This review may contain spoilers
Queen Go Hyun Jung
If there's one thing to summarize the entire series - it is to establish Go Hyun Jung as the queen.This gripping and dark slowburn thriller is an exaggerated study of genes vs nurture - is someone pre-disposed to be something because of your blood or do we actually have the freedom to shape what we want to be according to our freewill and upbringing?
Okay lets backtrack a litlle bit, because there was a bit of backlash when the show was airing when they revealed that the copycat killer is a trans character but we also have to understand that this is an adaptation and the same backlash happened during the airing of the original french series which it was based on. Yes in the original the copycat was also a transwoman.
I know the progressives hated that twist and most of the question hovered around the reasoning they had to demonize a transwoman. I have a little bit of theory about the reason and i know a lot of people will hate it. Here it goes - a boy was brutally abused by his father and a woman came to save his life - yes the killing was sloppy and irresponsible but to his eyes it was also empowering and it set him free. He idolized the woman who defeated the demon for him and he fashioned a new life to MIRROR the life of his saviour - thats why he chose to become a woman. Was he actually a transperson or was he just copying the queen mantis? That is the mystery. I didnt see it as an attack to the trans community.
For me this show is a lot better than the original - first and foremost is the acting - Go Hyun Jung's Jung I Sin is so different from the original and made the role her own, her acting was subtle and so much scarier - that scene when she pulled and strangled the first suspect (which is not ont he original) is etched in my mind as it was so calculating believable awesome and terrifying. Jang Dong Yoon also did an excellent job as Cha Su Yeol who showed so much more vulnerability and his dynamics with Jung I Shin is much more believable compared to the original. The support cast also did a good job.
I also liked how they changed the ending a little bit which made it more effective like when Jung I Shil overpowered and stabbed Seo A Ra ,and when she actually prevented her son from killing her father (which kept him from becoming a criminal himself) and did it herself through that fire. And that open-ended ending - were they hoping to do a season 2?
The makeup to deglamorize Go Hyun Jung was also spot on and perfect for the character.
Would i reccommend? Yes the acting alone makes it worth it. Would i rewatch? Probably not as the topic is too heavy for repeated viewing. Overall i give it an 8.
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1This review may contain spoilers
More than a remake. And more than a thriller.
A woman locked away because she dared too much. She is called “Queen Mantis,” and the name itself is a portent—or a threat. The praying mantis, after all, is known for devouring the head of her mate once he is no longer useful. A provocative metaphor in a society that prefers to see women as victims, but not as avengers.The Korean remake of the French La Mante transplants the original plot into distinctly South Korean terrain: abandoned mining towns that lie across the country like open wounds. Places where children once grew up, only to become perpetrators or victims later—or both at once. Here, the hunt is not only for a serial killer, but also for a social catastrophe: domestic violence so widespread in South Korea that it has become almost invisible. The police, who should protect, look the other way.
The women in this series are no saints. They are opaque, contradictory, dangerous. Go Hyun‑jung plays the Mantis with brilliance—her presence both magnetic and repellent. A woman one is not meant to love, but impossible to forget. The other female characters, too, are layered and elusive. By contrast, the men appear as clichéd shadows: policemen, perpetrators, fathers, all in familiar costumes.
Perhaps this is deliberate: a reversal of the usual roles, where women are mere decoration and men drive the plot. Here, the crime drama is solid—its subject matter not entirely new, but its execution striking.
Queen Mantis is more than a remake. And more than a thriller. It is a mirror of Korean contradictions: between victimhood and vigilantism, between patriarchal violence and female resistance. It shows that murder—even as revenge—does not lead to justice, but only opens new abysses.
The series poses an uncomfortable question: when institutions fail, when private violence goes unpunished—does vigilantism become a crime, or a necessity? The answer is as clear as it is unclear: murder remains murder, even when disguised as justice. Yet viewers are invited to linger at this moral precipice, to look into it, perhaps even to understand.
At the heart of Queen Mantis lies not only the pursuit of a serial killer, but also the fractured relationship between mother and son. Jung Yi‑shin and Cha Su‑yeol meet like strangers—bound by blood, yet separated by silence and guilt. Their conversations are less investigative work than tentative steps through the ruins of a shared past.
