🥰The actors Won Tae Min and Do Woo are amazing 🥰
This Boys' Love is a masterclass in emotional storytelling, thanks to the incredible performances from the two lead actors. Their chemistry is palpable, making the tension and intimacy between them feel genuinely heartfelt.
The story, while beautifully told, is predictably heartbreaking. However, it's a must-watch for its thoughtful portrayal of first love, vulnerability, and the complexities of human emotions.
It's impressive to see how far Korean dramas have come in representing the LGBTQ+ community, and this project is a significant step in the right direction. By focusing on the intimate story without sensationalizing the characters, the film delivers a poignant and relatable viewing experience.
With both leads having multiple projects in the works, it's exciting to think about what's next for them. For now, this “drama” is a stunning showcase of their talent, and I highly recommend it to everyone.
Was this review helpful to you?
This review may contain spoilers
With a thirst for life.
A Catholic priest literally changes his lifestyle when he becomes a vampire through a blood transfusion. Old Boy director Park Chanwook updates the vampire genre in a sometimes bizarre way, which is always worth watching.Asian horror can sometimes be a little difficult for us in the West to keep up with. Local myths, legends and general folk beliefs about ghosts, small whitewashed children or women looking out from under their wispy bangs can create shivers in the East, but shrugs in the West. It is therefore interesting when Park Chanwook transfers a typically Western genre like the vampire film to his South Korea. Here the story becomes more straightforward for all of us who know the vampire codes, while at the same time he creates something completely new with the theme.
Catholic priest Sanghyeon visits an area exposed to a deadly virus as a volunteer worker. He too is infected, declared dead on his sickbed, but is resurrected from the dead thanks to a blood transfusion. Unfortunately, his bag of blood was vampire blood and the priest soon finds himself on his feet, with a new thirst for life - Literally. His thirst is not limited to blood, but also for the flesh and he tortures himself to hold back his newfound sexual desires.
Sanghyeon becomes something of a miracle man, the only one to have survived the virus, and people make pilgrimages for the hope of a cure from the priest. He realizes his need for blood, but as a deeply religious man he cannot kill for his own survival. He cunningly takes on additional volunteer work at the hospital, where he can easily drop a comatose patient on the elixir of life. Life is complicated when Sanghyeon reconnects with a childhood friend, who has practically married his adoptive sister. He begins a secret relationship with Taeju, as the scorned wife is called. She is reminiscent of Eli in Let the Right One In, delicate but powerful, while at the same time enigmatic. Their relationship gradually takes them down a dark spiral of death and bloodshed.
Park Chanwook made the stylish and at times surreal Old Boy. Thirst involves a more straightforward story, but the style is just as sure and the story vital. He also does not shy away from the slightly bizarre, as in a scene where 2 vampires suck blood out of each other as in a hungry 69 position. He also has a good touch with effects that are portioned out in a nice way without taking over, they sneak in like warts that gradually disappear or veins that form contours under the skin. But above all, the director has a comic streak that comes to the fore in the everyday problems that Sanghyeon experiences as a newly-made vampire. Yes, the fact that he is a Catholic priest is of course a difficult contradiction.
Park Chanwook has taken a genre and updated it, just like in True Blood, Twilight and New Moon, but in a completely unique way. Here you have, excuse the expression, good bites, nice ideas and good acting. But, it gets a little too long. It doesn't get scary either, scary as in built-up tension. But it's still very watchable.
Was this review helpful to you?
A moving title with room for improvement in the editing department
I am left conflicted after watching this movie.This is a universal story, a tale of forbidden love and the path to self-acceptance. Even being set mostly in the period right after Taiwan's martial law was lifted, the movie depicts the reality of many queer experiences around the world. If you are part of the community, the story of Jia-Han and Birdy will likely resonate with you at some level.
The cinematography was beautiful, and the story was intimate and realistic, with a message that moved me. However, I am not particularly fond of the forced/chopped transitions that were a bit confusing. The timeline jumps all over the place: there are several places in which the story jumps to a conversation Jia-Han has with the priest and back again. This conversation, although pivotal for the plot, interrupts the pacing of the movie. By the tail end of the film, we flash forward to 2020, but we jump back to the 80s and forward to 2020 again. Some scenes are a bit dragged out with silences that do not always manage to convey any emotions.
Overall, even if the editing didn't sit with me particularly, I would say that the story is worth a watch.
Was this review helpful to you?
This review may contain spoilers
School Days and Second Chances: My Take on My Teacher
My Teacher (2022), directed by Paul Soriano, stars Toni Gonzaga as Emma Bonifacio, a teacher navigating her way back to the profession after a wrongful dismissal, and Joey de Leon as Solomon Bienes, a 70-year-old student chasing his long-overdue high school diploma. This film, which premiered as part of the 2022 Metro Manila Film Festival, has found a second life streaming for free on GMA Pictures' official YouTube channel. And let me tell you, it’s a mixed bag, but one worth unpacking.Like many, I initially passed on this movie, thinking it wouldn’t be worth my time. However, after giving it a chance, I can say this: it’s not as bad as the critics suggest, though it doesn’t quite rise to the occasion either. The story has its heart in the right place, with themes of forgiveness, second chances, and unexpected connections that manage to resonate, albeit in a somewhat surface-level way.
