Reviews

Ruyi's Royal Love In The Palace's not about fighting in the harem, not about being on the top, having powers. It's about Ruyi's and Hong Li's love. From flames to dust, from a beautiful rose to that of a withered one. People might not get why wouldn't Ruyi fight and kill all of those who have done her wrong.

It's not because she couldn't but she doesn't want to. She, from the start of the drama until the end, her heart and endurance are all because of her most beloved Hong Li (Emperor Qian Long).

Hong Li said that she's the one who changed after she cut off a strand of her hair. But no, Ruyi has never changed. Right from the beginning until her very last breath, she's still being that Ruyi who loves Hong Li wholeheartedly.

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2019 Drama of the Year?

Be Melodramatic has the chops to compete for best drama of 2019. Airing on cable network JTBC, this drama went unnoticed, and it did not help itself with a rough start. The show quickly finds its footing and delivers a drama that perfectly encapsulates a 2010s romcom. It hits on multiple progressive themes with its female leads. On top of the premise, there is a thick layer of meta comedy which will have any experienced kdrama watcher rolling in laughter. Watch Be Melodramatic, which I prematurely crown the Best of 2019.

Story:
The story comes off a bit lukewarm and light on plot. One might think it is deserving of a “slice of life” tag, but the plot of Be Melodramatic is surprisingly engaging, intertwining the drama with the drama within the drama. The sad surprise is the first three shaky episodes, to put it nicely. It really takes 4 episodes to bring the different pieces of the story together. That is why the MDL rating for Be Melodramatic has only been climbing with each week.

More important than the plot are the characters, specifically the trio of female leads. Again, the trio comes off a bit lukewarm on paper (especially in comparison to the fiery leads of another 2019 drama, Search: WWW), three women with a mashup of common quarter-life problems. Like real people, viewers need time to get to know the leads and grow to like them and their supporting cast.

As the leads strive to produce a drama with double digit ratings, Be Melodramatic struggled to surpass the 2% mark. Perhaps there is a general fatigue with the RomCom genre, but the show deserves more love. Even if the plot synopsis does not interest you, I can assure you that the meta comedy will have you goofy smiling through all 16 episodes.

Acting:
The acting in Be Melodramatic is one of the first signals that put it on my radar, the deadpan humor in the trailers and actor Ahn Jae Hong’s brand of comedy. On the other hand, the three female leads have a very short drama resume, the highlight being Argon from 2016. And what seems like a lighthearted comedy quickly turns into an acting challenge for the entire cast.

Once characters and stories are introduced, the show quickly digs deeper into each character and the different catalysts for their growth. Major props to Jeon Yeon Bin who brought her character, Lee Eun-Jung, to life.

The supporting cast also gets major screentime, even with a large “main” cast. Though they are treated with more of the lightheartedness and comedy, all of them bring an interesting, entertaining character to screen. This highlights the writer’s ability to create loveable characters and the cast’s (and casting director’s) ability to portray them.

Music:
The sound of Be Melodramatic is equally entertaining as the plot. There is a scene where the leads sing one of the OSTs, and I was dying with laughter. Be Melodramatic captures every aspect of the drama making process, including the music. Thoughtful is the word that comes top of mind when thinking back on Be Melodramatic.

However, the soundtrack of 2019 has been stellar with multiple drama OSTs topping the Korean charts, and Be Melodramatic cannot stand up to those powerhouses (looking at you, Hotel Del Luna OST). There is also a slight over-reliance on one song in particular, a song I loved, but a crutch nonetheless.

Rewatch Value:
2019 has been a solid year for Korean dramas, although I believe it rates worse than the past 3-4 years. Based on the shows currently airing and set to air in the final quarter of 2019, I can confidently say that Be Melodramatic will be top of the 2019 RomCom list. If some of the newer shows do not interest me, I might even rewatch Be Melodramatic before 2019 is over. Anyone with extra time during the 2019 holiday season, I recommend giving this drama a try.

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Behind every great man is a woman rolling her eyes.

New Life Begins is a fun and funny satire that mocks ancient Chinese feudal society. It is set in the fictional kingdom of Xinchuan, which presides over eight other provinces or chuans. Xinchuan is the poster child for every deplorable aspect of the feudal patriarchal society that prevailed over most of China's 5000 years of recorded history. Every three years as tribute, eligible young beauties from the provinces are sent for selection as wives or concubines of the Xinchuan princes. As these poor unsuspecting scions pore gleefully over bride portraits, little do they know that the very foundation of their kingdom and beliefs are about to be rocked to its chauvanist core.

As fate would decree, subversive elements infiltrate that year's bride candidates. These elements are woefully untaught and unteachable in the Rules of Reverent Submission for Women. The kind of marriage envisioned by the Xinchaun royalty could not be further from their minds. The ringleader is Li Wei, a deceptively harmless foodie from Jichuan, an inconsequential province where men and women are equal and monogamous. She finds kindred souls in the scheming Hao Jia, the fierce Shangguan Jing and the savvy and ambitious Yuan Ying. Together, they prevail against the suffocating, often life threatening strictures of the Xinchuan inner palace to carve out an existence with some free will. Their brave and hilarious exploits resonate with the oppressed and fuels a fire across the inner palace and then, the capital. As it turns out, behind every great man in Xinchuan is a woman rolling her eyes. Despite the period setting, the ideals in this drama are very modern. It is a very fantastical utopian depiction of the kind of power women can unleash by simply working together instead of turning on one another.

