News 
Grief, loss, and acceptance
What I like most about this show is its level of depth- enough material for me to think about, but still at a level I can understand without overanalyzing.Early in, the show presents a sort of preamble, with a tragic story of two friends driven apart by a misunderstanding. It clearly has some parallels to our main character’s past, because he keeps thinking about it. Tang Lici, who seems to know everything, can summarize the situation in a single line- yet fixing it proves to be much more difficult.
Grief, guilt, loss, acceptance, letting go. These are all topics that resonate with me on an emotional gut level, and watching the characters struggle with them felt meaningful and almost personal. It was simultaneously heartbreaking and heartwarming.
The show also toys with several other concepts like morality, human nature (born good!), the impact of kindness, friendship, and the complexity of human emotions. The ideas come and go rather than being constant themes, but I still found them interesting and thoughtful.
Exploring complex topics requires multidimensional characters, and that’s something this show does well. The main protagonist, Tang Lici, is powerful and clever, always a few steps ahead of everyone. I wouldn’t exactly call him relatable- I certainly couldn’t figure anything out with him, I was just watching him do his thing- but his emotions and struggles are. I really felt for him. He always seems perfectly fine, but he’s really not.
Tang Lici is initially cast as somewhat morally gray. He himself freely admits it. But I didn't think that that’s actually true. He may be a mastermind type who "uses" people; but from the beginning, his plans always try to keep everyone safe, and they usually serve the greater good. He just can’t be bothered to explain this all. If he has a flaw, it’s not lack of conscience or compassion, it’s hubris.
But to explore these ideas of morality, the show still gives us a foil in Puzhu, who’s saintly views on righteousness are clear to all. Puzhu actually comes across as preachy and naively self-righteous, especially compared to Tang Lici. But I think that’s sort of the point. He ends up having an interesting backstory and character arc, which I enjoyed watching.
Puzhu is just one of several characters who turns out to be less straightforward than he at first seems. I think this show does side characters well; even if they sometimes disappear from the story for a while, many are still given multifaceted personalities, character development, and their own story arcs. Zhong Chunji is a good example. She’s trying to be a good person, but she struggles to find her place. (Her sifu is, btw, absolutely lovable and adorable).
Other fun support characters include Chi Yun, the classic dumb but lovable brother-in-arms- at times this character archtype feels a bit forced, but he is actually pretty funny sometimes- and Sheng Langhun, who’s life was ruined by a random act of cruelty, but now gets to build friendships and grow a personality again. These two and Tang Lici get to be three musketeers for a little while in the middle, which is fun to watch. They and several others form a growing cast of friends that make Tang Lici’s jianghu journey less and less lonely.
And then there’s A-Shui. At first I was annoyed by her overly meek and demure mannerisms, but she soon proves to be smart, insightful, and perceptive. She’s not bad, I just initially did not like that she seemed poised to be Tang Lici’s love interest- she didn’t seem good enough.
But this show is not focused on romance, so their interactions and feelings for each other are not particularly played up. It’s more like, any growing affection between them is yet another part of Tang Lici’s personal journey. I was ok with that. Actually there are several other “relationships” in this story that get a similar level of (non) focus, which I rather like for being realistic and relatable. But fans of romance might be more disappointed by the hints + lack of development than if it hadn’t been there in the first place.
Overall, I wouldn’t have minded even more screentime and follow-through for some of these side characters, but their development was already way better than a lot of other shows. They’re more than just sidekicks.
On the villain side, ex-friend Liu Yan is flat out crazy. He gets a lot of leeway in my book- he was clearly so traumatized that he lost a few screws and became totally unhinged. Still, his repeated willful ignorance and self-contradictions really tested my patience sometimes. Ultimately, I could not fully hate him, but it was ok because neither could Tang Lici. Even his little pet red harpy in a harp chair got better.
As for other villains beyond that, I found them quite interesting, but I could still wholeheartedly root against them. I think that’s the best of all worlds.
The plot moves along at a decent clip, with backstory and secrets revealed at a good rate. I found the story engaging and interesting. It gets a little bit loopy towards the end (think time loops), but by hanging my logic on the wall and not thinking too hard, I could still enjoy the show quite a lot.
Some of the ideas explored are pretty heavy, but I didn’t find the show too dark or depressing. It has some decent humor in the first half, and sufficient happy or joyful scenes. It’s heartwarming to watch Tang Lici getting softer throughout the show, and more expressive about caring for his friends.
I also wasn’t too stressed for the first 30 or so episodes. My heart broke for Tang Lici and I cried a lot, but he seems so confident and in control all the time, and he also has a lot compassion, so I felt somewhat assured that he would take care of everything in a satisfying way.
That said, my stress absolutely skyrocketed in the last 5 episodes. This show doesn't tank as badly as some others towards the end, but I was still pretty disappointed by how rushed things felt, how artificially dire the situation became, and how all these side characters I had gotten so attached to seemed to just fade into the background.
Acting-wise, this show has a lot of familiar faces. I had actually not seen Luo Yunxi before and I think he did a good job- I believed both his “mastermind” Tang Lici as well as the innocent one from the flashbacks. My only problem was his flute playing which looked very fake. Overall, I thought everyone did a pretty good job. There is maybe a bit too much of people speaking slowly with pauses, like everything they say is significant and profound. Anybody talking like that in real life would get laughed at. But if this sort of “trying too hard to be deep” is the price to pay for a show exploring some more thoughtful ideas, I’ll take it.
For other production-level stuff, the fighting is heavily CGI-based. Luo Yunxi does more elegant hand motions and floating in air than actual combat. The CGI sometimes looks fake and sometimes seems a bit random, but overall I thought it looked pretty cool and really liked it. I admire the vision to choreograph such elaborate wirework around CGI that gets filled in later.
The costumes are really over the top. Sparkles, beads, metal accents, feathers, fur, you name it. I rather liked them, but maybe am even more impressed that the actors can walk in them.
I also love the music. Especially the ballad and its instrumental, but in general there are a lot of great songs and background musics. More importantly, they are used well to create the right emotional impact at the right time.
Overall I like this show most for its exploration of guilt, grief, and acceptance, which hit some emotional core for me, as well as the focus on personal journey and the development of side characters. Also because there are cats. I might have given it an even higher rating if it hadn’t fallen apart a little towards the end.
