Reviews

What the Hell Did I Just Watch: Butterflies, "Human specimens", and Absolutely No Normal People

I went in expecting a crime thriller about a serial killer and an investigation. That’s on me for not reading properly, because this is not that show at all.

It opens with a man who has murdered six boys, including his own son, turning himself in and narrating his life. Almost immediately, Shiro doesn’t feel as a killer. He comes off as maybe neurodivergent, but violent? No. By episode two, it’s already obvious that something isn’t adding up, which is way too early for a supposed mystery. At first, it feels like the show is building toward something smarter.

Then it suggests the murders might actually be Itaru’s( shiro's son) and that works. Itaru has that deeply unsettling art justifies everything vibe that makes this idea believable. That twist is disturbing in the right way and for a moment, the series feels solid. I really liked it.

Then it completely shits the bed.

Shiro taking the blame to protect his son doesn’t come off as tragic or complex it feels braindead. Instead of acting like a normal person reporting his son or stopping him he recreates the crime and turns his own child into the “specimen” (because his son asked, which is just… ew). Until then, Shiro was the closest thing this show had to a normal human being, (not considering side characters )and suddenly he’s making choices that make zero sense. WTH

The final episode goes full clown mode. First it’s not Itaru, it’s Anna. Then it turns out it was not even Anna’s idea, it was her mother Rumi’s. Itaru helping Anna after literally watching her axe someone is barely justified beyond the show endlessly chanting “art” like it excuses everything. It doesn’t. Apparently everyone wants to be Rumi’s successor, which is fucking irritating. Just because she sees more colors? Tetrachromacy doesn’t make her special, especially when her art is so ass.
Also Rumi believing Shiro would admire her murders because they were inspired by his father’s ideas is straight up delusional. At that point, every character feels detached from reality. No one reacts or thinks like an actual human being, and the show mistakes that collective insanity for depth.

I have never used this much profanity in anything before, but this series earns it. It genuinely could have been good until the last episode fucked it. By the end, Shiro’s kid is dead, the real killers walk free, and there’s no emotional payoff, just emptiness. What could have been a tight psychological drama turns into a pile of shock value twists. The more it twists, the cheaper it feels. The cinematography is good and music. That’s it. The writing overcomplicates itself until nothing lands, nothing hurts, and nothing matters.

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A Quiet, Realistic Drama That Many Misjudge

This drama does not rely on unrealistic fantasy elements, chaebol male leads, or exaggerated emotional twists. Instead, it focuses on ordinary people, teachers navigating the harsh and competitive hagwon system in Korea. Their struggles feel grounded, believable, and painfully realistic. The series chooses authenticity over spectacle, and that choice will not appeal to everyone. And that’s okay.

The romance is subtle and mature. It doesn’t develop through dramatic breakups or forced misunderstandings, but through shared values, mutual respect, and quiet support. The relationship doesn’t “fix” the system and that is precisely the point. Love here is not a magical solution. It simply helps the characters endure reality without losing themselves.

Many criticize the ending for not delivering a world-changing resolution or an emotional catharsis. But the characters were never meant to overthrow the system or achieve grand victories. What they gain instead is something quieter: integrity. They remain true to their principles, protect their humanity, and stay together without compromising who they are. For me, that is a meaningful and realistic happy ending.

This drama is not made for viewers seeking escapism or emotional rollercoasters. It’s not for everyone. But for those who appreciate quiet storytelling, social realism, and emotionally intelligent relationships, it offers something rare.

At first, I also thought it might be too slow. I skipped ahead a lot in the first few episodes. But once I stopped rushing through it and actually paid attention, it clicked. If you dropped this drama because you thought it was boring or because you were expecting a heavily romance-focused story, I urge you to consider rewatching it with a different mindset.

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Solid Watch

Lol...........what can I say? I don't think there's too much to complain about with this piece. It was highly entertaining with many good scenes of laughs that didn't all feel forced or expected. I loved the constant bickering. The leads meshed well together but also carried their own scenes very well. The supports did their jobs.
If anything, the serious bits in the drama actually deter how well the dramas comedy could've been on its own but I don't feel it diminishes the piece all that much. It just made me impatient to see the leads on screen together because whether it was suppose to be awkward or a fight, it just worked. Everyone should give this a view~

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At Different Paces, The Sun And Moon Share One Sky

"Speed and Love" is a modern romance that holds a familiarity of a book you can’t put down — the kind that quietly pulls you in until you realize you’re completely immersed. With its cinematic production and visually striking moments, the drama often leaves you wanting to replay scenes just to relive the emotions they evoke. It beautifully balances thrill, humor, and heart-fluttering tenderness, capturing the essence of a love shaped by shared history in a way that feels both exhilarating and sincere.

