This review may contain spoilers
The 1 Litre of Tears special takes place after the actual drama events have taken place. Aya has now passed away and everybody is doing their best to live on with their own lives. I'll be writing a spoilerless review..
Mitsuki is a girl diagnosed with the same disease as Aya, the biggest difference between her and Mitsuki would be how Aya tried full out believing she could beat her illness.. Mitsuki is only 15 years old herself, Yet she refuses to accept any shape of treatment from the doctors, This main doctor being Asou Haruto. She is given a book, Or a motivational diary moreover by one of her rehabilitation friends. This mysterious diary, As she starts to read inside of this diary she find herself becoming more and more dragged into the feelings of this girl from the book. This Ikeuchi Aya-san, Who was she?
Interested in knowing she starts asking around and finds out that Asou has had relations with her before..
Through this special you will find this being a summary of the drama in itself, along with how you'll be presented with a few new people and a better ending to the story. How did family and friends live on after Aya's passing?
I pretty much liked the special. They managed to do it pretty well, And it has by my opinions a better ending than the actual drama had even though I liked the other ending to...
This special was just as sad as the actual drama. It had me crying under almost the full out special. The musical score was pretty good. Mostly the same music as it originally was in the Drama though with a few new songs added.
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This is a wonderfully crafted masterpiece that evokes the strongest emotions in a person's heart. The movie is set in the DMZ of two Koreas and portrays how different people can set asides their differences and be able to see each other in the purest form, that we are the same, brothers and sisters.
I found myself on a roller coaster ride of emotions, laughing one minute, in with tears in another. All the actors and actress have done a superb job in this one. The most emotionally powerful scene was the last scene. Only a photograph but conveys so much meaning and emotions.
Definitely a must watch movie, no matter where you're from, you will be enchanted and inspired by this movie's magic, and understand a bit more about what it means to be a person.
Did I mention The master Park Chan Wook who later directed the infamous "Vengeance series" one of which - Old boy went on to win the Grand-prize of Jury at the Cannes, directed this one?
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Hard to watch, but more than worth it
I went into this hoping for a light, fun watch. It's about a teddy bear! Cute and fun times await, right? Little did I know I would be frustrated beyond belief for the first few episodes, only to be won over and eventually more attached to these characters than half of my real life peers.It's hard to watch to begin with, but not in the way a devastating true story might be. No, it's just genuinely difficult to get through the first few episodes when the characters seem to be such awful people, and when it's frustrating and weird. Talking furniture with horrifying CG eyes? I was very upset to look at them!
The central characters are one dimensional from first impressions, and then as the show progresses it has some of the best character development I've ever seen. The reasoning behind peoples actions, especially Nut's, is fleshed out in a way that completely blindsided me over and over. He seems like an unreasonable, selfish person but with time and context, he becomes incredibly sympathetic. But he's not painted to be a perfect person, and he has to work through his issues. But that's addressed! So many times, things that I see other shows gloss over and ignore are addressed and worked through. I didn't expect so much depth and heft to come from what I thought was to be a goofy show.
The issues that are touched upon are heavy, but they're done with a lot of care. I've not really seen another show call out the same things that this one does in such depth and precision, and I am a bit sad because I feel like some viewers might not be as resilient as I tend to be with watching unenjoyable things. The first episodes might turn a lot of people off, understandably, but oh my god to not watch it would be such a loss.
It's also long, essentially you're watching 16 movies, so there's a lot to unpack. It would be a disservice for me to unpack the plot here, even though every part of me wants to do so. I have thousands of things to say about this series, but I'll do that elsewhere.
I will be gushing about this show whilst condemning it for awhile to come. The ending, without spoiling too much, was very hard to bear but it still managed to be a happy one in its own way. Endings are very difficult, and I know some might not be happy with this one, but when watching how everything plays out it's what makes the most sense.
I doubt I'll ever rewatch the series in full, but I'll definitely go back and watch my favorite scenes, which there are a lot of.
I can't say I recommend this to everyone, even though it's probably one of my new favorites I can admit it took a lot of patience. But for the people who do watch it, I really hope it can touch them the way it did me.
Also, it feels so ridiculous to be talking so seriously about a show call The Miracle of Teddy Bear which features absurd sentient furniture, but it's one of the most serious and uniquely beautiful shows I've seen. Obviously it's got its moments, but at it's core it's a fantastic story that made me experience every conceivable human emotion to such extreme degrees that I'm going to need genuine recovery time.
