This drama has everything you would expect from and Asian drama AND more. It's all i thought about for days, I literally dreamt of the characters when i slept.
The story, although it is appears to be a stereotypical 'good girl meets bad boy' theme, is actually far more deeper then that. The girl wasn't always so reserved, and the boy wasn't always such a womanizer. It really touches upon the consuming physiological problems that tragedy can create. Its normal to see the male lead 'change' throughout the drama and become a better person while falling in love with the female lead, but it is extremely rare to see both characters changing so much; together.
The acting was amazing. That's to be expected with Barbie and Vic. I laughed and i cried with these characters. I felt their heartbreak as much as my own.
Its the rare kind of drama that gets better with each passing episode, and at the end you just wish you could watch it all over again with new eyes.
I would recommend this to anyone.
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Music Lovers
Just finished the ending of this series on YouTube and I feel the urge to write a review. I’ve mixed feelings, because I’ve been hooked by every episode, but felt some irritation as well.Synopsis
All her life Yang Zhen Zhen (Janice Wu) wants to be a pop artist. She works as a jack-of-all-trades at a major music agency, in the after hours she puts all her energy in talent shows. She never wins, but she decides to aid her former contest opponent Yu Zi Rui (Niu Jun Feng) to become a star one day.
Zhen Zhen is friendly, optimistic, fighting for her beliefs. That’s why her boss entrusts her with the difficult task of being a personal assistant to c-pop artist Zheng Bai Xu (Huang Zitao). Bai Xu is the big star of his agency, but he’s pursued by media scandals due to his unpredictability and unrestrained actions. He gives Zhen Zhen a lot of head aches and anxiety. They bicker non-stop, but are in fact kindred spirits. They both like to live and fight for their music. Bai Xu wants to become his own singer-songwriter but his agency won’t let him, earning money from his career as it is. Question is: will they succeed in living their life the way they want to?
The Good
Don’t expect just another c-pop vehicle for ZTao, this drama has some good side stories, f.e. the relationship with his rich father and siblings, and there's a nice flow in the story telling.
If you’re a fan of Janice Wu, you won’t be disappointed. She really shines. Although her character should have clothing that is plain and simple, her styling is perfect, every episode another outfit. Also ZTao doesn’t look bad when he leaves the swimming pool, and together they have a lot of cute, sweet moments. The supporting cast delivers a good job as well, especially the ideal-son-in-law Niu Jun Feng who plays a darker sort of character for a change.
The Bad
It is almost symptomatic in Chinese series, but there it is…this drama fails to deliver a sound closure. Really, how difficult can it be to portray a struggling artist who becomes a succes in the end, in his own right, without the help of his rich father, or agency? I won’t give any spoilers, you’ll have to see this for yourself.
Another minor thing, the styling of the actors is great, but it pains me to see what they did to ZTao. His lipstick is thicker, pinker than anyone. Combined with his dramatic hair-do and eyeliner he looks more like a drag queen to me. The only time I could believe Zhen Zhen would fall in love with him, was at the pool and on the beach where he was filmed without the heavy makeup.
Thanks to Janice the chemistry with ZTao was on point, but it took a long time before they kissed, and when they did, it was an anti climax for me. Aigoo, I was waiting for a lingering kiss full of intense emotion, not a touch of the lips left in "pause" mode.
Verdict
Still I recommend this c-drama to all romcom/music/boss-secretary lovers. Leave your brain on the shelf and enjoy this classic story about the arrogant male and his female assistant who become of one mind completing each other.
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Hell hath no fury like a woman scorned.
This excellent adaption of one of Gu Long's best known works 绝代双骄 is also known as peerless or legendary twins. The cringey English title is a shameless bid to advertise the main leads as eye candy idol actors. This delightful romp through jianghu is faithful to the original story and checks all the boxes in terms of what a true blue wuxia ought to be.This is a typical Gu Long plot structured around one overarching conspiracy that comes to light after the main protagonists encounter many adventures and solve a few smaller related mysteries. A woman scorned by unrequited love sets out to extract a terrible vengeance by separating twin brothers at birth and raising them to kill or be killed by each other. As the leader of the powerful Yihua Palace, she raises one of the brothers Hua Wuque (Hu Yitian) to be a stellar martial artist whose mission is to hunt down and personally kill the wicked Jiang Xiaoyu. Wuque is a handsome, refined and righteous but overly naive and reserved young man who is the spitting image of his father Jiang Feng.
Wuque's brother Jiang Xiaoyu (Chen Zheyuan) is rescued by Jiang Feng's sworn brother legendary swordsman Yan Nantian and grows up under the influence of the ten great villains of Wicked Canyon. He is renown for his intelligence (mostly due to self praise) and is a lively, charismatic and healthily skeptical young rogue. Less skilled than Wuque, he relies on his deviousness to squirm out of tight situations. He is a determined bachelor that evades several persistent young women before meeting his match in wit and resourcefulness. This embroils him in several romantic entanglements and triangles. During his many colorful adventures, his path crosses with Wuque and they become friends and allies. Together they tackle their main antagonist, the scheming Jiang Biehe and his son Jiang Yulang. Despite their disparate upbringings and appearing on surface to to be polar opposites, both brothers are innately good natured and have common values that bind them in a deep friendship. Nonetheless in accordance with jianghu code of conduct, they must fulfill their vow to face each other in a predestined duel to the death.
The plot and the many archetypal characters in this well known story may seem tropey and unoriginal but Gu Long was one of the pioneers of the modern wuxia genre. If this feels familiar or like something you have watched before, it is more likely those stories or characters were influenced by this rather than the other way around. It is easy to follow because the audience is usually one step ahead of both protagonists and antagonists and knows the big secret that they are brothers. It is a favorite of mine because the overused revenge trope is handled compassionately and does not devolve into simply just an eye for an eye. All of Gu Long's women are capable of being frighteningly single minded in love, unscrupulous, vindictive and utterly ruthless and unforgiving. One of these bad-ass ladies always gets the guy but this is from the 1950s so while there is romance, it is very chaste by today's standards.
I was really impressed by the cast. Many important roles were played by young and upcoming actors and this was very obvious in the first 4 episodes. After that, almost everyone got into character and it came together quite well. While Chen Zheyuan somewhat overacted Jiang Xiaoyu, he is a very versatile and charismatic young actor. He just needs to not try so hard, be a bit more nuanced and develop his own style. Similarly Hu Yitian's Hua Wuque was a bit too restrained or underacted initially. But they had great chemistry and really excelled at showing us how the brothers grew to become more alike as they got to know each other. I must also mention the awesome cat and mouse encounters between Jiang Yulang and Jiang Xiaoyu - what an excellent villain! I actually found this to be the best acted, most nuanced main role.
