Reviews

Don’t dread the ending, enjoy the journey!

Princess Agents has most definitely been my favorite drama of 2017. I have been waiting for a long time to write this review and many a times I almost gave into the urge to gush about it to everyone but unlike some impatient little boogers, I decided to wait for the drama to completely air first. I'm glad I did.

Even though, Princess Agent's story remained interesting from start to finish, it was the cast and characters that were the essence of the show.
Everyone who knows me, knows that I for one have a lot of love for my lady badasses and Chu Qiao was the definition of a badass. She was brilliant, witty, an excellent fighter, loyal to the bone and fully determined in her beliefs. Nobody could boss her around and she always stuck to what she thought was right. Watching Zhao Zanilia on-screen has always been a pleasure. She's such a versatile actress and her effortless elegance along with her sincere charisma never fails to make her acting seem extremely natural. I loved Chu Qiao so much and her fighting scenes always blessed me with these unexpected bursts of adrenaline rush that left me jumping around in excitement.

One thing I absolutely hate in Chinese dramas are the robotic and emotionless male leads that are perfect in every way and while, YuWen Yue started off as being cold and aloof, he soon began to win hearts with his unadulterated devotion towards our girl. He's someone who's not afraid to express his honest feelings and show his vulnerable side and that is what made him so endearing. Lin Geng Xin put out the acting of his life and was able to easily deliver YWY's innermost emotions without having to do much. The chemistry between Chu Qiao and YWY was simply electric.
Princess Agents was Kung Fu made sexy and these two characters communicated their every feeling with it. Every time these two were in a room together the temperature rose a few considerable degrees until everything felt hotter and a lot more sensual.

However, even though I was wholeheartedly rooting for YuWen Yue, my love for Yan Xun wasn't insignificant in any way. Dou Shawn brought to life, with his stunning acting, an unforgettable character. His transition from a reckless, know-no-better, kind-hearted prince to a cruel and blinded by vengeance duke was heart breaking. No matter what he did, it was so hard to truly hate Yan Xun because he was a man shaped by the scars of his life; someone slowly losing grasp of the humanity that defined him and it was all just such a shame. With his sharp eyes and an even sharper jawline Yan Xun slayed the hearts of the viewers without even trying.

Normally, I despise love triangles. Primarily because I'm almost always more inclined towards one of the male leads and then all the romantic scenes with the other just piss me off. However, deciding between Yan Xun and Yuwen Yue was such a hard thing to do because they were both fully committed towards their love for Chu Qiao. Whenever my heart was cheering one of them on, there came fluttering a scene with the other man that melted by insides. Chu Qiao had significant history and a strong bond with both of them and by the end of the show, I was almost praying for YX to mess up in some way so she could go to YWY.

Another actress whose work needs to be commended is Li Qin. She played the role of the extremely annoying, holier than thou, too stupid to live princess and played it in such a way that she was still tolerable till the end. Chun'er, time and time again made me want to bang my head with the wall. Not only was she extremely naive and selfish, she always ended up making a tragedy out of herself. She had everybody bend over backwards to save her worthless ass from her own mistakes and then she chose to blame others for her failures. All of her schemes always failed and it ended in her being utterly humiliated. So it was only because of the brilliant acting that by the end of the show the watchers still harbored some sympathy for her. Li Qin is undeniably talented and her portrayal of some scenes often left me open mouthed.

Backed by stunning visuals, a hauntingly good soundtrack and a gripping plot-line, Princess Agents was a treat throughout. It had me waking up at 7 am every morning because I wanted to see the new episode as soon as the subs were released. It had me watching entire episodes in raw form just because I was too impatient to know what happened next and it had me wishing away my weekends because I had no episode to look forward to then.

All in all, this review clearly shows how much I loved this drama so you must be wondering why then, did I not give it a solid 10? That is where we address the elephant in the room. Up until most of the show, I was willing to give it a 10 without a second thought and then came the outrageous ending.

The drama ends with the worst cliff hanger in Asian Drama history with absolutely nothing resolved. It's like the thing that you've been looking forward to throughout 67 episodes finally appears and when everything is at its peak, the show ends and your celebratory moment is snatched away from you. However, it would've been all okay if a second season with the same cast had been confirmed. Then this horribly disappointing finale would've been converted to a powerful episode that filled one with anticipation for the next season but that is not the case. The news for the second season is muddy at best and there's a high chance that the actors for the show will be changed out.

That is what makes millions of viewers so angry and devastated because this seems like a huge injustice. A disrespect to the drama, the actors who worked their ass off and the viewers who had been wholly attached to the story. What we wanted was closure but instead it was like we were handed the short end of the stick. The last few episodes were filled with unnecessary filler trash and the writers cramped everything into the finale, shoved all of it under a rug and dusted their hands with it.

This is the reason why this show could have been something phenomenal but ended up having its head cut off due to poorly planned decisions made on the behalf of the Princess Agent's team. Just like in the show the foul actions of an insecure King ruined the lives of many, the reckless actions of the drama creators eradicated many hopes.

I myself felt betrayed. The ending was like a personal offense and all the hours invested into the drama suddenly felt wasted. In that moment I wanted to give it a 4/10 rating out of rage, which is why I completely understand the low reviews and the hate comments. Once you see the ending, slowly you start to judge the entire show and downplay everything about it. All the things that seemed so great before, start to leave a sour taste in the mouth. However while I understand it, doesn't mean I would do the same myself because even if I had known beforehand the way it was going to end, I would have still chosen to watch the show. Because upon further thinking I realized that for me being on this journey with these amazing characters and creating a bond with all of them, alone was a great experience and discrediting the whole show just because of the ending seemed unfair.

So if you're considering watching it, don't dread the result rather enjoy the process.

Good Luck!

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I dare to say this drama is perfect. And I was stupid enough to almost not watch it. The hype was just too strong and so off putting.
WARNING: this is NOT a review for someone who has not seen the show. I just need to express all my thoughts somewhere.

So… Are you bored and tired of the “I’m not gay, I only like you” plot lines in BLs? How much do you wish some shows would address the hardship of coming out? The fear and confusion related to it? How much do you wish to see a well written, heartbreaking conflict that is not based on poorly written and ridiculous random jealousy? How much do you wish to see well written supporting female characters, whose whole arc is not just “I ship two cute boys together”? You get all of that and more in Like in the Movies.

The story revolves around the exploration of sexuality and identity. What makes us who we are? How much should we compromise between who we are, want to be and who others want us to be? How to react when you are both pulled back in line and pushed out of it by people you love and care about? How to make a relationship work when one person has already finished the race, but the other is not even on the track yet? Each character represents a different story, different perspective and different point of view. Their actions might make us angry, sad, heartbroken, happy or annoyed, but we see the reasoning behind what they do. We might disagree, but we understand. And this just proves how good of a writing quality Like in the Movies presents. There are no silly villains, nor over the top crazy exes or evil parents. There are just people. Real people with flaws, fears, hopes and dreams.