The series reflects this damaged bond in other parent‑child relationships as well: fathers who could not protect, mothers who wounded while trying to shield, children who inherit not only trauma but also silence. A web of reflections emerges, showing how violence does not remain isolated but travels through generations, warping love and corroding trust. Queen Mantis offers no solution, but leaves viewers suspended—between closeness and repulsion, between connection and rupture.
One thorn remains: the portrayal of a trans character, framed in proximity to mental disorder. In a country where trans identity is already marginalized, this feels like a relapse into old patterns. A small but not insignificant shadow on a series that otherwise illuminates social fault lines with such precision.
Overall: Remarkable, and worth watching.
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SIDE NOTE: The End of South Korea’s Mining Towns
Until the 1970s and 80s, South Korea had numerous coal and ore mines, especially in Gangwon‑do (Taebaek, Sabuk, Hwangji) and Chungcheongbuk‑do. With economic restructuring and the move away from coal energy, many mines closed in the 1980s and 90s.
What remained were “ghost towns”: half‑abandoned settlements, decaying workers’ housing, sealed shafts. Entire generations crumbled along with the homes they once inhabited. Alcohol, violence, loneliness—the social aftershocks were as reliable as the tremors that once shook the ground.
Some places, like Taebaek or Jeongseon, later reinvented themselves as tourist destinations (ski resorts, festivals). Others remained melancholically hollowed out. These towns carry an aura of social trauma: unemployment, out‑migration, fractured communities. That is precisely what makes them so charged as settings for thrillers and dramas.
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Not All Monsters Wear Horns - Some Wear Halos | a Must Watch Drama
"What if the Devil wasn’t who you thought?"This is one of the most compelling psychological thrillers I’ve encountered. With just 8episodes, it grips you from the first frame and never lets go. The storytelling is razor-sharp, the cinematography vivid and haunting, and the performances are layered with raw emotion. Every scene is paced with precision, underscored by a background score that keeps you at your seat's edge.
Not a simple murder mystery - Queen Mantis is complex, dark, questions morality, explores trauma and its effects and leaves you questioning by the end "Who was the real monster?" Was it the one who was branded the Devil, or the ones hiding in plain sight, cloaked in virtue? This drama doesn’t just entertain - it unsettles. It whispers the question: "Do all monsters have horns, or do some wear halos?"
The narrative dances between past and present, unraveling secrets tied to the Mantis case(s). As the layers peel back, we witness the butterfly effect of a single decision - how the closing of a town’s mines ripples through lives, choices & deaths. The story doesn’t offer easy answers. Instead, it paints a world - characters & their actions in shades of grey. But then not all is grey - there are colorful bits, people who are ray of hope, offering a future to look forward to, sense of justice in the face of it all. The above is supported well by all actors, all impeccable and memorable in their own rights. AND I was highly impressed with the twists and turns - usually am able to predict closely or completely, but for this one, few of them surprised me!
The final episode hints at a Season 2, and I’m eager for it. Slightly heartbroken too cause of the circumstances that lead to that S2 possibility are sad as it puts focus on a character I grew deeply attached to. It’s a painful setup, but one that promises even deeper emotional stakes ahead.
If you’re drawn to investigative thrillers that explore not just *what* happened, but *why* people become what they do - this is a must-watch. It’s short, intense, beautifully executed and will stay with you, for sometime.
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1This review may contain spoilers
A thriller about justice, abuse and motherly love
When I learned about the plot of Queen Mantis, I became interested from the get-go. I love stories that center around complex female characters and the premise of a son who has to work with his imprisoned mother in order to catch the culprit promised a complex story with many opportunities for a deep insight into psychological aspects.The first episodes made me so excited. The beginning was very strong and I got immersed very quickly. Each episode had me on the edge of my seat, my eyes were glued on the screen in order to not miss a single detail that could lead to more clues about the copycat killer.
When I learned that Queen Mantis and Black Out shared the same director, my expectations arose even more. Black Out is one of my most favourite kdramas so I expected Queen Mantis to be at least half as good as the director's previous work. And I wasn't disappointed. The camera work was really effective, during the investigation scenes it was chilling to see the arrangement of the weapons and how the culprit worked. The closeups of the characters during their dialogues added more tension, especially the ones between I Sin and Su Yeol. It was a very effective method that added more emotional impact in their clashes.