ENDING – READ AHEAD ONLY IF YOU WANT TO KNOW, CONTAINS SPOILERS
I’d consider this ending to be bittersweet.
The last few episodes are quite a roller coaster; they even kill off two of the most lovable characters in a row. I almost threw a slipper at my screen. Although the deaths are done well, I had gotten way too attached to the characters.
Things get more chaotic closer to the end. I thought Xifang Tao's story would have more depth and development, but for some reason they didn't go there, and then I didn’t fully understand the entire scene that ends with a cat flying at Jeremy Tsui. The final battle is poorly done with bad CGI (did they run out of budget?) Ultimately, a classic big sacrifice by our hero: Tang Lici rewrites history to wipe himself out and give everyone else a new story.
This bothered me not only because it leans into the time loop stuff, which is a logical conundrum, but also because I personally feel like peoples’ experiences make them who they are. So this is essentially like killing everybody. Even though we see a good 5 minutes of everyone happily living their new lives, they’re not the same people that I got to know and love.
And also. The way that every single love story in this show essentially fizzles out (except Chi Yun’s which ends in tragedy) is somewhat disappointing even for a non-romance buff like me. I appreciate how realistic it is- people really do just drift away and don’t come back. That’s life. Still, I watch shows to feel happy and get an escape from reality, and this was a little too realistically depressing. Having it all wiped away by a deus ex machina time bomb doesn’t really help the sour feeling.
Was this review helpful to you?
This review may contain spoilers
Cute, Cheesy...makes me feel more single than usual :')
Story: Y'all this drama reminds me of those crappy american christmas movies that I somehow end up watching anyways even while knowing it's pretty cliche. BUT this drama is a lot better than those movies. Although the plot is very cliche, I didn't drop the drama nor cringe at any scenes(maybe a few but not like a bad bad cringe) in fact, some of the scenes made me smile like an idiot at my computer screen. I think what I appreciated from this drama is that even though it is a cliche drama, the story included the stories of the supporting characters as well and was more than just the romance but also the teamwork part of the story. It's a very soft and light drama with not many ups and downs but still has a climax to it?Acting/cast: Honestly if the drama was cliche and had bad acting, I would probably skip through the scenes like I do with many dramas(it's a really bad habit tbh) but i think the great chemistry between the leads made up for it. I liked that Wen Bing wasn't the typical controlling-cold-for-no-reason-and-became-soft-afterwards main lead. I also liked how nice and kind-hearted Sang Tian was. Another worthy mention is that besides the few pecks from the main couple, there was a pretty decent kiss at the end. Most kiss scenes in cdramas are kinda just either 2 peck in 40 EPISODES or a prolonged peck which is supposed to pass for a 'kiss' but personally....no, I'm sorry, I need more juicy content :).
Music: Didn't pay much attention to the music but seeing as it did not traumatize me or made me go like 'huh?', I'd say it was pretty solid.
Rewatch value: The only reason why my rewatch value is so high is because I don't know if it's just me but I can't find it in me to rewatch heavy dramas, you know like the ones with a big plot twist? Since i already know what's going to happen, it's not as interesting or exciting to me. Somehow, I can always rewatch soft and light dramas like this though. It's like I'm watching it to smile and puppy-eye the main leads and their cute love story.
Overall: At the end of the drama, the only thought that's circulating through my mind is that I want a boyfriend who appreciates me like the way Wen Bing appreciates and loves Sang Tian.
Was this review helpful to you?
Main Ingredient? LOVE!
What can you do when your mom sends you far away from the city as a punishment? Live with it. Or you could run away, but that probably wouldn't be the best idea.Moo, who has that problem, was sent away for not being a good student and skipping classes due to trying to reach his dream of becoming an idol. When his mom finally gets tired of it, she sends him away from Bangkok. Now, in a secluded area where the nearest convenience store is a 20 minute walk, he must learn to live here where he has a crappy room and bad internet.
Kang, a guy who helps his mom run a restaurant. Nothing much to it besides the fact he's a good artist.
When their paths meet, what could happen? Will there be love brewing? We'll have to wait and see over the weeks that this comes out.
This drama had reminded me so much of msp. Not necessarily the plot but the way that this makes me feel takes me back to when I was first watching My School President. I love Sea and Keen as a pairing so much!! Kang and Moo matched each other so much, and their visuals together are just amazing overall. This series may just be my top 5, maybe even 3, bl series of 2024
Who would I be if I forgot about the side couple? Payos and Potae are such cuties and seeing them together was great, I hope to see more of them together in future series.
As the first half of 2024 is coming to an end, the last day of June being my birthday and being the last day of the first half of 2024, Only Boo is beginning to wrap up with only one week until the final episode. It's sad to say and I will for sure miss these two, but I'm so glad that I joined this journey and watch these two characters grow as they realize their love for each other.
This series was a roller coaster of emotions from tears of joy to tears of sadness. If I had a chance to watch this all over again for the first time, I would. My cuties!!!!
(For those who don't know: The Trainee with OffGun will be overtaking the Sunday spot, June 30th, my birthday😋)
Was this review helpful to you?
Bullets, Hidden Identities & Forbidden Chemistry Collide! Started With a Bang, Ended in a Mess!
Two mafia themed BLs were airing at the same time with a similar setup, Kiss or Kill and Ash, and both came out swinging from the very beginning.I initially rated Kiss or Kill a 9.5/10 because the opening episodes completely hooked me. As the series progressed, I lowered it to a 9/10, and now that I have finished the entire series, my final rating is 8/10.
Unfortunately, the plot became quite messy towards the end, endless useless flashbacks and the unrealistic shooting and killing scenes in the finale were a bit of a turn off for me. I love action and I can suspend my disbelief, especially in a mafia series, but some of the final confrontations went a little too far and lost the intensity and realism that made the earlier episodes so exciting.
That being said, the fantastic acting, incredible chemistry and some seriously memorable NC scenes compensated for many of the weaknesses in the plot. Even when the story became messy, Chencan and Dadday kept me watching.
The episodes are listed at around 25 minutes on GagaOOLala, but once you take out the opening and the behind the scenes content at the end, the actual story is closer to 20 minutes. Even with that shorter runtime, the early episodes were packed with enough action, mystery and chemistry to keep me completely hooked.
