Reviews

10 DANCE: When Rivalry Becomes Romance

I came to this film as a manga reader, and honestly, I was nervous. The source material is one of those rare BL stories that takes both the sport and the romance seriously: two professional dancers at the peak of their careers, forced to master each other’s specialties to survive the brutal 10 Dance format. The tension between Suzuki and Sugiki works because they are genuine equals, clashing on and off the floor. Translating that to live action felt like a huge risk, especially for the dancing, which is the backbone of the story.

I went in as a Keita Machida fan and came out obsessed with Ryoma Takeuchi too. Machida’s Sugiki is all control and precision, the Standard champion who keeps everything ruthlessly locked down. Takeuchi’s Suzuki has the swagger and physicality you expect from a Latin dancer, but there is real emotional fragility underneath the bravado. What sells it is how fully committed they both are to the actual dancing. This is not actors faking it with doubles; you can see the work in their bodies in every movement.

The dance sequences are where everything clicks. There is an early rehearsal where Suzuki teaches Sugiki a rumba walk, and you catch every tiny adjustment in posture, every weight shift, every moment where Sugiki’s stiffness starts to melt. The camera stays close enough that you see the hand placements, the tension in their frames, and the way their bodies have to negotiate through touch. Later, when Sugiki has to follow instead of lead in the Viennese waltz, the frustration in his face and body says everything about his terror of surrender. By the final performance, they are pulling together everything they have taken from each other: Suzuki’s fire braided with Standard discipline, Sugiki’s control flooded with Latin heat. It is technically impressive, but it hits hardest because these two people who have been orbiting each other finally move as one.

What grounds all of this is the specific reality of competitive ballroom. This world is rigid and hierarchical, built on traditional gender roles, fixed lead and follow dynamics, and heteronormative partnerships. When two men dance together as equals, swapping lead and follow and treating each other as true partners instead of rivals, that is not just romantic. It is disruptive. Choosing connection in a space designed around comparison and ranking reads as its own quiet act of defiance.

The chemistry between Takeuchi and Machida is ridiculous. Every charged look, every lingering touch during practice, every moment where competition blurs into something else feels inevitable but never cheap. The restraint makes it sharper. You are leaning forward, waiting for them to close the distance, and when they finally dance together in that last sequence, the intimacy lands like a confession even though the film stays relatively chaste. That is how you do slow burn in BL: the choreography carries the confession the script never verbalizes.

And yes, this should have been a series. The ending is both satisfying and maddening. You get emotional payoff, but it is very clearly only a midpoint in their story. There is so much more to explore, professionally, romantically, and psychologically, that you can practically feel the missing episodes. It plays less like closure and more like a pilot still waiting for its next season.
I have read the critics calling it too cautious, joking that it needed a chastity coordinator, and faulting it for not fully committing as a queer romance. As an exercise in pure film criticism, you can argue the caution. But as a BL viewer who knows what this genre usually delivers on screen, this is still the standout BL film of the year. The bar for BL cinema is often pretty, tropey, and thin, especially on the big screen. 10 DANCE aims higher, even if it does not swing for the fences in every area.

Most BL gives you surface romance with minimal character work and sports as aesthetic wallpaper. This gives you complicated adults with real ambitions and vulnerabilities, a romance built on mutual respect and earned connection, and dance sequences that actually move the story forward. The restraint reads as maturity, not timidity. The slow burn feels compelling rather than withholding because the film trusts you to read the subtext: to understand what a lingering touch means, to catch the shifts in frame and footwork, and to feel the weight of what never gets said out loud. That is sophisticated storytelling, and it is exactly what this genre needs more of.

If you loved the manga, this respects the core while making smart, medium specific adaptation choices. If you are new to 10 DANCE, it is a gorgeous entry point. And if you care about BL that is ambitious, technically crafted, and emotionally literate, this is essential viewing. Just be ready for that final stretch to leave you desperate for a sequel, and probably already drafting your comment to Netflix asking for one.

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So you think you can just make a dance movie and call it BL?! HAH!

