This review may contain spoilers
SPOILER FREE: This is a must for suspense/psychological drama lovers. The plot is quite intriguing and the acting was really good. Masaki Suda was amazing (again) and the plot is full of twists that keeps the viewer on the edge. This series was highly entertaining and it was easy to watch. The death of Reina is a mystery to all and the viewers try to understand what will happen next. It wasn't perfect, but it was still powerful.MAJOR SPOILERS!!!
From the beginning, this series shows the effect that social media have on our society. The drama gives us, each episode, a new clue about the main case and as viewers we try to uncover the crime/suicide of Kageyama Reina. The truth is slowly revealed and as a person who watched the show I expected a great conspiracy or something even if the actual reason is something that is shown -one way or another- in the first episodes.
This show was a message to everyone in a society that can't live without social media. Almost everyone has one account -or more- on sm and it takes away a part of our lives.
The ending was brilliantly filmed as Hiiragi talks on the camera, about who the real killers are pointing to everyone who is watching the series and therefore uses social media. A harmful word -intentional or not- can cause great damage to someone even if that person doesn't know us personally. The anonymity of social media gives everyone the opportunity to give their opinion no matter how harmful that can be. I loved the comments that Hiiragi received while he exposed the truth, as it was the most realistic reaction that could happen. It is not only that some can't accept the truth, but the most terrifying thing is the ones who don't understand that they did something wrong. It was great to show that the purpose wasn't to stop what we call cyber bullying, but being able to change even one person. As someone said if we want to change the world, first we must change ourselves.
To everyone who watched this - including myself - this is a great opportunity to double check before posting anything and thinking before talking, because our words can really be the knife on someone's hand.
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Hell hath no fury like a woman scorned.
This excellent adaption of one of Gu Long's best known works 绝代双骄 is also known as peerless or legendary twins. The cringey English title is a shameless bid to advertise the main leads as eye candy idol actors. This delightful romp through jianghu is faithful to the original story and checks all the boxes in terms of what a true blue wuxia ought to be.This is a typical Gu Long plot structured around one overarching conspiracy that comes to light after the main protagonists encounter many adventures and solve a few smaller related mysteries. A woman scorned by unrequited love sets out to extract a terrible vengeance by separating twin brothers at birth and raising them to kill or be killed by each other. As the leader of the powerful Yihua Palace, she raises one of the brothers Hua Wuque (Hu Yitian) to be a stellar martial artist whose mission is to hunt down and personally kill the wicked Jiang Xiaoyu. Wuque is a handsome, refined and righteous but overly naive and reserved young man who is the spitting image of his father Jiang Feng.
Wuque's brother Jiang Xiaoyu (Chen Zheyuan) is rescued by Jiang Feng's sworn brother legendary swordsman Yan Nantian and grows up under the influence of the ten great villains of Wicked Canyon. He is renown for his intelligence (mostly due to self praise) and is a lively, charismatic and healthily skeptical young rogue. Less skilled than Wuque, he relies on his deviousness to squirm out of tight situations. He is a determined bachelor that evades several persistent young women before meeting his match in wit and resourcefulness. This embroils him in several romantic entanglements and triangles. During his many colorful adventures, his path crosses with Wuque and they become friends and allies. Together they tackle their main antagonist, the scheming Jiang Biehe and his son Jiang Yulang. Despite their disparate upbringings and appearing on surface to to be polar opposites, both brothers are innately good natured and have common values that bind them in a deep friendship. Nonetheless in accordance with jianghu code of conduct, they must fulfill their vow to face each other in a predestined duel to the death.
The plot and the many archetypal characters in this well known story may seem tropey and unoriginal but Gu Long was one of the pioneers of the modern wuxia genre. If this feels familiar or like something you have watched before, it is more likely those stories or characters were influenced by this rather than the other way around. It is easy to follow because the audience is usually one step ahead of both protagonists and antagonists and knows the big secret that they are brothers. It is a favorite of mine because the overused revenge trope is handled compassionately and does not devolve into simply just an eye for an eye. All of Gu Long's women are capable of being frighteningly single minded in love, unscrupulous, vindictive and utterly ruthless and unforgiving. One of these bad-ass ladies always gets the guy but this is from the 1950s so while there is romance, it is very chaste by today's standards.
I was really impressed by the cast. Many important roles were played by young and upcoming actors and this was very obvious in the first 4 episodes. After that, almost everyone got into character and it came together quite well. While Chen Zheyuan somewhat overacted Jiang Xiaoyu, he is a very versatile and charismatic young actor. He just needs to not try so hard, be a bit more nuanced and develop his own style. Similarly Hu Yitian's Hua Wuque was a bit too restrained or underacted initially. But they had great chemistry and really excelled at showing us how the brothers grew to become more alike as they got to know each other. I must also mention the awesome cat and mouse encounters between Jiang Yulang and Jiang Xiaoyu - what an excellent villain! I actually found this to be the best acted, most nuanced main role.