“Don’t be scared of the word. You can say it. I don’t mind”.

Vlad was an emotional fluff that spoke the truth and gave everyone some real lessons. I cried because of the words he had spoken. He showed how much being an educator can accomplish. Knowing Karl has no bad intentions, he was willing to explain everything to him, was patient, but firm about his views. As someone who would rather sit down and explain things over getting defensive and offended myself, I truly appreciated and loved that about Vlad. Of course, it was not his responsibility to guide Karl, but his understanding approach just impressed me. Communication is the key, not only in romantic relationships, but also any type of social interactions. He didn’t play mind games, spoke what he thought and felt and it was up to others to accept it or not.

His story is also truly heartbreaking. It shows how stigma and homophobia in a society can shape the way we see and interpret situations, especially at a young age. In the past, he associated every negative and bad action of people around him as a result of him being gay, even if it was not true. But the truth is often meaningless. It’s the perception that matters. It’s the perception that guides your thoughts and feelings. And, like in Vlad's case, it takes years to look at the situation from a different perspective. If society did not present being gay as something bad, Vlad would never assume his dad left because of that. He would never assume his mom was against his relationship because she did not want her son to be gay.
Vlad represents someone who fully accepted himself. Who is proud about his identity and does not want to hide it. Who, after facing so much hurt and struggle, does not waver. Who wants to proudly give and receive love. Who just wants to be happy.

“I don’t know if I’m like you. I don’t even know who I am”

Karl never had a chance to explore who he was. He lived for his brother. He lived as his brother. Getting away from the expectations put on him by his family, allowed him to slowly learn about himself. And it was scary. It was unfamiliar. It felt great when he didn’t think about it, but you cannot shut the thoughts out for eternity. You need to face them one day, but if that day comes too fast, if you are not ready… that can break you. Or push you even more into a corner. And that’s what happened with Karl. External circumstances forced him to face it when he was not ready, when he felt emotionally confused and vulnerable.

He was brave enough to tell his parents about his dream, about the goal of switching majors, about his will to chase his dreams. It was a tough decision to make and required a lot of strength. The aftermath of his decision was still unknown to him, and yet others expected him to do it again. To face the expectations of his parents. To rebuild the identity he had so far, to completely reevaluate how he thought about himself. No time to think, no time to accept, just expected to act accordingly. But he deserved that time. He deserved a minute to explore and get accustomed to who he was. Coming out should have been his decision, that he made on his own terms, in the time that he felt comfortable with.

“But I just don’t know how to get to you (...). I’m still navigating through this.”

Judit represents what happens when driven by guilt, you go from one extreme to the other. She is clearly close to being paranoid and definitely overprotective over Vlad. Taking into consideration the pain she caused him in the past with the words she said, now she does everything she can to save Vlad from disappointment and heartbreak. And she definitely crosses the line doing so.

She acts as a fake ally persona, which is closer to fujoshi. Not knowing the full story and observing her behavior in the first two episodes, one could assume she is another crazy female character without depth who just ships all the guys that are in close proximity (flashbacks to Zol and her “shipping my brother and writing stories about it” behavior). But then, with episode six we get a complete shift of the perspective and actual explanation for her action.

While I still didn’t like her overpowering and overbearing presence, I understood where it came from. As Judit said: she is still navigating through it. It’s obvious her and Vlad never seriously talked about the situation, the past and how to move forward. During that episode she faced her mistakes for the first time, she apologized for the first time. Before that she did what she thought was correct, not what actually would be helpful. As always kids, communication is the key. But even after that confrontation, she still does not completely change her ways. And it’s frustrating, but also realistic. You cannot just change who you were for years after one honest conversation. It takes time, it takes others pointing out your mistakes countless times. Talking with Vlad was a great start. But it was just a start. All the hard work is still ahead of her.

“I don’t want to blame her one day for all the time that I have lost for myself”.

One could say that statement and Anna “running away” from her child is selfish, but it’s the opposite of that. She is not giving up on her kid, but she is not willing to give up on herself too. She is a mother, a great one, who raised her child alone for years, but she is also just Anna, a woman that needs time for herself. Need time to chase her dream, to live and have fun. How could she make her child happy and encourage her to work hard if she gave up on herself? Words are not enough, you need to be a true model for your child. And that’s what she is doing. Feelings are not something we can control. She can love her child with all her heart, but still have these small “what ifs” creeping and poisoning the relationship and bond they have. What if I didn't have her? Where would I be? Who would I be? Would I be happier? Would I be more successful? What would my life look like? The thoughts that we have no control over. So yes, Anna is a badass person and an amazing mother. Even though she is just a supporting character, she also tells an important story that brings more value to the series itself.

Moving away from the characters, I have to admit something: this show slapped me across my dumbass face quite a few times and I’m glad it did. I like to think I’m not one to judge and jump to conclusions (especially negative ones) quickly, and this drama showed me I’m not quite there yet.

It started with the opening scene and my “glorious” thought “wow… way to start a BL with a cliche of 2 pretty guys dancing in random pretty location”. Boy, I was wrong, and when we finally got to see the full scene in episode five, I just felt stupid. It was not “just cliche”, it had powerful messages and quite an impact. “Maybe that’s why it’s such a big deal to me because it’s just a small thing and I still got deprived of it” is quite honestly one of my favorite lines, one of the most impactful, and one that represents well how twisted and wrong the world is.

Another moment that hit me hard was the Judit and Vlad’s conversation I already mentioned. I truly thought she was just hyped fujoshi and there is nothing more to it. And yet again, I have been wrong and I felt stupid for jumping to a conclusion when nothing was even presented to me to validate my position. Don’t know if these two moments say more about me or the BLs as part of the entertainment industry. I was fed poorly written female characters and cliche plot lines for so long, sometimes it’s hard to have higher expectations.

Another thing I loved about Like In The Movies: it had big brain energy. It has been just clever and not a second of screen time was wasted. All the small interactions and details were meaningful and I’m legit too dumb to even notice them all. I just loved how scenes, interactions, small behaviors connected and were explained at different parts of the story. Vlad not liking people touching his hair? Far more than “just because he doesn’t like it”. Small details like that, turned out to have so much emotions and depth for them. Vlad finishing a scary story with the “corpse in the closet” idea, and then he finds a photo of Karl’s brother in the closet, thinking it’s Karl. Truly big brain energy. There were many moments when I went ”damn… that’s why they showed it a few episodes ago”. Everything connects and everything has a meaning and I’m about to cry from happiness overwhelmed by this perfection.

Now, let’s talk about music. I am not an ost person. Unless the soundtrack is truly outstanding or truly bad, I don’t pay that much attention to it. Here we have the case of “truly outstanding”. Each song was beautiful. They were perfectly fitting for the moments and scenes they were playing for. The lyrics were just the cherry on top of this beautiful cake that brought me to tears. This is ALSO the case of big brain energy.

