*BEST OF 2020* *JUST GIVE IT A TRY*
*IT JUST ENDED* T_T T_T T_TThis drama shows a side of Life which we don't see much on TV, the struggle of life.
I think there will be at least one character to which you will feel relatable...
*ASIDE FROM*: usual Action, Thriller, Rom-Com drama
THIS is a lot different and Great Show
~IN MY OPINION "THE BEST FAMILY SHOW I HAVE EVER SEEN."
~All the different characters and their issues and how each of their issues are solved throughout the drama is so satisfying, I Haven't seen it in a long time...
~ It Helps u gain confidence in your-self and convey advice about growing up, a life of adulthood, psychological issues, what life is in Reality...
YOU CRY even if you don't want too
YOU LAUGH even IF you don't want too
that's just how lighthearted this drama is...
~GONNA MISS IT BADLY how I Bought IQIYI VIP PASS for it and how I used to wait daily for the episodes air... T_T T_T
~I felt so relatable to Ling Xiao and Qi Ming Yue.....
~The Bond of the sibling shown is so Touching.
~A person like Li Ba should exist in our life as well
Father so supportive
Caring neighbor
Loving Friend
~Its been So long since I have watched such a heartwarming drama
~A Drama which made me cry so hard AT ITS LAST EPISODE Tear OF Happiness... TvT
~this drama contains so many feelings...
hats off to the writer who wrote such a beautiful story and so many touching dialogues.
~I hope whoever reads this Review will Watches this Drama
~*JUST WATCH* it till EP3 and if you liked it, then continue after EP3
~I PROMISE YOU, YOU WON'T REGRET IT ;)
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A highbrow production with broad appeal.
The Longest Day in Chang'an is an immersive, visually stunning, culturally authentic and thrilling journey back over 1000 years in time to Lantern Festival in Chang'an at the peak of the Tang Dynasty. This is a highbrow and very demanding drama that is immensely enjoyable even if taken simply at face value. The viewer gets to decide how much they wish to invest in it. The production basks in rich historical and cultural detail that marvels over the intellectual, political, legal, administrative, military, cultural and scientific sophistication of Chang'an and the Tang Dynasty more broadly. The faithfulness to historical accuracy and strong edu-drama aspect to this show has history buffs raving with ecstasy. As a layman, the finer nuances would be lost on me were it not for the many knowledgeable insights on this and other sites. That doesn't appeal to everyone and some have remarked on the frequent historical and cultural digressions that interrupt the story-line. My simple take is that "smart fillers" are better than the nonsensical fillers that other dramas spam us with.The absolutely stunning cinematography is the first and most consistent impression throughout - every frame is beautifully angled to create a visual, vibrant feast for the eyes. Even flames from explosions burst in an artistic pattern of controlled natural assymetry. The production is not shy about indulging in artistic license and is littered with lithe and gorgeously willowy Tang ladies with only one small section acknowledging more ingrained images of the classical, prosperously rotund Tang lady. A number of Chinese manhua worthy characters are almost casually dropped in among the otherwise characteristically Tang dynasty cast including Djimon Hounson's Gao Le, the menacing African slave-trader and lord of Changán's underworld; a deadly female assassin who is fanatically devoted to her radical master; and a wildly improbable Western Persian Prince priest with impressive kung fu and building leaping skills. At the end of the day, this is very much a work of fiction and suspension of disbelief will be required as the lead characters achieve superhuman physical feats and survive certain death. All of which make for gripping, visually compelling and heart stopping action scenes.
The drama is not an easy, light watch. The first season (24 episodes) opens with the intense urgency of a fast moving, action packed thriller as the two leads Zhang Xiaojing (Lei Jia Yun) and Li Bi's (Jackson Yi) race against time to foil a terrorist plot during the Lantern Festival. The constraint of the 24 hour timeline forces the narrative to alternate between the high speed chase, political machinations around a power struggle and flashbacks that set up the backstory; all threads which converge in the unraveling of the conspiracy. The many plot twists interact with an extensive cast of complex characters from various factions with unclear and/or malleable loyalties in the power struggle between Li Bi's patron the Crown Prince and his powerful rival the Right Chancellor. In short, there is already a lot to take in so the occasional non sequitur cultural or historical digression can come off as one thing too many.
