10Dance

Speechless.

Everything about this production was beautifully captivating. There are simply not enough words I could physically type on this review to make what I have to say about this film be fully expressed. I struggle, even typing this out, to truly put my feelings into words. The story, the acting, the styling, the music, the cinematography, the visuals, anything and everything truly hit the mark. Nothing about this film lacked. Not one thing was out of place. Purely perfection. Honestly the first film I have rated a 10. Just everything was stunning and I can never stop saying that.

Not one actor lacked the skills or ability to portray their character. Every actor knew the assignment. Studied everything to a tea. No one stood out or performed poorly. Biggest props to them for training so hard for this film. I did not hate any character, nor did I feel like one was a villain in this story.

Now, the chemistry. You have to be blind not to see and appreciate the chemistry between the two leads. The tension was there, the emotions were there, the love and heartbreak were there. They made me think they were in love, and they were. The passion on the ballroom floor was perfectly mirrored every time they were on screen together. The actors were stunning together, and I would love to see them work together again. Maybe for a sequel or something completely new. No actors have moved me like this EVER. They were fantastic.

The women were simply beautiful and stunning. The way they supported their male counterparts but also develop a sense of friendship along the way was refreshing. I adored them and their stunning wardrobe. They had their own storylines and feelings that were also seen in the film and didn't have to rely on their dance partners. The friendship between them and their male partners was something entirely new. No romantic feelings, just love and understanding of a dance genre that makes them express themselves in the rawest way. It was a treat to see all the relationships between the characters.

The MUSIC was not something I thought I would love as much as I do, but I do. Every song fit the scene and was a hit. It was so good and enjoyable to hear. Definitely something I would listen to on my own time. It was fantastic.

The styling was also something I loved. Every piece of styling fit the character wearing it. Sugiki is a perfectionist. His hair is neat; he wears a classic suit, he is polished to perfection, nothing is out of place. While Suzuki's hair is messy, it's bleached, he wears opened chest tops and has a more laid-back look. It fits their characters perfectly. The women also had stunning and flattering dresses that were just jaw dropping.

Many say the ending is opened and felt unsatisfied. They felt the story was abruptly ended but it sets itself up for a sequel. I found the ending pleasing. It not something that felt rushed or anything to that nature. An ending that fits good for the story. I can't say that I agree with feeling abandoned.

Overall, this film is perfect and it's my number one of the year. Worth the watch and will leave you wanted more.

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Top Notch

The two male leads were phenomenal! Their chemistry was riveting. They both could speak not only with their bodies but with their eyes. From my understanding neither of them are professional dancers; they learned to dance for this movie. In my estimation they're both geniuses! The choreography was superb!

This is sort of a slow burn romance with a masculine lack of verbal communication. I got the impression that the time frame of this movie wasn't 2025 but more around 1980's to 1990's. I could be misreading that, but there is a huge preoccupation with one of the male leads smoking continuously. Until recently that amount of smoking has been kind of frowned upon in movies. There was a somewhat easy acceptance of a male male relationship, but then a subtle sense of an awkwardness in pursuing an obvious relationship.
I don't know some of the cinematography seemed to indicate a time frame 20, 30, 40 years ago. At that time a gay couple would not have been readily accepted.

One male lead was rigidly controlled but you could feel the inferno under the surface of the skin that was clamoring to be released. The other male lead was extremely passionate and emotional and sexy as hell!
The dancing was magic!

This movie presented a different flavor to a BL. I would sort of consider it more of an LGBTQ movie than a BL. Overall the movie was entrancing and I am certain to watch it several more times.

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Japanese Nuances Carried by the Actors’ Performances and the Beauty of the Dance Scenes

10Dance is a movie that lingers long after it ends. Through ballroom dance, it portrays the shifting emotions between two men with remarkable subtlety.

Japanese dialogue carries layers of meaning—levels of politeness, gendered speech, and subtle shifts in tone—that subtitles can’t always capture. Sugiki always speaks in polite Japanese, even when teaching. His tone only breaks when his emotions overflow. Forms of address also reveal character dynamics: Sugiki calls Fusako “Yagami-san,” while Suzuki casually calls her “Fusa-chan,” reflecting his innocent, free-spirited nature. Meanwhile, Fusako and Aki call him “Suzuki-sensei” (Mr. Suzuki), showing respect. Aki’s rough, casual lines like “Koeeyo” (subtitled “I’m scared”) also express her personality. These nuances may not fully translate, yet the actors’ physicality and expressions convey the emotional truth beyond language.

Sugiki (Standard) and Suzuki (Latin) clash in both style and personality, but as they teach each other, tension slowly turns into recognition and respect. Suzuki’s line, “It's like a wave, a current… Just by holding his hand, I can feel his emotions,” captures how dance lets him sense Sugiki’s inner world. When Sugiki calls from England, Suzuki quietly says, “Come back soon, okay?”—a moment that shows how close they’ve grown. Their kiss on the train marks the undeniable pull between them.