This is not to say that all ten of the Xinchuan princes are bad fellows even though most of them make exceedingly bad husbands. With some, it is simply a matter of training while others need to be kicked to the furthest corners of the empire. The commercially savvy playboy Prince An who thinks he is the sun that the solar system revolves around when he is really the moon is the caricature that made me laugh hardest. That said, the entire ensemble cast delivers rib-tickling and lively comedic sketches that poke fun at the mundane. In a mostly lighthearted and positive but rather cursory manner, the drama evokes many women's themes. Hua Jia's arc is the darkest and most complex one and sounds a dire warning about disgruntled female employees. The sub-plots are short and even though the villains made my blood boil, they are not that smart or complex. That is because the true villain is the tyranny of the patriarchal feudal system and they are all victims of its shortcomings.

All of the sub-plots unfold around the evolution of the relationship between Li Wei and Yin Zheng, the unfavored sixth prince. Hilarity ensues when this woman who lives to eat finds herself shackled to a man who eats to live! With the help of MVP Butler Su, she attempts to tease out the inner fat dude just waiting to burst out of Yin Zheng. In fact, food is her secret weapon; she worms her way into practically everyone's hearts through their stomachs. Both Bai Jingting and Tian Xiwei have good comedic expression and they are fantastic at seamlessly turning funny moments into heart stopping passionate ones. While theirs is a fun, wholesome story, it is too much of a fairy tale. Neither of them have serious flaws and every cloud has a silver lining. In fact Li Wei's perpetual chirpiness grated on me at times. While Yuan Ying is a fabulous and formidable character and I get that one woman's treasure is another's trash, that entire situation is just too good to be true. I also didn't like how their relationship jumps from courtship to the comfortable rhythm of a long married couple, deferring the best romance part till the end. It breaks the natural momentum of a relationship and distracts audience attention from the other arcs. In truth, this drama is a lot more about sisterhood and women's themes than it is about romance. The production should be more confident that these well written, funny, and touching arcs can engage on their own without dragging out the romance to keep viewers invested.

This is one of the rare times that it is the second couple, Shangguan and Yin Qi that stole my heart. I have a weakness for flawed, colorful and unconventional characters like these. Yin Qi's plight is far worst than Yin Zheng's - he is just as unloved and he is no great talent to boot. In the bride lottery, he finds himself sacrificed to the fierce Shangguan, a princess from the powerful and matrilocal Danchuan. But he has a giant heart to go with his big goofy happy-go-lucky smile that makes the fiery Shangguan forgive him for always saying wrong things. Their clashes and banter made my shoulders quiver with laughter as they humorously navigate true challenges and hardships together. Even though they are not perfect and don't have everything, I somehow get the feeling they couldn't be happier.

Overall this is a gorgeous, lighthearted and highly enjoyable story about women's struggles and sisterhood with some romance thrown in. It lacks depth, is slow in places and is far from a masterpiece but the humour is very well done and has mass appeal. A highly recommended watch that I rate 8.5/10.0.

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A highbrow production with broad appeal.

The Longest Day in Chang'an is an immersive, visually stunning, culturally authentic and thrilling journey back over 1000 years in time to Lantern Festival in Chang'an at the peak of the Tang Dynasty. This is a highbrow and very demanding drama that is immensely enjoyable even if taken simply at face value. The viewer gets to decide how much they wish to invest in it. The production basks in rich historical and cultural detail that marvels over the intellectual, political, legal, administrative, military, cultural and scientific sophistication of Chang'an and the Tang Dynasty more broadly. The faithfulness to historical accuracy and strong edu-drama aspect to this show has history buffs raving with ecstasy. As a layman, the finer nuances would be lost on me were it not for the many knowledgeable insights on this and other sites. That doesn't appeal to everyone and some have remarked on the frequent historical and cultural digressions that interrupt the story-line. My simple take is that "smart fillers" are better than the nonsensical fillers that other dramas spam us with.

The absolutely stunning cinematography is the first and most consistent impression throughout - every frame is beautifully angled to create a visual, vibrant feast for the eyes. Even flames from explosions burst in an artistic pattern of controlled natural assymetry. The production is not shy about indulging in artistic license and is littered with lithe and gorgeously willowy Tang ladies with only one small section acknowledging more ingrained images of the classical, prosperously rotund Tang lady. A number of Chinese manhua worthy characters are almost casually dropped in among the otherwise characteristically Tang dynasty cast including Djimon Hounson's Gao Le, the menacing African slave-trader and lord of Changán's underworld; a deadly female assassin who is fanatically devoted to her radical master; and a wildly improbable Western Persian Prince priest with impressive kung fu and building leaping skills. At the end of the day, this is very much a work of fiction and suspension of disbelief will be required as the lead characters achieve superhuman physical feats and survive certain death. All of which make for gripping, visually compelling and heart stopping action scenes.

The drama is not an easy, light watch. The first season (24 episodes) opens with the intense urgency of a fast moving, action packed thriller as the two leads Zhang Xiaojing (Lei Jia Yun) and Li Bi's (Jackson Yi) race against time to foil a terrorist plot during the Lantern Festival. The constraint of the 24 hour timeline forces the narrative to alternate between the high speed chase, political machinations around a power struggle and flashbacks that set up the backstory; all threads which converge in the unraveling of the conspiracy. The many plot twists interact with an extensive cast of complex characters from various factions with unclear and/or malleable loyalties in the power struggle between Li Bi's patron the Crown Prince and his powerful rival the Right Chancellor. In short, there is already a lot to take in so the occasional non sequitur cultural or historical digression can come off as one thing too many.