It took me a long time to care for any of the main characters in this show. Even relatively "good" characters are flawed, primarily driven by self interests and had questionable loyalties and morals. It wasn't obvious that Li Bi' s cause, the Crown Prince was more worthy than the Right Chancellor. Zhao Xiaojing's dealings with Gao Le alienated me; especially when it appeared his real motive was to protect the reckless and misguided Wen Ran. That episode and short lived character stayed with me for a long time because it is the first of many times that bad things happen to good people. And that is how good people can end up doing bad things. Thus there are no outright good or bad characters in this show, they are all products of events beyond their control. Time and again the drama explores how circumstances can push any character to act against his innate nature and self interest. It is a very realistic portrayal of the complexity of human nature's capacity for both good and evil and was acted out compellingly by a truly superb cast. I started to understand the true spirit of the drama when the plight of the common man of the Peacekeeper Corps moved the phlegmatic Li Bi to tears and made him their reckless champion. The real "heroes" in this drama are the common people; that is why it intentionally neglects the main characters and does not attempt to make you root for them and does not care if they have a happy ending. It celebrates the hardships and unrecognized capabilities of the nameless, faceless, powerless, voiceless man - from the forgotten soldier that gives his life for king and country to the ordinary citizens of Chang'an. It wants you to see them, hear them and care about them.
Season 2 (episodes 25-48) was much more enjoyable for me as the intensity of the chase abates and the narrative focus really zeroes in on the power struggle and the unvieling of the conspiracy and ulitmate mastermind. Finally the lead characters are also allowed to shine and shine they did. Zhao Yi Wei's Long Bo was the most provocative and masterfully portrayed character in the drama. As his path converges with that of Zhao Xiaojing, we see the many parallels between the one who seeks vengence and the one who fights to keep dreams alive.
I was surprised by how much I fun I had unraveling the conspiracy. It was very well done and largely kept to the unspoken bargain of hiding enough clues in plain sight that I was able to figure much of it out on my own. The motives of the ultimate mastermind were not convincing. While I had my eye on him as a suspicous character early on, I assumed he was just a link in the chain but not "the guy". It was a stretch that was probably one plot twist too many. One of the other suspects may have been a more credible choice.
Of course it is a foregone conclusion that the emperor was the ultimate villian. While the power dynamics between a manipulative and insecure emperor and his most trusted advisor and his heir has been done before, it was still extremely very well done here. I was completely satisfied when the son takes a leaf out of his father's book in the ultimate act of emotional manipulation. Checkmate. This was the most satisfaction I got from the ending. The bigger question of whether good things happen to good people is left open.
This is definitely the most epic, most idealistic, substantive and thought provoking drama of 2019. Its biggest flaw is that it is overly ambitious and tries to take on too many themes. That it came together so well is a feat in and of itself but as a result, it was not always easy to watch and certainly not something I wanted to dive right into after a hard day at the office. That said, I truly believe it is a must watch and may even be more enjoyable if taken more simplistically just for its stunning aesthetics, intrigue and action.
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Anyone who knows me, knows that I am particularly hard rater. (I have only ever given one perfect 10 out of over 150 dramas watched). However, this ALMOST made my second, as this drama was utter perfection until almost the very end. Dark, mature, suspenseful. This drama had me on the edge of my seat each episode and desperately awaiting each week’s new chapters. Besides the ending, I LOVED everything about the show: the acting, cinematography, soundtrack, writing, and wardrobe. Everything contributed to an amazing story that was unlike anything I’ve ever seen!!
In this drama, Kim Nam Joo blew me away!! She was unbelievable. However, I must say, EVERY SINGLE person in the cast did a fantastic job. This drama had characters that were so layered and complex, that could tell a story based solely on their eyes and facial expressions. There are so many aspects that I loved about this drama and its characters, as flawed as many of them were. One of the best things about this show, was that it was riveting from episode 1 to episode 16, no filler episodes, and filled with intelligent writing with twists and intrigue throughout. Its only downfall was the finale where it floundered what could have been an epic ending. It is not that it is unhappy or happy and I disliked their choice. Instead it was lacking, weak, and inconclusive.
Originally, I did not start this drama until episode 6 or 7 had already been aired, as I had doubts about whether this drama was for me. I love romantic comedies and have never heard of the leads. However, I am so glad that I tried it because it has now in my top 3 dramas of all time. DO NOT LET THE GENRE OR CAST SCARE YOU OFF--or the ending!!! This drama is definitely worth watching. Highly recommend. :)
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1Hilarious and charming, great acting (especially female lead) even with the cliche plot device!
If you read the synopsis, this seems like every other contract-marriage drama but this one does it very well. Although this show might seem like it'll prey on cliche tropes, it actually is one of the most charming cdramas of the year in my opinion.Characters: First off, you have actually supportive parents. They're not the stereotypical "evil" in-laws. Both parents are good-hearted and want the best for their children and just want them to be happy.