Yet, once you set aside the rose-colored glasses, the story reveals something far more layered, a quiet depth that extends beyond fleeting excitement or surface-level romance. It suggests that love isn’t found when the gear shifts into fast mode, nor in the adrenaline that fuels every reckless turn. Instead, it lives in the choice to slow down... to ease off the accelerator, to savor the quiet moments without coming to a full stop. It doesn’t need a map, because the heart already knows its way home.

STORYLINE₊ ⊹❅
The drama centers on Jiang Mu and Jin Zhao, who once grew up together as step-siblings before being separated by their parents’ divorce. Years later, they reunite, and their connection gradually deepens into something more. While this premise could have felt uncomfortable or difficult to watch, the story handles it with care by clearly establishing the true nature of their relationship from the very beginning. As a result, their bond feels less like a taboo romance and more like that of childhood sweethearts finding their way back to one another.

The story opens with the reunion of the two leads, now marked by distance, unspoken emotions, and lingering secrets. What immediately draws attention is the dynamic between Jiang Mu and Jin Zhao, a mix of familiarity and tension that makes their interactions quietly compelling and sets the tone for the emotional journey ahead. Every exchange between them feels charged, amplifying even the smallest gestures: a lingering glance, a fleeting word, a restrained reaction. These subtle moments convey a longing that is both tender and contained, a closeness that feels just within reach yet painfully distant, making the early stages of the drama especially affecting.

As the narrative progresses, the contrast between Jiang Mu and Jin Zhao becomes increasingly evident — one living with ease, the other constantly on edge. It is within this contrast that the true roots of their romance take hold. The way their relationship was made to unfold slowly, delicately, and with intention created a magnetic pull, one that lifts the heart and lingers after each scene. Though their love carries the flutter of a first romance and an intense, lingering passion, it is ultimately grounded in emotional awareness and quiet understanding. Beneath the tender moments lies a deeper resonance: a sense of truly seeing and knowing one another, which elevates their connection beyond fleeting affection and gives it lasting depth.

While the first half of the drama brims with heart-stirring sweetness, the latter half descends into emotional turmoil with the onset of the six-year separation arc. This shift, in particular, resonated with me the most. Though it may not appeal to everyone, it is precisely this portion of the story that left the strongest impression. What stood out was how, despite the distance and uncertainty that defined those years apart, the bond between Jiang Mu and Jin Zhao never wavered. With no promises made and no reassurances to cling to, they continued to live their lives in parallel, separated by circumstance, yet unwavering in their devotion.

In a reality shaped by countless choices and diverging paths, they chose each other in silence, holding on not to certainty, but to the quiet conviction of their hearts. Their relationship does not survive in spite of the difficulties they face; instead, those struggles are what shape, deepen, and ultimately prove their love. The obstacles they endure become the very reason their bond grows stronger, not something that threatens to break it. It is within their separation, their restraint, and their unwavering faith in one another that their connection truly deepens. This is what gives their story its emotional weight, a love that endures without guarantees, rooted in trust, longing, and an unspoken understanding that transcends time and distance.

Beyond the leads’ dynamic, the drama also shines through its action elements. The inclusion of fight sequences and racing scenes adds an extra layer of excitement, at times reminiscent of Fast & Furious. These moments enhance the overall viewing experience, adding momentum and intensity while allowing viewers to become even more immersed in the story. The only aspect I wished had been handled better was the execution of certain transitions and cuts, as a few scenes felt slightly abrupt or underdeveloped. That said, the storyline remained impactful overall, and these minor shortcomings did little to reduce the story’s overall weight.

CHARACTERS & ACTING₊ ⊹❅
He Yu as Jin Zhao | Brandy
Jin Zhao is a character who stands apart from the typical male leads often seen in modern c-dramas. While he may initially appear to fit the familiar “bad boy” mold, his portrayal carries a depth that feels refreshingly different. Beneath the rough edges and rebellious exterior lies a character shaped by circumstance rather than choice. He is not merely defined by attitude or bravado, but by the weight of responsibility he carried from a young age. Though he grew up as Jiang Mu’s dependable older stepbrother, Jin Zhao was, at his core, just a boy forced to mature far too early. As he grew older and became known as “Brandy” in Manshi, his image evolved into that of someone fearless and untouchable, someone constantly living on the edge. Yet beneath that hardened exterior was a young man who had spent his life suppressing vulnerability, never allowing himself the comfort of weakness. This emotional restraint was not born from pride, but from survival.