It took me a long time to care for any of the main characters in this show. Even relatively "good" characters are flawed, primarily driven by self interests and had questionable loyalties and morals. It wasn't obvious that Li Bi' s cause, the Crown Prince was more worthy than the Right Chancellor. Zhao Xiaojing's dealings with Gao Le alienated me; especially when it appeared his real motive was to protect the reckless and misguided Wen Ran. That episode and short lived character stayed with me for a long time because it is the first of many times that bad things happen to good people. And that is how good people can end up doing bad things. Thus there are no outright good or bad characters in this show, they are all products of events beyond their control. Time and again the drama explores how circumstances can push any character to act against his innate nature and self interest. It is a very realistic portrayal of the complexity of human nature's capacity for both good and evil and was acted out compellingly by a truly superb cast. I started to understand the true spirit of the drama when the plight of the common man of the Peacekeeper Corps moved the phlegmatic Li Bi to tears and made him their reckless champion. The real "heroes" in this drama are the common people; that is why it intentionally neglects the main characters and does not attempt to make you root for them and does not care if they have a happy ending. It celebrates the hardships and unrecognized capabilities of the nameless, faceless, powerless, voiceless man - from the forgotten soldier that gives his life for king and country to the ordinary citizens of Chang'an. It wants you to see them, hear them and care about them.

Season 2 (episodes 25-48) was much more enjoyable for me as the intensity of the chase abates and the narrative focus really zeroes in on the power struggle and the unvieling of the conspiracy and ulitmate mastermind. Finally the lead characters are also allowed to shine and shine they did. Zhao Yi Wei's Long Bo was the most provocative and masterfully portrayed character in the drama. As his path converges with that of Zhao Xiaojing, we see the many parallels between the one who seeks vengence and the one who fights to keep dreams alive.

I was surprised by how much I fun I had unraveling the conspiracy. It was very well done and largely kept to the unspoken bargain of hiding enough clues in plain sight that I was able to figure much of it out on my own. The motives of the ultimate mastermind were not convincing. While I had my eye on him as a suspicous character early on, I assumed he was just a link in the chain but not "the guy". It was a stretch that was probably one plot twist too many. One of the other suspects may have been a more credible choice.

Of course it is a foregone conclusion that the emperor was the ultimate villian. While the power dynamics between a manipulative and insecure emperor and his most trusted advisor and his heir has been done before, it was still extremely very well done here. I was completely satisfied when the son takes a leaf out of his father's book in the ultimate act of emotional manipulation. Checkmate. This was the most satisfaction I got from the ending. The bigger question of whether good things happen to good people is left open.

This is definitely the most epic, most idealistic, substantive and thought provoking drama of 2019. Its biggest flaw is that it is overly ambitious and tries to take on too many themes. That it came together so well is a feat in and of itself but as a result, it was not always easy to watch and certainly not something I wanted to dive right into after a hard day at the office. That said, I truly believe it is a must watch and may even be more enjoyable if taken more simplistically just for its stunning aesthetics, intrigue and action.

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The Plagiarist Cookbook

Who Rules the World is based on a well-loved, strong female centric novel that is normally my kind of story. However, the drama adaptation was undermined by the mid-production departure of the director and a key scriptwriter in the bitter aftermath of over fraternisation between production staff. It is clear that the drama was salvaged by borrowing heavily from other dramas and accusations of plagiarism have further weighed on the reception. I watched this for lack of anything better but to my surprise, it comes together quite well. It is indubitably the result of The Plagiarist Cookbook and is best enjoyed with a sense of humor for its stirring romance and parody plot.

This drama starts strongly, promising a sensational fusion of romance, wuxia, palace intrigue and art of war. Set in a fictional Dadong empire, the Empyrean Token, which vests the imperial family with the mandate to rule mysteriously disappears, sending the empire onto the brink of war. All six vassal states vie to recover the token and potentially seize power. Longtime friendly rivals and top martial artists Bai Fengxi and Hei Fengxi get dragged into the fray as they stumble across a string of inexplicable killings. Together, they discover a sect with shadowy motives that could be linked to the struggle for control of Dadong. Behind their carefree jianghu personas, they both conceal identities with vested interests in the coming battle to decide who rules the world. Can their romance survive the battle for a new world order?

This drama's strongest selling point is Bai Fengxi and Hei Fengxi; they are simply the most awesome jianghu power couple. I was expecting more of the same old, same old Zhao Lusi. And my first impression of Yang Yang in what looked like Wang Yibo's hand-me-down Legend of Fei wig was meh, just another idol actor with a sharp, useless look about him. So to my surprise and delight, I enjoyed Lusi and Yang Yang's combined chemistry immensely. I love that their romance develops after years of friendly competition, when they are both secure, fully realised beings. Their relationship dynamics are captured in as much in their witty banter as in the nonverbal communication of their eyes, facial expressions and small gestures. They make for such a stunning looking couple with 夫妻相/fū qī xiàng or the look of a couple that it is hard not to root for them. That said, their relationship is mature and already perfect. They are on the same wavelength with mutual understanding that even in the matter of their secret identities, the reveal is in each case rather anti-climatic; an unimportant and unsurprising detail. While they experience many challenges together, most of the time they sail through them so effortlessly that the intensity is diminished. Since the drama is all about this couple, as charming as it is, their relationship after awhile feels static.