Finally in terms of what makes or breaks any wuxia it is the fight scenes. These really knocked the ball out of the park - they were truly awesome - excitingly and powerfully choreographed with the right balance between stills, slow motion and non-stop movement. And naturally it is Gu Long so it is a total feast in terms of the number of heart stopping lethal clashes between some very colorful, slightly eccentric martial arts champions with wildly improbable combat abilities. I love this stuff and immediately rewound and re-watched each epic clash.
What a fun, well paced, light heart-ed and engaging wuxia. I wish all adaptations of the classic, best loved Gu Long and Jin Yong wuxias get this kind of quality remake. Two thumbs up!
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And yet, it's a little story not easily forgotten, one I fell in love with at first sight and rewatched with equal pleasure. To me, Nao and Hiroto are an assumption, one of those couples I have stored away like a cameo.
The progression of their love story is narrated with sweet candour, acted beautifully and without needless exaggerations. It's the first role I saw Kamenashi Kazuya working in and even though in the meantime he's matured, I still consider this to be his best interpretation. Ayase Haruka is so believable in her whimsical pouting one can't help becoming extremely fond of her too.
And although the plot may seem ordinary, the small details of their interaction, the friendship, Hiroto's narration in first person, their young enthusiasm and depth of emotions are memorable.
The music by Ike Yoshihiro is wonderful. Possibly the best drama original soundtrack ever.
I recommend this dorama to those who still remember their first love and will relate to it, and to those who have forgotten it, as a mean to recall its bitter-sweet flavour.
I have watched this drama... 4 times: no need to explain why I gave it a high re-watch mark.
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This review may contain spoilers
Years after the “Yes”-word, and yet a substantial love story, touching without being kitschy
"The Wind Blows" sounds quite inconspicuous, but it is not. It turns out to be a moving love story. Actually it is rom+/-com that starts exactly where other love stories end: with the ´yes´ word. The KDrama tells of what can happen when the butterflies (in the face of the new) are followed by ordinary years of shared, sometimes painful everyday life relationship... But that's not why love has to be gone missing. On the contrary... yet eventually, love might find it harder to take its space...The title "The Wind Blows" refers specifically to the moment when the two protagonists first met many years ago. At that time the wind was blowing. What started then is not over yet. Figuratively, the wind is still blowing. However, the everyday challenges of aging have now added to their married life. The two must meet those challenges. It is rather common that one may be tempted here and there to make solitary decisions instead of communicating. One may have doubts if there still can be a way together. Every now and then it seems that such a common path is not (or no longer) possible. And then, maybe, one or the other might open up again.
"The Wind Blows" tells a serious and profound story about a love relationship that has grown out of the first romantic phases. Generally, this is less wanted on screen, as it inevitabely comes with problems, arguments and breakups. (Somehow that's in the nature of relationship - the constant rubbing against each other in a wide variety of ways actually leads to feeling/sensing yourself and the other person in the first place... it doesn't work without it. Does it?) In this KDrama, problems, arguments and breakups are all in, too. But so is love. (...as so often, although we might fail to notice in the midst of turmoil.)
I don't want to hide the fact that Alzheimer's disease is involved here as a stab in the back and at the same time a second chance. Against this background, the story manages to tell sensitively, empathetically and at times ruthlessly about the bumpy stretches of a patient love that has been and remains there over time - even if it is experienced differently over the course of the years, perhaps sometimes cannot be shared and also has changed its forms of expression over time.
The sensitive processing and the emotionally intense acting (great: Kam Woo-sung and Kim Ha-neul) are KDrama quality at its finest, which has once again proven itself to be just perfect for dealing with such a complex subject, which is difficult in several respects. A substantial story, touching without being kitschy.
(Well, I didn´t need the slightly shallow subplot and few unnecessarily humorous sequences here and there. Yet they obviously tried to loosen things up... well...)
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This review may contain spoilers
ONE OF THE MOST BEAUTIFUL AND PAINFUL DRAMA EVER
I knew this drama would have a sad ending from the beginning but WOW.The story is so well written, the acting is SO GOOD and the OSTS are amazing (specially Winter of May). I loved every second of this drama even though I cried my eyes out with the ending.
Go Minsi did a really great job as Myeong Hee, I've never watched a drama with her and she blew my mind! Lee Dohyun also did a really great job as HeeTae and their chemistry was one of the best I've ever seen.
Knowing that Myeong Hee was missing for 30 years and that it took that long to find her body broke my heart. I really hoped that MyeongHee and HeeTae would have their happy ending because they've been through so much to be together.
This show made me you so sad and powerless but at the same time made my heart flutter. I wanted to get inside the screen and protect all of them with all my heart and it hurts so much to know that this was based in a real story and that there are people that are still missing.