In everything he did, Jin Zhao presented strength, composure, and control, masking the weight he carried within. His life had taught him to endure silently, and in doing so, he learned to rely only on himself. It is precisely this contrast, between his hardened exterior and his unspoken fragility, that makes his character so compelling. Amid all the chaos and danger surrounding him, Jiang Mu remained his one constant, the only place where he could feel safe, understood, and at ease. She was not just someone he loved, but his refuge...the quiet warmth he had been searching for all along. Jin Zhao had always cherished Jiang Mu as though she were something impossibly precious, a fragile gem too rare to be handled carelessly, a masterpiece meant to be admired from afar. To him, she was like the moon itself: radiant in the dark sky, luminous and beautiful, yet distant enough that he dared not reach for her too boldly. He never wanted to be the cloud that dimmed her light. Instead, he chose to stand beneath it, protecting her even if it meant remaining in the shadows.

Though his choices may have appeared selfish or wrong, they were born from a place of fierce love and self-sacrifice. He took away her right to choose not because he doubted her, but because he believed the weight of his world was never meant to rest on her shoulders. Standing at the edge of an uncertain future, with no stability or safety to offer, he could not bear the thought of dragging her into the chaos he was navigating. So he chose to shoulder the pain alone, to carry the burden quietly, believing that loving her meant shielding her, even if it meant breaking his own heart. Jin Zhao loved Jiang Mu not only deeply, but wholly. He loved her in all her layers, in every detail that made her who she was. His love was not loud or possessive; it was reverent, knowing, and profoundly selfless. It embodied the truth that to truly love someone is to see them fully, to understand their light, their fears, their worth, and to choose them even from afar.

This was my first time watching He Yu’s work, and I was genuinely taken by surprise by how exceptionally well he embodied the role of Jin Zhao. The character felt as though it had been written specifically for him. While his striking presence certainly adds to the appeal, what truly stood out was the depth of his performance. From his aura and subtle micro-expressions to his soft, gentle speaking voice which is a rarity among many C-drama actors known for deeper, more rugged tones, he brought something uniquely captivating to the screen. He Yu possesses a remarkable ability to convey emotion through the smallest details. His expressions, body language, and line delivery carried an emotional weight that felt natural and deeply resonant with the character. It was evident how much intention and care he put into portraying Jin Zhao, making every scene feel authentic and lived-in. His dedication extended beyond performance alone; his effort in learning to race and his involvement in shaping his character’s style further demonstrated his commitment to the role. Altogether, He Yu delivered a performance that was both nuanced and compelling. His portrayal not only elevated the character but also left a lasting impression, marking him as a truly promising actor whose work deserves recognition and attention.

Esther Yu as Jiang Mu
Jiang Mu is a character who, at first glance, appears to embody sunshine and softness. In her early years, she may come across as naive, sheltered, or even childlike, but what makes her truly compelling is the depth that lies beneath that gentle exterior. The warmth and innocence she displays are not traits she offers freely to everyone; they are reserved almost exclusively for Jin Zhao. Beneath her softness exists a quiet strength and emotional maturity that often goes unnoticed. While her innocence may initially seem excessive or overly idealized, something that even gave me pause in the early episodes, the more the story unfolds, the clearer her true nature becomes. What appears as childishness is, in fact, a conscious vulnerability. Her gentleness is not weakness, but choice. She allows herself to be soft only with Jin Zhao, not out of dependency or infatuation, but because with him, she feels safe enough to lower her guard.

In doing so, Jiang Mu reveals her deepest form of strength. She lays herself bare not to be protected, but to offer protection in return — to give Jin Zhao a place of warmth, comfort, and emotional refuge. It is through this quiet act of trust that her character truly shines. Her love is not loud or demanding, but deeply intentional, rooted in empathy and understanding. In allowing herself to be seen by him, she becomes his safe harbor, proving that gentleness, when paired with emotional courage, can be one of the most powerful forces of all.