I really like how the smart women (to be clear, that means excluding Langhua) are portrayed in this drama. They are clever, independent and capable decision makers who don't succumb to the dumbest and most boring love rival tropes. Yet ultimately this is not the strong female-centric story I was expecting as it is much more Lanxi's story than it is Xiyun's story. Which is a shame because Lusi really takes her acting to another level in her portrayal of an indomitable and powerful character who cries as persuasively as she laughs and whose stomach is a bottomless pit. Her comedic expression remains her forte and in this production, her articulation is more mature and subtle than her earlier works. Hopefully down the road, she gets another shot at playing a strong female lead character and preferably one that drives the plot.

This is my first Yang Yang drama and wow, he is a sight for sore eyes and a much better actor than I guessed. He has incredibly expressive eyes such excellent micro expressions that he pulls off every imaginable romantic expression effortlessly. I can only applaud the neck breaking effort and dedication that goes into presenting his incomparable jawline at the most optimal camera angle at all times. If only we can unlock that frozen shoulder and see more natural body movement. Beyond that, he appears determined to cling to a righteous, gallant and conventional interpretation of his character. But I did not see the greyer, more complex side to Lanxi which I believe is consistent with how the role is actually written. While I enjoyed the slap that reverberated across the Dadong empire, I needed more. Like his father, I wanted to see Lanxi rise to the occasion, get angry, voice his resentment and demand justice. Instead, his brothers stole his lines while Lanxi simply stares down regally at the antagonists, best chin angle forward and nary a hair out of place. So definitely a young actor with lots of potential but Yang Yang's performance overall does not rise to the level of the character's complexity.

If I had to pinpoint where another writing/direction team takes over, it must be in the over extended Yongzhou arc. It is manifestly obvious that the Yongzhou royal family blueprint and at least two sub-plots in that arc are dumbed down knock offs from Royal Nirvana. I could be forgiving if they'd managed to make it better or more interesting than the original but nope, that did not happen. It is baffling how they chose to focus on done before royal succession palace intrigue tropes and less intelligent, archetypal villains at the expense of more compelling plot threads of conspiracies around dark sects committing murder and mayhem, missing tokens with fascinating grey characters like Huang Chao and Yu Wuyuan. There is an entire missing arc that could have better explored their back stories and more interesting dynamics.

The drama ends well after an exciting climax but the final six episodes are rushed and don't quite manage to close all of the open and more interesting plot threads. The war sequences are very well done even though they don't come together that coherently. But I don't like how they kill off good characters. To me, a few side characters I managed to get invested in deserved better deaths than what they got. And as for the final outcome, everyone got what they most wanted. If only Bai Fengxi knew the irony of her insistence that bai (white) precedes hei (black) in all matters.

The problem with using The Plagiarist Cookbook is the end product feels familiar but ultimately lacks substance and definition. I genuinely enjoyed watching this and laughed my way through it but more so because the MDL thread was amazing with many viewers with a great sense of humor and openness to plurality of opinions. I probably would have still enjoyed it but a lot less had I watched it by myself. While this has been my most fun watch of 2022, I can only rate this 8.0/10.0.

As promised for posterity:

Rules of The World:

#1 Falling down a steep cliff does not result in death
#2 Bai always precedes Hei - it is just the natural order of things
#3 Food has no calories and should be consumed at every opportunity
#4 When bad guys try to kill your love rival, let them
#5 Bai Fengxi remembers what she sees
#6 If you are going to dance seductively, wear a red dress
#7 The sleeve and the fan are mightier than the sword
#8 Don't bother with blankets, just use body heat
#9 Hand made noodles will unlock his life story
#10 Must have at least one bad parent and imaginary cousins
#11 The timely ankle twist is a more important skill than showy gravity defying flying kicks
#12 Must have strong piggy back and copious blood factory
#13 Never hold hands with just any girl in the streets, only that one girl
#14 You don't draw that well, she just looks that good
#15 Be greedy when it comes to food and all four elegant gentlemen
#16 Funerals are for dead people and not those you wish dead
#17 To eat or to Hei Fengxi, that is the question?
#18 Heaven hath no thunder greater than that of a long dead queen
#19 Be known by a dark foxy stripper 名号/name
#20 Surprise - they met when they were kids!
#21 Spicy exotic delicacies to ward off black dogs blood is just another excuse to eat
#22 Introducing your girlfriend to the girl who wants to be your girlfriend makes you the third wheel
#23 Don't give your master love advice unless you like memorizing military stratagems
#24 You get better love advice from romance novels than from your inexperienced subordinate
#25 A real hero need not take advantage of a woman to rule the world
#26 I promise to feed her well
#27 Foreshadowing is when her drawings and clay figures of you are all so.... round
#28 Be sure to let the villain and no one else know you are on to him
#29 When in doubt just stab the least likely suspect in the back
#30 The flower medicine kiss is a cure all for inner energy loss to deep stab wounds
#31 Greatest fool theory of sect leadership
#32 Stop dreaming about kissing her and just do it
#33 Two can play hide and seek in closets made for one
#34 Don't: As my most important wife and empress, I will give you the world
#35 Do: Xiyun who? You are my world
#36 Give your treacherous brother the coup de slap that is heard across the Dadong empire
#37 Revenge is a dish best served with a piece of long white cloth
#38 Let me see if you are good looking enough for my daughter?
#39 It is Hei Bai (black and white) that no son of mine should have to marry above him!
#40 Mess with my woman and I will knock the sacred jade out of your moon
#41 Nothing says hands off, he's mine like your bright red lipstick plastered over his cheek
#42 If Mo Yuan and Ye Hua can survive a weapon of mass destruction, so can I... oh... oops... wrong genre...
#43 Honey, 白头偕老/Bái tóu xié lǎo (grow white hair/old together) is not meant to be taken so literally or so independently.

