Reviews

Fresh, Funny and Surprisingly Charming Drama

I really enjoyed Our Sticky Love. The story felt surprisingly fresh to me, and I think the execution was very good from beginning to end. It was funny when it needed to be, emotional without becoming overly dramatic, and most importantly, it kept me interested all the way through.

One of the biggest strengths for me was the acting. Heo Sung-tae, Jung Hae-in, and Ha Young were all excellent. They are very different actors, but all three performances worked incredibly well together. Jung Hae-in was especially good at those quieter emotional moments, while Ha Young once again impressed me after The Trauma Code. Heo Sung-tae was also fantastic and brought so much personality to his character.

I liked the romance and the chemistry, and I appreciated that the drama didn't rely too heavily on unnecessary misunderstandings just to create conflict. The characters and their relationships were what kept me invested.

I also really liked the ending, which is always important to me. It felt satisfying and didn't ruin everything the drama had built before it.

My only real complaint is that they seriously tried to convince me that a 34-year-old man who looks like Jung Hae-in is a virgin. 😂 I'm willing to suspend disbelief for a K-drama, but apparently even I have limits.

Other than that, I honestly don't have much to complain about. Great performances, a story that felt fresh, good chemistry, and an ending I actually liked. Definitely a drama I would recommend.Това според мен звучи много повече като реално мнение след изгледана драма, а не като професионална рецензия.

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More Than Just a Survival Game

I really enjoyed "19th Floor". I would give it a 9/10.

What I liked most was that the drama is not only about surviving the game. The game gives the characters opportunities to show their fear, courage, selfishness, kindness, love, and the different sides of their personalities. I especially liked the psychological and emotional aspects of the story. It made me think about how people can behave very differently when they are afraid, under pressure, or trying to protect someone they care about.

The friendships and teamwork were also one of the strongest parts for me. The way the characters gradually became closer and learned to depend on each other made the game much more enjoyable. It felt different from a typical survival story because the relationships between the characters were just as important as the challenges themselves.

My favorite characters were Nan Xiaoqin, Yang Bawan, and Zhang Tianqiang. Nan Xiaoqin especially stood out to me. She is someone who wants to prove herself and find her own freedom, and I liked seeing her become more confident. Yang Bawan's feelings for her were also very touching. Zhang Tianqiang was another character I really liked because he is initially easy to judge, but there is much more to him than that first impression. His relationship with Yang Bawan gave his character a lot of emotional weight.

The acting was good, and I never felt that the performances were weak or awkward. The chemistry between the characters also worked well, especially in the friendships and relationships.

I also appreciated how the drama explored complicated emotions surrounding family, fear, death, love, caring for the people close to us, and the good and dark sides of human nature. Chun Yu's emotional journey, especially regarding her feelings toward her father, was one of the parts that made the psychological side of the drama more interesting to me.

However, I did feel that the drama became weaker toward the end. Once the mystery became clearer, I found some of the later parts less interesting, and the ending felt a little boring to me. It was not a bad ending, but I think the drama could have finished more strongly.

Even with those flaws, I would still recommend *19th Floor*. If you enjoy survival games, psychological themes, friendship, character development, and stories that make you think about human nature, I think it is worth watching.

Definitely recommended.

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Simply a comfort watch

I really enjoyed this series. It doesn't introduce anything new to the genre but it also doesn't go overboard with the standard romantic tropes...they are certainly there but moderated over what has become all to common in romantic dramas.

I really enjoyed the acting by Seo In-guk and Park Ji-hyun. I felt they played their characters excellently. Park Ji-hyun did a great job playing someone that had given 7 years of her life to a one sided relationship that had not seen proper closure. While it was sometimes frustrating to watch her struggle to move on from her ex and with her jealousy over Si-woo's ex, the way she portrayed those emotions was just right – making her character understandable rather than irritating.

Seo In-guk's portrayal of Si-woo was equally good. Rather than the standard purely stoic ML, his subtle grins and caring glances added a lot of depth to his character. While Si-woo is an excellent example of a green flag courtship, I did think he was a bit too accommodating to some of Ji-yoon's insecurities. The seesaw metaphor that comes up in one of Ji-yun's discussions is an excellent example for a healthy relationship.

The workplace drama is your standard bad boss / conniving executive trope but fortunately the series doesn't spend an inordinate amount of time on it. It was frustrating for there not to have been any repercussions for the sabotage they committed as there was ample proof of their guilt and it was something that could have affected the entire company.