While Jiang Mu was deeply hurt by Jin Zhao’s choice to protect her by pushing her away, she could have easily turned her heart elsewhere. She had every reason to do so, every justification to walk away. Yet she didn’t. For her, love had always pointed in only one direction...toward Jin Zhao. Her devotion was unwavering, not born from blind attachment, but from quiet certainty. She loved him not in spite of the pain, but with the understanding of it. What makes Jiang Mu remarkable is that her love was never passive. She, too, was someone who chose to protect. Where Jin Zhao shielded her from harm, she became his anchor. In moments when the world felt uncertain and the future unclear, she was the one who offered steadiness and reassurance. As she once expressed, she was never his weakness, she was his navigation. Through her presence, Jin Zhao found direction, warmth, and a sense of safety he had never known before. In loving him, she became his refuge, just as he had always been hers.

Esther Yu delivered a commendable performance in this drama, but it was during the Nanjing arc that she truly stood out. This portion of the story highlighted her strongest acting to date, showcasing a noticeable growth in emotional depth and control compared to her previous works. Jiang Mu proved to be a role that allowed her to step beyond her usual range and fully explore the character’s inner complexity. Her performance reflected a deeper understanding of her character, and it was clear how much care and effort she invested, making her portrayal both compelling and deserving of praise.

OSTs₊ ⊹❅
This drama features one of the most memorable OSTs i’ve come across, one that I deeply resonated with. The OSTs were beautifully composed, and the background music was thoughtfully chosen to enhance each moment rather than simply accompany it. Every track felt purposeful, amplifying the emotional weight of key scenes and elevating the overall viewing experience. Even after finishing the drama, I find myself returning to them.

OVERALL IMPRESSION₊ ⊹❅
In the end, Speed and Love reminds us that love isn’t about arriving first or moving at the world’s relentless pace. Like the sun and the moon, its lovers exist in different moments of time—day and night, motion and pause, yet are never truly apart because they share the same sky. In a world that rushes forward and forgets how to yearn, this drama holds space for the quiet beauty of a love that still chooses to wait. It is a powerful reminder that while little in this world may be absolute, there can still be one person who chooses to love...steadfastly, through every single day and every single night.

FAVE SCENES₊ ⊹❅
- Jin Zhao comforting Jiang Mu when she was in pain due to her cramps
- All of Jin Zhao's fighting and race car scenes
- New Year's piggyback scene
- Jiang Mu's drifting confession and Jin Zhao's reply to her confession
- Lin Sui and Jin Zhao's moments especially the market scene
- San Lai's advice to Jin Zhao
- All the kiss scenes
- After 6 years separation, Jiang Mu explaining to Jin Zhao about the sun and moon on episode 25

˖ . ݁❅𝜗𝜚❅. ݁₊

"The Sun and Moon alternate. Even natural laws aren't absolute, let alone people. The sun shines by day, and the moon by night. The sun and moon shine together, and will never be apart." — Jiang Mu

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This was genuinely really good. I wasn’t expecting much given this is a shorts stories, but this is truly on par with a standard full length series. There are compilations available of the episodes on the official YouTube, so the shorts format wasn’t too annoying, but this would have been so much better if it was filmed in landscape as opposed to portrait.

There were two stories shown here - one is of the two idol/actors, and one is of the two students. The student story is the film that the actors are filming in universe. The first 6 episodes are the student story, then we jump into the idol/actor story, and then the ending of the student story is shown later when the actors film it. I thought both were really compelling. I genuinely liked the student story and would have watched a full BL series dedicated to it. But the way it was shown, with the first 6 episodes of just that, you get invested in that story only to find out that’s not the real story. So it ends up being a kind of bait and switch. I think interspersing the student story in between the actor story as they filmed the scenes would have made more sense.

I really liked that both leads were complete equals. Both shared in the responsibility of caring for each other and both took the lead at different times. There was mutual and reciprocal affection.

I absolutely loved that when Bai Xing found out the truth about Hei Yan’s feelings and identity, he didn’t immediately fold and forgive him. He was angry, demanded an explanation, and went off about Hei Yan’s continued lack of communication. I so love when a character actually stands up for themselves instead of just accepting anything they’re given in the name of love.

And I loved the ending as well. We had plenty of time with the happy couple, and it was so refreshing to see an idol drama where they don’t hide from the public. They also get married in the end, which I always love. Plus the relationship wasn’t overly chaste - they sleep in the same bed, they kiss properly and frequently, and they don’t pretend to be virginal people in a long term relationship that get shy at the mention of sex.