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This review may contain spoilers
Teamwork Makes the Dream Work
Was only interested in this drama for Vengo Gao, first time seeing him in an officer role and he didn't disappoint. This drama was modern military meets SWAT type of outfit and it definitely brought interesting things to the table.Pros: Loved the team dynamic! Once they really learned how to trust each other, they were indispensable to each other. Yes, NM was not only the leader but the literal glue of the entire squad. I liked how she started at the bottom with maybe 2 friends and the captain wanting to boot her out for her own safety (really wanted to smack him for the amount of times he tried that), and each of the women who were against her, she wore them down with her intellect, honesty, and kindness. The men were a lot easier to deal with; once she beat most of them, they loved her lol.
The captain (VG) himself did very well as the gruff around the edges commander but one who was willing to protect his soldiers especially NM with his own life. Though what started originally as just him making a promise to her fallen brother and mom, ended up as legit feelings that grew between the two of them. This wasn't a military romance, but it was dispersed subtly which was just fine. The ending scenes in the hospital were too funny for words as literally everyone knew by then that the leads cared deeply for each other, so were willing to bust their chops a bit.
All the supporting cast of Blue Lightening Commandos were wonderful and when watching the BTS, they were really all about helping each other succeed even getting hurt in real life doing the stuff they had to do; not to mention acting like total goofballs, which always makes for fun scenes. There wasn't a character that I felt didn't belong from the team or the instructors or even the lead commanders as annoying as their speeches were sometimes. The OSTs were great and powerful for the series and fit just right. I hope this cast gets to work together again on something different, they had terrific chemistry.
Cons: The largest problem were the antagonists, if you can call them that. These buffoons couldn't make a plan stick if it was glued to them. The desert scene, the million other botched attempts. I really got the feeling that the writer had no real idea how to write bad people well especially terrorists. It honestly wouldn't have mattered if they made them invisible and just created a series out of high functioning drills. And what made it even more ridiculous was that the boss lady was the biggest badass; she had nearly immortal strength to take on both leads in high heels (and Vengo Gao is 6'3) and still manage to get the upper hand multiple times, flinging them around the room and shooting and stabbing them. I was legit laughing throughout that whole play by play because of just how unrealistic it was. You got two of the top notch people who's heads you broke bricks over, no problem, but a woman with high heels used them as rag dolls.
The propaganda was through the roof in this one and there were times that it just didn't make sense in many scenes; like when someone was on the verge of dying to get to their core strength, think about the flag and country. Or even for the original handling of NM's PTSD, if she thought about the flag and country, she'll be miraculously cured. Nope, not how it works. The zillion lectures by the commanders that always painted their country as the best in the world, made you roll your eyes. There's a time and place for everything and when you overdo it in scenes that require finesse instead, it takes away from the gravitas of the scene.
Pretty much everyone has mentioned the whole brick breaking over the head thing. And maybe it is done but not suddenly and probably not a dozen in one go. No human skull can withstand that kind of punishment without detrimental consequences and long term ones. The whole trying to portray these human beings as robotic super soldiers, didn't favor the series. Was very unrealistic and unbelievable. Also wish they started bringing in people who could speak English better as foreigners because they get over-dubbed anyway and many times how their lips moved didn't match what was being said. A bunch of loopholes were left untouched and unexplained, I'm guessing the audience was just supposed to forget them.
Would I recommend? If you like great teamwork, real friendships, are a fan of Vengo Gao (he's great in this series), and are into military/SWAT dramas, then this one is for you. Just be aware that the antagonists suck and the WETV app subs are auto-generated so some concentration to understand what's being said is required.
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Cute and sweet romance with healthy and honest communication. Enjoy!
Completed - 5/23/2022The rating of this drama is solely based on my enjoyment and might not meet anyone else’s standard of a quality drama. “Ase to Sekken” also known as “Sweat and Soap” is just what I need at the moment. An injection of sugar to pick me up after a few serious and depressing dramas. In order to fully enjoy this drama, you need to know what you are getting yourself into.
I recommend this drama for those:
- Are familiar AND like Japanese weird humor and over-the-top acting
- Want a dose of sugary cuteness with a side of cotton-candy fluffiness
- Simple but FAST-paced romance plot
Since this is a pretty short drama - 9 episodes at about 24 minutes each - there will be no dragging in the middle of the drama.
