I actually don't know how to summarize this one, I just believe everyone that can watch it should watch it. I haven't read the webtoon so I don't know how fans of the original material will react but, judging it on its own two feet, it far surpasses any expectations I had.
STORY
Honestly, this story almost felt like two, in the best way possible. Going into it I had this expectation of what would occur and what kind of avenues the story would take based on the teaser, but it proved me wrong. Weak Hero isn't just brilliant action, it's a deep dive into how interpersonal violence and bullying can affect and harm people long after the physical threat has disappeared. It's a case where I found every episode better than the last. The script and directing use foreshadowing masterfully, there are parallels that provoke so much thought and every moment feels deliberate. There are parallels everywhere, and the use of foreshadowing is deliberate and beautiful. Thought-provoking isn't even enough to cover it. Of course, there are issues with the script, some things are glossed over to fit the runtime, and the theme came off as confusing to some (not me) but overall I enjoyed the story it told immensely. The character motivations and progression all felt natural and understandable. It's a complete and interesting story that doesn't require additional knowledge from the webtoon to fill in the blanks and its end, though open for a second season, is satisfying and will leave you wishing you had more time with this world.
ACTING
I don't usually go to action flicks for character studies and heartbreaking emotions but the cast delivered on both and on stellar fight sequences that hurt just to watch.
So little disclaimer I am a Jihoon fan, but I will try not to be biased. Park Jihoon acting as Yeon Sieun was amazing. In the story put to screen it would've been very easy for Sieun to be one note, but Jihoons acting and eyes brought him to life.
Hong Kyung gave me the most compelling performance of the entire year. You have to watch it to know.
Choi Hyunwook brought a lovely levity to the story and his well-known ability to charm his way through the screen is at full display.
The entire supporting cast really showed out for this drama, the viciousness and vulnerability of boyhood were on full display. Special shoutout to Kim Sugyeom whose venom playing Youngbin almost burned through the screen.
MUSIC
The OSTs and music choices throughout the show helped evoke teenage listlessness and despair beautifully.
REWATCH VALUE
I considered placing this at a lower mark because some of the scenes are very hard to watch. Watching this drama inflicts a lot of emotional turmoil, but I honestly think it could only get better on rewatch. The point of the twists and turns is not to shock you, they're natural and understandable consequences of the violent world that bred them. Every choice makes sense, and the hunt for parallels in the script and directing upon rewatching would make it all the more worthwhile.
This easily falls into the top 5 dramas of the year for me. I would recommend any day! Also if you want to discuss it shoot me a friend request and a message I have so much to say.
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This review may contain spoilers
Well-rounded characters managing real-world problems
This series is a huge accomplishment with a misstep in the direction of the plot in ep 11, discussed below.First, some praise…
It has been a while since I've enjoyed a BL so much, and I think it's because this show felt realistic. It depicts well rounded characters managing real-world problems.
Bai Lang suffers from childhood trauma that affects his relationships with others. He is not just afraid of the dentist. He cannot fathom entering a romantic relationship because he thinks he brings bad luck to the people around him. Flashbacks to the past help the audience understand his trauma, phobia, and the coping mechanisms he's developed (like his cadre of plushies on his bed).
Xun An falls head over heels, and ardently goes after his man! To my surprise, he approaches Bai Lang as both a courting lover and a medical professional, recognizing that he needs therapy. I was shocked when the series brought therapy up. A cool plot development would have been to see him accept that he needs treatment and not just a lover. But credit is due for speaking favorably of therapy.
I saw some comments from viewers saying they were annoyed by Bai Lang's manic personality, but I loved that the show dared to show a truly messy, but good intentioned character who is grappling with the belief that he's too much for any lover to handle. Don't we all think that sometimes? I enjoyed seeing him accept that he's worthy of romantic love. Because he is. And when he realizes love is worth risking, he pursues Xun An in the most, hilarious charming way!
The stories of the two side couples develop more slowly, with little morsels included along the way that show the couples' dynamics and growth. I appreciated that we didn’t see insta love from Alex's perspective. Instead, we saw something more believable. The younger guy, RJ's, massive crush on the hot, older bartender. RJ did everything he could to send out romantic signals, trying to get Alex to see him as a man and possible boyfriend. The other couple, the hockey player and Da A, couldn't have been more adorable. The hockey player was so obvious in his pursuit of Da A, while Da A was confused.
I was disappointed the secondary couples didn’t get more screen time or resolution. We needed more, especially from Alex and RJ, at the end. Their story is incomplete. Season 2, please!
There was a misstep in the plot in episode 11. While earlier episodes hinted that Xun An’s relationship with his family wasn’t harmonious, the introduction of domestic abuse was an unnecessary and unmanageable addition. It felt tonally out of step with the rest of the series. With only one episode left, there just wasn’t time to treat this very serious issue. Instead, it would have been more fruitful to deal with Bai Lang’s mental health issues.
Another misstep was to include a surprise fourth couple in the final episode. Rather than this couple, or their wedding, I would rather see one of our established couples get married. At least we did have a sweet proposal!
Overall I'm amazed by the intricate storytelling and tight direction from Ray Jiang, with little details and finishing touches in each scene coming together to form a powerful series. The long take at the end of ep 8 was really impressive! Outstanding acting and OST.
Make sure to watch past the credits after each ep! There are bonus scenes and they matter!
