Bon Appetit, Your Majesty

Bon Appétit, Your Majesty – When Mediocrity Goes Viral

The best way to watch this drama? Grab some food, put it on 1.75x speed, and just let it run.. The show has no real substance. The writers clearly got lazy and decided a proper story was optional; instead, it’s basically a long food showcase where dishes get more screen time than the actual characters.

Yes, the title hints at food, but the description also promised "romance, fantasy, comedy", Did it deliver? Let’s see:

Fantasy– Oh yes, time travel! The lead goes back to the past. I guess that’s *all it takes* to count as fantasy these days.
Comedy – Original jokes? Forget it. Just recycled gags from every older drama of the same genre you’ve ever seen. Classic.
Romance – Romance, they call it? There’s no buildup, no real conversations, barely any screen time together, and suddenly the ML falls for her just from tasting her food, forcing himself on her, while the FL randomly decides she likes him too. As if that weren’t enough, the leads have non-existent chemistry. They simply look like two good-looking people sharing the screen, nothing more. And after all this, the creators expect us to believe they’re in love. It’s utterly absurd

Now to acting.
Yoona’s performance was fine but predictable. She’s been playing the same rom-com roles for years, merely swapping the setting and profession. Nothing new, nothing surprising—just another comfort-zone performance from her, which, as usual, turned out to be average.

Chaemin shows good potential, but his acting here was wildly overhyped. He was mostly good throughout the run, but not the miracle the internet made him out to be. Honestly, most of the buzz seems driven by his looks rather than his actual acting, and that’s just how it works in K-drama land.

Also wanted to add this: Park Sung-hoon being dropped turned out to be a good thing—this weak script didn’t deserve an actor of his caliber. It was better suited for a rookie like Chaemin (who played his part well👍,still I believe his performance was exggerated by the audience), especially since it was the food, not the cast, that carried the show.

As for the central storyline—there wasn’t one to begin with. By the last four episodes, it felt like the writer finally as well as suddenly realized, “Oops, we don't have a plot,” and started throwing in whatever came to mind just to force a happy ending. The result? A drama with no sensible closure. The creators practically mocked the audience, with, “Let’s throw the dumbest stuff at them as we known they’ll swallow it,” and, unsurprisingly, audience did.

Conclusion: This is easily the most overhyped drama of the year—mediocrity at its finest. A one-time watch if you have nothing else lined up. With a 80-Minute episodes dragged out by endless food shots , average acting and no solid story, it’s not something anyone would revisit.

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With Food as the Main Course, Everything Else Was Just a Side Dish!

After being transported 500 years back to Joseon, award-winning French chef, Yeon Ji Yeong, met temperamental tyrant, King Yi Heon, when he was out on a hunting spree. Despite being in shock and disbelief, Yeon Ji Yeong ended up cooking her first dish in Joseon. Although initially skeptical, Yi Heon gave it a taste and memories about his late mother, the deposed Queen, came flooding in. After a failed attempt at escaping, Yeon Ji Yeong was brought to the palace by Yi Heon where he commanded her to cook for him as his Chief Royal Cook. As they work together, love blooms and eventually continues across time.

I never knew food could be such scene stealers. I believe the dishes in this drama and the visualization of its taste makes up a majority of the scenes. The camera angles and sound effects when cooking and tasting the food would make you drool. This would be perfect for a food or cooking show. However, as a drama that promises themes of fantasy, comedy, and romance, Bon Appétit, Your Majesty did not deliver mainly because of sloppy writing.

The story started out promising showing enmity between the two main characters. As the drama progresses, there was a repetitive formula of conflict, cooking, tasting, and conflict solved. This made it seem that cooking and tasting were the focus of the drama and everything else were just grounds to serve the food. The comedy in this drama was also below par. Compared to its predecessor Mr. Queen, as a historical, cooking, time travel, comedy romance drama, this drama left no lasting impact. Not to mention, the sloppy ending that left so many unanswered questions. The writer was definitely lazy towards the end and decided to go for the "what matters is that it's a happy ending, everything else doesn't matter" approach. The script in the end left me scratching my head in disbelief as it clearly represents how the writer just don't want to be bothered writing anymore.