If I had one complaint, it would be that they played into the fan service aspect of their relationship, posting fan club content and selling merch. I feel like it’s never a good thing to be monetizing your relationship.

Also, I thought it was funny that these guys were supposed to be singers, dancers, and actors in universe because they very clearly could not sing or dance. They can definitely act though, and their in universe acting scenes were just as compelling as the overall story. Out of all the shorts series I’ve seen, I think this one has the best acting.

There were several good kiss and NC scenes (waist up making out, implied sex). There are also throat grabbing (not choking) scenes from both couples (not pre-negotiated), if that’s something you want to be aware of in advance.

Boundary/consent issues: In the student story, one tries to kiss the other while he’s sleeping, but he wakes up. In the actor story, there were several sleep violations on both characters’ parts - watching sleeping, touching faces/hair, taking photos. Bai Xing also tries to lift Hei Yan’s shirt when he’s sleeping to see a scar, but Hei Yan wakes up. There were a couple scenes where one would grab the other one to prevent them from leaving as well. For the second couple, one of the characters grabs the other’s face while drunk and won’t let go when he’s trying to pry him off. He also kisses his cheek and hugs him.

There were a couple non con / dub con kisses as well. Hei Yan kisses Bai Xing when he’s sleeping, and while Bai Xing responses, it was an unconscious response, like sleep walking or sleep talking. Bai Xing kisses Hei Yan on stage without prior discussion, and Hei Yan isn’t happy about it. Bai Xing also kisses Hei Yan as a form of revenge, saying it was just performative since he thinks Hei Yan has just been immersive acting with him and playing with his feelings. During one makeout session, Bai Xing says to wait, and Hei Yan does stop, but when Bai Xing voices a concern about people being outside, Hei Yan just pushes him down and continues. It does proceed consensually from there though. And there’s one scene for each couple that involves non-pre-negotiated throat grabbing (not choking).

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Wholesome family

I actually recommend you watch this! If you came here with the assumption that this is a BL like I did, I'm sorry to disappoint. I haven't read the original manga, but I think it's also the same there. It's a heartwarming story of two single dads who decide the best thing for their kids would be more support.. so they move in together. Honestly, this is really realistic especially for 2025. It's plenty hard to raise children alone not to mention it's also expensive and lonely. So, together, Papa and Oyaji resolve to be better parents and they steadily build a very strong family with their babies. The acting was out of this world-- especially the children! They did so well playing sick or crying emotionally that for many moments I forgot they were acting...

Point is.. everyone did so well pouring love into this story, that it could be felt through the screen. I definitely didn't cry my ass off during the final episode. I'm going to miss this little family... Papa and Oyaji were super cool and supportive single dads.. even the side characters I'll miss! I really enjoyed seeing them all be there for each other.

TL;DR This is NOT BL but will have you feeling warm and cozy anyways.

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This is one of those movies that leaves you feeling confused… and strangely affected at the same time.

This is a disaster drama that leans much more into symbolism and emotional chaos than into a logical, well-structured story. It’s less about understanding every detail and more about feeling the weight of the situation: fear, loss, helplessness, and survival. The flood itself feels almost like a metaphor for everything collapsing at once, externally and internally.

This isn’t an easy film to follow. The narrative feels fragmented, sometimes messy, and often unclear. A lot of things aren’t explained properly, and more than once I found myself lost, trying to understand what was happening and why. But the more I thought about it, the more it felt intentional.

Visually, the movie does a good job creating a heavy and oppressive atmosphere. The cinematography and sound design help sell that sense of panic and disorientation, even when the story doesn’t fully land. Some scenes are genuinely impactful, while others feel rushed or underdeveloped.

That said, this isn’t a movie for everyone. If you like clear explanations, strong narrative cohesion, and answers, this might be frustrating. For me, it was confusing, yes, but also oddly compelling. I didn’t fully understand it — and maybe that’s part of the experience.

Overall, The Great Flood is far from perfect, but it left an impression. It’s messy, symbolic, and emotionally heavy, and even though I felt a bit dumb watching it at times, I can’t say it didn’t make me feel something.