Toni Gonzaga shines as Emma, portraying the dedication and sacrifices of educators with genuine warmth. Her journey from a teacher with unconventional methods to someone deeply inspired by her own student is the emotional core of the film. Joey de Leon as Solomon adds charm, offering a unique perspective on lifelong learning and the idea that education doesn’t have an expiration date.
The film’s strongest moments come when it highlights the humanity of teachers—both their nobility and their flaws. It reminds us that teachers are not just authority figures but also individuals navigating their own struggles. However, it misses opportunities to dive deeper into pressing issues, such as systemic problems in education or the deeper motivations behind Solomon’s late pursuit of his studies. These themes, while touched on, remain frustratingly underexplored.
My Teacher is a feel-good tribute to educators, painting a nostalgic picture of school life while delivering its share of emotional moments. Yet, it often falters when trying to be profound. Some scenes feel forced, overly philosophical, or simply unnecessary, which detracts from the film's overall impact. It’s pleasant enough, but it lacks the depth to leave a lasting impression.
On the positive side, the film’s message of hope and perseverance does hit home, especially for students and teachers alike. It’s a gentle reminder that learning is a lifelong process and that education is a powerful tool for change. The ending ties things up neatly, offering a satisfying resolution to Emma and Solomon’s intertwined journeys.
While My Teacher doesn’t reinvent the wheel, it does offer a heartfelt tribute to teachers and the lessons they impart—both in and out of the classroom. It’s not groundbreaking cinema, but it’s a decent watch if you’re in the mood for something light and inspirational. Will I rewatch it? Probably not. But for a one-time viewing, it’s a charming, albeit imperfect, slice of life.
And yes, learning truly doesn’t stop, no matter your age. That’s a lesson worth carrying.
Was this review helpful to you?
grass isn't always greener on the other side, or is it?
This movie is a classic example of how the grass isn't always greener on the other side; it showed us as the viewer how a dream/fantasy should sometimes stay just that, as the reality of it isn't always what you thought it would be.Going into this movie I thought I knew how it would play out, but I was pleasantly surprised that even with a simple plot that I was able to be shocked as things throughout the movie that did throw me as the viewer. Although I did enjoy the movie, I wouldn't rush to watch it again.
Was this review helpful to you?
“you will be happy”
A timid teen and tsundere general are engaged by the family members in this heartwarming journey to find happiness in themselves and in others.Strengths:
- Strong acting performance and well-executed storyline.
- Entertaining action sequences with power elements involved.
- Easy to watch.
- The setting of the movie was very natural and elegant.
Weakness:
- Couple relationship felt underdeveloped.
- Pacing issues; the plot would move from one scene to the next with little tension.
Overall, a very satisfying and heartwarming movie. I would recommend it if you are looking for something with fantasy elements and romance between a happily engaged couple.
Was this review helpful to you?
Speak your love to the universe, and it will hear you
I had put off watching this film because something about the way it was advertised on Netflix made me realize it wasn't going to be lovey and sweet, and although I was correct, it was a beautiful tale that left me crying. This is a very subtle romance story, touching on the sanctity of life, and destiny. Fate is a strange thing, and this movie explores the possibilities of life trying every way it possible can to keep us happy and alive. Bittersweet.Was this review helpful to you?
Loved it as a delinquents fan
I personally found the movie to be an absolute blast! I don't know anything about the manga, but it was very enjoyable. It’s the perfect mix of comedy, action, and classic over-the-top acting scenes.The characters were soo fun and I loved watching all the characters come to life. Have to say that the sassy blonde was my personal favorite. He stole attention every scene he was in. The actors are quite good too. All of them were good at showcasing the chaotic energy of Japanese delinquent roles. The over-the-top acting style feels so much like the classic "delinquent movie", which I think is done well!
The fight scenes are not always perfect and they have some flaws.I mean, the fight sequences are not as good as the High&Low series, but I was easily able to look over it. Have to say that blond's fight sequences were quite good! I thought his fight sequences were done very well, from the acting to the editing. And the humor? I was glad to have that in the movie. I know some people might prefer to just have the action, but I thought that the humor made it easier to watch. It gave a break from the serious scenes. The movie has a lighter, fun vibe, but I don't think it distracts from the delinquency vibes.
I will say that I did not care for the songs in this movie. I don't think they match the the vibes of this and I found them to be little off-putting.
Overall, Out is a good watch for me.
Was this review helpful to you?
Very unexpected
The whole story was beautiful and emotional. All of the universes they went through were interesting and captivating in their own way. I could really fell both of their desperation and love, and it made me cry a lot in the end.The only thing i thought could be better is the english parts. Becky and the mom talked with more focus on making the english sound right and 'american' than on the acting itself. Becky even let her british accent slip out in some parts kkkkkkkkk
Also, i know this is my own issue, but i didn't understand the part that Lin is an old lady.