Aside from the story, the character development was also poorly written. Despite Yoona and Lee Chae Min's potential as actors, it is a pity that their abilities were not used to the best advantage. In the first two episodes, Yeon Ji Yeong and Yi Heon's chemistry were interesting enough to keep you anticipating. However as the story progresses, the chemistry between the characters started to get plain and boring, which was ironic considering that their romance were supposed to start and make you feel butterflies in the stomach. The only evident progress was that they went from a hostile relationship to becoming friendly and closer. The buildup of romance was not strong enough to support the ending when Yi Heon lost Yeon Ji Yeong and how they reunite in the present. Watching the ending actually made me cringe as I wonder how dramatic and exaggerated the characters are.

To summarize, this drama definitely lacks depth in terms of story and character development. It is a drama best watched on a faster speed and while eating some food, just to kill time. However, if you are a fan of Yoona or Lee Chae Min, Bon Appétit, Your Majesty is worth giving a try!

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Cookery, Radishes, and a King No One Should Date

From the start, this drama promised a feast: palace intrigue, time travel, food as centrepiece, and a spirited FL tossed into the past to cook with whatever she could find. For someone who binges cookery shows, the premise was irresistible. But a flimsy script and an unbalanced mix of kitchen theatrics and limp romance soon dulled the flavour. By the end, it felt less like a banquet and more like a reheated takeaway.

Romance was supposed to be on the menu, but it never made it out of the kitchen. Across twelve episodes, the leads had less chemistry than vinegar and milk. Then came Episode 11: after a shocking revelation, the king, in a fit of rage, nearly kills his own grandmother, stopped only by a sudden “I love you” from the FL. Dropped in without warning, it didn’t feel like passion; it felt like a clumsy patch on a gaping wound. Because really, if you’re prepared to slaughter your grandmother in front of the court, you’re not a brooding romantic lead. You’re a tyrant, and no pantry-stocked declaration of love can disguise that.

By episode 12, the king strolls into 2025 in designer clothes, and when the FL quite sensibly asks how, he shrugs: “It’s a secret.” That’s the narrative equivalent of slapping a bow on a plot hole. If I’d been swept up, maybe I’d let it slide. But here, it exposed how thin the scaffolding really was. And that final kiss? I’ve felt more spark peeling the lid off a yoghurt pot.

The Ming envoys didn’t help. From Episode 6, four whole episodes of stilted Chinese and tedious diplomacy drained all momentum. The drama never recovered.

And here’s the rub: this isn’t pure fantasy. The king is based on Yeonsangun, remembered for purges, executions, and seizing women for his pleasure grounds. With that baggage, turning him into a romantic lead is risky at best, distasteful at worst. And yes, it’s fiction, the whole time-travel device is meant to be fantasy, and it could just as well fling our FL into prehistory and still count as make-believe. But once that fantasy leans on real people and real atrocities, the “it’s only fiction” defence collapses. If it’s truly make-believe, why borrow the names of those who actually lived—and committed horrors that can’t be rewritten?

There were still highlights worth savouring: the two cooks, both genuinely charming; the eccentric inventor crash-landing into the palace like a Joseon-era Leonardo da Vinci; the concubine, played with such conviction her villainy felt sharp rather than cartoonish; and a dowager queen carried by strong acting. Yet these bright spots only threw the imbalance into sharper relief—because beyond the FL and her bumbling sidekick, the women are painted almost entirely as schemers or burdens. It’s a tired formula, and female characters deserve more than endless shades of wickedness.

So yes, squint and you might enjoy it as light entertainment. With a stronger script, one that didn’t brush off time-travel with a lazy “it’s a secret,” or drop the entire kitchen panel from the past into 2025 like rabbits pulled from a magician’s hat, this drama could have soared. Imagine how much fresher, and far less controversial it might have been if the ML had been a fictional nobleman rather than a historical tyrant. At least then the story could have avoided its baggage, and maybe even given us a FL who loved her man as much as her radishes.

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Very Flawed

It’s a shame; the story could have been nice if it weren’t for the many flaws it has.
Even if it was a web novel adaptation- a drama is a different format, some events that may look fine in the web novel will look out of place in the drama format. were there even screenwriters? its their job to adjust things to fit the drama format.
and Even though it’s a fantasy, it should still make sense and be coherent.