And they lived heavily one decade after. Burp!

The End.

Warning: DO NOT try at home. May result in substantial weight gain, stomach ache, premature greying and/or loss of life and limb. Also, backstabbing and bitch slapping could be offences punishable by law in your jurisdiction.

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Seeing this show is an edifying pleasure.
Relatively normal people learning and stumbling, winning and losing, understanding their own value and especially dreaming a lot, is the best experience this show leaves us.

Story:
It's unusual but energizing to find a drama that focuses on characters struggling for a dream ... or struggling to find it. The only possible result of such a plot is that the characters grow throughout the story. And this is what happens with our precious Fantastic 4. Although they don't advance in a straight line, but with stumbles, as in life itself.
It's incredible how much you identify with the daily adventures of the characters. Some will reach their goals, others will change course.

Acting / Cast:
Both couples had excellent chemistry. Perhaps in the case of Ae Ra and Dong Man the friendship relationship developed better than romance, but I couldn't say that they didn't work well as a duo, in fact it's the first drama where Park Seo Joon has captured my full attention. That aside, frankly the jewel of this drama is Song Ha Yoon as Sul Hee, did anyone else want to hug her with all their strength? Such an excellent performance!

Music:
Wow, how addicting was the OST, especially the songs for comedy moments. They reminded me and my siblings fighting like The three stooges XD

Overall:
Characters that don't give up, strong but not perfect women, burning dreams, genuine friendship. Do I have to say more? On top of all the flaws you think this story may have, it's a valuable drama to watch. Just give it a chance.
Un drama más al año no hace daño!!

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When you’re an Itazura Na Kiss fan, no matter how many adaptions of INK you’ve watched or how many times you’ve watched them, you’re still never ready for the end. It always seems to come by surprise and leaves one overwhelmed with emotions.

For those who’ve said goodbye to Kotoko and Irie several times, we know it doesn’t get easy. Maybe because they truly are the perfect couple. Every flaw Kotoko has is a strength Irie has and every flaw Irie has is a strength Kotoko has, but they graciously accept it and consider each other the half they need to be complete.

Theirs is a relationship of encouragement. The INK story is about never giving up. Never give up on your dreams, whether it be what you want to do, who you want to do it with, or who you want to be. The seemingly impossible is possible. (Sometimes it just takes an earthquake, meteorite, or fire to get fate going.)

I actually think I might’ve liked season two of Mischievous Kiss more than season one. It’s a pleasant mixture of comedy and fluff. From Kotoko’s iconic yells and zone out moments to Irie watching over Kotoko fondly as if she’s the sun itself, what could anyone possible dislike about this show?

Now newly wedded, our favorite couple try their best to finish internships and become legitimate medical professionals. However, being married to the love your life doesn’t mean the rest of your life is magically uncomplicated. There are plenty of insecurities and doubts that sprout up between our leads, but it's not as dramatic as other dramas. If you're looking for realistic but quickly solved troubles this is it. It's interesting enough that it's not boring, but it's light enough that you don't get too stressed.

We see how much better these two are when they have each other. Our Kotoko becomes a (semi-)capable nurse when just a couple years ago she was in the lowest grade class. And our Irie shows emotions never seen before. Who could imagine the practically permanent “stone face” Irie Naoki laughing? You’d have to see it to believe it.

Furukawa Yuki and Miki Honoka play their roles as if they were made for them. Yuki flawlessly transitions between attitudes of indifference, annoyance, and warmth like no other actor I’ve watched and I couldn’t get over how amazing Honoka played Kotoko in this season. She grew a lot as an actress. I’d watch scenes and it’d feel like I was watching an actual anime because she gives so much life to Kotoko that it’s unreal.

The soundtrack is pretty decent. As of now, I still prefer season one's ost but maybe that's because it already makes me a little nostalgic. You can tell care went into the soundtrack unlike some dramas that just throw any instrumental mess into the background and recycle the main themes every ten minutes. INK’s music has always enhanced the characters' actions and the overall moods.

So the million dollar question. Is this show re-watchable? As a certified Itazura Na Kiss stan that's watched almost four of the five show adaptions completely, I'd say yeah. It's kinda totally re-watchable.

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The meek shall inherit the earth.

This is a very funny, romantic romp through the antics of an unlikely couple in a marriage of convenience that turns into the real thing. Xu Qingjia is a talented young scholar who jilts a highborn lady to fulfil an old promise to marry Hu Jiao, a butcher's daughter. At surface, they could not be more different - he is book smart, humble, meek and measured in his actions while she is street smart, commercial, direct impulsive and a total gangster when provoked. As Qingjia hilariously navigates the challenges of his new assignment as a backwater county magistrate, they discover their differences are complementary and where it counts, their core values are the same.