You also have interesting side couples. At first glance, you might think a love-triangle will deter the show, but it really doesn't. At first, you might find the SML as a "bad guy" but you realize that he's actually harmless and caring deep down - it doesn't fall into the pithole of an annoying second male lead. He actually cares for the FL and her wants/desires. The love-triangle essentially stops a bit halfway through and SML starts to focus on the SFL, who is one of the cutest "best-friend-character" of the FL. Even the initially annoying Tang Ping stops her bratty nature relatively quickly and becomes a supportive character instead, Overall, the characters are very enjoyable.
The main female lead is a forceful and strong CEO while the male lead is a caring, quiet, and considerate doctor. It's nice to see more strong female leads. Even though she's assertive, Zhou Yutong is SO funny and adorable as well. So many individual cute moments + cute relationship moments. Simon Gong plays his part great as a foil to the FL. There's great character developments and you begin to see a role reversal in the later episodes which makes everything so much more quirky and entertaining. Honestly, the leads + supporting cast are done so well!
Plot: It's nothing too special but I just wanted to say that it's a very funny drama. It's not really external conflict/plot-driven but more character-driven which I enjoyed a lot. There's actually "laugh out loud" moments. The chemistry between all the characters are great (leads with each other, different combinations of lead with supporting, supporting with supporting). Small misunderstandings are resolved relatively quick so it's a nice watch most of the time. The most important thing to note which might be a SPOILER is that there's actually a time-skip which breaks this show out of the mold of a generic contract-marriage drama. I generally don't like giving a "spoiler" but I feel like this one isn't that "important" to keep hidden but it's still important to mention since potential viewers might want to know. I normally hate a plot device like this, but in Begin Again, it's done very well -- reasons are valid, characters change and grow afterwards.
However, one issue I have with the plot is the business politics side. This is the one part of the drama where it feels forced and unnatural. Character motivations are unbelievable. It's not particularly prevalent but whenever it pops up, it just makes me want to fast-forward [but it's very minimal]. Honestly borderlining unwatchable for me; thank god the romcom aspect is done well to keep me locked in.
Conclusion: Watch this for the adorable characters. Strong female lead, nice male lead, character development, likable supporting cast. Even a show that seems to have many cliches, it actually subverts many obvious ones and is a great watch. It veers away from the melodrama tropes and is fresh and refreshing.
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This review may contain spoilers
I love the way this ended! ( I won't give spoilers.) I started watching this one afternoon and found myself going to bed at 7:45 am the next morning having completed it. It is definately a "I'll just watch one more episode" kind of drama. I was unfamiliar with all of the actors, but thery were great. The plot was definately a lot spicier than K-Drama. I would highly recommend this for a rainey Saturday or an all night marathon!! Was this review helpful to you?
This review may contain spoilers
Please forgive me if this review's going to be a little unconventional, I'm in no mood for serious considerations on a drama that doesn't take itself too seriously. The followings are random conversations between me and my watching partner, aka my husband (H). Try to imagine us as the two old men at the end of The Muppet Show.H: Why the heck is he (Seung Gi) pining for that almost sister of his when he can have the prettier and much nicer one (Suzy)?
Me: He thinks she's a boy.
H: Rrrrrright. And the winner of Genius of the Year is…
[Kang Chi finds out Yeo Wol's a girl in a slightly unorthodox way]
H: Ok, I take back everything I've said before: the guy IS a genius!!!!
°°°°°°°°°°°°°
[scene: Kang Chi and Yeo Wol are staring into each other's eyes]
H: Whoa, he's finally going to kiss the girl
Me: Hmm, I wouldn't be that optimistic.
H: Trust me, he has that glint in his eyes. He's going to kiss her, I tell you!
Music: "Saranghaee, saranghaeeeeeeeeee, SARANGHAEEEEEEEEEEEEEEEEE…"
[more staring followed by sudden wrist grabbing]
H: Finally…
[off they go eating]
*collective and colourful grunts from the audience*
Me: He clearly hasn't taken after his father
H: Yeah, daddy knew his business. Save the girl, hide the girl, kiss the girl, ta-da… a BABY!
°°°°°°°°°°°°°
[the monk urges Kang Chi to flee for the nth time]
Me: Is that monk ever going to give a valuable advice? Nobody listens to him anyway.
H: Ikr? That monk is as useful as a concrete parachute (he used a different simile, but it can't be repeated here)
°°°°°°°°°°°°°
H: His eyes turned green! What do you think, is he going to morph into Perry Parky now?
Me: Sure, Perry Park would bomb them all, but if you want him to kiss the girl, Shin Se Gi's definitely the one to morph into.
H: Shin Se Gi had red eyes and eyeliner.
Me: True. Like daddy gumiho, now that I think of it.
H: Daddy again. Are we sure Kang Chi's not the monk's child?
