Sometimes I skip parts in dramas because they predictable, but this drama was the complete opposite. If you skip an episode you will be lost or will greatly regret it.
This is the first drama that has ever made me cry, laugh, and ship 4 couples with four cast mates (think about it hahaha)
I usually don't watch melo dramas because I like happy endings and melo dramas don't really follow that story line, but this drama is different it's not a romance comedy-but is, and not a melo drama- but defiantly is. Some points in the drama you cry or tear up for a very sad reason which in my case seem like a melo drama. other times you laugh with the characters which seem like comic relief.
I started to watch 49 days because I saw Jung Il Woo dressed in all black with black hair- hello one of my top actors of all time looking sexy... of course I will watch it. i can say he is hot the whole way through the drama, but he will make you cry- a lot...
All the cast mates let you connect with their character. Each character has a story to be told watch 49 days and find out their stories. I promise you won't regret watching it. i sure didn't
i true hope you enjoy watch the drama as much as i did!
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This review may contain spoilers
This drama was like a badly written wattpad story
My only expectation when I started this drama was a good rom-com, the show started off promising and ended up being one of the worse plots I have ever seen not trying to exaggerate at all, the plots were all over the place and the writer jumped from one plot to another, from one genre to another to create a totall mess.I'm not a stranger to the main actor lee min ki and I always thought to myself how he always picked out good scripts
I have no idea why he picked this one, although I have never seen NANA's works I could tell she had good acting skills and the actors had the needed chemistry too but nothing could save this drama.
Then we have a second lead, he had little to no chemistry with nana and his character was the most useless you won't feel SLS in the slightest, one thing I enjoyed at some point was the story about their mothers, I actually have the last episode left to watch but I'm not even curious about the ending.
all in all I don't recommend this at all and this has to be one of the worst dramas I have ever watched.
UPDATE AFTER FINALE (spoilers on finale)
The ml disappears in the end (there's a plot about him being only able to live 49 days amidst a lot of other things) great a bad ending to a bad drama, i'm aware the leads dying isn't a bad ending but in this case, the whole drama was just really bad, if u dive really deep into the story and re-write 95 percent of this with the initial idea of the plot this drama could have been saved , if they wanted to show the ML'S development after only having 49 days to live even if they would make him die in the end there were a million better ways to do that but alas they failed miserably and to end this giving this a 4 is me being generous
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1THE WORST OF EVERYTHING
Gangnam B-Side opens with promise, diving into Seoul’s gritty nightlife and setting up a dark, crime-infested world. But what begins as a potentially searing critique of social ills quickly devolves into full-blown exploitation.The series becomes a parade of graphic violence: Yoon Gil-ho is drenched in blood, women are injected with drugs and left vomiting or self-harming, and brutal imagery floods every episode. Its characters, however, are shallow outlines, tools for shock, not vessels for story.
Gil-ho, detective Kang Dong-woo, and escort Jae-hee are driven by rage and grief, yet never grow or evolve. Prosecutor Min Seo-jin walks a morally grey line, but the show’s surface-level feminism ensures she’s positioned as "one of the good ones" without much nuance.
Women like Jae-hee and Dong-woo’s daughter Ye-seo are written to be brave but ineffective, repeatedly saved by the men. Jae-hee’s final act of rebellion changes nothing except making Gil-ho more tortured.
Gangnam B-Side wants to be edgy and modern, but it sacrifices character for carnage. Ultimately, no matter how gruesome or flashy its scenes are, it doesn’t succeed in making me care. Its characters don’t feel real; they don’t adapt, grow, or even exist beyond their trauma. What’s the point of violence if it’s just noise?
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This review may contain spoilers
Please forgive me if this review's going to be a little unconventional, I'm in no mood for serious considerations on a drama that doesn't take itself too seriously. The followings are random conversations between me and my watching partner, aka my husband (H). Try to imagine us as the two old men at the end of The Muppet Show.H: Why the heck is he (Seung Gi) pining for that almost sister of his when he can have the prettier and much nicer one (Suzy)?
Me: He thinks she's a boy.
H: Rrrrrright. And the winner of Genius of the Year is…
[Kang Chi finds out Yeo Wol's a girl in a slightly unorthodox way]
H: Ok, I take back everything I've said before: the guy IS a genius!!!!
°°°°°°°°°°°°°
[scene: Kang Chi and Yeo Wol are staring into each other's eyes]
H: Whoa, he's finally going to kiss the girl
Me: Hmm, I wouldn't be that optimistic.
H: Trust me, he has that glint in his eyes. He's going to kiss her, I tell you!
Music: "Saranghaee, saranghaeeeeeeeeee, SARANGHAEEEEEEEEEEEEEEEEE…"
[more staring followed by sudden wrist grabbing]
H: Finally…
[off they go eating]
*collective and colourful grunts from the audience*
Me: He clearly hasn't taken after his father
H: Yeah, daddy knew his business. Save the girl, hide the girl, kiss the girl, ta-da… a BABY!