I'm really glad I got to watch this drama and I'm really glad I got to know more about the Gwangju Uprising. My condolences to the people of Gwangju that had to get through this event and thanks to "Youth of May" to made us know about it.
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Hard-hitting Psychodrama
This one popped up on my Netflix feed recently and while the premise sounded intriguing, it was the magic words "Toby Lee" that hooked and reeled me in. Toby Lee last seen by me in the historical detective drama Miss Truth isn’t the main character here but he certainly commands a strong presence throughout the storyline. The titular "her" is played by Tiffany Hsu and she gives a sterling performance as the deeply troubled Lin Chenxi, a competent HR recruiter or “headhunter” whose life is thrown into complete disarray on the arrival of a new employee.The show begins with a suspicious death in an aged care facility in a small town. The victim is a former high school physics teacher Xie Zhizhong. The local cops finger a nurse, Yan Shenghua, a former student of his, as the chief suspect. As the show progresses, who done it, however becomes secondary to why it was done. The teacher's death is more or less a MacGuffin to make way for the real story — a terrible destructive secret that sets the stage for family dysfunction, guilt, regret and estrangement.
Lin Chenxi is a busy professional going places in her company. On the surface things seem to be going well for her. But enter Danny (Chris Wu) the cousin of the CEO who is eager to prove himself as the organization’s new rising star. His cocky, glib, overconfident demeanour camouflages a far more sinister persona. Danny, in fact is a sociopathic misogynist and loathes being upstaged, particularly by women. When Chenxi successfully talks a potential recruit into accepting a contract after the arrogant Danny botches the negotiation process, he goes ballistic. He lashes out and deploys the only weapons available to him — sexual harassment which escalates into violence.
These series of events seem to trigger deep seated memories and emotions that seem to set the stage for a mental breakdown. In a state of panic after escaping from the clutches of Danny, Chenxi meets with a road accident and is rendered unconscious.
When Chenxi regains consciousness she finds herself back in the house that she grew up in with her parents and twin brother in their hometown. From then on she exists in a perpetual state of confusion about where she is, who the people around her are and her relationships with them. The folks tell her that she’s been in an accident and seems to be suffering amnesia but why does she have fragmented memories of of a life elsewhere in Taipei with a supportive boyfriend (Toby Lee) who is now nowhere to be found. Much of the show sees her trying to navigate these memories trying to sift the truth from the lies as she becomes embroiled in the investigation of the death of her former teacher and the disappearance of an old classmate. It soon becomes clear that her family and former besties are keeping things from her as she stumbles around in the dark looking for answers.
“Shards” used here is apt as it points to the fragmentary and even unreliable nature of memories. Moreover it also refers to the fragility and brokenness of a soul stuck in a tragic past with no healing in sight. A shattered visage as it were. Furthermore “shards” can also signify the pieces of a puzzle that the audience has to put together as they journey with Chenxi.
As the audience sees events through Chenxi’s lenses, we are inevitably drawn into the same disorientation and speculation. Has she travelled back in time? Has she landed into an alternate universe? Is this all just a really bad dream?
The answers come eventually because the show isn’t just about the sordid past but about the dysfunctional gender dynamics that plague our world today. Sexual harassment opens the door to other unpleasant subjects related to the treatment of women in the workplace, the use of technology to invade women’s most private and intimate spaces. As it exposes the nasty side of cosmopolitan 21st century living, the show doesn’t shy away from taking a broad perspective on how both men and women are complicit in perpetuating such behaviours this side of the sexual revolution.
Despite the hard-hitting subjects covered in these 9 episodes, all of this still manages to arrive at a satisfying and profoundly moving finale. It's no exaggeration to say that this drama probably has the best ending I've seen all year. There’s undeniably an ugly side to humanity that has to be confronted constantly and often it seems to be our default position to do harm even with the best of intentions. In spite of the psychodrama and psychobabble at the end, I don’t find the resolution simplistic. There is an acknowledgement that the past is not so easily expunged and living with mental health issues does take a toll not only on the survivors but also on their loved ones. The goal is healing which will take time and effort.
All in all this is a strong script that’s tightly plotted. The cast as a whole is excellent — young and old. It’s the first Taiwanese drama I’ve watched in a few years because I had more or less given up finding one with a decent script without tons of fillers. I imagine that the format — 9 episodes — helps in keeping this trim and terrific. Regardless of the fact that I found this show engaging and immersive, I can’t see too many wanting to revisit it.
It would be remiss of me to end this review without some kind of warning. This is not a show for the faint-hearted, it’s certainly not for those who will be triggered by images of sexual assault especially if that’s been a feature of their past. Even though I’m someone with a strong stomach for crime shows, I too found those scenes disturbing and confronting.
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From the setting of some kind of a demon possession being the reason for the existence of undead people, this drama could have been a fresh take on the zombie genre. Well, since the drama had been permanently taken off-air we would never know how the drama plot could have unfold.
