to be more popular and have more people talking about it. But before that, we must acknowledge the elephant in the room, and sorry for the following microaggression, but…

Can we all agree that the so-called rooster was a fuc***g CHICKEN? Like wtf? Do I not know animals? Is this an intended joke? Why didn’t they use a rooster? Plz help me… Don’t get me wrong I love Teriyaki (the chicken-rooster) but it must have an identity crisis. Here is what I think Teriyaki is thinking 24/7:

«Phap says that I am a rooster that knows how to have a slow-life and crows at 10 in the morning to wake everyone up”, Teriyaki thought. “But at the same time, they are eating the eggs that I lay”, Teriyaki continued his thinking and started to question its own existence. «Am I a rooster, or am I a chicken? »

CHARACTERS

Our main couple is Maze and Phap. Maze is the president of his company, is a money motivated person, and mainly uses his head to make choices. As his social status suggests, he has an extravagant lifestyle, wearing expensive clothes, living in a luxurious apartment, and driving a costly car. In addition to other rich BL characters (from other BL series), he is greedy with money and will do anything to have a bigger profit. He doesn’t carelessly spend money, and most importantly he will take advantage of every situation in order to gain anything. On the other hand, Phap is a carefree artist that specializes to abstract paintings. He is the exact opposite of Maze and uses his heart to make decisions. He is not rich, he believes in himself and his capabilities, and he loves nature and animals. He loves animals so much that he has three animals’ pals, Poco – a lizard, Steven – a cockroach (yeah, you read that correctly), and Teriyaki – a chicken-rooster with identity crisis.

The second lead couple is Nueng and Tharn. Tharn is an actor and Maze’s best friend (along with Nae). He cares for his friend’s emotions and is rather mature, soft spoken, and kind-hearted person. He is the balance between Maze and Nae. While Nueng is… Is it too soon to make this spoiler? Well, I am not going to tell you who is Nueng right now because it’s a massive spoiler, and you might not want to know that. However, if you keep reading my review you will eventually learn who he is. YOU WERE WARNED! Anyway, for now I will tell you that Nueng is a handsome actor, with a calm aura that everyone is jealous of.

The other supporting characters are the “As You Wish” gang, the employees in Maze’s company. The leader of the pack is Nae, Maze’s and Tharn’s best friend. She is not a company’s employee, but she is sth like an investor – or vice president, according to her – who helped the company when they were in need. Next, we have Noona, the mother of the gang; she has a colourful personality and is loud (“I am soooo confuseeeed”); Ruj, the workaholic one, who is complaining that has too much work, but always delivers on time; Kuea, the talkative one, and Elle, the quiet one, who becomes talkative when drunk.

Last but not least, we have the managers. Phueak is Nueng’s manager, and Pookky is Tharn’s manager. Between these two a “hate” relationship exists, as both do their best to promote their talent. However, Pookky uses “dirty” ways to get Tharn more famous. I loved and laughed with every scene with the managers.

PLOT

In the series we follow the storyline between our main and secondary couple. After a weird event sequence, Phap (played by Tae), the carefree artist, ends up being in debt to Maze (played by Singto), and to pay back his debt he is hired in the company. However, their polar opposite personalities and lifestyles, make their everyday friction difficult… at first! The aversion for each other could be seen, as they don’t address each other by their name, and they don’t use the honorifics “P” or “Nong”. Instead, they mainly use the informal way of saying “You” in Thai.

In the series we get to see how Phap is the first one to open up to Maze and how he does everything that he can to get the other person’s attention. Maze and Phap throughout the series learn more about and from each other. The artist teaches the young boss that relaxing is mandatory, that relying on other people is not that bad, and that living in the moment is important. However, the most crucial thing that Phap helps Maze with, is Nueng (more for that on “My opinion” section).

ACTING

I would like to start with Singto. To be honest, I don’t follow Singto that much. I have only watched SOTUS and SOTUS S with him (fun fact SOTUS was my first Thai BL series). In SOTUS, I was fascinated by his ability to use his facial expressions, and boy was I not disappointed in Paint with Love. For me, this series bring out the best of Singto and with the combination of funny scenes we have an amazing result. I know that I might not be in the position to say this because this is only the third series that I have watched with Singto, but this is my favourite series with him. He was sassy, angry, confused, mad, sad, and desperate when he needed to be, and trust me when I tell you that I believed him in every scene.

Moving on with Tae, I know that I said that he is my ultimate Thai person, but dude I am not a royal fan. The only series that I have watched with Tae is 2moons the series. DON’T CALL ME A HYPOCRITE! I really like his personality in real life that is why he is my ultimate. I was really happy when I learned that he would finally have a lead role, and I was not disappointed. In the series he plays a character that is quite different from him in real life, and I must admit that I really enjoyed his acting here. He portraits a handsome, goofy, confident, and a straightforward character, in a comedic way, which I loved. However, there were a few scenes in which his character was sad, and I was like “TELL ME WHO HURT YOU BABY!!!!”.

