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Same as usual
This cute short movie popped up on my youtube queue and since it was short, I gave it a go.The story is rather basic: three university students, two boys and a girl, Pukan, Paper and Bell, form a group for an art assignment. Two boys fall for each other. The end
As you see nothing much happens, they notice each other, they get closer while visiting a museum and then they confess, encouraged all the way by the girl best friend. I loved her, by the way! Great character and a talented actress.
As Always was made by an unknown producer (they have only this on their youtube channel) with unknown actors (who are cute in a sort of normal not model kind of way!) who probably never acted before but after the initial uncertainties, they obviously become more confident and the acting gets to be much better. The short movie looks like something made years ago by the way they used those pesky sound effects (my pet peeve, sorry!) in the first half. Cinematography is a bit vague and blurry giving it a dreamy feeling.
Thanks to Google lens I got this:
The cast: Pukan Akarawat Prathumthong
Paper Natthaphak Witsiri
Bell Sasikarn Singsi
Director: Patcharaporn Thiangsantia
And they used a song by PPKrit & Billkin "Same As Usual".
These are 17min well spent: noting earthshattering but for a basic story, it is really nice!
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Gay people having a sad story once again
Coming into this film I knew that it’s not going to be some wholesome movie where two gay guys fall for each other and live a happy life. So a story between these two ensues and it’s extremely sad, and it delivers it well!Though I was confused sometimes if Birdy was gay at all or not, he just seemed to be a lil too comfortable with his friends (it’s confirmed he’s gay later though).
The movie wasn’t anything special in my opinion, I’ve seen plenty stories where two guys are in an environment where they can’t be who they are so an angsty romance story starts between them.
However the movie is really beautiful and well done in showing their love story. The one thing I liked most is how music is what connected them most and their song in the movie is actually the title of the movie (or just a lyric i’m not sure) but the song is beautiful and i’m definitely adding it to my spotify playlist.
I also appreciate how they made a timeskip and made their older versions reunite, it makes me hope that they continued their love- maybe not since they were hesitant with each other but I think in the end they did try again. Love never expires and i’m sure both of them were waiting to find each other again even after all the years that passed.
Anyway the story is really beautiful, I unfortunately have a very short time span so I kept pausing and stopping the movie which led me to finish it in 2 days so I couldn’t exactly bond with the characters on the level where I would cry on their sad scenes but watching the sad scenes I kept thinking to myself how hard I would cry if only I had connected to them better. Their sad scenes really do tug on your heartstrings.
So sad how love in different forms isn’t accepted. Beautiful film.
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Funny
This was a solid 3/5. It was good but not extraordinary. It started out a bit too much like a drama, a bit heavy. But then it juat got super weird and that is the kind of Ossans love I live for. The sauna was the stupidiest thing ever and it was great. Also the scene in the burning building when the chief and Maki is coming to save Haruta.Also don't think too much about how fire and explosions work because they have a life of their own in this movie.
But the top best thing with this whole series is how it is a non-issue that almost everyone is gay. I want more movies like this where it is just love, it doesn't have to be a statement or anything else behind it.
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From the casual movie viewer facet of me, this was honestly a pretty boring watch.
However, from the super critical, analytical deep thinker facet of me, I loved it. To be fair, I love analyzing even the smallest details in literature, so if you’re a fan of literary classics, I’m sure you would absolutely love this drama.
(I’d actually watched this movie a few years ago back when it was super hyped up, but dropped it after the 15 minute mark because I hate movies with manipulative protagonists no matter how warranted or justified their behavior may be. But I mean the title is literally PARASITE for god’s sake, so what was I expecting?)
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quite funny!
I enjoyed this a lot, and i wouldnt have dropped 1 point but for the dragging ending. If you havent watched something entertaining lately, with good humour and action too - just watch this! It's really something i'm glad i found. Quite niche too i should say!The ML has a powerful scene presence and he is so versatile that i didnt recognize him at all, though i saw all his other important work. Every character is so much on point! No unnecessary drama for most part...
Very enjoyable. .......................................
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"Those who had feelings were caught in them"
Donnie Yen starred in and directed Sakra, a wuxia based on Jin Yong’s novel Demi-Gods and Semi-Devils. As I haven’t read the book I’m only critiquing this movie as a stand-alone. Kiu Fung was a man who had to figure out who he was and what he stood for after tragedies and treacheries befell him.The infant Kiu Fung was left on the doorstep of a Song couple and grew up to be a master in the infamous Beggar Gang. After rescuing a caged young man from turning into a sacrifice he returns home only to be accused of murdering a fellow Beggar by the man’s wife. The wife also produces a letter revealing that Kiu is actually a Khitan, the most hated of enemies. He’s not given a chance to refute the “evidence” and ends up turning in his Dog Beating Staff. It goes downhill from there for Kiu as the bodies begin to rack up with everyone blaming him for the deaths. During one of the angry mob scenes, he rescues an injured thief and romance blossoms.