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The most beautiful period Thai Queer series of the decade
It is only September as I'm writing this review but I believe it's safe to say I Feel You Linger In The Air (IFYLITA) is the BEST Thai series of 2023 for me. Everything from story, plot, pacing, acting/cast, music, rewatch value. 10/10. IFYLITA deserves all the hype in the world and it was absolute worth the wait of over a year since the cast announcement back in March 2022, the actual production period spanning over 8 months from November 2022 to July 2023.STORY
Being transported back in time isn't an unfamiliar fantasy trope but this is the first time I've seen Dee Hup House pulled out all the stops for their production. Based on the popular novel "The Fragrance of Love" (หอมกลิ่นความรัก) by Violet Rain, IFYLITA tells the story of Jom finding the true destined love of his life in the most unexpected circumstance and after being heartbroken by a cheating ex. Even though I've been a fan of the novel, I think the series is outdoing the original work because it's been able to adapt the novel to fit with the pacing of a series without losing the spirit of the novel. The supporting characters who pretty much disappear by the time Khun Yai and Jom get together in the novel are all now given their own background stories and subplots. The team has done so much world building to create an immersive experience but still shows respect for the original work (especially the iconic dialogues between Khun Yai and Jom have been adapted exactly as is). So far, everything has been perfect. The drama in each episode just gets better and better as the plot starts to unfold for every single characters.
ACTING/CAST
Nonkul and Bright are absolutely phenomenal in their respective roles of Jom and Khun Yai. Nonkul has been playing mostly "alpha" brooding male roles in his more recent works so it was refreshing to see him in a completely new light as a shy, heartbroken, gay little architecture who just wants to find love. Bright is bringing Jane Austen Male Lead A-GAME for his FIRST ML ROLE EVER. You can tell Bright practiced a lot to portrayed Khun Yai as close to the novel as possible (the way Khun Yai walks with hands behind his back, his posture, him speaking in the different local dialect but at times speak in the dialect that Jom can understand...). From their acting alone,one could tell how much love Nonkul and Bright have for the original novel and the amount "homework", care and dedication they have to crafting their characters to be as close as possible. It is not easy to act with so little dialogues but their lingering gazes, the subtle touches, the micro-facial expressions... absolutely immaculate acting to make their characters come alive so vividly. I won't go into details about the supporting characters but I do want to point out how incredibly detailed the production team is in the casting to have everyone speaking in that old local dialect to accurately portray Chiangmai in 2023.
MUSIC
IFYLITA has some of the most beautiful OST songs. I love how every time Khun Yai and Jom has their cute, lovey dovey moment, the OST 'Jom Kwan' by Asia7 starts playing! The lyrics are so lovely because it's written from the perspective of the lovesick Khun Yai who's so endeared by Jom that I just melt into a puddle every time. As the Plumeria/Frangipani flower is a huge symbol of the show, I love that the most important moments are accompanied by the OST 'Plumeria' by Cocktail. In addition to the OST, the scoring and sound editing is excellent as well. IFYLITA has very dramatic score and I can honestly say some thrilling scenes are hard-carried by the horror-movie type score and sound effects.
REWATCH VALUE
I think I will come back to watch this series every year. It's the perfect series for autumn weather and it's one where you can fully immerse yourself to be transported back to Thailand in the 1920s. There's just so much cultural, historical lessons one can get from this series. IFYLITA feels really authentic and invested. Honestly speaking, IFYLITA is like the famous time-traveling Thai lakorn Love Destiny but make it BL, get rid of the CH3 lakorn editing and infinitely better cinematography. Like they are COUSINS to me.
PRODUCTION
Gorgeous, beautiful cinematography, color grading, brilliant writing. There are so many things to praise about the production of this series but if I had to choose one thing, it would be the excellent details of this production. Making this queer period series is an ambitious project for Dee Hup House. Nonkul mentioned in an interview that one of his biggest worries for this series was the visual effects because in order for this book to come alive, it would have to be much invested for everything to look nice and Dee Hup House DID IT! Every shot is dazzling, cinematic like watching a Netflix-level budgeted period series. Small details like props, outfits, cultural events are also paid great attention with a view to craft Thailand in 1927 as close as possible.
OVERALL
While IFYLITA is enjoying moderate popularity in Thailand, I still think it's an underrated gem for a queer series that deserves much more international recognition. I think anyone who is looking for a well produced, invested period series with two eye candy for the leads, should give I Feel You Linger In The Air a chance. If you're looking for a fast-paced, plot-driven queer series, IFYLITA may not be the series you're looking for but it is the perfect one if you're in need of a refreshing multiple queer romances plot with decent pacing and looking to be transported back to Thailand in 1920s with our protagonist, Jom.
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Cha Seung Won and Gong Hyo Jin: They are both amazing actors. They are perfectly cast and it shows through every goofy moment and every scene that pulls at your heart.
This story is set in the entertainment world and probably sheds a glaring spotlight on the trappings and "traps" of fame. Each character is fame's satelite planet spinning in orbit around it's shiny tempting sun.
Dokko Jin is a man with a lot of hits under his belt. His image is stellar and it wins him the best CF's and shields him from getting laid low when a movie release isn't quite up to par. He can play the press like a finely tuned piano. He understands his world and he's comfortable there...on top. Everything is image...even love. Gu Ae Jung is a woman who had a taste of fleeting fame in her young 20's and knows exactly what it feels like when you are knocked from that pedestal. She has learned how to work her bad reputation to make a living. She knows what to do, how to act and dress and she's comfortable at the bottom so long as she can keep working. When they meet it throws their perspective worlds into chaos. It is a chaos neither of them are ready for.
Dokko Jin doesn't know what to do with the feelings he has outside of and in spite of, the image he has cultivated. He has lived so long in his fame bubble he is emotionally stunted. What he has come to expect is completely different than what the real world will hand him. We get to watch him open his eyes, watch his dumbfounded, drunken baby steps toward the light. ...And it's funny! It's clumsy and awkward. It's so completely tender and heart wrenching as well.