Orion as Nie Chuan immediately caught my attention. His undercover introduction was definitely something I had never seen in a Chinese BL before. He tied up his client during a BDSM scene, and honestly, my jaw was on the floor! I was NOT expecting the series to open like that. He is absolutely stunning, but more importantly, he is such a strong actor. Then we have Dadday as Lin Yan, who is equally gorgeous and was clearly hiding something beneath that calm exterior.
I especially loved the flashback in Episode 2 showing how Nie Chuan and Lin Yan first met three years ago. The whole sequence with the soldiers, gunfire and chaos felt genuinely epic. Then came the rescue scene and Lin Yan being treated for his injuries, and THIS was where their chemistry really hit me. Their eye contact said so much without either of them needing to say a word. You could already feel the history, tension and unresolved feelings between them.
Episode 3 was another highlight. One moment they were about to make out, and the next, a bunch of men with guns suddenly stormed into the house with intense music playing in the background. The transition was insane!
That scene definitely lived up to the title Kiss or Kill. They were literally about to kiss, but if they had actually done it, they probably would have been killed! 😂 The timing was perfect and had me on the edge of my seat.
The action throughout most of the series was another huge highlight. The fighting and shooting scenes were intense, the story moved quickly, and there was always a strong sense of danger surrounding these two. With the undercover mission, arms syndicate, hidden identities, betrayal and their complicated history, the series had so much potential.
And can we talk about Episode 8? WOW! That kissing and intimate scene lasted over five minutes! I was NOT expecting Episode 8 to open like that. The passionate kissing, the chemistry and how long the entire scene went on completely caught me off guard. Chencan and Dadday were incredibly comfortable together, and their chemistry was easily one of the strongest parts of the entire series.
One criticism I mentioned earlier, which I also had with Ash, was the use of anime AI during the flashback. Yes, I still think it would have been better to use real actors, but it lasted less than two minutes and honestly did not take away from my enjoyment of the series. The plot, chemistry, acting and overall production were far more important to me. It may also have been a budget decision, and I would rather have a short anime flashback and still get the show than not have the show at all. Plus, this was not Chencan and Dadday's decision, so I would hate to see all their hard work overlooked because of a couple of minutes of AI.
My bigger criticism after finishing the series is actually the ending itself. The final part of the story became too messy for me, and some of the shooting and killing scenes felt unrealistic compared with the stronger action sequences earlier in the series. I wanted the finale to bring everything together and finish on the same high that the series started with, but unfortunately, it did not quite get there.
It’s still rare to see a BL attempt this much action, gun fighting, undercover drama and mafia conflict, so I have to give Kiss or Kill credit for trying something different. Most importantly, Chencan and Dadday absolutely delivered. Their acting, chemistry and intimate scenes carried the series through some of its weaker writing.
Overall, Kiss or Kill started incredibly strong but lost some of its momentum towards the end. I went from a 9.5, to a 9, and finally settled on an 8.5/10 after finishing it. The messy final plot and unrealistic shooting and killing scenes brought my rating down, but the great acting, intense chemistry, memorable NC scenes and strong earlier episodes still made this a very enjoyable watch.
Was this review helpful to you?
This review may contain spoilers
Is it a joke?
What happened to the storyline? Since the last three episodes everything changed. She could have saved herself too, the writers rewrite the plot a 50% to not say more than that. The ghosts and their stories are almost gone.I enjoyed this drama a lot but, after the last episodes I feel disappointed by the writers and producers. This Drama had an amazing potential that was lost by bad decisions.
The male main character has done a remarkable job so far. The female main character had a great development until the last two episodes.
Was this review helpful to you?
The reason why the novel stood out is because of the balance of power between the male and female leads. They are intellectual equals, quite unlike Kdramas where the male leads tend to be more dominant, and unlike the trend of female-centric Cdramas where the female leads tend to be smarter while the male leads are really just supporting characters who wield huge power to lend a hand in times of emergency (Princess Weiyoung). I think they tried to maintain the same balance in the drama as well, and I'll give them a little bit of credit for that.
From now on, I'll talk about the divergences between the novel and the drama, and my thoughts on whether these are sound/positive modifications:
1. First up, the character conceptualisation. In the book, the Jing An - He family was executed by the Yan king because their achievements are so great that the Yan king finds it unsettling. Chu Beijie did not play a part in inciting the Yan king. He merely pushed the decision by deliberating losing the battle which made the Yan king even more uneasy. There's no talk in the novel too about Chu Beijie wanting to cease battle to protect the civilians. In fact, I remember distinctly that Chu Beijie wanted to expand the territories of Jin; he was battle-hungry. There is clearly a huge difference in the personalities of the character for the drama and the book. I can see why it was changed. It's to make Chu Beijie a more likable character who regards the welfare of the civilians above everything. Personally, I prefer a male lead who isn't this "perfect" and one-dimensional really. I don't like this, but I can see people preferring it. The biggest change in Chu Beijie is how weak he's become in the drama. He was captured and tortured three times! For his love, of course, very "romantic", but I do prefer the book where he was a lot smarter and didn't have to rely on the damsel to save him in times of distress at all. Bai Pingting also didn't need any rescuing in the novel as well. On the other hand, the drama just turned into this cycle of Chu Beijie saving Bai Pingting, then vice-versa, and rinse and repeat again.
2. Next, we have the process of falling in love. Oh god. This is probably the most annoying aspect of the drama. In the book, Bai Pingting was captured by slave traders during her escape (when the Yan king was trying to kill the He family). She was then sold to the Hua family in Jin and became attendant to the young mistress. She caught the attention of Chu Beijie while playing the zither. Chu Beijie thinks that she is Miss Hua, they fall in love, and Miss Hua makes use of Chu Beijie's affection towards "her" to cancel her previous engagement so that she can marry her beloved. Bai Pingting's servant identity was revealed, and she eventually stayed in Chu Beijie's manor. Even though the two of them are in love, they are wary of each other. Bai Pingting wants to know her young master He Xia's whereabouts whereas Chu Beijie knows that Bai Pingting isn't who she claims to be (Yang Feng). After some mutual scheming and whatnot, they separate. Isn't this a refreshing storyline? But in the drama, they chose to make the leads childhood sweethearts. If I wanted to watch childhood sweethearts, any bloody Kdrama will do. Why add in such a cliched plot device? Damn. Furthermore, Chu Beijie recognised Bai Pingting as the little girl he met, and decided that he must FORCE her to marry him. And somehow she gradually loves him back, for no rhyme or reason at all. What the hell?