Finally in terms of what makes or breaks any wuxia it is the fight scenes. These really knocked the ball out of the park - they were truly awesome - excitingly and powerfully choreographed with the right balance between stills, slow motion and non-stop movement. And naturally it is Gu Long so it is a total feast in terms of the number of heart stopping lethal clashes between some very colorful, slightly eccentric martial arts champions with wildly improbable combat abilities. I love this stuff and immediately rewound and re-watched each epic clash.
What a fun, well paced, light heart-ed and engaging wuxia. I wish all adaptations of the classic, best loved Gu Long and Jin Yong wuxias get this kind of quality remake. Two thumbs up!
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This review may contain spoilers
Beautiful xianxia drama that may have its flaws but overall is still worth the watch
Before I get into this, I would like to say that negative reviews have had no effect on me and I think Zhou Dong Yu looks the part.This story follows Shang Gu as she lives up to her role as the leader of the four immortals and takes responsibility for the realms.
The story starts out somewhat stereotypical: Shang Gu needs to get stronger so she trains under Bai Jue. However, the character development was nicely done in this: Shang Gu grows from a mischievous, useless goddess to a powerful, self-sacrificing leader. Bai Jue also begins to open up, and the chemistry between the two is adorable. Shang Gu is like a puppy dog of happiness whenever she's around Bai Jue! The plot also begins to pick up around 4 episodes too, and the story becomes very interesting.
The second life is also neat, but one of my only criticisms of the show comes here: Shang Gu(or Houchi in this life) becomes a bit wooden. Zhou Dong Yu still acts out Houchi like she was the strong female ruler she was, but after 30 episodes it starts to get a little stale and unbelievable. In Xianxia dramas (or any drama, really) I wish to see a lot of character development and growth. Shang Gu experienced emotional and physical growth, but I'm not sensing a lot of emotional growth from Houchi where it feels like there should be some. She still faces problems and reacts to things in exactly the same way for 20 episodes straight. I find it hard to believe that her personality will change drastically when she becomes Shang Gu again too. Despite this, I still enjoyed the second arc.
The third phase (starting from the return of Bai Jue) was both the best and the worst phase. It was the worst because in some places, there were some cheesy and unbelievable scenes, such as (no major spoilers) when everyone stood in a circle around Bai Jue and Jing Zhao and watched everything unfold without reacting. There were some pretty shocking things happening, so the vast majority just standing there like statues kind of took the emotional impact out of that moment for me. Another thing is Shang Gu interacting with Bai Jue during the period when they weren't on the best terms. They basically said the same things for three encounters. Xu Kai's acting saved the day because he has the best despairing gaze, but I feel like they needed to switch up their interactions a bit.
Now for the best parts (and these override the bad parts by miles ). I said above that I may not like Zhou Dong Yu's acting in the third arc, but I was pleasantly surprised. Her acting, like in the first arc, feels lively, spirited, and quick-witted. The second great thing is actually the villain's development. I want to give props to Jenny Zhang for portraying Wu Huan's character with such depth. Her desperation and resignation of fate led her to her actions, and I can even relate with her a bit. Her story was well written and her ending was justified. And that leads me to the third thing. Ancient Love Poetry has one of the best endings that I've seen. All the characters were written off nicely, everyone got what they deserved, and the ending was beautiful. Nothing felt rushed or unsatisfactory. The ending sealed the deal for this drama being a great drama overall.
About the main characters: I sometimes felt Zhou Dong Yu could've acted some parts with more emotion. She's awesome at the cheerful/intellectual/imposing scenes, but her sad scenes aren't totally there yet. Xu Kai is great; he goes from an emotionless True God to a hot-blooded immortal, and he's great at subtly showing his emotions in his third form. Like Zhou Dong Yu, his acting is also a bit wooden at times, but his emotional scenes hit me where it hurts. He's got some great acting abilities. Despite their individual acting, their chemistry was adorable. I also liked the fact that their relationship was not a stereotypical guy-is-the-best-at-everything relationship.
The side characters are a joy to watch in this show. I love them all, from the friends to the villains. They are multifaceted and compelling, and I'm as invested in their stories as I am in the main couples'. Wu Huan is a dislikeable but understandable villain, Yue Mi and Feng Ran are friends with interesting backstories, the other immortals are all people with flaws struggling to do their best, and the Demon Tribe is just another group with its own troubles and stories. Tian Qi is actually one of my favorite characters. They are part of what makes this show charming.
For the animation: the trailer was beyond beautiful, but making every little part look amazing is going to cost a lot of money, and this drama is already CGI heavy. However, this show is the best-edited among long-length xianxia dramas up to and during its air. It really is dazzling and gorgeous.
Overall, Ancient Love Poetry is definitely a drama worth watching, and despite my criticisms, the number of great scenes vastly outnumber them. Also, once you get deep into the story, you want to know what happens next!
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M A S T E R P I E C E
I find myself having a different taste than most users here on MDL so I would totally not recommend it if you can't handle slow type of movie especially this one which is 2 1/2 hours long. This movie also contains sex scenes so definitely not for everyone. People with attention span of a goldfish would hate this movie.Jongsu is an aspiring writer; he also works as a part time delivery man. One day while doing his delivery task he bumps into hae min, who is apparently his childhood friend. hae min said she is going to africa and ask jongsu to look after her cat. Hae min comes back along with mysterious guy named ben. One day ben and hae min visits jongsu, later on ben confessed to jongsu his secret hobby.
It is the definition of slow burn no pun intended, utilizing the time to explore the life of the lead character, his affection to Hae min, conflicts with his family and his view to korean society. The film is a character study and Jongsu is just our extension in the movie. The movie is very philosophical in which the central theme revolves around "little and great hunger"(what we want / what we need), it is also very metaphorical, simmering with ambiguity, it's the best example of less talk see it in action and it also loaded with symbolism throughout. Though being the film a slow burn and with its 2 1/2 hours running time, it is by no means a dull or boring movie. It is a hypnotic experience and throughout the movie you will use your brain a lot as mysteries after mysteries unfolds.
Cinematography is topnotch. It's beautifully shot, able to capture the eerie atmosphere on screen. I also love the shots at dawn, it's enigmatic yet mesmerizing. Music just makes this thriller movie 100x better. It is haunting, builds tension, underlines the mood and evokes characters emotion.