A few notes:
1. Great leads chemistry with pretty decent kissing and PDAs
2. Hilarious ways of portraying the deed in typical weird Japanese humor
3. Cute and innocent romance with a very healthy dose of HONEST communication (Hooray!)
4. Fast paced romance from meeting to getting married - no misunderstanding or love triangle.
5. Weird scent fetish that took me a couple episodes to get used to
6. Weird sweating that I still find weird throughout the whole drama
7. No annoying characters - quite lovable side characters/colleagues
8. Though female lead is shy and introverted, she is not a pushover
9. Can't help but keep staring at FL's bosom. :)
10. Getting relationship advice while sitting on the toilet is a thing, apparently.
Rest your brain with this sweet and cute romance. Don’t think too much and enjoy the ride!
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Li Hong Yi is Super Hot
This is another one of those isekai time travel stories. It’s tropey and I wasn’t very impressed with the beginning of episode 1 when a girl bumps into a boy and rips his suit at his important occasion. However, as the story progresses, I was absorbed into the story by the narcissist Jiao Yang (Li Hong Yi) character who is a wealthy spoilt brat and scared of responsibilities. Though the character of Jiao Yang is cliché, his look is hilarious and eccentric.To return to her own universe, Lin Miao (Kira Shi) must help Jiao Yang become the CEO of his father’s company. Though trying to avoid responsibilities, Jiao Yang also tries to prove himself, especially to his father who is almost tired of scolding him (Jiao Yang) in front of his staff. In contrast with Jiao Yang’s immaturity, Lin Miao is mature and capable, and very soon Jiao Yang falls in love with her and is inseparable from her.
Jiao Yang’s journey to the CEO seat is arduous, having challenges thrown at him at all times from all directions. Each time he takes up the challenge and faces it head on with Lin Miao by his side. Their moments together are filled with sweetness and silliness, and it is this sweet romance that has made this drama the highlight of my days.
There is not much of a plot here. Whatever insignificant plot there maybe has not been developed well. Plot holes are everywhere and illogical. I stuck on with this drama because of the romance which I really like. Initially Li Hong Yi’s hair style baffles me, but then I grow to like it for its wuxia appeal. Li Hong Yi has the charisma and look of a guy who is always being misunderstood by others and yet he adopts a I-don’t-give-a-damn attitude. Having said that, he’s desperate in proving himself to his father and to Lin Miao. Li Hong Yi’s performance is very convincing here.
Kira Shi has a mature look. As Lin Miao (current self), she’s perfect but as Lin Wei Jun (younger self), she’s overstretched a bit. I can’t say I like her as Lin Wei Jun (really hard to watch when she tries to act cute). The co-existence of Lin Miao and Lin Wei Jun is mind boggling and is not properly reconciled at the end. Therefore, despite being a time travel story, there are 2 people of the same person. This is a glaring intentional plot hole that doesn’t make any logical sense, and is very quickly swept under the carpet. The ending is sloppy. It feels like lazy writing to me. They just want to pack up and go home. What a pity. This could have been a very nice drama.
Overall, this drama is unexpectedly quite a fun watch despite the shoddy ending. I love the dynamics of the female and male leads which are perhaps the only thing that have kept me going.
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Synopsis is not accurate
Firstly, I would like to address that the synopsis is not accurate at all. The central line of the story is a straightforward, hard working, 35 year old woman with strong convictions who goes up against a staunchly patriarchal society where she’s underestimated and under minded at work in order to follow her passion. The romance(s) are more or less something that happens along the way from her perspective. Also, there really isn’t a strong love triangle as such, more like a rivalry between the two guys which is superfluous since she (at the time) doesn’t seem interested in either of them.That being said….
This drama was so unexpectedly good! The actors were believable and the writing was consistent with character portrayal. It had none of the tropes I abhorred about Find Yourself where the FL is immature, unsure, and doesn’t have a clue about what she actually wants- ending up with her flip flopping all over the place between two men and making both of them unsure of her.
I was also pleasantly impressed that despite the age gap, the actors had really good chemistry and were well rounded and developed characters.
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Justice is blind and not heartless.