°°°°°°°°°°°°°
[the monk urges Kang Chi to flee for the nth time]
Me: Is that monk ever going to give a valuable advice? Nobody listens to him anyway.
H: Ikr? That monk is as useful as a concrete parachute (he used a different simile, but it can't be repeated here)
°°°°°°°°°°°°°
H: His eyes turned green! What do you think, is he going to morph into Perry Parky now?
Me: Sure, Perry Park would bomb them all, but if you want him to kiss the girl, Shin Se Gi's definitely the one to morph into.
H: Shin Se Gi had red eyes and eyeliner.
Me: True. Like daddy gumiho, now that I think of it.
H: Daddy again. Are we sure Kang Chi's not the monk's child?
(references to Kill Me, Heal Me are sort of involuntary. I hereby decline every responsibility)
°°°°°°°°°°°°°
Me: What do you think is that Gu Book about?
H: A kissing manual?
Me: A recipe for Kimchi, more likely.
"Saranghaee, saranghaeeeeeeeeee, SARANGHAEEEEEEEEEEEEEEEEE…"
°°°°°°°°°°°°
[Kang Chi, his face half covered with a scarf, is surrounded by his comrades, all demanding to know who he is]
Me: Are we the only ones who would recognize him from a 10-km distance? I mean, the clothes, the hairdo, the bracelet…
H: I know. Perhaps they think it's the head Gisaeng incognito. After all, they share 1 neuron among the 20 of them.
°°°°°°°°°°°°°
Me: LOL, now that thug thinks his dongsaeng Kang Chi's gay. A gay gumiho is an interesting take of the trope
H: So he too thinks Yeo Wol is a boy? This drama should be called "The Goofy Family Book"
°°°°°°°°°°°°°
H: Ha, now he's really going to kiss the girl!
Me: You may be right this time. The moment is perfect and the song is clearly suggesting romance.
[7 and a half minutes later, the scene is still frozen like it was 7 and a half minutes before]
Me [making coffee]: Are their heads a little closer now?
H: Hmmm, I'm not sure. 2 cm closer, maybe?
Me: All right, I'm making sandwiches. And please mute that misleading Saranghae song before I explode.
°°°°°°°°°°°
To give this review some semblance of usefulness, let me conclude by saying this is a highly entertaining drama, with a good, rounded-up plot, lots of fun – although laughter is often involuntarily induced - a Seung Gi who never fails to put me in a good mood by simply existing, a lovable Suzy, a despicable villain with a certain, almost compelling elegance, good romance and a fairy-tale feel that won't let you down. Recommended to everyone looking for a light watch with glints of unexpected depth and an awesome finale . If you have a watching partner to frolic with, so much the better.
P.S. Allow me a tiny spoiler: the kiss does come, after all, much to the joy of the two Muppet Old Men.
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CHARACTERS: Let me just say that Yang Yang as Ye Xiu is the best thing ever. He really gave the character a lot of depth and I thoroughly enjoyed all of his expressions! Also for the rest of the characters, they brought their own color and twist to the characters. Honestly there were some parts of the drama that made me hate so many of the characters where I was literally yelling at the screen. So to the actors and actresses who made that happen, that is very commendable in my opinion. The only problem I would say I had is how fast the character development was for some of the characters. But then again it is only a 40 episode drama, each episode being 36- 45 minutes.
STORYLINE: Everything flowed well together, very very similar to how it is in the anime and light novel, but then there are some plot and development that only is shown here.
MUSIC: 100 out of 100, honestly I absolutely love all of the songs, they fit perfectly with the theme of the drama.
Once you start this drama you won't be able to put it down. It has deep and inspiring themes and the graphics are so captivating that if you even blink for a second, you will miss something. I really hope they do a season 2 of this drama! But if not, I am completely content.
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To me, Radiant Office belongs to the slice-of-life and romance genre. After all, it was made to be an office romance kind of show. Comedy is almost non-existent here, although that does not mean that this show is dark. It is fun, but if you're here expecting slapstick humor kind of fun, you're in the wrong place.
On the outer level, Radiant Office is a bunch of Korean drama clichés packed together. There's a boss-employee relationship, office settings, fatal disease, and some chaebol family problems. However, on the inside, Radiant Office has a very warm and cozy tone – the complete opposite of those dramas that have the same cliché background.
This is built mainly on their warm and cozy characters. I know that the poster and the synopsis can make our lead female character look very extreme, but she's not, as well as the rest of the crew. They're rather very relatable human-beings. They go through problems (that can sometimes be too dramatic, but again, I can totally overlook that for the fact that this is a drama), but the way they tackle these problems and overcome these situations are so human-like.