Gu Ae Jung doesn't know how to handle this mess of a man; who invades her life, pulls her into his bubble and goes after her with all the grace and finesse of a bull in a china shop. She has lived so long understanding that one word taken out of context can flay her and one mistaken step can shove her down to the bottom and cause pain. She knows she has to be careful in this world that drags her into a light which seems warm and friendly at first only to burn her when she dares to step to close. She knows better.
...and yet when the heart starts beating of its own accord and the petals strewn across the path lead to someone you can't stop loving, you have to be brave and make choices.
Gu Ae Jung is our everywoman in this story. She is the one we identify with and root for. She is the reluctant hero. Dokko Jin is our damsel in distress. The charm of this show is that it is so well written and entertaining you don't realize at first and when you do, you realize its genius!
The second leads and side characters are written smartly as well. They aren't just comic relief or one dimensional characters built as foils for the OTP. They have good reasons to be in our main character's lives. Best friends, brothers, agents and managers etc... They serve the narrative of the story rather than break us apart from it as if we need some sort of forced breather from the action or story filler. Smart Hong Sisters!
Yoon Pil Joo: Best second lead ever! I fell in love with him falling in love. Yoon Kye Sang is amazing. Time to go find every other thing he's ever acted in and watch it.
I found this show sublime. 'Crack me up' hilarious and 'Wrench my heart, why don't you?' emotional. Don't miss it. It is extraordinary.
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This review may contain spoilers
There was no rocky start for this story, from the beginning it was interesting and mysterious. Not only was it smartly written and well portrayed, but the questions it begged to ask of humanity were chilling and hard hitting. Did we as people create the monsters of society? Or were they born as twisted as they appear now?The plot line of this drama was suspenseful, as Lee Hyun and Cha Ji An discover the horrifying truths of their pasts and of the murderous entanglements that connect them with the people around them, we also begin to draw the lines between whom is truly a monster and those who were created through the circumstances surrounding them. Each murder they take on helps us see clearer whom is behind the deeds of the past and how a monster can be made. This type of story telling gives an in depth view into the eyes of the psychotic, and into the eyes of the ones whom catch them. Both the love story and sense of brotherhood also add onto this story. They give personal connections to the crimes committed and the feelings of those affected.
The cast was superb. As a person whose never been a fan of Seo In Guk, I have to say I find his acting in this drama to be refreshing and consistently suprising, he has officially gained a new fan, as his portrayal of Lee Hyun blew me away. Jang Na Ra's character Cha Ji An though in the beginning seemingly a dismal obsessive police officer, slowly grew into a deep understanding character whose past pains made her into a strong female character. The second leads, were outstanding. Lee Jun Ho's creepy kindness and oddly eerie vibe throughout the beginning of the drama really set the scene. Throughout every scene he was in I had a huge case of the heebee Jeebies, like, my skin crawled. ***(SPOLIERS)**** (Especailly when he touched his mothers bones in the coroners office. That was just creepy). ****(END OF SPOILERS)*** Min's character was also one of complies creepiness and he was also very attractive, and while I try to stay away from mentioning that in my reviews I felt it just had to be said. Min's character gave us so much undertanding of how children's views and surroundings affect their growth and presence in society. His scenes always stole my attention.
The music in this drama had me consistently singing out loud. Especially "Remember"by Dear Cloud, I have listened to that OST so many times since this drama has aired, especially when left with a giant cliffhanger at the end of an episode when I needed to pine over my feelings through song. The OST's was memorable and lovely.
This drama consistently had me guessing and asking myself bigger questions. The plot line and cast always blew me away. It so rewatchable and just so well done. I cannot reccomend this drama enough.
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The Glory
156 people found this review helpful
2This review may contain spoilers
Gripping, intense, a success all round
"The Glory" comes with a drum roll at the turn of the year 2022/23. With a high-end production team in every instance, "The Glory" cleverly intertwines the burning subject of bullying with the long-running topic ´revenge campaign´. The result is gripping, intense, a success all round. (However, one major criticism: Netflix cuts the story in half with a long break in between.)In 2022, for the sad issue of bullying, streaming services cleared the stage several times with their own productions (e.g. "Weak Hero Class 1" and "Revenge of Others"). All of these stories are unbelievable in their brutality and cruelty - teenagers against teenagers! No mercy. Without pity. Without scruples. Without any feeling of guilt. For once, I don't want to blame the streaming providers for the shown cruelty, on the contrary. Maybe the topic is in better hands with them because they have no problem with such radical scenes (compared to TV stations). Isn´t it simply scandalous that such unbelievable violent abuse - and may it be only half as drastic - is part of everyday life in (i.e. South Korean) schools and among young people? Even more scandalous: parents and teachers tolerate it or actively support it and even act up themselves.
"The Glory" swings back and forth between past and present and thus draws a complex picture of the individual characters. Back then the perpetrators, they are becoming victims today. Back then the victim, she finally wants to get out of her role and also make life hell for her abusers. The painful past provides the moral framework, allowing the audience to nod off the plans for vigilantism. Eventually, the protagonist also gains helpers on her way.
Sad enough, in "The Glory" no one is truly happy with their life except for the perpetrator's (still) innocent little daughter.
The bullies of that time live bored and/or stoned and still trapped in their bullying role. Still tangled up in their clique from back then in uneasy ties. None of them found ´true´ friends. Trust and love are words without substance in their life, which rather appears as a shiny variation of Hell disguised with silk and glamourous accessories.
The victim of that time, on the other hand, has found meaning, direction and grounding in her life, no matter how sad the circumstances. Coincidentally, she even made trustworthy friends. Since she has experienced firsthand what hell is like, she can at least distinguish it, as other experiences of brief moments of happiness are also indicated in between. This experience (how happiness actually feels compared to suffering) puts her ahead of her opponents, who aren't even aware that they're living in a hell of emotional emptiness. They only suspect it when Moon-Dong-eun threatens to shake their house of cards and they have to face the illusions of their self-satisfied lives.