(references to Kill Me, Heal Me are sort of involuntary. I hereby decline every responsibility)
°°°°°°°°°°°°°
Me: What do you think is that Gu Book about?
H: A kissing manual?
Me: A recipe for Kimchi, more likely.
"Saranghaee, saranghaeeeeeeeeee, SARANGHAEEEEEEEEEEEEEEEEE…"
°°°°°°°°°°°°
[Kang Chi, his face half covered with a scarf, is surrounded by his comrades, all demanding to know who he is]
Me: Are we the only ones who would recognize him from a 10-km distance? I mean, the clothes, the hairdo, the bracelet…
H: I know. Perhaps they think it's the head Gisaeng incognito. After all, they share 1 neuron among the 20 of them.
°°°°°°°°°°°°°
Me: LOL, now that thug thinks his dongsaeng Kang Chi's gay. A gay gumiho is an interesting take of the trope
H: So he too thinks Yeo Wol is a boy? This drama should be called "The Goofy Family Book"
°°°°°°°°°°°°°
H: Ha, now he's really going to kiss the girl!
Me: You may be right this time. The moment is perfect and the song is clearly suggesting romance.
[7 and a half minutes later, the scene is still frozen like it was 7 and a half minutes before]
Me [making coffee]: Are their heads a little closer now?
H: Hmmm, I'm not sure. 2 cm closer, maybe?
Me: All right, I'm making sandwiches. And please mute that misleading Saranghae song before I explode.
°°°°°°°°°°°
To give this review some semblance of usefulness, let me conclude by saying this is a highly entertaining drama, with a good, rounded-up plot, lots of fun – although laughter is often involuntarily induced - a Seung Gi who never fails to put me in a good mood by simply existing, a lovable Suzy, a despicable villain with a certain, almost compelling elegance, good romance and a fairy-tale feel that won't let you down. Recommended to everyone looking for a light watch with glints of unexpected depth and an awesome finale . If you have a watching partner to frolic with, so much the better.
P.S. Allow me a tiny spoiler: the kiss does come, after all, much to the joy of the two Muppet Old Men.
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I wasn't too sure about the story in the beginning, and I'll admit that throughout this drama there were moments were I thought it would go south. However, after I finished it, I realized I couldn't have been more wrong. The writers pulled off the storyline wonderfully. Even when the plot seemed a bit too complicated to execute well, the writers did a great job at it!
Now, I just want to talk a little about the acting in this drama. Honestly, this is one of the most well acted dramas I've seen so far. Park Bo Young and Jo Jung Suk have AMAZING chemistry. I would find myself playing certain scenes over and over again, just because these two are so great together! The way their relationship grows from beginning to end is so sweet. I also want to say that these two share the most real and believable kisses I've ever seen in a drama. Seriously! Whenever they were on screen, I would always look forward to how they would interact with each other. Part of that is because this drama has really down to earth acting. You can tell that all the actors have fun with their roles (especially the kitchen crew), and they bring that excitement to the screen. Not only are the interactions between Na Bong and Chef very real and believable, but the interactions between all the other characters as well. I loved watching the kitchen crew going through their day, bickering and cracking jokes at one another. Their acting was so real that I would forget what they were saying was actually scripted. It was fun watching them, especially during the moments where you could tell they were about to break out of character and burst out laughing! I especially loved Sous Chef (Kang Ki Young). Some people might find him a little annoying, but honestly he made me laugh numerous times throughout the drama!
Im Joo Hwan is also amazing in this drama. His portrayal of Officer Choi was spot on, and I was really moved by his character towards the end. The same goes for Kim Seul Gi (Soon Ae). There were times where I was a little confused and annoyed about where her character was going plot wise, but toward the end I'd come to understand and appreciate what she did for the story.
This drama does have some minor flaws, like pacing issues in the last few episodes and sort of a rushed ending. Despite all that, this drama is still a perfect 10/10 for me. I don't normally do reviews, so the fact that I came here to write this immediately after I finished it is saying something. If you're looking for a great romance/comedy/mystery drama with amazing acting and lovable characters, then give Oh My Ghost a chance!
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This review may contain spoilers
Compelling, grounded in substance, and gratifyingly true-to-life. With a wonderful basic premise
"Missing: The Other Side" seems a bit like a KDrama with a magic hat. The story has the similar effect as the theme of the production: it sort of cavorts in a veiled intermediate world. It could simply be missed out. If you are looking for something in the field of fantasy, the KDrama does not impose itself. It's not fantastic or psychic enough. If you're looking for a thriller, you're more likely to scroll past it. It's not a psychological thriller. It's also not a classic crime thriller. So it seems ... And yet. "Missing: The Other Side" is extremely well done and definitely recommendable. I wouldn´t call the KDrama fantasy or mystery, but rather solid crime genre, in which actually time and space become relative... If only I had known earlier...The KDrama is like an insider tip - although it´s success is not a secret. On the contrary. A second season will come out soon. The story is compelling, grounded in substance, and gratifyingly true-to-life beyond the basic premise. "Missing: The Other Side" doesn't entice viewers with a cast full of dazzling names, but with a fascinating, extraordinary production. A class of its own. The concept thrives on straight simplicity.