You know what else is big brain energy? The credit scenes! I’m amazed. Truly. You can tell how much care and thought was put into this show when they decided to even use the credits as a way to convey the message, describe the relationship and its progression. As I said, not a second was wasted. There were no fillers. No line wasted. Everything was crafted perfectly to give us this masterpiece, with quotes at the end of the episodes being the dot at the end of the sentence. Tying it all together, leaving us hopeful, emotional and grateful.

Though this will never be seen by anyone involved in the production, I just want to say thank you from the bottom of my heart. This was an amazing, emotional and engaging journey that will stay with me forever. I cared for the characters deeply, as if they were truly my friends. I cried, laughed and screamed with anger. Thank you for making me this emotional mess.

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I feel Koizora is that type of movie that can leave you in a short state of depression after finishing. I remember finishing this movie and I literally sat still for a few minutes taking in what I just saw while tears just ran down my face.

This story is supposedly based on a true story and can I just say this is a complete tear jerker. My friends kept pushing me into watching this and even though it's sad, I am so glad I decided to watch it.

This movie is just an amazing story about ones first love. It teases you with so much happiness and then just stabs you in the heart with sadness. I think it hurts a little more inside when you realize this based off true events.

I loved the cast. I really liked Miura and Yui together. There were those awkward acting scenes but I've grown used to them after watching so many dramas. But their chemistry was pretty good. I liked the supporting cast as well. Their characters were shown just enough and all blended well together.

I would definitely recommend this to anyone and if you are still iffy about watching this, just watch it..with a box of tissues of course

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We don't need another hero.

This is a dark, intensely melodramatic classic wuxia about heroes. The Chinese title 说英雄谁是英雄 (Speaking of heroes, who is a hero?) asks the question who is a hero 英雄/yīngxióng? What is distinctive about this story is that there is no main protagonist. It is left to the audience to decide which character(s) are heroes. Although novelist Wen Ruian is not considered to be in the same league as Jin Yong or Gu Long, there is a cynical provocativeness that distinguishes this best work of his. The martial artists or 大侠/dàxià, featured in this are swordsman known for their legendary weapons. Despite 江湖/jiānghú lore about their great feats and relative prowess, 一山还有一山高, there is always a higher mountain so the outcome to any encounter between these fighters is not known until actually put to a test.

Li Muge's brilliant camera work evocatively captures the essence of a wuxia from the wild vastness of the terrain, the spirit of adventure, the air of intrigue to finally, the profound sense of fatalism and impermanence. Yet despite the stunning aesthetics, the fast paced and bloody fight scenes are over choreographed and somewhat lacking. The action scenes mostly comprise of discontinuous slasher heavy shots that are stitched together to end in exaggerated fierce posing by the combatants. There seems to be a lot of slashing around without capturing the flinch inducing violence and intensely muscular swordsmanship seen in shows like Lu Yang's Brotherhood of Blades. The two final fight scenes are powerful and much more satisfyingly executed with the right mix of violence, emotion and intensity.

This drama's ensemble cast delivers nuanced and polished portrayals of memorable characters such as Chen Chuhe's charismatic Su Mengzhen and Meng Ziyi's heart rending Lei Chun. The diversity and eccentricity of jianghu's denizens from the flamboyant Fang Yingkan, the staunch and astute Yang Wuxie, the hilariously coquettish Zhao Xiaoyao , the fanatical Lei Mei , the wily Lei Sun and the enigmatic Di Feijing anchors this wuxia. Naturally the performances of the three young idol actors who represent the next generation of martial artists, suffers by comparison in such formidable company. While both Zeng Shunxi's Wang Xiaoshi and Liu Yuning's Bai Choufei struggle visibly in more complicated scenes, they deliver credible performances overall. Besides, Bai Choufei is a difficult role that would challenge many seasoned actors. As for Yang Chaoyue, her acting mantra must be "when in doubt, just pout" because besides crying, that is what she does best in every scene. Even though Wen Rou is a superfluous and archetypal character, she has many well written comedic moments with the advisor that disappointingly fall flat in execution. I won't lie, the idol actors failed to convince me of any of their relationships or make me care much for them. I find Su Mengzhen's bond with Yang Wuxie far more compelling than Wang Xiaoshi's with Bai Choufei.

The story opens with the young and decent Wang Xiaoshi's first foray into jianghu, tasked by his shifu to deliver a mysterious box to Su Mengzhen, the young master of the House of Golden Wind Drizzle (House Drizzle). Along the way he forms a fast friendship with the deadly and ambitious Bai Choufei and the well-born, pouty and marriage evading Wen Rou. Together, they head to the capital, seeking fame, fortune and adventure. Near the city, Wang Xiaoshi and Bai Choufei save Su Mengzhen from an ambush and the three become sworn brothers. Thus they find themselves allied with House Drizzle and pitted against their arch-rivals, the Six-Half Hall. The high-minded and valiant do-gooders are drawn to House Drizzle while the less scrupulous, commercial and profit minded converge at Six-Half Hall. There are formidable martial artists and yes, heroes at both sects; neither is completely good or bad they simply live by different ideologies.

All too soon, it becomes clear that Bai Choufei's unrestrained ambition and world view is incompatible with that of Su Mengzhen and House Drizzle. This man has a massive chip on his shoulder and his ambition tragically exceeds his ability. Thus his bottom line is flexible and he is willing to get what he wants by fair means or foul making him better suited towards Six-Half Hall. His desire for Lei Chun, a woman who only has eyes for Su Mengzhen, further fans the flames of his resentment. It is inevitable that Bai Choufei succumbs to his worst instincts to become the kind villain I love to hate; one that I can ultimately somewhat empathize with and understand. Sadly, this is where the screenwriter inexplicably decides to whitewash Bai Choufei and rob him of his free will. What follows is one of the worst character assassinations ever. Bai Choufei, a strong minded, unapologetically ambitious and arrogant character is reduced to a mentally unstable puppet of a corrupt government official. He becomes so unhinged, despicable and pathetic that he is little more than a rabid dog that has to be put down. What a waste. None of the other villains really step up; both Thirteen Doom and Fang Yingkan had potential but are too cursorily dealt with at the end and their motives and some of their actions not satisfactorily explained. That said, Thirteen Doom will always be a bit of a hero to me just for gagging Wen Rou.

The ending bloodbath between the sworn brothers is predictable and inevitable. At this point, Li Muge gives in to his love for melodrama and sprays dogs blood over everything with wild abandon. I was nonplussed at the tragicomic drawn out twitching after going splat death scene that eventually just made me laugh. I expected Su Mengzhen to play a more active role in the finale but his decision was already foreshadowed. He explains himself with his parting words 独立三边静 轻生一剑知 which Tencent simply translated as "The fearless brings peace for many but dies a death that's lonely." Those are incredibly fitting parting words for Su Mengzhen that those who love him can understand and must accept. It is actually a beautiful, famous ancient Tang poem with deep meaning that I will hide in a spoiler in the comment section of this review. The ending was good albeit overly melodramatic for my taste.