Let me mention the flaws or annoyances i noticed:
- The show is called The Tyrant’s Chef, they shouldve shown some acts of tyranny at the beginning to introduce him.
- after some denial FL realised she is actually in joseon (ep1) but she kept denying it later on
- Queen Dowager's grey gache (wig): seriously? without being too strict on historical accuracy because she wouldnt wear it - especially not at all times... there were only black ones because they symbolized youth among other things, why would she wear grey? to look even older?
- why did they force facial hair on kitchen men? it looked so fake on some of them
- i felt kinda disoriented seeing some actors i'd seen before doing very similar and memorable roles: Park Joon Myun as a court lady in "under the queens umbrella", and Jung Kyu Soo in "the face reader".
- even though FL was in joseon she kept using french and english words until the end when explaining dishes, i felt she was talking to us the viewers not her listeners.
- some cheesy romance and the generic falling together thing.
woahhh episode 9 was a big downgrade
- even after FL was proven innocent the prince mother kept stalling and doubting her risking her son's life - FL made a magical dish- with just a spoon the king felt energy flowing and the dying prince was back to life.
- i did like the reaction to the good FL dishes and found them funny when they showed them once in a while, but they showed them TOO much in the ming competition that i didnt like them anymore.
- right when things feel peaceful what do historical dramas use to make you anxious? poison ✔️ (generic)
- in episode 11 the king's grandma regained her LONG lost sanity after eating a chocolate 😂 LOL
- In episode 12, the FL was being defended beside the king, and then, out of nowhere, she was on his uncle’s horse on the other side🤷🏼‍♂️
- FL side of love was rushed at the end.
- the way she talked to the king was inconsistent, sometimes so bold and sometimes too shy even in similar situations.
- since she knew the history she could've told him about people plotting against him but she never did.
- an explanation on how the king time traveled is missing.

The acting in general was excellent, FL was alright but sometimes not convincing, the ML was amazing 👏🏼

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Mouthwatering food (and king) but bland storytelling

Another eclipse, another timeslip, another lady earning the chance to meet and fall in love with the most eligible bachelor in the Joseon Dynasty. Bon Appétit, Your Majesty spruced up this genre by serving appetizing royal cuisine beaming with flavor to a hot and delicious tyrant king.

Lee Chae Min plays the tyrant King Yi Heon with smugness and intimidation. However, he shows his playful side if the dishes tickle his taste buds as he is a self-proclaimed food connoisseur. No doubt, Chae Min is this year's rising star, stealing everyone's hearts with his face card, romantic gestures and comedic timings. Romcom actors are not given enough credit with their work. Balancing swooning gestures with punch lines is no easy feat especially if you want it to come across as natural and not cheesy.

Yeon Ji Yeong (played by Yoona) is the lucky chef who gets to meet and serve Western fusion Korean cuisine to King Yi Heon after opening a mysterious book during the eclipse. Her sunny and hopeful disposition is infectious and that eventually rubbed off to our tyrant king. He fell in love with the foods as well as the cook herself.

After a heated negotiation between King Yi Heon and a Ming envoy, Ji Yeong once again ends up on a cooking battle but this time the stakes are higher and she is up against the Ming cooks. I certainly enjoyed the cook-off and all the interesting ingredients and twists they used in the dishes. The story and chemical reactions behind the cuisine made the dishes themselves more appetizing and mouth-watering. The show highlights all the meticuluos planning put into cooking and the importance of each ingredient to make a meal flavorful. This made me realize how fortunate I am that I live in the times where condiments and pre-prepared mixtures are ubiquitous so I can make an easy and tasty meal in a short amount of time.

With all the interesting bits about cooking, how come this show ended up tasting bland and dull? The answer is it has too much contrasting flavors. The cooking battles and the tyrant king's search for truth feels unrelated that these two themes ended up telling two entirely different stories. If only they picked a lane and focused on the royal cuisine more and the tyrant king being a picky eater, maybe I would be sold on the story it's telling.

Most, if not all, supporting characters are one dimensional. A bit of backstory would help me grow fond and sympathize with the cast especially the villains. The finale was dull and unsatisfying because the once formidable foes ended up admitting defeat and dying in the blink of an eye. It was too easy and fast that we didn't get to celebrate their downfall.

Overall, Bon Appetit, Your Majest offers delicious dishes and yummy king 😋 but that is not enough to mask the missing ingredient which is story cohesion. Still, this is a decent watch if you're an avid fan of mukbang with lots of much needed close-up on Chae Min's lips and funny, creative animations of taste sensation.