The surrounding plot of this drama is yet another age old corruption case involving the previous generation with some decent twists. What's different about it is that it unravels slowly over the daily lives and trials of a group of humble merchants and working level government officials. The characters are colourful, often comical and avoid the most cringeworthy familial and love rival archetypes. The romances unfold at a realistic pace and have an honest, down to earth appeal about them. No one character is super smart, infallible or is the main driver of the plot. They all have strengths and weaknesses that make them at times succeed and other times fail. But together it is immensely satisfying to see their combined abilities enable them to prevail over the petty neighbourhood bullies, business rivals and corrupt politicians and win the day with their sincerity, persistence and hard work - the meek shall inherit the earth. Best of all, the ensemble cast is fun, witty and can be very, very funny without being slapstick.

I wouldn't say that the actors are among the best out there (its so great to see Tong Meng Shi/Uncle Wu Zhu from JOL as ML) but everyone delivers very solid performances and the cast somehow just "clicks". I really love how Tong Meng Shi manages to convey the henpecked husband with immense inner courage. Although not a huge Baby Zhang fan, I think she also managed to play the husband training shrew while retaining her femininity. I really enjoyed Gao Zheng and Yu Niang's story as well and I think the casting of Hu Jiao's bovine butcher brother is simply brilliant I laugh just looking at him!

This lively, riotously humorous watch that conveys some grains of wisdom about honour, friendship, love and marriage is a fantastic way to pass some time. I rate it a very enjoyable 7.5/10.

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JIN has many genres wrapped in a single package. The show has its viewers exploring the history of the Edo period. It also manages to keep the viewers anticipated with its combination of suspense and mystery. All with a hint of romance. However, its primary focus is medicine at the end of the day. The cast is a truly remarkable bunch giving his or her character a realistic feature which enables viewers to connect with the characters. We get a glimpse into each character's stories, struggles, and ongoing hardships. The show's plot is a rather simple one, but its simplicity adds to the show's depth. It explores various themes including the meaning of life, how much we are willing to sacrifice for others, and most important, the limits we have. The plot is immersing as the viewer accompanies Jin in the past and watch as he assist those in need of medical attention. However, with such a great plot, the show has a letdown at the end, but thank goodness that TBS is having JIN 2! I'm crossing my fingers that this time the screenwriter will be able to answer all the question Jin and the audience has! I recommend this show to those who enjoy any of the genres that JIN explores and if you are a fan of the actors! It's definitely worth the watch!

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MALE CEO WHO HATE LIES MEETS MISS LIE

Updated!! watching it in 2023. Romance 10/10 , annoying characters 10/10, last few episode dropped the rating from 9.5 to 8.5. Those side characters are way too annoying, and the fact that the male lead got mad at her...


I enjoyed this drama for the most part, up until the end, the end kinda ended abrupt ( will talk about it later)

Story: Male CEO absolutely hates people to lie, so he insist on tell the truth all the time which sometimes truth can hurt. Female lead is the opposite, she likes to tell more white lies. ( male lead had an traumatic encounter with a lie and vow to never lie again) The two meet after the male lead exposed her cheating bf and also made her lose her job. She ends up applying to the male lead company. They start off on the wrong foot, because he is finding that she always lies. The female lead helps the male lead talk and try to get clients for his architect company. Slowly the two fall in love, and his truthfulness starts to change her, and her white lies start to change him. She also helps heal the male lead and second male lead's broken friendship.

The female lead doesn't lie to hurt people , but she does white lies because she doesn't want to hurt her family, but also because she is scared to face the truth. With the help of the male lead, he encourages her to be herself and not to be scared or think she is a small potato. Through her struggles , the male lead sees that not all lies are bad.

Romance: this was one pair that was oozing with chemistry. every kiss was very cute and passionate ;) The way the male lead expresses his love for her is a little too much for my heart to handle. ( heart flutters) Seriously loved all the scenes.
I kinda skipped over the second male/female pairing love story lol not at interesting to me .

Annoying character: there was one lol , the female partner who liked the male ceo. Doing too much tio try to ruin the leads relationship. Please dont be a b....

Ending: not going to spoil it, but i felt like it could of wrapped it up better. I felt there was some unnesscary/ didnt make sense plot development towards the end.

Overall: I really liked the meaning and messages behind the story. its not bad as other review said. Also cute female lead, hot male lead, nice chemistry too.

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Wake up in the midst of sobering contemporary everyday life issues of 3 women in their 30s and 1 man

With "Work Later, Drink Now", KDrama tackles a sensitive South Korean social issue. What starts as a cheerful, cool FeelGood series turns out to be serious business. Viewers are taken by the hand in a clever, light-hearted way, only to wake up suddenly in the midst of sobering contemporary topics, as we accompany the protagonists in their everyday life, work, family and friendship issues - here in particular: three unique young women in their 30s and one offbeat man.

The KDrama points at a topic in which South Korea (though small as it may seem) is once again at the forefront of the world: alcohol consumption. There is so much drinking (and eating, because it's so common) on this show that just watching it can make you dizzy and a little nauseous. To the western eye, that may be WAY too much over the limit. For the Korean eye, it might have to be be sooo much for the audience to even notice that it is/could be too much.

The focus of the story is on three girlfriends in their prime who are hard-drinking and happy to drink. With their personality, they may at first glance be a little off the norm, but then again they aren't. They are (from each other) fundamentally different in their professional situations, socialization and life plans. But it is precisely in this way that they also offer viewers all kinds a sophisticated projection while following each one of them in their everyday life and various challenges they face. The dialogues are razor-sharp, the entertainment high value, the episodes compact. There's also wit, humor and music. This mixture plus the pace are obviously just right to pick up the broad masses of +/- 20 to 40 year olds and to present a mirror of their own living environment in an easily digestible way. The second season will definitely come...