There is the radiant simplicity of the brilliant underlying idea: a tribute to the missing. There are actually too many missing people in South Korea - children and women in particular. In more than half of the cases, the missing person is at some point found dead - most of the time several years later. The idea of the KDrama particularly honors those victims by creating a kind of dignified in-between-world for the time during investigation, how long it may ever take. Only then, as their corpse is found, they will part in peace. In the meantime, from the minute the missing person dies until the moment the corpse is found, those souls linger in a beautiful and (mainly) peaceful village among other fellows with similar history. There is a certain charm to respectfully giving such unsolved cases some faces, individual stories, soul, hope & heart - some friendly, reminding space. Even though many missing people´s cases get closed and quite a few may remain unsolved, the KDrama respectfully opens a door to connecting to them.
Granted, the living and the dead share the stage equally. Yet there are no mouldering, half-decayed or slightly moldy ghosts buzzing around. If you like, the idea of "Hotel del Luna" is varied in a less exalted ambience, a little more down-to-earth and less spooky. However, if "Hotel del Luna" was cast with dazzling superstars, "Missing: The Other Side" consistently maintains the simplicity of its concept. Very few KFans will end up following in the footsteps of their 'stars' in this KDrama, they aren't so well known enough outside of South Korea for that. Nevertheless, they all do a splendid job.
Finding the corpses of the missing however requires the living and their down-to-earth investigative work. The knowledge of the deceased can be used. Eventually, there is a catch: it requires living people who happen to be able to SEE and communicate with the dead. The worlds 'here' and 'in between' do overlap in the village of Duon, but only for those with the special gift of perception. A loose team sort of gets thrown together by fate and begins to work more or less jointly to solve some cases that are apparently related in some way. Everyone has to carry some personal luggage, in which missing people play a significant role. One is a crook, his colleague is a hacker, another protagonist works as a detective, another is a widower and father who, even after many years, has not given up the search for his missing daughter.
If you can/want to accept the basic premise of that in-between world, then "Missing: The Other Side" offers an all-round gripping crime thriller. Without any ribbons, but with warm heart. Not highly polished, but atmospheric and impressive. The protagonists are quite three dimensional - no superheroes, but rather ordinary, authentic, tangible. It could be anyone. Lastly, this story would especially happen in South Korea, because in this KDrama the ever so characteristic orphanages and Jaebeol once again got leading roles within the dramaturgical structure.
In case you are not sure, if you should watch, here my advice: Don´t miss "Missing: The Other Side".
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Go for it. You will fall in love.
I fell in love. Every short japanese series is always a masterpiece. This one hits different. I don't know why this felt nostalgic to me although i never had a friend, crush or a lover. This is surely going in my top 5. I wish they would do another one together. I loved the summer theme.😊💜💜💜💜 . I loved the music. The cast was perfect . I really wish more series like this can be made. This is something i will remember forever. I know this may not be the cup of tea for all but for me its something that gave me happiness.Was this review helpful to you?
Music Lovers
Just finished the ending of this series on YouTube and I feel the urge to write a review. I’ve mixed feelings, because I’ve been hooked by every episode, but felt some irritation as well.Synopsis
All her life Yang Zhen Zhen (Janice Wu) wants to be a pop artist. She works as a jack-of-all-trades at a major music agency, in the after hours she puts all her energy in talent shows. She never wins, but she decides to aid her former contest opponent Yu Zi Rui (Niu Jun Feng) to become a star one day.
Zhen Zhen is friendly, optimistic, fighting for her beliefs. That’s why her boss entrusts her with the difficult task of being a personal assistant to c-pop artist Zheng Bai Xu (Huang Zitao). Bai Xu is the big star of his agency, but he’s pursued by media scandals due to his unpredictability and unrestrained actions. He gives Zhen Zhen a lot of head aches and anxiety. They bicker non-stop, but are in fact kindred spirits. They both like to live and fight for their music. Bai Xu wants to become his own singer-songwriter but his agency won’t let him, earning money from his career as it is. Question is: will they succeed in living their life the way they want to?
The Good
Don’t expect just another c-pop vehicle for ZTao, this drama has some good side stories, f.e. the relationship with his rich father and siblings, and there's a nice flow in the story telling.