Casting-wise and writing-wise, if one could try to judge from the initial two episode, it does appear that there's a lot of care and detail done to get people to become interested in the drama plot. For one, this is an interesting take on King Taejong as compared to quite a number of dramas that did feature him in the past and there was a lot to be curious about regarding the troupe that ended up coming in contact with the third prince as well as the mystery surrounding this Azazel entity. And drama already was dealing with a situation of dead people coming to life in ancient Joseon. THAT itself was already a fictional setting... so I don't really get to uproar over the 'historical inaccuracies' especially when there are ALOT of other sageuk dramas that already made various interpretations of historical figures that may or may not be accurate anyway. As in there are plenty of sageuk dramas that depicted the same historical figures as BOTH evil and good on different dramas to fit a certain narrative so why now only that people making such a fuss about this for Joseon Exorcist? Why don't they do that for the other sageuk dramas that do this? It's ridiculous, to be honest!
Regardless, even if the writing of the drama was really problematic, considering the drama only just started there shouldn't be much problem to just ask the writer to make adjustments/rewrites to their writing and refilm the rest of the drama. If other productions can do that like with Delayed Justice and River where the Moon Rises where they paused airing and recast and refilm the scenes to remove appearances of problematic actors, the same should be possible for this drama. Banning this drama without allowing the production to make amendments to the drama to fix the problematic scenes/plot was an overreaction. What about all the works that has already been poured into this and Jang Dongyoon even got hurt! It was unfair to everyone who have worked so hard to make this drama only to have almost the entirety of the production scrapped.
While it was understandable that everyone would be wary about how some chinese people trying to claim certain aspects from kdramas as theirs, I hope people wouldn't be too rash in trying to cancel everything recklessly.
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This review may contain spoilers
Ok so this review is dark and full of spoilers. aand I'm going to vent a lot my frustration so you may hate me if you liked this drama. Then just don't blow your bubble and stop reading now. xDI found this drama on netflix and at first it was our typical, full of cliché (and occasionally cringeness) love story: marriage contract between a poor thing who has a desease and the only donor compatible: the youngest and richest CEO of CEOs history that every woman would like to approach - but for some reasons he doesn't seem to be attracted by anyone, and rumors have him being in a triangle with his secretary male assistant and his male actor friend.
Asians are rather conservative about lgbt so none of them is actually gay, or at least bi. Bi would be a nice plot twist.
But instead we had a really shitty plot twist that will make your jaw drop underground.
Well the signals were there and some bells happened to ring for me, but I know that dramas are often a bit extra, so I wouldn't imagine what was going to happen.
First of all: she had to beg him several times because even tho he was on the donor's list (it means he signed himself in) he didn't want to agree to save her life. That's quite nasty for a premise even for the tsundere archetype to be honest.
Then as they start to "fake" their marriage (he asked her to marry him in exchange of her life, basically. She tought he was gay and needed a cover up - but that's her assumption, not a deception.) he starts to be a bit too controlling: he stated she - a grown woman - was forbidden to drink alcohol (not getting drunk, just to drink a beer for instance), was forbidden to wear skirts over her knee and things like that.
Actually the very alarm for me went on the moment she was walking at the mall with her friend and some guy stole her wallet, only to come back minutes later scared with that same wallet intact, begging forgiveness. How did her hubby knew? Wasn't he supposed to be at work, doing all that office stuff? (seriously I am always amused to see how much free time heads of conglomerates have to roam around instead of directing thousand people in dramaland. And they just sign stuff or scold people when they're rarely seen at their workplace LOL)
Some time passes and they spend lovely time together, they say cheesy stuff and flirt all the way.
And then the ugly thruth: we get to know that the marriage in fact was the masterpiece of the dick moves to approach a girl you like: he stalked, photographed her, got reports about her FOR TWO FREAKING YEARS and planned ahead the whole marriage thing by bribing doctors and forging documents about her having leukemia, when she was just anemic!! That would be GENIAL if only this drama was tagged under "thriller". But it's a rom com instead. How romantic! Let me spread some rotten flower petals here.
Because asking her for a coffee was too mainstream? We get to see in flashbacks she wasn't a cold, difficult to approach person, the exact opposite!! In fact he fell for her because they met by coincidence and she helped a stranger (him) without asking anything in return.
Even with his turbolent past with a severe father and a uncaring mother (she was a real bitch, let me say it moreover because she seemed a poor victim of the father too when she tried to steal his son's company at first occasion. wtf.) I think that's not logic at all. And also why his loyal assistant didn't warn him about the consequences, about how frong this was?? He planned to deceive her and confess the truth only when she had already fallen for him so she would forgive his actions: yeah sure, feed that to the dogs.
If only that she did exactly as he planned.