The writing for the main characters was overall good and made me feel for them a lot. Su Yeol is a really complex character who saw his life turn into hell because of his mother (at least, this is what he believes). In his eyes, I Sin is nothing more than a cold-hearted criminal. A murderer who killed people without remorse and who didn't think of the consequences of her own actions. He resents her for ruining his life. He is afraid of becoming like her and that fear still lingers inside him, even after becoming a cop in order to not step into his mother's shoes. Hate and anger accompanies I Sin's memories throughout the years.
And yet, there's a tiny glimpse of another emotion buried deep in his heart. And that emotion is love. Su Yeol hates his mother but he still cares about her, even though he'd rather die than admit it. The abandonment he felt and the trauma he went through made him build a wall between him and I Sin. But as he reconnected with her, even if it was because of the investigation's case, that wall started to crumble. And for the first time, Su Yeol's twisted image of his mother starts to shift.
Jang Dong Yoon was very good as Su Yeol. He perfectly captured Su Yeol's feelings. You could feel his frustration and tiredness from his expressions alone. His eyes always conveyed a hint of desperation and pent up anger. Desperation for truth and anger for I Sin. Dong Yoon was very strong in the more dramatic scenes, especially the ones between Su Yeol and I Sin. Every time Su Yeol would let his emotions take a tool on himself, I couldn't help but watch in awe at Dong Yoon's performance. Su Yeol's emotions were valid to a great extent and Dong Yoon did a good job at making his character look more sympathetic (even if the audience might not share the same opinion as him about I Sin).
And then we have the Queen herself: Jeong I Sin, also known as "Mantis". It goes without saying that I Sin became a favourite character of mine from the very first episode. Her skillful maneuvers, her soft-spoken voice, her expressions, her motives...It was inevitable not to care about her. I will not hide behind my finger and deny that I opposed to her actions. Yes, I believe of the importance of law and I also believe that taking justice into our own hands is not the best solution. But when the justice system itself fails to protect the victims, what's left to do? I Sin killed men who abused their families and tormented them. She saw that the police was unable to put a stop on this and decided to step up. And even though she remains a criminal, the audience cannot help but justify her actions (or even support them).
I Sin is by far one of the most complex heroines I've encountered in kdramas. She's meticulous. Dangerous. Manipulative. Unpredictable. But not a monster. Never a monster. She is not the cold hearted criminal who was incapable of feeling love, like Su Yeol's believed. She is an abused woman who became Mantis led by the abuse she endured from the men in her life. And above all: she's a mother first and foremost who did everything in order to protect her child.
There are not enough words to describe Go Hyun Jung's performance. No words will do justice to this magnificent performance. Hyun Jung carried herself in such an effortless way. She didn't just play I Sin. She became I Sin. Every movement, every expression, every utter of words was carefully planned by Hyun Jung. Her performance alone was enough to carry the series, particularly during the second half when the plot started to become less engaging. I couldn't take my eyes off her every time she appeared, I was enamored and I got chills just by observing her. During the final episode, when I Sin finally broke down and let her emotions free after repressing them for so long, I couldn't help but cry with her. Hyun Jung's performance deeply moved me and I really wanted to give I Sin a hug and apologise for how the world failed to protect her.
The relationship between Su Yeol and I Sin is ultimately the catalyst of this story. Queen Mantis was not just a mystery thriller. It was an exploration of the complex dynamic between a mother and her son. The contrast between Su Yeol and I Sin added more layers in their interactions and personalities. On the one hand, Su Yeol was rightful for being unable to understand his mother after experiencing so much trauma and repressing his memories and feelings. He attitude was understandable for the most part and I couldn't blame him for his dislike towards her. On the other hand, I Sin was not the monster he painted her to be. Su Yeol, blinded by his sense of justice was unable to comprehend his mother's motives and threw accusations at her. Driven by denial and internal conflict, he refuses to excuse her or forgive her for abandoning him. And yet, I Sin never stopped caring about her son. Even if she expressed her love and care in a bizarre way and even if she caused distress to Su Yeol, she always cared about him and wanted to protect him and his family. Gradually, mother and son come closer and Su Yeol finally sees I Sin as the woman she is: a victim of abuse who did everything in her power to protect him.