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Normaly an expensive feast created by quality.

Not strange if one says that "looks a bit like Mr. Queen".The use of 'michelin chef' terms; seems to have a place in many Korean dramas and variety shows these days, and it's boring, knowing the truth of the status isn't achieved by simply attaching it to a character's label.

With a heavy heart, this drama is very different from some culinary dramas I have watched, I would call it a forced airing for this one. Not all historical tragedies can be used as "what if" scenarios when writing a script, as some could bring a potential risk to sentiments of certain groups. Furthermore, the haphazard addition of certain aspects seem like an attempt to sway public opinion.

This is very dangerous considering the negative impact of rewriting history, especially through fiction, if not done carefully, although personally I liked the depth of the male lead's character.

Hope that future dramas like this, would be written and produced with more natural dialogue and scenes, also good prepromotion so they don't come off as tacky and obvious.

As a most cook said "don't waste good ingredients"

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Shoujo Food Wars? ???

I was originally going to give this show a 7.5, but when I sat and thought on it I realized the ending pissed me off more and more. Not to mention that when I actually gave it a second thought, the story was nonexistent as well as the "romance." I think I was just blinded by the flashy visual effects that looked straight out of Food Wars mixed with the attractive cast.

I love time-travel stories, and historical slow-burns have my whole heart. As such, I was locked in like crazy when this show was airing for a while. The show set itself up in the first episode to be an exciting historical tale that would eventually lead to steamy romance between a modern woman and king with more than a few screws loose. I personally like dark romance-esc relationships and have no issues with a complex love story between a mentally unstable king with mommy issues and a mentally stable modern day lady forced to be dragged along to the palace on one of his sporadic whims. Some people might have an issue with that pairing, but I don't. In fact, I encourage that spice. But what I got instead was a show stuffed with filler, underdeveloped characters, and an undercooked romance. And just as I had my hopes rise again with the intensity of the Ming food battle and the plot taking center stage during the final three episodes, the ending gave through with the final blow to leave me unsatisfied.

I tried to console myself when I was watching the plot turn away from any serious writing by accepting that it was always meant to be a fluffy slice of life, but then they whiplashed me with a sudden importance put on a decent plot again in the last episodes. The tonal switch-up was out of place and I think they should have stuck with a single genre and called it a day so as not to raise my hopes. The story was just left feeling vacant with how they didn't even try to explain the mystery behind Mangunrok nor how the fuck Yi Heon managed to get himself into Ji-young's era. The explanation being gatekept behind "it's a secret" made me drop the score an entire point. Did they even think about explaining the supernatural aspect at all??? I'm tired of seeing authors write time-travel plots without actually considering the consequences of explaining its existence in the verse it's written in. They just decided to have Ji-young randomly be summoned back to her time under BS circumstances and cut away from showing what became of Yi Heon's life during her absence. Then they expect you to accept that Yi Heon, a man who was raised as royal man in the 1500s and lived as a king to be able to perfectly adapt to the modern era in roughly a month. Who's buying that?! Realistically, this man would have been thrown in a jail cell for threatening random people on the street with a sword whilst wearing bloody clothing. Then they want you to accept that it makes perfect sense for all of Ji-young's friends acquaintances from the Joseon era are either reincarnated or have descendants that look *exactly* like them 500 years down the bloodline. Get real.