The story isn´t completely told yet - after 8 episodes. We will see, how things actually turn out for Moon Dong-eun, as she is indeed messing with someone, who is not willing to give in, whatsoever...
---------- EDIT after finishing the SECOND SEASON: -------------------
Well. Second season is definitely on the revenge-side. Some may say revenge is sweet. In any case it is drastic. And "the Glory" made sure, the mean-spirited deserved it... Among them is so much violence and exorbitant abuse. Almost too much to bear at times. A bit overdone maybe with unnecessary Netflix ruction here and there. Nevertheless suspenseful. Certainly with a coherent ending.
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PS.:
Actually, the screenwriter is herself mother of a high school student...)
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SIDE NOTE: ---- Fiction and reality are not that far apart ---
Some might say that the bullying brutality in "The Glory" - such as the curling wand scene - was exaggerated.
In fact, in South Korea in 2006, there was just such a case.
At a middle school in Cheongju, a student was bullied for money by three classmates. For not delivering, she was beaten with a baseball bat, tormented with a barrette, kicked, hit with fists, and burned on her arms with a hot curling wand. The burns didn't even have time to heal because the girls checked the temperature of the curling iron on the victim's arms again and again every few days. On the contrary, healing blisters were specifically removed by the bullies with their fingernails. The brutal beating also resulted in an injury to the tailbone, which resulted in a six-week hospital stay.
In fact, in this actual case in Cheongju, the perpetrators were apparently officially punished after the victim, despite threats, reported the perpetrators by name. And not only the perpetrators, but also the school administration and teachers were apparently sort of admonished. (However, with that the police report ends. We do not know how the victim, the perpetrators and the school dealt with each other afterwards).
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1"Grooming" has never been more romantic.
Do not take the title of the review seriously - taking it at face value would be as misleading as the premise of the show, that sounds so wrong, but the drama itself feels so right. I truly hope people won’t get discouraged by the student/teacher relationship and give it a chance, because this is so much more than just romance. It’s a weirdly heartwarming story of two people healing, learning about each other, but also exploring their own thoughts, feelings and ideas they hold.What truly makes it work is how self-aware the writing is. For every flirting attempt and stalker behavior, we get a witted call out. All presented in the best dry humor I have seen in dramas for ages. Many scenes that would give you butterflies in your stomach end on a joke and it works so well. I’ve got a sense of: we know it’s wrong, we trust the audience knows it's wrong, but just watch and enjoy how cute they are. And I’m totally fine with it.
As I said though, this drama is more than just a romance. Every scene is drenched in hard hitting topic - suicide. Personally, I think the writing around this issue was done masterfully. Heavy issue presented in such a light manner. Quirky humor that made it more approachable, but never felt disrespectful. For someone who at some point in their life struggled with suicidal thoughts, many of the jokes felt just right. Not once have I thought they are not taking the subject seriously or just using it to make the romance more “angsty” (as many other rom-coms do). The story kept the heart and sincere tone, while also giving me some laughs . It felt refreshing.
The performances were what built the drama though. Hashimoto Ryo perfectly captured the idea of those who smile the brightest are the saddest - no matter how happy-go-lucky Haiba Jin might have felt, you could always sense the hesitation, unsureness and not yet completely healed pain. Takaishi Akari was able to somehow mix innocence with a strong personality and it created a cohesive persona that was Ochiai Mikoto. Both extremely loveable characters portrayed in a perfect manner.
Overall, surprising on so many levels. Completely flipped my expectations of what I’m about to watch and made me fall in love with the characters. Not only the drama is worth a watch, but also a rewatch once in a while.
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Hilarious and charming, great acting (especially female lead) even with the cliche plot device!
If you read the synopsis, this seems like every other contract-marriage drama but this one does it very well. Although this show might seem like it'll prey on cliche tropes, it actually is one of the most charming cdramas of the year in my opinion.Characters: First off, you have actually supportive parents. They're not the stereotypical "evil" in-laws. Both parents are good-hearted and want the best for their children and just want them to be happy.
You also have interesting side couples. At first glance, you might think a love-triangle will deter the show, but it really doesn't. At first, you might find the SML as a "bad guy" but you realize that he's actually harmless and caring deep down - it doesn't fall into the pithole of an annoying second male lead. He actually cares for the FL and her wants/desires. The love-triangle essentially stops a bit halfway through and SML starts to focus on the SFL, who is one of the cutest "best-friend-character" of the FL. Even the initially annoying Tang Ping stops her bratty nature relatively quickly and becomes a supportive character instead, Overall, the characters are very enjoyable.
The main female lead is a forceful and strong CEO while the male lead is a caring, quiet, and considerate doctor. It's nice to see more strong female leads. Even though she's assertive, Zhou Yutong is SO funny and adorable as well. So many individual cute moments + cute relationship moments. Simon Gong plays his part great as a foil to the FL. There's great character developments and you begin to see a role reversal in the later episodes which makes everything so much more quirky and entertaining. Honestly, the leads + supporting cast are done so well!
Plot: It's nothing too special but I just wanted to say that it's a very funny drama. It's not really external conflict/plot-driven but more character-driven which I enjoyed a lot. There's actually "laugh out loud" moments. The chemistry between all the characters are great (leads with each other, different combinations of lead with supporting, supporting with supporting). Small misunderstandings are resolved relatively quick so it's a nice watch most of the time. The most important thing to note which might be a SPOILER is that there's actually a time-skip which breaks this show out of the mold of a generic contract-marriage drama. I generally don't like giving a "spoiler" but I feel like this one isn't that "important" to keep hidden but it's still important to mention since potential viewers might want to know. I normally hate a plot device like this, but in Begin Again, it's done very well -- reasons are valid, characters change and grow afterwards.