I have never had a good impression of China's opaque legal system so I was both curious and skeptical about Draw the Line. This drama is a fascinating tour of the inner workings of China's grassroots level judicial system. It shines a surprisingly candid spotlight on gaps in the Chinese judicial system from rapid economic growth, modernisation, changing social values and the proliferation of the internet and social media.Fang Yuan is the presiding judge at the Xingcheng District Court, a local people's court of first instance which handles both civil and criminal cases. Fang Yuan's division handles civil cases while criminal matters are adjudicated by his colleague Song Yufei, a deputy chief judge of the intermediate people's court. What surprises me most is how hands on the grassroots judges are in the Chinese legal system. They do a lot of field work themselves from directing the gathering of evidence to personally interviewing plaintiffs, defendants and witnesses. The role of lawyers is so passive and marginalized it is as if they are for decorative purposes only. For civil cases, the court first seeks to resolve conflicts through court sponsored mediation. If an agreement, is reached, it becomes legally binding once it is reviewed and documented by a judge. Mediation can be a draining process, especially when dealing with less educated, unreasonable and belligerent citizens. Thus beyond legal knowledge it takes a combination of investigative and persuasive skills and a healthy dose of patience to be effective as a grassroots judge in China.
The arrival of Ye Xin, a young researcher from the Supreme Court is met with speculation and trepidation by the close knit community at the Xingcheng District Court. She is an annoying character in the beginning because she has no practical experience, and adopts a rigid by the book approach to interpreting the law. Experienced grassroots judges like Fang Yuan and his mentee Zhou Yian are more pragmatic about bridging the inevitable gaps between static legal codes and the myriad complexities of real life cases. Still it is never easy to figure out where to draw the line between the letter of the law and the spirit of the law. Beyond the heavy case load, the courts also face the challenge of social media, where cases are tried in the court of public opinion on distorted facts. Although the judges do their best to weigh the the practical, moral and humane aspects of their decisions, they don't always get it right. They have their own flaws, biases and personal or familial pressures. These dynamics set Chinese Supreme Court down the path of judicial reform, where case law is increasingly implemented instead of just statutory law.
The impeccably curated cases create a fascinating mosaic of moral, familial, commercial and social issues great and small confronting the Chinese public today. They are based on thought provoking and relevant real life cases; some of which have sparked public debate and controversy. The drama is very even handed about presenting both the plaintiff and defendant's point of view. The writers very effectively showcase resembling cases to illustrate the range of different human emotions, motives and outcomes. There are cases where two sons are driven to kill because of their mother, sexual harassment cases with different power dynamics and common reasons for the breakdown of marriages and related child custody disputes. From the mundane and petty to the serious and complex, the cases strike a riveting, sometimes heart rending chord because we have all read about or heard about or experienced something similar. At the same time, these cases deftly illustrate the many challenges faced by grassroots judges. They are the everyday heroes who navigate the grey areas of the law and morality with compassion to deliver justice that is blind and not heartless.
The cast in this drama needs no introduction and does a stellar job in drawing out the complex human aspects of the cases. Jin Dong delivers a multi-faceted Fang Yuan who is everything to everyone at work - a stern and impartial judge, a tireless and persuasive mediator, a wise mentor and a playful colleague. This leaves him with much less to give at home as a father and husband. We see a very down to earth version Cheng Yi as the introspective Zhou Yian, the young judge who must surely cut his own hair! He convincingly navigates a crisis of conviction after making some mis-steps. Both Yian and Cai Wenjing's Ye Xin are the characters who show the most growth in this drama but the characters that move me most are either defendants or plaintiffs in some of the more heart rending cases.
The best, most thought provoking case to me is the one about the roommates that is analogous to tripping a friend to escape a bear attack. Even though all the cases are interesting, there are too many of the cases in the back half that personally entangle various court personnel. This requires repeated suspension of disbelief in terms of how impartial and self sacrificing the various protagonists managed to be. It also highlights in my opinion an area that still needs judicial reform, which is how conflicts of interest are handled. It seems there is no requirement for judges to recuse themselves when their colleagues end up as defendants. The ending case is just too personal with too many coincidences and conflicts and an outcome that I find the least equitable with some defendants getting off too lightly while others are very harshly indicted. It is not the right note to end on and as a result I rate this an 8.0 instead of an 8.5. Overall a highly recommended, eye opening, thought provoking and fascinating watch with heart felt performances from some of my favourite Chinese actors.
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The perfect comedy to cure your drama hangover/withdrawal
What an unexpected delight! This show is loaded with laughs and parodies of common costume drama tropes. It's so silly yet funny that you will pay no attention to its less than stellar plot.This is the perfect change-up to cure your drama withdrawal as its silliness and hilarity is sure to break the trance. Best of all, there should be no concerns about whether the plot will suck, angst, unsatisfactory ending, and all that nonsense. Just laugh along for the ride and get off investment free if the funny stops.