Acting is masterful, might be the best I've seen in years. Let's talk about the lead girl first. Jeon Jong Seo as a free spirited gypsy is just brilliant, the way she pantomime eating orange is very believable, the philosophical element of the movie plays here, that's why that scene is important in the movie. She also not just good looking but also has great screen presence. Yoo Ah In who played Jongsu is equally brilliant. The development of his character is handled really well especially during the later part when his character became obsessed. Steven Yeun is not just a guy from walking dead, the dude can really act. I love the way he made the character more mysterious through his facial expressions.
Perfectly crafted movie, you would feel the labor of love put by a director making movies like this. It's that type of movie that you would get something new every time you watch it. Definitely the best movie I've seen this year and the best korean film I've seen in a decade. This is a masterpiece.
If you enjoy the though provoking element and the whole ambiance in this movie I'm sure you would love to read some Haruki Murakami novels.
Check my Blog for other reviews & other JDramas stuffs. (｡◕‿‿◕｡)
https://thatjapanesedramaguy.blogspot.com/
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A promise in front of the moon yet beyond the light.
Are you confused because of my title? Let's examine and resonate what, how, why, when, where and find the answers.Note: It's a obvious that ITSAY is way better than IPYTM but will you actually discredit the work? NO, Never do that. Let's talk. If you haven't watched you can skip the 2nd part for now.
1st PART: REVIEW
ITSAY (s1) is indeed a game-changer in the world of Thai BL, being the best ever Thai BL ever produced; it is inclined more towards the LGBT pov of a BL, yeah! But If we are gonna compare it with IPYTM (s2), it's better to realize that we are on the wrong boat. The type of storytelling, as everyone can feel and see, has obviously changed from "an artistic narration of love that complements a soul" to "simple narration of love that doesn't want to be bound within limits" kind of story.
THE TITLE:
So when the title of the 2nd season along with the first poster was released, everyone was so happy but at the same time difference in interpreting the title was seen. Many people perceived it as 'one pledging their lover to do anything for them at any given cost' and others explained it as 'promising something that's difficult to keep or even impossible to achieve'. Despite of all the speculations, each of us wished for a happy ending even though we were in doubts. But as the series is over what we can conclude is, Moon that's full of spots as imperfection, is also a sign of love and perfection; because even the most perfect relationship has some flaws. Notably, the 1st episode started on a full moon and the 5th episode or finale ended on a full moon depicting how our lives are drawn in full circles, making us come back to the same different spot; but it's upon us to find our way out of it to achieve what we wish for. I am amazed the way the writers put symbolic meanings to it along with the use of various props with deep meanings.
PRODUCTION: There are bigger production companies in Thailand but when it comes to quality, Nadao Bangkok is the BEST among all. I have trusted in Nadao and the team it formed since ITSAY and this time even though Nadao changed the team, my trust still remained the same. I am sure they never compromise when it comes to producing. The quality of their work can never ever be discredited. P'Boss who was the director of ITSAY remained in IPYTM as a producer to supervise everything. I was a little disappointed when Goy was removed from the screenwriters' team but she was casted in the show as a character and I believe there was a reason behind it. After everything, I really wanna commend the entire team who has always believed in the immense study on life, critical analysis and putting best of their efforts in writing, managing and directing the series. People who are fool to misinterprete and jumped into conclusion thrashing and bashing you all for the story don't deseve such a precious series at all. Do not listen to them as I trust you guys must have reasons behind all these when you clearly knew that you'll have to face backlash once it goes on air. Thank you for the courage. Also, Bravo, Nadao! As someone who has always complained about the lil production value of Thai BL industry, ITSAY and IPYTM came as a revolution in the Thai BL history writing a chapter that no other can ever claim.
STORY: I am really not sure how to explain but let me tell you, you will never see such realistic approach in any other BL series as they've shown us in both ITSAY and IPYTM. I feel the entire crew that includes the directors, producers and the screenwriters are masters of storytelling on individual level and their combined efforts has been successfully paid through the series. Both ITSAY and IPYTM are more like "feeling-based romance" stories with very heavy plots and despite the obvious changes from one season to another, IPYTM still kept us going for the quality work put by the production and the cast. ITSAY was an awakening and realization of blooming youth whereas IPYTM is a reflection of struggles of adulthood or precisely the process of adulting as an individual and evolving in a relationship. Given both the seasons have 5 episodes each, there was no way to be bored or feel like it's going slow because every episode is filled with a lot of solid contents. I really don't know how to express my feelings for the fact that IPYTM is so very realistic and relatable that threatened the inner-self of lots of people. May be that's the reason a large no of audience are disappointed for they were shown their own reflection through the story, hence making them dislike it. Not just the main leads, rather each and every character we encounter in this series more or less represent us and our life who either run away from reality or chase after it. Both the seasons are coming of age stories set in different premises and involves different stages of life. They in fact have proved that how one's persona can define the other at points where two persons are in a relationship and what are the ways to come out of it. Just like ITSAY, IPTYM has been successful in showing the artistic pov of how the turmoil of conflicted emotions can shake lives which is both tragic and eye-pleasing at the same time and hence making the audience hooked up the complexity of the feelings that the character had to go through. Also, it's not an one year or few months story, rather a relationship of years so they had to go through all these anyways. Us being upset is totally unreasonable because people gotta get out of happy-go-lucly fairytale stories. PLEASE.
DIRECTION:
OOF! How many times I gotta repeat it? P'Meen and P'Boss are brilliant directors and stupendous creators of art and probably the best directors Thailand has ever produced. Given their age and experience, they can turn soil into gold which is reflected through this series, ain't it? If you're set to discredit them, please stop wherever you're because you're absolutely moving towards a wrong direction. The way they've set the entire thing and the kind of screenplay by drawing parallels and portraying contradictions between ITSAY and IPYTM is so very fabulous and worth the appreciation.
UNIQUENESS: One of the many peculiar things about both the seasons is that, the series is different from other BL series in which too many illogical plots are drawn. Plus unlike others, in ITSAY and IPYTM the supporting characters have not been portrayed as the sidekicks of the leads who always tag along with the main characters and keep teasing them. Also, the usual BL-fetish fujoshi/fudnashi stuffs have also been prevented from the series where others keep pestering the lead couple (I am in no way demeaning the BL culture since I too am a part of it, rather saying how it's not necessary to put the same thing in every other series). Even a girl like Khim's character was so mature and enough to move our hearts. Another thing is that unlike ITSAY, IPYTM is a time jump story. In five episodes we saw (i forgot) at least 3 or 4 leaps (?) and that included their entire university time plus the last episode was after the graduation and their professional lives.