3. The addition of a lot of vertices to the love polygon. Jealous, unscrupulous female character who loves the male lead, check. Another female character who falls for the male lead while the leads are separated, check. In the novel, it was just a love square and it was complicated enough already.
These are just some of the more obvious changes. And all adverse ones in my opinion. The drama honestly would've been much better if it was more streamlined and stuck to the novel like gum to the underside of the table. 62 episodes is way too many. I guess they had no choice but to extend the story with such stupid tropes to keep it going. It's obvious that the production is trying to stretch out the story to get more profit, and I'm worried that more C-dramas will turn to this trend as well.
To add on, here are some of the flaws in production:
1. A glaring one is the green screens that they used. The first episode had really well cheoreographed fight scenes with pretty natural looking scenery. From then on, it just seemed like a lot of the characters were cut and pasted onto the background. There are even scenes where the main characters are keyed onto a background with the calefares on it. That's just ridiculous! It's so awkward to watch. So much money pumped into the production and this is the result? I can understand that Angelababy was pregnant and perhaps they had to speed up filming, thus leading to this. But I can't help but feel cheated. Looking at the trailers alone, I expected a gorgeous-looking drama on or exceeding Princess Weiyoung's level. Nevertheless, the end-product was far from that. Imo, if you aren't going to tell a decent story, at least make the drama decently pretty. G&I was neither interesting nor beautiful.
2. Also, the dubbing. Wallace's dubber is just horrible. He has this slightly unorthodox pronunciation, kind of Cantonese-like, which makes him (actually, his voice) sticks out like a sore thumb. Plus, the voice totally doesn't suit the character. You can definitely get used to it, but it took me more than 10 episodes (still don't like it).
3. Styling. I'm pretty sure Princess Yaotian looks great in real life, but her styling in the drama does nothing for her. It looks horrible! The guys' long hairstyles looked like crap on all of them except Ze Yi and Fan Lu as well. I mean, Wallace Chung and Sun Yizhou looked fantastic with the man bun I have no idea why they had to give them the long hair/dreadlocks. I know it's to differentiate between the different territories but really it's so inconsistent that it's useless.
4. Chu Beijie's deliberate act-cool moves *cringe* (dramas need to stop doing this to their male leads). Forcibly trying to make your male leads "cool" tends to achieve the exact opposite effect. Also, why does he need a mask?
Now here comes the positives. Well, the non-negatives. Some of these are not even well done but just good enough:
1. The cute loveline between Fan Lu and Zui Ju. I didn't pay much attention to this subplot in the novel itself. However, the actors portraying the two characters actually brought more appeal to this storyline in the drama compared to the novel. Zui Ju is probably the most likable character in this entire drama, despite the bad acting (so, so bad). I was worried that they were going to alter this storyline when they gave Chu Moran and Zui Ju a lot of interactions during the time Chu Beijie broke away from the Jin court. Thankfully, they didn't change it that much.
2. The acting. Angelababy gets a lot of flak for being inexpressive. I don't actually think that she is thaaat bad (that being said, she's quite bad). I'm just slightly bothered by her constant smile, which just distracts me a little when the occasion clearly does not call for it. It may also be an after effect of plastic surgery though. Imo, she improved towards the end of the drama. I also have to give her some leeway for getting an acting coach. Hey, at least she knows how awful her acting is and is trying to do something about it (alright, I'm just being sympathetic). Everyone else were just on par. I also disagree that Wallace was great in the drama like what many say. With such a bad story, you really can't judge. The duo above (Zui Ju and Fan Lu) were cute but they are obviously very green. Zui Ju, in particular, was terrible. I'm generally not picky about the acting as long as it doesn't come across as unnatural, so in this aspect the drama gets a passing mark (barely) in my book.
3. Yaotian's ending. I liked He Xia and Princess Yaotian's romance more in the novel, even though the author didn't really touch on it much. In the drama, the two had very little chemistry (actually, chemistry was virtually non-existent for both pairings). Yaotian's ending is the same, but the way it ended was slightly different. I think they didn't want to make He Xia look too bad. But I actually like how "evil" he is in the book, and how tragic this pairing became. I thought it added more flavour to the story.
4. The OST. I must say, they have some really nice songs. My favourite is the duet by William Wei and Claire Kuo, followed by Tan Jing's song. The opening and ending themes don't appeal to me though.
In summary, I think the drama definitely falls short of expectations. It had good source material, but did not make good use of it. It had a huge budget, but didn't spend enough effort trying to refine the drama. If anything, the production itself just screams unprofessional to me. I do wish that they won't rush the filming so much, and gave more time to post-production as well. It could have been at least a pretty drama to look at, but now it's just... a huge disappointment. I usually write reviews only when I really like a drama, or when I hate it (don't ask me why I watch it all even though I dislike it, it's a childish question). General and I belongs to the latter. I'll give it a 3 and that's already understating how bad it was [1].
-- Footnotes --
[1] The drama has a rating of 3.6 on Douban as of the time this review is written which is far closer to my personal grade but MDL just has biased ratings. You can see it. Candle in the Tomb, a fantastic drama, is rated 8.3 on MDL and 8.2 on Douban. G&I, an awful drama in comparison, is still rated 8.0 on MDL but only 3.6 on Douban. Therefore, if you are a longtime Cdrama watcher, 3.6 is probably fair and what you should take into account when deciding whether to watch or not.
EDIT: MDL update screwed up formatting.
Was this review helpful to you?
Shaken and stirred.
Under the Power is the best historical c-drama romantic comedy I have seen recently. The romance centers on how two hilariously different people fall for each other unexpectedly and deal with differences in their backgrounds and obstacles from past wrongs. The internal romance plot plays out within an external investigative storyline around a series of linked investigations by the formidable jinyiwei or imperial brocade-clad spies/secret police aimed at exposing years of corruption perpetrated by the powerful noble Yan family. While the basic premise of the over-arching plot is interesting, the story-writing falls short and loses momentum in the second half. This drama's success is mostly due to sizzling chemistry and side-splitting performances by both main leads.Lu Yi, a highborn jinyiwei, incenses fiery young constable Yuan Jinxia when he takes over one of her cases from the local yamen. To add insult to injury, he commandeers her trusty pistol and extorts her collaboration in a very high-handed way. I cannot lie - I initially did not like the obnoxious, noisy, and immature Jinxia and dropped this show. But desperation in times of coronavirus made me pick it up again and like Lu Yi, I inexplicably found myself falling like a ton of bricks for Tan Songyun's gauche, money-loving, gluttonous, mischievous, shamelessly obsequious, irrepressible and utterly adorable little minx of a Yuan Jinxia. This is the first time I have watched Tan Songyun and I am floored by how comical she is without at all coming across as slapstick.