Regarding the second lead actors, everyone did an amazing job. Yoon and Yacht were able to captivate me in their story and you could see them grow together, be more open about their true feelings, and try to distinguish their work and personal life. You could see and feel Tharn’s (Yacht) internal dilemma on whether he should be honest to Maze about his feelings for Nueng, but not wanting to hurt his friend… Yacht did an amazing job there!!! As for Yoon, he was able to share his worries, concerns, and feelings for both Maze and Tharn. To be honest, I felt that everyone had a great chemistry with each other in the series, which is amazing! I think that my favourite for the other cast was Maengmum. Honestly, I love her! Her acting skills are off the roof, and she deserves every award ever! PLEASE GIVE HER A SERIES ALREADY!

MY OPINION AND THE MISTAKES THAT KEPT THIS SERIES FROM POPULARITY!

As an overall, I have a positive opinion for this series. The first thing that I really liked (beside the casting), was the fact that the story wasn’t developed in a university. I don’t understand why the majority of Thai BLs need to be in university, but I really enjoyed the change of environment. Now the second thing that I really liked, was the fact that even though Maze was rich, he was actually greedy and didn’t belittle the value of money, in addition to other series where usually the rich person doesn’t care about money at all. While another thing that I really liked was the lack of product placements! You don’t understand how much I despise straightforward product placements in series; however, here we have none of it, which I loveeeeeed!!!!

Another thing that I really liked, was the real interaction between the main couple. You know, something that I disliked in the other BLs is that they present false expectations on how two people flirt. The other series portray the couples in a cool way, and they only show us the handsome, jealous, confident, side of the characters, while in reality this is not true. In addition, in Paint with Love, we get to see how an emotional and touching scene could be “changed” by one of the characters. For instance, there is a scene in which Phap and Maze are talking about squids, and you hear Phap saying something deep regarding catching squid and how he does not enjoy doing that. For a moment you can see Maze softening up to Phap and looking at him with puppy eyes, but when Maze gets to say something to Phap, the later eats a squid and destroys the moment and atmosphere between them. Don’t get me wrong, but I love it. I feel that this behaviour is closer to reality, and I love it when it is shown in series. Take your always right, and correct behavioured characters, I will stay with the truer moments. Furthermore, you could see the dilemma that Maze had. He really liked Phap but he believed that the artist was someone lame, who wasn’t at the same social status as him. That is why he couldn’t openly say that he liked Phap and that he wanted to be him. Occasionally, he would bring up a wall between them and making more difficult for Phap to bring down that wall. In my opinion, Singto’s acting was on point in every scene. You could see his emotions through his eyes. He is an exceptional actor. Well done!

As for something that I didn’t like, was the story changes. I must admit that I haven’t read the whole novel, because I couldn’t find it anywhere with an English translation, but I must say that there is a huge difference in the novel and the series storyline. Before I elaborate more on the difference between these two, let me make the huge SPOILER right now. Nueng and Maze are stepbrothers since they were young boys, after Maze’s father married Nueng’s mother. That was the spoiler. Honestly, at first, when I was only watching the series, I thought that Nueng and Maze were ex-lovers, but I was wrong.

Now, let me go back to the main difference in the novel and the series. In the series, the two brothers fight with each other at an older age (when Nueng is trying to apply to university), while in the novel the brothers fight at a younger age, when Nueng was in Junior High School, after his mother’s death, for which he blamed Maze for. I feel that they should had followed the original approach and show us the true fight between the brothers, because this would explain Maze’s acting in front of Nueng in their adult years. In the novel it was stated that the two brothers were very close, and they cared for each other. Especially Maze, he adored Nueng, and he loved spending time with him; so, when Nueng blamed him for his mother death (whom Maze loved like his real mother), he is devastated and due to his really young age he cannot entirely understand what happens.

As someone with an older sister, I can tell you that I understand Maze’s actions in his adulthood. He is awkward, goofy, and trying too hard to be liked and acknowledged by Nueng. His true feelings come to surface when he is drunk, and he asks for Nueng’s approval and attention. Those are true actions. I remember when I was younger, I was doing the same thing and I was trying desperately to get my older sister’s attention. That is why I feel that they should have kept the original fight reason between them.

Now the second thing that I didn’t like was the lack of accessibility to the series. Actually, in my humble opinion, I feel that this reason was the root cause of why this series wasn’t that popular. You could only watch the series in GagaOOLala, by having a subscription, or in illegal websites where the episodes were uploaded in a few hours. However, there were cases in which an episode could take up to 4 days to be uploaded in any site with English subtitles. All of you know for which episode I am talking about! Episode 6…. It took approximately 5 days for the episode to be uploaded in Dram***ol. That didn’t help the series to build a momentum and have a loyal fanbase. Now, don’t get me wrong, but when I learned that the series are only available to a subscribed website, I knew that it wouldn’t be popular. I don’t want to use other Networks or Companies names, but it is important to look at what your competitors are doing in order to create your business and strategic plan. I believe that in this case this step wasn’t implemented. The majority of BL series that are currently on air, are offered for free on the official Youtube channel of the company that created the series (e.g. Bad Buddy was available with English subtitles, every Friday, on GMMTV’s youtube channel); while Paint with Love required a subscription. That was mistake No. 1.

Mistake No.2 was the lack of promotion. Pffffff… This series could have so much potential! The company could have created a promotion campaign to make this series more popular and to have fans to anticipate for it. They could use social media on their advantage, and arrange live streams with the actors and interact with the fans, or they could create funny compilations with behind the scenes videos (at first they did upload a few behind the film videos but they were too short), or they could have the actors appear to multiple shows (TV shows, radio shows, or social media shows) to make the series more known to the public.