Which comes back to the conversation about heroes or 英雄/yīngxióng. When all is said and done, a hero does not have to fit the conventional wuxia hero in terms of righteousness or chivalry. It is enough that they are true to their own ideals and thus the hero of their own story. For me, Di Feijing is unambiguously the hero of this story. In his own way, he is no less chivalrous than Su Mengzhen and between them, they maintained a stable balance of power in the capital. He is the one character that is consistently true to his ideals and lives to protect those he loves. I find his chemistry with Lei Chun to be the most natural and moving in the drama. He is the only character who truly and only loved Lei Chun. Tragically Su Mengzhen is the only one that Lei Chun loved even though he did not love her quite as intensely or as selflessly as Di Feijing did. They are the three characters I cared the most about in this drama. I still don't forgive Li Muge for short changing me of Di Feijing's and to a lesser extent, Thirteen Doom's ending combat scenes. It is not enough for me to know that justice is served, I wanted to see it happen. As for Wang Xiaoshi, he is at best a work in progress. Even though he did his best to fix things, he also ineptly set in motion many of the events that led to among other things, Lei Sun's downfall which snowballed into this giant, tragic mess. If he is a hero, we don't need another hero. In any case, as Lei Chun discovered, heroes are not there when you most need them. Best be your own hero.

I have very mixed feelings about this drama. I think I am mostly disappointed because it could have been so much more had the scriptwriter and the director stuck with the novel and not succumbed to whitewashing and dogs blood melodrama. Thanks to the substance and depth of the original works however, it still a good watch if for nothing else, the stunning aesthetics. This feels like a 7.5/10 for me but I bumped it up to an 8.0 because Di Feijing (Yang Tong) is such an unforgettable character, he stole the show as far as I am concerned.

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Compelling, grounded in substance, and gratifyingly true-to-life. With a wonderful basic premise

"Missing: The Other Side" seems a bit like a KDrama with a magic hat. The story has the similar effect as the theme of the production: it sort of cavorts in a veiled intermediate world. It could simply be missed out. If you are looking for something in the field of fantasy, the KDrama does not impose itself. It's not fantastic or psychic enough. If you're looking for a thriller, you're more likely to scroll past it. It's not a psychological thriller. It's also not a classic crime thriller. So it seems ... And yet. "Missing: The Other Side" is extremely well done and definitely recommendable. I wouldn´t call the KDrama fantasy or mystery, but rather solid crime genre, in which actually time and space become relative... If only I had known earlier...

The KDrama is like an insider tip - although it´s success is not a secret. On the contrary. A second season will come out soon. The story is compelling, grounded in substance, and gratifyingly true-to-life beyond the basic premise. "Missing: The Other Side" doesn't entice viewers with a cast full of dazzling names, but with a fascinating, extraordinary production. A class of its own. The concept thrives on straight simplicity.

There is the radiant simplicity of the brilliant underlying idea: a tribute to the missing. There are actually too many missing people in South Korea - children and women in particular. In more than half of the cases, the missing person is at some point found dead - most of the time several years later. The idea of ​​the KDrama particularly honors those victims by creating a kind of dignified in-between-world for the time during investigation, how long it may ever take. Only then, as their corpse is found, they will part in peace. In the meantime, from the minute the missing person dies until the moment the corpse is found, those souls linger in a beautiful and (mainly) peaceful village among other fellows with similar history. There is a certain charm to respectfully giving such unsolved cases some faces, individual stories, soul, hope & heart - some friendly, reminding space. Even though many missing people´s cases get closed and quite a few may remain unsolved, the KDrama respectfully opens a door to connecting to them.

Granted, the living and the dead share the stage equally. Yet there are no mouldering, half-decayed or slightly moldy ghosts buzzing around. If you like, the idea of ​​"Hotel del Luna" is varied in a less exalted ambience, a little more down-to-earth and less spooky. However, if "Hotel del Luna" was cast with dazzling superstars, "Missing: The Other Side" consistently maintains the simplicity of its concept. Very few KFans will end up following in the footsteps of their 'stars' in this KDrama, they aren't so well known enough outside of South Korea for that. Nevertheless, they all do a splendid job.

Finding the corpses of the missing however requires the living and their down-to-earth investigative work. The knowledge of the deceased can be used. Eventually, there is a catch: it requires living people who happen to be able to SEE and communicate with the dead. The worlds 'here' and 'in between' do overlap in the village of Duon, but only for those with the special gift of perception. A loose team sort of gets thrown together by fate and begins to work more or less jointly to solve some cases that are apparently related in some way. Everyone has to carry some personal luggage, in which missing people play a significant role. One is a crook, his colleague is a hacker, another protagonist works as a detective, another is a widower and father who, even after many years, has not given up the search for his missing daughter.

If you can/want to accept the basic premise of that in-between world, then "Missing: The Other Side" offers an all-round gripping crime thriller. Without any ribbons, but with warm heart. Not highly polished, but atmospheric and impressive. The protagonists are quite three dimensional - no superheroes, but rather ordinary, authentic, tangible. It could be anyone. Lastly, this story would especially happen in South Korea, because in this KDrama the ever so characteristic orphanages and Jaebeol once again got leading roles within the dramaturgical structure.

In case you are not sure, if you should watch, here my advice: Don´t miss "Missing: The Other Side".

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Instant Favourite. I had to boot out one my all-time favourite dramas in my list to make room for this one, the moment i finished watching it.
This drama has everything you would expect from and Asian drama AND more. It's all i thought about for days, I literally dreamt of the characters when i slept.
The story, although it is appears to be a stereotypical 'good girl meets bad boy' theme, is actually far more deeper then that. The girl wasn't always so reserved, and the boy wasn't always such a womanizer. It really touches upon the consuming physiological problems that tragedy can create. Its normal to see the male lead 'change' throughout the drama and become a better person while falling in love with the female lead, but it is extremely rare to see both characters changing so much; together.
The acting was amazing. That's to be expected with Barbie and Vic. I laughed and i cried with these characters. I felt their heartbreak as much as my own.
Its the rare kind of drama that gets better with each passing episode, and at the end you just wish you could watch it all over again with new eyes.
I would recommend this to anyone.

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Music Lovers

Just finished the ending of this series on YouTube and I feel the urge to write a review. I’ve mixed feelings, because I’ve been hooked by every episode, but felt some irritation as well.

Synopsis
All her life Yang Zhen Zhen (Janice Wu) wants to be a pop artist. She works as a jack-of-all-trades at a major music agency, in the after hours she puts all her energy in talent shows. She never wins, but she decides to aid her former contest opponent Yu Zi Rui (Niu Jun Feng) to become a star one day.
Zhen Zhen is friendly, optimistic, fighting for her beliefs. That’s why her boss entrusts her with the difficult task of being a personal assistant to c-pop artist Zheng Bai Xu (Huang Zitao). Bai Xu is the big star of his agency, but he’s pursued by media scandals due to his unpredictability and unrestrained actions. He gives Zhen Zhen a lot of head aches and anxiety. They bicker non-stop, but are in fact kindred spirits. They both like to live and fight for their music. Bai Xu wants to become his own singer-songwriter but his agency won’t let him, earning money from his career as it is. Question is: will they succeed in living their life the way they want to?