If you’re a fan of Janice Wu, you won’t be disappointed. She really shines. Although her character should have clothing that is plain and simple, her styling is perfect, every episode another outfit. Also ZTao doesn’t look bad when he leaves the swimming pool, and together they have a lot of cute, sweet moments. The supporting cast delivers a good job as well, especially the ideal-son-in-law Niu Jun Feng who plays a darker sort of character for a change.
The Bad
It is almost symptomatic in Chinese series, but there it is…this drama fails to deliver a sound closure. Really, how difficult can it be to portray a struggling artist who becomes a succes in the end, in his own right, without the help of his rich father, or agency? I won’t give any spoilers, you’ll have to see this for yourself.
Another minor thing, the styling of the actors is great, but it pains me to see what they did to ZTao. His lipstick is thicker, pinker than anyone. Combined with his dramatic hair-do and eyeliner he looks more like a drag queen to me. The only time I could believe Zhen Zhen would fall in love with him, was at the pool and on the beach where he was filmed without the heavy makeup.
Thanks to Janice the chemistry with ZTao was on point, but it took a long time before they kissed, and when they did, it was an anti climax for me. Aigoo, I was waiting for a lingering kiss full of intense emotion, not a touch of the lips left in "pause" mode.
Verdict
Still I recommend this c-drama to all romcom/music/boss-secretary lovers. Leave your brain on the shelf and enjoy this classic story about the arrogant male and his female assistant who become of one mind completing each other.
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And yet, it's a little story not easily forgotten, one I fell in love with at first sight and rewatched with equal pleasure. To me, Nao and Hiroto are an assumption, one of those couples I have stored away like a cameo.
The progression of their love story is narrated with sweet candour, acted beautifully and without needless exaggerations. It's the first role I saw Kamenashi Kazuya working in and even though in the meantime he's matured, I still consider this to be his best interpretation. Ayase Haruka is so believable in her whimsical pouting one can't help becoming extremely fond of her too.
And although the plot may seem ordinary, the small details of their interaction, the friendship, Hiroto's narration in first person, their young enthusiasm and depth of emotions are memorable.
The music by Ike Yoshihiro is wonderful. Possibly the best drama original soundtrack ever.
I recommend this dorama to those who still remember their first love and will relate to it, and to those who have forgotten it, as a mean to recall its bitter-sweet flavour.
I have watched this drama... 4 times: no need to explain why I gave it a high re-watch mark.
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This review may contain spoilers
“The song that I madly, deeply wanted to sing... That song should've been mine.”It's been exactly 3 weeks since I completed this movie, and I've made sure that I'm not emotionally attached or blindingly giving full scores. I can't find any fault in this piece, still. I never had such a hard time trying to put my amazement into words. I hate to spoil or guide you to view this film in a certain way, but I believe that the synopsis and the trailer are already a huge spoiler, so here's my attempt to elaborate:
Let me tell you first that this is not a “journey to stardom” kind of music movie or a story about two girls pulling each other's hair and fighting over a guy. Of course it does revolve around the themes of music and jealousy, but there are more to this than just being another love triangle story between musicians.
There is an absolute charm to how its English title accurately describes what this film has to offer. “Love, Lies” speaks for its entire composition: 50% hope and 50% despair, and I don't say that lightly; this film boldly runs for 1 hour telling the story of love, friendship, hope and dreams while building up the tension, then, later at its 50% mark, turns into a story of lies, jealousy, betrayal and broken heart for another hour. It also wraps up with guilt and consequences at the end, leading you to fully sympathize with every decision made by the main character no matter how crooked she’s become.
The setting in 1943-1945, the very end of Japanese occupation era in Korea, was fully utilized here and it intertwined so well with the music theme. It was the last two years that “gisaengs” existed. It was the most modern period of those Japanese backdrops. Also, Korea's liberation at the end of the story plays a good part. Here is where it could become difficult for some people to give this film a high score; the movie does require a little understanding of “musician mindset”.
Music is a form of art, and by art, it means there's no correct answer. It’s very subjective and personal. One may view music as something suitable for high class, but on the other hand it’s never wrong to think that music should belong to people in every social status. This conflict will set lover conflicts in motion in the story. So, think: What if your musician lover prefers someone else’s voice rather than yours? It’s unfavorable, but it’s not wrong, right?
Because the man in question is a musician – a pop music composer, it somewhat allows his unfavorable choices to slip through. It’s quite a given that his mind does not (need to) function entirely logically. He makes choices based on his artistic hunch. When he, according to the synopsis, “falls in love” with his girlfriend’s best friend, I came to fully accept the fact, although I didn’t support his decision either. And that was just one of the many reasons I loved how thoroughly planned the writing for this film was.