She discovered the truth, she got angry, she told him how suffocating is his behavior, HE LOCKED HER UP IN THE HOUSE WITH TWO GUARDS "FOR HER SAKE" when she wanted to leave and after couple of episodes they're back together. No consequences, no therapy.
Not to mention he begged her, telling her he wanted to change and after all that, she discovers he bought her apartment in secret. Psycho much? Hello? You didn't learn anything from all that mess?
But let's being serious for a second here because yes it's a fiction, it's a drama so "over the top or die trying" is our national anthem but I felt rather disturbed to see how lightly all the matter was treated. The friends, from both sides, just said: "oh, that's not cool" and that was it. Leaving aside the fact he didn't yell or hit at her, he, in fact, abused her. This was plain domestic abuse. He said what every perpetrator say in this circumstance "it's for your own good, I did it for you".
For the rest of the drama I kept being disturbed by it, I kept thinking the target of this stories are teens and they are easily influenced by everything around them. (It's not an asian only thing, I can use "after" by Anna Todd as another bad example.)
I just don't think it's a good idea showing manipulative characters justified and forgiven like that, without at least some therapy. Yes, he's a victim of his father too and I am prone to be more comprehensive, but it's not enough for me to excuse him or giving him a second chance right away.
I think it's also disrespectful towards all the people out there who are abused by their partner, trapped in this nightmare.
You may think "yeah but it's just fiction!" and I may agree with you except that seeing often those things as normal and romanticized even is very harmful for young minds. If he wasn't rich and handsome would you be on the same page as now?
Here's a really fitting example of what I'm trying to say: we're all educated that pink is a feminine color. A boy would be ashamed to wear pink (Jia Fei was more convinced that Wen Li was gay because he liked that very color) but isn't it just a pale hue of red? That's how our brain works: we get used to things and finally think they're normality. Ling Yi Zhou himself is a perfect example: he's so used to be manipulated by his father he thinks he's normal to treat his partner as some pet.
I was sad to see people willing to cheer for them at the end, while they were so severe to the second fem lead girl who basically did the same thing to Ling (she ipnotized and drugged him to forget his wife so she could stand a chance. This reminded me of Tom Riddle's mother. She tricked a guy to love her with a potion and when he woke up he left her pregnant with the dark lord. That would be a great lesson for both An Ran and Ling Yi Zhou).
I liked how Xia Lin and Chu Yan's friendship developed and that left me with the infamous second lead syndrome. He started as a bitchy rival, then he learned to respect her as a person and they become friends, they talked about stuff and helped each other: sometimes she rescued him, sometimes he rescued her. The true example of an equal and sane relationship.
For me the perfect ending would have been her escaping with him and the controlling dude being on therapy and then after few time trying again to have a relationship with another woman in the right way (or die, while trying to kill the girl and his friend who "stole" her), I think I will pretend that happened and forget about this whole stuff right away.
if it wasn't clear enough I won't recommend this at all xD I would rather keep watching the same old stuff full of clichés without abuse :/
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BEST 2024 costume drama!
So Satisfying all the way through!!!!Li Yun Rui & Meng Zi Yi Underrated for YEARS finally gets their big break!
Li Yun Rui - Always the supporting role. He was ML3 in Love like Galaxy. Supporting characters in many.
Meng Zi Yi - I always thought she looks goddess like and can act well enough for idol dramas, yet she never gets roles like Dilraba.
The pairing imo is fantastic. Both tall and beautiful, chemistry brewing.
The plot is NOTHING special as it's about 2nd chance in life trying to change fate. But unlike the ###s drams before, this is done right with a powerful 1st episode. On a cold snowy night, enters ML w/ silver hair saving the FL from a crashing carriage. Their eyes meet and the scene gives off that that same "A Familiar Stranger" vibe. (Same Director). Ep ends with them falling through the shattered glass into the abyss. Then time freezes as she slowly floats back up passing ML signals the reverse in timeline. The visuals are incredible, the best 1st episode ever! Can other directors just learn from this one?
The next 5 episodes ML/FL hardly have any interactions as they are building up the storyline. Ep 8 on the chemistry is on fire! Of course, if you are impatient and just want the leads face smooching then stick with your short dramas. This is a beautifully paced slow burn romance properly done (IMO) and I am loving every episode w/o skipping any scenes.
The not so perfect:
1. Blossom .... Y Y Y Y Blossom? Why can't they translate the title closer to the Chinese title?
2. ML, bad (General's) hair. umm his face is long, and you just up dewed another 3" of extra dry fake hair
3. Typical one-dimensional bad stepmother, bad uncle, bad dad, supporting actors but MOST of them had a glimpse of turnaround.
4. Insta fall from ep 1. ML/FL needed a bit more scenes ep 2-6.
For the first time 34 episodes felt so short.