You will definitely learn a thing or two at every twist and turn here. When you feel like you can relate to their problems, you'll surprisingly feel comforted by their words and actions. I also love how there's no true "evil" in this story. Whenever someone does something bad, the show progresses in the way you can finally understand that supposed "bad" intention and come to accept that flaw. There are times when good characters make bad decisions as well. This show never tries to perfect or sugar-coat things to make the ordinary viewers like me feel ugly or uncomfortable.
The characters here are all built on the same ground. There's no "rich and powerful" and "ugly duckling" kind of combination. Even if there is a rich and powerful person, they all still have good qualities *as much as* their bad ones. The part that makes this fun to watch is that most of their qualities don't overlap each other. Throughout the show, the best quality of one person will fulfill the bad part of another and so on. It makes everyone complete. This is very heartwarming to see. Trust me, you will fall in love even with the small roles that show up only once every 3-4 episodes (like the secretary or the convenience store worker or our main lead's younger brother). The characters in this show are really that lovely.
THE ROMANCE:
Like I said, subtleness is the key here. I swear I enjoyed the tiny reactions between our two main leads so much and found myself blushing at their chemistry way more than when main leads of other dramas hate each other too much before falling in love with each other. The satisfaction when he slightly takes care of her or acknowledges her talents is real. And, no matter how strong her character is, she's still the little girl who likes to be taken care of in front of him. Their love slowly grows on you.
THE CAST:
I started watching this show without ANY expectation because of the cast. I haven't seen some of these actors, but for the ones I've seen, I can say that this is their best drama so far. I've got nothing much to say. They're very well-suited for their roles.
THE MUSIC:
Honestly, they didn't use their OSTs in the way that they receive enough recognition although there are quite some quality ballads. However, I don't remember feeling awkward with the background music while watching. I can only give it a 7/10.
REWATCH VALUE:
I personally rarely rewatch shows. For people who do, I can picture you rewatch it for the life lessons and cozy love story. However, it's less likely to be rewatched and still enjoyable because business talks can be too long in some episodes.
OVERALL:
Still, despite the so-so music, the clichés, and the low rewatch value, I still give it an 8.5/10. I don't care about the low rewatch value; a drama is never made to be watched over and over again anyway. Comparing to very upbeat and sweet romcoms, I give high score to this one for its approach in telling the story. This was never made fancy for the ratings from the start. This was made for people who like to lean back and appreciate things.
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This review may contain spoilers
Sensitive, optimistic and even cheerful. No spectacle, and yet the 2 hours somehow fly by.
"Innocent Witness" does not really want to serve any genre. (I assume, in Germany it would have at best as been shown in Television only. Significantly, the movie never made it to European cinemas. Yet, it was shown on the big screen in South Korea and was also shown throughout Asia and Australia. It actually won a whole series of respectable awards. On the list are 55th Baeksang Arts Awards, 39th Golden Cinema Film Festival, 40th Blue Dragon Film Awards, 6th Korean Film Producers Association Awards, 27th Korean Culture and Entertainment Awards and 39th Korean Association of Film Critics Awards ... Those various awards were given for the characteristically sensitive, emotional storytelling and presentation."Innocent Witness" isn't kitschy, it's calm. The story does neither live from driving tension nor offer any dazzling action, just a calm, unobtrusively touching story. The viewers spend a lot of time in the courtroom. However, Law & Order might very well form the framework, but this does not determine what the story is actually about: Communication and reciprocal understanding can only really succeed if you unconditionally focus on the personal world of others, not only your own. This is often forgotten because we think we can easily understand each other when your world and mine seem so similar. (As if we could simply take sameness of a life context for granted.) However, even life perspectives would be similar, this can still not be considered ´mutual understanding´ either. This is mere prejudice. That could work, often does, but doesn't necessarily have to. Most of the time it might fit, so there's rarely a reason to question my personal approach to the world.
"Innocent Witness" is provocative here, because the other person is a young girl with an autism spectrum disorder. In order to reach an understanding, the lawyer and everyone else have to get involved in the world of the protagonist and (arduously?) learn to understand the events and happenings from her perspective. The confrontation with the autistic worldview (in the service of the story quite strikingly, but effectively implemented) may seem crass for most people at first glance, but basically it only demands what we should actually get do in EVERY encounter with every person, with whom we exchange ideas. That is: get involved. Eventually, we are reluctant ... as long as it works otherwise even half-way and the misunderstandings don't catch up with us all too painfully at some point...
"Innocent Witness" pushes the audience to this realization with persistent, warm, quiet tones in a determined and consistent manner. At the beginning there is the girl's question: "Are you a good person?". In the end, the lawyer comes to the realization: "I want to be(come) a good person!" The movie portrays this process purposefully, but quite unspectacularly and without any particular cinematic originality. The gait is characterized by a loving grunt, like a basso continuo, which bathes the punchlines in a warm light and holds the story together on an emotional level. This, however, without wanting to be difficult or too serious. The lacrimal gland is not necessarily strained either. On the contrary, there is also room for a smile, for joy and a good mood.