------------ SIDE NOTE: --- Alcohol consumption in South Korea ---
Per capita consumption of converted pure alcohol in South Korea is world class. And rising. The World Health Organization certifies South Korea to be the leading country in the consumption of high-proof spirits. Drinking has established itself outside of private life, especially professionally at company dinners after work. These team dinners often degenerate into a veritable drinking spree (practically prescribed professionally).

After beer, soju is the second most consumed alcoholic drink - a colorless distillate made from rice and added wheat, sweet potatoes or barley, which is on the one hand quite cheap in price and on the other hand, at around 20 percent, is somewhere between beer and high-proof spirits (schnapps, vodka, rum or whiskey ) is located. So it can be consumed in large quantities, especially in combination with beer - and the hangover the next morning is inevitable. South Korea's national drink, soju, is the world's best-selling 'liquor' with around 90 million cases sold each year. Yet, the beer market is also happy about South Korea, which, (in spite of its comparatively small country size) is currently one of the largest and most dynamically growing beer markets on the Asian continent.

What begins as party fun usually ends sadly. In the short term, it may be a hangover. But if you practice this form of alcohol consumption at a high level over a long period of time, the damage to your physical health is enormous in the medium to long term. There are studies that show that even among South Korean students (male), every third (!) drinks to the point of unconsciousness (!) for more than half the week. It doesn't get any better in professional life. And if you don't have a job, there's another reason to get drunk. This has inevitable consequences not only for people and their physical/mental health, but also for the health system. The country pays the price of an enormous pressure to perform taken granted in the context of its own turbo capitalism - with the health of its population and moneywise with billions, too .

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I'm still amazed I don't know what is this black magic because I came to watch this movie by chance and the plot wasn't something amazing to catch my attention but here it goes my review:
STORY
Like I said before the plot is very typical for japanese dramas and the yankee or problematic kids it's a theme that's very present in japanese dramas or movies but this movie wasn't about a problematic child it was something more.
ACTING/CAST
Seriously the main actress Arimura Kasumi really impressed me because I watched strobe edege (movie that I hated...yeah I'm weird and don't kill me thanks) but this movie really proved me wrong and showed me that she's a great actress and that I should be checking more of her works.
Yoshida You was incredible as Sayaka's mom she made me cry at least 2 times, well actually I was a sea of tears maybe because I'm very sensitive lol she really stood out for me in this movie and I'll make sure to check out more of her movies or dramas.
Of course we can't forget Ito Atsushi as that positive teacher that more of one we would have liked to have when we were in high school, he did a great job being this optimistic, kind and inspirational teacher, great job.
MUSIC
Actually I like some of the music here and there was a song by Masquerade that I really liked (and I know that because I searched it with shazam lol) the music fits pretty well with the movie and you may discover some good music
REWATCH VALUE
10/10 nothing more to say about it for me at least.
OVERALL
A great movie that you need to watch, it was a story that can happen in real life and shows you the importance of a good role model or you don't even need that just with someone that believes in you like Sayaka's mom, it really touched me. If you're sensitive like me maybe you'll cry but I cried and laughed with this amazing movie so after this long review YOU NEED TO WATCH THIS!

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Jyoou no Kyoushitsu is a drama which is intense,significant,educative and addictive.
The main attraction of this drama is that it is an exception to the typical school dramas. All Japanese classroom dramas so far have been about the teacher saving the students from their own folly.On the other hand, Akutsu Maya-sensei is the teacher no one ever wants to have.She's Brilliant, manipulative, obsessive, and dead set on making sure that the students fall in line with her rules.

Another good point is unpredictability. The Queen's Classroom breaks from traditional drama with an apparently evil teacher who is out to prove that the world is a harsh place, and so is her classroom.She's a cunning and calculative teacher and systematically removes the parental and academic protection the children had enjoyed, and forces them to deal with their problems themselves.

The Queen's Classroom" is an astonishingly well elaborated and smart drama series, which points at the bad condition at Japanese schools or certain deficiencies in Japanese society in general, and does so in a very entertaining way. The show isn't just thought-provoking;it is also very touching, appealing and persuasive concerning its message.

Last but not least is the outstanding cast. Amami Yuki, the actress who plays Akutsu Maya, did exceptionally well in portraying such a devilish teacher. I think it's because She did so well that for the end credits of each episode, they decided to show her after a take and smiling, a facial expression only used when she does something particularly "evil "!!
Shida Mirai did an excellent job as the innocent-minded child. she's incredibly adorable and became my favorite teenage Japanese actress after this drama.
The two specials were indeed very special and did an awesome job in explaining the reasons why the characters acted the way they did.They reveal all they mysteries,answer all the questions and justify all the actions.

I can write so many things in praise of this drama!! But it’s very hard to continue without giving spoilers.

This is a drama which everybody should watch.If you believe that this is a show solely for teenagers or even children, only because almost all of the main actors aren't older than twelve and drop it half way then you are mistaken. It’s only if u watch it till the end then you would realize how ‘not-childish’ this drama is! This series suffers from minor defects in the story line but nothing is perfect and please don't give unnecessary importance to these occasional faults and belittle this great drama.
Although the atmosphere throughout the series is quite dark, Queen's Classroom is actually one hell of an entertaining show!Hope you'll enjoy this wonderful 'monogatari' as much as I did.

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Never Give Up and Never Give In (In Sports and In Love)

There have been other good Noona romances in recent dramas, but Falling Into You tops the rewatch list for me.