As with almost all romantic drama's I wish they'd spent more time with the secondary romance. Kang Mi-na and Won Gyu-bin did a great job with their characters and I'd have liked to see them fleshed out more (too bad the secondary romance is seen as obligatory to have yet rarely given the time it deserves)

The last episode was a bit weird. While the ending itself was satisfying, what they did with Si-woo's character was strange and somewhat out of left field.

So while the series did have some issues, I did enjoy it throughout. The minor irritations were far outweighed by the vicarious pleasure of watching Si-woo and Ji-yoon budding relationship.

NOTE: as others have mentioned, the English dubbing is horrible. While I always watch Asian dramas in their native language with English subtitles, for some reason, Prime video was set for the thumbnail trailer to blast out the version with the English dubbing...it was almost enough to make me not want to watch it.

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More Than Just a Romance

This drama was much better than I expected. While the basic premise and innocent FL/suspicious ML setup can feel familiar in the grand scheme of K-dramas, the story was easy to follow, well-paced, and delivered on everything it set up. The chemistry between the leads was great, with a natural progression from the initial tension into a genuinely lovable relationship.

What really elevated the drama for me, though, was how much it focused on the relationships beyond the main romance. The FL's growth through her new life in the countryside, especially her friendships and bond with the village folk, gave the drama a surprisingly strong sense of family and belonging. The ending also did a great job bringing those relationships together and giving the story a satisfying conclusion. A really enjoyable drama that reminded me that a story can be about much more than just two people falling in love.

9.3/10 EXCEPTIONAL!

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A Promising Office Romance That Never Takes Off

This Drama has Great Cast but it has the familiar office-romance formula which is slow-burn approach to the workplace romance genre.

The biggest problem is that the story often feels too predictable. The workplace setting like office conflicts, clashing personalities, complicated emotions, and an unexpected relationship between colleagues. Unfortunately, while the drama is pleasant enough to watch, it struggles to turn these familiar elements into something genuinely memorable.

Seo In-guk and Park Ji-hyun share decent chemistry, and their interactions can be charming when the script gives them stronger material. However, the relationship sometimes feels too formulaic. Several misunderstandings and predictable developments make the romance less exciting than it could have been.

There are enough entertaining moments to make it watchable, particularly for viewers who enjoy light office romances, but those looking for something fresh, emotionally powerful, or genuinely addictive may find themselves wanting more.

Overall it simply feels like a missed opportunity. See You at Work Tomorrow! ls an entirely average workplace drama that plays it far too safe. Despite a reliable cast and a relatable premise, sluggish pacing and a lack of real narrative tension keep it from becoming anything more than a background watch.

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Blatant plagiarism. and be warned, light spoilers in my review

See now the concept, the concept is interesting and i would love to see more dramas being family centered. Why i saw its blatant plagiarism is because script/dialogue, flow, structure, and character designs were a copy paste of wetv's "the love you give me". They just change a heart condition to asthma, add in a few action and kidnaping scenes and change the character designs of some of the other characters. For something that isnt categorized as remake i was really surprised when i watched this and saw the lack of creativity in the writing. Shows are similar all the time but never have i watched two shows and had them have word for word dialogue in certain scenes.

The story: 3.5. it can only be described as an attempt.
Things jumped around, certain scenes made no sense on how we arrived there. They tried to sandwich kidnapping attempted murder, betrayal, wholesome family, gosh i feel like I'm describing a thai drama. except thai dramas might actually do it better. I dont know when or how they suddenly got back together, this man attempted to SA her on multiple occasions and was incredibly mean to her. the flip just switched and it showed fl blushing all of a sudden after pretending to be with someone else to get away from him

Acting:4.0- its a short drama so lower your expectations.
.zero chemistry, i genuinely felt nothing lol. ive watched short dramas that sizzled. the chemistry was so hot my computer was overeating. this drama...the only description i can give is that i was hungry and tried t eat but the food was bland. Not gonna lie to you...i really hated the fl's acting in moments of crisis. Her expressions made me cringe so bad but at least she tried. ML was just a log, if the goal was cold mean CEO i guess he ate, although scenes with the kid were cute though i must say.

music: 1.5- i think its just random classical, i dont even remember what it was or if it was even there

Would i rewatch? absolute hell to no. I had to go reconnect my chakras by going to watch the love you give me. it truly made me feel so much better that i wondered why i decided to watch this one. if you want his but done 10x better acting wise, story wise, chemistry wise, budget wise, ost wise (im literally obsessed with the intro), comedy wise, go check out the love you give me. the leads are a recasted pair with one previous drama so yk their chemistry was fire

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They're actual people!