ACTING: Do I really need to explain a lot about this? I mean give a huge award to the casting director. Nadao could be a small company with few artists but all of them are skilled and quality actors. BK and PP were so into their characters as Teh nd Oh-aew that it felt very real, it's like they've absorbed the entire persona of someone else and turned into real beings and not just mere characters of a series. There are scenes which could seem usual to you but the way they performed is just way beyond the cringeworthy acting of other actors. I mean the way they felt natural is wow and also their accurate facial expressions for every other emotions; in fact what makes ITSAY and IPYTM standout on the top of the pyramid is the performance. Apart from BKPP the supporting characters are also good as actors. Especially Khim (Goy) and Jai (Oab) are fantastic performers who were able to make a strong impressions upon us and I believe the Nadao directors have a part to play in how they've taught the actors in the workshops.
DIALOGUE WRITING: Well, as I have already told, the writers a set of brilliant storytellers and the part of dialogue writing has been so beautifully done that it compensates for even the tragic moments. Some were so simple yet so deep and meaningful, I must say they must have pull the heartstrings of millions. Teh who has been a emotional fool all along this season had not much to say but look at the lines of Oh-aew, Jai and Khim. I felt triggered at points and those things hit just right at my heart.
CINEMATOGRAPHY: Ummmmm, master quality skills of cinematography. I heard even the camera person were changed in this season but I still loved because as I have already told, we are not in the same boat as ITSAY this time. The camera angles were so very apt, particularly during the stage performances and the rehearsals that Jai conducted. The aesthetic views during their first meet on the foot bridge, the aquarium, the temple scene, in Oh-aew's condo scene; everything was done very beautifully and left me speechless. The colour coordination work has been amazingly done by the screenplay editors too and it's sometimes that had ITSAY vibes too. So a plus point for the quality editing too.
OSTs: This is something which many are complaining about but why do we need to do everything as we did in ITSAY? Season 1was definitely made to feel us overwhelming and content hence the old-style deep and pleasing lyricism was introduced. But in season 2, as I have already said that the kind of storytelling has changed, they changed the OSTs to simple and relatable lyricism that somehow felt deep and touched hearts too. I am so in love with the OSTs. One thing to note that, in ITSAY BK has more original tracks than PP and PP was made to cover one, whereas in IPYTM PP has more original tracks plus one cover from BK. Only common thing is in both the seasons, BK and PP has a very beautiful duet. Also, like ITSAY, IPYTM too left us awe with the sound effects that even made the subtle scenes beautiful; no unnecessary editing and no use of OSTs multiple times just for promotion sake.
ENDING: Not gonna spoil but if you're wary about it, please don't be because it's worth it. The series that has left us awestrucken all along during the entire thing deserved this ending. All that matters is the growth, development and the evolution in individual level as well as in a relationship that's been immensely picturized in this. Happy or sad ending, what actually matters is the journey that we have been put through. Believe me, we all are blessed to have ITSAY+IPYTM and we should definitely be thankful for it.
Let me tell you that if you're actually moved by the script, as in cried with Oh-awe, crused your heart out for Teh and hated Jai to your core, congratulations because that's what the team wanted. They've succeeded in their job when you are left with demeaning thoughts towards the entire thing. As already mentioned, ITSAY and IPYTM are nothing but revolutionary examples in the Thai BL industry that deserves much mote attention, recognition and attention. This too deserves a 9.5 if not 10/10.
In my 7 years of watching Kdramas and BLs this is the first time I paid to watch something with the anticipation to have all kinda nostalgia and art like ITSAY. Although it didn't have the same thing as the prequel rather I was hit really hard with reality, it is worth the money I have spent and worth best of the best appreciations.
2nd PART: ANALYSIS
(SKIP FROM HERE UNTIL YOU WATCH. If you want to read my analysis, you can come back after finishing)
Let's analyse!
Cheating is when you do things deliberately, with your full consciousness, without caring about your conscience. So from this, whatever Teh did, can't be considered entirely as cheating, because if being swayed from/getting confused about your feelings is considered as cheating, then more than half of the relationships of the world will fall apart right away as you read my review. Let's understand Teh's situation.
1) Firstly, in the Ep2 he saw his most dear person, Oh-aew growing away from him. It's not like Oh-aew's love for him was becoming lesser but just like many people Teh, who always finds deeper meaning to whatever happens with/around him, felt like with Oh-aew changing his major things between them might change too. He was insecure and afraid to lose Oh-aew whom he loves so much. But he was wrong when he mocked Oh during the dinner with his seniors, because it's okay if you're flustered but he should have taken his time to understand Oh-aew's situation for changing himself.
2) Secondly, after Goy and Top passed out of the Acting School, Teh was left with Jai Only. Because of the club, he never made friends from his dept nor did he hung out with anyone except these 3 people. Morever Jai was someone who was like-minded with Teh. Their field of study, their interest, their choice of career and their way of seeking meaning in lil stuffs; everything matched as if they were meant to be. We as human beings usually tend to get attracted towards someone with similar interest and thought process, isn't it? Many of us end up falling for someone with whom we spend almost all the time of our day, it's psychology. So Teh falling for Jai isn't something very big of a matter though he should has have control on himself as he's already in a relationship with someone else. He should have hold himself back even if he was intimidated by Jai's behaviour. Jai somehow was kind of a jerk even though Teh is to be blamed more for whatever happened.
3) Thirdly, the kissing scene. Yeah, Teh was at fault too but whatever happened was just a spark of the moment. Basically it was a rehearsal plus the scene's purpose was to depict intimacy. So while practising Teh, who was already swayed, ended up doing a mistake without consciousness and he was clearly out of his mind. He definitely did wrong but that can't be counted as cheating, again because that was so sudden during the rehersal and Jai had a part to play in the matter. Oh-aew as expected had to be upset and flustered seeing this and I totally cried all night, not because Teh kissed a 3rd person, rather Oh witnessing it was so tragic. I felt so poor for him.
4) Fourthly, the 4th episode that was an absolute tragedy. Teh who was caught off guard even though he did wrong over intimidation, he should have come to sense when confronted by Oh-aew. He should have understood that being seen kissing with another person by your boyfriend is not a small matter. He should have tried even harder to resist his emotions but that emotional fool! Everything went okay till the final play and was going smooth during the after party but that fool had to go out after Jai and confront him about whatever happened between them even when Oh-aew was present there, why!? He was given a very fair chance by Oh who himself was hurt to the core but Teh just couldn't draw a line and realize that everything should have a certain limit and committed a grave mistake. But still, would you call that cheating? NO! It still isn't because it's not like he did it deliberately behind Oh-aew's back. Oh himself was there and whatever Teh did was without his consciousness and everyone could clearly see that he was totally intimidated. So even if he had acquired some feelings for Jai, it can't be interpreted as cheating.