I would definitely recommend this to everyone. It was so good.
Was this review helpful to you?
What I liked:
I enjoyed the cast from main characters to bit players. They took great care in picking people for even small roles. The actors certainly gave it their all and most of the characters were interesting.
Much of the storyline was generic, but the trip to the past stocked with sorcerers gave it a unique twist. If only they’d tightened the writing.
The female lead was competent if in need of rescuing on numerous occasions.
What didn’t work for me:
Much of the movie involved chase scenes going nowhere to fill the time.
Another childhood connection story showing two characters were fated to be together. This trope can’t be escaped even in separate timelines.
Overall, the CGI and acting were decent even though it looked like a drama instead of a feature film. This was not an epic story, it was quite simplistic as complex as they tried to make it appear. For me, they simply didn’t have enough story to tell and spent much of the time going in circles and flashing back and forth in time. Two hours was too long for something that could have been accomplished in less than an hour. I would have enjoyed Alienoid/Alienoid 2 more if they’d shortened them to one concise film or extended them for a (very) limited drama filling out the characters whose stories were shorthanded and straightened out some of the messy writing.
6 January 2025
Was this review helpful to you?
Jason statham
a good movie Jason’s scenes were very nice. the characters all did a good job. the shark scenes were scary and a few jump scares.Was this review helpful to you?
This review may contain spoilers
disappointing love story
I rarely have second lead syndrome, but this one hit the hardest. I went into this expecting for her to choose the best friend just for her to end up with the new classmate. I didn't really feel the chemistry and the ending was pretty weird but very predictable. Aside from that, a lot of the story has been swept under the rug for their romance - like what happened to the girl from the band after, what about the best friend, is he okay? also how was life in america for the main guy? just a lot of jumps. Overall, this movie has great quality but would not recommend watching it.Was this review helpful to you?
Snow Man is a delight to watch.
The closest thing I knew of Kabuki prior to watching this was when I played a Japanese mobile game about a theater company back in 2018. Since then, I have always wondered what a real Kabuki performance looks like, especially during the time when I became really invested in watching different stage plays.It seemed like the universe heard my plea and gave me a film starring Snow Man in a Kabuki production, showcasing their range as artists. What's even more fascinating is that I didn't have to scour the ends of the internet to watch it, as it is readily available on Netflix in my country.
Takizawa Kabuki Zero 2020 is such a delight to watch as both a theater fan and a Snow Man fan. The film successfully blends the traditional aspects of Kabuki with the modern elements of a concert. The first act highlighted Snow Man's dancing and acrobatic abilities, while the second act mainly focused on their acting skills.
Overall, it was a truly entertaining show. We were able to see everyone's dynamics from time to time, and each member had the chance to shine in one way or another. I genuinely hope that Snow Man continues to do more theater—both live and on film—because they are a joy to watch.
Was this review helpful to you?
This review may contain spoilers
Good buildup, but the ending was a bit lacking
The casts were good at expressing their emotions and thoughts about the different stages of love and being in a relationship. However, I didn't really understand why at the end when Fujishiro found Yayoi she didn't want to go back to him & ran away instead. Perhaps she could have explained why on the way back to Tokyo instead?Was this review helpful to you?
Assured, poetic and a gently unassuming cinematic masterpiece
Takeshi Kitano is one of the few directors who can bring me to tears in seemingly every manner possible, A Scene at the Sea is no exception. A beautifully realised tale of an outsider who almost unwittingly finds himself embraced by a community he seems virtually indifferent to in his single-minded determination to master a new and chance-discovered obsession. Tethered to only the slightest narrative, the film evokes the experience of early love and disappointment in a manner both sharp and tender. Kitano has managed to excel himself by retaining all the interesting and original traits of his more graphic films, yet managing to tell a story that is just as deep and provocative, only to a more subtle degree. With much of the film playing with no dialogue at all, it's down to the body language and facial expressions of the performers, the shot choice and the editing skills of the director to tell the story, you only need to have seen one of Kitano's other directorial works to know that this is a long way from a tall order. The camera work is extremely sedate and enveloping, managing to capture the beautiful tranquillity of the ocean. The characters do not speak, yet the story never seems to drag at all, with each scene drawing the viewer steadily into this very attractive and insular world that they inhabit. And then there's Joe Hisaishi's music... A haunting mixture of marimba, synthesisers, piano & strings, it augments the atmospheric stillness and compliments the mood of the film perfectly. A hugely important film in Kitano's development as a filmmaker, one in which he discarded his dramatic safety net to tell a small story in a resolutely minimalist fashion and scored a bold, quietly brilliant bulls-eye. There's no violence, precious little dialogue and the tone and pacing vary little throughout, yet the hold exerted by the characters and storytelling is considerable, one that speaks in confident whispers instead of shouting its qualities in the manner of more attention-grabbing early works from any number of younger filmmakers the world over. A Scene at the Sea remains to this day one of his most assured, poetic and yet gently unassuming cinematic achievements, one that can be genuinely moving but never slips for a moment into sentimentality. I love it.Was this review helpful to you?