Also kudos to the FL for not afraid to look ugly occasionally for the lols.
7.5 (+1.0 MDL inflation)
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The plot starts off very slow and realistic but has plot twists within the middle of the movie. After that happens, the plot picks up and that's what makes you more interested in what will happen next.
As for the soundtrack/OST, not the most memorable. It just was okay. The acting on another note was beautiful. I love Choi Woo Shik, Kim Dami, and Go Min Si in this movie. I really think the cast was well picked and the actors did an amazing job with the acting and portraying each of their characters.
I would rewatch this movie if I wanted to, and I am really hoping and excited if there is a PART 2 to this movie.
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https://drive.google.com/open?id=0B2PK_v3m5m-LbkdySEUxZW5Cc00
-please let me know if there is anything wrong with the link or the uploads themselves and i'll correct it.
I love this series so much. It was much more than a BL series in all honesty. I mean sure, most people came only for Alex and Benny and they are both my favorites don't get me wrong but the story line revolved around much more than just the lives of two guys whom themselves had a pretty heart wrenching story line. It's about friendship and being there for one another, it's about having the courage to stick up to your parents for you individuality and happiness while maintaining that bond. It's also about not always needing a lover to make you happy or doing something that you feel you should do just when you know that you don't want to.
The actors were amazing, the scenes portrayed a mundane feel. It's a great balance of serious, casual and comical. I would recommend this to a lot of people and i would love for it to have a season 2 if they decided on one.
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Here's what is great about the drama. 1. The lead couple is very dynamic. Lee Seo Jin plays a tough mobster who looks and acts the part with perfection. Kim Jun Eun plays a no-nonsense physician who is both gentle and strong. The chemistry between these two is perfect. 2. There are no boring moments, a lot of good fight scenes, and no silly side story fillers with cartoon characters. 3. There is a great climax-ending the last 2 episodes with fight scenes and a well-defined ending. (I hate it when things are left up in the air.)
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FORGET THEM NOT!
Just when you thought you finally moved on from the heartache of not seeing these love teams, GMMTV gave us this series to make us crazy over these guys, all over again.The whole series is essentially a look at what our favorite couples have been doing years after their original series ended, banking on nostalgia for viewers' pleasure. Each episodes are all well made and is more like a movie rather than a series.
What I love is some of the episodes actually gave us closure to some of the couples' stories. In fact, we can argue that some of the episodes are maybe better than their parent series. It is very evident that these pairings are comfortable with each other, and they all look like they are enjoying themselves - they set the gold standard for their dedication and fan service.
Just a reminder, no, you cant watch this without watching their respective series. I didnt exactly love all of the original series, but I did love all these 5 couples in them, so watch them first, then top it all up with this.
What i hate about the series is it made me long for these couples once again, I thought i was over missing them and then here they are being cute and all, and after an hour i have to face the withrawal syndrome of not seeing them in these characters once again. I just hope they made each episodes longer maybe 2 hours each. Yes, I know I want more, and I know Im selfish.
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A very flawed drama for die-hard LYX fans with a kick-ass FL ...**BUT**...
If you are a die-hard Luo Yunxi fan, Broker might be worth it as it really showcases his talent. He gives an emotional performance as a flawed and tortured anti-hero who falls in love with a woman who changes the entire course of his life. Broker could also be for you if you love your female leads strong, brilliant, independent, and mature. Victoria Song’s portrayal will have you wishing there were more characters like her in Chinese dramas. (I was going to add sensible to the FL's list of attributes, but unfortunately I can not due to her actions and words in the final two or three episodes.)BUT. And this is a huge BUT. For everyone else? It’s kind of a toss-up. Broker is flawed and messy, and whether it’s for you or not will depend on your enjoyment or tolerance of soapy, unrealistic melodramas and other elements that some people love and others hate: the science talk, the office politics and scheming (only in the early episodes though -- it's great later), the secondary OTP, very tortured heroes/heroines/antogonists (To say Leo is put through the wringer, especially at the end, would be an understatement). As the series progresses, it also flirts increasingly with “dog’s blood (狗血)” plotlines -- until it VERY predictably goes all-in on the makjang melodrama in the final quarter. (A couple of the characters even reference “dog’s blood” dramas, which makes one think it’s a sly nod of self-recognition.)