5) Teh never stopped loving Oh, even when he was swayed by Jai. He obviously was afraid of the fading relationship but he tried well to understand the situation and cope with it plus to make things better in their relationship. He was a fool to be intimidated but at the same time he never wanted to let go of Oh-aew.
6) Ep1 to Ep4 are the story's side from Oh-aew's pov whereas Ep5 and particularly Teh's thesis play which lasted for a short while is from his pov. Please try to understand that too.
On my last note, I wanna remind y'all about the conversation that Oh-aew had with his school friend,Boss. If you were carefully listening them and tried to understand what exactly it meant, then I am sure all my analysis and explanation wouldn't be necessary to prove anything. Also, Teh and Oh-aew's last conversation on the beach made sense to a great deal, if you didn't understand it, I am sorry you didn't deserve it. Life, love and relationships are always unpredictable. So accept it as it comes to you and embrace all the hurdles with grace, and of course, together.
Finally I just want to say that, when it comes to love stories, we only have very few options or let's say 2 options: "moving on" and "reunion". What matters is how that's represented and whether it's reasonable or not. I am truly happy that Nadao didn't let us down. THANK YOU FOR EVERYTHING.
I really hope my analysis, examination and interpretation would help you in better understanding the things and what the directors plus the entire team have tried to convey. If you still don't agree, I welcome any argument in the comment section. Thank you for bearing with this long review, I wish it helps.
Lastly, I TOLD SUNSET ABOUT YOU and I PROMISED YOU THE MOON will forever be in my heart as THE BEST THAI BL SERIES EVER PRODUCED. I am so happy, so content and so grateful I can't even express them through words. Can't really bring myself to say goodbye to TEH and OH-AEW as well the entire thing of 2 years but I will remember everything till the moment I die, I PROMISE.
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True Lies
This must watch crime drama hooked me from the start and commanded my undivided attention till the end. My review is going to be brief because for this drama, spoilers will vastly diminish your viewing experience so best steer clear of the threads until you are done.Three children from broken families - Zhu Chao Yang (Rong Zishan), Yan Liang (Shi Pengyao) and Yue Pu (Wang Shengdi) accidentally record footage of a murder in progress. They bite off more than they can chew when they go toe to toe with the murderer in a deadly cat and mouse chess game that could lead to mutually assured destruction. This is brilliantly written and superbly acted, with dynamic relationships, complex emotions and mirror lead antagonists. The sophisticated and nuanced performances of all three child actors and notably Rong Zishan are impressive beyond words. They are surrounded by a veteran cast that deftly portrays realistic, empathetic characters with very human failings. This is a dark story about how social and familial pressure and occasionally just darn bad luck can make people do both deeply moving and terrifyingly chilling things. The suspense builds naturally as a result of gripping storytelling and acting and is not artificially induced by music.
As a mystery buff, I have loved the unreliable narrator style of storytelling since I read Agatha Christie's "The Murder of Roger Ackroyd". The kind of darkness of human nature explored in this drama also coincides with my other Christie favorite "Crooked House" so this drama checks all my boxes. However, the adaption of this type of narrative style to film is incredibly difficult and usually disappointing - the movie version of Ian McEwan's Atonement is a classic example. So I am just bowled over by how meticulously and insidiously well executed The Bad Kids is. Even if you watch this without blinking, you will inevitably miss many of the true lies and scratch your head as to when and where the lines between fact and fantasy get blurred. There is no shocking "Aha!" moment - indeed initially I was convinced with and unquestioning of my first impression of what happened. I fell for the fairy tale hook, line and sinker. And then insidiously, all the alternate possibilities started to creep up upon me and drew me into re-watching. I watched this two times and and parts of it more than that and yet the ambiguities and different possibilities persist. That is actually what is fascinating, thrilling, chilling and absolutely mind blowing about this experience.
Of course there are some mild logic flaws but this is truly so well executed there is little to pick at without being petty. I can't praise this enough, it has to be the best crime/mystery I have watched as of June 2020. It can hold its own relative to the best in class of this genre not just in China but anywhere and everywhere. Two thumbs up!!!
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Li Chengyin is the character I’ve always wanted to see. He is a complex character living in a treacherous world. He has to use his cunning every single moment of every single day just to stay alive. Every mistake that made him appear soft brought danger to his doorstep, so can you blame him for the person he’s become? He’s so clever in the face of his enemies, but that becomes his downfall in the face of love. You love him and then you hate him and then you love him all over again.
Qu Xiaofeng is such a charming girl. She defies norms in costume/historical dramas wherein she IS the politically-favored wife, she doesn’t have to fight her way to the top of the harem, she has almost no trouble getting along with anyone in the palace, yet she’s put in this lonely predicament because of the narrative Li Chengyin fabricates in his best attempt to protect her. He tries so hard to protect her from everyone that he forgets to protect her from himself. The thing is— she doesn’t need to be sheltered; she’s brave, upstanding and receptive. His attempts to preserve her innocent spirit pushes them further away from each other.
While Chengyin lives in a world of darkness dealing with the demons surrounding them, Xiaofeng is the brightest light, his polar opposite. And that’s why they seem to never agree on anything. In another lifetime, their love could have been a romantic comedy; if he were just a regular tea merchant, they would have lived every single day together, trifling and loving. Their chemistry is undeniable. On top of that, the performance by Chen Xingxu and Peng Xiaoran breathes life into the characters from the novel. They convincingly portrayed every sweet moment and every heartbreak. I still feel strong sorrow for these characters as if they’re actual people I know.
The costumes and cinematography in the drama are so lovely, the characters are charming, the dubbing is really well done, the OST is unforgettable, and above all, the story is beautiful. This drama exceeded all of my expectations. If you’re interested in a tale that dares to straddle the line between love and hate and still manages to make it work, I implore you to give this drama a chance.
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A highbrow production with broad appeal.