I am probably rom-com's no. 1 hater, especially as I only like two dramas within the genre: this one and Lovestruck in the City, and I'm actually unsure if the latter qualifies as a rom-com. The reason for my distaste is that the characters are never real people and the only thing driving the story are ridiculous plot points getting increasingly more unlikely as the story unfolds. Jung Hae-in is usually really good at picking dramas that don't have those issues, which is the only reason I decided to watch this, and he made a good pick once again (at least in my opinion).


The good:
The characters are real people. While not hyper-realistic, they have flaws, development and actual things hindering their development. The leads are definitely your stereotypical rom-com leads, but they're more realistic and have their own unique charm. Take Tae-ha for example, Jung Hae-in's character, he's your standard "I will protect my love with my life, because that's who I am, and I have obviously never been in love with anyone else before either" but that motto is supported by actual characteristics. He has a horrible memory of people he doesn't really care about, simply can't remember their names; he was forced to give up his life for someone once, which in turn makes it easier to do it again, and also solidifies certain beliefs or thoughts he might've had before, like that he's happy as long as his loved once are; as a result he also struggles to communicate his needs and wishes. And he's very quiet, often communicating with only expressions or nods, which I don't think I've seen in a rom-com before. As for Eun-sae, Ha Young's character, she wants her own way and will let nothing stop her. This never changes about her, even though she has the largest character development between them. We see this characteristic of hers pop up constantly — it drives the plot. I feel like in a lot of characters, they have a certain trait, but then once the situation demands it, they no longer have that trait. The trait is only there in the first episode to prove that they have a personality, and then they're a blank page except the words "I'm in love" throughout the rest of the drama. I'm a sucker for good character design, about the only thing I truly care about, so that is probably why so many people disagree with me in these reviews.

Another thing I really liked, is that whenever typical rom-com stuff I hate with all my being happened, it lasted for a very short period of time (except from the oppa-thing, my god, was basically torturing him). I usually have to stop watching a drama for a little while when something really embarrassing happens, but I only had to stop watching this twice for that reason (which is very impressive, it's usually an immeasurable amount of times).

This is not the funniest drama I have watched, but the humour isn't boring or bad, it's actually pretty good. I also think the chemistry is on point, though I know some people disagree. The action scenes are also some of the best ones I've seen in a rom-com. You see the characters having to prioritise in the fight; he can't fight three at a time, so he pushes the first into a wall, and punches the two others in the face, and then try to deal with the first one, but sometimes the first opponent is quicker and attacks from behind. It makes it feel like the fight is first of all harder to win than we maybe think, and secondly that there's some give and take, some reward and consequence. So while not realistic, at least rooted in reality.

The villain is 100% one of the best villain characters I think I have ever seen. And I mean that. I don't view characters as the antagonists in The Glory or Vincenzo, for example, as "villains", because they're as real and fleshed out as our protagonist. And in D.P. or Extracurricular for example, the antagonists aren't "villains" because is it even their fault? The antagonist in Our Sticky Love is definitely a villain though. But his character design is legitimately good. His reasoning is explained from his own perspective, which forces you to interpret it in your own way. He has depth and feels real even as inhumane as he is — realistic to the story.


The bad:
Keep in mind that my criticisms are mostly due to my distaste for the genre, if you like it then you might like these things.

The plot is unrealistic and ridiculous. Why not pretend to be her brother? Seems way easier and less like a crime. If you think for just a second about what he is actually doing to her, it's honestly quite horrific, I mean he is kidnapping someone and convincing them they're in love with him. There's a lot of hatred towards gangs in the characters, but very little is done to make the audience feel the same way. I also feel like the drama is mentioning "film-noir" a lot to make us associate the drama with the genre — a short-cut to what I just mentioned — but it doesn't work, and the whole gang-plot feels disconnected to the story. I think it would also be natural for Tae-ha to feel more guilt and struggle with self-esteem if he really has just been working in a gang like a machine, which would also help connect the plots. A lot of the gang-activities, the plot-twist and special effects are all quite unrealistic. It doesn't take me out of the story, but could've been better for sure.