All Top notch:
1. Director
2. Story telling
3. Visuals, creativity - Best 1st episode ever!
4. CPs! "Grape staring at raisin" FL big eyes staring at small eyes
5. Perfecting Casting - big or small roles
6. Characters. There are several characters switch between good and evil & the actors pulled it off!
7. Satisfying Ending. No botched up ending with quick killing of the entire cast. No ending ending. No Rushed Ending.
8. Script - Beautiful (level up Chinese.... Yeah my 3rd grade Chinese had issues understanding but I know it's well written
9. Music - elevating scenes
Emotional Hits:
1. Every ML FL scenes
2. Emperor, ML scene Ep 14
3. Yuan Tong realizing he really loves FL
4. Parting scene Wu Shan, FL scene
5. Ep 1 Death of emperor scene
6. Dou Ming .... tragic ending scene
LOVE LOVE LOVE I shall rewatch whenever there's a C-drama dry spell. (This year was a long dry spell)
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M A S T E R P I E C E
I find myself having a different taste than most users here on MDL so I would totally not recommend it if you can't handle slow type of movie especially this one which is 2 1/2 hours long. This movie also contains sex scenes so definitely not for everyone. People with attention span of a goldfish would hate this movie.Jongsu is an aspiring writer; he also works as a part time delivery man. One day while doing his delivery task he bumps into hae min, who is apparently his childhood friend. hae min said she is going to africa and ask jongsu to look after her cat. Hae min comes back along with mysterious guy named ben. One day ben and hae min visits jongsu, later on ben confessed to jongsu his secret hobby.
It is the definition of slow burn no pun intended, utilizing the time to explore the life of the lead character, his affection to Hae min, conflicts with his family and his view to korean society. The film is a character study and Jongsu is just our extension in the movie. The movie is very philosophical in which the central theme revolves around "little and great hunger"(what we want / what we need), it is also very metaphorical, simmering with ambiguity, it's the best example of less talk see it in action and it also loaded with symbolism throughout. Though being the film a slow burn and with its 2 1/2 hours running time, it is by no means a dull or boring movie. It is a hypnotic experience and throughout the movie you will use your brain a lot as mysteries after mysteries unfolds.
Cinematography is topnotch. It's beautifully shot, able to capture the eerie atmosphere on screen. I also love the shots at dawn, it's enigmatic yet mesmerizing. Music just makes this thriller movie 100x better. It is haunting, builds tension, underlines the mood and evokes characters emotion.
Acting is masterful, might be the best I've seen in years. Let's talk about the lead girl first. Jeon Jong Seo as a free spirited gypsy is just brilliant, the way she pantomime eating orange is very believable, the philosophical element of the movie plays here, that's why that scene is important in the movie. She also not just good looking but also has great screen presence. Yoo Ah In who played Jongsu is equally brilliant. The development of his character is handled really well especially during the later part when his character became obsessed. Steven Yeun is not just a guy from walking dead, the dude can really act. I love the way he made the character more mysterious through his facial expressions.
Perfectly crafted movie, you would feel the labor of love put by a director making movies like this. It's that type of movie that you would get something new every time you watch it. Definitely the best movie I've seen this year and the best korean film I've seen in a decade. This is a masterpiece.
If you enjoy the though provoking element and the whole ambiance in this movie I'm sure you would love to read some Haruki Murakami novels.
Check my Blog for other reviews & other JDramas stuffs. (｡◕‿‿◕｡)
https://thatjapanesedramaguy.blogspot.com/
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I would very much like to review it in its own right, i.e. without comparing it to the original Korean version, but I found out it's impossible for more than one reason. First, because the majority of those who loved You're Beautiful were biased towards this remake from the look of the actors alone and didn't even give it a chance; second, because ironically my having watched the original made me appreciate this version a lot more. Therefore, I'll set my usual policy aside and write a comparative review.
I liked Ikemen Desu Ne more than You're Beautiful in many respects.
Despite having kept the plot almost untouched, the Japanese made some subtle changes to this drama which results in a completely different feel to it. This version has a younger look; although the Korean actors were in the same age range as the Japanese when You're Beautiful aired, the first looked somehow older. The aftereffect is that while Ikemen feels like kids playing kids, You're Beautiful is about adults being childish.
Because the Japanese remake lasts half the time as the Korean, they had to condense the original story and cut a good number of scenes. As it seems, they decided on cutting mostly on comedic scenes and secondary characters. I have missed some truly hilarious parts of the original, but at the same time I'm happy they skipped some and didn't linger on aunts, fans, managers and the like.
But what really made it for me is the female lead character. Mio is a sweet, generous girl out of her element, dealing with her firsts: first experience on stage, first friendship, first love. While in the beginning she unwittingly makes mistakes, she shows strength of will and some pride, which makes it easy to connect with her. Go Mi Nam was a über-humble klutz in the beginning and remained such till the very end, a trait which I personally found irritating to say the least. The fact that the biggest part of the comedy in YaB derived from Go Mi Nam's nth mishap made me very happy the Japanese decided to show a girl a little less frustrating and hen-pecked.