In short, the essence of the KMovie is the wonderful dynamic between lawyer and witness. Up-and-coming talent Kim Hyang-gi shines in her role as an innocent, often for her autism bullied, young school-girl. Veteran Jung Woo-sung, on the other hand, as a once ambitious human rights lawyer, neither fish nor meat, still single at almost 40, who has gotten a bit off track and becomes seductive because he needs money for his father's Parkinson's treatment. They stumble a little awkwardly into their interpersonal encounter, each in their own way. Dealing with their own feelings and those of others is not their strength. Nevertheless, out of the given need to get involved, a peculiar friendly relationship develops slowly, quietly, subtly, sensitively and sustainably. Initially however, it is quite an ambivalent dynamic. The attorney's original intention is anything but pure at first, when he wants to vet the only witness who claims to have seen his client's murder. In his approach to the witness, he is only concerned with his case and the question of how seriously he must take the witness for the course of his case. The unexpectedly blossoming friendship has an unfair origin that gradually overshadows the encounters. Nevertheless... The two mimes of the protagonists as well as one or the other supporting role have well-earned all their awards, as they embody this dynamic magnificently.
Apparently, the mission of the movie is that people with disabilities are also people with dignity, who we should/must take seriously. Ultimately, however, the mission even goes beyond and demands respectful, serious encounters with EVERYONE - regardless of their origin or clothing, health restrictions or age. We usually avoid those who 'tick' differently, because it seems exhausting and inconvenient to really get involved with someone, e. g. to actually listen, to genuinely want to understand... because this sometimes requires having to question myself and my self-evident attitudes, assumptions and perspectives. It's easier to just take my own worldview for granted on the basis of prejudices as well as superficial encounter and project it onto those around me. Conversely, such an attitude can actually lead to my life becoming superficial... comfortable, pretty, nice and shiny maybe, but superficial...
So, this is a KMovie that plays a lot in the courtroom, but whose verdict on right and wrong is less about the actual legal case - it becomes a mere side issue. It is rather about demanding an honest verdict on our individual ways we interact with our fellow humans: Am I a good person? Am I really listening? Am I truly open to encounters? Are my priorities in life sincere?
"Innocent Witness" doesn't really serve any genre, and yet the story, told in all simplicity, is touching, optimistic and even cheerful. No spectacle, and yet the 2 hours somehow fly by.
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Why only 6 episodes?? TT^TT
When I open netflix this morning after sessions of insomnia, I was shocked to find Yanxi Palace on my screen. I was so happy, I thought the original Yanxi Palace has been available on netflix as I rewatch that series quite often. Looking it closer, eh it has additional title; Princess Adventures.So it's about Imperial Princess Zhaohua! We all know from the original drama, we didn't get to see Wei Yingluo and Emperor's two adorable daughters, so maybe this series was making up for it. I was elated and happy.
The story introduces Zhaohua as a strong-headed character. She's the most favored princess in the kingdom, loved by her aniang, ahma, and taihou. She has coming of age and ready to marry. She already has this fiance, a Mongolian qinwang who has betrothed to her for five years and stayed within the Palace to familiarize with her.
Since the original Yanxi Palace, I was full with the expectations of intrigue, politics, and heavy plot, therefore to start with some engagement story at the beginning was quite upsetting for me. Moreover, Zhaohua's character was very different than the cool-headed and calculating Yingluo. But since I'm curious and just wished to see more of Emperor and Yingluo's interactions, I continue.
The story was simple, with enough twists and strong plot for a short, side story of 6-episodes drama. It's actually quite brilliant and well-managed. The cinematography, costume, make-up, color tone (some people hate the color tone of this drama but I love the aesthetics of it and how it's affected the expression and mood tone of the plot) all are very good production, the same quality as the first.
The acting, especially Zhao Hua's was exceptionally good. Her expressions were amazing, convincing the person she had inside her.
I didn't notice there were only 6 episodes, I thought the rest just hasn't been uploaded, but then I realized they only introduce a handful characters throughout the story except the ones we've had from the original cast.
In the end, all characters didn't disappoint and deliver all the expectations I carried from the original Yanxi Palace. For those of you who haven't watch it, go watch the parent series! They provide you with a lot of satisfying b*tchslapping.
I didn't give them a high score on the music because they use the same one from the original series, so just re-production.
I desperately want more TT^TT I especially like the qinwang.
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Tree with Deep Roots
38 people found this review helpful
1A vividly told emotional story about the creation of Hangul and its impact. Absorbing. Gripping.