The Good
Don’t expect just another c-pop vehicle for ZTao, this drama has some good side stories, f.e. the relationship with his rich father and siblings, and there's a nice flow in the story telling.
If you’re a fan of Janice Wu, you won’t be disappointed. She really shines. Although her character should have clothing that is plain and simple, her styling is perfect, every episode another outfit. Also ZTao doesn’t look bad when he leaves the swimming pool, and together they have a lot of cute, sweet moments. The supporting cast delivers a good job as well, especially the ideal-son-in-law Niu Jun Feng who plays a darker sort of character for a change.

The Bad
It is almost symptomatic in Chinese series, but there it is…this drama fails to deliver a sound closure. Really, how difficult can it be to portray a struggling artist who becomes a succes in the end, in his own right, without the help of his rich father, or agency? I won’t give any spoilers, you’ll have to see this for yourself.
Another minor thing, the styling of the actors is great, but it pains me to see what they did to ZTao. His lipstick is thicker, pinker than anyone. Combined with his dramatic hair-do and eyeliner he looks more like a drag queen to me. The only time I could believe Zhen Zhen would fall in love with him, was at the pool and on the beach where he was filmed without the heavy makeup.
Thanks to Janice the chemistry with ZTao was on point, but it took a long time before they kissed, and when they did, it was an anti climax for me. Aigoo, I was waiting for a lingering kiss full of intense emotion, not a touch of the lips left in "pause" mode.

Verdict
Still I recommend this c-drama to all romcom/music/boss-secretary lovers. Leave your brain on the shelf and enjoy this classic story about the arrogant male and his female assistant who become of one mind completing each other.

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A Refreshing dive into 2023

HALF WAY REVIEW+ FINAL REVIEW
You're probably wondering if you should check
out this drama. My suggestion is a solid Yes 👌 And here are my reasons.

[Gonna be a midway review since I'm following This ongoing gem haha. I'm reviewing this so anyone hesitant about this drama will give it a go, Will drop a final review]

This drama seems pretty much underrated, Obviously for the reason of not having Top ranking cast. Only.

But from eps I've seen so far, it's absolutely more dept and solid than Most 2022 Cdrama out there. Trust me when I say, More Solid!

Plot.
Plot might seem like your usual high school blah blah blah, But oh, I was in for a little surprise. although not the most solid plot out there, but Oh dear, it was Something relatable lovely to view. A sweet highschool love story with a pinch of intriguing twist. curious? Check it out then🌝

Leads,
Of course they got that bubbly chemistry you see in most High school drama and that's what makes it Lovely to see two cuties cutely fall in love hehehe.

ML was basically a heartthrob to go for, His acting is surprisingly good for a first official drama from him! ( I think it's his first drama) He got the looks, refreshing and natural acting, and the pretty eyes and stare! what's there to not love.
FL? She gives off that normal highschool girl energy you always see. (Don't be fooled by synopsis tho. she's smart but not as described by synopsis lol) she's basically your normal highschool girl in Cdrama.
SL (Second lead) Ay, I had a soft spot for him Lol and still do. That's my undying support for Most SL lol. He was a pretty much loveable , playful character that gives you that bad student vibes. A perfect lover for a girl ( Omg I need him in a drama ASAP 😭) but overall his acting is AMAZING like ML and he's too good to be a rookie actor.

support roles are just okay. Doing their Jobs and supporting leads. And I love how the script doesn't make these support roles overshadow the leads storyline.. pretty decent writing I see here.

Acting, Hmm. the acting in this drama got me thinking.. Wait omg are these rookie and underrated cast I see? Because hell they embodied that Highschool role so well that I'm already in love.

But there are certain downside to this nice dramas I think would need some touching.

Classic Cliche?
lol, what's a Highschool drama without these cliches. And it's obviously found in this drama too. but what I appreciate here is the fact that MOST of these cliche were handled nicely. But doesn't mean all. Because some scenes will obviously get you cringing haha.

which brings me to my pleading! Cdrama please shorten or remove these cliche and cringe 😭 We've had enough😂

Music? Well music in this drama wasn't ok to me. It's cringe af tho. Maybe not my taste? Because I don't even remember any of it and oops, I skip the opening theme so. Not so good music choice

Overall
Like I Said, It's indeed a fresh dive into 2023 and a worthy refreshing, cute, bubby, funny, youthful drama you should check out while you're beginning your 2023, Because this drama is indeed a Underrated Gem That's amazing.

Not the best of it's genre but amazing.

so why are you still reading??😭 Go and click on ep1

FINALLY DONE AND HERE'S FINAL THOUGHT

🌺 A FRESH AND FLUFFY DIVE INTO 2023🌺

Finally finished this drama and have no words to expressed other than, Nostalgic, Cute, sweet, Lovely and did I forget to say NOSTALGIC AND CUTE!

The journey of watching group of friends go through their bubbly and harsh days in highschool while ending up in wedding gowns, chasing dreams and love. That's the feeling I got.

This drama wasn't all that exceptional and didn't have the most outstanding plot, with Twist and such.No, it was Just genuine and sincere.

What was really fluttering here is basically the casting. wow, The casting was one to dig for. And to make me believe they're rookies? Omg they're pretty much natural with their acting! Pulling off the Highschool to adult trope, I was impressed!

The plot, like I Said isn't something exceptional. but it was indeed a highschool to adult trope worth the watch

The leads were compatible and good, second lead guy..omg I think I had a heartache ahha. And the support characters were simply solid. I loved each characters stories which was presented to us..the break-up and makeup 2nd couple, was just heartwarming.

And Can we just take a minute to appreciate the buddy bromance we got unexpectedly?🤣 I loved how this drama somewhat proved that long gotten friendship is often superior than Love. [we lost our 3rd CP because I guess the guy picked friendship, his childhood buddy. Now that's something you don't see everyday! Amazing 🥺]

Overall, this is simply a refreshing watch worth your time. Although the synopsis is a little bit deceiving... because I think it wasn't properly generated. But anyways it was better than I expected.

Finished my 1st cdrama of 2023🌺 and it was indeed a cute Gem. I'll indeed miss this squad and their tale. One of my favorites of 2023 anyways.

Title: TIME AND HIM ARE JUST RIGHT 2023

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Beautiful xianxia drama that may have its flaws but overall is still worth the watch

Before I get into this, I would like to say that negative reviews have had no effect on me and I think Zhou Dong Yu looks the part.

This story follows Shang Gu as she lives up to her role as the leader of the four immortals and takes responsibility for the realms.