Lastly, mistake No.3 was the inconsistency in the English translation. Before judging me and telling me that I should be grateful that we even have translation for the series, I will tell you that I know, and I am grateful for that. But please don’t underestimate the power that international fans hold. If I don’t perform research on the target audience on the BL series, I won’t be able to know for sure where the watchers are coming from; but from small research in the comment section of different BL series that are posted on youtube, the majority of watchers seems to be international fans. While watching Paint with Love, I felt that there were many scenes that didn’t make any scene, due to the poorly translation, and that kept me from fully understanding a point. I am not sure if I am the only one who had this issue with the English translation, but again something was not feeling right.

BONUS MISTAKE: I am not sure if any of you felt that way, but there were some scenes that didn’t make any sense because there was no built up. I just felt like they said, “Okay this is what we wanted to say in this scene, now cut!”. For example, in the business trip were Nueng was injured, we see that Phap was also injured but he didn’t say anything to anyone. And that’s it... There was no outcome from this incident. Why didn’t he say anything to Maze? Why was he so sad that day? He was the one who helped Maze make it up with Nueng. Did eventually Maze learn about his injury? WE DON’T KNOW!!!! And that’s bothering me! Another example is when Phap took a bunch of bananas to the office, and he handed them to Nae. THAT’S IT!!! NOBODY ADDRESSED THE BANANAS EVER AGAIN! WAS IT IMPORTANT FOR THE PLOT? WE DON’T KNOW! DID THEY EAT THE BANANAS? WE DON’T KNOW! For me a scene should have a purpose; an introduction, a climax, and a connection to future scenes! Anyway…

That’s it! Please let me know if I missed something, or if you disagree with my review! It is a shame, but this series could have been more popular than any other BL series that were aired at the same time!

P.S. GIVE THE STYLIST A RAISE!!!! EVERYONE’S OUTFITS WERE ON POINT AND I LOVED EVERYTHING! THANK YOU P’STYLIST!!!

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To Find Yourself, Think of Yourself - socrates

This drama started with an issue of a 32-years-old career women who doesn't have experience in dating.
Her first love promised to get married in future, but it fell right after they met again after years.

The FL, He Fan Xing, is the oldest daughter in family- even tho she has twin brother, but she's more mature than her twin. When they are younger, her twin brother, He Can Yang, doesn't let any guy to get closer to her until no one wanted to get close her. She is definitely has zero experience in dating. So, her mind and act is easily read by others.
Fang Xin is like an earth. She has everything like beauty, career, money and loving family. But she also has gravity and magnetic force fields, so she make sure everything she does, doesn't effect everyone around her.

The ML, Yuan Song, is an intern who brought by Fang Xing because of her brother asked her. At first, Yuan Song is kind of troublemaker and like to tease her after he started to get know her true--of course, it's also because her brother always sharing about how weird his twin sister to him. He found Fang Xing is mature yet innocent, so he attracted to her charm.
His character like a wind, sometimes calm sometimes not, transparent and running towards his dream.

Their three months relationship may not shown much because it's not only focused on main lead relationship. But I can say they are happy during the three months. It shown how much Yuan Song loved her and how Fang Xin cared for him even after the break up.

The SML, Ye Lu Ming, may be bit sneaky and ambitious. After he successed separated Fang Xin and Yuan Song, he always understimated Yuan Song. He feel he has win over him (after lose to him at first). Like, he wanted a limited edition bag but someone buy before you right in front of your eyes, you may do everything to get the bag. He is like a fire.
But, I can see he is not evil. He is good towards his niece and family, but also a fool for love. He sometimes creep me out because he was like popped out nowhere around Fang Xin.

Actually, I can understand why Fang Xin is very careful with her relationship with Yuan Song. She is 10 years older, and Yuan Song is her brother's student. As women, it is very sensitive matter. She doesn't want especially her family being talked in town after the topic she WAS 32 and UNMARRIED. She also doesn't want to hold Yuan Song, who is handsome. rich and have bright future and of course YOUNG. Whilst, Yuan Song feel insecure because he JUST graduated and an intern in Fang Xin's company. while the opponent is successful.
This matter worsened by Lu Ming's advices, which is turn out to be their break up.

Honestly, the story get better after the break up. I like how Yuan Song trying to fight his girl back, with raise his own value. Yuan Song know exactly what he want to do. It was good drama to watch.

Just like the title of drama, they need to Find Themselves and what they really wants before others.

This drama also is not just about their triangle love story. It also shown many relateable issues and heartwarming family, friends, and collegues.
The jokes also cracked me up especially with Can Yang's antics.

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Lost and White Christmas had a gay baby named The Stranded

I usually review underlying social commentary and filming/directing techniques so my reviews mention other shows and lots of excitement about camera placement and editing.

Let's get it/

Season 1 of The Stranded aired worldwide in its entirety on Netflix on 15 Nov 2019 with 7 x 50 min episodes. It reminds you of Lost, White Christmas and Lord of the Flies all at once while still being fairly unique in this genre.

Lost is an American television show that aired 2004 - 2010 about survivors of a plane crash on a deserted island dealing with the Lord of the Flies narrative on top of everything getting weirder and weirder. Due to the time and place Lost as a series was coming from, the patriarchy in it makes the show almost unwatchable for me. So my first title for this was "Lost with less Patriarchy."