Before this came out, people were hopeful that a prestige BL movie had finally been made. Hoping that this could give the genre a boost in the market and provide better quality BL with better investment and high-profile actors attached to them. This is not a prestige BL movie, I'm sorry. This is a prestige dance movie, which is great, but it was not gay enough for that label to be its selling point. There are two steamy scenes and very little active romance in between, and all that was already spoiled in the trailer. Yeah, what you already saw was literally it.
They just wasted all that passion, desire, and built-up tension and it all went nowhere. Or it went somewhere but it was like a volcano erupted into a teacup! The potential was forced into a form that was smaller than its force...you know?!
I was expecting them to really dig their nails into the flesh of this and give us something raw, hot, and passionate. Don't get me wrong, there is sexual tension. There is chemistry, there is romance...but they didn't commit to the bit. They chickened out, I feel. Or maybe not chickened out per se, they just put most of their attention on a different part of the plot, instead.
If we talk about the dance, though, they committed 150%. The actors did such a great job with the dance; they all worked so hard, and the main plot does the dance justice. My knowledge of dance is limited to SYTYCD, okay? So I'm not an expert but to my unprofessional eyes, they looked good! They even pulled faces like real ballroom dancers do and there was so much detail to the dance parts that were executed so well. There is even a blink and you'll miss it nod to the racism that Asian dancers have to bear and I loved that they acknowledged it, although subtly.
But for the romance part...
So this movie is mainly dedicated to the dichotomy of these two dancers who do not simply dance different dance styles but also live by completely contrasting philosophies. It's like a clash of class, culture, philosophy, body, and mind. And yes, the passion and push and pull they maintain throughout their interactions is all there, both in the dance and as a catalyst for the romance. However, I feel like there was a bit of a disconnect between the establishment of these differences (and conveying the seduction that exists by playing with these dichotomies) and actually textualising that with a romantic or sexual relationship coming to fruition. It's two hours of slowly shoving you to the edge and then no payoff. It was like the notes of a chord left unfinished. And I'm not referring to the "open" ending. What I mean is that as they give in to the temptations of each other, the plot pulls all the way back, and the final third of the film just doesn't deliver the sort of conclusion that was set up in the beginning.
Overall, it was a nice movie to watch but I had expected a lot more romance and passion and I felt like this was more a technical dance movie and less about using the dance as a way to show these characters interact and fall for each other. It was like the means became the end. I had expected the dance to be a tool for the romance but it seems like this was "a dance for dance and romance for dance too", sort of stroy.
I also felt some elements, like the journalists and other dancers to be a bit awkwardly developed.
I did, however, love the female partners. They were so sweet and I was rooting for the girls.
Takeuchi Ryoma's acting was a standout, too. He embodies this free-spirited, violently passionate dancer so well. I didn't hate Machida Keita's acting either but it was slightly stiff. He had amazing moments of micro-acting but some moments felt too dettached. And I thought the two had such a sizzling chemistry; they did so much with just their eyes. The film sort of wasted their potential. The actors gave them so much ammunition but the movie itself didn't kindle the fire.
Still, this is a stylized movie with great acting and an engaging plot so I think it's definitely worth a watch.

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Twisted family, twisted relationships

This short movie managed to do a lot over the course of 21 minutes. The story in itself was intriguing with the "eleventh" brother of a really dysfonctional family. I think there is enough content in this interesting premise to make a full fleshed series or movie about it. There is for sure definitely a part of me that wish it would have been longer, even if I like the grey area and the flow of thoughts the ending left me with.

Casting was alright, nothing outstanding if I'm honest but nothing too detrimental to the story itself as well. The production felt of course super indie and the music did not leave me a strong lasting impression as it was pretty much absent from the movie.

I would recommend this to people that enjoy short movie and psychological titles. Far from being a classic BL romance, it is more about mystery and dysfunctional family and worth 21 minutes of time despite its flaws.

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You’re Seriously Missing out if you don't watch this movie

It was an amazing movie—hands down one of the best films I’ve watched this year. From start to finish, it completely pulled me in. The acting felt natural and believable, and the chemistry between the leads was strong and emotional.

What truly stood out, though, was the dance. The way they move is absolutely beautiful—smooth, powerful, and full of feeling. Every performance felt intentional and expressive, not just choreography but storytelling through movement.

The movie blends romance, passion, and art in a way that feels genuine and inspiring. If you love dance movies or stories that focus on connection, growth, and emotion, this is definitely worth watching. Highly recommended.

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Worth the wait

I was waiting for quite some time and it was so worth it. The passion, the chemistry, the longing... it was perfection.