Of course, this historical drama is (as many others) full of intrigues, power struggles and revenge. But King Sejong, the 4th Joseon king, who is the historical subject of this KDrama, was indeed a bright shining star in the Joseon sky. So is this KDrama.King Sejong created the Korean alphabet. Not just him alone. But this great achievement goes back to his driving force and his vision of a mature people. The story impressively tells of the bumpy road to Hangul. It also tells of how important it is as an identity-creating medium for self-confident citizens. Previously, Hanja - the canon of sheer countless characters of Chinese origin - was the country's binding writing. Not only that, but a whole range of Korean words are loanwords of Chinese origin - to this day. At the same time, this reflects the asymmetrical balance of power between the Korean dynasties and the Chinese dynasties. The use of the Han signs not only symbolizes the hierarchy among the peoples, but also within one's own people. Scribes and scholars were needed, who had the muse and time to learn these characters (more than 100,000 in total). Thus, they had the authority to interpret. It was hardly possible for ordinary people to learn. A scripture that connotes words and meanings in characters is based on a completely different concept than a scripture composed of a compact alphabet. Based on the phonetics of the Korean language, King Sejong developed an alphabet finally consisting of 14 symbols for consonants and 10 for vowels. The writing system to apply those in a way to form words and sentences can be learned comparatively quickly, even by ordinary people. What a progressive concept at the time! What a threat to the elite of scholars and noblemen!
The title "Deep Rooted Tree" refers to verses from the 'Songs of the Dragons That Fly to the Sky' - the Yongbieocheonga. This contemporary document about the Joseon Dynasty and its legacy was the first book that was ALSO written in the new Hangul writing system.
"Deep Rooted Tree" is (among many other truly exciting dramatic events throughout the story) about the impact of scripture for the people of Joseon - a story vividly told in an absorbing manner. A truly fantastic presentation. With gripping protagonists. Multidimensional. With high emotional impact.
The dramaturgical setting introduces the king (from the perspective of the male protagonist) as the bad guy. But the 24 episodes (analogous to the alphabet?) provide an impressive insight into the fascinating life´s work of that great king - embedded in the excitingly increasing momentum of the vendetta of a boy from humble origins who grows up to become an outstanding warrior and finally ends up as royal guard.
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Feel good drama with mature characters and honest conversations
This drama filled my heart. This is what I would categorise as a "feel good" drama.The characters clearly were not living fairytale lives and had their hardships and traumas to overcome, but the drama never dwelled on all that pain and sadness. We saw an honest attempt with characters reflecting on their lives and trying their best to live for the moment. It wasn't about forgetting the past and ignoring it, but rather accepting what happened and counting blessings for the people left behind, the time they currently have, and the future they can build.
This is why I love J-dramas so much, because it is not the plot or dramatic points that drive the characters, rather it is the other way round with characters driving the story.
I absolutely loved every character and couple in this drama and I would recommend this to anyone looking to watch something light yet healing. Watching this made me feel a little less lonely.
Special mention to the leads who really hit it out of the park with their acting. So much expressed through their eyes, and emotions. I teared up (out of happiness) at so many of their moments <3
All in all (and I rarely say this) - THIS WAS PERFECT.
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I am actually surprised at myself for not picking a taiga drama before even if I am a hardcore fan of history; I watched historical films but never a taiga drama. I think I was scared away by the length considering my low patience level but after starting this drama, that factor didn’t matter anymore.
Before I review this drama, let me first explain what taiga dramas mean. They’re Japanese yearlong historical dramas produced by NHK and each taiga takes a specific historical character to tell his life with 98% of accuracy. Unlike most of Korean Sageuk that tend to take a little part of history and built a completely inexistent story on it, taiga dramas tend to tell the history in the most believable accurate way ever. Of course there are some dramatic effects but they never sabotage history or add imaginary characters on their own. And don’t worry, they tend to explain everything whether at the beginning or in their “Travelogue” at the end so you won’t feel lost at all even if you’re not familiar with history.
Tenchijin is set during the late 16th century: The warring era which marks the most chaotic period in Japanese history where all the daimyo (clans’ lords) were fighting for the rule and power. That era happens to be my favorite fraction of the Japanese history because many of my favorite generals belong to that period. And while I previously know every single thing about the era and the destiny of its characters including my favorite names, it still felt so fresh and amazing to watch the characters I read about being alive.
During the chaotic era of schemes, betrayals and greedy intentions, NHK decided to pick the Uesgi and center their 48th taiga drama on them. For anyone who knows history, the Uesgi aren’t actually the type who ruled Japan or searched for personal gain. They have a mystical aura around them ever since the lord Kenshin’s days. It’s all about the justice for the Uesgi and Kagekatsu (Kenshin’s adopted son) followed his lord’s path of justice by the great help of this drama’s main character Kanegatsu. This storytelling is about the calm, patient, non-greedy, loyal and righteous vassal who lived his life serving the Uesgi, caring for the commoners and creating a distinguished name for himself. Kanegatsu may not have been famous like many generals of the warring era who gained popularity even in current days but he was respected and acknowledged by most of them for his thoughtful thinking and great techniques. He may not have been a great warlord but he was one of the best strategists of the era and one of the fewest who genuinely cared for farmers and the poor.