You can't help but be reminded of Lost when you watch The Stranded. You have an almost identical and equally pivotal scene of the main character waking up on the ground in the jungle at one point. You have the unwordly creepiness that can't be explained and the mysterious suspense wrapped around everything.

I'm not sure how much influence Netflix had over this series. The lack of product placement throughout was almost jarring to someone who has only seen Thai webseries before. The 24 frames per second vibe and scene changes dramatically split with relevant intriguing backstories were reminiscent of so many Western shows in this genre. Idk, it's so interesting to me, the points where Sukdapisit derailed from that. That's what I was looking for, broken tropes and throwbacks that have nothing to do with Western media.

During The Stranded I also found myself reminded of White Christmas, a short Korean series from 2011 about a group of students trapped at their elite school in the mountains in an avalanche over Christmas break.

There's nothing supernatural about White Christmas, it's purely psychological. The Stranded has a psychological vibe that runs deeper than the character relationships in Lost. The repeated filming of hot shirtless guys and lonely girls with fucked up pasts also were very White Christmas-like.

There's something that The Stranded, White Christmas & Lord of the Flies have that Lost could never. The way the characters react to being trapped on their own with no help changes whether you're writing adults or children into such roles. The internal war between despair, communism*, escapism and hope gets completely skewed and more so than when writing adult characters.

*communism in the desire to successfully work together. Quote from The Stranded; "We must cooperate. Work together and trust each other. That's how we survive."

A lot of these stories show how this kind of purely conceived idealism breaks down against the desperation to survive.

I can't leave out Krit & Jack in social commentary. I didn't want them to be token innocent queers in the background. Props to show how normal gays are to hets. So from a social standpoint, I'm grateful they were sexually active, depressing, and dangerously in love. They're not there to promote a harmless depiction of teenage boyfriends. They add to the whole way the situation of being stranded can carve out human ugliness on all sides.

In the West our need to strictly label genders and sexualities puts me in a difficult spot to describe what "girls" refers to in Thai media. But you will see it here. We're used to it more than the average American clicking on a foreign show on Netflix. The male characters who are there doing "girls" chores. I love that they're not trying to pass and that they don't even have to explain their existence. I love that they are just socially accepted from the beginning without it becoming a plot point. I love that you see the Thai thing where it's less about fighting to be trans than being trans and fighting for your personal gender's rights irrespective of their bodies' anatomies. But I still hate that these characters are minor and still mainly used to inject humor by their default flamboyance. I also wish there would be at least one transboy or nb person at some point in whatever I watch.

The setting from The Stranded creates the uniqueness and non-Western cultural framework that makes it special. The setting is more intense and beautiful than most things you will see in film. The ratio of camera time given to nature over characters is noticeably greater than many films set in remote locations. The intro's lens filter over the drone filming of the forests and beaches is so simple and so effective. You know you're looking at something that is ultimately skewed and that's thematically really important to remember from the beginning until the last scene.

The intro and the show itself have music that is arguably way cooler than what we usually see in foreign media. Passively, it's youthful and non-commercial. When it's used climatically it's a bit intense in a cliche way that I wish would just die in this genre.

Scene cuts come abruptly at times to weave together similar dramatic events been different characters. These types of situations make me so grateful to the writers for their timing of revelations and events.

The actors are all so so good. You never think they're faking anything and you become immersed in each of their fucked up lives. You want to see some of them rise up and some of them fall down where they belong but you're at the mercy of the story. To compliment both the writing and the actors, nothing feels forced out of character and so many points of interest are created between these characters in this story.

I really want to see everyone's theories on what's going on in the story. At first I thought ok, they're all dead and they don't know it. Now I don't know what to think but with what's happened, I just want Mark to come back so much<333

Thank u for reading x

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A viper's nest.

After growing up in the countryside, Zhuang Hanyan returns to the capital to claim her rightful place as the legitimate daughter of the Zhuang family. Her reception is mixed—some family members seek reconciliation, while others fiercely resist her presence. It soon becomes clear that the Zhuang household is a viper’s nest, but Hanyan is no naïve country girl. There’s more to her return than meets the eye, something her late sister’s husband, Fu Yunxi, quickly discerns. Their relationship evolves from adversarial to conspiratorial as they uncover each other’s secrets and forge an uneasy alliance.

The Glory/ 雁回时 is another in a recent wave of revenge dramas that starts with a suspenseful, addictive hook but fizzles in the second half. The reveal of Ruan Xiwen’s tragic backstory and her complex, scheming dynamic with her daughter Hanyan forms the emotional core of the drama. Unfortunately, after this peak, the narrative devolves into dog-blood melodrama, riddled with clichés, plot holes, and unconvincing motivations. Wen Zhenrong delivers a vehement, emotionally charged performance as the bitter and wounded Ruan Xiwen, anchoring the first half—but once her arc concludes, the tension noticeably deflates.

Though I typically adore ruthless, morally grey characters like Hanyan and Yunxi, their pairing falls flat. Their silent staring contests and psychological battles feel insipid, especially compared to over-the-top performances by older actors like Yu Entai's exaggerated facial contortions and whispered threats. That said, Chen Duling shines as Hanyan, balancing hidden depths with fiery resolve. Xin Yunlai, however, is stoic to the point of woodenness, though his awkward, crooked half-smiles carry a strange charm.