In order for a thriller to maintain its thrill, it needs a fully fleshed story and unfortunately, in this area, Queen Mantis fell short. The plot about the copycat killer was interesting at first and I had many theories but after a while, I kinda lost interest. I think that the character of the actual killer was explored in a shallow way. Having an abused transgender woman following the path of Mantis could have been interesting if the writers had invested more in her character. I understand her motives to some extent and her admiration towards Mantis but they were presented in a sloppy way.
The police squad's incompetence and mistrust really got on my nerves. I could understand where they came from, it was logical for them to question Su Yeol's and Chief Jung Ho's closeness or Su Yeol's connection with Mantis but this hide-and-seek game became really tiring. It was clear that the writers wanted to add more tension and drama but there were better ways to do so. The squad saw how competent Su Yeol was and yet they were still questioning his abilities. It became irritating, it was as if I was watching a bunch of children, especially when it came to Na Hee and Sung Gyu.
I understand that since Queen Mantis was 8 episodes long, there wasn't room for much character development regarding the secondary ones. But this was another weak element which didn't help me connect with the story as a whole. Many characters had potential for something more but because of limited time, their personalities and motives weren't written in depth. I was disappointed at how Na Hee was handled because the writers could have done so much with her, even make her mirror I Sin in a way. By the time the writers attempted to add more depth in the last two episodes, it was late.
Moreover, I would have liked to see a deeper commentary regarding the justice system and how it fails many victims of abuse. The drama tries to do so by having Jung Ho silently approve of I Sin's actions since police didn't do anything to prevent the mistreatment of the victims but it was very superficial. If done well, even more questions could have been risen and more topics could be addressed.
Thankfully, the ending was satisfying enough and did not leave me with a bitter taste. It's a pity that Queen Mantis wasn't as strong as it began but it still left a lasting impression on me. It raised many questions regarding abuse and justice and it gave me a complex and yet beautiful mother-son relationship. I would recommend it to people who enjoy psychological thrillers for Hyun Jung's acting alone and I consider it as one of the most interesting thrillers out there.
P. S. Hyun Jung, I'll get you that Baeksang, Queen.
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Well, this thriller was… less than thrilling. So there’s that.
The show is dark. Really dark. Sometimes even melancholic. The characters are all soaked in hatred, violence, and pessimism.To be fair, I probably wasn’t in the best mindset when I watched it, which might explain part of my reaction. Still, I almost dropped it during the 2nd episode… then again in the 4th… and once more in the 5th. Did I struggle through it? Yep. Never have I watched a thriller that felt this boring. Oh my gosh, it was painfully slow. I kept thinking there were so many chances for more exciting or impactful scenes, but instead we got bland character interactions on repeat.
The plot itself didn’t help either. On paper, it sounds awesome: men being murdered, a killer impersonator showing up years later, and a cop who happens to be the son of the woman behind the first crimes. That’s disturbing, shocking, and the kind of thing you can’t look away from—like a car crash. The concept hooked me, but the execution just fell flat. Honestly, I think most of the problem was in the delivery.
On the surface, it’s a gripping story about survival and pursuit. And yeah, it was sick, twisted, and depraved… but it was also really hard to follow and, weirdly enough, boring. Some parts felt super repetitive—especially the conversations, the characters’ behaviors, and Cha Su Yeol’s inner thoughts. Maybe if the series had been shorter, it would’ve had more impact and a much faster pace.
The big reveals and plot twists were tricky. My reactions were always somewhere between “Whoa, that’s surprising” and “Yeah, saw that coming.” I’d say the ending was clever and well put together, but still kind of predictable. Overall, it just didn’t land for me.
That being said, I might give it another try someday. I really liked the psychological angle. The screenwriter does a great job showing how people react differently to trauma—some turn it inward, some take it out on others—and both are equally destructive.
So yeah, 6 stars instead of 5,5. I kept watching, hoping things would finally click and come together. In some ways, they almost did… but not quite.
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Nothing Special for a Serial Killer Drama
Short reviewThe male lead doesn’t really fit as a detective. His baby face makes the role unconvincing, and his acting feels awkward. I couldn’t even tell if it was good or not, just didn’t feel it.
The team of detectives feels useless since the other five barely help. The dialogues are boring, which makes the pacing and story worse.
The serial killer has no psycho vibe at all. It’s labeled as a thriller, but I didn’t get that feeling.