While telling the story of Kanegatsu, this drama had to center the light on many other characters and events of the era like the ever popular generals: Kenshin, Oda Nobunaga, Saru Hideyoshi, Ishida Mitsunari, Tokugawa Leyasu, Sanada Yukimora, Date Masamune, Maeda Toshie, etc. Those plot changes were quite alluring because they introduced the important figures of the era, their interactions with Kanetsugu and their thoughts about the country’s future. The main character’s meeting with those famous generals added a different taste to this drama. While some of them were his allies, others were his enemies. Considering Kanetsugu’s sense of justice and great talkative manner, you will be looking forward to how he will reply to their compliments or repay their harsh comments.
There are a lot of political clashes in this drama between daimyo lords, the rulers, the vassals and even the wives. However, this drama isn’t all about politics. It contains amazing friendship moments, some romance, heartwarming relationships and great bromance. It will always manage to keep you interested.
It’s a given that you cannot produce a great taiga drama or any historical telling without great actors who know how to make characters feel alive and this drama’s casting nailed it in that part. Tsumabuki Satoshi being the male lead for this drama was one of the main reasons why I chose it as my first taiga and no, it’s not because of fangirling reasons. That man is one of the best Japanese actors nowadays and what’s better than a taiga main role to make him even a better actor? He delivered so well, whether in the foolish, serious or heartwarming moments because that’s what his intensity is all about. What also made the acting department even more overwhelming is the presence of other astounding actors such as Abe Hiroshi, Oguri Shun, Matsuda Ryohei, Kitamura Kazuki, the veteran Utsui Ken and many others that made great scenes and awesome portrayals of the generals. There were some astonishing duets with Satoshi in many scenes.
In a line, I will mention that some battles weren’t portrayed in a good way but the cinematography and the soundtracks were quite fitting for the theme.
Watch this if:
-You love history and want to know more about the Japanese warring era.
-If you like accuracy because taiga dramas have the most informative plots ever.
-If you want to discover taiga dramas but beware that they’re nothing like sageuk.
-If you like the set of cast especially Satoshi because he was amazing in this.
Do not watch if:
-You dislike anything historical.
-You’re not a fan of the Japanese warring era.
-You dislike any of the cast.
Tenchijin is a wonderful ride through the warring period which marks the most interesting part of the Japanese history. The drama takes the life of Kanetsugu as a reference to the Uesgi clan to tell his struggles and deeds through the chaotic era to reach the peace era.
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Japan's answer to Satoshi Kon's Perfect Blue
Most people know Japanese dramas for being formulaic, repetitive, full of tropes etc. and that is because of the vast amount of high school and job oriented shows they release each season. Little did they know there is one aspect Japan excels a lot, and that is when their creativity takes over and start to think outside the box. They are by far the most innovative when it comes to script and ideas. This risk would sometimes result in some pretentious crap, but when struck gold, it would be a masterpiece that would stand the test of time. Masterpieces that makeup Japan's rich film history, but it's not only in movies as it happens in their dramas as well."Dakara Watashi wa Oshimashita" is the modern example of that. A story with a moving theme portrayed in an unusual setting. An underground idol who is desperate to improve and an office lady who seeks likes from her social media friends. Both are looking for that elusive attention, or should I say connection. The human connection theme is well portrayed and explored. It's not just a simple handshake, but a sincere thought of support to someone. Different people have different reasons for being a fan. To some, it's physical attraction, but for Endo Ai meeting Hana is the most significant turning point in her life.
The plot is timely and original. In today's world where the number of idol fans is on its peak, I think it's safe to say that this story will hit home on so many levels. The drama is well layered and also very raw. They show you all the good and the bad things about idol culture, from fun chants, idol festivals to unfair wage practices in idol industry. I also love how they didn't stereotype idol otakus. They portray them as ordinary people with regular jobs. It's too detailed and well researched with so many references about idol culture. It's been years since that anime movie "Perfect Blue" which many considered as a masterpiece for its time but mostly known for giving negative connotation towards idol otakus or idol culture in general. Now that 22 years later, Yoshiko Morisita counters that with her own masterpiece of a drama. For me "Dakara Watashi wa Oshimashita" is Japan's answer to Satoshi Kon's "Perfect Blue".
Before I thought all idol groups are the same, but watching this drama, I realized underground idol groups are a bit different. The drama did a great job in showing the appeal of these type of idol groups. You are not just an average fan who fangirl/fanboy in front of tv. You also go to their events and interact with them. It feels you are helping them to get better like you are also part of the process. Unlike other idol groups who have years of training to master their craft, their fans only appreciate the final product.
Though the writing in this drama is its strongest asset, it's those damn visual what takes it on another level. The cinematography is perfect. It's very poetic. I love the use of colors, especially whenever neon lights are present. I dare to say this is what they called cinematic storytelling, which you can't separate visual style to visual language. Sound design is also excellent, and with the help of brilliant editing makes such scenes very compelling. Not just powerful scenes, but it also has a fair share of scenes that will deliver goosebumps. Music used during those scenes fits perfectly. It underlines the mood and evokes characters emotion.