The Longest Day in Chang'an is an immersive, visually stunning, culturally authentic and thrilling journey back over 1000 years in time to Lantern Festival in Chang'an at the peak of the Tang Dynasty. This is a highbrow and very demanding drama that is immensely enjoyable even if taken simply at face value. The viewer gets to decide how much they wish to invest in it. The production basks in rich historical and cultural detail that marvels over the intellectual, political, legal, administrative, military, cultural and scientific sophistication of Chang'an and the Tang Dynasty more broadly. The faithfulness to historical accuracy and strong edu-drama aspect to this show has history buffs raving with ecstasy. As a layman, the finer nuances would be lost on me were it not for the many knowledgeable insights on this and other sites. That doesn't appeal to everyone and some have remarked on the frequent historical and cultural digressions that interrupt the story-line. My simple take is that "smart fillers" are better than the nonsensical fillers that other dramas spam us with.The absolutely stunning cinematography is the first and most consistent impression throughout - every frame is beautifully angled to create a visual, vibrant feast for the eyes. Even flames from explosions burst in an artistic pattern of controlled natural assymetry. The production is not shy about indulging in artistic license and is littered with lithe and gorgeously willowy Tang ladies with only one small section acknowledging more ingrained images of the classical, prosperously rotund Tang lady. A number of Chinese manhua worthy characters are almost casually dropped in among the otherwise characteristically Tang dynasty cast including Djimon Hounson's Gao Le, the menacing African slave-trader and lord of Changán's underworld; a deadly female assassin who is fanatically devoted to her radical master; and a wildly improbable Western Persian Prince priest with impressive kung fu and building leaping skills. At the end of the day, this is very much a work of fiction and suspension of disbelief will be required as the lead characters achieve superhuman physical feats and survive certain death. All of which make for gripping, visually compelling and heart stopping action scenes.
The drama is not an easy, light watch. The first season (24 episodes) opens with the intense urgency of a fast moving, action packed thriller as the two leads Zhang Xiaojing (Lei Jia Yun) and Li Bi's (Jackson Yi) race against time to foil a terrorist plot during the Lantern Festival. The constraint of the 24 hour timeline forces the narrative to alternate between the high speed chase, political machinations around a power struggle and flashbacks that set up the backstory; all threads which converge in the unraveling of the conspiracy. The many plot twists interact with an extensive cast of complex characters from various factions with unclear and/or malleable loyalties in the power struggle between Li Bi's patron the Crown Prince and his powerful rival the Right Chancellor. In short, there is already a lot to take in so the occasional non sequitur cultural or historical digression can come off as one thing too many.
It took me a long time to care for any of the main characters in this show. Even relatively "good" characters are flawed, primarily driven by self interests and had questionable loyalties and morals. It wasn't obvious that Li Bi' s cause, the Crown Prince was more worthy than the Right Chancellor. Zhao Xiaojing's dealings with Gao Le alienated me; especially when it appeared his real motive was to protect the reckless and misguided Wen Ran. That episode and short lived character stayed with me for a long time because it is the first of many times that bad things happen to good people. And that is how good people can end up doing bad things. Thus there are no outright good or bad characters in this show, they are all products of events beyond their control. Time and again the drama explores how circumstances can push any character to act against his innate nature and self interest. It is a very realistic portrayal of the complexity of human nature's capacity for both good and evil and was acted out compellingly by a truly superb cast. I started to understand the true spirit of the drama when the plight of the common man of the Peacekeeper Corps moved the phlegmatic Li Bi to tears and made him their reckless champion. The real "heroes" in this drama are the common people; that is why it intentionally neglects the main characters and does not attempt to make you root for them and does not care if they have a happy ending. It celebrates the hardships and unrecognized capabilities of the nameless, faceless, powerless, voiceless man - from the forgotten soldier that gives his life for king and country to the ordinary citizens of Chang'an. It wants you to see them, hear them and care about them.
Season 2 (episodes 25-48) was much more enjoyable for me as the intensity of the chase abates and the narrative focus really zeroes in on the power struggle and the unvieling of the conspiracy and ulitmate mastermind. Finally the lead characters are also allowed to shine and shine they did. Zhao Yi Wei's Long Bo was the most provocative and masterfully portrayed character in the drama. As his path converges with that of Zhao Xiaojing, we see the many parallels between the one who seeks vengence and the one who fights to keep dreams alive.
I was surprised by how much I fun I had unraveling the conspiracy. It was very well done and largely kept to the unspoken bargain of hiding enough clues in plain sight that I was able to figure much of it out on my own. The motives of the ultimate mastermind were not convincing. While I had my eye on him as a suspicous character early on, I assumed he was just a link in the chain but not "the guy". It was a stretch that was probably one plot twist too many. One of the other suspects may have been a more credible choice.
Of course it is a foregone conclusion that the emperor was the ultimate villian. While the power dynamics between a manipulative and insecure emperor and his most trusted advisor and his heir has been done before, it was still extremely very well done here. I was completely satisfied when the son takes a leaf out of his father's book in the ultimate act of emotional manipulation. Checkmate. This was the most satisfaction I got from the ending. The bigger question of whether good things happen to good people is left open.
This is definitely the most epic, most idealistic, substantive and thought provoking drama of 2019. Its biggest flaw is that it is overly ambitious and tries to take on too many themes. That it came together so well is a feat in and of itself but as a result, it was not always easy to watch and certainly not something I wanted to dive right into after a hard day at the office. That said, I truly believe it is a must watch and may even be more enjoyable if taken more simplistically just for its stunning aesthetics, intrigue and action.
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Anyone who knows me, knows that I am particularly hard rater. (I have only ever given one perfect 10 out of over 150 dramas watched). However, this ALMOST made my second, as this drama was utter perfection until almost the very end. Dark, mature, suspenseful. This drama had me on the edge of my seat each episode and desperately awaiting each week’s new chapters. Besides the ending, I LOVED everything about the show: the acting, cinematography, soundtrack, writing, and wardrobe. Everything contributed to an amazing story that was unlike anything I’ve ever seen!!
In this drama, Kim Nam Joo blew me away!! She was unbelievable. However, I must say, EVERY SINGLE person in the cast did a fantastic job. This drama had characters that were so layered and complex, that could tell a story based solely on their eyes and facial expressions. There are so many aspects that I loved about this drama and its characters, as flawed as many of them were. One of the best things about this show, was that it was riveting from episode 1 to episode 16, no filler episodes, and filled with intelligent writing with twists and intrigue throughout. Its only downfall was the finale where it floundered what could have been an epic ending. It is not that it is unhappy or happy and I disliked their choice. Instead it was lacking, weak, and inconclusive.