The character writing was probably the most unfortunate aspect of this show, however. I initially liked Ji-young's character for being a tenacious and intelligent woman that was going to need to have to use her charms to survive in an era where she'd be persecuted. But of course, the roadblocks that would appear due to her gender and apparent madness are completely irrelevant. Then by the end she felt so lackluster as a romantic lead. I mean, they wanted me to believe that a modern woman like her would fall so deeply in love with a maniac like Yi Heon despite only being in Joseon for no more than a half year. I realized just how misplaced she felt in the show when she was completely useless during almost all plot-relevant conflicts later in the show. I mean, what did she *really* contribute? In the actual palace intrigue, she was just a damsel that needed to be saved by a flurry of attractive men with swords. Yi Heon himself was far more interesting that her given his plot relevance and questionable morals. But of course, they try and make him seem like the good guy by the end and everyone else is the bad guy. I liked him more when they leaned into how much of a whack job he was; this is what made me excited to see how the central pair would develop feelings for each other despite their contrasting personalities. He made me laugh a few times as well and I love funny bastards that deserve to be put into an asylum. They could have just kept with his insanity and made it more tragic, but they chose to make him magically remorseful by the end without any prior indications of hesitation for his crimes. Him being okay with giving up the throne during treason was extremely hard for me to believe given that he was a man used to having every little whim cared for and using his position heavily to his advantage whenever he felt like it. It doesn't make sense to me that a guy willing to risk the lives of his citizens for a mere unofficial food battle would care enough about their well being to sacrifice his power and prestige in the final episode. The show didn't even attempt to address the repercussions of his actions against those he harmed, either. The rest of the cast was just background dressing with good potential that went unused. The jester was a guy with a good motive, but was left with virtually zero development even in the last episode. The only character I really felt any slight effort to write from was Tang Bailong. But of course, he existed for one arc alone, so he disappeared along with any complexity in character writing. The main villains, Jesan and Mok-ju, were underwritten and fell flat as central villains. Where was the complexity in them? How did they get away with the obvious rules they kept breaking? The bonding moments with the cooks were cute, but their characters one-note as well. Gil-geum was the only semi-important one, but she was so extremely annoying with the way she'd talk and sprout open her bug eyes to the point that I couldn't wait for her to leave my screen. I thought they were even teasing a romance between her and the jester at one point but that just went nowhere per usual. That may have secretly been a good thing however, because I am getting tired of seeing side couples that just take away screen time from decent main couples. The lack of backstory for virtually everyone really did detriment their characters; even Yi Heon and his sparse flashbacks made it hard to truly understand his rage.

The romance itself was hollow. I couldn't understand just why Ji-young fell in love with Yi Heon by the end. The guy literally attempted to murder her on multiple occasions and was called a tyrant with mommy issues in history for a reason. She knew that he committed the Chaehong and purges, yet didn't seem that phased being beside him. The man was literally going to have chefs lose their limbs right in front of her, yet acts like a high schooler in a Shoujo a couple of episodes later. She barely expressed a single ounce of judgement for a man as vicious as Yi Heon; not even in her head. As for Yi Heon; he was a king notorious for being a womanizer, yet acts like a lovestruck fool for Ji-young super fast into their "romance." He didn't show a real discriminatory bone in his body towards Ji-young despite her being older, of unknown origin, and mentally "unsound." And I find it incredibly hard to believe that a guy so horny he was criticized for it in history books would be a blushing idiot in front of a woman who is only exceptional at cooking. Where were the sparks required for me to believe their supposed "love"? I felt tension from them in the first episode given how much it seemed like it would be enemies to lovers, but that sizzles out when they actually attempt to write them romantically. I don't believe that either of these two grown adults, one of which is heavily experienced, would be acting like teenagers in their first relationship whenever they get into proximity of each other. I was excited to see how they'd write a romance between a mature woman and king with a womanizer status. But it's like they forgot who they were writing and erased that aspect of Yi Heon's character in favor of generic K-Drama romance. Where was the angst of a modern lady being a side piece to a king and the looks she'd get from it? Where is the concubine feuding she'd get dragged into? Why wasn't Yi-Heon's supposed "favoritism" of Mok-ju shown? Where was Yi Heon's classism at being attracted to a commoner at? Why didn't they have that sexual tension you'd expect to see in a harem setting? Why didn't they explicitly show scenes that grew their attraction toward each other? Where is the hardening of resolve it would take for a modern woman in Ji-young's situation to develop at? Where was the complexity of Yi Heon initially liking Ji-young because she reminded him of his mother at? Where was the difference in mindsets that would bleed through into their choices in their relationships at? Where was the, albeit toxic, power play at? I swear they didn't even have any substantial bonding moments that would make their undying love believable. Yi Heon himself even admitted in episode 1 that he didn't find Ji-young attractive but would "bestow a favor" upon her anyway, yet then gets blushy at the mere touch of her later. That does NOT seem like the attitude of the same guy at all. The most "attraction" I feel is Yi Heon being drawn towards Ji-young because she reminds him of his mother, in classic maniac fashion. They barely seemed to find each other attractive by the end, but act like a married couple in the epilogue. And you can call me a degenerate if you'd like, but I still wanted more intimacy and implied sex scenes. They were supposed to be mature adults, yet the most they get are surface-level kiss scenes sparsely thrown in. Incredibly disappointing.