Speaking of characters, even if the drama achieved excellence in writing, cinematography, and music, the drama would have failed without good actors aboard. The good thing is this drama has good and capable actors. Sakurai Yuki and Shiraishi Sei's acting is on point, and should I say they have cute chemistry as well? That chemistry is a huge reason why these characters are well portrayed.
A fresh concept, brilliant writing, strong theme with excellent execution, this drama have it all. Its a toss-up between "Saka no Tochu no Ie" and this drama for my best Japanese drama this year.
https://www.youtube.com/watch?v=o-8Pt2B66RE
It's recommended to watch this MV after you see the drama. It has additional scenes that makes the ending more beautiful.
Check my Blog for other reviews & other JDramas stuffs. (｡◕‿‿◕｡)
https://thatjapanesedramaguy.blogspot.com/
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I wouldn't recommend it to people who are only into 1. straightforward romance, 2. lots of physical action. It has regular outbursts of action every few episodes alternated with strategizing and processing. It doesn't have many quests neither, only one overarching search of a McGuffin file. (Boy, was The Emperor and his jar a good preparation for this one.)
Just like Nirvana in Fire, Sparrow throws the viewer headfirst into already ripened events and flows like a chapterless novel. It has arcs when a new character is introduced or a focus shifts, and they have consequences afterwards.
The show belongs to Reveal rather than Develop school of character writing. The characterization is rough around the edges at first (it starts from a bulletpoint list of traits - for example, MC drinks Kvass, can't shoot due to a past trauma and puts an act of the playboy and gambler who'd rather be a barber than an agent), but turns into something alive and humane thanks to giving characters an opportunity to form alliances and bond. You can tag it with 'bromance' etc, but it's far beyond it. MC doesn't monopolize the screentime. There's a love triangle/square/meandering hexagon (with tentacles - you should see my chart) at the core, but it's not used as a plot propeller and a sole source of conflict. Close antagonists are humanized. It's chock-full of layered, multifaceted characters with their own mannerism. A line between faked and real relationship is blurred. I'm afraid to say anything more not to get into spoilers.
The first half (one third perhaps?) is mostly devoted to damage control and it lulls the viewer into thinking danger can always be redirected to scapegoats, and then things get real, breaking that expectation. The plot is stretched between an urge to maintain the status quo and a sense of urgency, making this desire impossible. Having spent so much time with all the characters and seeing their circumstances, it's hard to condemn those who on the scale of greyness fall into lukewarm/opportunistic territory or tilt toward derangment (especially since they're so charming or have grand entrances…). As if they weren't already, things get so tangled and tensed no single solution can fix them satisfyingly. The file is just an excuse to watch it all happening. Save yourself the frustration and don't expect more from it.
The show is beautiful to look at, crafted with an attention to detail and the use of music greatly improves the experience. More than once I was just spacing out looking at the colours changing or rewinding little pieces of fun editing of facial expressions/general movement like a cat pulling out tissues out of the box. It's definitely a rewatch material for me, both for just enjoying it visually and for re-immersing into that world. Highly recommended. Safety first!
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This review may contain spoilers
Don’t dread the ending, enjoy the journey!
Princess Agents has most definitely been my favorite drama of 2017. I have been waiting for a long time to write this review and many a times I almost gave into the urge to gush about it to everyone but unlike some impatient little boogers, I decided to wait for the drama to completely air first. I'm glad I did.Even though, Princess Agent's story remained interesting from start to finish, it was the cast and characters that were the essence of the show.
Everyone who knows me, knows that I for one have a lot of love for my lady badasses and Chu Qiao was the definition of a badass. She was brilliant, witty, an excellent fighter, loyal to the bone and fully determined in her beliefs. Nobody could boss her around and she always stuck to what she thought was right. Watching Zhao Zanilia on-screen has always been a pleasure. She's such a versatile actress and her effortless elegance along with her sincere charisma never fails to make her acting seem extremely natural. I loved Chu Qiao so much and her fighting scenes always blessed me with these unexpected bursts of adrenaline rush that left me jumping around in excitement.
One thing I absolutely hate in Chinese dramas are the robotic and emotionless male leads that are perfect in every way and while, YuWen Yue started off as being cold and aloof, he soon began to win hearts with his unadulterated devotion towards our girl. He's someone who's not afraid to express his honest feelings and show his vulnerable side and that is what made him so endearing. Lin Geng Xin put out the acting of his life and was able to easily deliver YWY's innermost emotions without having to do much. The chemistry between Chu Qiao and YWY was simply electric.
Princess Agents was Kung Fu made sexy and these two characters communicated their every feeling with it. Every time these two were in a room together the temperature rose a few considerable degrees until everything felt hotter and a lot more sensual.