Originally, I did not start this drama until episode 6 or 7 had already been aired, as I had doubts about whether this drama was for me. I love romantic comedies and have never heard of the leads. However, I am so glad that I tried it because it has now in my top 3 dramas of all time. DO NOT LET THE GENRE OR CAST SCARE YOU OFF--or the ending!!! This drama is definitely worth watching. Highly recommend. :)
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1This review may contain spoilers
Please forgive me if this review's going to be a little unconventional, I'm in no mood for serious considerations on a drama that doesn't take itself too seriously. The followings are random conversations between me and my watching partner, aka my husband (H). Try to imagine us as the two old men at the end of The Muppet Show.H: Why the heck is he (Seung Gi) pining for that almost sister of his when he can have the prettier and much nicer one (Suzy)?
Me: He thinks she's a boy.
H: Rrrrrright. And the winner of Genius of the Year is…
[Kang Chi finds out Yeo Wol's a girl in a slightly unorthodox way]
H: Ok, I take back everything I've said before: the guy IS a genius!!!!
°°°°°°°°°°°°°
[scene: Kang Chi and Yeo Wol are staring into each other's eyes]
H: Whoa, he's finally going to kiss the girl
Me: Hmm, I wouldn't be that optimistic.
H: Trust me, he has that glint in his eyes. He's going to kiss her, I tell you!
Music: "Saranghaee, saranghaeeeeeeeeee, SARANGHAEEEEEEEEEEEEEEEEE…"
[more staring followed by sudden wrist grabbing]
H: Finally…
[off they go eating]
*collective and colourful grunts from the audience*
Me: He clearly hasn't taken after his father
H: Yeah, daddy knew his business. Save the girl, hide the girl, kiss the girl, ta-da… a BABY!
°°°°°°°°°°°°°
[the monk urges Kang Chi to flee for the nth time]
Me: Is that monk ever going to give a valuable advice? Nobody listens to him anyway.
H: Ikr? That monk is as useful as a concrete parachute (he used a different simile, but it can't be repeated here)
°°°°°°°°°°°°°
H: His eyes turned green! What do you think, is he going to morph into Perry Parky now?
Me: Sure, Perry Park would bomb them all, but if you want him to kiss the girl, Shin Se Gi's definitely the one to morph into.
H: Shin Se Gi had red eyes and eyeliner.
Me: True. Like daddy gumiho, now that I think of it.
H: Daddy again. Are we sure Kang Chi's not the monk's child?
(references to Kill Me, Heal Me are sort of involuntary. I hereby decline every responsibility)
°°°°°°°°°°°°°
Me: What do you think is that Gu Book about?
H: A kissing manual?
Me: A recipe for Kimchi, more likely.
"Saranghaee, saranghaeeeeeeeeee, SARANGHAEEEEEEEEEEEEEEEEE…"
°°°°°°°°°°°°
[Kang Chi, his face half covered with a scarf, is surrounded by his comrades, all demanding to know who he is]
Me: Are we the only ones who would recognize him from a 10-km distance? I mean, the clothes, the hairdo, the bracelet…
H: I know. Perhaps they think it's the head Gisaeng incognito. After all, they share 1 neuron among the 20 of them.
°°°°°°°°°°°°°
Me: LOL, now that thug thinks his dongsaeng Kang Chi's gay. A gay gumiho is an interesting take of the trope
H: So he too thinks Yeo Wol is a boy? This drama should be called "The Goofy Family Book"
°°°°°°°°°°°°°
H: Ha, now he's really going to kiss the girl!
Me: You may be right this time. The moment is perfect and the song is clearly suggesting romance.
[7 and a half minutes later, the scene is still frozen like it was 7 and a half minutes before]
Me [making coffee]: Are their heads a little closer now?
H: Hmmm, I'm not sure. 2 cm closer, maybe?
Me: All right, I'm making sandwiches. And please mute that misleading Saranghae song before I explode.
°°°°°°°°°°°
To give this review some semblance of usefulness, let me conclude by saying this is a highly entertaining drama, with a good, rounded-up plot, lots of fun – although laughter is often involuntarily induced - a Seung Gi who never fails to put me in a good mood by simply existing, a lovable Suzy, a despicable villain with a certain, almost compelling elegance, good romance and a fairy-tale feel that won't let you down. Recommended to everyone looking for a light watch with glints of unexpected depth and an awesome finale . If you have a watching partner to frolic with, so much the better.
P.S. Allow me a tiny spoiler: the kiss does come, after all, much to the joy of the two Muppet Old Men.
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I Love My President Though He's A Psycho
125 people found this review helpful
I briefly considered giving this a 10 (like another review for this drama) simply because I just could not believe that the writer would, with their hand over their heart, believe this steaming pile of dog shit masquerading as a script could actually be halfway-decent enough to be shown to the world. But that would mean the rating for this drama would increase, which would be false advertising. So hence, here is my very honest and slightly disgruntled review (after all, I wasted a good day watching all 10 episodes. A day I will never get back.)
This show is low budget, but that's okay. Low budget shows can also be great (read: Go Princess Go) or at the very least, watchable (read: Master Devil Do Not Kiss Me). Here, on the other hand, it was like the producers didn't even have enough to hire actors. Hell, my aunt who stays at home and reads to her 12 cats can probably act better. For example, when the male lead was talking about his 'Paranoid Personality Disorder' (does this even exist?), he put on this facial expression that really, really wanted to be tortured, but sort of fell in the ballpark of constipated. I think that if the producers spent less on all the fancy sets and locations, they could've afforded some decent actors, but hey, who cares about actors anyway.
I still can't believe this story is what it is. It gives me hope that if crap like THIS can get produced, then anything I end up writing will have the producers queuing in front of my house.
It starts off with our bug-eyed, small faced heroine (whose face kinda creeped me out with its very apparent plasticky-ness) being kidnapped and tied to a chair with a cheap-looking alien brain-sucking device on her head- or so you'd think (muwahaha the budget strikes again!) Its actually a lie detector. We see a bunch of science-y looking scientists (because lab coats, duh) ask her where she hid the baby. Female lead gets confused and vehemently denies ever being pregnant. Lie detector says she's lying, and the scientists keep asking her where she hid the baby. The heroine faints. Fast forward a bit, and we see our hero, looking all serious and hero-like while having a face that is 3 shades lighter than his neck (good make up artists cost money). Now, even HE asks her about the baby- his baby, apparently- and absolutely refuses to accept that they never had sex in the first place, because according to him, they both were drunk at a party she was waitressing at when they had it. While a normal person would accept that an ordinary woman would know if she ever pushed out a baby, this guy was somehow convinced that our female lead birthed a human without her knowledge.
Once this idiocy got over, the male lead had no reason to keep her at his mansion, but ya' know, he still did because he is 'ohmagerd obsezzed!!!' The female lead eventually stayed because Stockholm Syndrome.