I mentioned earlier that I liked that it was quick and went from one thing to the next, and I stand by that. I think I would've struggled had they made it slower or longer, however if they had prioritised differently and focused more on the characters and their relations and cut some of the plot points, I think the drama would've been much more memorable. You would've ended up with something more similar to Prison Playbook, 2521 or Vincenzo, but with a rom-com vibe stronger than in 2521. Or even if they had just lingered a little longer on the moments in which they connect, or if they had just one more episode towards the beginning. But that's mainly my own personal preference for memorable plots and characters speaking — I am aware that a lot of people probably like these dramas that are just a fun ride.


Overall:
I'm glad I've finally found a true rom-com I could like, but I'll probably forget most of the plot in a little while. I'd say you should watch this if you have had some of the same problems I've had with rom-coms, or are just looking for a light and quick watch. I don't have a lot of experience with this genre, so if you're an avid lover, then I don't know if you would like it to be different from the normal or not.

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If defeat was a person

Characters are okay
Acting is ok
Music is ok
Storyline ok too

I got to say never in my life have a got a study in peaches like I did in this drama..I kinda enjoyed the education though lol wats the white substance on the peach EY...ehhh

The show is not bad just not wat I expected,I thought they wld focus more on the film part and how it affects them ,guess I'm toooo focused on the nc like Po(dude likes 🍆 too much, that part I actually liked ,best acting ever)
I did feel the emotions,tried to fully understand though gotta say Po shld have been more psychotic BCA'z of his dad plus the lust ,that wld have made the drama dramatic

Anyway watch if u want too

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Is Family Register a Refreshing Change?

Family Register has been such a refreshing drama to watch. What I appreciate most is the relative lack of the usual exhausting, negative drama. So far, there’s no mustache-twirling villain wreaking havoc every five minutes, and honestly, I’m grateful for it!

After six months of watching First Man and Cruella Hwa-Young create chaos and wreck everyone’s lives in practically every episode, it is wonderful to watch a drama that doesn’t leave me feeling like I need to recover emotionally after every episode.

What makes this story especially enjoyable is watching the two women confront their past mistakes, heal from them, and grow together. Their relationship feels much more meaningful because their development isn’t driven by endless misunderstandings and manufactured conflict. Instead, we get to see people learning, changing, and becoming better versions of themselves.

I’m really enjoying the warmth of this drama and the fact that it allows its characters to grow without constantly throwing another disaster at them. It’s nice to be able to relax and actually enjoy the story instead of sitting on the edge of my seat wondering who is about to ruin everyone’s day.

And, of course, there’s still plenty of time for someone to turn into Cruella Hwa-Young 2.0, so I’m cautiously optimistic. 😂
But for now, Family Register is a welcome breath of fresh air.

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A Love Story Wrapped in Family, Friendship, and Healing

Love Next Door is one of those dramas that feels less like watching a complicated story unfold and more like spending time in a neighborhood you somehow already know. It is warm, messy, funny, emotional, and very familiar. Nothing about the plot is particularly complicated, and you never really have to overthink what is happening, but that simplicity is part of its charm. It is the kind of drama that makes you feel good while watching it and leaves you with that comfortable, slightly nostalgic feeling afterward.

What pulled me in the most was how natural the relationships felt. The childhood-friends-to-lovers dynamic between Seok Ryu and Seung Hyo worked for me because their relationship was never built purely around romance. They had years of history, friendship, irritation, affection, and familiarity behind them. Their banter felt effortless, and I loved how easily they could annoy each other one minute and understand each other completely the next. There was something very comforting about watching two people who already knew each other's habits, weaknesses, and personalities slowly realize that what they have might be more than friendship.

I especially loved how they communicated once they finally started acknowledging their feelings. Their relationship wasn't constantly driven by unnecessary misunderstandings, jealousy, or one person refusing to say what they were thinking for twenty episodes. They actually talked, listened, and tried to understand each other. That made their romance feel much more mature and believable to me. Even when they disagreed, it didn't feel like the drama was creating conflict just because it needed another obstacle.

Seung Hyo was probably the character who kept me watching even when some parts of the story started to drag. I mean, this man was everywhere on my feed after I watched the drama, and honestly, I understand why. 😂 Jung Hae In did such a good job with him. Seung Hyo looks like the perfect son on paper: successful, talented, handsome, kind, and running his own company. But underneath that polished image, he has plenty of flaws. He can be stubborn, selfish, idealistic, and sometimes too attached to the life he thinks he should have rather than the one he actually wants.