However, one issue I have with the plot is the business politics side. This is the one part of the drama where it feels forced and unnatural. Character motivations are unbelievable. It's not particularly prevalent but whenever it pops up, it just makes me want to fast-forward [but it's very minimal]. Honestly borderlining unwatchable for me; thank god the romcom aspect is done well to keep me locked in.
Conclusion: Watch this for the adorable characters. Strong female lead, nice male lead, character development, likable supporting cast. Even a show that seems to have many cliches, it actually subverts many obvious ones and is a great watch. It veers away from the melodrama tropes and is fresh and refreshing.
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This review may contain spoilers
I really enjoyed this much much more than I expected!!
I have not read the novel so all I know is the summary and the trailer, and I went in with pretty average expectations for the plot. But I am aware about how good Nanon's acting is after having loved him in The Gifted franchise, so I'm excited nonetheless.Having watched this week by week, I did not expect to love it so much!! I thought the end was clever too and found it realistic and hopeful. One of the most interesting endings to a BL if I may say. Sharing my weekly episode reviews below:
Episode 1: Very promising start! We got an introduction to the characters and the main plot point of why their families hate each other so much. Pat and Pran are shown to not be on friendly terms (at least on Pat's side, because Pran seems very polite and generally chill). The music is a BANGER! I might be biased because this is totally my type of music, but for some reason it totally fits the aesthetics of the shots and the cinematography. I also love the domesticity in the ending credits!
Episode 2: Pat and Pran's dynamic seems to be much deeper than what we were first shown. From the first episode I thought Pat couldn't tolerate Pran at all, but here it seems like he let himself more, idk, loose? Like he's comfortably bantering and bickering with Pran and it feels very natural, so I guess this is actually his true nature that he has been suppressing for quite some time. The flashback also confirms this, but there has to be more than that because I'm not convinced that the "playing in a band together with the son of our family's worst enemy" is the reason Pran got transferred. Also hats-off to Nanon's acting. Ohm is also very good, actually, but more so Nanon. Anyway in terms of the leads' acting, this by far is on another league compared to other Thai BLs.
Episode 3: OKAY I DON'T KNOW WHERE TO START. This episode basically confirms that Pat likes Pran somehow, and his antics are like a silly school boy having a crush. What was interesting to me was the episode opened with showing how Pran was Pat's "secret crush", but the scene was actually showing Pran doing something special for Pat, which is not something friends, or even bestfriends, would do! This episode was just full of heart-fluttering moments and there was no cheesiness or awkwardness at all, the acting and writing are so natural. I feel like the show is starting to bring out its big guns!
Episode 4: OH MY GOODNESS NANON. THIS GUY CAN ACT. LIKE /REALLY/ ACT. I have so many emotions during this episode and for me this episode went by the fastest compared to the previous ones; I just felt so empty after finishing it. I really like how they made the characterizations. Pran can't hate Pat no matter how much he wants to because he's already in so deep. Pat...wow idk where to start. Let's just say I feel so complicated about him and it says a lot at how Ohm and the crew put a lot of thoughts into his character. In any case, Nanon wins this episode hands-down. I literally felt Pran's pain. His character is so layered yet soft-spoken and I'm so glad we are able to fully experience this, all thanks to the role being in the hands of a very talented actor.
Episode 5: This is my favorite episode by far! So many things happened here without feeling too rushed -- from the "night after" and how Pran quickly bounced back after getting his heart broken, to Pat testing Ink's feelings, to Pat /finally/ realizing his true feelings, and so much more up until the climax at the end with the kiss. My favorite part is definitely towards the end with the Pat-Pran-Wai fistfight and how things are suddenly starting to explode. Pat is ready to risk it all while Pran, even without Pat saying anything explicitly, knows where things are going and he is not ready to deal with it. And finally during the rooftop scene. It was obvious how Pran has his walls built up but it has slowly crumbled down hearing Pat confess. When Pat kissed him, he just gave up and gave in and I love how this moment just feels so raw and intimate. I'm not lying if I said that I literally hear their feelings while kissing -- their emotions during that part was THAT good. Cue to after the kiss when Pran wakes up to his senses again and comes back to his demeanor of being "not ready" and walks away. The last time I cried for a BL was during ATOTS which says a lot; and all credits go to the director and especially OhmNanon, because it didn't feel like them at all, but PatPran coming to life.
Episode 6: I'll be honest and say that nothing major really happened this episode for me, but I still like the pace nonetheless because it's very realistic. Now that I think of it, while this is a romcom so far, I'm getting strong slice-of-life vibes from it which is different from other school BLs that have dramas every episode just for the sake of it. This episode we watch Pran avoiding Pat as he keeps his feelings in check, while Pat does all that he can to step into Pran's walls. The faculty rivalry (and Pran's friends planning to beat Pat up wtf?) is getting too tiring for me now tho, and my only hope is that there's a purpose for this conflict which can lead into a good character development that will help PatPran's relationship in the future. I also find the bet interesting because we know that they already know that they like each other, but their pride and competitiveness against each other that they had all their lives are getting in the way. Anyway I'm not too nervous about this because they'll eventually give up in one way or another, and seeing the preview for episode 7, looks like they're getting there soon! I really enjoyed this episode especially the new OST and ending credits! <3
Episode 7: PatPran boyfriends T-T Anyway before I go into that, this episode highlighted the chemistry between the actors from all the flirting up to their moment in the end. I'm not lying if I said that I was grinning from ear to ear the whole time because their domesticity and back-and-forth banter were so sweet, and if the acting wasn't this good it would have become cringy. Pran teasing Pat was definitely a delight to see after seeing him hurt in the previous episodes, and Pat as always is a very colorful character. What I did not expect to see though (or at least this early) was Wai. Him guilt-tripping Pran into helping him was so uncomfortable to watch and is definitely not a good thing to do even between the closest of friends. I'm interested to see how he would impact PatPran's already delicate relationship seeing how he seems to be a significant character. Finally my favorite part is the ending when Pat gave way for Pran and confessed his feelings. He set aside his pride for Pran and stepped up so they can stop wasting time on their little game, and now they're officially boyfriends T-T
Episode 8: This was the most emotionally-charged episode for me so far, and yes even more than Episode 5. The whole episode is filled with PatPran cute boyfriends scenes, but actually underneath all of that is a conflict that was brewing to happen with a secret that they literally have to hide from everyone, Pran's hesitations, and the differences betwen Pat and Pran's POVs. For me this episode is actually very smart because these sources of conflict were not presented in our face all the time -- it was sometimes masked with fluffy domestic moments, but actually if you watch deeper there is so much more under the surface. The big scene at the end was also a game-changer, and I think this is what will set the tone for the rest of the series.