The biggest flaw lies in the overabundance of toxic characters with nonsensical motives. Why does Hanyan—clearly talented and resourceful—fight so hard for acceptance in such a dysfunctional family? The schemes lack payoff, the villains are cartoonishly petty, and the central "hidden treasure" subplot feels pointless (why hoard wealth with no heirs to inherit it?). The second half is a mess of twists without cohesion, and the ending—hinting at Greek tragedy but lacking the courage to commit—leaves a wishy-washy, unsatisfying aftertaste.

Yet, despite its flaws, I found myself oddly engrossed. Like a drink that starts intoxicating, turns bland, then ends bitter, The Glory is a flawed but strangely compelling ride. 7.5/10—great potential, squandered execution.

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Everyone is a walking meme

I've been waiting for this for a while, mainly cause of FL and also cause I wanted the haters comments to blow up in their faces. And I'm glad it did!! I had expections and I was not let down. From the comedy, to the acting and the production quality everything was satisfactory. Expect for the controversy regarding the Japanese clothing.

The chemistry between the couples were good like even the secondary couples made me root for them. Would have liked more romance tho. Most of the characters being a shipper for the main couple. I like how no one is necessarily the villian, regarding the FL father, I genuinely thought he was downright evil but his relationship with the FL mother and main leads was so cute to watch. It's definitely not a serious show, the dialogue is witty which makes it a easy watch. I died laughing a couple of times.

The characters actually got some decent character growth, the FL started as a lovestruck girl and was oblivious to anything except the ML but she learnt to hold her ground with issues she cared about. Her smile and laugh is so infectious. I love how the ML fell for her without even realising, and he fell hard. The way he winks just cracks me up.

The OST is good and catchy, caught myself humming it a couple of times.

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It's hell on Earth to keep driving, knowing it's really just a wrong turn.

^Summary of Harumichi's life so far, JK.

STORY - 9 ⭐️
This drama has artfully weaved some historical events (including this COVID pandemic era), cultural references, even social and political issues within this story. About the love story, I wouldn't say that it is something new; there are some cliches; but what I like most are the scenes that made me curious and then find more about it scenes later. Every character was well written, making them real people and have their own depth. I am not sure very sold with the 'love story' between Tsuzuru and Uta but maybe I'm just invested with the main couple's story.

Although presented as a love story in the trailers, it also showed youth's goals and dreams and how some get to fulfill it, some not making it or just taking detours. Some scenes can get preachy about it but over-all, the story's execution is actually good.

ACTING/CAST - 10 ⭐️
There's no denying that the main couple are veteran actors. Don't want to spoil anything but there's this scene that really made me tear up. The young actors did well too and their chemistry suits the theme of first love. Despite not looking like alike, (at least we get the moles right) I can definitely see the young characters maturing into the adult counterparts. Even the supporting characters too had delivered a good performance.

MUSIC - 10 ⭐️
Aside from Utada Hikaru's songs, I find Tsuzuru's music and the drama's sound design and transition faultless. I am no sound or music aficionado but as I watch this with my headphones, I find everything seamless and cinematic. There were a couple of mellow English songs too and it fit well in the atmosphere of the whole drama.

REWATCH VALUE - 8.5 ⭐️
I am not someone who rewatches dramas but the cinematography and the cast's performance alone could easily make me watch it again if I have the time.

OVERALL - 9⭐️

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A Positively Mixed Bag

Disclaimer: I read the manhwa
All spoilers mentioned are related to the manhwa. Only broad and generalized comments about the Drama was mentioned.

The GOOD:

As a stand alone romance drama, Positively yours was pretty average. It has everything needed for a romantic plot: a prince charming, a damsel, a wicked witch and a supportive cast. If you have NOT read the manhwa I would rate almost 7.

I enjoyed the evil sister in law's villain arc. It was satisfying to watch in a makjang. was she over the top sometimes, yes but I was there for it. I also loved the personal assistant. He was such a scene stealer with his one liners. I enjoyed the supportiveness of ML's niece and FL's coworkers. Often times they banded around the main couple in solidarity. I also liked the messiness of the ML's father. Most times in dramas, the characters are either from two extremes; either great or terrible. That the ML's father was a muddy mess was a delight to watch. He was definitely the SIL's villain origin story and created a lot of problems with his poor decisions. These decisions affected people negatively around him.

Overall the drama was ok but I'm judging from the source material.


The BAD:

As an adaptation, this drama sucked big time. This was one of the worst I've seen. In my opinion, the writers didn't understand the manhwa at all. The reason why the main couple had issues with marriage and relationships was because of their family values and upbringing. Do Jun comes from a large family and feels smothered at times while Hui won's comes from a broken single family unit that practically abandoned her. Do Jun was terrified of the weight of family and responsibility whereas Hui Won was terrified of the hurt that comes from broken trust.

The drama didn't capture this at all. They just did their own thing.

The love triangle in the plot was horrible because Min Uk was the family she had after her parents neglected her. It was like they stole her support system. He was her nieghbour when they were young and he became her safe haven when things were difficult at home. Min Uk was the first person to show her sincerity and because of that she confused her feelings of gratitude for love. It was why she felt so betrayed when her best friends were dating behind her back.