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Didn't Go with Much Expectations but Surprisingly Original

This show came as quite a surprise--I had loved "A Dream within a Dream" and this show surfaced when i was checking recommendations for a similar kind of drama. I had already watched "Love Game in Eastern Fantasy" before i watched ADWAD and had absolutely loved the philosophical underpinnings as well as meta-elements of that show. Hence, watching Fortune Writer a similar show even if in a shorter version, I knew there were big shoes to fill. And the show did not entirely disappoint. Yes, the leads of Fortune Writer (FW) need to polish their acting chops further--especially the ML whose pouty baby face oddly reminded me of my 12 year old niece, and despite the fact that he is good looking he seemed to have one expression pasted on his face for most of the scenes--the show still manages to keep the audience engaged throughout its run precisely because of the very good plotline and screenplay. The metanarrative was wonderful. True, I have not really watched any of the chinese historical martial art shows but having watched and loved ADWAD and LGIEF I was already aware of the possible tropes and cliches that such historical shows probably have but watching FW I got a clearer picture and realised how commercial indian shows that I used to watch long ago too had similar cliches (the accidental fall, the accidental kiss, the hiding in bathroom, etc.).
To cut the long story short, I loved the intelligent writing of the show and realised that it went into dark corners that the two bigger shows (ADWAD and LGIEF) too did not touch upon fully. The FL's character is refreshingly original--she is vicious and manipulative but unabashedly so, in her own words she does so to safeguard herself. The ML's character too is grey--just that he doesn't feel ruthless despite the constant glare in most scenes. Many of the side characters resort to 'actng' ie the kind of actors we see esp in mini-dramas whose acting is so manufactured that you realise they are acting. And yet, I would appreciate the show for its brave content, its wonderful OST--even in english translations the song felt meaningful. The sets were nice so were the clothes and the show really goes into dark spaces.
On hindsight I am glad I came across this show which due to its length could be finished in one sitting.
I hope the writers and makers of this show come up with similar meaningful shows in future.

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BEST BALANCED DRAMA EVER!! CAN'T MISS WATCHING THIS IN THIS LIFETIME!

I have always been a horror, supernatural, paranormal and everything mysterious fan. I have never ever watched a BL series and this was my first one. I have been planning to watch it for a long time. And I can't describe my feeling after finishing all it's episodes. I WANT MORE OF IT!! The mix of horror and BL was the best and just the right amount, perfectly balanced throughout. Neither disappointed me.

I have not read the novel, and the plot completely blew my mind away. It was a great experience. The acting was superb, every character arc is well built, even the side characters (eg. all the villagers), you will feel such a strong connection with them, even after the series has ended. Like they did true justice to their roles, even went beyond it.

The friendship, the comaraderie, the past lives, the good and bad spirits, all were the key elements to me. Horror scenes well so well designed and implemented (I remember each one of them). The incantations, shaman, monks, and the whole Issan village, is just another vibe and I got to learn so much from this, about the Thai culture, their rituals and the way of living. It showed me its completely different side and it was truly eye opening.

The locations, the dialogues, the BGM, the attention to the details, deserves my bow and respect. The effort and the collective hardwork really shows. It has just raised my standards really high. Keng and Namping specially were so good, and their chemistry on fire. Actually, all our couples in the series, had brillaint chemistry, which is very rare. Special mention to Keng, I really fell in love with his looks when his face was first revealed in the series. Like he is so damn hot, his face card on top. And his character is so powerfully and handsomely depicted, I was literally drooling over his scenes. His tattoos were just wow. Like he is my new crush now. AHHHH...I SWEAR HE HAS GOT ALL THE FANS' HEARTS!

The whole cast was just a wow, it was so fun watching all of them. The drama really felt like smth close to my heart (I have watched many but this one was different). It had some deeper layers and messages. Something that needs to be watched attentively. It just grabs your attention from the first shot, and you will never be bored. Like this word is not in its dictionary. It failed even the Korean ghosts, like I am so overwhelmed!

Banger jumpscares, cliffhangers and the chemistry! I will not be able to get over this drama for atleast 1 month!! The characters have really left a deep impact, a story I can never forget. They have really brought the characters to life, and my whole heart goes to them. I have never been this crazy before for any drama or characters, but I am for this drama.

IF YOU ARE NOT WATCHING THIS SERIES/DRAMA, YOU ARE SERIOUSLY MISSING ON A LOT, YOU ARE GONNA ENJOY IT A LOT. EXPLORE ALL THE LAYERS, SEE EVERYTHING AND THEN JUDGE. DON'T JUST GO FOR BL.
I LOVEEEE THIS DRAMAAAA. ALL THE BEST TO THEIR FUTURE WORKS AND MAY THIS DRAMA GETS LOT MORE VIEWERS AND SUCCESS!