Episode 9-12: These were a whole rollercoaster of emotions and I thought the ending was such a smart twist! I BAWLED during the end of episode 11 and what I loved is while you see this kind of thing coming, you also don't, so while waiting for the "will they separate will they not", it hit me a lot harder when it finally happened. Again, huge props to Nanon and Ohm's acting! And when the twist at the end was revealed, I LOVED it. It's always my main gripe with mid-show breakups, like how do these people not stay in contact with all these technology? But PatPran went beyond that and was brave enough to devise their plan, living up to their general theme of "fooling the world". I thought it was really smart and realistic too that the parents did not immediately approve, but still optimistic that they will surely get there :)
All in all, I highly recommend this show. A common plot made extraordinary with thoughtful acting and a writing that is full of heart.
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So if you are a fan of the manga, but unsure whether to watch, this review is mainly for you. (And even if you're just looking for a good BL movie to pass the time, I hope I can write a worthy review as well)
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The plot isn't exactly anything new, especially for such a short movie. It's about two people meeting, hooking up, falling in love, and the hardships they must overcome.
What makes this movie stand out from others is the rawness of the emotions, the harsh yet beautiful reality. There is nothing romanticized about their meeting or their relationship. It could be me or you, falling in and out of love.
Shima and Togawa in the manga have prickly personalities. They are very different, yet there is an attraction and spark that even transcends their sexualities. I was worried whether there could be actors who would portray their characters well. Thankfully, Yonehara Kousuke and Taniguchi Kenji both did a great job. Shima lost a bit of his cheekiness and seems more timid, but it has to do with the generally darker tone of the movie, right from the beginning, due to time-constraints.
The music was matching but not really memorable. I was surprised at how sensual they even portrayed the erotic scenes. They could have granted a closer view on the kissing scenes, but in BL it's probably something we can only wish for.
What really drives this film is the atmosphere, that is very similar to the manga Doushitemo Furetakunai. This simplicity and 'realness' is visible in every part of the movie. Some people find the long still shots and the calmness boring. I find it beautiful. Not everything in life is restless and fast-paced. Some moments are agonizingly slow. The cinematography, while somewhat simple, plays a big role in this, and it does a superb job. The writing and directing are both also spot-on.
After finishing the movie, I went and re-read the manga, and I was surprised to see how much of the original dialogue was kept. While I was reading, the scenes from the movie kept appearing in my mind, and I found myself unable to separate the two. Usually when it comes to book or manga adaptations, once I return to the original, I cannot help but think: "Oh, but this is so much better after all. They should have done this differently"; However, I didn't have that feeling with Doushitemo Furetakunai. While there were parts that were left out or could have been fleshed out more, there were even moments where I thought the dialogue in the movie was more natural and poignant than in the manga.
I dislike dramas that take the easy way out by having too much narration or monologues to make sure the viewer gets exactly what the characters are feeling at that moment. There is no room for speculation, no room for the viewer to get a grasp on the emotion, just by observing. Eventually, this trait of the movie, the actors' ability to convey their pain and longing without using too many words, is what made me applaud to this successful adaption of Yoneda Kou's manga.
In summary: It's a bit slow-paced, but if you learn to appreciate the beauty within this calm atmosphere, you will be presented with a fairly satisfying movie that you won't easily forget. I recommend it whole-heartedly.
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The actors are great. All of the acting is a little over the top...so don't expect it to be realistic. There are some great veteran actors in this drama. However, Lee Yoo Ri totally stole the show. She takes crazy to a new level as Min Jung. She wears this thick bright red lipstick that is just way too much which goes perfectly with her character. Her ending is better than the endings for most "bad guys". Everyone else is good in this too. Kim Ji Hoon plays a totally adorable Lee Jae Hwa that acts kind stupid, but isn't. I like that the romance between him and Jang Bo Ri (Oh Yeon Seo) is consistent once it starts. Strangely enough, Bo Ri isn't the center of the story to me although the drama is named after the character. My favorite relationship dynamic was between Moon Ji Sang (Sung Hyuk) and Bi Dan. Kim Ji Young is just the cutest little thing. I worried about Bi Dan from beginning to end.
The music is fine.
I probably won't rewatch this, but it is rewatchable.
I know some people don't like this kind of drama, but I enjoy them. If you like them, then JBR is definitely a must watch.
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The prevailing mood is hilarious as the siblings spend their time swindling people of their money. And even though these siblings have such a heavy past hanging over them their banter with each other is fast, upbeat, and hilarious. Nevertheless the story doesn't seem silly but has depth because of the serious and sad moments when the three remember their parents and the pain over their loss.