The Korean title for this movie “Hae-eo-hwa” is another old term for “gisaeng”, women who received high education in music to perform in front of and entertain men of high social status. “Hwa” means flower, so “haeeohwa” also means “a flower that understands human’s words”. The term represents how women (gisaengs) were treated as social inferior. This “haeeohwa” theme plays a big part in the film more than just suggesting the leads’ profession. One woman is willing to follow the guidance of a man she loves, and another goes against her own beliefs and throws herself at another man to gain power to take back what she loves.
All of these are combined into great storytelling, and in the end, you will see for yourself whether it was the “artistic mindset”, the social derogation of women, a man’s swayed heart, a friend’s betrayal… or it was entirely something else that ruined it all.
“Why did ____ not know back then that it was good enough?”
Also, don’t forget to keep an eye on the minor character Kim Okhyang. She doesn’t appear often, but she’s another character that will leave you with many thoughts in the end.
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I was stunned by Han Hyojoo’s acting as the sweet yet heartbroken Jung Soyul. Facial expressions were the key to this character’s portrayal, and she was utterly perfect. Casting Chun Woohee as Han Hyojoo’s best friend who needs to look and feel smaller and a bit inferior was also a great decision. Yoo Yeonseok’s laid-back demeanor was definitely suitable for his music composer role. He also deserves compliments for his months of effort in practicing piano just for this movie. Everyone including the supporting cast really made this movie come to life.
As for the music, there are plenty of music movies that fail to deliver an excellent result in the music department. This movie did not just reach my expectation but surpassed it to an exceptional level. Traditional “Jeongga” music and 1940’s trot are not what would appeal to everyone’s ears, but this movie made their music very sweet, easy to listen and memorable. For additional points, the two lead actresses performed every song themselves, and they were spectacular.
Lastly, the artistic department deserves great compliments. Locations, costumes and props were top-notch. Cinematography presented this film in vibrant colors, and the composition was beautiful from the beginning till the end. Everything was grand and aesthetically pleasing here.
I usually don’t rewatch, but I will definitely watch this one many times.
I absolutely recommend this film to everyone.
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Cha Seung Won and Gong Hyo Jin: They are both amazing actors. They are perfectly cast and it shows through every goofy moment and every scene that pulls at your heart.
This story is set in the entertainment world and probably sheds a glaring spotlight on the trappings and "traps" of fame. Each character is fame's satelite planet spinning in orbit around it's shiny tempting sun.
Dokko Jin is a man with a lot of hits under his belt. His image is stellar and it wins him the best CF's and shields him from getting laid low when a movie release isn't quite up to par. He can play the press like a finely tuned piano. He understands his world and he's comfortable there...on top. Everything is image...even love. Gu Ae Jung is a woman who had a taste of fleeting fame in her young 20's and knows exactly what it feels like when you are knocked from that pedestal. She has learned how to work her bad reputation to make a living. She knows what to do, how to act and dress and she's comfortable at the bottom so long as she can keep working. When they meet it throws their perspective worlds into chaos. It is a chaos neither of them are ready for.
Dokko Jin doesn't know what to do with the feelings he has outside of and in spite of, the image he has cultivated. He has lived so long in his fame bubble he is emotionally stunted. What he has come to expect is completely different than what the real world will hand him. We get to watch him open his eyes, watch his dumbfounded, drunken baby steps toward the light. ...And it's funny! It's clumsy and awkward. It's so completely tender and heart wrenching as well.
Gu Ae Jung doesn't know how to handle this mess of a man; who invades her life, pulls her into his bubble and goes after her with all the grace and finesse of a bull in a china shop. She has lived so long understanding that one word taken out of context can flay her and one mistaken step can shove her down to the bottom and cause pain. She knows she has to be careful in this world that drags her into a light which seems warm and friendly at first only to burn her when she dares to step to close. She knows better.
...and yet when the heart starts beating of its own accord and the petals strewn across the path lead to someone you can't stop loving, you have to be brave and make choices.
Gu Ae Jung is our everywoman in this story. She is the one we identify with and root for. She is the reluctant hero. Dokko Jin is our damsel in distress. The charm of this show is that it is so well written and entertaining you don't realize at first and when you do, you realize its genius!
The second leads and side characters are written smartly as well. They aren't just comic relief or one dimensional characters built as foils for the OTP. They have good reasons to be in our main character's lives. Best friends, brothers, agents and managers etc... They serve the narrative of the story rather than break us apart from it as if we need some sort of forced breather from the action or story filler. Smart Hong Sisters!