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The Hospital Playlist cameos were the best!!!

First of all, I watched this drama just because I liked Hospital Playlist. I usually don’t like hospital dramas because of all the surgery scenes. I can’t handle the gore and sadly, towards the end of the drama they showed a lot of surgeries which they didn’t at the beginning of the show (I guess on purpose, the show was advancing according to the progress of the residents).
Like I didn’t understand why they had to show the frigging bloody scene at the beginning of episode 10!!! I was trying to eat my breakfast but I had to turn it off because I was starting to loose my appetite.
Another thing I didn’t like were all the annoying professors and teachers being mean, toxic and screaming at everyone. I don’t remembet seeing so many annoying characters in Hospital Playlist!!! And tbh even the MFL was not someone I could identify with at all. At the beginning I didn’t really like her that much. Jae-il was the only character I liked at the beginning and then also Pyo Nam-kyung. I started liking her the most among the female characters as well as Professor Seo. I also liked it how the 1st-year resident had a crush on her. I wish they had brought him into the story faster instead of wasting so much time on her being an obsessive girlfriend…
Also I am not so sure about Sa-bi and Jae-il pairing up… And the main female lead and Do-won dating is quite weird too… They are in-laws… That’s SO WEIRD!!!! I definitely did not like it and would have liked it better if she had gotten together with the anesthesiologist hottie 😍😍😍

Well there were some good parts to the drama too. In general it definitely captured the Hospital Playlist atmosphere quite well. I did wish the main characters would also engage in some kind of collective hobby like in Hospital Playlist but I guess as residents they must be so overwhelmed that they can’t even think of a hobby.
I also liked that this one focused on the OB-GYN more and it definitely had much fewer devastating storylines and in general had less scenes involving death.

All in all a lot of heart-warming and inspiring scenes, seeing how the residents grow into better doctors and people all together.

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great cinematography but the story falls a bit flat for me

I'll start this off by saying that I have not finished this show (very close to dropping as well..) but I do plan on getting through it since it was very recommended. I'll maybe updates this review when I've finished.

Overall, so far at least, I really enjoy the cinematography and it being set in Thailand for sure adds to the aesthetic elements. The scenes are pleasing to look at and they have this vibe that is pretty calming?? I'm not entirely sure how to describe it but it's easy to watch and you don't have to overthinking it much.

However what my main cons are with this show is how the romance between the FL and ML are almost overly romanticized at a point?? Like before they got together those moments were cute and had lots of tension but after it just became flat and repetitive. I suppose if you're really into those type of "hot" scenes then you'll really enjoy the show. But for me personally, these scenes get redundant and lack the emotional essence that cdramas usually have.

(01/04/2026 update)
So I finally finished the drama and will say it turned out better than I expected during my previous check in. One thing I didn't really like though was how everyone just pretty much FL in the dark during the 8 years they were apart?? Like not a single person around ML thought like hey maybe this isn't what FL wants.. Idk, I'm just generally not a fan of these "I'm not good enough for them/they deserve better" tropes when clearly like VERY clearly the FL is not the type of person to want to be left in the dark over something like this. Also wish they showed a bit more emotional depth in the resolution part cause it feels a bit rushed almost?? like they showed their moments apart and the sad moments + "explanations" but I feel like FL got over being lied to for a whole 8 years WAY too quickly. (Maybe it's just cuz I would've been a bit more salty if I was her..)

I do appreciate how MuMu has a more mature/grown vibe in the second half of the show. While I did enjoy her younger personality in the first half it did feel a bit awkward watching her in certain scenes... (just personally not my taste) so I'm glad they were able to show a bit more of a mature side of her (but I mean she also is a lot older so it's kinda expected).

Honestly though, I'm reading my old review and not much has changed. There were less eyecandy moments in the second half than I thought there'd be (and I'm also lowkey thankful for.. don't shoot me), but as soon as they got together again it also go boring again... like they're cute but it feels more like I'm third wheeling (and not in a good way if yk what I mean ;-;). I personally love emotionally heavy and deep stories so though this show was romantic, it was pretty surface level to me and lacked a lot of depth that I find interesting and resonating to watch. But then again, if this is your time of thing, I'm not here to judge you.