For an 8-episode drama, it’s too boring. It should have faster pacing, and compared to other ongoing dramas, it’s really bad. No surprise the rating didn’t go up.
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DARK PAST, TWISTED MINDS
Queen mantis is a creepy and gritty crime thriller that revolves around a copycat killer case while digging into the dark disturbing past of its characters. It is unsettling in the best way and manages to hold your attention tightly, even if the story itself isn't exactly new.Jung I Sin's character is the standout for me. Her disturbing childhood explains a lot about her psychotic behavior. The highlight of the drama for me is episode 3, during the confession scene between the two leads. It was eerie, intense, and unforgettable.
On the detective side, Su Yeol's character and the his co detective team unfortunately don't have much chemistry. Their interaction feel a bit off which makes the investigations side of story less exciting compared the darker plot lines.
I was able to guess the killer early on but what caught me was the revelation about the old man who called himself a pastor. That twist for me gives an extra punch for the finale.
While the story isn't particularly unique, it's told in a way that's engaging and well paced. It delivers a disturbing psychological crime story with some good moments and acting. If you enjoy dark thrillers and don't mind a familiar set up, give it a watch.
Plot 7/10
Acting and Characters 8.5/10
Cinematography 8/10
Writing 7/10
Pacing 8/10
OST/Score 6.5/10
Overall 7.5/10
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Disturbing and gripping thriller with masterful performances held back by it's script
First of all, I hate this pattern of shorter kdramas ending off on a cliffhanger as if they're guaranteed a S2. Anyways, I did not expect this drama to deal so heavily with domestic and child abuse. Expect lots of gore, very-detailed torture, heavy topics, despicable humans, etc. This really make you think about the justification behind killing, nature vs nurture, and how terrible those times were when the police had no authority to act. My first time seeing GHJ, but she completely stole the show as the Queen. All her little ticks in her mouth movement, the cold, empty, and desolate looks, as well as the passionate, love-blind look in her eyes when she talks about the scent of blood and killing as her “hobby” make every scene with her disturbing and engaging. I genuinely felt like throwing up, even though, my work requires me to dissect and see blood regularly. She's THAT good. Easily shifts from frighteningly cold and rational about her actions one moment, to playful, teasing, and secretive the next. There's subtle glimpses of her motherhood that make her sympathetic and pitiful the next, but you feel conflicted in her madness delivering justice, and then her story hits even harder with that final DISGUSTING truth revealed in Ep 8 that ties a lot of things up. She’s a morally grey character, and the story constantly keeps you on edge, as it’s hard to tell if she’s truly doing everything for her son or if something darker is driving her. If nothing else, she alone is a reason you HAVE to watch this drama.As for JDY, I think he was a brilliant choice to play her son (albeit the complaints about his baby face). As always, he showed a lot of versatility, bringing out many sides of a complex character with growth. There are complaints about how he's initially over-acting and then flat in some moments, but it seems intentional. The overacting seems to be meant to drive home how his character tries too hard to present a normal persona, but then the later moments where he's flatter is for when he's emotionally distancing himself and beginning to forcefully think like his serial killer mother. Also can't imagine it'd feel good having his normal life upheaval suddenly and now he's forced to face and dig up so many hidden truths in his already miserable past. There are a couple of moments in his acting that genuinely made me tear up, and I became invested in his story. He’s also a sympathetic and pitiful character, as someone who refuses to let his feelings as her son cloud his judgment. Unlike his mother, he tries not to be consumed by madness or love the scent of blood, but you can see through his eyes and subtle expressions how his morals are tested, how emotions push him to the edge, and how he struggles to hold onto his role as a faithful cop who saves lives instead of taking them. He learns to truly face his past head-on, and I couldn't be happier for him by the end. I also enjoyed Jung Ho’s and Kim Na Hui's characters, but only LE's acting really stood out in a few moments. The rest of the police investigation team is just poorly written and acted.
On the technical side, the cinematography is fantastic. Many of the shots are framed in unsettling, creepy ways that heighten the tension, perfectly matching the disturbing performances from the leads. If there’s a downside, it’s that most of the other characters outside the two leads felt underdeveloped (more like plot devices) and some moments rely on plot convenience, which weakened the story. Overall, though, this was a great watch if you’re looking for a well-shot crime thriller with a disturbing and mature storyline, gripping twists, strong actors, and plenty of emotional punches. I think 8/10 is a fair rating for me, though I don’t understand why some individual episodes are rated so low.