Lu Yi is not a colorful character - he is rather aloof and wears a fierce, sour, still-faced expression; has no hobbies or evident vices or quirks... except for his x-rated eyes. Initially, he looks at Jinxia with ill-concealed disdain and annoyance at her crass, venal, and nosy antics. He is quite nasty to her. Ren Jialun's facial expressions were so spot on in terms of conveying how Lu Yi's feelings for Jinxia evolved over time that I was with him the whole way. As he comes to appreciate her intelligence, resourceful and unconventional methods as well as her innate loyalty and honor, there is both horrified revulsion and wry acceptance in his expression as it dawns upon him that he may be falling for her. This progresses into a very amorous, caressing gaze that is accompanied by a slow and sexy crooked smile that shouts out that under the embroidered robe, this imperial spy is both shaken and stirred. This is brilliantly written and portrayed OTP whose interactions move seamlessly between comic relief and searing, heart-stopping intimacy. This had me alternating between laughing so hard I was gasping for breath to fanning myself down frantically. Be warned that such moments can result in paranoid coronavirus self-diagnosis.
This drama is pretty much carried by the OTP - the rest of it is quite messy. There are just too many flamboyant side characters that make a grand entrance and then just fizzle out or worse, get dumbed down into a tedious unrequited love daisy chain. You would think they could have done so much with a Robin Hood of the high seas, a tough-as-nails female head gangster, a master poisoner, a trickster Taoist priest, a doctor that can almost rise the dead, a brave general's wife etc. Instead, all we got were boring couples trapped in cliche romantic tropes who were so much more interesting when they were still single.
The critical mistake that wrecked the latter half of the drama was the unnecessary angst in the romance - they threw the very tired "your family wiped out my family" obstacle at the OTP. Without serious suspension of disbelief, this is THE kiss of death - I have never seen any OTP survive this obstacle in a good and convincing way. They only barely made it work here by pretty much sacrificing the entire external plot. This is a pity because the most interesting character in the drama was actually our villain Yan Shifan, who is diabolical, despicable, vicious, humorous, and curiously likable. We know who he is from the beginning and most of the cases that Lu Yi and Jinxia expose are built toward eventually taking him down. He is in a position of strength and can afford to toy with them most wickedly (which he does) but ultimately it is a race to see who can bring the other down first. I was really looking forward to the final showdown. Which never happened. The internal (romantic) plot needed a grand gesture of atonement and reparation so no, none of his victims got the satisfaction of outmaneuvering him and taking him down in a final epic confrontation. His downfall had practically nothing to do with any of the main characters even though a well-loved character dies gratuitously for the cause! Worse, Lu Yi makes a really pointless and out-of-character sacrifice that subjects the final outcome for our lovers to the whim of a capricious emperor. The ending was so lame it should have the position of honor in the Lame Drama Ending Hall of Fame.
So is this worth watching? Absolutely, the OTP is a complete riot and their relationship is perfectly balanced between touching and uproarious moments. As for the rest of it, you just have to suspend disbelief and ignore a few plot holes and annoying characters. No one will judge you for fast-forwarding. To me, this should be an 8.0 but I gave it an 8.5 to recognize the main leads for making me laugh so hard.
Was this review helpful to you?
1They got their "Happy Merry Ending," but what about the viewer?
This was just a mess, plain and simple.First off, this should have been a movie. The pacing would still be absolutely ridiculous, but at least not as noticeable as in drama format. Not to mention, the characters' conflicts and feelings come and go whenever necessary but not in any flowing or sensical way.
Really, only these positives come to mind: The leads' pretty faces, nice singing voices, and good kissing scenes. Nothing else.
Near the end, I felt so detached I would liken it to the experience of an AI robot trying to understand human emotions.
I honestly wonder if they made this just for the OST; otherwise, I can't see a point in its existence.
This is definitely a skip, my friends. I finished it only because I felt obligated to.
Was this review helpful to you?
Age is an work of art.
Created by Lotte Cultureworks and distributed by JTBC, "Thirty-Nine (서른, 아홉)" is a 12 episode long Kdrama directed by Kim Sang Ho, produced by Yoo Young Ah. It started filming in August, 2021 and was also broadcasted on Netflix, which is Son Ye Jin's comeback to JTBC after 3 years following "Something in the Rain".The story revolves around a trio of 3 best friends who are on the verge of turning 40, but have stayed together for decades through thicks and thins of life, while nurturing their bonds and establishing a relationship on the basis of mutual love. So what the story offers? Of course, there's is a particular goal, but uttering that will serve as the most important spoiler, so watch it for yourself. This is a purely slice of life drama and hugely character driven, that is not essentially in the venture of a solid plotline with twists and development. Isn't that a perfect scenario for a slow-paced, coming of age, warm Korean drama? Well, this is that only.
Cha Mi Jo (Son Ye Jin) is a dermatologist with her own clinic; an established professional having a loving family of parents and a sister. She's the most rationale of the trio. Jung Chan Young (Jeon Mi Do) is an acting coach with a small studio and parents living in suburbs. She's the most sincere despite being outspoken. Jang Jo Hee (Kim Ji Hyun), being the softest and cutest, is a cosmetic store manager at a departmental store and lives with her mother.
Yeon Woo Jin, Lee Moo Saeng and Lee Tae Hwan are the male counterparts though story primarily focuses on the female leads. In minor roles we have many familiar and qualitatively acclaimed actors like: Kang Mal Geum, Nam Ki Ae, Seo Hyun Chul, Lee Jin Hyun, Seo Ji Young, Lee Kan Hee and Kang Ae Shim.
Plot development... Again, there is no definitive plot for this drama, however, it sets forward a goal in the very first scene, and you'll know what it is instantly. The narrative of the show is intended towards life and its unprecedented events, that test us to the extremes, making us grow and bringing the best out of us. The pacing is perfect for a sliece of life Kdrama, at least to me, it was, I don't wanna lie. Someone into long conversations, meaningful metaphors and depictive appreciations would find it their cup full of tea. Storytelling method is touchy; accompanied with monologue notes, emotional recitals and creation of alleviating scenarios.