The theme centered around track and field athletes and their passions, dreams, and doubts. However, it was the love story that was candy for me. Those looking for good romance will not be disappointed by the great mix of sweet yet flirtatious, innocent yet sexy, complex yet enduring love between an aspiring coach and her idealistic student.

This show was already off to an awesome start when it featured two gorgeous actors as the main CP, who also had fantastic chemistry with each other. Nothing could get in the way of sparks between these two, especially when the romance began to heat up. I love that the actors were not shy about the kiss and intimate scenes, and I have to say they did remarkably well in this aspect.

Perhaps part of the credit should go to the director, Yi Zheng, who also directed "Love Between a Fairy and Devil", in which he was able to draw out excellent emoting from the leads.

Fun fact: Gina Jin is 8 years older than Wang An Yu, the same age gap as the main characters that they portrayed. Despite the age difference, they did an excellent job as a couple whose journey of love was so organic and wholesome. It was so enjoyable to watch our CP grow from the natural conflict of their budding relationship and going through the challenges of other people's prejudices to becoming a couple that inspired relationship goals. Once committed, they were unwavering in their support of each other and their faith in one another.

I was not surprised by Gina Jin's wonderful performance as Luo Na, the older woman who resisted at first but eventually fell for the charms of her persistent student. She is definitely a talent and simply stunning, even in plain athletic gear. She has played a similar role in "Why Women Love" and I hope she will not be typecasted.

Our perfectly handsome male lead was no doubt an eye candy. Perfect face, flawless skin, great physique. However, Wang An Yu wasn't all looks. This pretty face can cry! I am impressed with his emotional scenes, and there were many of them. After all, our adorable Duan Yu Cheng was still a 20-year-old boy on a path of self-discovery and smitten with Luo Na while trying to achieve his dream of being a top high jumper. I also liked Duan Yu Cheng's sportswear and casual outfits. This guy looks good in everything.

Some other characters fell flat or were unnecessary, but the cast did well overall. Watching the interactions between team members and coaches was fun; there were many hilarious and heartwarming moments. The show could have done away with some filler episodes and given us less of a rushed feeling toward the end. Still, it was a satisfying ending.

The OST was memorable, and I particularly liked the various songs played throughout the episodes. The two leads also sang a song each, and for posterity, I have listed all the songs I could track down at the end of this review.

All in all, Falling Into You was refreshing, entertaining, and binge-able. I could not recommend it more!

OST list:
* Love Blinds (Kéren)
https://www.youtube.com/watch?v=dneyEcIm0Hg
https://open.spotify.com/track/7iwGlPC4KxQ96CjYFD2YvU?si=bb90e03c45be43b4

* The Biggest Part of Me (The Home of Happy and Dane Etteridge)
https://open.spotify.com/track/29CBEod7xU7sVqpb7XaK5d?si=bbff9b8140134d2d
https://www.youtube.com/watch?v=YStkj_2m2Ko

* Everybody On Your Feet (Amphibious Zoo Music)
https://open.spotify.com/track/00vS1coaTZjwiA4MKQbCnR?si=53314df83ca84768
https://www.youtube.com/watch?v=87LdNYETuGI

* Standing in the Moonlight (Soul Mechanic)
https://www.youtube.com/watch?v=Ad91jxkTuak
https://open.spotify.com/track/0GVYSKXYMn4NzQC6DMnXNs?si=a4e5938621624d52

Call it What you Want (Antisocialites)
https://www.youtube.com/watch?v=4zRCUXKCkJM
https://open.spotify.com/track/0u60YRwLtd4HnaxkB7hmg9?si=2b820d94f7c04beb

* Girls Like You (Corban Shane Calhoun & Gabriel Canadian & Joshua Joseph Wilcutts)
No link

Brighter Days (Hanna Lynn Miller)
https://open.spotify.com/track/7ecwUJoCpwrfeN9tb5Vxgj?si=4857cadc31a14015

Uncorrupted (Julia Church)
https://www.youtube.com/watch?v=S5t_9ydDJm8
https://open.spotify.com/track/7tOu3piRvStm3BCk5CH7Q2?si=960e749f8cd94f8b

* 阳光 海浪 我和你 (Sunshine, waves, me and you) - 刘宇宁 (Liu Yu Ning)
https://www.youtube.com/watch?v=qk1o2AnIO_k

* 阴天转晴 (Cloudy and sunny) - 王安宇 (Wang Anyu)
https://www.youtube.com/watch?v=nLLr3K7aQDA
https://open.spotify.com/track/6OPvc0ghjjsXwG1Dh4xYzA?si=4b1a8b99e2234e29

* 度过此刻 (Spend This Moment) - 夏日入侵企画 (Summer Invasion Project)
https://open.spotify.com/track/5DmlNe79sX7LUHJrPZ9gSj?si=02df7f3e1e404ada
https://www.youtube.com/watch?v=Jnj8v43ktdA

* 怦然心动 (Heartbroken) - 汪睿 (Wang Rui)
https://open.spotify.com/track/6UosPIGzBTMm3psQapq6ps?si=f0f989ec59994978
https://www.youtube.com/watch?v=-y4MlP4H8jU

* 要不要留下来 (Do you want to stay) - 金晨 (Jin Chen)
https://www.youtube.com/watch?v=QjAE5v2pyQM
https://open.spotify.com/track/4jilfKy9z2tYwUN4jV57Pn?si=df0fc232693a4526

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