There wasn't really a boring moment in the entire movie, which is rare nowadays. The way they played with time was good, they didn't use needless flashbacks. I especially loved that he refound his spark after watching the latin dance. It wasn't just a dance it was his life, his very will to continue. That being said, the actors really moved me with their portrayal, it felt real, you could feel every emotion that they were trying to evoke.

I was also amazed by the dances itself, it looked flawless - I do have to admit that I'm not a dancer.

Overall, a good movie with a solid plot. It is definitely worth your time.

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Gallows humour gives this some shine

Honestly, Gezhi Town is pretty stock-standard fare when it comes to Chinese war films. Or perhaps it's harder to stand out at the moment, given the impressive number of Chinese-produced WWII blockbusters to mark the 80th anniversary of Japan's defeat.

Obviously, from a commercial perspective, the creators have played their cards well by casting Xiao Zhan as our long-suffering protagonist, Mo Dexian. He delivers a solid performance, though nothing overly remarkable. The same can be said for the rest of the cast.

For me, the highlight of Gezhi Town is the use of gallows humour. There's a little sprinkled at the beginning, but it doesn't really come into play until halfway through when the action is at full swing. This is what gives the film a bit of sparkle. Otherwise, it's the usual fight-against-the-odds playbook – which is all well and good – just nothing particularly special.

This film also gets some brownie points for having very believable characters. It's easy for war films to reduce people to cardboard cutouts, but Gezhi Town employs humour to show the clumsy human-ness of goodies and baddies alike.

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Needs a sequel immediately.

If you're a chronic BL watcher for NC alone, this is not for you.

Holy shit?
I had high hopes because of the tiktok edits, and guess what? IT DIDN'T DISAPPOINT AT ALL!!!!!!!

The acting was exceptional—nothing was cringey or unbelievable.
The dancing? Amazing+++++
The romance? No words.

This was honestly the first movie I've enjoyed to the point of rating it 10/10 in YEARS. In fact, i'd rate it 100/10, if I could.

The script writers, production team, and producers have shown me two things with this film.
1) They love dance.
2) They love GAY. ~And what I mean by that is, the care, respect, and detail put into this movie, the scenes, the acting, the dialogue—I couldn't have asked for a more perfect end product.

And with that semi-open ending, GIVE ME THE SECOND MOVIE, IMMEDIATELY.

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Angel & Grim Reaper

If you’re obsessed with professional dancing, I’m gonna go out on a limb and say you will probably be head over heels for this one, way more than I was. Don’t get me wrong, the movie isn’t bad by any stretch. In fact, it’s pretty damn impressive. They dive deep into the nitty-gritty of dance techniques, the ins and outs of the competitive ballroom world and how that high-stakes environment messes with the people caught up in it. I was honestly blown away by how authentic it felt. But if I’m being real, the romance in this was way too slow of a waltz for my taste.

The story centers on two men: Sugiki and Suzuki. These guys are internationally ranked competitive dancers, but they’ve never gone head-to-head because they dominate in different styles. Sugiki is all about Standard Ballroom, while Suzuki slays in Latin Dance. Still, they have got this long-standing rivalry that keeps them hyper-aware of each other. Then, out of nowhere, Sugiki throws a wild proposition: they train each other in their respective styles and take on the 10DANCE. For those not in the know, that’s an event combining all five Standard Ballroom dances and all five Latin Dances. In competition, they dance with their female partners but during practice, it’s mostly just the two of them and that’s where things get interesting. There’s this undercurrent of competitive flirtation that simmers beneath every step and turn they take together. It’s hot, no doubt but it’s also frustratingly understated for a hopeless romantic like me.

I will say, the actors absolutely killed it. Their movements are mesmerizing. When Sugiki and Suzuki train together, you can feel the tension through the screen. Their bodies move with such precision and passion, it’s almost erotic without even trying to be. The way Sugiki’s Standard style clashes with Suzuki’s hip-rolling Latin flair is pure art. I mean the chemistry between them is off the charts. The actors nailed every single detail.

The production quality is also top-notch. The cinematography captures every angle of the dances with such grace and the music has the perfect heartbeat to every scene, whether it’s a slow tango or a fast-paced cha-cha. Honestly, the movie is a feast for the eyes and ears. I can see why so many people would fall in love with it, especially if you’re into the technical side of things or just appreciate a beautifully crafted film.