The story starts out somewhat stereotypical: Shang Gu needs to get stronger so she trains under Bai Jue. However, the character development was nicely done in this: Shang Gu grows from a mischievous, useless goddess to a powerful, self-sacrificing leader. Bai Jue also begins to open up, and the chemistry between the two is adorable. Shang Gu is like a puppy dog of happiness whenever she's around Bai Jue! The plot also begins to pick up around 4 episodes too, and the story becomes very interesting.

The second life is also neat, but one of my only criticisms of the show comes here: Shang Gu(or Houchi in this life) becomes a bit wooden. Zhou Dong Yu still acts out Houchi like she was the strong female ruler she was, but after 30 episodes it starts to get a little stale and unbelievable. In Xianxia dramas (or any drama, really) I wish to see a lot of character development and growth. Shang Gu experienced emotional and physical growth, but I'm not sensing a lot of emotional growth from Houchi where it feels like there should be some. She still faces problems and reacts to things in exactly the same way for 20 episodes straight. I find it hard to believe that her personality will change drastically when she becomes Shang Gu again too. Despite this, I still enjoyed the second arc.

The third phase (starting from the return of Bai Jue) was both the best and the worst phase. It was the worst because in some places, there were some cheesy and unbelievable scenes, such as (no major spoilers) when everyone stood in a circle around Bai Jue and Jing Zhao and watched everything unfold without reacting. There were some pretty shocking things happening, so the vast majority just standing there like statues kind of took the emotional impact out of that moment for me. Another thing is Shang Gu interacting with Bai Jue during the period when they weren't on the best terms. They basically said the same things for three encounters. Xu Kai's acting saved the day because he has the best despairing gaze, but I feel like they needed to switch up their interactions a bit.

Now for the best parts (and these override the bad parts by miles ). I said above that I may not like Zhou Dong Yu's acting in the third arc, but I was pleasantly surprised. Her acting, like in the first arc, feels lively, spirited, and quick-witted. The second great thing is actually the villain's development. I want to give props to Jenny Zhang for portraying Wu Huan's character with such depth. Her desperation and resignation of fate led her to her actions, and I can even relate with her a bit. Her story was well written and her ending was justified. And that leads me to the third thing. Ancient Love Poetry has one of the best endings that I've seen. All the characters were written off nicely, everyone got what they deserved, and the ending was beautiful. Nothing felt rushed or unsatisfactory. The ending sealed the deal for this drama being a great drama overall.

About the main characters: I sometimes felt Zhou Dong Yu could've acted some parts with more emotion. She's awesome at the cheerful/intellectual/imposing scenes, but her sad scenes aren't totally there yet. Xu Kai is great; he goes from an emotionless True God to a hot-blooded immortal, and he's great at subtly showing his emotions in his third form. Like Zhou Dong Yu, his acting is also a bit wooden at times, but his emotional scenes hit me where it hurts. He's got some great acting abilities. Despite their individual acting, their chemistry was adorable. I also liked the fact that their relationship was not a stereotypical guy-is-the-best-at-everything relationship.

The side characters are a joy to watch in this show. I love them all, from the friends to the villains. They are multifaceted and compelling, and I'm as invested in their stories as I am in the main couples'. Wu Huan is a dislikeable but understandable villain, Yue Mi and Feng Ran are friends with interesting backstories, the other immortals are all people with flaws struggling to do their best, and the Demon Tribe is just another group with its own troubles and stories. Tian Qi is actually one of my favorite characters. They are part of what makes this show charming.

For the animation: the trailer was beyond beautiful, but making every little part look amazing is going to cost a lot of money, and this drama is already CGI heavy. However, this show is the best-edited among long-length xianxia dramas up to and during its air. It really is dazzling and gorgeous.

Overall, Ancient Love Poetry is definitely a drama worth watching, and despite my criticisms, the number of great scenes vastly outnumber them. Also, once you get deep into the story, you want to know what happens next!

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M A S T E R P I E C E

I find myself having a different taste than most users here on MDL so I would totally not recommend it if you can't handle slow type of movie especially this one which is 2 1/2 hours long. This movie also contains sex scenes so definitely not for everyone. People with attention span of a goldfish would hate this movie.

Jongsu is an aspiring writer; he also works as a part time delivery man. One day while doing his delivery task he bumps into hae min, who is apparently his childhood friend. hae min said she is going to africa and ask jongsu to look after her cat. Hae min comes back along with mysterious guy named ben. One day ben and hae min visits jongsu, later on ben confessed to jongsu his secret hobby.

It is the definition of slow burn no pun intended, utilizing the time to explore the life of the lead character, his affection to Hae min, conflicts with his family and his view to korean society. The film is a character study and Jongsu is just our extension in the movie. The movie is very philosophical in which the central theme revolves around "little and great hunger"(what we want / what we need), it is also very metaphorical, simmering with ambiguity, it's the best example of less talk see it in action and it also loaded with symbolism throughout. Though being the film a slow burn and with its 2 1/2 hours running time, it is by no means a dull or boring movie. It is a hypnotic experience and throughout the movie you will use your brain a lot as mysteries after mysteries unfolds.

Cinematography is topnotch. It's beautifully shot, able to capture the eerie atmosphere on screen. I also love the shots at dawn, it's enigmatic yet mesmerizing. Music just makes this thriller movie 100x better. It is haunting, builds tension, underlines the mood and evokes characters emotion.

Acting is masterful, might be the best I've seen in years. Let's talk about the lead girl first. Jeon Jong Seo as a free spirited gypsy is just brilliant, the way she pantomime eating orange is very believable, the philosophical element of the movie plays here, that's why that scene is important in the movie. She also not just good looking but also has great screen presence. Yoo Ah In who played Jongsu is equally brilliant. The development of his character is handled really well especially during the later part when his character became obsessed. Steven Yeun is not just a guy from walking dead, the dude can really act. I love the way he made the character more mysterious through his facial expressions.

Perfectly crafted movie, you would feel the labor of love put by a director making movies like this. It's that type of movie that you would get something new every time you watch it. Definitely the best movie I've seen this year and the best korean film I've seen in a decade. This is a masterpiece.

If you enjoy the though provoking element and the whole ambiance in this movie I'm sure you would love to read some Haruki Murakami novels.

Check my Blog for other reviews & other JDramas stuffs. (｡◕‿‿◕｡)
https://thatjapanesedramaguy.blogspot.com/

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THE STORY
First of all, this drama should not be called ‘Legend of Fuyao’ because didn’t focus enough on Fuyao. It should not be called ‘Legend of Wuji’ either because Wuji was willing the risk the safety of all the people in the 5 kingdoms for his love interest. Though his love and devotion to Fuyao was admirable and touching, this is not what a good ruler should be doing. So, no, Wuji does not deserve to be called a legend either.

I think a more appropriate title for this drama would be ‘The story of Fuyao, the woman who changed Wuji’s life’, because Fuyao turned Wuji’s life upside-down and brought his arrogance down a few notches the moment she entered his life. It is also a coming-of-age story of both Fuyao and Wuji as it shows how they change as a result of knowing each other and going through the trials in their lives.