Yoon Pil Joo: Best second lead ever! I fell in love with him falling in love. Yoon Kye Sang is amazing. Time to go find every other thing he's ever acted in and watch it.
I found this show sublime. 'Crack me up' hilarious and 'Wrench my heart, why don't you?' emotional. Don't miss it. It is extraordinary.
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To me, Radiant Office belongs to the slice-of-life and romance genre. After all, it was made to be an office romance kind of show. Comedy is almost non-existent here, although that does not mean that this show is dark. It is fun, but if you're here expecting slapstick humor kind of fun, you're in the wrong place.
On the outer level, Radiant Office is a bunch of Korean drama clichés packed together. There's a boss-employee relationship, office settings, fatal disease, and some chaebol family problems. However, on the inside, Radiant Office has a very warm and cozy tone – the complete opposite of those dramas that have the same cliché background.
This is built mainly on their warm and cozy characters. I know that the poster and the synopsis can make our lead female character look very extreme, but she's not, as well as the rest of the crew. They're rather very relatable human-beings. They go through problems (that can sometimes be too dramatic, but again, I can totally overlook that for the fact that this is a drama), but the way they tackle these problems and overcome these situations are so human-like.
You will definitely learn a thing or two at every twist and turn here. When you feel like you can relate to their problems, you'll surprisingly feel comforted by their words and actions. I also love how there's no true "evil" in this story. Whenever someone does something bad, the show progresses in the way you can finally understand that supposed "bad" intention and come to accept that flaw. There are times when good characters make bad decisions as well. This show never tries to perfect or sugar-coat things to make the ordinary viewers like me feel ugly or uncomfortable.
The characters here are all built on the same ground. There's no "rich and powerful" and "ugly duckling" kind of combination. Even if there is a rich and powerful person, they all still have good qualities *as much as* their bad ones. The part that makes this fun to watch is that most of their qualities don't overlap each other. Throughout the show, the best quality of one person will fulfill the bad part of another and so on. It makes everyone complete. This is very heartwarming to see. Trust me, you will fall in love even with the small roles that show up only once every 3-4 episodes (like the secretary or the convenience store worker or our main lead's younger brother). The characters in this show are really that lovely.
THE ROMANCE:
Like I said, subtleness is the key here. I swear I enjoyed the tiny reactions between our two main leads so much and found myself blushing at their chemistry way more than when main leads of other dramas hate each other too much before falling in love with each other. The satisfaction when he slightly takes care of her or acknowledges her talents is real. And, no matter how strong her character is, she's still the little girl who likes to be taken care of in front of him. Their love slowly grows on you.
THE CAST:
I started watching this show without ANY expectation because of the cast. I haven't seen some of these actors, but for the ones I've seen, I can say that this is their best drama so far. I've got nothing much to say. They're very well-suited for their roles.
THE MUSIC:
Honestly, they didn't use their OSTs in the way that they receive enough recognition although there are quite some quality ballads. However, I don't remember feeling awkward with the background music while watching. I can only give it a 7/10.
REWATCH VALUE:
I personally rarely rewatch shows. For people who do, I can picture you rewatch it for the life lessons and cozy love story. However, it's less likely to be rewatched and still enjoyable because business talks can be too long in some episodes.
OVERALL:
Still, despite the so-so music, the clichés, and the low rewatch value, I still give it an 8.5/10. I don't care about the low rewatch value; a drama is never made to be watched over and over again anyway. Comparing to very upbeat and sweet romcoms, I give high score to this one for its approach in telling the story. This was never made fancy for the ratings from the start. This was made for people who like to lean back and appreciate things.
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This review may contain spoilers
ONE OF THE MOST BEAUTIFUL AND PAINFUL DRAMA EVER
I knew this drama would have a sad ending from the beginning but WOW.The story is so well written, the acting is SO GOOD and the OSTS are amazing (specially Winter of May). I loved every second of this drama even though I cried my eyes out with the ending.
Go Minsi did a really great job as Myeong Hee, I've never watched a drama with her and she blew my mind! Lee Dohyun also did a really great job as HeeTae and their chemistry was one of the best I've ever seen.
Knowing that Myeong Hee was missing for 30 years and that it took that long to find her body broke my heart. I really hoped that MyeongHee and HeeTae would have their happy ending because they've been through so much to be together.
This show made me you so sad and powerless but at the same time made my heart flutter. I wanted to get inside the screen and protect all of them with all my heart and it hurts so much to know that this was based in a real story and that there are people that are still missing.
I'm really glad I got to watch this drama and I'm really glad I got to know more about the Gwangju Uprising. My condolences to the people of Gwangju that had to get through this event and thanks to "Youth of May" to made us know about it.
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