What I particularly loved was seeing that he wasn't simply the perfect male lead who existed to rescue the heroine. He had his own emotional baggage and his own complicated relationship with his parents. His feelings for Seok Ryu had also been there for years, which made some of his emotional scenes hit particularly hard. The scene where he discovers what Seok Ryu had been hiding about her health was especially painful. Imagine finding out that the girl you have loved for years, who is also your childhood best friend, went through something that serious without telling you. Jung Hae In's reaction in that moment was one of the performances that really stayed with me.

And then there is Seok Ryu, who I honestly found much more complicated than she initially appears. She can be loud, cheerful, stubborn, feisty, and seemingly capable of brushing off anything her mother throws at her. But that confidence is often a mask. The more we learn about what she experienced in the US, her struggles, her relationship, her career, and the pressure she placed on herself, the more understandable her behavior becomes.

What I appreciated most about Seok Ryu is how relatable her struggle feels, especially within an Asian family. She is the eldest daughter who is expected to succeed, to be responsible, to make her parents proud, and to never really have the luxury of failing. From the outside, she looks like someone who has everything together. Inside, she is exhausted from constantly trying to live up to everyone else's idea of what her life should be.

Her relationship with her mother was probably one of the most emotionally interesting parts of the drama for me. It isn't simply a case of having a terrible mother and an innocent daughter. Her mother genuinely loves her, but that love is mixed with expectations, fear, pressure, and a very rigid idea of what success should look like. Seok Ryu has spent years swallowing those feelings, pretending that the criticism doesn't affect her until eventually she can't keep doing it anymore.

That is why I liked the drama's message about success. It doesn't treat failure as the end of someone's life. Seok Ryu was once on a very successful path, but things happened that forced her to stop and reconsider everything. The drama asks whether a person is really a failure simply because they couldn't continue along the path everyone expected them to take.

As someone from an Asian culture, I particularly connected with the idea of shame and saving face. There is often so much pressure to appear successful, even when you are struggling privately. Your achievements become the easiest way for people to measure your worth, while nobody sees how difficult it was to get there or what it cost you emotionally. Love Next Door understands that contradiction quite well.

I also loved the contrast between the two families. They represent two completely different kinds of dysfunction.

Seok Ryu's family is loud, affectionate, chaotic, and constantly involved in each other's lives. They eat together, argue together, interfere in each other's decisions, and somehow always end up back together. Seung Hyo's family, meanwhile, looks much more successful and polished from the outside, but there is a huge emotional distance between them. They don't communicate properly, they don't spend enough time together, and everyone carries their own feelings quietly.

Neither family is presented as perfect. One family communicates too much and turns everything into an argument, while the other barely communicates at all and creates misunderstandings because everyone keeps pretending everything is fine. I really enjoyed that contrast because it showed that having a family isn't automatically the same as having emotional closeness.

The parents' relationship was another surprisingly entertaining part. Honestly, watching the two fathers get drunk and reveal how jealous they were of each other's lives was hilarious but also strangely meaningful. They were living completely different lives, yet each one looked at the other and thought he had it better. It was a nice reminder that people usually see the achievements of others without seeing the struggles behind them.

And I have to mention the four mothers because they were such a delight. I really enjoyed watching their friendship evolve over the years. They had their own personalities, arguments, insecurities, and ways of supporting each other, but their bond felt genuine. Their friendship added so much warmth to the neighborhood atmosphere.

The drama also handled Seok Ryu's past relationship better than I expected. I appreciated that her ex-fiancé, Hyeon Jun, wasn't suddenly turned into a cheating, abusive villain just to make the main romance easier to support. Their relationship ended for understandable reasons, and they were eventually able to move forward without turning each other into enemies. The same goes for the other past relationship in the story. Not every relationship needs to end because someone was evil. Sometimes two people simply aren't right for each other anymore, and I liked that the drama allowed that possibility.

The supporting cast generally added to the warmth of the story, although I do wish some of them had received more development. Mo Eum, Dan Ho, Dong Jin, and Na Yun were enjoyable to watch, but there were moments when I felt the drama could have given their individual stories more attention. The same applies to some of the secondary relationships. I enjoyed them, but sometimes the main story took so much space that the supporting characters were left with less room to grow.