But here’s where I’m gonna be brutally honest: I wanted more romance, damn it! From the trailer, I got the vibe that this would be a love story but I’d say romance was maybe 20% of the movie. I get it, the title and premise say “dance first,” and they executed that part flawlessly. I’m not saying they did anything wrong; it’s just not what I expected and that’s on me for hyping up the love angle in my head. If dance is your jam, you will probably eat this up and ask for seconds.

And well...the ending...I hate to say it, but it was such a letdown. Without giving spoilers, I’ll just say it felt kind of empty. I wanted a bigger payoff, something to make my heart race or at least leave me satisfied. Instead, it just kinda fizzled out.

So, bottom line: this movie is amazing in its own right. It’s artistic, beautifully made and the actors are phenomenal. If you are into dance or just appreciate a visually stunning film, you have got every reason to love this. I’m just a sucker for romance and I felt a bit shortchanged on that front. Plus, that flat ending didn’t help. Still, I would say give it a shot. It’s worth watching for the talent and passion on display. Just don’t go in expecting a full-blown love story like I did or you might walk away a little disappointed too.

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style, elegance, tension, passion, love...

First, I have to say, I can't imagine how much training the actors had to do to get to this level of dancing. Watching them dance is mesmerizing. Two humans meet through passion. Two humans contrary to each other share a bond which grows over time.

"Dance is neither about technique nor stamina. Love is what makes it whole" - "So close and yet so far" are the two sentences describing the story in a heartbeat.

This being a Netflix production, I don't have to tell you that the cinematography, lighting, music, atmosphere are top notch. Both MLs are just incredible. Even in the slow scenes there is not a moment I was bored... The story has a rhythm just as dancing does. And for most things you see, I can't express how it moved me. Suffice to say, it's something different, something not seen yet, something incredible and something we should be happy to experience. This movie is a "must watch" in my book!

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The modern day socio economic classification portrayed in a way that will take your breath away

Portraying the struggles of the people who comes at the very last row of social classes, this movie is dark and would make you pause and think. The cinematography, direction and acting of this movie is definitely phenomenal. The twists and turns were unexpected. The way higher status people will dismiss that lower to them with something as insignificant as "bad smell" portrays how those with money are never concerned about anything but themselves. How easy it is for them kick out someone, find a replacement. How those who live desperate life would do anything to get the bare minimum while those with everything are never satisfied with anything. The gut wrenching progression of the plot definitely made it a movie made like never before.

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Watch this for the MDL challenge. In the end, this one the movie that manage make me breathless when I watch it……

Let's begin our review…

The film is based on the real-life miracle landing of Sichuan Airlines Flight 8633 on May 14, 2018. During the flight from Chongqing to Lhasa, the cockpit windshield shattered at an altitude of nearly 30,000 feet, causing explosive decompression and extreme cold.

Maintaining an extraordinarily cool head, the captain, Liu Chuanjian successfully landed the plane at Chengdu Shuangliu International Airport with no fatalities among the 119 passengers and 9 crew members.

Director Andrew Lau turns this true story into a heart-pounding, adrenaline-fuelled high-altitude blockbuster that will literally leave you breathless.
The kind of movie that doesn’t just show tension, it makes you *feel* it in your chest.

I am amazed with how calm the pilot & flight attendants were during the crisis. Especially the head flight attendant, she really did manage to keep her calm & composure even with all the panic passengers.

I was amazed by how composed the pilots and flight attendants stayed during the crisis. Especially the head flight attendant—her strength and professionalism stood out. Even with panicked passengers screaming around her, she kept her composure and did her job flawlessly.

This movie truly made me breathless during the most intense scenes. If you were sitting next to me, you’d find me gripping your hand during those moments…

If you love films that pump adrenaline straight into your veins—if you want to feel every second of danger, courage, and human willpower—and keep your heart racing, this is definitely one you need to watch.

I highly recommend it.

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Trying to see a point, any point...but it is escaping me

Well, let me write this while I am waiting for the last 4 minutes to finish. They better be the best last 4 minutes of any movie ever made..for this review to take another turn.

I am also wondering why have I wasted other 157 min.

What was entertaining here?

Plot, where?

I truly have no idea what I have watched.

Absolute waste of time. I cannot even call it pointless violence or glorification of torture/fetish or psychological consequence of trauma... because there was no thread connecting on any level.

A skip.

Thanks for reading.

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