I thought the main actors did well in their roles however, the ages did not match up. I mean, they wanted me to believe that Ji-young looked 27, when her actress is obviously in her thirties. I'm not insulting her looks, I'm just stating it how it is. I was also very confused on how old Yi Heon was supposed to be. I was curious so I researched the actual Yeonsangun he is based off of and according to Wikipedia, that guy died at 29, so I guess he was in his late twenties as well? But then it wouldn't make sense for the MDL page to list them as having an age gap *in* the drama. I saw that there was some issue with the casting of the King and that impacted the eventual age gap, but I didn't know that when I was watching the first 8 episodes of the show. So as you can imagine, I was very confused. But the casting itself was good; I give kudos to whomever casted Yi Heon's actor because that guy's bug eyes and devious eyebrows and smile had me laughing my ass off every time he did that goofy grin. And although I criticized how it was hard to link with Yi Heon's personal rage pertaining to his backstory, I could still feel his anger and sympathize with his resentment due to the actor's passionate portrayal of raw emotion in serious scenes. Ji-young's actress was good in the role; it's not her fault she was given a poorly-written character to play. She managed to come across as a skilled chef stuck in a different time period, so she did what was all her character writing required of her.

The visual effects that would play when people bit into their food had me dead more than once. I thought I was tuning into an episode of Food Wars a few times when the sounds they'd release from their food comas, only to be awakened to reality when I realized there was no ecchi. I had to question how hard it was for the actors not to burst out laughing when recording those scenes. I think my favorite scene was when they saw the phoenix soaring in the air during the Ming food battle. I was fucking dying when they were enacting animal gestures during those scenes, as well as the Ming envoy praying to a giant Buddha out of nowhere. Those scenes were probably the best entertainment for me in the entire show.

The production itself was beautiful and the scenery looked amazing. The greenhouse was straight out of cottage-core and the food was as delectable to look at as it probably tasted. I had not qualms with the music either and felt it enhanced pretty much every scene it was in. The random Mangunrok rap thrown in mid-show followed with a dance sequence that made me feel like I was watching the Boondocks was definitely a hilarious and artistically crafted scene. The costumes were great and I adored the hair styles of the women along with the robes Yi Heon would wear; the robe he wore to Lion Dance was definitely my favorite one by far. The camera angles were nice and they accented action sequences well.

The action sequences made me feel extremely shallow when they made me froth at the mouth more than anything Ji-young made; I have never been so entranced by handsome men wielding swords and doing kickflips before in my life. I was one heart-eyes emoji away from being a complete degenerate. There really is nothing quite like seeing Yi Heon, Su-hyeok, and Gong Gil adorned in historical garb and attacking nameless assassins in order to protect the fair maiden, Ji-young. I've never wished for a show to turn into Shoujo more before in my entire life. And when Yi Heon was bloody and battered after arduous fighting in episode 12, I was enjoying the sight.

Though, despite any positives I may have, I cannot picture myself ever rewatching this show again in good faith. There just isn't anything that would make up for the negatives that would cause a sour aftertaste to resurface upon rewatch. There is underdeveloped chemistry, lack of sexual tension, hand-fisted plot, shallow villains, two-dimensional characters, and an underutilized setting. So, would I recommend this show? No. I would only recommend it to someone if they reeeeally liked cooking. As for someone that really likes political intrigue or romance, I'd steer clear altogether. It'd be a waste of time.

꜀( ˊ̠˂˃ˋ̠ )꜆

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overhyped

Bon Appétit, Your Majesty – 6/10

At first, the drama felt a bit silly but in a cute and funny way. By Ep 2, I got intrigued with the cooking methods, and from Ep 3–10 I really enjoyed the kitchen dynamics, the bond between the cooks, and the rivalry with Chef Ming. The cooking parts were definitely the highlight.

What didn’t work for me was the romance. I didn’t feel any chemistry between the leads, and the king lacked presence, he didn’t have king presence at all. more like CEO. The female lead also didn’t carry the “main character” vibe, similar to her role in King the Land.

Eps 11–12 took a serious turn with deaths and fights, but i was bored af. I almost dropped it. The king’s breakdown was meant to be emotional, but it just came off unintentionally funny.