So it's not a lie, this drama is surprisingly funny. And cleaver camera work too, you can be watching one scene and suddenly realize in the background there's a continuation of another scene going on at the same time. Brilliant!
"I would recommend it to everyone who likes stories which leave you with a laughing and a weeping eye.." - and I second that.
(Lingering thought: Nino as Ryo's older brother was a bit hard to swallow at first but that's just getting nit-picky on my part)
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The 'A' Team | Mission Impossible Theme
When I first read the title, I thought it was some youthful drama full of modern vibes and silliness, so I didn't give it much attention. How wrong I was! Normally, it takes me 1 or 2 episodes to get acquainted with a drama and the actors. But with this drama, my attention is immediately captured.I love the acting of all the characters - each has his/her own flaws, and greatness. They also have their own stories and aspirations. How they come together to work as a team eventually to beat the evil doers and to bring good to the country is something that is inspirational and heart-warming. The actors are good and play their roles convincingly.
This drama is out of my expectation! It is serious, and yet humorous with great taste. There are some lighthearted moments, but they are not from the story itself; rather, they are from the playfulness of the main male character, Yuan Zhongxin, and the dumbness of Wei Ya Nei.
The story starts with a lot of twists and turns evolving around Yuan Zhongxin; it becomes difficult to discern his orientation and loyalty initially. And that's exactly the reason that captures my interest. He is my most loved character - honorable, upstanding, wily, street smart, intelligent, and mischievous. He stands behind his friends and family fully, and one can be assured that with him, things will be taken care of. I also love the character Wei Ya Nei played by Bruce He. He is spoiled, dumb and silly, and yet he is honorable and funny. Bruce He is so convincing that I begin to love him. My other favorite character would be Zhao Jian who is a badass girl, beautiful, smart, decisive and skillful in fighting. She is a natural leader that makes me feel good watching this drama. The other characters are equally lovable and impressive. Together, they make the 'A' team, fighting and solving espionage cases.
The story is fast paced. Viewers can brace for something to happen in every scene. Sometimes, it's hard to discern what is true or false, what is black or white, what is right or wrong. Every time when something seems to be bad, becomes good, and vice versa. There are twists and turns till the end of the story.
The fighting scenes are wonderful with beautiful choreography; the young actors are convincing and good looking; the setting of Northern Song is authentic and believable; the politics, espionage and scheming are cliff hangers and page turners.
This is a really good drama. It is highly recommended.
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The show gives us a peek into the lives of 5 friends, all college students on the cusp of becoming contributing citizens to society. Some have dreams they want to pursue, some have dreams they've had to let go and some are still trying to figure out what next. Their stories are all relatable and poignantly human. Inevitably you'll find yourself reevaluating your own life and wondering if you're on the path you set out for yourself.
Orange Days is also a sweet love story. About a beautiful, talented girl who lost the thing she loved the most, who was without hope and angry at the world because of her misfortune, and the boy who healed her soul with his kindness, his patience, his gentleness, his understanding, and most of all, his unconditional love. Kai, our hero, has got to be one of the most compassionate heroes I've ever come across. Massive kudos to the actor for bringing him so impressively to life!
Kai manages to be both masculine and incredibly sweet and sensitive at the same time and let me tell you it was pretty darn sexy to watch. Sae is one very lucky girl. All the while I kept thinking, where the heck was my Kai when I was in college? LOL I enjoyed every minute of watching these two on their journey to find themselves and each other.
Both leads were standouts, but the supporting cast did a fairly good job too. I was drawn to Shohei who projected an air of infallibility, but was really just a lost kid searching for the love he never got from the most important woman in his life. I really liked him and wished his story had more development. He had a weird sense of fashion, though. I don't think young men wore such ugly-ass clothes, even in 2003/2004. LOL
Orange Days did not avoid the usual Asian drama clichés -- the ever present love triangle, the mandatory separation and what have you, but somehow it wasn't over played to the point where it got annoying (as is the tendency in a lot of other -- for eg Korean -- dramas). Issues were resolved quickly so that the characters' growth as people remained the focus.
All in all, what made this show an absolute joy to watch is that it's a great slice of life drama about overcoming grief and savouring the precious moments we have with the people we love. But it isn't pessimistic in its message. There's an undercurrent of hope that permeates the stories of each character. You get a nice dose of reality but not so much that you're unable or unwilling to escape into their world. It also reaffirms the fact that no matter where we're from, no matter our gender or our ethnicity the only race that really exists on earth is the human race, and we all share the same hopes, dreams and fears about finding our way in this life.
I don’t usually take notice of music, but I remember the music in this drama because it was so simple and yet so effective. Unlike the theme song in Autumn's Concerto (Taiwanese drama) that literally almost drove me mad, the music here served its purpose of evoking all the right emotions at the right time. Even though the same instrumentals were repeated throughout the drama, it didn't feel repetitive because it wasn't overdone to the point where it grated on the nerves.
I think anyone who watches Orange Days will come away with a joyous feeling of having just watched something great. And like me you'll probably be sad that it's over.
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1Who will spy on the spies?
The Wind Blows from Longxi is an intricate ancient spy thriller that is not for instant gratification audiences. Its biggest hurdle are the first three or four episodes that are weighed down by the introduction of too many bearded and murky characters on both sides of the Shu-Wei conflict. Clearly even Lu Yang couldn't resist romance of the Three Kingdoms lore and goes down the rabbit hole of lingering on defining events and larger than life figures of the day that are peripheral to the otherwise tight plot. Past that, the storytelling simply immerses you in the lonely, tangled, nail biting, heartbreaking, cruel and utterly thankless world of ordinary spies, ants who put themselves in harms way to pave the way for great men to be glorified by history.Recent adaptations of Mo Boyang's works have been orgies of high speed chases and thrilling action scenes that fall short on suspense and in delivering satisfying and convincing motives and twists. This is very much the opposite. The production values are movie like in quality but due to the shadowy palette, this is best enjoyed on a big screen. The camera is often very still and at times comes at avant-garde angles in low light that accentuates the clandestine nature of the interactions, of opaque motives and conveys a omnipresent sense of alone-ness, tension, ambiguity and danger. The action scenes are signature Lu Yang - impressively choreographed, blood thirsty, vicious and up close and personal in the critical moments.