This was one of those movies where it was hard to like any of the characters. Donnie’s Kiu was a masterful fighter but came across as not terribly bright. He was framed and double-crossed on a routine basis. And when it was his turn to communicate and seek the truth he reacted like the Beggar Gang, Shaolin monks, and townspeople had and jumped to an illogical conclusion which led to deadly consequences. The rescued thief, Ah Zhu, had only one job-to be carried around and make big puppy eyes at Kiu.
Parts of the story needed to be explained better. Kiu had stood up for the downtrodden, sought to be moral at all times and yet everyone believed he could murder the people close to him. Was it jealousy? Or were they all simply awful people who refused to hear Kiu’s side of the story? The romance fell flat, partly because of the development on screen but also because the 60-year-old Yen was twice as old as his costar. He came across more paternal or perhaps as a kung fu master to her. I could see him feeling sorry for Ah Zhu and she in turn hero worshipping him, but romance didn’t come across on the screen. And while I’m at it, why would he ever think he could pass for thirty?
There were numerous fights as the world took on Kiu. I understand Yen is 60 and his body has taken enormous abuse through the years. It would make perfect sense to rely on camera tricks and stuntmen to sell the fights. What ended up on the screen were ridiculously undercranked/sped up moves as if The Flash and Quicksilver went at it. When fights are repeatedly sped up in martial arts movies, it usually means the moves were slow or missing their targets. I don’t mind light body work with people leaping and skipping over rooftops, but they seemed rather awkward here. Wuxia “magic” doesn’t bother me either except how many times can you watch people being blown through walls or floors before it becomes exceedingly redundant? I would normally enjoy watching Donnie pummel his opponents but the exciting brawls were few and far between in this one. It didn’t help that before one long drawn out fight, he had to have a drink with anyone who wanted to take him on---which turned out to be everyone. The scene dragged on interminably.
Sakra was watchable, but at 2 long hours, just so. The natural scenery was gorgeous and a couple of fight sequences were entertaining. The rest of the time it was painful watching the hero be slow-witted in thought and artificially accelerated with his fists.
6 January 2024
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A Charming Twist on Love: "Crazy Little Thing Called Love"
Overview:"Crazy Little Thing Called Love" tenderly explores the nuances of first love, offering a heartwarming journey that resonates with viewers. Released in 2010, this Thai classic delicately captures the bittersweet essence of initial romantic experiences, combining humor, self-discovery, and an unexpected twist.
Plot:
At its core, the film beautifully tackles the heartbreaks associated with first love. Nam's journey, from her initial self-perceived 'ugliness' to the amusing attempts to catch Shone's eye, serves as a relatable and endearing narrative. The revelation of Shone's longstanding love for Nam adds a touching layer, turning the expected heartbreak into a tale of mutual affection and growth.
Performances:
Baifern and Mario Maurer's performances shine in portraying the vulnerability and authenticity of first love. Baifern, in her breakout role, adeptly conveys the emotional rollercoaster of initial heartbreak and self-discovery. Mario Maurer's portrayal of Shone is equally commendable, capturing the complexities of teenage emotions with charm and sincerity.
Music:
The music in "Crazy Little Thing Called Love" plays a crucial role in enhancing the emotional impact of the narrative. While not groundbreaking, the soundtrack effectively complements the film's exploration of the highs and lows of first love, creating an immersive experience for the audience.
Final Verdict:
"Crazy Little Thing Called Love" is more than just a romantic comedy; it's a heartfelt exploration of the emotional landscape of first love. The film skillfully navigates the delicate balance between humor and heartbreak, leaving the audience with a warm and nostalgic feeling. It serves as a poignant reminder of the universal experiences associated with youth and the enduring nature of first love.
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Dark comedy (sprinkled with action) at its finest
Was this movie made for me or something?It's a dark comedy, utterly cynical movie about 2 deadly jaded assassin girls—that look anything but—living a boring but strange life in-between jobs that culminates in an utterly awesome final fight the likes of which you rarely see due to a functional choice of choreography I very much approve of.
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Stunts - 80/100 | Everything contained in the paragraph above is why I loved this movie. The rest is gravy.
Narrative - 80/100 | If you think you wanna watch a movie where 2 bored assassins do literally nothing except an occasional murder (and waste time in-between), then you'll probably enjoy this. Otherwise, you'll probably dislike this. I enjoyed it because their lack of purpose in life was a sight to see and Mahiro was strangely captivating as a character. Also because of the recurring funny little gags with the objects falling out of place, I've always loved those kinds of small visual gags. I don't know, it came together nicely for me.
Fight Choreography - 90/100 | The final fight is choreographed to look real instead of looking choreographed, an odd contradiction that works when done properly. Action choreographer Kensuke Sonomura will be one to watch for sure.
Enjoyment - 90/100 | Needed more fights. Needed better sound mixing for the guns in the 3rd act. More of this please. Thank you.