Overall, I first rated it 8/10, but after the last two episodes, I settled on 6/10. The ending, where all the cooks appeared in modern time, was the most enjoyable part. Overhyped just like QOT & LR, but still a decent watch if you enjoy food-centric stories.

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I can't get over 2 things...

Ok - spoilers.

Love the cast. Acting was great. Production was great. Action was great. FOOD LOOKED AMAZING.

BUT...

1) He was legit a murdering tyrant. He had dozens/hundreds of innocent people murdered. And that's really never resolved beyond "oops he realized that maybe wasn't ok." I mean, she fell in love with someone who had women and children killed.
2) The ending of him just showing up AS the King? So they never really resolve his terrible terrible past.
3) "It's a secret... it doesn't matter" felt like it would have been cute in a different storyline, but here it felt dismissive to the fans. It wouldn't have been such a big deal to have him held in the book and released when she returns to the present. OR better yet, at least have his spirit reincarnated or something (which at least dodges the "he's a murderer" thing.)

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If I were the king, this plot would be chained up in the dungeon !

If this drama were a dish, it would be a beautiful Choco lava cake...beautiful on the outside, but sadly missing that melty, gooey centre. Imagine the disappointment...
On paper, the concept was a straight-up feast for a food centric romcom. A modern Michelin-star chef is tossed into ancient Joseon, cooking for royals, with time travel. What I didn't expect was for it to be bogged down by adding the plot at the last minute.

Let’s start with the plot or honestly, the garnish that tried really hard to look important. Political scheming, treason, secret agendas… Except most of it never actually landed. The conspiracy gets teased in the first 2 episodes, then disappears into the background for the majority of the drama, only to be awkwardly pulled back near the finale. You could remove all the palace intrigue, dead-parent mysteries and sabotage nonsense and the cooking scenes would still work perfectly.

Pacing is another tricky ingredient which they failed to master. The drama devotes several episodes to a single cooking competition that could have cut short if they really wanted to accommodate and address the palace politics .
Also, the FL traveling from the future and knowing what’s going to happen but still waiting until swords are drawn felt completely absurd. I get that she doesn’t remember the exact dates of events, but she knows who the culprits are and could have easily warned the King. One counter argument is that the King might not have believed her, thinking she was joking but after several episodes, he clearly does start trusting her. It’s as if everyone...the FL and the writers included forgot they introduced a tragic backstory at the start, because it goes completely unaddressed in the middle episodes.

I need someone to sit and explain the why's to me... Why as in not why we needed those subplots but why as in , why weren't they addressed as a part of the drama from the start and only like a finale afterthought. When the drama tries to get serious, it trips over its own feet… and the moment it goes whimsical, oh look they suddenly remember there’s a tragic backstory lurking somewhere.

And I refuse to talk about the ending because the drama didn't bother explaining either!

Where the drama truly shines is in the kitchen. The food sequences are glorious and very realistic with sizzling pans, carefully plated dishes, exaggerated reactions that somehow make you drool and cinematic close-ups. It is bound to make you hungry. No complaints here.

Coming to the romance, it is slow-burn, awkward and sweet at the start, but in my humble opinion, it never fully blooms. Till the end, I thought FL wasn't in love with the King. They had fragmented chemistry, but it wasn't convincing enough. Though I didn't mind it much considering that it didn’t hog the spotlight and let the main plot, ‘Food,’ take the stage.

Acting-wise, the leads do more than the script really deserves. LCM as the ML, brings the king’s charisma effortlessly. His portrayal is solid and he nails both the goofy and the emotional moments. Yoona as FL Yeon Ji Yeong was also good especially in the cooking scenes. The supporting cast had some good names that were underutilised, like Kang Han Na as Kang Mok Ju.

Production was very polished and grand. The money was well spent on the elaborate sets and costumes. Plus, the cooking scenes and the setup looked really authentic as well. I also like the concept behind the title of every episode. A lot of thought was put into aesthetics, but I wish they had spent as much care on the writing to do overall justice.

Overall, this could have been a perfect light-hearted historical slice-of-life drama if only it hadn’t tried to juggle a dozen unnecessary subplots. Last few episodes felt like a different drama. I did enjoy the cooking aspect, but the rest of everything was mediocre.
Will I recommend it? No. It's not even a small commitment. Every episode is 1 hour+.

Thank you for reading my review! <3 I hope you enjoyed/enjoy the show more than I did!

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