One of my favorite things about Love Next Door is the overall atmosphere. Watching it sometimes felt like returning to an old neighborhood where everyone knows everyone. The mothers gossiping, the fathers drinking, siblings arguing, childhood friends meeting outside, neighbors knowing too much about each other's lives, and everyone being involved in everyone else's business created a very familiar feeling.

It is almost like visiting a place that hasn't changed even though you have changed.

That feeling fits Seok Ryu particularly well. Coming back to Korea means returning to the place where she grew up, but she isn't the same person anymore. The neighborhood is familiar and comforting, yet she has to figure out who she is now and what kind of life she actually wants. Her journey isn't simply about getting back together with Seung Hyo. It is about learning that she doesn't have to continue living according to the version of herself that everyone else created.

I also appreciated the way the drama portrayed friendship. Seok Ryu and Mo Eum immediately falling back into their old rhythm after being apart was refreshing. There wasn't some unnecessarily stretched-out conflict about why they didn't call each other or why one person had abandoned the other. They simply found their way back to each other. That kind of friendship felt much more genuine.

The biggest weakness for me was definitely the pacing and focus. The first half worked better for me because the neighborhood atmosphere, the banter, the childhood history, and the gradual uncovering of Seok Ryu's struggles were so enjoyable. Later, some of the emotional arcs became heavier and the drama occasionally felt like it was trying to handle too many things at once.

There were also moments when I wished the drama had trusted its main couple more and given them more space instead of constantly shifting attention toward other issues. Some of the supporting stories were interesting, but I came away wanting even more of Seok Ryu and Seung Hyo simply being together and figuring out their relationship.

Still, what ultimately makes Love Next Door work for me is that it feels human.

Nobody is completely right. Nobody is completely wrong. People make choices based on the information they have, hurt each other without intending to, misunderstand one another, and sometimes simply realize that the life they planned isn't the life they actually want.

It is a story about family, friendship, failure, expectations, healing, and choosing your own definition of happiness. The romance is important, but it isn't the only thing holding the drama together. The relationships between parents and children, friends, neighbors, and former lovers are just as important.

And honestly, sometimes that is exactly the kind of drama I want.

I don't always need complicated political schemes, shocking twists, revenge plots, or characters constantly trying to outsmart each other. Sometimes I just want a drama that makes me laugh, makes me cry a little, gives me characters I genuinely care about, and leaves me feeling warm when the credits roll.

Love Next Door isn't perfect, and it isn't trying to reinvent the genre. But it is comforting, funny, emotional, and full of characters who feel imperfectly human. For me, that was more than enough to make it a really enjoyable watch.

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Contrary to what the poster suggests, it's not about domestic violence, and none of that is actually depicted. I don't understand why they chose this illustration. (which makes me uncomfortable, I admit)

A series about the insidious power dynamics in South Korea. This surgeon should be at the top of the social ladder, yet finds himself crushed by his stepfather, the police (yet another bunch of useless idiots, as is so often the case in K-dramas), and a kidnapper. He is brought back down to his social origins : his fatherless childhood and his education on a scholarship.
In the end, who were the real villains of the story ? Those doctors who were so full of themselves. I'd say: realistic.

The plot unfolds smoothly throughout the first two-thirds of the series. There’s a twist in every episode. We can overlook the somewhat inconsistent acting. However, the ending drags on unnecessarily; we already know all the details, yet they keep rehashing them.

In this kind of story, you need a great antagonist. And at first, he certainly is one, odious and incredibly annoying. It works really well because we know nothing about him, and his motivations seem absurd. His wife, who's involved in the scheme (and whom we'd figured out long in advance), is just as despicable. And the series should have stuck with that instead of turning everything upside down the way it does. What a huge waste ! and it creates a major plot hole. In the end, they just abandon their entire backstory ; it doesn't make sense for even a second. Which brings me to my final point : "Some scenes were generated by AI."

No way. Isn't this nonsense going to end soon ? I don't want to see this. This year, it's a party at AIgen. Don't you know how to film anymore ? Don't you have a production crew anymore ? No actors left ? Where's your damn dignity ? This has to stop. Don't spit in our faces like that. Stop ruining everything with your death machines.

I suspect that at least part of the script was generated by these chatbots. Between the inconsistencies that ruin the series towards the end, and episode 8 throwing in flashbacks of scenes we've just seen… Strange. Very strange. Or is it just that awful opening sequence ? We're not sure anymore, but we're fed up with it, that's for sure !

Lee Seol delivers a particularly intense performance. And this AIgen nonsense insults her involvement as a performer.

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