However, even though I was wholeheartedly rooting for YuWen Yue, my love for Yan Xun wasn't insignificant in any way. Dou Shawn brought to life, with his stunning acting, an unforgettable character. His transition from a reckless, know-no-better, kind-hearted prince to a cruel and blinded by vengeance duke was heart breaking. No matter what he did, it was so hard to truly hate Yan Xun because he was a man shaped by the scars of his life; someone slowly losing grasp of the humanity that defined him and it was all just such a shame. With his sharp eyes and an even sharper jawline Yan Xun slayed the hearts of the viewers without even trying.
Normally, I despise love triangles. Primarily because I'm almost always more inclined towards one of the male leads and then all the romantic scenes with the other just piss me off. However, deciding between Yan Xun and Yuwen Yue was such a hard thing to do because they were both fully committed towards their love for Chu Qiao. Whenever my heart was cheering one of them on, there came fluttering a scene with the other man that melted by insides. Chu Qiao had significant history and a strong bond with both of them and by the end of the show, I was almost praying for YX to mess up in some way so she could go to YWY.
Another actress whose work needs to be commended is Li Qin. She played the role of the extremely annoying, holier than thou, too stupid to live princess and played it in such a way that she was still tolerable till the end. Chun'er, time and time again made me want to bang my head with the wall. Not only was she extremely naive and selfish, she always ended up making a tragedy out of herself. She had everybody bend over backwards to save her worthless ass from her own mistakes and then she chose to blame others for her failures. All of her schemes always failed and it ended in her being utterly humiliated. So it was only because of the brilliant acting that by the end of the show the watchers still harbored some sympathy for her. Li Qin is undeniably talented and her portrayal of some scenes often left me open mouthed.
Backed by stunning visuals, a hauntingly good soundtrack and a gripping plot-line, Princess Agents was a treat throughout. It had me waking up at 7 am every morning because I wanted to see the new episode as soon as the subs were released. It had me watching entire episodes in raw form just because I was too impatient to know what happened next and it had me wishing away my weekends because I had no episode to look forward to then.
All in all, this review clearly shows how much I loved this drama so you must be wondering why then, did I not give it a solid 10? That is where we address the elephant in the room. Up until most of the show, I was willing to give it a 10 without a second thought and then came the outrageous ending.
The drama ends with the worst cliff hanger in Asian Drama history with absolutely nothing resolved. It's like the thing that you've been looking forward to throughout 67 episodes finally appears and when everything is at its peak, the show ends and your celebratory moment is snatched away from you. However, it would've been all okay if a second season with the same cast had been confirmed. Then this horribly disappointing finale would've been converted to a powerful episode that filled one with anticipation for the next season but that is not the case. The news for the second season is muddy at best and there's a high chance that the actors for the show will be changed out.
That is what makes millions of viewers so angry and devastated because this seems like a huge injustice. A disrespect to the drama, the actors who worked their ass off and the viewers who had been wholly attached to the story. What we wanted was closure but instead it was like we were handed the short end of the stick. The last few episodes were filled with unnecessary filler trash and the writers cramped everything into the finale, shoved all of it under a rug and dusted their hands with it.
This is the reason why this show could have been something phenomenal but ended up having its head cut off due to poorly planned decisions made on the behalf of the Princess Agent's team. Just like in the show the foul actions of an insecure King ruined the lives of many, the reckless actions of the drama creators eradicated many hopes.
I myself felt betrayed. The ending was like a personal offense and all the hours invested into the drama suddenly felt wasted. In that moment I wanted to give it a 4/10 rating out of rage, which is why I completely understand the low reviews and the hate comments. Once you see the ending, slowly you start to judge the entire show and downplay everything about it. All the things that seemed so great before, start to leave a sour taste in the mouth. However while I understand it, doesn't mean I would do the same myself because even if I had known beforehand the way it was going to end, I would have still chosen to watch the show. Because upon further thinking I realized that for me being on this journey with these amazing characters and creating a bond with all of them, alone was a great experience and discrediting the whole show just because of the ending seemed unfair.
So if you're considering watching it, don't dread the result rather enjoy the process.
Good Luck!
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a real marmite drama
honestly this is such a split reaction to a drama 😂 I totally get why people don't think it's amazing but I think it's getting more hate than it needs mainly because it came out after kinnporsche which was a lot more mature. tbh if you like a typical Thai BL even if it's a bit cheesy then I think you'll like this! I have dropped dramas that are rated higher and honestly I'm quite liking this!! I think it's worth giving it a few episodes as it's kinda addictive. I find myself excited to see what happens every week and I'm very pleasantly surprised by Kamols actor as I thought he wouldn't pull off a mafia type but he acts it well. sure its not perfect by any means but certainly worth a try especially if you can go in not comparing it to kinnporsche.Was this review helpful to you?
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