And as much as I enjoyed the SIL, she was the solution to a problem that never existed. The manhwa was character driven so there weren't any real Heroes or Villains. The characters got in their own way because their hang ups.

And the fact that they erased Hui Won's father was crazy. Hui Won's parents are a core part of her character. Hui Won's father was a man who loved love and at the time of Hui Won's pregnancy, he was getting married for the 4th time (I think). He had numerous relationships throughout Hui Won's life and was the main source of her trust issues.


The UGLY:

My biggest gripe with this drama was how they portrayed Hui Won's mother as a bitter, drunk, single woman. There was no denying she was an awful mother. But her faults lay with her being unable to communicate her feelings to her daughter. The parent's marriage failed because of Hui won's father fun loving nature clashed with her mother's ambition. She wanted to be more than just a wife and mother and wanted a career. She did feel a bit a resentment but it wasn't toward Hui Won holding her back but because of the lack of support she received for trying to pursue her career. She loves her daughter but feels burdened by the mistakes that were made. She had a successful career and was even in a relationship but the drama portrayed her so poorly.

Another peeve was the beer company! I mean why choose that hill to die on? Pregnancy and alcohol! There were so many other controversial topics to exploit. Like career driven mothers, single motherhood, children raised in broken family homes, divorce and remarriage and the impact it has on children. The manhwa had so many topics that I couldn't understand why they had to create such a poor one.

As someone who loves when adaptations come to life, Positively Yours failed to satisfy basic storyline.

TLDR: If you read the manhwa you will hate it. If you didn't it's a normal romance drama

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When a remake does what the original couldn’t

The Korean remake was much better than the Thai original, at least in my opinion. While there are many differences between the plots, I found this one much more interesting and enjoyable to watch. The original dragged on forever, there were too many couples and no logical continuous story. Korean remake of the series had a much better structure and story development, it also only focused on the main two couples which gave the two relationships time to develop. I also found the two couples in this drama much more interesting.

I think the visuals and the aesthetics are very nice. I really enjoyed the locations as well. I liked the change from engineering students to something a bit more artistic, I think it fit the whole overall vibe of the drama better. I do believe it has a lot to do with the cultural differences between the two countries, but I don’t know enough about that to actually say anything. I still think it was a smart move.

I think the pacing was not the best in certain parts, and scene cuts and changes were not the best at times. But I didn’t find that too bothersome.

Kim Ji Oh & Jung Lee Won: I absolutely loved them! I might be in the minority, but I actually really liked their bickering. I find it cute and funny, it’s not obnoxious or feeling awkward. Kim Ji Oh was obviously the first to realize he is enamored with the other boy. Jung Lee Won was just as in love but was living in denial. I mean, who would want to admit that their sibling was right about something? No one. Jung Lee Won’s reactions whenever something happened that was similar to what his sister wrote were everything! I think the two actors had great chemistry. I loved seeing the two on screen together, either being cute and adorable or bickering and annoying each other.

Ko Yoo Kyeom & Woo Sun Woo: I found the two cute. It was very obvious that Ko Yoo Kyeom was struggling with his feelings. He wasn’t sure how to act around Woo Sun Woo, but he knew he wanted him close. Ko Yoo Kyeom remembered a lot of little details about him. And don’t get me started on him wanting him for his project. Woo Sun Woo didn’t seem to struggle that much, but he still felt very guilty about possibly taking his friend’s boyfriend. I liked the slow progress between the two of them. The chemistry between the two actors was really good too. The longing glances and soft looks. How sweet!

I liked the side characters too. We didn’t really see that much of them, but what we did, fit well within the whole plot. Woo Sun Woo’s relationship with his sister was so adorable! I was really enjoying their interactions. Very typical siblings stuff, I assure you. The friend group was fun too, even the acting teacher!

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" I'll like you alot from here on, I'll be good to you for real..." Moon Chae Won

IN SHORT:
It's an amazing humane drama with an incredibly beautiful narrative. The dialogues are so well versed they hit right into the heart! The quiet heartwarming background piano (sometimes violin mixed too) makes the past flashbacks scenes very alluring and majestic. Those first scenes (the flashbacks) are one of my top favorite bits of each episode!

The production was the definition of perfection till the drama's last breath! Kudos to Directors, Screenwriters, Composers and Actors, especially our beloved Moon Chae Won and LEE JOON GI. They did an outstanding job bringing the characters to life, Do Hyun Su's character was an especially hard one to pull, he truly deserves much love!

IN LENGTH:
The story takes it's time to develop the characters in the first few episodes, and the situation quickly escalates! You'll be surprised how much you're invested by the time the tragic strings of events begin!

The plot is about one man who wants to find the meaning of happiness for once, after dress rehearsing tragedy, in his entire life before! And a woman who wants such happiness for the man she is head over heels in love with!

After turning over his life, 18 years later in the present, he is pretty much what a perfect husband is expected to be! Doing too well to say! Everything is about to get ruined by a sudden turn of event that leads to uncovering his past! which seems to be filled up with misfortunes in more than one way!

The drama takes it's time to develop the main characters in present, while hinting about what could have happened in the past without giving too much spoiler early to fuel our adrenaline secretion, then suddenly we are thrown back to the past to only realize what actually is important is not what we were looking forward to the most! It's a whole different disheartening story that takes a creative take on self-inflicted misery, taking blame, and finding a middle ground for one's well being and happiness!