The story takes us through 5 kingdoms (Taiyuan, Tianquan, Tiansha, Xuanji and Qiongcang) and has a lot going for it – court intrigue, action, adventures in strange lands, long lost identities and an epic love story. However, the focus, development and pacing of the script was inconsistent. . The drama’s title and first 8 episodes in Xuanyuan Mt. had us anticipating Fuyao embarking on a quest to find her true identity and remove her 5 seals. However, after she left Xuanyuan Mt, the focus changed all to Wuji and Fuyao became an accidental follower in his schemes instead of leading the story as the main character. Too many episodes were devoted to the court intrigue in Taiyuan which did not move Fuyao’s quest along one bit. The result of this was that everything else had to be squeezed into the remaining half of the drama and so there was no time for proper development of the stories in the remaining kingdoms. The story in Xuanji kingdom - where Fuyao’s childhood story and true identity were revealed - was especially short and rushed (only 6 episodes). Wasn’t this drama supposed to be about Fuyao? I would have loved to see more time devoted to Fuyao’s backstory (because it was just so tragic) and how it shaped her strong character.

ACTING

(1) Yang Mi as Fuyao
I liked Yang Mi since TMOPB, but after Fuyao, I have become a fan. Her performance was simply PHENOMENAL! I love actors who can emote with their eyes and Yang Mi did this superbly here. Her eyes are so gorgeous and expressive, I found myself drawn to them every time she appears on screen. She had a lot of epic scenes that had no dialog – the attempted rape scene, Yao City battle, rain scene, when she regained her memory, when she turned evil). She relied only on her eyes to convey Fuyao’s emotions and slayed every scene. Just a simple change in the expression in her eyes could convey so much, especially when she teared or cried – my heart just went out to Fuyao and I could really feel her pain. I particularly love her scenes with Uncle Zhou as the surrogate father-daughter bond was just so heart-warming and touching. And despite all the heart-break and hardships Fuyao endured, there was always strength and fire in her eyes.

I feel a lot of viewers do not give Yang Mi enough credit. I guess this is because majority of viewers are female and prefer to focus and swoon over the male lead. When a male lead cries, it is hailed as good acting whereas the female lead can cry buckets and no one takes notice. Is it because females are expected to cry, so that no one thinks much of it anymore? I vividly remember 3 scenes - just before Fuyao passed out after her fight with Zhangsun Ping Rong, right after she regained her memory and just before she stabbed herself. In each of these scenes, Yang Mi dropped a tear that totally broke my heart. It’s sad no viewers bother to mention her great acting in these, as well as many other scenes, whereas when the male lead drops a tear, viewers shout about it.

So, I do wish to give special mention to Yang Mi here because her exquisite and excellent performance was one of the main reasons I enjoyed this drama. At the end of the drama, I realise the character I remember most is Fuyao. Yang Mi made Fuyao come alive. She made me care for Fuyao and want to continue watching the drama to find out her fate. I only wish she had more screen time. She lights up the screen every time she appears and stole the show.

(2) Ethan Ruan as Wuji
This is the first time I have ever seen Ethan Ruan acting and so I did not know what to expect from him. His performance as Wuji was both a hit and miss for me. It was a hit because he looks handsome as Wuji, had great chemistry with Yang Mi and was good as the cheeky and flirty prince. But it was also a miss because some of his facial expressions, especially his smiles/smirks, come across as sleazy and goofy instead of suave or endearing. There were several OTP scenes where he suddenly gave a goofy smile that just totally spoiled the tender moment. And he tends to overact, such as crunching his face into an unrecognisable mess to express pain or angst. It made the last few episodes, when Wuji was crying over his parents’ betrayal and when he was chained to the ice on the mountain, very difficult to watch. I cringed more than I felt touched. I just wish he had used more of his eyes to emote (like the senior actors and Yang Mi) instead of such exaggerated acting, because some of his emotional scenes were good.

OTP’S LOVE STORY
Fuyao and Wuji’s love story has got to be one of the most well-written and best developed I have ever seen in a Chinese historical drama. Their epic love story is one of the things that really draws you in to this drama. It was wonderful seeing their relationship grow from the initial fighting and flirting to trust, support and finally self-sacrifice for each other. And Yang Mi and Ethan’s chemistry was simply sizzling! They looked so natural and comfortable around each other and their scenes together were a joy to watch.

MUSIC & CINEMATOGRAPHY
I absolutely love the OST and BGM. Every piece of music suited the mood of every scene so well. I daresay I prefer Fuyao’s OST/BGM to TMOPB’s. Cinematography, sets and costumes were also very good and gave the drama a grandeur more common to movies than a TV drama.

FIGHT SCENES
One of my favourite are the fight scenes. There are more fight scenes here than the average Chinese historical drama and you could tell a lot of effort was put into these as they were all very well-choreographed and visually stunning. Fuyao had the best fight scenes and Yang Mi just looked soooo freaking COOL fighting and flirting!

FINAL THOUGHTS
As someone who read the novel before watching the drama, I was very frustrated over how the drama scriptwriter had changed and butchered Fuyao’s character. Drama Fuyao was a victim of circumstances. In contrast, novel Fuyao was a dictator of events. All the schemes that Wuji planned in the drama were actually plotted by Fuyao. She single-handled plotted and helped put all 5 male leads on the thrones in their own kingdoms. So, I didn’t like the fact that the drama made Wuji more like the lead character and accredited all of novel Fuyao’s achievements to him.

When writing this review, I had to treat the drama as being NOT RELATED to the novel at all. Otherwise, it would not have been fair to all the cast and crew who put up such a fine production. Other than the inconsistent script, everything else about the drama was very good – from acting to music to cinematography and fight sequences. Putting my drama vs novel bias aside, this is still an entertaining drama with lots of action, adventure and intrigue to keep you engaged. If nothing else, Yang Mi’s and Ethan’s superb chemistry and love story will keep you invested and wanting more.

If you are debating whether to read the novel or watch the drama first, do yourself a favour and watch the drama first. You will enjoy the drama a lot more this way. Then go read the novel to understand what a truly awesome character Fuyao is and why she is a legend. The drama totally does not do any justice to Fuyao and the novel.

REWATCH VALUE
I will definitely rewatch this drama for my favourites scenes, action sequences and Yang Mi’s superb acting.

* ENDING SPOILER ALERT *
In case anyone is still confused about the ending, Fuyao and Wuji did not die. In the last scene, they are alive and well on a bridge (probably in Tianquan), not in heaven. The words spoken by Wuji in that scene (ie. follow her to the mortal realm etc. etc.) are actually lines from the novel that novel fans love. The scriptwriter probably put it in thinking that it would please novel fans but instead, it ended up confusing everyone about whether they lived or died.

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No words can describe the feelings “The Red Sleeve” gave me

But I will try.