This drama is set during Zhuge Liang's Northern Expeditions, a period of stalemate between Shu and Wei where neither side had a clear advantage or scored decisive victories. It is an apt setting for this kind of story because when the margins are narrow, intelligence and counter intelligence can tip the scales in either direction. The drama opens with Zhuge Liang's first (of five) Northern Expeditions, which was unsuccessful. This led to General Ma Su's decapitation for his failure to hold Jieting and Zhuge Liang's demotion. It allowed his political rival General Li Yan who advocated a Southern campaign against Wu instead of Zhuge Liang's Northern Expeditions against Wei, to gain power and influence. The Northern Expeditions took place in rather complex geographic terrain, where the timely delivery of military food provisions was challenging and made the difference between victory and defeat. That is broadly most of the historical background that is needed to understand this story. Of course Three Kingdoms buffs will be thrilled by the "drive-by" of many legendary figures on both sides of the conflict but the important characters in Ma Boyong's stories are always the little people or the ants.
The lines between fact and fiction blur as Siwencao, Shu's intelligence agency, suspects that compromised military intelligence had led to their defeat at Jieting. Siwencao hastily concludes that Chen Gong (Chen Kun), a Shu spy code name Baidi (White Emperor) under deep cover at Tianshui (a Wei stronghold) must have defected and sends Xun Xu (Bai Yu), Deputy Chief of Internal Affairs to deal with him. But Xun Xu is not convinced of Chen Gong's culpability; they are intimate friends, related by marriage. Together, they discover that the highest echelons of Siwencao has been infiltrated by Zhulong (Wax Dragon), a Wei spy. They can trust no one and go rogue with a bold ploy to lure Zhulong out into the open with Shu's crossbow design, long coveted by Wei. They are forced down separate paths that are fraught with danger, under resourced and alone with nothing but their absolute trust in and knowledge of each other. But nothing ever goes completely to plan and everyone has secrets. When the rubber meets the road, will they still have each others' back? How well can one really know someone? This also applies to Chen Gong's relationships with both Mi Chong and Guo Gang, which are as riveting and illuminating has his relationship with Xun Xu. After all, this is about two states at war with each other, there is really no good or bad or right or wrong side. All of the characters on both sides are patriots to their own cause; fascinating, layered, suspicious and disingenuous characters practiced in the art of deception. Were it not for an accident of birth, Guo Gang could well have been a Xun Xu to Chen Gong.
The role of such a cunning, duplicitous and morally ambivalent character such as Chen Gong must have been written with Chen Kun in mind. He dominates the screen in every scene and had my heart in my throat at his ability to turn around dire situations and the glimpses of his ferocious, raw pain and rage that is quickly disguised by indifference or conviviality. The wildness and the violence of his emotions when he takes revenge, where his veins literally popped out of his forehead is frighteningly intense and breathtaking. Bai Yu's Xun Xu is Chen Gong's conscience, a sincere and persistent truth seeker whose bottom line is not flexible. Xun Xu's most consequential mis-calculations are with those he loves best and his regret and unspeakable guilt and sorrow are among the most moving performances I have seen from Bai Yu. While Chen Gong and Xun Xu don't actually get that much screen time together, their screen chemistry is tangible and conveys a bond that transcends dialogue with undercurrents from their body language and their unguarded manner with one another. When Chen Gong starts to play a lone hand, Xun Xu senses it and their dynamics shift and become subtly more stilted, again showcasing the sheer virtuosity of their performances.
The most outstanding aspect of Longxi's storytelling is how masterfully the narrative builds up to the plot twists and the reveals. It is so insidious that by the time the reveals happen it is already sitting on the edges of my mind and thus seems to be organic. This is very compelling because I feel that I am part of the process, and underneath all the surrounding complexity the solutions are rather straightforward and should have been obvious. The characters are so fully actualised that their decisions are characteristic and the outcomes are inexorable. Unlike many other conspiracy heavy plots, this does not succumb to too many twists with overly convoluted or illogical outcomes.
The ending is gut wrenching and yet oddly triumphant and fitting. What is clear from the get go is that Chen Gong and Xun Xu are just expendable pawns caught in a high stakes game where they are besieged by both the enemy within and the enemy outside. As a result of serendipity and his own deviousness, Chen Gong is able for a moment, to seize control of the chess board. He plays the White Emperor's gambit, trading one life for three, empowers a righteous man and writes his own ticket home. His decisions are completely in character and in doing so, he finally articulates his own bottom line. But I won't lie, my first reaction to the ending was ".And that is why those dumb f*cks lost the war!" Because I am not sure the greater good was served. While one traitor is felled, the other villain with equally dishonourable tactics gets off largely unscathed and Siwencao remains a weapon that can be both used and abused. The age old question - "Who will spy on the spies?" remains.
While the start is dense and lacks finesse and the dialogue is on the heavy side, this is a drama that rewards the patient viewer. It is not a masterpiece, indeed many of the criticisms about accessibility and the dialogue that is heavily littered with modern phrases are more than fair. Yet I find the immersive storytelling, the suspenseful plot, the stellar acting and the unconventional camerawork immensely enjoyable. This is not something likely to enjoy mass appeal but for me, I would be surprised if I watch a better drama in 2022. I can happily give this a 9.5/10.
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