Acting is top notch! Lee Joon Gi as Baek Hee Seong is top notch! He looks totally dependable, manly and more than anything, a lovely dad! Whereas portraying Do Hyun Su couldn't be better executed! He looks so much younger now, and has a gaze that says the world about him, adorable and painfully cool in his yellow hair style!

Moon Chae Won is doing wonder with her acting! She has the kind of shaky, mellow voice that has emotions breathing out while she talks! She is an amazing actress who wonderfully fills the role of a very caring strong woman, Cha Ji Won, seeking happiness above all else for her family! She looks beautiful and mature, it's always great to see her again in a new drama!

I'm just gonna say! the music is just too perfect! From the incredibly suspenseful tracks "Flower of Evil" and "Switched Destiny" to the melo tracks "Upcoming Shadow" "Hard Relationship" to my most favorite track in this album "Cherry Blossom Kiss" which starts weird, mysterious and full of anxiety and emptiness, then it paces up to a sweeter tone then a more joyful and bright tone, which goes perfectly with Do Hyun Soo's character journey within the drama

We also have the feel nostalgic poetic piano track "Someone to Be Remembered" by Jung Se Rin (I noticed he has also composed the unbelievably beautiful track "When Mind Wants to Rest" from Naui Ahjussi)

There are only three songs on the entire album. (One of them "Psycho" by DOKO, being used only as an ending theme for the episodes and it's very catchy and goes well with the epic clifhangers.)

I have to say the remaining two are the most beautiful songs released in a drama this year! They aren't ever overused and it only plays when you really start to crave a song! They have that kinda impact!

"Feel You" by Shin Yong Jae is one of those two songs and it really deserves all the awards! Mark my words! An unexpressed love confession with lyrics beautifully wording out the feelings he has no idea sorting out for himself!
The melody is especially sad yet thrilling and makes our heart skipping beats! You can't tell what it exactly makes you feel, probably to reflect how Hyun Su can't distinguish between his own emotions, even in those moments his heart races like he is in pain!

"In My Heart" by LIM YEON is also a wonderful love poem, describing what Ji Won is feeling towards Hyun Su, and how even if her heart comes crashing down, she will face it, as long as it's love, she will be there, for her love!

I would probably re-watch this drama many times! It's that good. Tho the mystery element will be gone, it still has lots of suspense and drama to enjoy.

Highly recommended for fans of psychological thrillers and those who enjoy subtle romance plot-lines! A Must Watch Definitely.

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"The Best Love Is The Kind That Awakens The Soul And Makes Us Reach For More" – The Notebook..

The Best Thing as the title suggests was truly the best in terms of acting, visuals, story pacing, romance development and chemistry.. No doubt about it.. Zhang Ling he and Xu Ruohan were obviously the heart of this drama.. Not just their characters but also them.. Their chemistry was electric and seriously it was that good.. Their relationship felt natural, built on meaningful gestures and honestly they didnt need anything grand.. Every interaction felt real.. Like watching two people genuinely fall in love.. It is truly a gem for its take on romance.. No over the top drama.. Just two people finding solace in each other.. Visually The Best Thing is a feast with the flowers, beautiful scenery and all the beauty you could ask for, including the actors..

The premise might feel trope heavy but it was unique in its own way and the actors brought it to life in a way that was so natural.. I loved how he peeled Shen Xi Fan's layers.. Her indecisiveness, her blaming herself for everything that happens.. Its messy, its human, and it grabbed me right in the feels..

The Chinese medicine backdrop isnt just pretty window dressing.. I was surprised by how much it mattered.. It underscores the theme of healing, both physical and emotional..

The first 12 eps were a solid 10 for me.. But eps 12-16 were a bit irritating.. They added cliche scenes that didn’t quite fit the drama I had been enjoying until then.. Problems were bound to arise obviously.. But her indecisiveness and how it felt like she was leading him on despite knowing she shouldn’t, was not what I expected.. But whatever irritation I felt just vanished after that phase.. And honestly even when it was frustrating, ZLH made his character so good that I didn’t even care about anything else..

That being said, she totally deserved the ML.. After everything she endured.. The love she received wasn’t just a reward, it was something she had rightfully earned.. Her struggles, growth and the emotional toll she carried made her deserving of a love that was unwavering and pure.. Despite her flaws and mistakes, she never stopped trying in her own way.. In the end their love felt justified,earned rather than simply given..

“No matter what happened in the past, good or bad its part of who you are..
Accept the past, and focus on the present and the future.. ”

“In my eyes, every day you get better and more deserving of love than the last..
So from now on just focus on loving yourself.. As for the rest, leave it to me.. ”

Her friends and the rest of the supporting cast were too good not to be mentioned. However the second couple's story felt underdeveloped and lacked a strong sense of fulfillment.. I suppose that’s because the ep count was shortened.. Causing some of their scenes to be lost along the way..

The parents deserve their own spotlight.. They were truly outstanding.. Man they were really good.. Ep 25, with all the nervousness, anxiety, fear and pain felt so raw.. They were too convincing and natural.. Truly commendable performances..