The introduction appeared to be engaging and pacifying, enough to make you look forward to the furthering with substantial interest. The progression stays moderate for next few episodes and it does pass by the interval successfully, but around 8th episode, the flow turns mediocre. I don't think there was any lack of context and content but why few things were made repetitive and certain elements became stretchy unnecessarily. Even so, there was a casual improvement in the finale week; 11 episode being a lil rushed and 12th having back to back tear-jerking moments.
Kim Sang Ho PD with a fair share of experience of working in the slice of life dramas, as both PD and asst. PD, was able to give a satisfactory delivery with his skills. Although there were flaws, which was substantial, I am at least not disappointed. The dynamics of initial exhibitionism was smooth, gratifying and worthy of looking forward to. However, in the later half of the story, the essential integrands and some particular facets went flat, which wasn't really uninteresting but many viewers will definitely find uncomfortable.
Yoo Young Ah jakka-nim, a very familiar name in K-movie industry, with plenty of modern coming-of-age movies in her bio, over a decade of career, has always delivered on point. However, it appears that she still struggles fundamentally when it comes to Kdramas and that could be somewhat obvious at points of her episodic writings. This was the case for "Encounter" and this is the case for "Thirty-Nine" as well. Nevertheless, it was a decent delivery, which started out great, became bog-standard somewhere in the middle and ended with a passable note. The biggest flaw it bears is the inequitable screentime distribution; obviously the central character gets the most, then the supporting ones, followed by minor actors, but the disappointment comes from expectations and prenotions. But yeah! It was unjust given the popularity and skills of many factors featured in here. Regardless the flaws, I personally feel, it was able to provide a meaningful conveyance, throughout.
What I liked...
# the slice of life elements... Definitely! That's what this show was about. The numerous shades of life, portrayed through characters, their stories and emotions and the depth and essence of various relationships have been perfectly brought forward.
# The trio friendship... Though the writer failed to make it entirely about the trio, as expected from 99% of the viewers, but the amount of crux provided, accurately defined the kind of friendship that we all crave for. It was fun and healthy and most importantly, admirable.
# The character dynamics... the archs as an average for the entire main cast, was abstemious. Although not remarkable, it was enough to make your heart warm and understand the perspective of each. There could have been definitive improvements, but well.
# The flow of the story... Make sure you have it in mind that, the story has no plot, rather a goal, more like a destination, to where? To achieved eternity, to entirety and to euphoria.
# Adult romance... The romance was basically for only one couple, Son Ye Jin and Yeon Woo Jin; while it wasn't the primary focus, theirs being the only love line, felt very beautiful with subtle depths to a relationship and it's factors.
# The orphan adoption angles... I won't say who and how but just know that it has put emphasis on scenarios associated with adoptions, various aftermaths, the inner stories of the adopted ones and the ways you can deal with the odds that has possibilities of arising from it. I don't think any other Kdrama has gone to such extents.
# The aspects of death... Life has to end, love doesn't. The most beautiful goodbyes are the ones that are never said and never explained. The drama shows, how it's not important to live forever but to create something that will.
What I didn't like...
# Son ye jin getting all the spotlight was the most annoying. It was to be made clear from the makers side in the beginning, that the drama is from the perspective only one character, even so not entirely. It felt like Mi Jo's diary, rather than a character driven story. It shouldn't have been like that.
# Jeon Mido is no longer an average artist, she's a popular star and she deserves to be at the centre and can beat every single actor out there. She not getting sufficient did piss me off, even the goal of the drama was something related to this drama.
# Johee getting substantially neglected bothered me to a great deal. I understand, her experience and considered negligible in comparison to others but she could have bewn placed in the supporting cast. The writer could have totally forgotten about her existence and the potential development of loveline between her and her partner.
# Improper utilization of supporting cast... The poster could be faulty. Just like Ye Jin, Woo Jin gets the major screentime as the former's partner, while Lee Moo Saeng's share is reduced and Tae Hwan is totally neglected just like his counterpart, Jo Hee.
Final Remarks... Thirty-Nine in overall could not be a dramq that it was expected to be and the outcomes were not hugely satisfying per se, nevertheless, the motives of the drama bloomed in an awfully beautiful ways, leaving impressions about everlasting love and relationships. There were room for improvement that could not be well utilized, which was a shame. I was more than willing to give it a 8.5 but provided the significant shortcomings, I choose to be fair. I hope people realize, the drama is not deserving of the idiotic judgements attempting to let down it's essence.
Was this review helpful to you?
This review may contain spoilers
I tried
Not sure what to like about the show. I started it with so much hope.Amazing scenery being set in Finland.
But I had trouble buying into the chemistry of the 2 leads. And when the drama is entirely about their relationship that is particularly troubling.
Pace of the drama was way too slow - each of them staring at each other, first awkwardly then lovey dovey. Same for the supporting cast looking at them. It's almost laughable. I bore with it will episode 25 and then started skipping the remaining 5.
Them playing snooker started of as a simple plot tool, but the shots/scenes of them playing got repetitive/same and I wasn't sure of what the point of the snooker was. It was always the on table camera shot of them hitting the ball and pocketing it. And they were either winners or runners up in All tournaments.
The last episode was to have been wildy romantic but I could not ignore the poor attempt dubbing the singing of Leo Wu and cue collage of all their scenes in the entire drama.
Was this review helpful to you?
Highly recommended adaptation of essays with ethnic scope
I loved watching this miniseries, that features some well known actors and actresses (Ma Yili, Zhou Yiran, Yu Shi) together with a cast that skillfully portrays the balance between ethnic minorities in the remote northwestern corner of Xinjiang where vanishing lifestyle competes with the hopes and toils of younger generations.Rather than repeating myself, I will just refer to my Notes about the miniseries, that illustrate many of the thoughts that can be triggered by watching the series. The story can be watched with no prior knowledge, but raises questions that push to dig deeper. There are many nice touches and details, and the director herself did state that although humorous elements were added to the play, they were kept within a moderate range to prompt the audience to reflect. The balance is kept to avoid too much heaviness, and the pace is brisk, while the cinematography enhances the loveliness of nature, despite its sometimes harshness. Horse lovers will be drawn in by the horse raising culture of the herders, who also use camels, and breed fat sheep that can be milked and used to make medicinal soap! The togetherness and mutual support even by those who have a beef to chew against people who shoot their mouth too quickly, and offend them, introduces hope in human relations. Of course they are shielded by the remoteness, but Hotan jade is known, so poachers do come to threaten the peace.