At Blackpool, Suzuki’s ex-girlfriend Liana appears. Watching Suzuki’s expression as he dances with her, Sugiki seems unsettled, and Suzuki senses this. That night, Suzuki kisses him, trying to cross a line. Sugiki rejects him with: “It’s no use. We can never become one.” The Japanese line “交われないんだよ” carries a deeper nuance—not just “we can’t become one,” but “our ways of living can never truly intersect.” The subtitle is more romantic and direct, while the Japanese expresses a heavier, existential distance. Afterward, Suzuki practices alone, reaching out as if taking the hand of someone who isn’t there. His expression holds a quiet, aching loneliness.

When Sugiki finally asks, “Will you dance with me?” their story begins to move again. Their ten-dance demonstration is breathtaking—full of joy and harmony.
And their final kiss feels less like an ending and more like the beginning of something new — a moment where their hearts finally meet. Many viewers are hoping for a Season 2, and I find myself wishing for it as well.

The dance scenes are stunning, filled with the actors’ dedication and emotional precision. Their nonverbal acting—glances, silences, subtle shifts—speaks louder than dialogue. At first, I couldn’t quite connect with Suzuki’s character, but his sincerity and passion won me over. By the end, I found myself wholeheartedly rooting for them.

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Tender and intense in correct moments!

This show was clearly done well, the production was amazing! But I mean it was Netflix show after all!

I loved the cinematography, it was very well executed. I was immersed in the movie's world right away, unable to take my eyes off the screen. The lights, colors, movements, camera angles, all of it! All those aspects came together and created a beautiful and emotional story as well as the amazing atmosphere.

We got both tender and intense moments woven together. I could feel the emotions through the actors movements, without anyone saying a word. I was enchanted by the actors movements, those dance skills surely needed a lot of work! I also loved the quiet but strong emotions we could feel in many scenes.

All in all I loved this movie! It was fresh, well executed and beautiful as a whole.

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A solid 8 - not perfect but worth the watch

The actors are fantastic. Mature, seasoned, in their own element. brilliant casting.

The story itself is fantastical. nuanced and respctful to the ballroom dance scene and culture, yet boundary pushing to where it makes you ask “could that happen in real life”

The lack of relationship development is where this movie falls flat. I think you just need longer than a movie length to develop the tense and deep connection that they showed on screen. it sort of felt like a few time hops and the audience didn’t get to see those important moments.

but overall worth it!

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Great Visuals and Enticing Moments but Ultimately Left Me Wanting

10 Dance started off well then lagged a bit in the middle and finally did pull off some of the anticipated emotional moments. Ryoma Takeuchi is physically stunning and he is adept at switching from exuberant dominance to a sensitive and vulnerable man in his roles. Keita Machida’s nuanced performance which was revealed through his body language and his eyes is a marvel to behold. Shiori Doi and Anna Ishii make the most of their subordinate roles with perfect grace and honest emotions. Where this was lacking for me was in two areas. First, the slow build attraction sets up expectations for the viewer but when Sugiki turns and rushes down to the train, enters the car and kisses Suzuki, this was the moment when there should have been a leaning in to the erotica. Instead, we are treated to a chaotic “dance” scene that broke the tension. This approach and retreat I realize was used for a reason in the movie but it left me wanting. Second, we know from the dialogue that dance is love yet I only saw brief moments of the love and joy of dancing in the honor dance. The majority of it displayed attraction for a partner. Overall I enjoyed the movie but found myself comparing it to Shall We Dance (1996) with Koji Yakusho. His character is initially drawn to the dance studio by lust; however, he is soon captivated by dance itself and falls in love with the joy of dancing.

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... and if this never gets a sequel, I am happy with what we have. But I'd really like a sequel

Japanese BL movie, so I was scared about tragedy and a sad ending. Word on the street was so unclear about whether the so called "open end" of this movie comes with a positive or negative connotation, but ALL IS GOOD. All is good trust me. That open end is a serotonin high.

This is a romance. The characters both had past relationships with women, 💜 🩷 💙 , and as the movie plays out, it's revealed that they are each other's professional and artistic inspiration. They're not just rivals.

Then they fall in love. It's implied that it's impossible for them to be together but my boy Suzuki was SMILING in that open end, AND there is this event in the last scenes, it's a stunning and incredible climax of the movie. It's on a level of delusion that it's either a mass hallucination, or 10Dance is coming in at a level of escapism that rivals Red White & Royal Blue, but we have to believe the impossible. We have to dream it into reality. Dance is about LOVE, and about the performers and the audience connecting. This movie does that, too.

The women deserve their own fluffy yuri spinoff. Tajima Aki and Yagamo Fusako are incredible characters, and good friends to Suzuku and Sugiki, and Suzuku and Sugiki are good friends in return. Truthfully, not always, but it is implied that the obstacles in their respective friendships in the end brought them closer together.

It's perfect. Obviously. Costuming is sexy as hell, and the music is phenomenal.

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