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Píseň i film (prolíná se) je o problémech párů s větším věkovým rozdílem, v tomto případě 24 let. Velmi solidní herectví, Arnold Reyes je navíc stále i ve skvělé fyzické formě, vkusná milostná scéna. V každém vztahu jsou i mráčky, pokud mraky, je to na pováženou. Všechno jednou končí. Dobrý nápad propojení písně, textu a hraného děje.
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Vztahy mezi bytostmi jsou tak komplikované a nastolují řadu nedorozumění a otázek ... Tak je tomu i v tomto velmi podařeném pinoy filmu, kdy si vyjasňují mezi sebou Gabriel a Jared tíhu svého vztahu. Snímek intimní, moderní, oslovil mě především Gio Gahol v roli Gabriela, dobrý scénář a švih, ale klidně bych některé scény těch lidiček okolo malinko sestříhal, ale to je jen můj názor a vkus. Každopádně vysoce nadprůměrný projekt.
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It was very boring but interesting, the acting and chemistry was off...
I liked it...but it just wasn't to my average liking, it was so stressful that I started to think it wouldn't even have a happy ending imo. I liked it and enjoyed it, but there was something that made it seem off. They hardly had on-screen chemistry, and it was so hard to believe they were even a couple in this movie, honestly. It was like they were friends or even brothers. But other than that the story in this movie was so confusing but interesting. I had fun watching this and the characters had good acting (besides the distant hugs because they were so far apart even when hugging), they were very funny at times, and I liked it.Was this review helpful to you?
who's the monster ?
"se não é para todos então não é felicidade.""quem é o monstro?"
essas duas frases são exatamente o que define o filme como um todo. a felicidade aqui vem da pior forma, que é extremamente passageira, que parece boa demais para ficar durante muito tempo. como se os personagens não merecessem ter acesso, o que chega a ser cruel pois há personagens aqui que definitivamente deveriam ter um acesso ilimitado a ela.
sobre a segunda frase, é o que faz o filme ser tão transformador. toda a construção da narrativa durante o filme é algo hipnotizante de se acompanhar. os questionamentos que são levantados e as respostas que são obtidas a cada novo ponto de vista faz com que o filme seja um deleite de se ver. as nuances entre os personagens e as dúvidas sobre quem fez o que, ou que simplesmente deixou de fazer, e consequentemente os impactos que foram resultados dessas ações levanta um tipo de questionamento de que até qual ponto saber a verdade é o que realmente interessa ? como definir que o que aconteceu nas entrelinhas tem um valor menor do que a verdade?
eu havia visto uns paralelos comparativos com close do lukas dhont, e a minha semelhança favorita é a criação de um mundo que mistura realidade e fantasia em que nada importa além dos momentos que estão sendo criado entre duas pessoas, em que a felicidade parece ser o único sentimento possível e nada externo tem poder ali.
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I wanna hug those trees!
I laughed so hard at the scene towards the end during the festival. Epic!It has some breathtaking views, I wish I am climbing up those trees too!
Despite it being on forestry setting, it isn't boring at all.
It's hearwarming, funny, touching, all in its own way.
I love the respect they have for nature, I love seeing the greenery mountain, I love those big trees that I wanna hug them, I love the laughter when they sing and dance, I love how oneness is portrayed in this show
What a healing and fun-filling show!
Highly recommended, I enjoy every moment. Seriously, Jap Movie did it again! n
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Bizarre.
Bizarre. A 12min long film that's not worth the time except for a realistic kissing scene at 5min 40sec in. Or unless you want to laugh at the cringness! It's a string of WTF moments.It felt like scenes were shot to compliment the dramatic classical music chosen, instead of the other way around. Kind of like mini music videos with not much connecting them together. The pacing is weird; more time is spent on the music video vignettes than on conversations or realistic/meaningful interactions.
There's not much dialogue, but what is there is awkward and overly dramatic, starting with a sob story that felt like over-sharing in that context. There's an immediate power imbalance with a director and a newbie actor and after their first meeting, the film jumps to them acting like a couple for awhile, then jumps ahead again. There's nothing to get emotionally invested in because we're not shown any of the progression in their connection/relationship.
I found this on YouTube in the USA.
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1st person pov & jumpscares
7,2/10. Udah 2x rewatch tp deg-degannya masih sama 😂 awalnya haha hihi pas ending ☠️☠️☠️ builtnya keren sih ni film, dulu gw ga ngerasa ini serem. Tapi skrg serem njir. Seremnya karena jumpscare yg pas sama backsound yg bener2 top. Juga film ini tuh 1st person pov—which is the creepiest cinematography ever— kaya grave encounters. Atau mungkin gw ngerasa ini tuh serem karena udh lama ga nonton horror yg pure ghosts with lots of jumpscare, jadinya ngerasa beneran thrilling bgt. But idk which one is the truth so,, situasi & kondisi film bener2 gelap, cuma bermodal senter & kamera gopro. Makin bikin anxiety 😅 untuk acting pada bagus sih, bener2 menjiwai & mirip BANGET sama vlog2 horror yt. Endingnya abis gitu aja karena terakhir semua karakter bakal d word 🤗Was this review helpful to you?
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