The miniseries grows on the audience, while details raise questions. Love, pain, discoveries and healing are there. The impressive Douban rating of 8.5 (then, now risen to 9.4!) is totally justified.
More in my Notes : https://kisskh.at/discussions/my-aletai/125351-to-the-wonder-notes-about-the-slice-of-life-tv-series
Was this review helpful to you?
This review may contain spoilers
A Game of Tetris
Well, I got what I wanted; Jing was endgame and the demon went out like the MVP that he was. That said season 2 was all over the place and therefore this will be an analysis/review. I added A Nian to my favorite character list along with the two above. Due to the shoddy editing, I consider part 2 an essential game of Tetris. I'll start with the characters that stood out to me and how they changed (if at all since season one).XY: Our red flag, anti-heroine definitely evolved from speaking to the mortal Tian'er in her way of thinking though it wasn't until episode 18 that the "abandonment" word was finally beaten out of her. Even when she spoke to the essence of her mother, she didn't get it until she realized it was her own mother. I did like how she allowed herself to understand that the whole thing with Jing was her fault too. That she stood by when she knew something was fishy with the whole child thing and did nothing; when she could have prevented a lot of misunderstandings and problems. Also glad the woman who swore she would never wait for anyone, not only posthumously married Jing but defied her obsessive brother when it came to him. But she got her happily ever after with the person right for her.
Jing: You are NOT the father. That was a phrase I had wanted to hear for a long time and it was satisfying; Maury Povich inside my head and everything. Jing evolved in his own manner; he wasn't a pushover anymore. He spoke his mind to her about his suspicions of the kid not being his and even later on, he didn't just stammer and disappear. He was gentle, kind, and not overbearing. He took credit for the good and not so good things he did without hesitation. And just like I thought and hoped, both the lifesaving pill and the demon brought him back to her. He fought hard to come back. He's her direct opposite and that's what she needed and wanted in a soulmate.
The demon: Lord almighty, I don't think I have ever met a larger masochist in any series, movie, show of any country. The lengths he went to save her; sacrificing 3 of his lives and erasing as much of her memory of him while he forever grieved, even in death. Only good thing was that he went out exactly as he wanted. Death was tragic but awesome. He really was the MVP. Had been anything less, it would have done irreparable damage to his character. As a novelist, I'm happy with it. But now because of that aquarium like pill inside that wooden doll, XY could take him with her on all of her adventures even if she didn't know it. I'm sure like others, I wish he or others told XY just how much he had actually done for her. Even at the very end, though she mourned his loss, she still misunderstood him. Also my favorite piece of music was his BGM in both seasons; just a female voice and I believe a guitar; simple and yet so deep. I also wish he sent Chubby to her and Jing as they traveled the world. They could take care of it and have a nice reminder of him. Poor Chubby didn't get an ending.
FL: Fleshed out more thankfully. He wasn't a bad guy at all, though morally grey like everyone else. I actually wish he didn't die, he was good to keep around but at least he did right by Jing and told CX the truth in the end. Though his death did bring some form of hope to his horrid sister Xingyue in changing her nasty ways (I actually thought "why does trash like his sister have to live but he can't?"). He was a good friend, general, cared about people and though a deity, he was probably one of the more human ones.
CX: He never got over his obsession of XY but at least we never saw him go batshit crazy. I never liked his character as a person though he was a good emperor. The fact that him "killing" Jing was actually an illusion created by his grandfather to get to the bottom of the truth was horribly done. It was like we knew why we had to hate him and then snap, it's not true? Like how's the audience supposed to feel for him afterwards? Then make that nightmare Xingyue be the real culprit but he's partially to blame because of the way he treated her too. So it's this never-ending whirlpool. Plus the forced "look he's evolved into someone sort of good" up through the end where the main couple don't even get the last scenes but are given to him and A Nian back in that village? It would have been better if it was XY and Jing wondering around the village reminiscing together. Still he had to unburden himself of his feelings in the last episode finally to her right before she got married; selfish much? Because it would've changed anything? Why are we supposed to feel sorry for him? I don't! I'm confused with this obsessed fool. Which again says something about the actor and character portrayal done very well.
A Nian: Literally my favorite female in the entire show and the absolutely most evolved character bar none. I was so proud of her. I hope if CX decides to have kids, it's only with her. She's the only real rightful queen and one that deserves to birth an heir.
I'd have to say that the editing made someone like me who has never read the novel stay in a perpetual state of confusion. Furthermore, each episode ended in some haphazard manner like in the middle of a conversation or fight. I had to constantly ask what was happening and why from friends who had read the novel or the leaked script. Part 2 in post production had to be done by a different team. Other than editing, what was up with FL's poison death veins, they were obviously not under his skin and looked like plaster or marker you could just peel or wash off. It was laughable in that agonizing scene. Same went for Jing's injuries in the water. This season looked a lot cheaper in other aspects too. I felt that the producers and editors smoked something very heavy.
Would I recommend it? Only if you watched season one and need to watch this to finish things off. The characters did evolve but some were forced on audience regarding that while others actually did so organically. Most actors did a good job.
Was this review helpful to you?
This drama made me so addicted, although there are no daebbak moments for me I still love it. This drama will make u say, aaaaw I wish I had a friend like that (bora and eun taek are awesome).
I'll recommend this to to you if you're into romance, the story is good, one thing's for sure it made me smile.
cast? all of them are great, *thumbs up* the characters? it's either you'll love them, hate them or feel nothing at all. Each character has a story and its interesting. look forward to baek in ha! baek in ho okay good too! kekekek
rewatched value. lol. I watch it the second time around, like I said its addicting.
I love the music.
answers left undone. half way it did gave me some little bit of disappointment but if I look back in their story, their friendship, their conflicts and their love story and the addiction that they gave me I realized it is incomparable that's why I gave an overall score of 10.
ending? is it good, bad, awesome or horrible? secret I'll keep it to myself! hahahha!
this drama will give you two options: it's either you'll watch it until the end or drop it. I wonder which group are you. looking forward to your answer!^^
advice?