Also, right after the car accident, I feel like the plot started to get really confusing?? Though it felt more like an editing/post production error rather than the story itself (since I mean the story is pretty obvious and like you can expect what happens). But a lot of the clips felt really choppy and they'd have the "1 month later" clip but then it just made no sense?? Idk I feel like a lot of the scenes were jumbled there and I even had to rewatch them to make sure I wasn't missing anything so.. Ig if anyone can explain why MuMu was still in thailand after the 1 month later clip even though she said she was going to head back to visit her mom asap? and like did Jin Zhao just magically heal in the one month since I thought he was struggling to even stand properly, let alone meet up with her at some balcony cafe thing (I lowkey thought it was a dream at first too since it like showed a clip of him sleeping and it like zoomed out of his head so I was like oh maybe he was just dreaming about letting her go since she kept texting him even in canada but like if they "broke up" idk if girl would be doing that?? like cuz i swear it felt like she still saw them together but they stopped talking idk im so confused. But also like they give flashbacks to that moment so I'm pretty sure it's not a dream??) Anyways if anyone can explain that part to me that'd be great bc I was confused asf.

I know a lot of people aren't big fans of Esther Yu (some of yall drag her way too hard tho like chill out) and I can understand why her acting might not be everyone's taste but, especially with these types of characters, I really can't think of another actor that could give off the same essence that Esther did with MuMu. I will say though, when I first watched the teasers and trailers, I was hoping for more a mature ML/FL kinda dynamic but also not entirely surprised since it's an Esther drama. Would love to see her play more diverse characters though like her character in MJTY (?? I haven't watched it yet but apparently she's and assassin in there so I will fs have to binge it sometime soon).

Overall I'd give it a 6/10. if I was just rating the cinematography and vibes alone, it'd def be a 10, but a lot of the moments just lacked depth and the story wasn't all that interesting (and in fact quite cliche) for me to give it a higher rating. I did start watching the show in 2x speed towards the end and it was really funny so

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Did parts of this remind anyone else of Danganronpa?

This show is MAJORLY UNDERRATED! Such a cool concept and love how it played out. The characters are all interesting too, whether you hate them or love them. This is the show that made me discover Cha Woo-Min and now I've seen everything he's been in! Love him! I didn't mind the ending of the show, but I could see how some people won't like it. I think it has great mystery, suspense, and gore. I've rewatched multiple times now and love it!

Here are some things I love about this show!
-The mystery of this show is great! I love seeing Yoon Seo try to solve it throughout the series.
-Yoon Seo & Jun Hee's relationship is so cute. I wish we got to see more of the romance between them, but I also understand why we don't. Also just loved them as individual characters as well.
-I didn't trust Jungwon from the beginning, so I didn't really like her. That being said I loved what she brought to the show as a character.
-Kyung Jun's character is misunderstood, and I will stand by that. Is he a good guy? No. Do I think he's a villain? Also no. He's not a great guy; we see that from the beginning when he was bullying a couple of the fellow students, but he's also not horrible like everyone says he is. He's also just way smarter than I think people give him credit for. There are multiple times in the show where something he says is proven right, including some of the mafia members. Also keeping his phone when people were putting it in the bin, hiding in the only room no one can break into therefore being safe, and more. He also does share all the food in the store where most "villains" in these shows don't.
-I loved seeing the different ways people died. That is probably crazy sounding, but I loved that it wasn't all the same!
-I love how many characters we got to know in this show. It really made you sad when good characters died.
-The ending. I understand 100% if people don't like it, but I loved it. I think virtual reality endings are usually a cheap way to end these types of stories but I think the way they did it in this series made so much sense. I just love that even after Yoon Seo gives her whole speech and everything that we see it didn't work and that the loop is once again starting over therefore it not having a happy ending.
-We got to see Cha Woomin shirtless. LOVED that!

The show is obviously not perfect, but I loved it so much!

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SIMPLE and HEALING

'The best thing'- a very simple story. Best casting. Soothing to the soul.

Honestly its a very basic story like the ones you have already watched but its just too eyecatching for sonereason. There's an unknown element in this drama that draws you in and I feel too.

The music in this drama is an absolute masterpiece. They just suit each and every moment so much which probably made the scenes sweeter and more memorable.

Also, special mention is for the ending. Its just so sweet that they left viewers a note of encouragement. I totally loved the end message.

ITS A MUST WATCH, NOT EXACTLY FOR THE STORY BUT ATLEAST FOR SOME PEACE, SOME GOOD MONENTS AND SONE LOVE.

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