The director deserves praise as well.. Each episode was beautifully executed.. They completely made up for any shortcomings the script had..

The FL’s mother having breast cancer felt like a story arc designed to give the ML closure for the pain he endured from his own mother’s death.. Back then he had to face that pain alone.. Watching helplessly as she withered away.. But now he had the chance to do for the FL’s mother what he had long wished he could do for his own.. Help her face it, fight it and bring her out of it safely.. At the same time, it was also for the FL.. To make her realize that she wasn’t alone.. No matter how bad things got, she had people who would stand by her.. Unwavering and ready to support her through anything..

" But In my heart, you are the most beautiful scenery in this world..
Xifan, Falling in love with you is the luckiest thing l have ever done..
Loving you is the best thing I have ever done.. "

Overall The Best Thing is such a lighthearted drama.. No complicated stories.. Just two people falling for each other and finding their way together.. Slowly but steadily, in a way that proves no distance is too far for them.. Its neither rushed nor dragged out.. It takes its time.. Allowing you to feel every step of their journey.. By the end you can’t help but feel happy because they made it.. And it feels truly earned.. The Best Thing isn’t just a title.. Its a promise.. There’s a reason everyone is obsessed and the drama more than justifies it..

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My Country is a bit like Six Flying Dragons, and Warrior Baek Dong Soo had a beautiful angsty baby together.

Six Flying Dragons since the story takes place in the same time period and a lot of the characters who were the main characters there and secondary characters in this one. And Warrior Baek Dong Soo that is also drama about two friends who end up fighting against each other and the sad and angsty bromance that comes with that. Yet I feel like My Country managed to be its own show despite all these comparisons.

I recognized and knew about the events that took place here, I knew where we were heading all the time. However, it did not damage the story in any for me. There was plenty of other parts within the story that surprised me.

The main story is so much more than the power of the Lee family as Goryeo changes into Joseon, which was the center story in Six Flying Dragons, but here the story of friendship and relationship between Hwi and Seon Ho is the center of it all – their love story even, if Korea had daring enough to go there. How their friendship and love for each other pulls them apart and back together and then apart again and so on. That is what draws you in and keep you there as the story goes along. That is the emotional core of the show. The politics and all of that is just the structure around it.

Each episode was over an hour in length, but all of them had a rather quicker pace, things didn’t really drag on all too much, things were rather action packed - there were some cool fight scenes in there from time to time – and it continued to surprise all the way until the end. I always found myself really engaged within the story, I was always excited about the next episode and each episode made me feel something; anger, horror, sadness, etc., which is what I'm looking for in a tv show. It really hooked me in and didn’t want to let me go, which I liked.

My Country is quite heavy on the politics, as well on the battles and blood and all that good stuff you can find in a drama such as this. This is no picknick at the park. This is a drama about men fighting their troubles and feelings away with swords, are usually covered in blood at some point in each episode, and nobody is really truly happy outside maybe the first two episodes. I am a rather simple soul when it comes to these things and My Country gave me my fix for handsome warriors in period dramas who are somehow always covered in ether blood or sweat or both.

You can pretty much predict how it ends before you get there, the story isn’t super subtle about it, but the story still takes you on a wild ride. The story sort of just gives you what it promised in the beginning, and I can respect that.

This drama gave you what it promised in the beginning, when it opens with the two main characters about to fight each other. It set the tone quite well. This is not a drama that starts as a cute and fluffy little tale in the first ten episodes and then does a switch and the last six episodes are almost a Shakespearian tragedy, as many other kdramas tend to do.

It’s not for everybody, but I rather enjoy the bloodbath, the politics, the sword fighting and all the other stuff that comes with this type of show. A bit on the heavy side, rather male-dominated or male centric story. But most stories, no matter what form they come in, kdramas or not, are sometimes rather male-centric. Having grown up oh those kinds of stories I don’t have a problem enjoying them, though over the years I have learned to be more watchful and critical over such things.

My biggest (and possibly only) gripe with this show exactly how much space the male characters took in comparison with the female characters. The females started of strong, they mattered and they had their own thing going on, but a little by little most of them kind of seemed to either die or almost disappear as we went further into the story – and I almost did not notice it until the very end, because the story had sort of swept me away from them.

I have said it before that I do not necessarily need to see female characters in these stories fighting with sword (though I do like it when that happens) and being a complete badass like Hwi or Seon Ho. But getting to see them have more influence within the story. See them give advice, solve problems, even cause problems, and in general have something significant to do within the story that helps the plot along is always appreciated. Even requested (from me).

This took place in a very male-centric world; a lot of decisions were made by men and they fought in wars and all that. But I have still seen stories that happen at a similar time, or other period dramas from Korea that seemed to achieve doing so much more with the female characters then this drama did. Like the Six Flying Dragons or even the Rebel Hong Gil Dong did (both rather male stories on their own way) for example. I know it is possible, so I expected a more from My Country then I got in that respect.

My Country isn't really a drama for the average or newbie kdrama watcher who shuns away from most sageuks and especially this one who is more on the heavier side with very little romance - but a whole lot of bromance - and political intrigue. But I do feel like it gave me my sageuk fix and I do think it could appeal to some of other people who might not be too keen on the average kdrama because of the romance and all of that. Like Tree With Deep Roots and Six Flying Dragons (even if 50 episodes us a lot).

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