Don't watch it if you can't handle the disappointment, but there's a chance that u might not be disappointed at all, well it's still depends on you after all. :))
This drama is definitely my one great love, yoo jung and seol, jang!!
Although it's difficult watch it until the end.
-Park Hae Jin
ps: If there's one thing I wanna kill in here its the PD-nim
Was this review helpful to you?
Ripley's syndrome
I'm adding this review only because the synopsis is vague and doesn't help you decide whether to watch it or not. The tags however are helpful. I googled Ripley's Syndrome which is described as a antisocial personality disorder where one makes up grandiose lies and believes in this distorted reality. The person feels no shame or sympathy for his/her victims. This last point however doesn't quite fit the depiction about Anna as she does seem to experience guilt and shame.From this, you can kind of guess the storyline. I'm going to leave it here as I've only watched 2 episodes. However I will add that Bae Suzy is again the consummate actor. She has once again turned a flat 2D script into a 3D person with complex and often conflicting emotions and motivations, and really made the character hers. I look forward to watching the rest of the series, thankfully only 8 episodes in all, and will be back at the end with a deeper review.
Updated: I have now finished watching the whole series. 8 episodes cut down to 6 and I can say that the last 2 episodes were the weakest in the whole show. Clearly there's been heavy editing to fit the last 4 episodes into 2 and for no apparent reason. It's puzzling that they needed to cut; were that ratings bad? If ratings were so bad, why are they going to broadcast and extended version in August?
I have downgraded my overall rating because of these last 2 episodes. Pity. I certainly won't be watching the extended edition in August.
Was this review helpful to you?
This review may contain spoilers
STORY: This was probably the most inventive and creative dramas/story plot I've seen in the Korean entertainment industry yet! I adore fantasy because it strikes the imagination part of the brain in a fun way and I've seen some fantasy-genre Korean dramas but they don't involve a lot of fantasy elements. Most dramas I've seen that are labeled as "fantasy" or "supernatural" usually use these elements to support a story. They were more tools to carry the story along rather than being the main focus. 'Queen In Hyun's Man' was the closest I've seen to making fantasy as the main focus point, but still lacked emphasis on the genre. This drama really made the "fantasy" element THE main focus and you see the story support the genre rather than the other way around. I'm so proud and happy for Kim Eun Sook. She did a FANTASTIC job writing this drama! The world she created was so vivid and realistic in the sense that if there were such thing as goblins and grim reapers in this world, she made the idea fit into our 'real world' construct to make it believable that they might actually exist. I thought it was unique to have the idea that there were many grim reapers, instead of just one, and that they were organized in a governmental way. The reasons for their amnesia were pretty sound and the search for the goblin's bride was pretty inventive. Kim Eun Sook could've been lazy with the why of everything and make them the most conventional reasons possible, but she definitely took great stride into creating a story that weaved in and out with every action and every decision so that almost everything had a meaning and a real reason behind them. Kim Eun Sook did a sublime job fleshing out the characters too! They definitely aren't the cookie-cutter type of characters you usually see in almost all romance Korean dramas, and I super appreciate that! It gets soooooooo unbelievably boring when I see the same type of character over and over again in every typical romance drama. Especially the male characters. They always turn out to be super mean and only to the main female character, but has a hard time expressing their feelings from their golden hearts. -__- !!ACTING/CAST: This has been the best casting I've seen EVER! I'm not even joking! My favorite actress (for the current time) is Kim Go Eun and even though she's still young in the industry, she has AMAZING acting talents! She pulled off her character without a hitch. Same goes for Gong Yoo, who is a veteran in the entertainment industry and brings flourishes of experience from his time in the k-drama and k-movie business. Lee Dong Wook also did surprisingly well in this drama, although I still wish he was a bit more expressive. Maybe I'll get some upset comments about this, but he always seems to have this same indifferent look about him in every drama I've seen him in. But still, he did great in this drama, despite this fact. I considered Yoo In Na as a bit of a newbie in the entertainment business, but glad she got to be in this drama because I definitely see good potential to grow her acting talents and be a very talented actress. Also have to give props to Yook Sung Jae and Lee El for their great portrayals of our Gods. Lee El has really good potential to be a great actress as well and hope that after being exposed in this drama, she'll have the opportunity to be in many more dramas as well. Maybe in a lead? She's always been the side character, haha!
MUSIC: I don't really pick on the music unless it's extremely good or extremely ill-fitting. Goblin's soundtrack was ABSOLUTELY PERFECT! It fit the tone of the drama so perfectly and carried the emotional and lighthearted scenes so PERFECTLY! This is one of those rare moments where I want to download the whole track list to my phone so that I can listen to it whenever and where ever! What people don't often notice is that the music of a drama and the story is kind of like two halves of a whole. They really do have to fit well together or else the overall picture/concept of the drama becomes a little....off. But these two fit together absolutely perfectly!
OVERALL: I was going into this drama with big apprehension because the writer was Kim Eun Sook, who also wrote Descendants of the Sun, which I was absolutely bored to tears with. With the awesome cast in this drama but with Kim Eun Sook being the writer, I was worried that she would do the same thing as she did with DOTS. But I was thankfully relieved and pleasantly surprised! I know I sung praises up and down in this review for this drama, but please keep in mind that I rarely ever do this unless it demands that kind of praise. There's really only one other drama I gave a 9/10 or above and that was Liar Game (Korean version). This drama was well-directed, well-acted, and put together so well and so impressively that I really can't help say nothing but great things about it! The only reason why I gave this drama 9.5/10 instead of 10/10 is because of 'the contract' reasoning for our goblin (don't think that's a spoiler because you'd have to watch and know what the contract was) But other than that little lazy reasoning, Usually, I leave about a week to review a drama because I don't want the added hype of my own excitement to affect a review, but I'm very confidant that my thoughts and feelings for this drama will not waver for the reasons I wrote in this review, even as time passes. I would wholeheartedly watch this again and again! The cast, the story, and the music all blend and mesh together so well that it's painted the most beautiful picture I've seen yet!
NOTE: This is a somewhat slow-paced drama, so please understand that before watching. Some people don't like slow-paced because of our tendency to want instant gratification (especially with the younger folks, haha) But to be honest, this drama wouldn't have done so well if it were more fast-paced. I think being slow-paced as it is was the perfect speed for the story. If it were any faster, we'd be left with a less desirable ending and very rushed story.
Was this review helpful to you?