This leads me to the male lead. The difference is quite notable too. Ren starts as haughty and impatient, but shows his true colours very soon. He's a softie. The tormented relationship with his mother is stressed upon in this version, so that his yearning for affection and eventually falling for Mio comes out as very natural. Tae Kyung, on the other hand, is an arrogant young man who learns to think about others too. But we have to wait until the very last to see his transformation and even then he can't do without a couple of bravados or two.
This is why I loved Mio & Ren as a couple, while I barely tolerated Mi Nam and Tae Kyung.
The other "angels" grew on me. They may not be as good-looking as the Korean, but I believe they played their roles well and I refuse to start a debate on the most undebatable issue on earth: taste. As a group, the Japanese A.N.Jell look more like friends than their Korean counterparts. The relationship between Ren and Shu (Tae Kyung and Shin Woo in YaB) is better explored in IDN and I truly liked to watch them fight for the love of Mio.
I have a hard time rating the music. Some songs are the same as in the original, but in Japanese. I didn't care much for them and I think the Korean sang and executed them much better. On the other hand, I truly loved the instrumental music played in between songs. The piano piece is lovely, and used in just the right scenes.
This review has been long enough. I felt the need to write it because I think it's unfair to judge it without watching it to the end and I always get fired up when I read commentaries like "they are ugly" or "they can't compare". If you think you're an unbiased watcher and you like young dramas, give Ikemen Desu Ne a try. You may end up liking it more than expected.
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Story: The story was cliche, but I live for cliches, especially mob-related so basically I adored it. Due to the length, certain very small scenes were a tad confusing if only because the cut into them seemed random, but they soon became clear. By the end of each chapter (which are usually ~15 min. segments), I had a very clear understanding of what was going on, so the confusion wasn’t long-lasting.
Acting/Cast: I’m not gonna lie, for a small studio film, I wasn’t expecting much re: the acting, but I was absolutely blown away. The actors are incredible and create such dynamic characters through facial expressions alone. They were an amazing cast that I would love to see in future dramas.
Music: So cute! The reoccurring song that played every time Gitae and Chisoo had a moment was sweet, gentle, and just downright adorable. It encapsulated that fuzzy feeling of butterflies in your stomach. The music for the action scenes were perfect for creating a high intensity environment, as well.
Rewatch Value: The only reason I am not immediately rewatching this movie is because I have to go to class in the morning. Needless to say, I will be watching this movie many more times in the future.
TL;DR: If you’re looking for a good LGBT movie with great acting, a fun plot, and a happy ending, then Long Time, No See is the choice for you. Please support this movie and the studio STRONGBERRY by buying the chapters ($12) so we can hopefully see more wonderful content like this in the future!
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ML&FL
the drama absolutely worth watching! the chemistry between the leads are cool and charismatic. never thought the drama would be my fav after moonlight Mystique, but it's do play with our emotion with the plot and the life story of both ml and fl previous life!!! The villain role also give their best ever acting. the reunites from the blood of youth to love of the divine tree. To all, please watch this amazing drama from Dengwei and Xiang hanzhi!!! They gave their best in this drama that people never thought!!Was this review helpful to you?
This review may contain spoilers
I have absolutely no idea why there are so many negative reviews about this drama
Listen.I'd like to begin with the fact that yes, many people have different tastes and this might not suit some but it truly wasn't THAT bad as the majority comments say.
I, for one, enjoyed it IMMENSELY. In fact I came out, feeling sad that it ended.
Let's start with the storyline, shall we? There's not much spoilers in this little review but i tagged it just in case.
So it begins in a fantasy realm where our mc Rembrary is a very powerful healing figure. Then he transports to the actual human realm & switches places with a washed up idol Yeonwoo. Min gue did that drastic change in plot really well. You could FEEL Rembrary's confusion and anguish so really kudos to him.
I liked the corny parts too, the comedic bits didn't seem too overwhelming & out of place. It made me laugh out loud many times.
What I don't get is how people expected an aspect of realism when it's purely fictional, even a fantasy genre at that.
It started off good, the premise was promising and with only minor hits in between, it generally delivered well.
For one: i liked that the romance component was kept lowkey so we could focus on Rembrary AND the gigantic pile of tasks he had to accomplish to go back to his own realm. It also gave time and room for better development. Had the romance been early on, I really don't think I'd buy into it. Esp in the later episodes, where they have to MEAN alot to each other in order to take steps that they did to protect each other. Yall will know when you watch it. I think the transition from fan to friend to helper to lover was just fine.
So yes, a slow romance is better than a shallow one.
If I talk about the characters, I liked the mc, i could see him struggle and learn and care and bond. So yes. That made me root for him. Mingue really did the double roles well, i could distinguish between the two just by the look in their eyes.