Personally, I genuinely enjoyed nearly every ridiculous, soapy, melodramatic moment and couldn’t wait for the next episode. At the same time, I have a lot of caveats. I did park most of my usual standards aside and simply went with the flow. I tried not to think too much about details that didn’t make sense; annoying tropes; the rather ham-fisted effort at depicting anti-Asian/Chinese racism; the heavy-handed overtones of patriotism/nationalism; inconsistencies in pacing, tone, character depiction, and story arcs. Unfortunately, these last elements became very difficult to ignore at the end, especially in the final episode. While expected, the execution of the story arc was frustrating -- and almost cruel -- at times. (You can read my more spoilery views about the ending in the comments section below.)
REWATCH VALUE: If I could break it down, I'd give all of Leo’s scenes a 10 (no bias here :P) and many (but not all) of Victoria’s very high marks too.
MUSIC: Like many Chinese dramas, the instrumental background was sometimes too much, but the songs were solid. I especially adored the closing credit piece, Signature (署名) by Azora Chin (尤长靖), and Leo’s haunting theme, It’s Time To Stop (时间停止吧), by ANU.
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This review may contain spoilers
Love and Redemption
Rurouni Kenshin: The Beginning is the fifth and final instalment of the live action adaptation of the Rurouni Kenshin manga series by Nobuhiro Watsuki. This film series finally ended after nearly a decade, having begun in 2012 when the first film was released.This finale features the origin story of Himura Kenshin aka Battosai set during the Bakumatsu - from just before the Hamaguri Gate Rebellion to the end of the Boshin War. Notwithstanding the rather spoilery film poster, fans of both the live action and manga series would have already been made aware of the momentous event that had taken place in Kenshin’s past which went on to shape his future, culminating in his present state as depicted in the preceding four films. However, the true account of what actually transpired has finally been chronicled and presented in this film.
At its very heart, this is a tale of love and redemption between the two main characters, Himura Kenshin and his first love, Yukishiro Tomoe. Personally, I do believe that one major benefit of knowing the outcome prior to watching the story unfold is that rather than anticipating the conclusion and/ or fearing the potential for an impending tragedy, viewers are able to focus on the subtleties of the storytelling while appreciating the development of the characters and nuances of the portrayals.
Among all the films in the series, this instalment is perhaps the most serious and compelling. It plays out more like an actual historical than a manga adaptation and explores much emotional depth and character evolution of its two leads. There is hardly any moment of levity and lightheartedness, in contrast to the earlier films. Even the action sequences for which the film series is famed, is very much subdued where significant portions of the swordplay is presented in the style of a vignette, complete with evocative instrumentals. Although there are two boss fights, they are not as thrilling as those in the other instalments.
Production wise, the quality levels remain consistent as one would expect of the same production team led by screenwriter-director Otomo Keishi. The cinematography is exquisite, showcasing the beauty of the seasons where autumn transitions to winter in the countryside, as well as the framing of poignant scenes shared between the leads in their humble abode. Camerawork and editing for the numerous sword fights and stunts remain exceptional, as has been the case throughout the series.
In terms of the acting, both Sato Takeru and Arimura Kasumi are perfect in their portrayals of Himura Kenshin and Yukishiro Tomoe. No one else can play Kenshin at this point and I can’t imagine someone else in the role of Tomoe. As much as I enjoy seeing Kenshin and Kamiya Kaoru (Takei Emi) together, the connection between Kenshin and Tomoe feels more absorbing. Theirs is a delicate love borne of turmoil and conflict that eventually nurtures and heals the soul. I was honestly blown away by their scenes together, especially towards the heartbreaking ending.
Rounding off the supporting cast, Eguchi Yosuke is back as Saito Hajime but with long flowing hair and without the cigarette dangling from his mouth (for the most part). Araki Towa has a bit part, playing the younger version of Yukishiro Enishi while Takahashi Issei provides an intriguing depiction of Katsura Kogoro.
I would rate this film as my second favourite of the series, with Rurouni Kenshin: The Legend Ends as my top favourite. It may not be as action packed, fun-filled or give off steampunk vibes as the others, but I’ve thoroughly enjoyed the character-driven emphasis and nuanced approach to the performances and storytelling, where viewers finally get to see how Battosai evolves from the killer to the pacifist. There is a tinge of melancholy now that the live-action series has come to an end, but what an eventful ride it has been.
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