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Masterpiece
Go Hyun Jung's acting was exceptional! Everything about this series was gripping. I was in the last episode when I consciously noted that the post was remarkable. I'm going to put it on my playlist in Spotify.The main characters and the supporting cast acted this entire series with believability and depth. The open ended last episode leaves room for a season 2. I would definitely watch it. How the story would develop the mother son dynamic would be interesting. Realizing that Queen Mantis had deep seated phycological reasons for her killing spree doesn't justify the brutality but it does explain it. I think she finally gave herself up so her son could have a decent life and become a good person.
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1Copycat May Kill, but Go Hyun Jung Slays
If you tell me a story about a killer mom roped in to catch a copycat, I am already intrigued. Tell me Go Hyun Jung is playing her, and I am clearing my schedule. It is a premise that practically begs to be watched, and one that delivers plenty of curiosity right from the start.That curiosity carries through the mystery itself, with enough twists to keep the journey engaging. The show knows how to tease out its central puzzle, but at times it asks for a bit too much patience. Tension is often stretched through contrived conflicts or stretches of police incompetence. The directing leans on a Scooby Doo effect where nearly everyone looks suspicious at some point. It did not weaken the suspense for me, though it did make me overthink every odd glance and twitch, chasing shadows the show may not have intended. At the same time, the violin string woven through the score adds an extra shiver of tension, sharp enough to keep you leaning forward.
At the center is the shifting lens on one woman, Jung I Shin. To some she is only a monster, to others a source of warmth, and still a reminder of justice where the system failed. Even those carrying their own scars use her as a mirror, projecting their pain or survival onto her. The word "monster" itself becomes less a truth than a reflection, revealing more about the speaker than about her. The most compelling arc belongs to her estranged son, Cha Su Yeol, who begins in denial and resentment but is gradually forced to confront both the trauma he buried and the truth of who his mother is. Around him are mirrors and counterpoints that challenge his hatred and deepen the story's themes. Some arcs frustrate in how they are written to drive conflicts, but the strongest ones underline the larger questions of inheritance, guilt, and identity. In the end, it is the mother-son bond that holds the story together, carrying both its pain and its humanity.
And then there is Go Hyun Jung. She carries this drama with an extraordinary performance, the kind that commands even the quietest scenes. She can be chilling without raising her voice, show joy or concern with the smallest shift, or find subtle comedy in a wry smile. Her restraint makes her unnerving, her precision makes her compelling, and her presence makes the drama linger even when the writing falters. Because of her strength, everyone else inevitably pales in comparison. I expected excellence the moment she was cast, and she delivered exactly that.
This is not a flawless drama. The plotting is uneven, some of the supporting cast often forgettable or frustrating, and some contrivances will test your patience. Yet its strength lies in how it uses its premise to explore weightier questions of justice, monstrosity, and the burden of the past. It may stumble, but the emotional weight and Go Hyun Jung's brilliance made it well worth watching.
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When the good parts hit they hit, when the bad parts fail they fail
Queen Mantis had a lot of potential with its set up alone and i think it did fulfill at least 50-60% of that potential which is decentI wished jeong i shin had been more of the centre character of this show compared to her son, flipping that perspective around would have made a world of a difference
I also think while the acting was good i felt like jang dong yoon/lee el were overacting in this one and i've seen what they're capable of and in some scenes here they're just right which makes me think is part direction, since it feels that the show has some scenes that are so well crafted (all the interogation scenes with ishin!) yet also has these scenes where everyone does stupid things (shall not elaborate more)
Overall worth a quick watch if you have time just for go youn jung alone
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Please, it's prince mantis not queen mantis
I'm trying to understand if the scriptwriter really understands the character of a psychopath as he wrote the dialogue "k*lling is not as difficult as clean it"In my PoV a serial K*ller didn't always mean to be a psycho. If the psycho did, it will be no trace; and they enjoy every process like a dedication. that's the horror, that's the thrill, That'll haunt the public's fear.
Some dialogues consider memorable, but overall story filled with clichés; it loses the hook.
As an character, ms. Go deliver the best character of a calculative mother figure. Not a mantis. Best of the worst. This drama talk about the female lead is it? Need not to saw the extras story.
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