FL, tho started off a bit shady (that saesang bit i got irked a little but they explain it later so idk but it gets better i promise), and i do feel like her backstory needed more weight perhaps? But she was actually smart and added to the resolution of conflicts rather than just being there as a place holder in the series. She's a capable woman who knows how to utilize her resources for the benefit of the team she manages. If not for her, Rembrary wouldn't have solved half the shit xD
The band members were enjoyable to watch. I wanted more depth to their stories but then again I realized it wasn't their story to tell and we had to focus on our mc. Still I would've liked to see more of them.
One complain i have is: NOT ONCE DID WE GET TO SEE WILD ANIMAL PERFORM IN THOSE GORGEOUS FITS PLS I WAS CRYING AND SCREAMING EVERYTIME THEY GOT INTERRUPTED JFKSKDKSKS
Anyways, the supporting characters were alright. Samjae was so cute and comedic, that man had nothing up there in the head except vibes and air.
Moving onto quite a few important topics that were talked about in the series which I haven't seen anyone acknowledge yet: the talks about mental health, the overall toxic environment that goes in the showbiz, how unpopular ppl are treated, how idols are reduced to nothing but dirt if they don't bring anything to the table, how hard it is to stay steaddfast when chances don't work in your favor, how taxing it is to keep hoping despite knowing it's going nowhere. Plus, there were a few discussions about human nature, selfishness, desires, greediness and goodness. The balance between the two.
So yeah. That was something to watch and think about.
I would say overall it wrapped everything up nicely. I did want the Evil One to actually do something, you know, evil but he was just a man desperate to be loved back.
The last few eps get slightlyyyy draggy what with the Redrin wind up and I thought her reasons didn't add up but like. meh. I didn't care enough about her. I just wanted my boy Rem to unite with the people he's come to care about.
The few plot twists that it DID have left me SHOOK. I did not see those coming at ALL. So kudos to the writer for getting some OOOOs and gasps out of me. That was something.
All in all, it was a good watch and i will definitely rewatch it. It's that light kdrama you search for after you're done watching something heavy. Shits and giggles, a bit plot, fun characters, cute dynamics, weird squads that no one saw coming AND REMBRARY HAVING GAY SCANDALS LMAOOO
I REQUEST you not to go in searching for something mind boggling or life changing (that I've seen ppl expect in the reviews here) bcs it's not. It's a simple plot, simple characters trying to navigate plot conflicts to the best of their capabilities. The good thing is it doesn't get boring. Atleast it didn't to me. It kept things dynamic and that made me not drop it and mind yall, im a very notorious dropper. If I don't like it, I drop it. So extra accolades to this series for that.
I would recommend everyone to atleast give the first 3 eps a chance. If it's up your alley, you'll have a blast and if it's not, well there's plenty of fish to pick from.
That's all I could write bcs i couldn't just watch it get absolutely shit on. It really isn't THAT bad. Kudos to the whole staff for pulling it off.
Hope this hot mess of a review helps someone discover their new fav drama. Happy watching everyone!!!
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The story is excellent. You can see how much effort the writer and director put into it right from the first scene. While it gets dark and depressing, there is also a light tone to it during some parts. This is the first time I have watched a lesbian Korean movie and found myself highly loving it. While the two women serve as the main characters, Ha Jeong Woo also plays the male lead and has quite a presence throughout. During the entire course of the film, it will give you the feeling of reading a book than watching a film. It's poetic and literary in its narration and the atmosphere of the movie just amplifies all the best parts about the film.
There were a few erotic scenes but I felt like they were tastefully filmed. The girls have good chemistry with each other and Ha Jeong Woo was the perfect barrier between them. I was impressed by how well all three spoke Japanese in the movie (also the supporting cast). Plus the era the film is set in makes it a hundred times more interesting. It's intriguing to see Korea portrayed under the rule of Japan and you can see how much Korean culture was influenced by the Japanese during then. You could watch the movie just for the periodic setting and even then you could enjoy it for that solely as well.
What's cool about the movie is the plot- the conning, friendship, romance, perversion and obsession. There's also a slight revenge aspect to the story which was the main twist and made this movie way more likable. Also the costumes, sets and dialogues are what made it so fun. I swear I blushed during a few parts of the film because I never realized how erotic Japanese can sound with the right diction.
If you wanna know what sets this movie apart, it's the setting/era (undoubtedly) and also the ending. YES. The ending makes it all worth it. The entire 2+ hours will fly by and you will not even notice it. And the twist was so, so clever. Kudos to the writer.
Only watch it if you are over 18 or a mature teen. There are some scenes of torture and hints of BDSM and perversion. They are not too overbearing so do not worry. Just sit down and enjoy it- like me. The ending makes it the best thing ever. TRUST ME.
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