“The Red Sleeve” felt like hymn of love,
but also, like condemnation of love.

"The red sleeve" is the perfect rendering of the dual nature of love, of its bittersweet reality.

At moments it made me laugh my heart out, at moments it made me cry. Sometimes I was over the moon, filled with joy or my blood was boiling to the point I wanted to punch the screen. I was amazed, I was entertained, I was disappointed. “The Red Sleeve” was a pleasant and thrilling ride that offered me all kinds of feelings, positive or negative ones.

The Story

“The Red Sleeve” is a historical romance drama of 17 episodes. The story is based on the novel “The Red Sleeve Cuff” by Kim Mi Kang and revolves around the relationship of court maid Sung Deok Im and Crown Prince Yi San.

The story is also based on historical events and figures. As I’m not an expert in Korean history and I haven’t read the novel, I can’t analyze this any further. For anyone who wants to know more I will comment on my review- comment the link of the MDL discussion thread “Drama vs Novel (vs History)”. This contains spoilers so I’d advise you to read after you’ve watched the drama.

Even though the story is romance-centered, it deals also with other things that make the drama quite interesting, like the life of the court maids, the fairies of the palace. From their point of view, the story manages to show how the institutions of the palace work but also, the sad and brutal reality of it : the intrigue, the political corruption, the inequality, the devaluation of human life.

In addition to the above, another benefit “The Red Sleeve” has, is that although it starts with a very common romance trope, generally it doesn’t contain a lot of cliché romance scenes. Thus, I believe that even if you’re not into romance dramas, you can give “The Red Sleeve” a chance and you may be satisfied with the outcome. I’m not really a fan of historical or romance-centered dramas and yet, “The Red Sleeve” kept my attention till the very end.

The Pace

The pace of the drama is neither fast or slow, it’s something in between and varies from episode to episode. Thus, I think the pace is just right and manages to keep you unbored. I also noticed that after an intense, thrilling and serious episode, the next episode is mild and relaxing, like it is a comic relief. That creates balance in the drama’s tension and makes it pleasant to watch.

It has to be mentioned that some comic reliefs and serious scenes also exist inside the intense and the mild episodes respectively. These changes between funny and serious are well structured and not abrupt so they don’t destroy the drama’s serious and melodramatic tone. Not everyone though likes this kind of alteration, even if it is well made, so if you belong to this category, you may be a little disturb from time to time.


The Storytelling

I don’t know if it is because the drama is based on a novel, or the screenwriter did a very good job or because of something else, but the storytelling is beautiful.

There is harmony between every situation and relationship, everything is perfectly tied together creating perfect coherence. The story slowly and unsuspectingly escalates, comes and hits you unexpectedly. Watching the last episodes and realizing how much has happened and how every character and situation has changed was a shocking experience.

The greatest thing about the storytelling is how poetic it is. This drama has one of the best scripts I have ever come across. The dialogues and monologues are so impactful and powerful,full of beautiful words. The feelings and thoughts of the characters are very well imprinted that can touch the audience and make them feel the same as the characters. Reading the subtitles of this drama was so appealing that even someone who hates reading subtitles would enjoy it.


The Characters

The characters are very well written. There isn’t any dull character, almost everyone has a multidimensional personality and depth. Everyone has their own purpose, acts accordingly and ultimately, it is their actions that determine their fate. Even if some characters had bad intentions, you can’t define them as villains because they weren’t completely bad people, they were just humans.

I like many of the characters but I especially like Sung Deok Im, the definition of the “strong female lead”. Sung Deok Im is smart and she has her way with words. She used her charms to survive in a very tough environment. She is confident, fearless, independent and she always puts her logic over her feelings. Her acts are very mature and thoughtful so she is a person to rely on.

The Acting

I was impressed by the acting and I was completely satisfied with the result the whole cast provided. All the actors did a great job.

The two main leads, Lee Se Young and Lee Jun Ho had perfect chemistry and their performances were breathtaking. I have seen many dramas of Lee Se Young and she has never disappointed me, she is always on point, as she was in this drama too. It was the first time I saw Lee Jun Ho and his acting surprised me. In the future, I will see more of his dramas.

My favorite actor was Lee Deok Hwa (King Yeongjo), he was remarkable. I was captivated by his solid performance. His reactions was so natural that made me predict something that happened later.

The Production

What I liked about “The Red Sleeve” the most, was its production. “The Red Sleeve” is technically perfect from all the aspects. Everything is so well made; the production is indeed very meticulous. The directing contains beautiful cinematography with the artistic shots of nature, vivid colors that made the drama visually stunning. This directing combined with the soundtrack, created thrilling and romantic scenes that made my body shivering and sad scenes that made me want to cry a river.

Conclusion

I believe that “The Red Sleeve” is one of the dramas that you know from the first episodes if you like it or not. The technical aspects of the drama are very decent; everything else depends on personal taste. For me, “The Red Sleeve” was pure art from all perspectives. This drama has a lot of beautiful moments that stole my heart and I will always remember. It was indeed a delightful journey.


I hope if you watch it, you will experience the same feelings as I did.

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From 5 to 9 is surprisingly funny and - at times - just as surprisingly moving.

I had my reservations before beginning this show, since I'm no fan of religiously oriented stories. Should you hesistate for the same reason, rest assured that, aside from the beautiful temple that plays as a setting and a few sutras read in the background, the monk hero is less religious than me - if possible.
In fact, here's one of those rare examples in rom-coms where the leads have physical desires. That a monk has to take more icy showers than your average CEO to suppress his wordly lust is an entertaining concept. Not to mention that, if you're a fan of Yamapi you may find this habit of his very pleasing.

As I said, there's a lot to laugh about while watching. Indeed, I'd say this is a rom-COM, where the comedic aspect wins over the romance. The romantic aspect, on the other hand, is seesawing, and I found myself laughing at the couple, hating the couple, loving the couple, re-hating it and re-loving it. There are in all respect more couples to enjoy here, even though I personally loved the side characters as a whole, not paired, if that makes any sense.

Don't expect some deep characterization because, in perfect from-manga-to-live-action style, the stress is on the characters' present actions, rather than how they came to this point. Hints, however, are given now and again, and I personally found those touching and well played out.

Out of the lot, I found the best acting performance to be that of Satomi Ishihara, solid, elegant and believable. A pity her character undergoes a few unwatchable tests that made me cringe on my womanly seat, but that's the plot and the actress won the challenge whether she had to be spunky or sad.
Yamashita's character requires him to be hilariously robotic, something he does very well, since he manages to convey quite a lot through his eyes. I appreciate this trait of him and loved it here. This monk can stretch your patience to its limits, but it turns out he's truly endearing and I'm very happy at his decision by the end - and I'm not referring to the very end.

Music? Nothing to talk about.

I think I'll rewatch this one day, either because I'm a rewatcher by nature or simply because it managed to draw me out of a slump with some welcomed laugh and a deserved (?) Yamapi fix.

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