Okay, I'll stop there. Not only because I was getting more and more annoyed as I typed, but the review was also suffering (if it hasn't already suffered enough.)
Tl;dr- The actors can't act, the writer can't write, the directors can't direct and the producers can't produce.
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I had to think for a couple of days before writing this review because I had to sort out my feelings and thoughts so I could form them into words. Sadly though, mission is not accomplished. No matter how hard I thought about it, it is really hard to put this movie into words. It is a movie that you need to “sense” not “read” about. Thanks to director Lee Yoon-Ki, who is known as an emotional delicate director, the movie had so much charm and beauty added to the already beautiful story.
'One Day' is a healing-fantasy movie about two wounded people, it depicts the story of a man and a spirit with a similar pain and scar who meet each other ‘one day’. One of the reasons I labeled this movie as a new genre is because even though there was no love story going on between the two, the story was very much about ‘love’. It was fascinating to me that loneliness, emptiness, anxiety, and lack of heart of two people could be healed without the ‘I love you, I don’t love you’ format. I can’t even begin to express how captivated I was by the fact that this movie healed wounds without "love" between Kang Soo and Mi So. With all the sorrow in disguise it still managed to be a refreshing new genre.
One of the modest yet profound messages in the movie is when it suggests that a ‘blind’ person should be referred to as ‘blind’ person and not ‘impaired’ (it made a huge difference in Korean language and in my opinion it makes a difference in English as well as my own language).
Kang Soo and Mi So are two people who face each other through their scars and as they get closer, they realize that their wounds are in 'contact'. The best expression I could define them with is, 'window' because they were like a window to each other. On one hand Mi So is Kang Soo’s window to his inner-self and the memories that he locked away after losing his wife. On the other hand, Kang Soo is Mi So’s window to the world.
The story on the surface ‘a living person meeting a spirit’ is not a new material it's been done before countless of times. However, unlike other projects, ‘One Day’ depicts pain and loss in a beautifully healing fantasy. Mi So as a character as her name suggests (her name means ‘smile’), is not just your average spirit, she’s a bright, vivid, warm, sweet and endearing bundle of joy. Watching her smile was all the joy I needed.
The delicate and modest directing of Lee Yoo-Ki takes this fantasy and naturally applies it in our reality without risking the material becoming overwhelming.
Two of the most remarkable points in 'One Day' are Kim Nam Gil and Chun Woo Hee’s golden performance (calling it 'golden' is an understatement). KNG’s charismatic act through his deep expressive eyes even with scenes featuring no dialogues at all has once again swept me off my feet. He embodied Kang Soo and captured every bits and pieces of his pain and sorrow. KNG’s delicate display of Kang Soo’s emotion was top class graceful performance. However, this movie’s heartthrob I shall say is Chun Woo Hee. It is hard enough to play a blind character, but to also have to play a spirit, who on the other hand can actually see, is a challenge on its own. I don’t know how I will adjust to the fact that she’s not Mi So and she’ll be playing other characters in the future but I do very much look forward to her future projects.
Music:
Wonderful instruments combined with exquisite sceneries that had me taking deep breathe several times as I feast my eyes. This is the first time I’m actually happy with the music section in a movie.
Overall:
I’m a person who enjoys dramas a lot more than I do with movies, simply because movies have different format and the fact that they end so quickly doesn’t allow me to connect emotionally as well as I do mentally. Thus, it’s really hard to find a movie that not only do I NOT want to ever finish, but also makes me feel as if I’ve entered a different world. ‘One Day’ is that kind of movie to me, a movie that I never thought I’d come to meet. I went to watch it as a huge KNG’s fan and came out with a movie that I can finally label as an absolute favorite of mine. ‘One Day’ is definitely not a movie for everyone, but it’s a movie that will have you sensing all shades and colors of emotions.'One Day' is a beautiful, fresh, artistic, delicate, ‘feel good’ (despite the sadness) and enriched with classic vibes movie. It has ‘rightfully’ stole my heart. Finally I have met my 10/10 movie.
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This review may contain spoilers
Upon further reflection...
When I finished this, I was satisfied. Just satisfied. It was alright. The body swap thing wasn't cloying and overbearing, the chemistry was there, even the side characters that had the potential to be annoying were okay. The humour from the villagers was fine, and the 2FL wasn't a challenge.But the more I think about it, and look back, this was actually deeply satisfying in the way the story was told and concluded. Usually, when it comes to the body swap thing, I have very little patience but somehow, the way this was done, I found myself just seamlessly falling into the story with the swaps. I was expecting her being the prince to have a greater impact on the palace because of her medical background, and when that didn't happen, I was a little disappointed, but by the end it made more sense.
When it is revealed in the end that the body swap was a mischievous god attempting to help Yeol fulfill his childhood wish of wanting to save the person who saved him, I felt a sense of completion. It wasn't the underlying theory or shadow hanging over the plot, it was just another quirky reveal. It explained why they swapped without invalidating any of the story that came before.
I was also initially angry that they didn't just execute the bad guy. But when you think about it, neither of the leads ever lept into taking lives. They always believed in the ability of people to change and in the idea that if you give someone a chance to reflect, they'll eventually see the error of their ways. It seems wildly naive, but in today's dire world, I think it's a sentiment that's desperately needed. I have come to appreciate the fact that they stayed true to themselves in the end.
Finally, the end. I was glad that she saved herself and Yeol in the final confrontation, and I was also so happy that they didn't get married while he was the king. His logic made sense and it restored stability to the kingdom while he did what needed to be done until he could hand over. Of course, that means they would've had to wait for years before they could finally be together, but we'll just overlook that part.
Ultimately, I'm not changing my initial rating (8/10), but I'm leaving this review because after sitting with it for a few more hours, I realise I really appreciate this drama for what it is, and I will definitely miss tuning in every week.
P/S: the supporting villagers and 2FL were all very charming and adorable to watch too. 2FL having a mini bi-crashout over the body swaps was so funny! 😂
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A Good RomCom! Watch With An Open Mind!
I don’t understand why everyone seems to hate this show! I found the basis of the plot interesting and the main leads kept me coming back for more. Their dynamic was great and I had a lot of fun watching this show. Very cute and lots of funny moments!It’s also pretty tame for a Thai BL, so maybe some reviewers who found it “boring” were just looking for something a bit more explicit.
To each their own, I do highly recommend this show if you’re looking for a lighter-hearted funny show with a cute main couple who has really good chemistry. I looked more into Joong and Dunk after I finished the show, their chemistry in real-life ABSOLUTELY translates onto the screen.
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